#and the other one is a sorta redraw of the 'you're family.' scene

[agrebel18]

Last night I felt SUPER CREATIVE for no reason lol, but I love my children from the angsty owl show so it doesn’t matter 💖💖💞💞 

[image description: 2 traditional colored drawings. The first one is a drawing of Willow from The Owl House, and she’s wearing her Halloween costume from season 3. She is hugging her dad that got turned into a puppet, and she is tearing up with her eyes closed. 

The second one is a drawing of Hunter and Luz from The Owl House, and they are both wearing their casual outfits from season 3, with the addition of both of them wearing bisexual pins on their shirts. On the left, Hunter is grinning while tearing up with his eyes closed. Right next to him is Luz laughing with her eyes closed, and her arms are crossed. In the background, there is a brown closet behind them. END DESCRIPTION] 

[slugtranslation-hypmic]

Ik this maybe sounds kinda random but I have a feeling you're latinoamerican Idk why.

Also what are your thoughts on the anime? I really liked the CGI I think it looked very cool and clean!! A-1 pictures did a good job 👏👏 I know it just started but I really hope its successful in japan, so maybe one day we could see Osaka and Nagoya animated :')

That’s probably because I am and am fairly vocal about it.

I live in the US and am racially pretty damn white, but my mother’s family is from Mexico. (Sorta. They’ve been in the US for a while now, and we’re not exactly sure who came across the border when because most old Mexican men can give Gentarou a run for his money when it comes to telling mentiras.) I was raised speaking both English and baby Spanish, but I lost the opportunity to practice it all that often when I was pretty little and as such forgot almost all of it, hahaha. Still, I can understand most written Spanish and a fair bit of common spoken Spanish, and I speak Spanglish with my mom. Growing up mostly white is pretty weird, since I don’t feel Latino enough to fit in with my own family (but they ARE my family) but also not white enough to fit in completely with my white peers. They don’t get how enchiladas are comfort food or how the words “mijo” and “mija” are love incarnate. They don’t get it why my parents have three bags of tortillas in their fridge at all times (it’s because I keep stealing them whenever I run out at my house) or the importance of owning a big-ass olla. It’s like... I don’t want to intrude in spaces where I don’t necessarily feel I have the right to belong, but I also want to acknowledge the struggle of my grandparents who worked as migrant farmers instead of going to school and gave up everything they had to give their kids a better life. I wonder how well I can do that, having forgotten their language and living as so much as a product of “American melting pot” culture. It’s... tricky. Identity is tricky.

Point is, I want to see Dice casually calling Otome “vieja”.

ANYWAY. Anime thoughts. I’ll put them under a cut for anyone concerned about spoilers.

The little kick the Buster Bros did in the opening on “buttobasu” (send��‘em flying) made me involuntarily laugh out loud. So dorky. Love them for that.

I was not sold on the opening back when I saw it in the previews, but I actually liked the full version quite a lot. The rap bits are a lot more impressive than the sort of generic chorus.

Love how it opened on TDD. I hope other episodes will follow suit and give more TDD backstory, because I think it delivers the best emotional impact when you know the reasons the anime boys are duking it out with one another.

TDD Samatoki has giant eyelashes even in the anime. Jesus christ.

TDD Ramuda appeared for about three seconds, and I was appeased.

The Buster Bros bit didn’t interest me too much, personally, but I thought it set the tone for the series really nicely. I also thought that a bunch of random dudes ganging up on these children and being like, “Heh heh, bitch, whatcha gonna do? We have microphones!” is hilarious.

BB rap was fantastic. I appreciated how much of a mix this was between the ARB and manga styles in terms of the way the raps appeared. Having the lyrics on screen was a GREAT thing for me as well. I also really enjoyed the moment where Saburou pushed Jirou out of the way and Ichirou stopped Jirou before he could retaliate. It wasn’t a distraction from the song at all but also characterized the familial interactions so clearly in just a few seconds. Kudos.

My VPN connection died during Ichijiku’s first talk with Otome, so idk what went on there.

I know Samatoki is supposed to be taken seriously, but for the life of me, I really can’t. I kept on snickering the whole time he was talking to the yakuza NPCs and acting tough. All his posturing is ridiculous to me.

Loved that MTC rap, although I kept laughing at that too. MTC is overkill.

I have a love/hate relationship with Samatoki’s speaker ever since I had to redraw part of that motherfucker sometime last year, but it is really damn cool looking. The animation for it blew me away. LOVED THAT.

Riou was there :)

I finally understood the significance of the cigarette kiss between Samatoki and Juuto. It’s to symbolize the whole “I scratch your back, you scratch mine” professional relationship they have, but I did think Juuto was leaning in for a kiss for a really bizarre moment.

Riou showing up to offer food :)

Eat Riou’s fucking food, Samatoki :)

I think Ramuda is a bit smaller than he should be as compared to the other cast members, but I will let it slide

Ramuda’s office is absolutely awful in color, but I will also let that slide

The Fling Posse interactions were a huge hit with me. I love seeing them hang out with one another and horse around the way that they do. Like the BBs’ scene, this was a great establishing shot for them.

I love how Dice rolls with Ramuda’s gratuitous English without missing a beat.

FP song wasn’t as hardcore as some of the other ones, but it was executed very well. Love the wordplay with the end of Ramuda’s and the beginning of Gentarou’s verse.

THE HIGH FIVE AT THE END OF THE SONG... HOO HOO!! NOW THAT’S WHAT I’M TALKING ABOUT, BABY! NOW THAT’S FRIENDSHIP RIGHT THERE!

Hypmic NPCs lowkey piss me off, especially all the “Kyaaa~!!!!” female NPC types. I get that they’re not supposed to be thought about all that much, but seriously...? Why is running from fangirls a plot point that keeps on being revisited?

They left Dice’s money behind... Bruh.......

Love how Doppo and Hifumi barge into Jakurai’s office nonchalantly.

The bit with the nurse establishes Hifumi’s character very well, although I still think Doppo’s being kind of an ass when he pulls Hifumi’s jacket off.

The whole fucking “terrorists on the roof” bit made me laugh again. Some of the Hypmic plot points are so contrived that I find them funny. It’s all silly good fun.

Love that rappers show up to push past the bumbling security guards/police. Excuse me, please, let me through... I’m a rapper.

Jakurai’s speaker was very well animated, but the way it appeared made me think of the Lionsgate logo. The mic animation was pretty cool too.

JAKURAI’S RAP ACTUALLY BLEW ME AWAY. I’m normally not a fan of Jakurai raps, but god DAMN was that cool.

Hifumi and Doppo didn’t drop the ball either. Fuck it UP, Matenrou.

I can’t believe they dropped lightning bolts on two people... especially when one was holding someone else hostage. Is that woman okay? Did she get fucking vaporized? I’ll never know.

Otome’s character model moves pretty stiffly, which I think actually helps her character because of how stoic she tries to act overall.

Ending song was dope. I wonder if they’ll feature other divisions in the endings of other episodes.

Ramuda leaping a good 3 meters in the air in the final shot is funny as fuck.