#and then had one of the most fascinating and engaging media experiences ever as a result

[djuvlipen]

The reason why European politicians (or, tbh, any European) never cared to address violence against Romani women is because they are fascinated by it. We know they are fascinated by it because whenever they talk about Romani women, they constantly write and talk about killing us. You see it all the time in arts and literature. Violence against Romani women is seen as Romantic, is seen as artistic, is seen as a transcending experience. Notre-Dame de Paris is about a sixteen year-old girl identified as Romani who is sexually abused and burned at the stake by a white man, Claude Frollo. The only reason why murdering Esmeralda is seen as wrong is because she turned out to be white and having been stolen as a child by "Gypsies". Carmen is about a Gitana (Spanish Romani) woman who has dozens of male lovers and is eventually murdered by one of them. The murder is said to be motivated by passion and by Carmen's unwillingness to settle for one man. She is being punished for her sexuality and this is justified by the narrative by her behaviour. Gypsies are found near Heaven is a Yugoslav movie directed by a white man, in which it is the Romani man who murders the Romani woman for being too unruly and not giving herself to him. She is once again being punished by the white director, using the mediation of his Romani main character, for her freedom. Singoalla is a Swedish fairytale-like story turned into a French film in which the main character, a Romani woman called Singoalla, is once again murdered by her Romani ex-fiancee upon learning that his fiancee had had a (white) lover before him. Hijo de la Luna is a Spanish song that tells a tale of a Romani woman being murdered by her Romani husband who suspected she had been unfaithful. In those two latter instances, violence against Romani women is not portrayed as fundamentally wrong, as political issues to be engaged with, or as the result of hatred: as tales, they convey wonder and fantasy. Now, tales are often dark so I wouldn't have an issue with this if only violence against Romani women wasn't always dealt as if it were a fairytale or a Romantic story.

You could say that I am nitpicking and that I only came up with five examples. Two rebuttals: (1) there aren't many media portrayals of Romani women to start with, (2) all the examples I have taken are very popular stories from different European countries. Notre-Dame de Paris is one of Hugo's most popular novel and was adapted many times; Carmen is one of the most successful opera ever written; Singoalla started as a medieval legend that got adapted in a book, an opera and a movie; Gypsies are found near Heaven was the most attended movie in the USSR in 1976; Hijo de la Luna is one of Mecano's most successful song, and Mecano itself is the best-selling Spanish band worldwide. Everywhere the trend is the same: white European males fantasize about killing women, they think killing us is Romantic and tale-worthy. Granted, men generally fantasize about violence against all women all the time, but while media portrayal of violence against non-Romani women has been increasingly challenged by feminists, nothing has been done about media portrayal of violence against Romani women. No one ever called out those stories I've mentioned on the basis of their romanticization of violence against Romani women.

[mkenvs3000f24]

Blog #5

Unit 5 focuses on how science can be a strong instrument for interpreting and communicating the natural world. While one would initially believe that scientific interpretation entails identifying species or explaining taxonomies, this unit encourages us to seek beyond conventional approaches. It focuses on making nature interpretation more accessible and interesting through science, while also ensuring that it appeals to a wide range of consumers.

The Arboretum at the University of Guelph is an excellent example of practical science-based nature interpretation. Participants encounter nature via a scientific perspective with guided walks conducted by interns such as Kitty and Jenny, but the approach goes beyond just recounting facts or names. Instead of focusing simply on technical aspects, the interns assist participants in making connections with their surroundings, which encourages interest and engagement. This technique demonstrates how science may be utilized to make nature more accessible and relevant to a wider audience.

When I was in my first year I actually had the amazing opportunity of living in the East Town Village townhouses and my specific townhouse happened to be right beside the arboretum. Me and my roommate at the time would walk her emotional support dog Sulley on a daily basis while looking at all the beautiful plant life along the arboretum path. My favourite amongst all the plants is the infamous Monkey Puzzle tree, not sure if it still stands but it always takes up space in my heart and imagination as one of the most interesting plants I have ever encountered. 

Another vital aspect of this unit is the For the Love of Birds TED Talk, which demonstrates how scientific interpretation may be simple and enjoyable. During the presentation, the speaker utilizes a simple object: a feather, to elicit amazement and interest in nature. Rather than overloading the audience with technical jargon, the speaker tells the tale of the feather, examining its beauty and utility. This technique demonstrates how, when presented well, scientific topics can fascinate and inspire an audience. The lesson from this TED Talk is that by concentrating on relevant and exciting parts of nature, interpreters may establish a stronger connection between people and the natural world, even if they don't become too technical.

The unit additionally highlights podcasts as a modern tool for understanding nature through science. Podcasts are a fantastic medium for combining narrative, interviews, and sound to create an immersive experience for the listener. Especially for our upcoming Kids podcast assignment, it is important to consider how to transmit scientific material in a way that keeps the audience's interest, similar to the TED Talk. Storytelling becomes critical in this context, and by using sound effects such as bird calls or leaf rustling, podcasts may make listeners feel connected to nature even when they are not physically present.

By mixing scientific knowledge with narrative and media such as podcasts, this unit demonstrates that nature interpretation via science does not have to be complicated or difficult. The objective is to make scientific concepts understandable, accessible, and entertaining for all audiences while keeping the information's integrity. This method invites interpreters to consider how best to express their expertise in ways that build a long-term respect for nature. Ultimately, science becomes more than simply a tool for interpreting nature; it also serves as a bridge that links people to the natural world on a deeper, more emotional level.

[rainbow-nijisaki]

1, 9, and 17 for the ask game!

character(s) that first caught your eye/first favorite character?

When I first picked up the game, I really wanted to like Joshua! In all honesty, character vibes was a big factor in whether I engaged with media or not back then. And Joshua landed closest to what I typically looked for in a character (based solely on design vibes). Note I say closest, because back then my taste in characters was actually a little different than it is now.

What I got was...a surprise, to say the least.

I didn't like him immediately. I wanted to, but his, well...prickly nature was quite a bit different than what I was used to at the time. That said, as week 2 went on and I learned more of his story (fabricated or not), I was fascinated. By the time week 2 ended, this character I had wanted to like but wasn't sure if I would had so completely grown on me I was quite possibly obsessed. He single-handedly changed my taste in characters, design and personality. He's lived rent-free in my head ever since and quite possibly owns the place, since he seems to be the one making the rules on whether anyone else can stay, and for how long.

So yes, I admit I have trash taste in characters now, and it's very much his fault.

Over time, after many cycles of character analysis (and my own character arc that was...not all positive), I even came to find him quite a bit relatable...but this is redundant information, since that's literally question 17.

9. what platforms have you played twewy (and/or neo) on? if multiple, what’s your favorite?

For TWEWY, I've played it on the original DS, Solo on ipad, and Final on Switch. My fave, far and away, is the original - the game was really made for that system and it uses all the perks of the hardware with aplomb. I actually broke the A button on my DS lite playing TWEWY, haha. Being able to control both partners at once, with the old fusion star/cards system, not only feels great to play, it's also very nostalgic for me.

I do like Final for what it is though, if only because you can attempt to get the chaos of the original by playing solo multiplayer, and if not, the multiplayer in and of itself is fun if you have someone to play with. Being able to share the experience with someone else makes Final worthy imo.

NEO I played on Switch as well. I can't make comparisons because I haven't tried it on other platforms. I'm not much of a PC gamer and don't have a PS4.

17. what character(s) do you relate to the most?

TWEWY is full of relatable characters, so this list isn't going to be comprehensive. I think most of the playable cast is relatable in some way...but as this question says "the most," I'll try to narrow it down.

I think this would be more fun without context, so I'll say

with a side of

and a dash of

Have fun trying to diagnose my personality~

[theheightofdishonor]

2023 year in review: part one

It's close enough to the end of the year that i'm writing my year in review. I decided to do a part for shows that actually aired in 2023. (i may or may not do a second part of this for all the shows i've watched this year but even from an initial glance its a LOT, we'll see. )

From what I have noted, I watched 81 shows this year that finished airing in 2023.

Broken down by country, its

Thailand: 35

Korea: 18

China: 10

Japan: 10

Philippines: 4

Taiwan: 4

48 of these were BL and 16 were GL.

Even this is actually so many that I don't quite know how to even break it down so I guess i'll just go by country?

Thailand

Thailand just has such a large output of content that naturally, the quality also tends to vary wildly meaning this produced both some of my absolute favorites and some of my most beloved.

On the beloved side, Bed Friend, IFYLITA, Moonlight chicken,My school president, and surprisingly Midnight Museum. And on a slightly lower tier, Be My Favorite, Dirty Laundry, Enigma, Shadow, Only Friends, and Warp Effect.

Bed Friend reminded me almost of Tharntype? But like good. I think the execution was great and NetJames definitely has some of the best chemistry in a year chock full of good chemistry. They're great in Middleman's Love too.

I Feel You Linger In the Air is Tee Bundit at his absolute best. He's great at blending genres together. He incorporated horror brilliantly into simr and I love how he leaned into the historical and time travel aspects of this historical time travel romance. There was some really cool things with the directing and the acting from Nonkul and Bright was great too. Me finding out Nonkul was doing a bl was probably how everyone else reacted back when news broke that Nanon was doing BBS. He's one of my favorite actors.

Moonlight Chicken ofc is near perfect. I loved seeing older queer people in a romance with Jim and Wen and the contrast to Li Ming and Heart was great. Not to mention the family and social dynamics and the way the show addresses Beam and Jim's relationship. The only complaint I have is that the lack of physical intimacy between Jim and Wen in the middle portions of the show and near the end felt weird considering the content of the show but even then, it's a pretty minor complaint and everything else about the show is great.

My School President is definitely the one I was most engaged in fandom for. And the only one I was waking up early every morning to watch. (and i'd watch each episode like 2-3 times too). The social media/shipping stuff at the end was fumbled a little bit but I loved the parents in this show and the friend group and tinngun. I still can't believe Fourth and Gemini were like 17-18 when they filmed this. They're both excellent actors. Oh MSP also had the best Our Skyy episodes btw. I'll die on this hill.

Midnight Museum I'll discuss later on too but it was fun. I liked how intentional they were with the cameos where it purposefully gave the actors roles that were completely different from anything they've done before, especially with Tu, Bright, and Nanon. The worldbuilding was also fascinating. I know someone here was making a timeline for it and they mentioned it was a damn pain to figure out but like kinda in a fun way? The decision to make KathaDome a bromance is odd and I hate it and I hate the implications for gmmtv but other than that it was good.

Be My favorite was way better than I ever expected from Jittirain. I do have to say that my experience was marred by the fact that I was constantly waiting for the other shoe to drop, just from my experience with her shows but it didn't which was a pleasant surprise. I liked how they handled Aye's character and Kawi's growth.

I didn't think I'd like Enigma because I don't like Win but it was good. The supernatural/horror genre mix won me over. Also Prim is in this and i'm very weak for her. Win was nowhere on her level but he was more tolerable than I expected. I'm annoyed that she's not going to be in season 2 though because she's the main character?? GMMTV needs to understand that the draw of this show is Prim and not Win.

Only Friends. What a divisive show. I went into this wanting mess and drama and with the aim of not having any other expectations and for the most part, I succeeded. This show brought out the best from everyone in the cast, like genuinely these were some of the best performances that any of these actors have done. Absolutely stellar. Storywise, it was pretty good and very unique in terms of thai bl and gmmtv until that last bit with Boston and Nick which felt malicious and just mean compared to the neutral lens that the show had been portraying the other characters with. Watching it was pretty fun though and again, most of the story was really good so I guess i'm allowing it some grace.

Shadow isn't a bl but it is queer and I appreciated most of what it was doing with the historical horror suspense elements. I think towards the end it definitely was way shakier and I don't understand why they made some of the decisions they made but I really liked the first 3/4 of the show. Fluke and Singto are obviously good too, even though they're both way too old at this point to still be playing high schoolers.

The Warp Effect had the distinct vibe of a PSA and Gigie and Fah should've dated but otherwise, it was a fun watch, I think. I liked Alex's character arc, I liked everyone's character arcs honestly. On my notes, I wrote that the ending was a bit flat so points off for that but it was good.

A lot of these are from GMMTV which when it was good, was incredible and when it was bad, I usually was decent at avoiding them completely

The worst offender from Thailand that I didn't avoid is Tee Bundit with the double hit of Step by Step and Show Me Love. I think people far more eloquent than me have written a lot about sbs so I won't say much but like I almost refrained from watching IFYLITA because of how hurt I was by sbs. And Show Me Love was just like offensively mediocre which hit worse at the time because I had just watched Something In My Room and IFYLITA beforehand and made the mistake of having expectations from Tee. In my defense, Tee's usually good at writing engaging characters and casting for good chemistry so I had no reason to believe he'd fail here.

Hmm what else. Oh actually, brief mention of Nanon's filmography this year since I checked out all of it and he tends to be so good even in mediocre shows that I can't help but be intrigued.

Hmm what else. Oh actually, brief mention of Nanon's filmography this year since I checked out all of it and he tends to be so good even in mediocre shows that I can't help but be intrigued. Dirty Laundry by JoJo was excellent. It was a little hard to get into because i'm not a fan of the genre but i loved it. Also Film and Nanon are a fun pair and I think they get better with every showing. UMG actually was mediocre despite the great cast and I want better from Nanon so I dropped it. Namtam and Milk's characters should lowkey have gotten together though. In Midnight Museum, Nanon's a side character (which i honestly forgot was something gmmtv let him do) but he fucking KILLED it. He played three roles here and all of them were new for him and you could tell the guy was having a blast. I can't say it's some of the best acting I've seen from him but that's only because when Nanon is good, he's always this good. Oh and also, Nanon and View in MM is the best chemistry he's ever had with a girl. Our Skyy, there's not a lot I'm willing to say publicly about all that but Nanon even at half-effort is still better than half of GMMTV's stable. The Jungle was a terrible mess but Nanon was so excellent in it that i'm still writing essays about Nannam and Nanfah months later. Nanon and Mild as a pair were also excellent and the only ones that made it out of this show unscathed. The rest as I said, is a mess but one that could've been somewhat redeemed by making Mix a vampire. (this might not make sense but like watch Mix's performance alright he's trying sooo hard to be shady and mysterious and they never let it go anywhere) My precious was a fairly run of the mill movie with excellent acting. As a plot I think it's a little thin for a show but i'm interested to see how they'll stretch it out. Hopefully the longer runtime means the friend group can be fleshed out a little bit more.

Korea

Well that ended up not being all that brief but moving on, I thought Korea would have more on a showing because I remembered watching a lot of kdramas but turns out most of the kdramas I watched were from previous years so, only 18. A very dramatic drop from Thailand's 35.

The best of these included The Eighth Sense, Our Dating Sim, and Welcome to the Lesbian Bar with Sing My Crush being ever so slightly underneath. I would rec Lesbian Bar to literally everyone, but especially those who enjoyed MLC. It's got that same queer family focus with the central relationship being this baby lesbian and her lesbian aunt. Out of the not queer stuff, My Perfect Stranger was an excellent time travel romance, The Glory Season 2 was better than all the other season twos that came out this year, and

If Korea produced anything too egregious this year (outside of Taxi Driver and Uncanny Counter's season 2s) I missed it. But out of the ones I watched, the most disappointing was A Shoulder To Cry On, followed rather distantly by Bump Up Business, both for very different reasons. I will say though that whatever is wrong with Tae Hyun in A Shoulder To Cry On is very appealing to me in the same way that Tae Joo from Where Your Eyes Linger was except like a weaker version.

China

I once thought i'd never touch a cdrama again but here I am, having watched 3 whole traditional length cdramas this year. The other 7 are almost all from the Legend of Yunze's catalog because I love their content. The best by leaps and bounds was Nu Er Hong by Legend of Yunze. I think it's my favorite out of everything they've made. The studio's really started to figure out their pacing and also this one was fairly dark and dark gl- dark anything really- is right up my alley. A flower for 3 lives and Seven Gods of Joy by the same studio had great concepts but shakier execution. Stepping outside of them, A league of noblemen was probably my favorite traditional cdrama but Mysterious Lotus Casebook was fun fandom-wise since people on tumblr were watching it.

I think the only show i'd classify as bad is probably My everlasting bride which I watched on a whim. Under a miscroscope started good and then ended boring so overall averages into mediocre. This wouldn't be a crime anywhere else but I expect good pacing from my cdramas.

Japan

I liked pretty much everything I watched from Japan this year so imma go with my worst off which was Jack O' Frost. This is more on me than on the show itself because the concept just squicked me out a lot more than I expected it to. Badly enough that i've blocked the tag.

On the best of, I don't even know if I can choose. Hmm, Bokura no micro na shuumatsu, Kimi ni wa todokanai, Kinou nani tabeta s2, both the My Beauitful Man installments, and Taikan Yoho. Ahhh, and Tokyo in April is... Welp well turns out I couldn't actually choose. This was pretty much everything I watched.

I didn't think I'd like Bokura no as much as I ended up liking it. And I don't know if I would've liked it as much if any other country had produced this show. But it was achy and wistful and I fell in love;.

Kimi ni wa todokanai though was hands down my favorite from Japan and I don't even like friends to lovers. It also helped that they, mostly Yamato reminded me a bit of Kageyama and Hinata. Like I know it's just common character archetypes but also, it's kagehina core, yeah? The bed scene where Yamato yeets Kakeru onto the bed was both hilarious and just well done. I liked the way Yamato wrestled with his desire.

I watched Kinou Nani Tabeta s2 just a couple days ago since I was waiting to binge it and i'm glad I wasn't watching this weekly because it would make everything else I watch weekly dull in comparison. Honestly would watch 100 seasons of this. It's perfect.

My Beautiful Man S2 and My Beautiful Man: Eternal were both solid. I think mbm s1 had tighter pacing but week to week, I enjoyed s2 more. For some reason I didn't write notes for either but I do remember liking both so.

Taikan Yoho. If not for the kghn vibes from kimi ni wa, this would be my favorite. Like their dynamic and just the layers of it and how it presents itself in the language of the show is just so tailored to my taste. I think I wanted just a little bit more from them, but what I got was excellent.

Philippines

I only watched four and somehow, it's perfectly split into 2 gls and 2 bls. I really do like pinoy stuff and the way they write relationships but I don't watch a lot of it because I don't know a lot of people who track it and also because most of it is on yt and i don't like the yt interface. But out of what I watched, the best was The Day I Loved You and Stand-In Love.

The Day I Loved You did a good job in handling the love triangle and Eli's illness. I'm not sure how I feel about the ending but it was still good.

Stand-In Love is about 2 best friends who are in a 'stand-in' relationship with each other where the straight one is helping the lesbian one learn how to court a girl but then they end up falling in love. It's like 20 minutes long, it's fucking adorable, very well done for the amount of time it had.

The other two things I watched was Tie the Not and Lei and Mar. Tie the Not is basically just pinoy Wedding Plan and I find that I don't care for the concept. Lei and Mar is a cute friends to lovers that for some reason ends in a car crash. Like it started out really cute and then bam, car crash out of absolutely nowhere. Just, why?

Taiwan

Kiseki: Dear to Me was fun and I liked the cameos. It was a funny experience for me though because I consumed a lot of this show via gifsets but I never actually read the synopsis and whatever the hell I thought this was about was decidedly not it.

Fall For You - it's tragic, it is but I laughed

Stay By My Side reminded me a bit of Hikaru No Go but I can't tell you why. It's more cute domestic fluff than plot but I watched it twice so clearly I didn't mind too much at the time. Plus, it has ghosts and i'm a sucker for supernatural stuff.

You are mine was a mess and I think I watched up til the penultimate episode. What is it with office bls this year?

[anxiousprocrastinator]

The effect that Social Media and Reality TV has on each other

I'm back this week with another topic: reality television. Although I am aware that not everyone finds this type of TV programming to be "high quality" or "worth watching," I have always found it to be fascinating. Additionally, I think the fundamental tenet of this performance is the idea that viewers come to relax rather than with high standards for artistic ability. From there, television producers have had such a profound impact on contemporary culture that, in my judgement, no other area of the entertainment business could match.

              The wide genre of reality TV includes game documentaries, dating shows, makeover/lifestyle shows, and more.

reality sitcoms, talent competitions, court shows, docusoaps, and celebrity-based shows (Murray & Ouellette 2009). The shows are usually unscripted and depend on the participants' spontaneous conversations and interactions. Because people now find reality TV to be more entertaining and authentic, its appeal has increased dramatically in recent years.

·       Reality TV to social media immorality

There's always a certain allure to watching anarchy unfold on TV. There is a general consensus that, despite the fact that "Reality TV" is meant to be unscripted, it's actually a free-for-all where producers can dramatise events to generate interest in the program—and that requires well-known people to intervene. Additionally, people would want to talk about television drama clashes on social media. The gifs and videos captured from these scenes would not vanish with the show's conclusion; instead, they would continue to exist as common cultural allusions and audiovisual reactions that people use to convey their thoughts and emotions. Thus, even though television transmission is failing, there is an amazing method that when we talk about cultural effect, their “cheapest” genre is still thriving in values on the Internet, embedded into the way people express themselves online.

·       Public Discourse for reality TV

Big Brother is among the most recognisable reality TV programmes ever. One of the most well-known reality TV programmes, Big Brother, has a distinct charm that has kept viewers captivated for years. In essence, Big Brother is a societal experiment. It puts a diverse collection of people in a small area where they have to work out alliances, disputes, and relationships. The observation of human behaviour under duress draws viewers in. The show's catch is that it will be edited and aired on TV after being livestreamed nonstop. As a result, the show has a sizable fan base that is committed to discussing it on social media because there aren't any other venues where they can get feedback quite like this. The producers' approach has chosen for the show did incredibly well for them because as long as the contestants compete, the buzz about them would never falter, making their public presence and social media presence incredibly apparent.

              Reality TV has found its perfect method to stay alive. As long as it is chaotic enough for the Internet to create buzz, its content and discussions would be able leak into real life. This seamless integration between reality TV and social media has allowed for a constant cycle of engagement, as viewers eagerly share their opinions, theories, and reactions online. This symbiotic relationship ensures that the show remains relevant and captivating, ultimately solidifying its place in popular culture.

REFERENCE LIST

Denby, A 2021, ‘Toxicity and Femininity in Love Island: How Reality Dating Shows Perpetuate Sexist Attitudes Towards Women’, Frontiers in Sociology, vol. 6, viewed <https://www.frontiersin.org/articles/10.3389/fsoc.2021.641216/full>.

Murray, S & Ouellette, L 2009, Reality TV : remaking television culture, New York ; London New York University Press Cop.

Rice, L 2022, ‘Broadcast Networks 2022: The Year Everyone Started To Wave The White Flag’, Deadline, viewed <https://deadline.com/2022/12/broadcast-networks-death-declining-ratings-streamers-1235203489/>.

[comfortunit]

literally just found you today thru those rants and 100%. ive talked about it with friends but we keep it to ourselves bc fandombrained people are so vitriolic & reactionary but you get it. fandoms as they are now are simply a function of capitalism and i wouldnt even say most are fans of the media they say they are but of the roving dudeslash fandom who NEED to see characters forced into their static cookiecutter trope pairing/mirroring themselves and fuckin or theyll die. fandoms in general also tend to be a cesspit of racism & terrible attitudes towards sex work despite their fascination with/fetishization of both race and sex work in general and its like the smaller the fandom is the more of a toxic microcosm of let people haaaaave funnnnn it becomes (idk why i wrote this i was just super surprised to see another mbd fan who was also a sex worker, hiii same hat i am waving to you from across the street)

i went off about this in a mutual's personal server even more than i posted/ranted about here on tumblr because it really pisses me off, especially when you visit low-rating reviews of any mbd book, extra especially fugitive telemetry (like "how Dare this author whose work i love give me a novella after a full-length novel release?!" it's so fucking ungrateful! and it demonstrates such a disgusting lack of basic reading comprehension).

here's one review i saw posted the month i picked up the book and happened to be using goodreads to track my progress at the time, for example:

out of ideas?! it's one of the more tonally different stories in the series. when i finished the book for myself, i came back to this review and i just did not know how someone could ever say something like this. did we even read the same book?! is she "out of ideas" or did she give people another short-form story that was packed with concise and exacting language, tackling a multifaceted web of brand new interactions that make murderbot's personhood that much more dimensional, and they turned their nose up at it because "ugh 🙄 why can't we just have more full-length novels full of stuff that i can pretend is evidence of my fantasy OTP ship being canon"? the idea that a story is "low-effort" to "produce" simply because it's short is such a fucking insult to writers who know anything about writing, especially short-form masters like martha wells. these books are raw concentrated emotion.

to use a food comparison, because i've been getting emotional about the bear recently, it's like comparing a family/holiday feast to an 8-course meal from a star-ranked restaurant. they are both incredibly valuable, in different ways. the novellas are basically 'the perfect bite', they are incredibly well-written, they're rounded stories about rounded characters. intricate, delicate, plated to perfection, and at the end you realize that you've had enough of these small courses (chapters) that it's like. wow, you realize how fulfilled you are; every 'level' engaged is maxed out... and a feast made to feed an entire family like the full-length novel(s) (since the next book is a full-length novel, too) is hearty, it's quantity from a quality-minded author, it's nourishing, it's fulfilling, it's going to get a lot of mileage from every character included. these are different experiences prepared by the same chef. trust that she's going to treat you well. you know?

but you don't let diners into the kitchen to make changes to the food everyone else is going to eat. i might be going a little far with the metaphor but i swear to fucking god if tor.com does the fanservice shit to mbd i'm going to lose my fucking mind.

but again. i have faith in martha wells, i have hope and i know she would never do that to us.

edit: oh my god where are my manners HI FELLOW SEX WORKER WHO LOVES THE MUDERBOT DIARIES! THANK YOU! HOPE YOU ARE HAVING A WONDERFUL DAY!

[corvidcrybaby]

On Y/N Fanfiction

so like as somebody who is still pretty new to the realm of fanfiction writing i decided to return to it by tackling a Y/N fic and doing so was honestly a very illuminating and rewarding writing experience if only because it shed a ton of light on the common issues with this form of fanfiction

as an academic thespian, interactive media and fiction has always fascinated me and Y/N fanfiction represents such a unique blending of elements that i honestly think some of the avant-garde playwrights would find very interesting. because like. okay. what is the goal of a Y/N fic? immersion and wish fulfillment, right? all fanfic is wish fulfillment somehow but then so is most art in general but that's neither here nor there - the fact one is meant to insert their actual name or a name of an OC makes it a unique level of collaboration between the writer and their audience.

and the general issue i find with many Y/N fics is that they simply do not capitalize on what makes Y/N fics potentially very engaging. the potential for meta commentary is boundless, yet if it's ever done, it's ham-fisted and very "winks at the audience" ish.

i find that the Y/N fics I respond best to often take what I call the Video Game Approach - the reader is viewing the world through a character's eyes of their own design, but video games are still built around certain concrete facts or assumptions that the player character would have. the biggest thing is that video game PC's are established in their setting, and have reasons to be there, which many Y/N fics simply lack.

thus, the challenge becomes, how can someone create an experience in a fic that is grounded enough to match the energy of an average person being part of the story they're inserted into (assuming that's what the reader and writer wants), while still fitting the scenario?

for my part, though she is no longer a Y/N character (there are meta commentary reasons for this that will become apparent as my current fic, Lesions of a Different Kind continues but shush, spoilers), in the Y/N fic I wrote for Hellsing, I opted to make the POV character a regular-ass Hellsing trooper. the reason being, this gives the rest of the cast a reason to be familiar with and have some modicum of care and respect for the reader insert character, while still decidedly grounding us in reality by having her be a grown-ass adult with her own opinions, agency, motivations and worries that a reasonable (if zany/neurodivergent) grown human woman might grapple with in a "supernatural paramilitary agency" setting. she's capable of fighting and holding her own just as anyone might - to take a page from the Halo Combat Evolved manual where they describe the Marines, "they're the best of the best of the best - but they're only human." she's used to her job fighting the undead, but it never stops being unnerving and "what the fuck is my job, dude, like, actually" - which I think any sane adult would question nonstop in a setting like this. I drew from the Wild Geese for inspiration, big time, and wondered what it would be like if one of them was followed more closely besides Pip as comic relief, etc.

That, I think, produced an interesting effect. I'd still like to fiddle around with Y/N fic more in the future and see what someone can do with it when you really put your nose to the grindstone and try to create something off the beaten path, because that's where i think the magic lies.

IDK fam my adderall kicked in for the day and i'm procrastinating studying for a work exam i just had to vomit this forth make of it what you will, i'm just a mad rambling scholar muttering to herself in the corner of a theatre building.

[strawberrylolipap]

ICT, My Self, and the Society

Technological advancements prevailed throughout the years, especially during the 21st century. From texting using keypad phones to calls with real-time video capture, communication and connecting with people in different places have been made easier. During the pandemic, we have all stayed in our homes to prevent contracting the disease. Over the span of 2 years, ICT partook a huge part in satiating my curiosity, interests, and desire for connecting with people. By using social media, I have met amazing different people that share similar interests.

During the pandemic, I have taken an interest on certain subjects that I have not discovered before. Since finding information is easier, I have taught myself some basic things in psychology vio trustworthy websites. I have also collected some learning materials on different subjects such as a foreign language. ICT has helped me discover my passion for psychology.

Since I enjoy and love music, I have shared it with other people by joining public Discord servers, chatting, and performing on voice calls (karaoke voice chats to be specific). I have also gained confidence in performing and improved with my instruments due to the help of tips and friends online. It has been a wonderful experience–sharing music and experiences with fellow musicians in different parts of the world. I remember some of my musician friends online sending me their audio-only covers and original songs on Discord. My friends have also encouraged me to join a competition! It has been one of the most memorable experiences I have ever had online.

The image below is the first online competition I've participated in! I won in 2nd place and also got the People's Choice award. ✨✨✨

Not only did I meet talented and skilled musicians, but I also met great friends along the way! I have been surrounded by such diversity that I have been positively influenced and encouraged by people. By sharing opinions and feelings on different topics through chats, calls, videos, and other media, it has helped me shape my own perception and principles on matters. On my darkest times when I felt like no one cares or listens to me, my online friends have been present to offer me support and comfort, making me feel like I am not struggling alone. Some online friends also made me feel special by their fascinating and touching digital creations that are dedicated for me.

Here's an artwork made by my supportive bestie💖:

Overall, technology has helped me with my academic activities, entertainement, and engagement with other people. Doing things are more convenient by simply utilizing ICT tools to the fullest.

[yalams]

My First Experience as a Tour Guide and Media Person: Yuva Sangam Phase 4

Life often surprises us with opportunities to grow and learn, and one such incredible experience came my way during Yuva Sangam Phase 4. This program brought together 46 delegates from Gujarat to Arunachal Pradesh, bridging the gap between the westernmost and easternmost states of India. The exchange of knowledge, culture, and diversity over five days, from April 8 to 12, 2024, was nothing short of amazing.

The Program Highlights

Yuva Sangam Phase 4 was designed to create meaningful connections between two distinct parts of the country. Teachers from various disciplines accompanied the delegates, making the learning experience even more enriching. Each day was filled with unique activities and tasks, ensuring the visitors engaged fully with the beauty, culture, and people of Arunachal Pradesh.

Exploring the Treasures of Arunachal

During their stay, we explored some of the most iconic places in and around Itanagar, including:

The State Museum: A window into Arunachal’s rich cultural heritage.

Ziro Valley: A picturesque destination that left everyone in awe with its pristine beauty.

Radio Rono: Offering insights into local communication and media efforts.

The delegates were fascinated by the lush greenery and the serene environment of Arunachal, something they don’t often experience in Gujarat, where urban landscapes dominate.

A Memorable Incident

While the program was a success, it wasn’t without its quirks. One incident that stood out to me was a reaction from one of the delegates upon seeing a UPI scanner at a shop. He seemed genuinely surprised that such digital payment systems existed here. While his reaction was innocent, it reflected a common misconception about northeastern states being "backward."

I admit it stung a bit, but I chose to see it as an opportunity to break stereotypes. Yes, Gujarat’s development may be ahead in certain aspects, but Arunachal has its own unique strengths, and we are progressing steadily in the digital and technological space.

Connecting Cultures

Despite such moments, the camaraderie and friendships we formed were heartwarming. The delegates constantly expressed their admiration for Arunachal Pradesh, calling it a "heaven on earth." They couldn’t stop praising the natural beauty, greenery, and tranquility of our state, a stark contrast to the concrete jungles they were used to.

Their curiosity about our traditions and culture was evident in their enthusiasm at the AITS Museum and other cultural sites. They genuinely wanted to understand our way of life, making the experience enriching for both sides.

My Personal Growth

This program wasn’t just about guiding the delegates—it was also a milestone in my personal journey. I had the opportunity to write my first-ever report on the event, thanks to my mentor, Arvind Sir. His guidance and encouragement made the experience even more special. I’m deeply grateful to him for believing in me and helping me step into the world of reporting and media.

Reflections on Yuva Sangam Phase 4

The meeting of the easternmost and westernmost parts of India was more than just a cultural exchange—it was a reminder of the unity in diversity that defines our country. Sharing our home with these delegates, seeing their joy, and hearing their heartfelt praises for Arunachal reaffirmed the importance of preserving and showcasing our culture.

I left this experience with new friendships, valuable lessons, and a renewed appreciation for the beauty of Arunachal Pradesh. It was an honor to be part of such a program, and I look forward to more opportunities to connect, learn, and grow.

'Let’s explore more, embrace diversity, and celebrate the beauty of our differences.'

[chuksnwene]

UNLOCKING THE WORLD OF CREDIT CARD MARKETING WITH NATALIE NAH

As I joined the Zoom meeting for my Marketing Management - Financial Services seminar class at George Brown College, facilitated by Professor Katidja Youssouf, I had no idea that the next hour would change how I view the financial services industry. Our guest speaker, Natalie Nah, Senior Director of Credit Card Engagement Marketing and CRM at CIBC, was about to share her fascinating journey through the world of credit card marketing.

NATALIE’S JOURNEY

Natalie’s diverse career path was the first thing that captivated me. She stated that she started her career in sales at Kraft Foods, quickly breaking the stereotype that one must stick to a single industry. Her journey from selling Kraft products in grocery stores to leading marketing strategies at CIBC was not only impressive but also inspiring.

Natalie’s story resonated with me, especially when she talked about focusing on marketable and transferable skills. "If I had advice for myself 20 years ago, it would be to always think about skills that can work in different jobs." This advice hit home for me, making me reconsider my own skills and how they can apply to various career paths.

INSPIRE, INFORM AND CONVERT

The presentation took an exciting turn when Natalie introduced us to the campaign media funnel. This three-step process ‘Inspire, Inform, and Convert’ opened my eyes to how credit card marketing works. I learned how important it is to guide potential customers from just hearing about a product to applying for it. As Natalie explained each step, I could picture a customer’s journey from seeing an ad to finally deciding to get a credit card.

LIFECYCLE MARKETING

What really stood out was when Natalie discussed lifecycle marketing. She explained that "there’s a battle every time someone opens their wallet." This made me realize that the challenge in credit card marketing isn't just acquiring new customers; it's also about ensuring your card is the one they choose to use. Understanding customer behavior and preferences is key to winning this battle.

As I reflected on these insights, I couldn't help but think about my own goals: to seamlessly integrate financial insights with marketing analytics to drive effective results. Natalie's experience at the crossroads of data, technology, and brand marketing connected with my interests. I realized that my background in digital media and my current studies could give me a unique edge in this field. The possibilities seemed endless, and for the first time in a while, I could see a clear path ahead in my career.

IMPORTANCE OF NETWORKING

One of the most impactful lessons from Natalie’s talk was her emphasis on networking. "I wish I had spent more time building relationships early in my career," she advised. This struck me as a wake-up call. While I've been focused on excelling in school, I've overlooked the importance of connecting with others in my field, something I have decided to put more conscious effort into.

As the seminar wrapped up, I felt more excited and motivated. Natalie's journey showed me that with the right skills and connections, one can successfully navigate different industries and roles. Her insights into credit card marketing strategies opened my eyes to a dynamic field full of opportunities.

FUTURE PLANS

Moving forward, I'm determined to set aside time each week for networking activities. Whether it's attending events, engaging with professionals on LinkedIn, or reaching out to classmates and alumni, I now understand how these connections could be crucial for shaping my career.

Natalie's session was more than just an informative talk; it prompted personal and professional reflection within me. As I continue my studies, I'm more motivated than ever to explore diverse opportunities within financial services marketing and digital marketing. I plan to dive deeper into data analytics and customer engagement strategies, areas that Natalie highlighted as vital in today’s marketing landscape.

The world of financial services marketing is full of possibilities. With the right skills and mindset, I'm excited to create my own path in this ever-changing industry. It feels like an open door full of opportunities waiting for me to explore.

[nishakrishnan1996]

Why I Chose a Career in Digital Marketing

Deciding on a career path is never easy, but for me, choosing digital marketing felt like a natural fit. The digital landscape is constantly evolving, filled with opportunities to learn, create, and connect. Here’s a glimpse into my journey and the reasons that led me to pursue a career in digital marketing. For individuals who want to work in the sector, a respectable Top Digital Marketing Course in Chennai can give them the skills and information they need to succeed in this fast-paced atmosphere.

A Blend of Creativity and Strategy

From a young age, I was drawn to both creative and analytical pursuits. I loved art, writing, and designing, but I also enjoyed problem-solving and analyzing data. Digital marketing uniquely combines these elements, allowing me to express my creativity while implementing strategic thinking. Crafting engaging content for various platforms and analyzing campaign performance to optimize results is both thrilling and fulfilling.

The Impact of the Digital World

Growing up in a technology-driven society, I witnessed firsthand how digital platforms transformed communication and business. I became fascinated by how brands could reach audiences globally with just a click. Digital marketing empowers businesses to connect with their customers in meaningful ways, and I wanted to be part of that dynamic environment. The ability to create impactful campaigns that drive engagement and foster relationships excites me.

The Power of Continuous Learning

One of the most appealing aspects of digital marketing is the need for continuous learning. The field is ever-evolving, with new trends, tools, and technologies emerging regularly. I thrive in environments that challenge me to grow, and digital marketing offers that in spades. From mastering SEO to exploring social media algorithms and keeping up with the latest analytics tools, the learning never stops. This constant evolution fuels my passion and keeps me engaged in my work.

Real-World Application of Skills

During my college years, I had the opportunity to intern at a digital marketing agency. The experience was eye-opening. I worked on real campaigns, collaborated with talented professionals, and witnessed the direct impact of our efforts on clients' success. This practical exposure reinforced my decision to pursue digital marketing as a career. I loved the idea of using my skills to help businesses grow and thrive in the digital space. It can be very beneficial in this situation to register in the Digital Marketing Online Certification.

The Community Aspect

Digital marketing is not just about strategies and campaigns; it’s also about building relationships. I appreciate the sense of community within the digital marketing field. Networking with other professionals, sharing insights, and collaborating on projects fosters a supportive environment. I find great value in learning from others’ experiences and exchanging ideas. This sense of camaraderie enhances my career and makes the journey even more enjoyable.

Career Flexibility and Opportunities

In today's fast-paced world, having a flexible career is invaluable. Digital marketing offers a variety of roles and specializations, from content creation and social media management to SEO and data analytics. This flexibility allows me to explore different areas within the field and adapt my career based on my interests and strengths. Moreover, the demand for digital marketing professionals continues to rise, providing a wealth of job opportunities in various industries.

Making a Difference

At the core of my career choice is the desire to make a difference. Digital marketing enables me to help businesses amplify their voices, connect with their audiences, and drive meaningful engagement. Whether working with a startup to establish its online presence or collaborating with a non-profit to promote its mission, I find fulfillment in contributing to their success. The impact I can have on brands and communities motivates me to excel in this field.

Conclusion

Choosing a career in digital marketing has been one of the best decisions I’ve made. The blend of creativity and strategy, the emphasis on continuous learning, and the opportunity to make a difference align perfectly with my passions and goals. As I navigate this exciting landscape, I look forward to embracing new challenges, learning from my peers, and contributing to the vibrant world of digital marketing. If you’re considering a career in this field, I encourage you to explore it—you might just find your perfect fit, as I did.

[dufferpuffer]

miyazaki is a bad example because you totally CAN see his worldview seep into his creations. look at the female characters that arent explicitly like. warrior princesses. what are they? moms. its a 1 to 1 reflection of how he fucked over his wife and continues to justify it. you can see that he thinks thats a womans place. does that mean we have to stop watching kikis delivery service? no, but to act like its a perfect piece of media that can be seperated from the misogynist to created it is only going to reinforce the worldviews hes imparting. i think its just flat irresponsible to act like the inherent biases people have in all aspects of their lives somehow dont count when its art.

man idk what the hell you're talking about, and the weird sexism and misunderstanding of Miyazaki's characters in this has freaked me out enough to want to ramble with COVID...

I will say that I have never once believed a work can or should be utterly removed from an artists viewpoint and biases...? Work can be intentionally viewed from multiple different viewpoints that all are valid, interesting and ALL enrich the work. ESPECIALLY the ones that reveal the darker doors in the artists or ones own thoughts and beliefs - even detrimental to the work itself.

Is there honestly anything cooler than seeing how messy humanity unintentionally leaks into things we try to separate from ourselves

Why do people want to pariah that rather than feast upon it?

The way a gentle creators hand can still pass on scraps of the rot that infects their mind, hiding under all the layers of paint and paper like fleas escaping the comb - isn't that the BEST part...? The sheer humanity left behind? With all its brutality, its ugliness, its bad taste and its stupid, harmful innocence?

Biggest ramble of my fucking life - on art, media and sexism and whatever

+ To watch Kiki with the same open wonder as you did as a child, with thoughts only as deep as wondering what the next plot point will be - is an enriching experience.

+ To watch Kiki with a more introspective eye, thinking about what the characters and flow of the narrative mean to you personally, how your feelings on them reflect on who you are as a person - that is also an enriching experience.

+ To delve into Kiki's world as if the characters and location were real and pondering their internal lives and struggles - hella entertaining.

+ To think about the broader strokes of what the characters and their roles represent in the real world, why they were written the way they are written, what they say both intentionally and unintentionally - that is interesting.

+ To inspect Kiki in the context of the director/s intent, taking his/their past and thoughts into account, scratching up their biases and scraps of their larger internal world - that's fascinating. ESPECIALLY when it uncovers some of the nastier parts, things they never intended to say but have said loud and clear.

And you can do all of these and more at the exact same time - it can be that deep - or you can ignore some because they don't interest you - it can be not that deep - and still fully be engaging with a plane of the work. That isn't 'pretending it is a perfect piece of media'.

The idea that someone can find enjoyment in a piece of media that has its dark spots means they are 'pretending it is perfect' is... perhaps one of the most juvenile things I have heard in my life. Media is a 4th dimensional shape and no one personal will ever see every side or fully comprehend any singular aspect of it.

I don't know what he did to his wife, I don't know much about him - and I'm alright with that. That isn't the depth of my enjoyment in work he has had a hand in. (quite honestly his work is a little aimless and dreamy in a very childish way, he doesn't know how to end a story or complete a painting to save his life - Takahatas work and involvement interests me more)

I do want to say though - to be careful what you pull about peoples thoughts based only on your own biases. Miyazaki has a FAR more variety when it comes to his female protagonists - and female characters - than you give him credit for.

They tend to have a bit of 'mum' or 'older sister' to them, yes. Doesn't help that pretty much every single story he makes is, at its core, specifically about family dynamics. Even if the main female isn't a 'mother' character someone close to her is.

They have an edge of 'burning with the strength of their desires, wanting to chase them to the end of the world at any cost to save the people they love' like warrior princesses. Most protagonists do.

His interests lays around that sphere, wrapped up in a bow as a messy little kid or as a feisty young woman. But I honestly feel pulling 'this is the role he feels women should have' out of that, rather than 'he has a type - maybe a bit of a horny energy here too' is very specifically acting in a sexist bad faith.

Because that is incredibly human of him. It is specifically one of the most human parts of his work: That he lays bare his deepest interests so brazenly, so plainly, so simply - in ways most movie directors refrain from. He will leave the plot of a movie utterly unsatisfying, meander around with the characters on little adventures that are atypical... because thats what he likes, without shame, without even much desire to make 'good art'. Fuck good art. He likes big sisters going on adventures, with peril and with the love of family, found or otherwise.

Look over your favourite characters, your favourite stories, your own works - you will see the exact same patterns in your own works, driven by the same interests and/or by a little horny.

Why does that mean its what he believes women 'should be'...? Why does every women he writes need to be some 1 to 1 representation or justification of how shit apparently went down with his wife like he is as utterly obsessed with that aspect of his life?

When he writes so much power, variety and personality into every woman he writes - even when they fall within his blorbo sphere? When he writes women outside that sphere with rich internal worlds and love of their own? When he sometimes swaps the role of the males and females of his stories so the male is the 'big sister/mum'? (Or when a male is the nurturing archetype does it magically become misogynistic because he is looking after a female, regardless of narrative context?) When he allows his most capable men to be vulnerable and cared for - and also allows his men to be pillars of strength?

At this point in time male creators get their teeth kicked in for any expression of core interests or horniness, assumed automatically it is predatory and toxic, while women can write the exact same story and characters over and over again because it tickles all the sensors in their brain and that's fine. And it IS fine. Men can do it too. They can reinvent their specific interests over and over - that's human. That's blorbo, baby.

I am NOT saying Miyazaki is a good man or a perfect creator or anything of that sort. That is boring, shit, untrue - and utterly takes away from his work. From what I understand he is a prickly asshole with an explosive temper very few people actually get along with. He has never really found his place in the world or in his family - just had a drive he sinks himself into self destructively. Growing up in mid 1900's Japan would have given him no favors when it comes to thinking of women, or wives - yet he shows immense variety (and for the 60s/70s/80s clear progressiveness) in his written women, and always has, even when pivoted around his specific concept of a blorbo.

I think if I am allowed my sad men struggling with mental and physical illnesses - stuck between worlds, lost in life, seeking a beacon of light but finding themselves unable to fully immerse themselves in trusting its comfort... Then a man is allowed his firey goal-seekers that will put their neck on the line for the sake of others - refined but wild enough to bite off the fingers of bad guys - that find comfort and place in found family.

If Miyazaki is sexist - which is very likely - I do not think that aspect of him is. If it is then the concept of blorbo is sexist - and thats dumb.

[raafiya-a]

DIGITAL MARKETING

In today's dynamic world, where the internet has become the cornerstone of our daily lives, the realm of digital marketing stands out as a beacon of innovation and opportunity. For me, diving into the depths of digital marketing wasn't just a career choice; it was a transformative journey that reshaped my perspectives and opened doors to a promising future.

Discovering the Power of Digital Marketing

My foray into digital marketing began with a simple curiosity about how businesses connect with audiences online. What started as a casual interest soon evolved into a passion as I delved deeper into the intricacies of SEO, social media strategies, and content marketing. The ability to create impactful campaigns and measure their success in real-time fascinated me, sparking a desire to learn more and experiment with different digital tools and platforms.

The Personal Touch: A Career Transformed

One of the most fulfilling aspects of embracing digital marketing was witnessing its direct impact on my career trajectory. As I honed my skills in SEO optimization and crafted compelling content, I saw tangible results in terms of website traffic and engagement metrics. This hands-on experience not only bolstered my confidence but also opened doors to new opportunities, whether through freelance projects or full-time positions in reputed digital agencies.

Changing Lives Through Digital Strategies

Beyond personal growth, digital marketing has the power to transform businesses and entire industries. By leveraging data-driven insights and targeted campaigns, companies can reach global audiences with precision and relevance. I've had the privilege of collaborating with startups and established brands alike, helping them amplify their online presence and achieve their marketing objectives.

Embracing the Future

Looking ahead, the future of digital marketing appears exceptionally promising. As technology continues to evolve, so too will the strategies and techniques that define successful digital campaigns. From AI-driven analytics to immersive digital experiences, the possibilities are limitless for those willing to innovate and adapt.

Conclusion: A Journey Worth Taking

In conclusion, my journey into digital marketing has been nothing short of transformative. It has not only provided me with a fulfilling career path but also equipped me with skills that are increasingly invaluable in today's digital landscape. Whether you're a budding marketer or a seasoned professional, embracing digital marketing opens doors to a world of creativity, innovation, and limitless potential.

As I continue to navigate this ever-evolving field, I am excited about what the future holds – both for my career and the broader digital marketing industry. With each new campaign and challenge, I am reminded of the profound impact that strategic digital initiatives can have, both personally and professionally. If you're considering a career in digital marketing, take the leap – it's a journey well worth taking.

[luwitoons]

**Podcast Script: Reflections on a Year of Learning Writing for New Media**

---

**[Intro Music Fades In]**

**Narrator (Louie):**

Hello, everyone, and welcome to "Creative Chronicles," the podcast where we explore the fascinating world of multimedia arts and digital creativity. I’m your host, Louie, and today, I’m excited to take you through my journey over the past year as a student learning writing for new media.

**[Transition Sound]**

**Louie:**

As I look back on this past year, I’m filled with a mix of pride, nostalgia, and anticipation for what’s to come. When I started this course, I was eager yet uncertain about what writing for new media truly entailed. Now, after months of immersion and practice, I’ve gained insights and experiences that have profoundly shaped my understanding and skills.

**[Sound Effect: Pages Turning]**

**Louie:**

One of the first lessons I learned was the vast difference between traditional writing and writing for new media. In traditional writing, the focus is on crafting a linear, cohesive narrative. But in new media, the narrative can take many forms and paths. From interactive stories and social media content to blogs and video scripts, each format demands a unique approach.

**[Background Music: Light, Inspirational]**

**Louie:**

Early on, I was introduced to the concept of interactivity in storytelling. One of our initial projects was to create a podcast. This project was a game-changer for me. It taught me to think about the audience not just as passive readers but as active participants. Each choice they made led them down a different path, creating a personalized narrative experience.

**[Sound Effect: Keyboard Typing]**

**Louie:**

Navigating the technical aspects was another challenge. I had to familiarize myself with content management systems, SEO practices, and the intricacies of various social media platforms. There were moments of frustration, like when my perfectly crafted blog post didn’t get the traffic I expected. But these moments were invaluable learning experiences. They taught me to adapt, experiment, and understand the analytics behind audience engagement.

**[Background Music: Upbeat]**

**Louie:**

One highlight of the year was a collaborative project with my peers. We developed an interactive website that combined multimedia elements such as videos, podcasts, and written content. This project emphasized the importance of teamwork and the integration of different media forms to create a cohesive user experience. It was a testament to the power of collaboration and the creative potential of new media.

**[Sound Effect: Applause]**

**Louie:**

Throughout the year, I also had the opportunity to learn from industry professionals. Guest lectures and workshops provided real-world insights that textbooks couldn’t. Listening to experienced writers and content creators share their stories of success and failure was incredibly motivating. They highlighted the importance of resilience, creativity, and staying updated with industry trends.

**[Background Music: Reflective]**

**Louie:**

Reflecting on my journey, I’m proud of the progress I’ve made. I’ve developed a stronger grasp of how to engage audiences through different media and how to craft compelling, interactive content. Writing for new media has taught me to be versatile and to always consider the user experience.

**[Sound Effect: Wind Chimes]**

**Louie:**

As I move forward, I’m excited to apply these lessons to new projects and opportunities. The landscape of new media is ever-evolving, and I’m eager to continue exploring and pushing the boundaries of digital storytelling. To all my fellow students and creatives, keep experimenting, keep learning, and most importantly, keep creating.

**[Outro Music Fades In]**

**Louie:**

Thank you for joining me on this reflective journey. I hope you’ve enjoyed hearing about my experiences as much as I’ve enjoyed sharing them. If you have any questions or thoughts, feel free to reach out on our social media channels. Until next time, this is Louie signing off from "Creative Chronicles." Stay creative, everyone!

**[Outro Music Fades Out]**

---

[bradney23]

Mike Enriquez

(Literary Journalism)

Mike Enriquez is a well-known character in the Philippine media sector, with a distinct voice and charismatic personality. With over four decades of experience, he has become a household name in the country, hosting some of the most popular radio and television shows.  

Enriquez was born March 1, 1951, in Manila, Philippines. He grew raised in a journalistic family, with his father a news presenter and his mother a newspaper columnist. It was only logical that Enriquez would follow in their footsteps and work in journalism. 

Enriquez's career began in the 1970s as a news writer for a local radio station. He quickly advanced through the ranks, becoming a news anchor before eventually hosting his own radio show. His unusual voice and engaging personality rapidly earned him a favorite among listeners, propelling him to the ranks of the nation's most popular radio broadcasters.  

Enriquez moved to television in the 1990s, where he hosted a number of news and current affairs programs. He became well-known for his insightful interviews and ability to connect with people from all backgrounds. His popularity grew, and he eventually became one of the most respected and trusted characters in the Philippine media sector. 

Despite his accomplishments, Enriquez remains humble and committed to his work. He is well-known for his rigorous preparation and attention to detail, and he constantly strives to offer his audience with accurate and relevant information. He is also recognized for his generosity and kindness, as he frequently goes out of his way to assist those in need.  

Enriquez's services to the Philippine media business have been acknowledged with various honors and medals. The Kapisanan ng mga Brodkaster ng Pilipinas (KBP) recognized him with the Golden Dove Award for Lifetime Achievement in Radio in 2014. In 2016, he earned the Presidential Lingkod Bayan Award, one of the highest accolades bestowed upon government personnel in the Philippines. 

Today, Enriquez continues to host some of the Philippines' most popular radio and television programs. His voice and attitude are as unique and fascinating as ever, and he continues to inspire and influence future generations of journalists and media celebrities.  

In conclusion, Mike Enriquez is a great icon in the Philippine media sector. His contributions to journalism and television have had a lasting impact on the country's media landscape, and his legacy will continue to inspire and influence future generations of media professionals. 

[jmg-digitalhistoryuta]

History Disrupted

Public Historian Jason Steinhauer had published History Disrupted, showcasing this new age of history where a plethora of both information and misinformation are accessible with a quick google search or even exhibited to our feed by various digital algorithms like a pie on a windowsill, ready for us consumers to take a bite. But what is on display, what goes viral, is not really curated for its accuracy and in some cases even quality.  Instead, information in the digital age is promoted by the algorithms for the “engagement” that information received, regardless of that engagement is even positive.  Steinhauer’s first example in his book of viral history was a YouTube video over the Civil War by Prager U, a right wing multi-million-dollar media company designed by Conservative radio hot Dennis Prager to become a leading authority of history over American Historians and College Academics and ‘counteract’ the ‘left-wing’ bias Prager U thinks they have (1-2).  After all those pesky facts have a liberal bias.  Even though Steinhauer noted that historians, journalists, and progressive activists have criticized Prager U’s Civil War video for the inaccuracy this example of e-history went viral and spread throughout the interwebs with millions of views (2).

The core of historic research and professional history is “expert-centric,” while fluid it is arguably hierarchical in its structure, where the virtue of what scholars write and learn is determined by other scholars, from the curators choosing display exhibits at museums to the Park Ranger Tour-guides at the park, but that hierarchy is designed to keep the integrity and discipline of historic research methods in place.  This is so the next scholars are just as disciplined in interpreting the past for their research (9).  Those creating e-history on the social web is not strained by the rules of academia, not all creators are trained by the same academic discipline and integrity for their historic presentations.  Nor is e-history regulated to their expertise, as stated Prager U has the one of the first videos on the U.S. Civil War for people to learn from online.  Because of this e-history is in this weird circle that can be better suited as entertainment.

The history that is both most accessible and desirable is really user centric instead of expert centric (35).  The electronic history is often regarded not as a part of scholarly history but an alternative to it, an alternative no matter how accurate and curated the history is presented.  In his sixth chapter Jason Steinhauer uses the example of Instagram account History Cool Kids, with uses photographs of the past that relied on human interests and engender emotion to drive engagement.  History Cool Kids had detailed captions and URLs from websites like NPR and History.com for more information on their posts, ranging from a Chinese diplomat who helped saved Jews in World War II to personal stories of soldiers from the Civil War, the intent from the creator Dain Lee was to create learning experiences that were fun to uncover and go against the learning principles that are placed on us in primary school (57-58).

Yet Steinhauer argued that the social web and e-history has opportunities for scholars to introduce their expertise into public spaces, to move away solely from an academic audience (116).  But more importantly what is regarded as history is ever changing with our technology, making the scholarly work from expertise more accessible and presentable is important to counteract against the rising misinformation presented throughout the world.  The next historic video to go viral might be fascinating narratively and emotionally visceral but the intent may be disingenuous and its creator not an academic expert but a conspiratorial nut.  So, before you click on that viral post, watch that presentable YouTube video, eat that American apple pie on the windowsill, remember, it might have hatch green chiles in it that are rotten to its core.