#and the whole conflict with kitsune and witch town got such weird responses that it really held me back from making it a bigger part-
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i hope it's okay to message you about this (that bringing it up helps, not makes it worse)
it's about the people who've been being dicks about your writing

this popped up in my dash really soon after your boundaries post, and holy shit the timing
the people criticizing your work need to have this vacuum-sealed onto their brains
not just the people unable to curate their own experiences, but also the people being overly critical of the technical side
i'm gonna be super pretentious and pull the "my mom is an english major" card to try and make myself sound more Qualified To Judge when i say---- your works are REALLY good
you may not be a mainstream-famous author with 30+ years of experience, but seriously, if it weren't for the copyright issue, it would be *more* than quality enough to publish
-with a *good* publisher
so many people love it, and it's also better, from a technical standpoint, than most novels you could pick up at random in a bookstore
because it has a *depth* to it that's so hard to achieve
it anchors its hooks into your mind and steadily reels you in as the darkening atmosphere slowly- almost imperceptibly, at first- curdles, gradually infusing liquid ice, drop by drop, into your blood
the further you read, the further the dread deepens, smoothly and organically, like a spreading puddle of rot seeping from the belly of a discarded carcass
it's so *realistic* in its gradual nature that it feels like you're watching the nightmare develop in real time
it sucks you in
it gets to the point where it feels like the angst has peaked, sucking the breath straight from your lungs- and then the tension *just keeps climbing*, the dread crystallizing into sickly cold shards down your spine with each additional scene until it all shatters at once and you're left trying to remember how to breathe
it's the sort of story that makes you have to stop and stare at the ceiling for several minutes after reading, just to process
whatever people have been criticizing and nitpicking about, it, doesn't change the fact that only *really well written* stories are able to grip your heart and wring it out on your shoes like that, and you should *absolutely* be proud
it's so good
this is so kind ;~; this is probably the most descriptive praise ive ever gotten of any of my writing and idek what to say. need to ss this and squirrel it away somewhere or something cause waow
#ask#canary continuity#its less people going after things like the prose/descriptions/dialogue#and more like wider writing choices. i've been pointedly interrogated so much on character motives in particular#when its about things that are open to interpretation on purpose or not spelled out because they're not. idk. that hard to understand?#to me at least#april and splinter in CL in PARTICULAR#at least with leo in cw i could tell people were enjoying the car crash. i never was given the impression that it was some kind of failing-#-on me. i could tell people understood he was being stupid because of the headspace he was in#and the whole conflict with kitsune and witch town got such weird responses that it really held me back from making it a bigger part-#-of the plot. because people were so mean and it was freaking me out
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