#and the only way to do that is to write and make comics that no ones going to see >:)

[diminuel]

I said I'd try to write a little companion piece/ continuation to my Luffy time traveling into the past to meet a young Crocodile comic!

As a warning: I know nothing about ships and since this is just a little no pressure project to try to get out of writer's block I didn’t do a lot of research. There is also a plot discrepancy because Luffy mentions Bonney and her abilities which he shouldn’t know based on the frame story I’ve given this fic *lol* Also: I don't know how to write these characters yet.

No beta, sorry for mistakes.

This is a Crocodad AU fic of course! ♥

--

Maybe This Time Part 1 (3.5k)

“Better get down from there, Luffy!” Nami called from the upper deck. “I don’t quite trust these clouds.” Luffy turned to look over his shoulder, feet dangling over the railing. Nami stood with a hand over her brow, looking up at the sky. Luffy turned back to look out at the sea and tilted his head up. The sky had a pretty green hue, nearly blending seamlessly into a dark mist rising above them. A huge dark cloud had formed ahead, casting a shadow over the sea in the distance.

“Just-“

He titled forward, lost his grip on the railing. A swooping feeling of falling tickled his stomach but before he could make a surprised sound he hit the surface of the water. It felt like he was crashing through glass.

And then it was dark.

This wasn’t the first time Luffy woke up after having been tossed into the water, but for some reason he was bone dry. And oddly thirsty.

“Thirsty,” he wheezed, sticking out his tongue to escape the uncomfortable dryness of his mouth.

A small barrel with a straw was held out to him with a curt “here.” Luffy’s attention zeroed in on the offering and he grabbed it without second-thought. A couple of deep gulps of the water later he felt a lot better already. He heaved a sigh in relief. He took the straw into his mouth again, starting a thank you as he turned towards his savior.

Startled, he sucked in water and spit it out again before he could choke on it, right into the face of someone who looked shockingly familiar.

“BABA?!” Luffy yelled. The person in front of stared at him blanky, the water dripping off his face.

Luffy stared right back. Could it be? This wasn’t Baba as he knew him, but much younger. Sure, they hadn’t seen each other in a couple of months, but he couldn’t change that much, right? But who else could it be? The same hair, the same eyes, the same scar, the same unimpressed expression.

A thousand questions rampaged through Luffy’s minds. How was Baba here? Last they had talked he had been still on Buggy’s homebase. Had he saved him? Where was his crew? What kind of island was this? But one question seemed most important.

“Why are you so young?!” Luffy asked, staring at Baba who couldn’t be much older than Luffy was now.

“Huh?”

“Was it Bonney?” The confusion on Baba’s face only grew.

“Who?” he asked. Luffy stared back at him taking in the complete lack of recognition on Baba’s face.

What?

“Don’t you recognize me, Baba?!” Luffy shouted in horror. The corners of Baba’s mouth twitched and his brows drew down. At least that was a marginally more familiar expression on his face.

“My name isn’t Baba,” he insisted. “And no. Should I?” That hit Luffy like Grandpa’s fist of love.

“Yes!!” Luffy argued, feeling overwhelmed and his crew wasn’t even here to help figure this out. Robin or Jinbei would know what to do! Luffy looked at the sea. It was overcast, the sun faint, the air cool. It was most likely early morning. There wasn’t a single ship visible in the bay or beyond. No other people on this beach. He could feel tears form in his eyes.

“What is going on?” he yelled.

--

There were rules for unexpected situations that had been drilled into his head at an early age. Get yourself out of any immediate danger. Figure out where your people are and regroup. Figure out where you are. Eat. Everything else can wait until after you’ve eaten.

Maybe the importance placed on food was just the Monkey family’s way of dealing with problems, but Luffy wasn’t about to complain. The perfectly grilled meat and the little stick that was loaded with huge mushrooms helped to dampen the anxious pit in his stomach. But the moment he looked up and caught a glimpse of the person sitting across from him, tearing the meat straight off the bone in an unsettling lack of finesse, he felt like he was being dunked into sea water again.

Just what was going on here? Luffy had been travelling with his crew, enjoying that exhilarating part of adventuring where you were simply sailing, facing the challenges the sea of the New World threw at you, not yet knowing where the path would take you. And then the next thing he knew he was plunged into water, sank, blacked out.

Nothing after made any sense. Because the person that had saved him…

“You’re staring.” Luffy startled at the unsettlingly unfamiliar voice. He watched the person opposite him pick his teeth. “Do I really look like that Baba person?” Maybe a smart man would keep his mouth shut and Luffy had been raised to have at least a pinch of common sense between his ears but…

Just what was he supposed to do when a young version of his father was sitting opposite him?!

“You do,” he settled on saying, wary. Baba didn’t look particularly upset by his lack of an explanation, not even a hint of annoyance pinching his brow. And that was unusual too.

What was this? A hallucination? Someone’s devil fruit power? Actual time travel?

(And why not into the future so Luffy could at least see cool robots shooting lasers?)

“What did you say your name was?” Baba asked, genuinely curious, then he pointed at the food in Luffy’s hands. “More where that came from,” he promised. “Eat.” And wasn’t that just another strange thing? Why was he so nice to him if he didn’t even know who Luffy was? Luffy stuffed the food in his mouth, chewing morosely.

“Monkey D. Luffy. I’m going to be the pirate king,” he announced, though far more subdued than he usually was when introducing himself. Baba’s eyebrow lifted.

“There’s no such thing as a king of pirates,” he said, chuckling to himself. “Isn’t that the whole point? The freedom?” Luffy swallowed his food, tilting his head in confusion. Baba put his elbow on his knee, and propped his chin in his palm. He grinned at Luffy, the expression open and joyful, almost mischievous. “That’s why I set sail. I want to do things for myself, see what I can achieve on the Grandline!” His grin softened to an expression a lot more familiar to Luffy though he couldn’t exactly place it. “A big adventure before…,” he trailed off and sat up straight, still grinning but not sharing his thoughts.

It was strange to hear Baba talk of freedom and piracy like that. While Baba had given Ace, Sabo and him a lot of practical information on what to expect out of piracy, he almost never talked about how it used to be for him when he just starting out. Luffy didn’t know when he became a pirate, what motivated him or why he gave up that freedom for a warlord position.

He just knew that nowadays everything, even freedom, was shackled by conditions upon conditions. A thousand locks for Baba and Dad to pick before it could be achieved. Luffy had never quite understood it. Freedom was so easy to achieve if you just pushed your boat off the shore.

Maybe this Baba still trusted that freedom was always within reach.

“How old are you?” Luffy blurted out, putting aside the unease about the situation to admit a little bit of curiosity. Even if it was a hallucination or the work of a very capable impostor, he wanted to know more about him. He wanted to know everything about him.

“19,” Baba answered. “And you?”

“Uh, me too,” Luffy said, then lifted his fingers. “46 minus 19.”

“27,” Baba answered right away, chewing on a mushroom. It seems Baba hadn’t yet discovered the “don’t talk with your mouth full” rule.

“27 years?” Luffy repeated in dawning horror, touching his palms to his cheeks. “I’m 27 years in the past?!” He whined and let himself drop onto his back. He stared up at the overcast sky, partially visible through the sparse trees here so close to the shore. How was that possible?! Did they sail into some sort of mystical area of the Grandline and were now all scattered across time? Was that even possible?

Baba’s face appeared in his field of vision, blocking out the sky.

“What are you talking about?” he wanted to know, his hands in his hips as he bent down to study Luffy. “You can’t seriously believe that you’re from the future.”

“But I am!” Luffy insisted and jumped to his feet. Luckily Baba straightened quickly enough to not be hit by Luffy’s head. He grimaced, momentarily distracted by the fact that even now his father was nearly a head taller than him. He shrugged it off. “I know that there is no known devil fruit that will grant the user the ability to go back in time. But there has got to be an explanation for this!”

“Other than you being insane?” Baba offered but judged by his tone and the grin stretching his lips he was teasing, not mocking. Luffy groaned, then crossed his arms over his chest. “You do realize that what you’re saying is improbable.”

“But it’s still true!” Baba didn’t react to his outburst. “I’ve seen a lot of so-called improbable things before! Islands with dinosaurs! Islands that fly in the sky! Islands where people turned into living toys!” Baba lifted his eyebrows at that. Luffy waved him off. “It was just Mingo, don’t worry about it.”

“I’m not worrying about it,” Baba answered, amusement evident. “But it seems like you’ve already travelled a bit. I thought you were new to the Grandline. You look like a rookie.”

“I’m not!” Luffy protested then pointed his thumb at his chest. “I’ve been on the Grandline for 2 years! I’ve got an amazing ship and the best crew in the world!” At the mention of his crew his spirits sunk like an anchor. He hoped they were okay…!

“Where were you when you got separated from your crew? You can’t have been washed ashore from that far away,” Baba asked. Luffy hummed, trying to remember. He scratched his head.

“We’d been on sea for about three weeks after Wano,” he said. “But we hadn’t come into stable climate yet, so I don’t think we were close to an island.”

“Wano,” Baba repeated. “You were in the New World?” He seemed surprised now. Was he doubting him again?

“You’re in the New World too,” Luffy shot back.

“No! We’re on Agaricus,” Baba insisted. Luffy squinted at him. Where had he heard that name before? He was sure he had heard Baba mention it. “The next big island you might have heard of is Alabasta.” Luffy hit his balled fist into his palm in recognition.

“The autumn island where you like to go mushroom hunting!” he said then the words registered. “What?! We’re in the first half of the Grandline?!” Baba looked about as shocked as Luffy felt.

“How do you know that?” he asked and it took a moment for Luffy to realize that he looked wary all of a sudden, his stance a lot less relaxed. Luffy knew that he should be able to defend himself against a 19-year-old version of his father, but he still didn’t want to test that hypothesis if Baba actually started to believe that Luffy was a threat.

“I told you! I’m from the future! I know you!” Luffy defended himself. Baba frowned at him, but his stance shifted just a bit. A soft sound at Luffy’s feet made him look down just to see tendrils of sand slip back down on the floor. He hadn’t even realized that Baba must have manipulated the sand to grab him if needed. When Luffy looked up Baba’s expression was serious, a crease between his eyebrows.

“27 years into the future,” Baba affirmed. “When you and your crew sailed the New World. As apparently I do too.” He rubbed his arms, his face uncertain for the first time. “I’m still alive in 27 years?”

“Obviously!” Luffy insisted, angry at the suggestion that Baba would not make it on the Grandline. “You’re strong!” A small grin appeared on Baba’s face.

“Yeah? So how do we know each other? Am I your captain or something?” Luffy wrinkled his nose but at the same time Baba did too. “Do I insist on everybody calling me Baba like fucking Whitebeard wants everyone to call him Pops?” Baba made a disgusted expression at that. Luffy of course knew that Baba and Whitebeard had history, but as most things of his father’s past, this was something he kept close to his chest. Sometimes his secrecy was quite annoying and it was hard to pretend not to care about what had happened, especially since the old man had meant so much to Ace.

“How can you already have a grudge against Whitebeard at 19?”

“Oh, so you don’t know everything, Monkey D. Luffy,” Baba said, his grim look dropping quickly at the supposed upper hand he fancied himself to have. Luffy wasn’t used to these quick mood changes. Still, instead of answering he grimaced. “What?”

“I don’t like when you call me by my full name. You only do that when you’re scolding me. Call me Luffy or Strawhat.”

“Strawhat?” Baba asked, laughing. Luffy pulled his hat from his back and put it onto his head demonstratively. “And you let me scold you? What am I? Your mom?” Luffy pressed his lips together, the question feeling like someone had upended a bucket of cold water onto his head. But Baba laughed in amusement as if the thought was absurd. “Am I your captain?”

For the first time a different kind of worry made a home in Luffy’s mind. He had arguably no experience in time traveling but he wondered if it was a good idea to let his father know too much. Could Luffy change the past just by being here? Could he change his own present if he messed up here?

Luffy knew that he was a “happy accident.” What if he told Baba who he was and Baba decided to be a bit more careful so that no happy accidents happened accidentally? That’d be horrible! Would Luffy just disappear?! Maybe this was the true danger of this situation!

“You’re not my captain! I’m the captain of my ship!” Luffy insisted, pride in his position winning out over the moment of panic.

“Then what’s our connection?” Crocodile asked and took a step closer to Luffy, a glint in his eyes that Luffy didn’t quite like. He didn’t have a sharp hook to hold under his nose but he had a sharp and menacing grin. “Spit it out, Strawhat.”

“I… I don’t know anything!” Luffy said through pursed lips, looking away. But other than grab him and shake him or worse (as Luffy had seen Baba do to people who annoyed him or lied to him) Baba just blinked at him. Then he threw his head back and laughed.

“I know someone who’s just as horrible as you are at lying!” he said. Luffy wrinkled his nose. Not everyone could lie professionally. “But why don’t you want to tell me?”

“Because I am from the future!” Luffy insisted. “What if I say something that changes something big?! I don’t want that! I like my life! Maybe if someone sent me into this past, this is their objective?! What if they’re trying to kill me by letting me make a mistake here in the past that leads to me not being born?!”

“That seems far too much effort,” Baba said, looking Luffy up and down. “You don’t look particularly strong, Strawhat,” he said his tone annoyingly patronizing. “A stray bullet could kill you.”

“What?! I am strong! And my bounty is higher than yours!” he protested. Luffy would never have said that to his Baba’s face but this young version of him was different. “And I’m not going to tell you what it is!” Baba rolled his eyes.

“At least tell me I didn’t choose something as stupid as Baba as my name,” he said, then he moved his hand and a wave of sand spread over the fire they had roasted their food on, dousing it at once.

“I’ve always done my best to fly under the marine’s radar and it’s hard to break the habit. I haven’t really gotten my name out there yet,” Baba continued. He pointed at Luffy. “But I will! The world will soon hear of the exploits of Crocodile!” Luffy stared at him, taking in his wide, confident grin.

Baba looked impossibly young.

“Yes,” Luffy agreed, not sure why there was a lump in his throat. Baba smiled at him, then he reached out to pat Luffy’s shoulder. “Let’s go.” Baba turned around and started packing up the rest of the cooked meat and mushrooms. He tossed Luffy a bag, then shouldered his own. When he walked away from the camp, Luffy trailed after him.

“Where are we going?” he asked. They stepped out of the outskirts of the forest and back onto the beach. There was a small ship docking on a pier that Luffy hadn’t noticed back when he had first woken up. It wasn’t much bigger than the one Luffy had initially set out on. Far too small for a crew of more than two. Not a vessel that looked suited for the Grandline.

“You’re looking for your crew, right? And a way to get back home, wherever and whenever that might be,” Baba said and then thrust his thumb behind him, towards the ship. “So what do you say, Strawhat Luffy? Want to join me?” Luffy looked at him in surprise. Baba wasn’t exactly the kind of person to make such generous offers to strangers, at least he wasn’t today.

“Fine. But I’m captain!” Luffy said and extended his arm to grab onto the ship’s mast. He pulled himself onto the ship, Baba staring after him. Luffy sat himself down at the helm of the ship. Baba cursed to himself, then undid the rope and gave his ship a powerful shove with his foot. He turned into sand and landed on the ship next to Luffy.

“No way! This is my ship!” Luffy looked up the mast, noticing the lack of a pirate flag.

“Baba-“

“Don’t call me that.”

“Crocodile, you don’t even have a pirate flag!” he said disapprovingly and for the first time Baba actually seemed embarrassed. “Does your ship have name at least?”

“Yeah, it’s the Mind Your Own Business Strawhat!” Crocodile went down into the cabin and then came back with an eternal pose. Luffy couldn’t read the name written on it. Crocodile walked to the steering wheel and then looked up at the sail. Luffy watched as sand spread from Crocodile’s body until the sails were lifted and caught the wind.

“Where are we going?” Luffy asked, inspecting the stemhead but it didn’t seem particularly comfortable to sit on. Crocodile’s ship didn’t even have a figurehead! Maybe he had a banana in his galley so Luffy could put it on the stemhead. The "Mind your Own Business Strawhat" needed least some decoration. Momentarily caught up in his musings, it took him a moment to turn back around to look up at Crocodile behind the wheel. It was strange seeing him there. He had only sailed with Crocodile on the same ship once, leaving Impel Down. He didn’t know why it seemed so strange to see him man a ship himself. He knew that his father was a pirate and yet it seemed odd to realize what that actually meant. That he hadn’t always been a warlord who tended to stay in one place or travel on marine vessels, that he hadn’t always had 2000 people under his command, that he hadn’t always been an emperor’s commander. But he looked comfortable behind the wheel, like he had never done anything else.

“Do you want to go all the way to Wano?” Luffy eventually asked and jumped up to where Crocodile was. “What about your own adventure? Don’t you want to follow the log poses and do your route around the Grandline?”

“I don’t mind making a detour,” he easily said as if it wasn’t difficult at all for him to give up his plans. “And absolutely not, I’m not going to sail into the blue like that just based on your last location in allegedly 27 years from now” Crocodile said with a scoff. “We need information.” He smiled down at the log pose. “And I might have an idea where we could get it.”

To be continued? If you find it too hard to read on here I can post it on AO3.

[meo-eiru]

What's ur inspo for art? ur art style is so cute... any art advice?? Jajsjdkkaka, I understand if u wanna gatekeep 👁👁

I meant to answer this several days ago but couldn't find it in the sea of asks welp

Anyway as I mentioned before we don't gatekeep art related stuff in this household, artists help other artists.

Honestly it's hard to name an inspo but I do have artists I look up to a lot (this might be a bit long)

Kanisuke, you guys might be familiar with her, she's the artist of the upcoming yandere inside game Yandere Town. I know it's not out yet but I'm actually obsessed with this game and have even translated all the character intros (they are a bit old atp so there might be some mistakes) and actually if you see a Yandere Town related post high chance it's from me. Not only her art but I love her writing style as well.

Hakuri-sensei, their manga Sachi iro no One Room is definitely one of my biggest inspirations. I love the relationship between Sachi and her "captor" and it's the only manga I actually cried my eyes out while reading.

Tayu-sensei, all of their work for Yuugen Romantica (one of my fav drama cd series) are breathtaking and they've also developed even more since then, their current works are just so stunning and I love studying the way they draw hair

Shirahama-sensei, she👏is👏a👏queen👏 honestly I don't have much to say, go read Witch Hat Atelier it's an artistic masterpiece and a giant love letter to art itself

Furumi-sensei, another queen! She's the artist of my favorite Fate Grand Order character Ashiya Douman. I've even bough her art books before, honestly she is just so talented. I don't know what she was drinking when she came up with Douman but I need some of it

Usagi Routo-sense, another fgo artist AND JUST LOOK AT HOW INCREDIBLE THEY ARE AT USING COLORS LIKE??? HOW??? Their art is like cocain for my eyes I could look at them for hours

AU, one more fgo artist and oh my god guys this person right here is one of my biggest inspirations just look at their drawings. I'm not kidding I actually spent hours just inspecting how they shade outfits. I'd sacrifice my soul just to get a chance to watch them draw live

☝︎ FAN, an Ashiya Douman fanartist and god guys the comics they draw!!! They are the cause of some of my current biggest fetishes ngl

Oyo-sensei, an fgo artist and is also the main artist of 18trip. They have such a clean art style that's very pleasing to the eye. I especially love the reference sheets they draw.

Shibatora-sensei, she is the artist of my FAVORITE drama cd series Shinai naru Thanatos and my overall favorite yandere character from any fiction Seo Eito. Honestly if you know me irl probably the first thing you'd mention about me would be my chronic Shinai naru Thanatos addiction because based on what everyone says I start speaking about it within 2 weeks of meeting someone new.

ORKA, the artist of A Stepmother's Marchen. Anyone who knows that manhwa probably knows why she's on this list, her art has so much soul and passion in it, literally every single panel looks like a painting and it makes me want to cry just looking at it

82 Pigeon, an incredible incredible Korean artist, I think they also give art lessons? I really tried to get them but couldn't figure out how. They also have a youtube channel and I learn a lot just by watching their speedpaints

[animentality]

special announcement time

alright everyone.

at long last, i have finished polishing my latest writing project, a horror romcom fantasy novel (94k words), and am looking for beta readers to tell me what they think of it.

but not only that...

i am also interested in beta swapping.

sooooooooo.

if you got an ongoing fanfic, if you've got a novel of your own...or any other kind of big writing project, or web comic even, that you want eyes on...dm me or send me an ask (or reply to this post, I'll reach out).

i have turned on dms and replies for this purpose.

it can be pretty much any length and any genre, about anything. i don't mind any experience level either, whether you've never written anything at all, or have been doing it for years. i can help aspiring authors (trad or indie), fanfic authors who want to participate in fan events/post to AO3, people who don't want to share their work with the public...

i'll read sci fi, fantasy, horror, historical, contemporary, romance. porn. any genre, with any audience (YA, MG, adult, whatever).

but also, you know. we don't have to swap. if you just wanna read it, that's perfectly alright too. summary here, so you can see if you'd be interested.

Warnings: Graphic violence, child death (death of an infant), self-harm (because their powers are blood-based, and they need to self harm in order to use them), implied sexual assault/incest (not graphic), animal death (a lot of it), and oh yeah, sex scenes. this is an adult romantasy. adult.

anyway.

here:

In a world ravaged by war between the old gods and the new, demigods sow chaos and discord wherever they go, destined to be either legendary heroes or fearsome villains. But Marrow is not like other demigods. They are the child of the god of blood and slaughter, born with only one purpose: to kill in their savage father’s name, and bleed the entire world dry. The one problem? 

The only living creature they want to kill is their father.

But Marrow has been imprisoned within their temple for their entire life, unable to realize that dream…until now. A deal with a devil allows them to escape, making their way into a hostile world they know little about- and matters are not helped by the fact that their father can use their eyes to see what they're seeing at any time. To keep him from seeing their location, Marrow must remained blindfolded. But Marrow, an eternal optimist, won’t let their lack of vision stop them from fulfilling their lifelong dream. 

The demigod hunter might, however. Arlo Ren is a member of the Razor Watch, a religious order dedicated to the goddess of the hunt. He is clever, but impulsive, eager to prove himself to his goddess by capturing powerful prey. Soon after meeting Marrow by chance, and discovering what they are, he sees his opportunity and refuses to let it go. Literally. The demigod hunter handcuffs the demigod to his side, and swears to sacrifice them in his god’s name. Luckily for him, Marrow is an inexperienced, blind pacifist, who needs him to guide them through a dangerous, unknown world. They fully intend to escape him eventually. But perhaps a demigod and a demigod hunter have more in common than they might think. Perhaps they might even need each other...but they will, at the very least, need to learn how to live, work, and fight together as they are relentlessly chased by Marrow’s powerful demigod siblings, all hoping to kill their youngest sibling and please the god they abandoned. 

So yeaaaah. DM or replied or whatever if interested. We can chat some more in discord or on Tumblr (but I'm faster on discord).

[jesncin]

The Potential of Asian Lois Lane: An extra addition

A bonus addition to my Asian Lois essay. I know Lois Chaudhari isn't technically a Lois since the premise of the comic she's from is where the Superman mythos is fictional and the characters in it happen to be named Clark/Lois etc. But since she's a Lois stand in and romantic partner to the Clark Kent of that story, I figured she deserves an honorable mention at least.

Here's where I position her in my Spectrum of Asian Lois Lane chart. And I'd like to talk about her!

Compared to American Alien, this Lois is actually specific and textually Indian in Superman: Secret Identity. Unlike American Alien Lois (that never specified what kind of Asian Lois was), she can't be replaced as a white woman because the text acknowledges her Indian identity (her name, lines of dialogue like this, etc.) hence she's not interchangeable with whiteness. So this take has that going for it.

Where Lois Chaudhari still falls behind Girl Taking Over (and what it shares in common with American Alien) is yet again a sense of missed opportunities narratively.

In Superman: Secret Identity, a man named Clark Kent from Picketsville suddenly has Superman's powers. After years of being made fun of for his namesake, he suddenly is what everyone has been making fun of him for- and as he lives through life he slowly understands why fictional!Superman is the way he is. It's a great story but where it misses the mark for me is its failure to recognize Superman as an immigrant. Secret Identity's Clark isn't an alien immigrant, or a human immigrant, and is instead ostracized because of his name. Government baddies want to do experiments on him so he has to hide from them too. But then he meets city girl Lois Chaudhari, and they connect because people keep teasing them for their names and Lois knows what it's like to keep secrets because she,,, committed a crime as a teen once.

"I guess we're both dangerous felons, then. Public menaces."

Being hunted by the government and being experimented on isn't really the same as being caught shoplifting.

It works well enough as a connection but to me is a huge missed opportunity to have an Indian American relate to your Superman stand-in as an immigrant. To connect on a deeper level other than "people make fun of us for sharing names with fictional characters". Later in the story, Clark and Lois have twin daughters who are visibly Indian. They too, have Superman's powers. While we're treated extensively to the narrative showing us why Clark would hide his powers from the government wishing to seek harm on him, we never get to see what Clark's daughters have to deal with on top of being visibly non-white.

Superman as an alien immigrant is an anecdote in this story. Because after all, that's not what a white American man from Picketsville would find relatable about him, is it? I have the same thing to say about Secret Identity that I did with American Alien: "Clark isn’t the only American Alien in American Alien, if you catch my drift."

I think this story is the perfect encapsulation of the limits of a white writer. One of my hottest takes on Superman is that the best and most holistic take on his character doesn't exist in the white imagination. Take a look once more at the Spectrum of Asian Lois Lanes chart that I made. All save for Girl Taking Over were headed by white men (MAWS may have Asian directors and writers on their team but ultimately its pitch and main ideas are the brain child of Jake Wyatt, a white man).

People have taken issue with me saying this and assume that I mean white people can't write a good Superman story, and no. That's not what I'm saying. I like Superman: Secret Identity. I even like American Alien. But it's been 80 years of predominantly white writers of all backgrounds getting the chance to write Superman- and already multiple attempts at an Asian Lois- and yet it took until Gene Yang (and artists Gurihiru) with Smashes the Klan and Sarah Kuhn (and artist Arielle Jovellanos) with Girl Taking Over that I felt Superman's themes as an immigrant finally took center stage and weren't just a mention or anecdote.

In no way do I want to imply that getting writers of color or Asian writers specifically will mean you'll be guaranteed a great Superman story. I'm against promoting the idea that diverse talent is infallible or tokenizing and essentializing them in such a way. What I am saying is that the best and most holistic story on Superman as an alien immigrant isn't even a goal in the white imagination. Immigrant Superman doesn't live in that mind. He doesn't pay rent there. He doesn't stop by to visit. And no, Superman creators Shuster and Siegel wouldn't have written that story either. Superman may have been the "Champion of the Oppressed" from another planet under their pen, but he would never have related to or have had immigrant solidarity with America's perpetual foreigners the way Smashes the Klan portrayed him as having. Superman's creators were too busy writing Slam Bradley to be able to write that kind of Superman.

The appeal of these cape characters for me, is the process of adaptation. Seeing them be handed off to someone else with different life experience. Seeing them bring a whole new perspective that surpasses even the creator's intentions on their character. That's what makes these characters rich and worthy of constant revisits. I just think that people of different backgrounds should be able to get as many chances as white men have with writing Superman and his cast of characters.

[mkpersephone]

I saw this on Qura about Professor X's character assassination in modern days comics and it fits perfectly:

it's pure character assassination. They've played with this idea before where Xavier's suppressed desires run amok for a while making him evil, or like Onslaught, the writers use the first excuse to make him an outright villain and plot device for "Heroes Reborn". Even Wolverine renaming the school the "Jean Grey School for Higher Learning" is one of the methods of trying to replace Xavier or rewrite his place in the hierarchy or question who is more 'saintly'. But when push came to shove the wheel would turn back because what actually sells (and is popular) is the classic, wheelchair-bound, parental, wise, and caring Professor Charles Xavier. I think they do this in these comics now because comics are dying, and the current writer wants these classic characters parroting their own thoughts and beliefs... even if it becomes the character's epitaph.

Honestly, modern writers DO NOT know how to try to build up a character or idea without tearing something down. And Xavier is always an awesome target because the ideal he stood for when originally created, (just like you pointed out in your answer) is one that ideologically is being opposed by today's progressives. There is no fight for equality, there is only ever varying levels of power and the struggle to have more. Having a straight white male who is a benevolent father figure to the wayward lost souls and moral center to an adoptive family unit is out of the question for modern writers. If you want to destabilize and re-write something in your own image, you attack the root, and Professor Charles Xavier is the root of the X-Men.

This whole story is WAY out of character for Xavier, but in their defense, I would say ever since Krakoa, each writer writes the characters as how they want to interpret the character. And this isn't the first character they've assassinated, including Moira McTaggert. Today, there is no Jim Shooter anymore trying to wrangle the whole bullpen and fighting the writers on bad ideas. (And to be fair, not all of his ideas were good and the writers fought him plenty, but the writers at the time were outstanding pros with long track records of great stories, not twitter account holders on their first comic who were given a job based on their race or sexuality).

When you stop knowing how to make great new characters, (heroes and villains alike), then you're stuck trying to reinvent the characters you have. That's been X-Men's problem for almost the last 20 years; when they make new characters, they're not really good and no one really cares. That leaves using the current stable... over and over and over again.

[kimberleyjean]

What did Adam change? (Part 1)

To follow up on my recent reblog about the baby swap, I'm going to take a closer look at Adam where we leave him at the end of S1. Because, by the end of S1, Adam had changed quite a few things... and I'm going to use both the TV show and the book to provide evidence.

To become the Young's real son, I don't think Adam really needed to change all that much. He just says the words to Satan, Satan disappears, and that should be it, right? But no, because Adam goes much further, and I think he does it because he can.

Because Adam has opinions, you see. Opinions on how the world should be and what he wants to happen. Except, unlike Agnes, who needs to write a prophecy and then wait 300 years for her descendant to enact it, Adam can just make it so.

The Other Two Babies

I originally thought about putting all the things Adam changes into a single post, but instead I'm going to make this a short series of posts, because he changes a fair bit. Let's start with where we left off with the baby swap, crack open a copy of the book and discuss the changes for Warlock and Greasy first.

Warlock

Here's some excerpts of Warlock flying home from Megiddo to America (my bolds for emphasis):

It was Sunday afternoon. High over England a 747 droned westwards. In the first-class cabin a boy called Warlock put down his comic and stared out of the window.

...

And now he was going back to the States. There had been some sort of problem with tickets or flights or airport destination-boards or something. It was weird; he was pretty sure his father had meant to go back to England. Warlock liked England. It was a nice country to be an American in.

...

And Warlock flew on to America. He deserved something (after all, you never forget the first friends you ever had, even if you were all a few hours old at the time) and the power that was controlling the fate of all mankind at that precise time was thinking: Well, he's going to America, isn't he? Don't see how you could have anythin' better than going to America. They've got thirty-nine flavors of ice cream there. Maybe even more.

So it's Adam who has sent Warlock back to America, despite Warlock wanting (even, expecting) to be on his way to England. And he's controlling the fate of all mankind.

Greasy

Likewise, he has changes for Greasy Johnson too (the discarded baby who grows up to win prizes for his tropical fish).

The plane was at that point passing right above the Lower Tadfield bedroom of Greasy Johnson, who was aimlessly leafing through a photography magazine that he'd bought merely because it had a rather good picture of a tropical fish on the cover. A few pages below Greasy's listless finger was a spread on American football, and how it was really catching on in Europe. Which was odd… because when the magazine had been printed, those pages had been about photography in desert conditions. It was about to change his life.

Adam is deciding here how to alter Warlock and Greasy's paths. Warlock wants to be back in the UK, but Adam thinks America is better, while Greasy's magazine is changed to American football, which I guess is implying he's going to become an American footballer.

Now, not everyone may be aware, but these parts weren't in the first release of the novel. It only came about later, in the American edition. Apparently the changes were in response to prompting from the American editor, but they got "carried away" making those changes (source).

Season 3 (warning: speculation)

So, do you think this could be relevant for S3? For me personally, the fact that these bits were added later makes me wonder if this was helping to set up for a potential sequel. It's certainly poetic - just like the baby swap that originally involved all three, we are now implying a potential adolescent swap of Greasy, who is interested in American football, and Warlock, who is interested to return to the U.K.

If you've read at all about the hypothetical plot of the proposed written sequel, you'll know that it involved a trip to America, ostensibly to look for a lost Jesus. So, if the next book was originally meant to be about going and finding someone (Jesus?) in America, then Greasy or Warlock could make sense. It would be a switcheroo all over again if Warlock had left for the UK and Greasy for America.

Another alternative is that all three could end up converging in America, since Warlock already lives there and both Adam and Greasy have interests in going there. But if that's the intention, why mention that Warlock wants to be back "home" in the U.K.?

So, those are my possible takes on how this passage can be interpreted. I know there are some theories that either Greasy or Warlock may be the Second Coming. I've also seen a theory now that Adam himself could be a contender (both spawn of Satan and spawn of God - it'd certainly be interesting!). I'm not placing bets on any of these outcomes just yet.

In addition to this passage in the book, we also see some interesting changes made by Adam which are featured more prominently in the show - one's that have implications for the ineffable husbands.

Part 2 coming soon!

Thanks as always to everyone at the @ineffable-detective-agency (including @noneorother, @embracing-the-ineffable, @lookingatacupoftea, @251-dmr, @somehow-a-human, @maufungi, @havemyheartaziraphale, @theastrophysicistnextdoor, @dunkthebiscuit, @komorezuki, & @ghstptats).

[distort-opia]

What do you think of how recent DC writers view and have been writing Joker?

Ah. Well, depends on your definition of "recent". I haven't fully engaged with comics published in the last year, to be honest-- not to the extent of keeping up with every issue and story arc. When it comes to Joker, I feel that Rosenberg was the most promising writer in the past couple years, what with The Joker Presents: A Puzzlebox and The Man Who Stopped Laughing... he actually wrote Joker as a mix of hilarious and terrifying, with depth and glimpses of vulnerability. But then Zdarsky made a whole-ass mess of him.

You could argue it wasn't his fault. Technically it all started with Geoff Johns (I say, through gritted teeth) and whoever in editorial also thought it was a good fucking idea for three Jokers to be a thing. Johns continued to hack his way through Joker's character by giving him a canonical name, because why not screw up one of Joker's fundamentals (a lack of a certain past). And then Zdarsky had to try and force all of it to make sense somehow... which, I guess, he could've done in worse ways. But it was still bad, and I still disliked the Zur-en-Arrh arc and Joker: Year One. DC keeps pushing Joker as an entity that's almost inhuman, a boogey-man only defined by a hollow obsession with Batman; giving him the backstory Zdarsky did robs him of so much agency and choice, of so much that used to make the character interesting. (Alas, I spoke about my opinion on this elsewhere in much more depth, but I can't find the damn post. All hail the tumblr search function.)

I haven't kept up with Ram V's stuff though, and whatever's happening in Detective Comics. I do know Joker shows up there, but I don't know if it's in a well-written way or not. Needless to say, I am a bit burnt out on Joker comics as of late. I'm still waiting for the stars to align so I can get back into things.

[necrotic-nephilim]

I started in DC by reading fanfics, but as I began to read actual comics, I started to be unable to read the actual fanfic that got me into it in the first place because it's so out of character.

But there are still some stories that I love to read because I love the found family trope so much, even if it isn't really accurate to the source material.

As a comics purist (sometimes), are there tropes that you like enough that you'll still enjoy a fic even if it's not accurate to canon?

oh my god this is SUCH a fun question. bc while i started with the comics, there were certain characters and/or character dynamics where i was exposed to the fanon before the canon (just bc it's hard to read everything when you start out just to read some fanfic) and so i've definitely experienced the fanon to canon transition. (*especially* with Jason Todd. i had only read 80s/90s stuff where he was already dead or the New-52 bc that was on-going when i got into comics and man. the fanon misunderstandings i had about him before i got frustrated and sat down to read all his pre-Flashpoint stuff were absolutely bonkers.) and aside from that, whilst i tend to prefer canon over fanon, i'm not past giving fanon its flowers for occasionally having really interesting insights. occasionally. so some of my fanon "guilty pleasure" tropes would probably be

Morally Grey Tim Drake - this is one where if you try to back it up with canon, i *will* get salty about it. of everyone in the Batfam aside from maybe Bruce and Cass, Tim has the *most* black and white morals. often his internal conflicts are routed in such an inability to compromise his moral views and it can cause him to clash with other characters. he's *very* stiff and rigid in his beliefs and is *rare* to compromise in even the smallest ways. i mean, DC has repeatedly used Tim Drake of Tomorrow/Savior/Gun Batman!Tim for a reason. it's to demonstrate that of everyone, Tim *cannot* have his morals compromised. there's no grey area for him. he's zero or a hundred, so if he tips over the edge of "too far" he tips *all the way*, and doing so is one of his worst fears, how he could go "too far" if he let himself. a couple panels out of context from Red Robin (2009) (which was a grief spiral for Tim to begin with) don't change that. now that said. if it's done *right*, i sort of love Tim being morally grey in fanfic. it takes a specific flavor for me, and it's incredibly important to include that mental spiral along with it, of him struggling to justify it. i don't have any interest in "Tim Drake is loosy goosy with Bruce's morals and has the highest kill count and no one knows teehee" bc it doesn't play with the interesting parts of making Tim morally grey, which are fracturing his psyche. but all in all, i think it's fun to put Tim in a morally grey area and i will read it in fanfic and i enjoy writing it a lot

Joker Junior!Tim Drake - i've not written it on this account (yet) but on my main ao3 account one of my biggest fics surrounds this concept. this is one of those "well *technically* it's canon but only in a specific very divorced from the comics universe and would not work at all in the main timeline" so, i categorize it as fanon in that 95% of fics exploring the concept are not doing so within the Batman Beyond universe, but the main timeline. i just love it. I'll take any excuse to whump Tim, but this concept is so fun. psychologically breaking Tim will always be my favorite pastime. there are so many ways to explore the long-term effects this could have on him, how it could affect the Batfam. i'm not a fan of it being used as a "gotcha" to Jason or Babs' trauma with the Joker to paint Tim as the Ultimate Victim, but it is fun to see how their relationships would be affected by being mutual victims of him. (i have a vague JayTim idea where TIm fully retires from being Robin after being Joker Junior and killing the Joker, making Steph Robin for most of his typical Robin era and Jason still tracks him down out of curiosity bc he wants to know what happened and all. very underbaked but i've got thoughts.)

Renegade/Apprentice of Slade!Dick Grayson - this is another one where yes, this happened *sort of* in canon, but i highly doubt most people writing Renegate!Dick have read or are actually pulling from Nightwing: Renegade. it's just an exploration fo the concept fo Dick being Slade's apprentice and i will always eat it up in any capacity. whether Dick grows up with Slade from a young age, or chooses Slade for whatever reason later in life. it's not anything that works in canon bc it compromises Dick morally (similar to the above with Tim) and therefore will always come across incredibly fanon in most fics. but i can't say i don't enjoy it. it's fun to make Dick a little morally fucked up and see what you can make him under Slade's tutelage.

Jason & Damian Meeting in the League -there's no world where i believe this could work in the canon comics. (maybe in the Young Justice cartoon i suppose, but even then i think it's iffy) i would go as far to say it's wildly unrealistic. i don't see a world where Ra's would let Jason anywhere *near* Damian, bc Jason was Talia's pet project that he didn't approve of. that all said, there's something very interesting about how they *could've* met and them potentially bonding during that timeframe. them being somewhat brotherly during this time because Jason sees Bruce in Damian and sort of latches onto the kid and Damian is full of wonder hearing real stories about Batman and Robin, then that getting violently ripped away by Jason leaving the League is fun to me. it's fun how that could affect them within the Batfam and all. it's super fanon to me, but i do not care. i will eat it up

Bad Dad Clark Kent/Good Dad Lex Luthor - i will admit as a late, i've been less and less kind to this particular fanon bc of everything i've argued with people about, *this* one seems the most pervasive as misunderstood fanon. i don't mind when fanon exists, my gripe is when ppl try to claim it's canon. and the *arguments* i've had over this with people who can never seem to cite an actual comic are... frustrating. but that said, i think there is something fun to this strictly in fanon. the duality of who you expect to accept Kon and who you expect to hurt him being flipped is just sort of fun for the occasional guilty pleasure fic. it can make Kon's internal conflict a bit more interesting. the same goes for the Jon favoritism from Clark, it's not a canon thing (and i rlly wish ppl understood how complicated the timeline of Kon and Jon is and any distance from Clark toward Kon isn't malice, it's that Kon is from a timeline that Clark does not remember in the current canon so Clark just straight up doesn't know the poor kid.) but it's sort of fun to give Kon that complex of being overlooked and forgotten sometimes. making Kon just a *bit* more Luthor than Kent will *always* appeal to me in fanfic, especially if he *knows* it's wrong but craves approval from anyone who will give it.

Good Dad Bruce Wayne - i'll die on the hill Bruce is canonically a shitty father. maybe not to the extreme some people write him as, but he's not great at it. that said, i enjoy it in fanfiction. sometimes, i just want silly fluff or hurt/comfort where Bruce finally gets it right and manages to comfort whatever Batkid is in the fic. one of my favorite fics of all time is hinged on Bruce being a good dad, so i think it's just fun to explore how good the relationships *could* be, if Bruce was slightly less of an asshole. i usually prefer him as an asshole, but there are times i want low stakes nonsense.

Gotham Rogues Having Soft Spots for Robin(s) - just about every Rogue in Gotham has done something absolutely irredeemable, and most of them don't like or care about anyone in the Batfamily. but if there's a fic where one of the Robins inexplicably is sort of close with a Rogue and they have a cute silly relationship out of it? I'll eat it up i fear. Steph and the Riddler are besties? I'll believe it. Tim and Scarecrow get along pretty well? give me ten of these. Rogues protecting Robins just hits a spot. the unexpected nature of the relationship, as well as the fact they see each other regularly, can make a lot of good fodder.

[insufferableprotagonistpoll]

Round 1

Propaganda why Batman is insufferable:

"Always has to be right. Will literally alter the makeup of his kid's brain because said kid doesn't live the way he wants him to. Acts like his worldview is the only one that matters."

"Always has to be right. Does the most janked up stuff and doesn't care who it hurts. Imposes his will on others to the point of willing to bodily harm them if they do not comply (and yes, this does include his children)"

"I’ll also support Batman as a candidate because of the slapping Robin meme, which is annoying, and because he is just way too much. Too much all the time."

"Has to always be right, regardless of situation. Because somehow the billionaire has knowledge of how middle class people think."

Propaganda why Light Yagami is insufferable:

"Cop"

"Had a great chance to actually solve the problems of the world but he decided to go after petty criminals instead of actual bad guys shaking my head. He thought he was so smart but got caught being suspected to be Kira before he even had his next birthday. How do you fuck up that badly? It’s a book you write peoples names in…Nice move, FedEx

Also his personality is awful"

"HE DIDNT DESERVE TO PULL A GOTH GIRL"

"Idk if he counts because he's SUPPOSED to be insufferable. But I don't care because I want to punch him in the face anyway. Oh and before the Light stans come at me let me say: thanks but I don't want your 5 paragraphs explaining why he's so complex and was corrupted and rationalized murder as a defense mechanism to avoid confronting the possibility that he might have done something that would make him irredeemable and evil and how in the manga he lost weight due to the psychological strain because I know. I think he's fascinating too but good God. He's so annoying."

"he's like if a cop was a bitchy teenager about it"

[poorly-drawn-mdzs]

HOT, SINGLE, UNSTUDIED SPONGES. 3000 NAUTICAL MILES AWAY. Come sail the distance and read Tiger Tiger!

[fictionadventurer]

I think I have accidentally become very protective of the story of Snow White.

[wickmitz]

— THE ELECTRIC-FEVER REMEDY.

[stealingyourbones]

Gotta love when folks write Superman incredibly anti-clone even though he had good reason in the beginning to Not Like Superboy (HES A WINDOW INTO WHAT CLARK WOULD HAVE BEEN WITHOUT THE KENTS) and decide that forever on he’ll be spiteful towards clones even though he literally Does Not Care if you’re a clone unless you’re Superboy.

[skitskatdacat63]

"Arrogant, ruthless, and by all reports (including his own) utterly charming."

(I don't know why I drew this but please take Revolutionary War British officer George, I think it suits him, okay!!!)

+ George Russell the type of guy to t-pose in front of rebels

+ the usual

Okay first of all, process, as always:

I drew this in one day hahaha....Actually really fun! I haven't finished anything in almost a month, and haven't painted for even longer, so I'm kinda dying at the fact that 18th century George Russell got me motivated 😭 Sometimes when painting, I realize I have free will and can actually just start painting over the lineart, and that's the best moment of every drawing process 🙏

Also I'm very proud of his face!!! I've said before, but art progression is such a weird thing. You'll keep repeating to your self "I'm no good at [insert art thing.]" And then randomly realized you can in fact do it. That's me with drawing real people's faces 😭 I'm just so shocked I got his face pretty good in one try!!!

Okay about the pose and quote. God its so fun to misappropriate quotes for my own evil deeds. Both of these are from this one officer from the Revolution: Banastre Tarleton. Idk, I randomly saw his painting in a history video, and it's stuck in my mind ever since. And then yesterday, bcs I spent a lot of time looking at George, I'm like "hey you know what he kinda reminds me of-" and thus we have this.

I just found that quote about him from some historian to be funny, so I put it as a caption, as I would with Napoleon. This won't be an AU by any means but. I think if George was in the Revolution, he'd be the most stereotypical, evil British villain in American media type guy ever. And Tarleton is kinda that guy tbh, to the point where him and others like Arnold Benedict are the poster boys of evil Revolution guys. He even has a mocking nickname! "Bloody Tarleton/Ban", very "Osama bin Russell," no? 😭

Some notable moments from Tarleton's campaign that I think fit George: Apparently killed a bunch of American soldiers after they surrendered, making sure everyone was dead(😭😭), threatened to burn an American general's house down to make him surrender and then took him hostage, went toe to toe with George Washington himself and Washington even taunted him and Tarleton got a shot in, has a helmet named after him(very slayful.)

[finalgirlsamwinchester]

like, ultimately, spn could never actually break the cycle of abuse and familial violence, bc to truly break the cycle would've required its writers to have the radical imaginary to look beyond the status quo. the show just reifies the idea of a paternal authority over the world. god dies but he has to be replaced you see, but it's okay, it's someone better now. family is hell but now family is also heaven.

[pretendthisisaname]

Sure hope this isn't some kind of foreshadowing