#and there was no anaphora to it before except some repetition of the phrase ''because''. this is a much different poem than it was 2 mos ag

[amalgamationink]

NAPOWRIMO24 #14: THE AUTHOR RESPONDS TO HIS DECADE-OLD SUICIDE NOTE

[creacherkeeper]

@astrophysiciann asked for some tips on a specific writing thing and i got kind of carried away because OH BOY DO I HAVE TIPS so it’s getting its own post 

i have taken a buttload of writing classes, got accepted onto the creative writing track at the best writing school in the US, ran a writing blog, finished an english degree, read writing books ...

do you know what has taught me more about writing than anything else?

WRITING THINGS AND PAYING ATTENTION TO HOW IM WRITING IT

im serious. nothing is going to teach you how to write except writing. want to write a good novel? WRITE A LOT OF NOVELS. HOWEVER, i have picked up on things over the years that i am very frustrated dont really get taught in writing classes. writing classes are a bunch of “here go write this and i’ll give you a grade” but like. there ARE things you can do to be a better writer

vary sentence length. absolutely important. a lot of one length is going to start to sound boring to the readers internal voice. if you cant do this naturally, take note of how many words are in each sentence as youre writing. each paragraph should have a little variety, and your paragraphs should have different numbers of sentences in them. if youre writing an action scene, trend towards shorter sentences. in my writing i tend to do a lot of “medium length. long length. long length. very short”

finish on the important information. put the important word at the end of the sentence. it keeps the reader engaged because they want to know WHATS happening and why its important. leave it for the end (this is especially true for comedy) 

adverbs aren’t bad but they really are easy to overuse. ask yourself each time “is there a better way to phrase this, and if not, does the adverb really add meaning to the sentence”. sometimes it absolutely does and thats great! a lot of times you can go without them. warning: taking the -ly off an adverb and just using the base word is valid! but your reader might interpret the speaker as uneducated and masculine, because that’s who typically does that verbally! (aka i took a linguistics & gender class and found out that i talk like an uneducated man!) 

are you starting a bunch of sentences with the same word? that sounds repetitive. major problem of mine. challenge yourself not to use the same sentence starter in each paragraph, or start the paragraphs with the same word. vary it! its harder than it looks, but you can practice

try to pepper in repetition with motifs! in my last fic i used the phrases “in the early days” and “as was mentioned” a few times each. it just helps the reader feel like they’re reading a cohesive work. one of my FAVORITE literary things is when a line comes back and means something different with repeated uses. LITERATURE!

rhythm is important. read your writing out loud and pay attention to how the sentence flows. things i use a lot to establish a beat: anaphora (repeated phrases: he thought blank1. he thought blank2. he thought blank3), syndeton (using multiple conjunctions: blank and blank and blank), and asyndeton (no conjunctions: blank, blank, blank.)

dialogue tags are your friend. the reader should know who’s speaking. when we go a long time with no dialogue tags it’s easy to get confused. HOWEVER. some tips. “said” is your friend. said becomes invisible. they’re going to see their name and that’s it and that’s fine. if you use something else, it should be justified. ‘“i love you,” he said’ is neutral. ‘“i love you,” he growled’ VERY DIFFERENT. if youre using a different tag, it should be because it adds meaning to the sentence. NO WORD WASTED! 

vary sentence structure. this includes dialogue! 

“blank” he said 

“blank” she said 

“blank” he said 

no!! boring! 

“blank” he said 

she did blank. “blank” 

“blank,” he started. he did blank. “blank” 

much more visually and audibly interesting! also - use actions with your dialogue! people move when they talk. a scratch on the neck might mean someone is embarrassed. your character might be nervous and fidgety. let people have body language!! and let them interact with their environment! 

AS FOR LARGER PROJECTS

i personally LOVE using the three act structure! if you’re not familiar, it goes like this:

ACT 1 

beginning (this is life in the BEFORE THE PLOT times)

INCITING INCIDENT (the plot is happening now! CALL TO ACTION)

door 1 (also called a “door of no return”. this is what pushes us into act 2 - what is this event that means the protagonist can never mentally or physically go back to how things were before?)

ACT 2 

midpoint (this should be the characters LOWEST POINT. they might not succeed!! how terrifying & engaging!) 

rising action! (stuffs afoot! the plot is gaining speed!) 

door 2 (oh no! they can never go back again!) 

ACT 3 

climax! (everything is coming to fruition!! everything has been leading to this!) 

falling action (this is our new world order) 

there are variations on this, but this is the basic gist. if you’re struggling with the middle of your book, which a lot of writers do, think of the midpoint. think of your protagonist. what’s the worst thing that could happen to them? whats something they would never want? how are all their plans going to fail? 

another thing you can do with your midpoint, or just your characters in general, is this: 

what is one thing they would never do, and how are you going to justify making them do it? 

this pretty much guarantees you a dynamic character, which i think is a trap beginning novelists (like myself, back in the day) can fall in to. your character needs to change--sometimes for the better, sometimes for the worse. if your character would swear up and down they’d never do one thing, OR if the reader THOUGHT they would never do one thing, what would that be? why are they now going to have to do it? 

another tip for big projects - figure out what kind of writer you are. do you write for the big stuff or the small stuff? 

some people are like “oh! i can’t wait for this big plot twist in act 2!” great! write everything to lead up to that plot twist 

i personally am more of a “oh i want to include this one specific line of dialogue/this one emotional beat/this one piece of imagery somewhere but x y and z would have to happen in order to make it make sense” and then i write in x y and z! 

basically, what are you EXCITED about in your story? write only for that 

another thing is wasted space. you might think writing four scenes of worldbuilding is a good idea, but aside for those worldbuilding nerd junkies out there, it probably isnt. every scene should move along the plot or develop your character. preferably both at the same time! i know everyone loves to be like “WE WERE ROBBED” about cut scenes, but like. a lot of the time those scenes were cut because they weren’t moving things along, and it was RIGHT for those scenes to be cut. sorry guys. pacing and development is important 

as far as motivation goes, find a HYPE MAN. or, even better, someone who is going to critically engage with your work. some people dont like to share their work until a full draft is written, but i need feedback as i go. find someone who’s going to tell you what they liked about it and what doesnt make sense in draft 1. these people are very important. too much criticism can kill a novel in the early stages. you need HYPE and a plot hole finder 

okay!! it’s getting late and i have work in the morning so that is all my Hot Takes for now thank you for listening 

[juliadgomezus]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from SEO Tips https://thecopybot.com/literary-devices-web-style/

[adolphkwinter]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from Online Marketing Tips https://thecopybot.com/literary-devices-web-style/

[mahtewtwook86]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from https://thecopybot.com/literary-devices-web-style/

[peterjcameron]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from Peter Cameron Business Consultant https://thecopybot.com/literary-devices-web-style/

[richardlucianos]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from SEO Tips https://thecopybot.com/literary-devices-web-style/

[samabd]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from SEO Tips https://thecopybot.com/literary-devices-web-style/

[logancfrench]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from News By Logan French https://thecopybot.com/literary-devices-web-style/

[chrisfvargas]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from Internet Marketing https://thecopybot.com/literary-devices-web-style/

[rodneyfgarrett]

12 Uncommon Literary Devices to Give Your Writing Irresistible Style

So I bummed this book from a neighbor. It’s a book on classic English rhetoric. Or verbal style.

She initially pulled it off her shelf to show me because of the name of the author: Ward Farnsworth.

Not an exact rendering of my last name (it’s Farnworth, no “s”). And that’s not pretentious posturing on my part — it has been that way for generations.

But it didn’t really matter who wrote the book. I fell in love with it on the spot.

Each chapter is devoted to a literary device like anaphora, chiasmus, and litotes That may sound like nonsense to you, but they’re just fancy words for rhetorical devices you’ll quickly recognize.

Furthermore, each device is broken down into subspecies, complete with examples from notable sources like Shakespeare, Churchill, Chesterton, and the Bible (and I threw in a few by Tupac Shukar, Monty Python and the Holy Grail, and Bob Dylan).

What is a literary device?

Before diving into these uncommon literary devices, let’s take a quick detour.

Talking about literary devices, figures of speech and writing style can be intimidating for many.

After scouring the web and referring to a few additional books, I didn’t come across an agreed upon definition of literary devices. So here’s my take:

A literary device is a technique you can use to create a special effect on your writing.

Think about it this way.

When writing a story or making a point, you can just use the facts, which is totally fine for in some cases like journalism, or you can liven things up a bit with a literary device.

Here’s an example of a literary device to illustrate what I’m talking about:

“The rain was heavy this afternoon as I walked to my car.”

“The rain played tag with me as I ran to my car to get shelter.”

The first sentence is just a statement about the rain. It is what it is. It’s like a reporter sharing her observation about today’s weather, and it doesn’t lead the reader to think anything specific about the rain.

The second sentence basically says the same thing. To make the rain come alive (“The rain played tag”), I used a literary device known as personification to create an image in the mind of the reader. I mean, who hasn’t tried to run away from the rain?

Literary devices are tools writers can use that are similar to tactics producers can use in film, television, or theater. By adding makeup, using costumes, or utilizing computer graphics, producers can create special effects to convey a specific visual.

Here’s one example of before-and-after scenes using special effects:

Sure, the producer could have asked the actor to wear a costume or put on makeup. But you have to admit; the computer graphics really takes the look of this character to the next level.

This is really how literary devices work in their basic form. They can add special effects to your writing and transform the experience of your readers.

Why literary devices are essential to web writing

There’s a lot of good substance out there. Hardly any style, though. This isn’t an accident.

Most people who peddle content are tradespeople first, writers second. In other words, their authority rests in a discipline other than writing.

Sometimes their content feels as if it’s meant to feed a machine when the creator will tell you plainly that is not the case. They are writing for people, which is one key to writing a blog post people will actually read.

Fair enough. But technical writers also write for people.

A list of literary devices to add style to your content

I look at some pieces, though, and I think the designer probably got paid really good money. The writer, not so much.

This is not to say style should be a pretentious exercise in drawing attention to itself. It should not be a navel-gazing sentence by James Joyce or a long-winded, baroque one from Faulkner (whom I adore).

Great web writing demands the plainness of Hemingway and the clarity of Orwell and the playfulness of E. E. Cummings. And you can do it while honoring the simplicity of Strunk.

And mastering these 12 uncommon literary devices from Mr. Farnsworth’s book is a great place to start if you are a greenhorn … a great place to beef up your skill set if you are a veteran. Enjoy.

1. Epizeuxis

Epizeuxis is a simple repetition of words and phrases. This literary device is often used for emphasis, and oftentimes, there are no additional words in between. The quick repetition of words or phrases will arrest the attention of your readers.

Epizeuxis examples:

“Holy, holy, holy is the Lord of hosts; the whole earth is full of his glory!”

Isaiah 6:3

“Never give in — never, never, never, never, in nothing great or small, large or petty, never give in except to convictions of honour and good sense. Never yield to force; never yield to the apparently overwhelming might of the enemy.”

Winston Churchill

“But you never know now do you now do you now do you.”

David Foster Wallace, Brief Interviews with Hideous Men

2. Anaphora

Anaphora is repetition at the beginning of successive statements. In writing or speeches, you can use this literary device to create an artistic effect, or you can repeat one phrase to weave together several points together.

Anaphora examples:

Mad world! Mad kings! Mad composition!

William Shakespeare, King John, II

But woe unto you, scribes and Pharisees, hypocrites! for ye shut up the kingdom of heaven against men: for ye neither go in yourselves, neither suffer ye them that are entering to go in.

Woe unto you, scribes and Pharisees, hypocrites! for ye devour widows’ houses, and for a pretense make long prayer: therefore ye shall receive the greater damnation.

Woe unto you, scribes and Pharisees, hypocrites! for ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.

Woe unto you, ye blind guides, which say, Whosoever shall swear by the temple, it is nothing; but whosoever shall swear by the gold of the temple, he is a debtor!

Matthew 23:13-16

3. Epistrophe

Epistrophe is similar to anaphora, but with a twist—this literary device uses repetition of words or phrases at the end.

Epistrophe examples:

When I was a child, I spoke as a child, I understood as a child, I thought as a child.

1 Corinthians 13:11 (King James Translation)

“What lies behind us and what lies before us are tiny compared to what lies within us.”

Ralph Waldo Emerson

“There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.”

Lyndon B. Johnson in “We Shall Overcome”

4. Anadiplosis

Abnadiplosis is the repetition of a word or phrase at the beginning and end of a sentence. This literary device creates a sweet flow in certain forms of writing.

Abnadiplosis examples:

“Fear leads to anger. Anger leads to hate. Hate leads to suffering.”

Yoda, Star Wars

“We also rejoice in our sufferings, because we know that suffering produces perseverance; perseverance, character; and character, hope. And hope does not disappoint us.”

Romans 5:3–5

“The frog was a prince / The prince was a brick / The brick was an egg / The egg was a bird”

Genesis, “Supper’s Ready”

5. Polyptoton

Polyptoton is unique in that it’s a repetition of the root word. For example, you can use similar words like “strength” and “strong” instead of just repeating the same word.

Polyptoton examples:

“It is the same with all the powerful of to-day; it is the same, for instance, with the high-placed and high-paid official. Not only is the judge not judicial, but the arbiter is not even arbitrary.”

— G.K. Chesterton, The Man on Top

“Judge not, that ye be not judged.”

Matthew 7:1

“Not as a call to battle, though embattled we are.”

John F. Kennedy, Inaugural Address, January 20, 1961

“Absolute power corrupts absolutely.”

Lord Acton

6. Isocolon

Isocolon is a literary device you can use to create parallel structures in your length and rhythm.

Isocolon examples:

“Melts in your mouth, not in your hands.”

M&Ms

“With malice toward none, with charity toward all, with firmness in the right…”

Abraham Lincoln, Second Inaugural Address

“I’m a Pepper, he’s a Pepper, she’s a Pepper, we’re a Pepper — Wouldn’t you like to be a Pepper, too? Dr. Pepper!”

Dr. Pepper advertising jingle

“Heal the sick, cleanse the lepers, raise the dead, cast out devils: freely ye have received, freely give.”

Matthew 10:8

7. Chiasmus

Chiasmus is a reversal structure used for artistic effect. With this literary device, you basically criss-cross phrases to convey a similar—not identical—meaning.

Chiasmus examples:

“Mankind must put an end to war or war will put an end to mankind.”

John F. Kennedy

“Woe unto that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter!”

Isaiah 5:20

“They say money don’t make the man but man, I’m makin’ money.”

Tupac Shakur, “Thug Passion”

8. Anastrophe

Anastrope refers to an inversion of words, which will make perfect sense in a moment (assuming your a fan of Star Wars). You can use this literary device to emphasize a word or phrase.

Anastrope examples:

” Deep into that darkness peering, long I stood there wondering, fearing.”

Edgar Allan Poe, “The Raven”

“Joined the Dark Side, Dooku has. Lies, deceit, creating mistrust are his ways now.”

Yoda

“I sing of arms and the man, who first from the shores of Troy.”

Virgil, the first line of Aeneid

“Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance”

Eugene Smith

“Her mother is the lady of the house, And a good lady, and wise and virtuous. I nursed her daughter that you talked withal. I tell you, he that can lay hold of her, Shall have the chinks.”

Shakespeare, Romeo and Juliet

9. Polysyndeton

Polysyndeto is a literary device where you use extra conjunctions (e.g., and, but)—frequently in quick succession—to create a stylistic effect.

Polysyndeton examples:

“And every living substance was destroyed which was upon the face of the ground, both man, and cattle, and the creeping things, and the fowl of the heaven; and they were destroyed from the earth: and Noah only remained alive, and they that were with him in the ark.”

Genesis 7:3

“If there be cords, or knives, or poison, or fire, or suffocating streams, I’ll not endure it”

Shakespeare, Othello

“And St. Attila raised his hand grenade up on high saying ‘O Lord bless this thy hand grenade that with it thou mayest blow thine enemies to tiny bits, in thy mercy. ‘and the Lord did grin and people did feast upon the lambs and sloths and carp and anchovies and orangutans and breakfast cereals and fruit bats and …'”

Monty Python and the Holy Grail

“I said, ‘Who killed him?’ and he said ‘I don’t know who killed him, but he’s dead all right,’ and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water.”

Ernest Hemingway, “After the Storm.”

10. Asyndeton

Asyndeton is a writing style where you leave out conjunctions to write direct statements for effect. If used correctly, this literary device can create a beautiful, memorable rhythm in your writing.

Asyndeton examples:

“We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender. . .”

Winston Churchill, “We Shall Fight on the Beaches”

“…and that government of the people, by the people, for the people shall not perish from the earth.”

Abraham Lincoln, Gettysburg Address

“That we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty.”

John F. Kennedy, Inaugural Address

“And whatsoever mine eyes desired I kept not from them, I withheld not my heart from any joy; for my heart rejoiced in all my labour: and this was my portion of all my labour.”

Ecclesiastes 2:10

11. Litotes

Litotes is a figure of speech you can use to affirm something positive by making an understatement. After you take a gander at the examples below, you’ll see that this literary device is commonly used in everyday conversations and popular literature.

Litotes examples:

“Not bad” (to say something is good)

“He’s not as young as he used to be” (meaning “he’s old”)

“Keep an eye on your mother whom we both know doesn’t have both oars in the water.”

Jim Harrison, The Road Home

“I will multiply them, and they shall not be few; I will make them honored, and they shall not be small.”

Jeremiah 30:19

“Are you also aware, Mrs. Bueller, that Ferris does not have what we consider to be an exemplary attendance record?”

Ferris Bueller’s Day Off

12. Hypophora

In short, hypophora is when you ask a question and then answer the question you just asked. Unlike a rhetorical question, to use this literary device, you’ll need to answer the question you pose immediately.

Hypophora examples:

“What made me take this trip to Africa? There is no quick explanation. Things got worse and worse and worse and pretty soon they were too complicated.”

Saul Bellow, Henderson the Rain King

Are they Hebrews? So am I. Are they Israelites? So am I. Are they the seed of Abraham? So am I.

1 Corinthians 11:21-22

“Oh, what did you see, my blue-eyed son?

Oh, what did you see, my darling young one?

I saw a newborn baby with wild wolves all around it

I saw a highway of diamonds with nobody on it,

I saw a black branch with blood that kept drippin’,

I saw a room full of men with their hammers a-bleedin’,

I saw a white ladder all covered with water,

I saw ten thousand talkers whose tongues were all broken,

I saw guns and sharp swords in the hands of young children,

Bob Dylan, “A Hard Rain’s A-Gonna Fall.”

Another warning literary devices and style

I admit.

This could be an exercise in dilettantism. An argument for fashion over function. In the hard and fast competition found on a search results page, most people just want answers to their questions. They want substance over style. Function over fashion.

Fair enough.

That, however, is only true in a market that is not saturated. If you hobnob in an industry drowning in competitors, on the other hand, then substance alone is not enough. You need style — among other things — to stand out.

So, bookmark this post, then carve out some time to study these devices.

Question: How many of these devices did I use in this article?

The post 12 Uncommon Literary Devices to Give Your Writing Irresistible Style appeared first on Copybot.

from SEO Tips https://thecopybot.com/literary-devices-web-style/