#and the only thing you got from blackkklansman trailer was 'aDAm dRiVeR iS a rAcIsT bEcAuSe hE pLaYs a KlAn mEmBeR'
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pian-ran · 7 years ago
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topkoality · 6 years ago
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here’s my oscar winners review that absolutely no one asked for (keep reading)
have i seen enough films of 2018 to actually be doing this? am i an actual film critic? no, of course not, but i’ve got lots of opinions and that’s why i’m posting this! in bold are the winners, in italics are my pick of what should’ve won, and if there was a category that i really knew nothing about, it will not be included. also we’re saving the best for last so if you want my hottest and fully developed takes you might as well go to the end of this post
Best Animated Short: Bao, Animal Behaviour, Late Afternoon, One Small Step, Weekends
i did not see any of the other animated shorts on this list but bao, which maybe says something, but i remember seeing this in theaters along with many other trailers/adverts while waiting to see bohemian rhapsody (wow...) and it was so, very emotional. perhaps it even took the spotlight of that whole movie experience? the animation was beautiful, the story was heart-wrenching, and i believe every parent and those who want to become a parent one day should take the time to watch this.
Best Animated Feature: Spider-Man: Into the Spider-Verse, Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet
well deserved, the animation in this movie was— and i’m being very serious when i say this— groundbreaking. in the least, it has shown animators that realism is not always the goal, and being experimental can certainly pay off. the concept this movie has with all the inter-dimensional spidermans joining our protagonist miles was genius, and when i realized that there would be multiples of them due to the multiple sets of intros we were given, it was hilarious and perfectly entertaining. i don’t think anyone can go into this movie and not enjoy it. i honestly thought incredibles 2 was going to win, just simply due to my lack of faith in the academy, but thankfully that did not happen. as far as the others, they were all definitely deserving of their oscar nomination, but the oscar win had to go to spider-verse.
Best Film Editing: Bohemian Rhapsody, BlacKkKlansman, The Favourite, Green Book, Vice
i mean... bohemian rhapsody? surely there’s something else... that was maybe even a little bit more deserving... than that. surely academy, surely you can do better. or can you? bohemian rhapsody had some of the worst editing in a major film that i’ve seen. i mean, did you just like how the movie made you FEEL, academy?! be honest you can say it. i loved we will rock you. but that’s not editing! i mean, this alone made me seasick: https://twitter.com/jesssetaylor/status/1097712834643984390. i would’ve loved to see the favourite win, as the editing in that movie represented it so well. the editing created a fully immersive experience, and the short, witty, snappy quips that were highlighted by the editing made the viewing experience all the more hilarious. the title sequences alone that were edited in gave me a purpose to watch the scenes a bit more closer than i initially would’ve; searching for the line that was given the status of the title for that section. i haven’t seen blacKkKlansman but if that had won, i wouldn’t have been mad about it, as i’ve heard great things. but ultimately, the favourite deserved this oscar. 
Best Visual Effects: First Man, Avengers: Infinity War, Christopher Robin, Ready Player One, Solo: A Star Wars Story
i’m just glad avengers didn’t get this
Best Sound Mixing: Bohemian Rhapsody, Black Panther, First Man, Roma, A Star Is Born
now best sound mixing, i suppose i can understand. the sound in this movie WAS the movie. i felt like i was actually in concert, experiencing queen live, so i understand. it was very good. i could have seen ASIB taking this oscar as well, due to everyone raving about the music, but perhaps this was the one oscar that bohemian rhapsody actually deserved.
Best Sound Editing: Bohemian Rhapsody, Black Panther, First Man, A Quiet Place, Roma
nope, nope, nope. again, mixing i understand, but editing? all they did was edit in the songs mate... roma should have won this. the sounds in that movie made me feel like i was actually there, experiencing the water dripping down from the buildings, creating a puddle. washing the floor, witnessing a protest, being outside when i’m actually inside— watching the movie with my family. it was so realistic; i was completely taken. dissatisfied completely with this one!
Best Original Score: Black Panther, BlacKkKlansman, If Beale Street Could Talk, Isle of Dogs, Mary Poppins Returns
nicholas britell i’m so, so sorry. everyone was talking about how great the score was for black panther, and while there were some good songs, i don’t think it deserved the oscar win. definitely deserved a nomination, but a win? i’m not so sure. if beale street could talk, now that was a score that was truly deserving of this. very disappointed that if beale street could talk’s only win was for regina king’s performance. it definitely at least deserved this oscar as well.
Best Production Design: Black Panther, The Favourite, First Man, Mary Poppins Returns, Roma
i definitely understand this win, black panther was breathtaking in terms of the beauty of the production. congratulations hannah beachler and jay hart! i would’ve been happy to see the favourite also win this category, but black panther deserved it!
Best Foreign-Language Film: Roma, Capernaum, Cold War, Never Look Away, Shoplifters
now, at first, BEFORE best picture was announced, i was confused as to why roma was even in this category. should a foreign-language film that is also nominated for best picture even be in this category? i mean, obviously it would win! and it did. i fully expected roma to win best picture (more on that later) but due to it not winning best picture, i’m very glad that it at least won best foreign-language film. but cuarón, just go ahead and give the oscar to yalitza aparicio!
Best Costume Design: Black Panther, The Ballad of Buster Scruggs, The Favourite, Mary Poppins Returns, Mary Queen of Scots
again, the costume design was amazing in black panther, and this was a win that was very deserving. but would i have liked to see the favourite win? yeah, but that’s just my own selfish gay opinion— black panther winning was definitely the right choice
Best Cinematography: Roma, The Favourite, Never Look Away, A Star Is Born, Cold War
roma deserved this, period! the cinematography was immersive, it was emotional, it was everything that it needed to be. do i even need to say more?
Best Original Screenplay: Green Book, The Favourite, First Reformed, Roma, Vice
okay, i didn’t even see first reformed and i know that it should’ve won. i mean, first reformed should have been nominated for best picture. i also would have been completely happy with the favourite winning. roma, i should mention, i would not have wanted to win because cuarón really just stole a woman’s story and made it his own, completely disregarding the feelings of the woman it was based on
Best Supporting Actor: Mahershala Ali (Green Book), Adam Driver (BlacKkKlansman), Sam Elliott (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)
i mean, best supporting actor? mahershala ali? he should be considered the lead actor of green book, but due to the movie just being terrible and racist and inaccurate, i guess he’s the supporting actor! other than that, i love mahershala ali so i’m just glad he got an oscar.
Best Supporting Actress: Regina King (If Beale Street Could Talk), Amy Adams (Vice), Marina de Tavira (Roma), Emma Stone (The Favourite), Rachel Weisz (The Favourite)
well deserved! i would have loved to also see stone or weisz take this as well, but i think the fact that they were both nominated from the same movie just goes to show that this movie had amazing acting, which makes me happy. i’m glad if beale street could talk and regina king’s superb acting abilities are being recognized, as well, therefore i’m pretty happy with this.
Best Actor: Rami Malek (Bohemian Rhapsody), Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity's Gate), Viggo Mortensen (Green Book)
willem dafoe... maybe next year, huh? i don’t understand the appeal for rami malek winning. i used to love the man, but things he has done has shown his arrogance, so i’m a bit unsure of him recently. i’m not mad that he won, and it’s a great win for the MENA community (that i am apart of), so for that reason i’m satisfied.
Best Actress: Olivia Colman (The Favourite), Glenn Close (The Wife), Yalitza Aparicio (Roma), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)
olivia colman you earned it, fair and square. this was the big win for the favourite last night. as the night got closer to this announcment, i was losing faith and just expected gaga or aparicio to go ahead and take it. and as it got even closer, i just thought aparicio would win. but olivia colman, whew. her acting was stunning in the favourite. her character consumed the movie, as she should have, and she depicted queen anne’s tragedy perfectly. yalitza aparicio’s performance in roma was very good, but i did not feel the emotion from her character as viscerally as i did from olivia colman’s performance. i really thought the night would go on with the favourite winning absolutely nothing, so thank god that they got this, because olivia colman was the clear choice! that film was fantastic, and i’m glad it got a least a little bit of recognition, even though it definitely deserved at least one other oscar (cough) best flim editing (cough). queen anne was hilarious, she was maddening, she was infuriating, she was miserable, she was everything. also sorry glenn close... maybe next time?
Best Director: Alfonso Cuarón (Roma), Yorgos Lanthimos (The Favourite), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)
okay cuarón, just give your oscar to yalitza aparicio. no? okay. well then, yorgos lanthimos you deserved it. the favourite was edited perfectly. the delivery of the lines was perfect. the panning from one character to the next, everything about it was done with eloquence. and don’t get me started on the music— every time viola d’amore concerto in a minor, rv. 397 i. vivace started playing just as weisz or stone did something to piss off the other, it was SO SATISFYING! of course i was only rooting for only one of them (especially by the end), but either way i felt what they were feeling in those moments. the music, the editing, the camerawork, the acting, the script... it all worked harmoniously in order to create the masterpiece that was the favourite. also, from a viola player, thank you for making the main theme a viola concerto, yorgos. also in a minor? that’s taste. this directing deserved an oscar win, not just a nomination.
Best Picture: Green Book, Black Panther, BlacKkKlansman, Bohemian Rhapsody, The Favourite, Roma, A Star Is Born, Vice
okay here we go... here we go. green book? GREEN BOOK? no. nope. literally any film besides this one please. okay let’s get started... green book is inaccurate, it’s a white savior story, it was a movie that was supposed to be about don shirley, the world class pianist, but instead is about this random fucking cab driver? and don shirley’s family have said that it was inaccurate and that it poorly represented actual events of shirley’s life. as a piano player... i am disgusted. also if you were going to give the oscar to a flim depicting racism... why not give it to blacKkKlansman? you know, the movie talking about racism that was actually created by black people and not just a team of white men? fuck you, green book! i fully expected roma to win, and oh, how wrong was i. roma deserved best picture. green book is a joke. i obviously would have liked to see the favourite win, because a gay movie about GIRLS! would have been nice to actually get some recognition. roma, the favourite, blacKkKlansman. these were the choices that should have gotten best picture. the others, eh. also why was black panther even in the nominations? like, seriously... that should have been replaced with if beale street could talk. and also, since they had ten slots anyway, first reformed should have gotten a nomination as well. this was by far the most disappointing win of the night AND confusing, for me personally (more confusing than bohemian rhapsody winning best film editing, which says something). just a terrible choice. this movie should not have even been nominated, but the academy is dumb. seriously though, NOT roma?
okay that’s it folks, those are my opinions. all in all, not a great oscars. some really good wins, though, like olivia colman’s win and spider-verse. also roma for best foreign. basically everything that was bolded and italics on this post were pretty good wins. but despite that, there were some VERY bad ones. 
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“Blackkklansman” Movie Review
Blackkklansman is the newest film based on a true story from acclaimed director Spike Lee (Do the Right Thing, Inside Man), and stars John David Washington as Colorado Springs police officer Ron Stallworth. It’s 1979, a time of rampant racism in the United States, and not having been an officer long, Ron decides he wants to become an undercover detective. After being granted his position by the chief, he soon finds his moment to strike, and undertakes an investigation into the Ku Klux Klan. There’s only one problem: Ron is a black man. For this investigation to work, Ron must speak to the various members of the Colorado Springs chapter of the KKK as himself over the phone, while fellow officer Flip Zimmerman (Adam Driver) carries on as an impersonation of Ron for their in-person meetings. The two soon uncover a plot by the Klan of nefarious purpose, but can they undo or stop this plot without being caught? And furthermore, what will be the cost if they don’t succeed? The film also stars Laura Harrier (Spider-Man: Homecoming), Topher Grace (Spider-Man 3), and Alec Baldwin (no Spider-Man films as of yet).
So, I’ve got a slight confession to make: I’ve actually never seen a Spike Lee movie before, so my threshold for preparation or knowing exactly what I’m in for when it comes to one of his films basically starts at the 0 mark. Yeah, I fully recognize and take responsibility for the sheer travesty of someone whose one of two main shticks is that he’s really into exploring movies as an art form hasn’t watched anything from Spike Lee of all people, but believe me, this won’t be the last of those kind of situations either. That said, I have certainly made note of his widespread critical acclaim as an auteur director who’s right up there with the very best of them in terms of how unflinching, uncompromising, and frankly ballsy his “joints,” (as he calls them) have been up to this point. Do the Right Thing is widely regarded not just as the best film of his entire career, but one of the best and most influential films of all of the 80’s, bar none. With all this in mind, and having watched a pretty solid trailer beforehand, I was genuinely looking forward to watching Blackkklansman.
And I’m happy to report that what we’ve received with this newest joint from Spike Lee is an uncompromising, hard-hitting, endlessly stylish, and pretty great movie, even if it occasionally sacrifices plot and pacing to deliver its message. Lee is making a movie about the black man’s journey through modern day America, particularly wherein it concerns the political landscape under the Trump regime, and chooses to do this by having our protagonist literally infiltrate a group undeniably (to anyone with a pair of working eyes and ears) enabling and encouraging white supremacy both nationwide and across the globe. It may seem caricatured at first, given how on the nose the dialogue actually is between the KKK and Washington/Driver’s dual Ron Stallworth character, but one soon comes to realize while watching the film that this was just how people regularly spoke about race and racism, and the “on the nose” feeling of it all is only the result of those outright racists having been pushed back into hiding so far that they had to be more subtle about it in order to even get a word in. No one had to hide their outright hatred for black people in the 70’s, and Blackkklansman uses that notion to its fullest effect. And yet, even then, Lee capitalizes on the cries of arguments such as “but what about racism against white people,” and “but if white people did this,” etc. and systematically disintegrates them not only by virtue of who delivers them, but of their origins within context. He even shows through subtle-not-subtle character jabs the kind of outright racism present in Stallworth’s own police force.
It doesn’t hurt either that Lee’s inspired direction or brilliant parallels to the modern day political landscape also result in some wonderful comedy wherein John David Washington’s side of the Ron Stallworth character can use his “regular” voice to trick any member of his own KKK chapter, and even grand wizard David Duke of all people, into thinking he’s a white man merely by the way he pronounces certain words. These coupled with Adam Driver’s surefire white supremacist talk when he’s actually in the presence of those various KKK members make not just for a good team dynamic among the two leads of the film, but some genuinely hilarious banter between both Stallworth and both teams of people he interacts with as well. Of course it goes without saying that all of the performances are excellent (Washington is a fantastic choice, this is exactly the kind of role Driver is best at, Harrier proves there’s a lot more to her than Spider-Man, etc.), and the film is beautifully shot as well, with the framing and composition of certain scenes almost staged like a crime scene layout in and of themselves.
However, there is just one issue I had with the film, and it’s the one I mentioned in paragraph 3. Occasionally, the film’s pacing and plotting suffer a hit in order for it to get its message across. This is not a terrible thing in the movie proper, but it does mean that pretty close to the end of the second act, the film slows down quite a bit, and while it’s certainly worth it to do so, it does mean you might lose interest for a bit. Still, it doesn’t break the movie, and I hardly think that every time a film deliberately chooses to not make plot or pacing its main priority, that means it’s not as good or that this decision should be counted against it. Really, it’s just something that made the middle of the film feel a little long to me, but your mileage may vary on that point. Fortunately, this is all leading up to a show stopping whopper of an ending that brings Spike Lee’s entire message crashing through the screen and leaves you feeling like you just got hit by a truck by how brazenly obvious the meat of it all should have been (but don’t worry, no spoilers on that front here).
Ultimately, Spike Lee’s Blackkklansman is a masterclass in parallelism filmmaking that suffers from one or two issues much more to do with its production than its actual narrative. The comedy is witty, the script is sharply observed and brilliantly conceived, the performances are great, and the ending is one you’ll be talking about for years to come. I’ll certainly be on the lookout for more Spike Lee projects in the future.
I’m giving “Blackkklansman” an 8.7/10
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w0wsignal · 6 years ago
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here’s my oscar winners review that absolutely no one asked for:
i’ve specified which films won and which were my personal choice, and if there was a category that i really knew nothing about, it will not be included. also we’re saving the best for last so if you want my hottest and fully developed takes you might as well go to the end of this post
also to preface: i’ve got a lot of opinions
Best Animated Short: Bao (WINNER, MY PICK), Animal Behaviour, Late Afternoon, One Small Step, Weekends
i did not see any of the other animated shorts on this list but bao, which maybe says something, but i remember seeing this in theaters along with many other trailers/adverts while waiting to see Bohemian Rhapsody (wow…) and it was so, very emotional. perhaps it even took the spotlight of that whole movie experience? the animation was beautiful, the story was heart-wrenching, and i believe every parent and those who want to become a parent one day should take the time to watch this.
Best Animated Feature: Spider-Man: Into the Spider-Verse (WINNER, MY PICK), Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet
well deserved, the animation in this movie was— and i’m being very serious when i say this— groundbreaking. in the least, it has shown animators that realism is not always the goal, and being experimental can certainly pay off. the concept this movie has with all the inter-dimensional spidermans joining our protagonist miles was genius, and when i realized that there would be multiples of them due to the multiple sets of intros we were given, it was hilarious and perfectly entertaining. i don’t think anyone can go into this movie and not enjoy it. i honestly thought incredibles 2 was going to win, just simply due to my lack of faith in the academy, but thankfully that did not happen. as far as the others, they were all definitely deserving of their oscar nomination, but the oscar win had to go to spider-verse.
Best Film Editing: Bohemian Rhapsody (WINNER), BlacKkKlansman, The Favourite (MY PICK), Green Book, Vice
i mean… bohemian rhapsody? surely there’s something else… that was maybe even a little bit more deserving… than that. surely academy, surely you can do better. or can you? bohemian rhapsody had some of the worst editing in a major film that i’ve seen. i mean, did you just like how the movie made you FEEL, academy?! be honest you can say it. i loved we will rock you. but that’s not editing! i mean, this alone gave me vertigo: https://twitter.com/jesssetaylor/status/1097712834643984390. i would’ve loved to see the favourite win, as the editing in that movie represented it so well. the editing created a fully immersive experience, and the short, witty, snappy quips that were highlighted by the editing made the viewing experience all the more hilarious. the title sequences alone that were edited in gave me a purpose to watch the scenes a bit more closer than i initially would’ve; searching for the line that was given the status of the title for that section. i haven’t seen blacKkKlansman but if that had won, i wouldn’t have been mad about it, as i’ve heard great things. but ultimately, the favourite deserved this oscar.
Best Visual Effects: First Man (WINNER, MY PICK), Avengers: Infinity War, Christopher Robin, Ready Player One, Solo: A Star Wars Story
i’m just glad avengers didn’t get this
Best Sound Mixing: Bohemian Rhapsody (WINNER, MY PICK), Black Panther, First Man, Roma, A Star Is Born
now best sound mixing, i suppose i can understand. the sound in this movie WAS the movie. i felt like i was actually in concert, experiencing queen live, so i understand. it was very good. i could have seen ASIB taking this oscar as well, due to everyone raving about the music, but perhaps this was the one oscar that bohemian rhapsody actually deserved.
Best Sound Editing: Bohemian Rhapsody (WINNER), Black Panther, First Man, A Quiet Place, Roma (MY PICK)
nope, nope, nope. again, mixing i understand, but editing? all they did was edit in the songs mate… roma should have won this. the sounds in that movie made me feel like i was actually there, experiencing the water dripping down from the buildings, creating a puddle. washing the floor, witnessing a protest, being outside when i’m actually inside— watching the movie with my family. it was so realistic; i was completely taken. dissatisfied completely with this one!
Best Original Score: Black Panther (WINNER), BlacKkKlansman, If Beale Street Could Talk (MY PICK), Isle of Dogs, Mary Poppins Returns
nicholas britell i’m so, so sorry. everyone was talking about how great the score was for black panther, and while there were some good songs, i don’t think it deserved the oscar win. definitely deserved a nomination, but a win? i’m not so sure. if beale street could talk, now that was a score that was truly deserving of this. very disappointed that if beale street could talk’s only win was for regina king’s performance. it definitely at least deserved this oscar as well.
Best Production Design: Black Panther (WINNER, MY PICK), The Favourite, First Man, Mary Poppins Returns, Roma
i definitely understand this win, black panther was breathtaking in terms of the beauty of the production. congratulations hannah beachler and jay hart! i would’ve been happy to see the favourite also win this category, but black panther deserved it!
Best Foreign-Language Film: Roma (WINNER, MY PICK), Capernaum, Cold War, Never Look Away, Shoplifters
now, at first, BEFORE best picture was announced, i was confused as to why roma was even in this category. should a foreign-language film that is also nominated for best picture even be in this category? i mean, obviously it would win! and it did. i fully expected roma to win best picture (more on that later) but due to it not winning best picture, i’m very glad that it at least won best foreign-language film. but cuarón, just go ahead and give the oscar to yalitza aparicio!
Best Costume Design: Black Panther (WINNER, MY PICK), The Ballad of Buster Scruggs, The Favourite, Mary Poppins Returns, Mary Queen of Scots
again, the costume design was amazing in black panther, and this was a win that was very deserving. but would i have liked to see the favourite win? yeah, but that’s just my own selfish gay opinion— black panther winning was definitely the right choice
Best Cinematography: Roma (WINNER, MY PICK), The Favourite, Never Look Away, A Star Is Born, Cold War
roma deserved this, period! the cinematography was immersive, it was emotional, it was everything that it needed to be. do i even need to say more?
Best Original Screenplay: Green Book (WINNER), The Favourite (MY PICK), First Reformed, Roma, Vice
okay, i didn’t even see first reformed and i know that it should’ve won. i mean, first reformed should have been nominated for best picture. i also would have been completely happy with the favourite winning. roma, i should mention, i would not have wanted to win because cuarón really just stole a woman’s story and made it his own, completely disregarding the feelings of the woman it was based on
Best Supporting Actor: Mahershala Ali (WINNER, MY PICK) (Green Book), Adam Driver (BlacKkKlansman), Sam Elliott (A Star Is Born), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)
i mean, best supporting actor? mahershala ali? he should be considered the lead actor of green book, but due to the movie just being terrible and racist and inaccurate, i guess he’s the supporting actor! other than that, i love mahershala ali so i’m just glad he got an oscar.
Best Supporting Actress: Regina King (If Beale Street Could Talk) (WINNER, MY PICK), Amy Adams (Vice), Marina de Tavira (Roma), Emma Stone (The Favourite), Rachel Weisz (The Favourite)
well deserved! i would have loved to also see stone or weisz take this as well, but i think the fact that they were both nominated from the same movie just goes to show that this movie had amazing acting, which makes me happy. i’m glad if beale street could talk and regina king’s superb acting abilities are being recognized, as well, therefore i’m pretty happy with this.
Best Actor: Rami Malek (Bohemian Rhapsody) (WINNER), Christian Bale (Vice), Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate) (MY PICK), Viggo Mortensen (Green Book)
willem dafoe… maybe next year, huh? i don’t understand the appeal for rami malek winning. i used to love the man, but things he has done has shown his arrogance, so i’m a bit unsure of him recently. i’m not mad that he won, and it’s a great win for the MENA community (that i am apart of), so for that reason i’m satisfied.
Best Actress: Olivia Colman (The Favourite) (WINNER, MY PICK), Glenn Close (The Wife), Yalitza Aparicio (Roma), Lady Gaga (A Star Is Born), Melissa McCarthy (Can You Ever Forgive Me?)
olivia colman you earned it, fair and square. this was the big win for the favourite last night. as the night got closer to this announcment, i was losing faith and just expected gaga or aparicio to go ahead and take it. and as it got even closer, i just thought aparicio would win. but olivia colman, whew. her acting was stunning in the favourite. her character consumed the movie, as she should have, and she depicted queen anne’s tragedy perfectly. yalitza aparicio’s performance in roma was very good, but i did not feel the emotion from her character as viscerally as i did from olivia colman’s performance. i really thought the night would go on with the favourite winning absolutely nothing, so thank god that they got this, because olivia colman was the clear choice! that film was fantastic, and i’m glad it got a least a little bit of recognition, even though it definitely deserved at least one other oscar (cough) best flim editing (cough). queen anne was hilarious, she was maddening, she was infuriating, she was miserable, she was everything. also sorry glenn close… maybe next time?
Best Director: Alfonso Cuarón (Roma) (WINNER), Yorgos Lanthimos (The Favourite) (MY PICK), Spike Lee (BlacKkKlansman), Adam McKay (Vice), Pawel Pawlikowski (Cold War)
okay cuarón, just give your oscar to yalitza aparicio. no? okay. well then, yorgos lanthimos you deserved it. the favourite was edited perfectly. the delivery of the lines was perfect. the panning from one character to the next, everything about it was done with eloquence. and don’t get me started on the music— every time viola d’amore concerto in a minor, rv. 397 i. vivace started playing just as weisz or stone did something to piss off the other, it was SO SATISFYING! of course i was only rooting for only one of them (especially by the end), but either way i felt what they were feeling in those moments. the music, the editing, the camerawork, the acting, the script… it all worked harmoniously in order to create the masterpiece that was the favourite. also, from a viola player, thank you for making the main theme a viola concerto, yorgos. also in a minor? that’s taste. this directing deserved an oscar win, not just a nomination.
Best Picture: Green Book (WINNER), Black Panther, BlacKkKlansman (MY PICK), Bohemian Rhapsody, The Favourite (MY PICK), Roma (MY PICK), A Star Is Born, Vice
okay here we go… here we go. green book? GREEN BOOK? no. nope. literally any film besides this one please. okay let’s get started… green book is inaccurate, it’s a white savior story, it was a movie that was supposed to be about don shirley, the world class pianist, but instead is about this random fucking cab driver? and don shirley’s family have said that it was inaccurate and that it poorly represented actual events of shirley’s life. as a piano player… i am disgusted. also if you were going to give the oscar to a flim depicting racism… why not give it to blacKkKlansman? you know, the movie talking about racism that was actually created by black people and not just a team of white men? fuck you, green book! i fully expected roma to win, and oh, how wrong was i. roma deserved best picture. green book is a joke. i obviously would have liked to see the favourite win, because a gay movie about GIRLS! would have been nice to actually get some recognition. roma, the favourite, blacKkKlansman. these were the choices that should have gotten best picture. the others, eh. also why was black panther even in the nominations? like, seriously… that should have been replaced with if beale street could talk. and also, since they had ten slots anyway, first reformed should have gotten a nomination as well. this was by far the most disappointing win of the night AND confusing, for me personally (more confusing than bohemian rhapsody winning best film editing, which says something). just a terrible choice. this movie should not have even been nominated, but the academy is dumb. seriously though, NOT roma?
okay that’s it folks, those are my opinions. all in all, not a great oscars. some really good wins, though, like olivia colman’s win and spider-verse. also roma for best foreign. basically everything that was bolded and italics on this post were pretty good wins. but despite that, there were some VERY bad ones.
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