#and that's quite enough of me isn't it!!!

[eph3merall]

dealer!chris n innocent!bff!reader who eventually have sex ...

☆ . . . chris is so so sweet <3 gently coaxes you into believing that it's okay. that it wont ruin your guys' friendship at all, even though he knows once he hits he'll want to come right back. he'll be damned if he lets his best friend go fuck some other guy.

☆ . . . chris ends up taking your virginity when hes high. you were slightly tipsy from a few drinks, crawling all over his lap and giggling like some puppy. he couldn't exactly help the hard-on he got, y'know? hes a man. you couldnt blame him.

☆ . . . the two of you were just talking, truthfully. after chris had finally managed to get you to loosen up a little you were so smiley and squirmy, accidentally rubbing against his cock without even realizing. tipsy giggles left your lips every second he said something, his mind feeling all fuzzy and not quite there.

☆ . . . the topic of sex came up. chris isnt sure how, or why. "you've never been fucked?" "no..? s'that a problem?." "no, no.. jus', you're missin' out." chris is chuckling and staring at you like he wants to devour you, and you completely miss it. "m'parents always told me to wait until marriage" and he nearly starts cooing at you with how adorable you sound, tugging you closer as his hands cup your cheeks.

☆ . . . fast forward and he's lazily grinding up against you with his hands planted firmly on your hips to help you roll them against his clothed dick. "ohh, i know.. feels good? huh?" the prettiest little whines are sounding from your lips that have been bitten raw, eyes glancing down to where you repeatedly hump against your best friend. "chris..." his name sounds so good in that whiny tone, said in a low mewl as you grasp at his shoulders.

☆ . . . you dont know fully why you feel like this, all hot and eager for chris to continue helping you rut against him. then again, it isn't all sunshines and rainbows for him either. chris is fighting back the urge to bust in his pants, holding you close and letting your body move slowly on its own.

☆ . . . soon enough, he's breathing heavy as his cock strains against his jeans. staring at your nervous face as you tug your panties down and he has to stop himself from grabbing you and sitting you down on his dick until his tip hits your cervix. he knows it'll hurt. and chris just happens to be so kind to his best friend, he's letting you sit down in his lap with both of your legs thrown across his.

☆ . . . your head leans back, his chin resting on top of your head as he sinks his middle finger into your cunt. "fuck, oh.. look at you. s'cute, baby" "chris.." you just sound so pathetic to him, as he hushed you gently. his other hand is wrapped around your stomach, holding you close and keeping your thrashing to a minimum.

☆ . . . your gasp turns into a moan when chris eases another finger in, the squelching sound of your own cunt echoing in your ears—making heat spread up your neck to your face. it just feels so... weird. your hips twitched gently and yoh didn't miss the chuckle that sounded from your best friends mouth, his free hand sliding up gently to squeeze at your tits.

☆ . . . when you start shifting around more and your hand grabs at chris' wrist to try and slow the sensations down, he knows you're close. a soft hush comes from him as he continues with his ministrations, ignoring the way you whine and cry about how you feel weird. "jus' let it happen. s'not a bad thing, baby.. c'mon, cum for me. theere you go" the wave of pleasure that washes over you is almost heavenly, your body tensing then going slack a few seconds after, lips parted in heavy gasps of air.

☆ . . . you think you would be done honestly, until chris is tapping the side of your hip with two of his fingers. "up, c'mon. gotta help me now" and when you shakily lift yourself up from his lap, you hear the sound of a belt buckle and fabric being slid off skin. chris' hands are looping around your stomach gently to pull you back—ordering you gently to close your eyes. "trust me, i got you. you trust me, right?"

☆ . . . of course you trust chris.. which is why your eyes fall shut—letting the brunette pull you back and sink you down slowly onto his dick. except your eyes fly open the second his tip is nudging into your entrance, a shaky gasp falling from you as your hands grip at his wrists. "chris.. that—that hurts, y'know." except he ignores you, clicking his tongue in his mouth and slowly sinking you down further. maybe he should've stretched you out a little more, but god, he was so hard to the point it hurt.

☆ . . . once chris is fully sheathed inside you, he lets you adjust for as long as you need. he knows he's big, and he knows you've never had sex. you were gulping in big gasps of air like you were dying, even though it was fine... chris' hands rub comfortingly up and down your sides, rolling his eyes at how dramatic you were. "s'kay kid.. stop doin' that," "no, i feel full..."

☆ . . . when chris was finally able to move without you throwing a fit over how much it hurt or something, he's thrusting up gently and cursing under his breath. you've turned around just so you could hide your head in his shoulder if needed, and you do—burying your head into the crook of his neck and letting his hair tickle your skin.

☆ . . . chris isn't sure how long it's been but when you squeeze around him he knows you're cumming without you having to say it, and he almost busts his own load right then and there. biting down on his lower lip, he urges you off him when he's sure your orgasm had washed over you—shoving your shoulders down to get you on your knees between his legs.

☆ . . . chris knows you aren't on birth control or anything, so he opts for a quick lesson teaching you how to bob your head up and down his length until he cums over your pretty lil' face. surprisingly, for someone who's never sucked dick before, you were damn good at it. fitting whatever you could in your mouth and then wrapping your hands around whatever else was left, just like chris had told you.

☆ . . . he isn't the best at aftercare. you guys took a shower and he seemed so awkward, because normally the girl he just banged would be out the door in a few minutes. but you're his best friend, so he just pats the bed and you two watch a movie or something. cuddling always felt too intimate for him, never been one to initiate it or entertain it.

☆ . . . you don't complain much. sure, it would've been nice. well, it would've been really nice, but you were a little too scared to ask chris to hold you like you guys were dating. were you two dating now? probably not. you've never really seen chris with the same girl for more than three days straight, and he's told you a bunch how he hates labels. huh. so why is that pit of longing still stuck in your chest?

—

ur girl wrote this with a vicious nosebleed. i lowk need to write for matt more so some stuff for him is comin soon hopefully !!! after i finish all the reqs i got tho

@conspiracy-ash @sturniolosfavkayleigh @lvrsturniolo @st7rnioioss @meatballlover10 @ashlishes @ferdzom @55sturn @chriseatingmeoutin4k @unknvhx

©eph3merall 2024

[thewriterghost]

Hello Kisses

Pairing: poly!marauders x reader

Summary: Sirius loves to give hello kisses to his darlings.

Note: Hi, hello, hey, it's me. I can't believe it took me this long to post something new of my own! Work is eating me alive, you guys. Seriously. Anyways, I really hope you like this!!! Thanks for reading!

Remus loves the lazy afternoons.

More importantly, he loves the lazy afternoons with you.

As the one with the least amount of energy in this relationship, considering his lovely boyfriends of course, you are the most eligible for the afternoon naps or the cuddles with book in hand.

Remus looks down at your peaceful expression as your head rests on his lap, eyes closed as you listen to Remus' gentle voice while he reads. For a moment, he thinks you are asleep with how comfortable you look. Until, of course, you smile without opening your eyes.

"Are you staring at me?" You ask, your playful voice almost imitating Sirius.

Remus smiles instead of pointing that out.

"How'd you know?" He asks quietly, not wanting to disturb the gentle silence in the house.

"You stopped reading, genius." You open your eyes to look at him, which only makes your smile widen as you see Remus peek at you from under the book he is holding.

"Maybe I was trying to create suspense." He replies, although you can see him trying to hide a smile of his own.

"I don't think romance is the right genre for that, love."

He wants to reply with a sarcastic or witty comeback, he really does, but how can he when your smile is lighting up the whole room? He can't quite find it in himself to interrupt it, honestly.

Yet, a moment later, the apartment door opens and interrupts it, and Remus finds himself unreasonably annoyed at it.

"Hello, my darlings." Sirius' voice echoes from the hallway.

And just like that, Remus' annoyance turns to a soft and mushy type of love inside him.

"Hey, Siri." You turn your head towards the hallway, signaling your boyfriend your whereabouts.

The raven-haired boy is quick to find you. Remus finds that the smile Sirius wears when he looks at the two of you, can rival the smile you had a minute ago; lighting up the room and making Remus feel all fuzzy inside.

As Remus puts his book down with a piece of napkin as a bookmark between the pages, Sirius walks up to him and leans in for a kiss.

"Hi." Remus whispers, ever so softly. You see Sirius smile and rather than answering verbally, he kisses Remus gently.

You don't get a chance to tease them about public display of affection between two parties in your living room, because a minute later Sirius leans in to Remus' lap for your kiss.

After he feels satisfied enough with his hello kisses, Sirius stands up straight to look around for your only other boyfriend who isn't present in the living room.

"Where's Jamie?" He asks to the two of you. Remus nods towards the bathroom.

"In the shower."

Remus watches as Sirius' face lights up with a mischievous grin as he stalks to the bathroom, quiet as a mouse. Remus' eyes follow his movements until he hears your soft voice from his lap.

"He'll barge in, won't he?" You sound like you're holding in a sigh but when he looks down at you, he sees the fond smile you always have around them.

"He has to get his kiss." Remus replies, shrugging as he repeats Sirius' usual excuse.

"Maybe I should start doing that." You look up at him with a playful glimmer in your eyes.

"Doing what?" He asks, voice still as quiet as before.

"Demanding kisses."

He smiles down at you, all warm yet playful in his own way.

"Dove, you want a kiss?"

"It doesn't count as demanding if you're offering."

"There's a reason you don't demand kisses." He leans down, his eyes flickering to your lips momentarily before he continues with a whisper. "We always offer."

You meet him halfway for the kiss and Remus feels you smile into it.

"Pads! Oh my fucking God!" James' voice manages to get to the living room.

Remus pulls away, feeling your giggles before they even reach his ears. Your laughter mixes with Sirius'.

"You scared the crap out of me!" Remus shakes his head as he finds himself unable to hold his chuckling at James' continuous exclamations.

"Stop yelling and give me my kiss!" Sirius' voice cuts James', making you laugh even more. Remus thinks it's more of a win-win for him now that the scenery for him rivals even the most beautiful sunsets themselves.

"I'm in the shower!" You hear James' voice turn somewhat bashful, Sirius' affection working on him as much as it is working on Remus and you.

Remus hears some shuffling and some water splashes, and soon enough, Sirius emerges from the bathroom with a playful grin.

"I got all my hello kisses, in case you were wondering."

Remus shakes his head with a fond smile. This may not feel like a lazy afternoon entirely, but he finds himself loving this more.

[botslayer]

If the fire, sulfur, black iron, and devils every which way didn't give it away, both of us aren't in a place you want to be after you die. I'd offer you a drink but the only things they offer you usually came out of... Well. You. My own blood has a pretty good palete.

You don't have to panic. Not yet. You aren't dead, again, not yet. You're only here because everyone gets a fair warning. So change your ways, yadda yadda, find Christ, yadda yadda... Can you tell my heart isn't in it? Good. At least they'll vary up the torture for it. You get sick of eating hunks off of yourself and still being able to feel it the whole time.

Oh... You want to know what I did for that punishment? Well. It started when I was alive. I killed a man in self defense. Robber broke in, I shot him. And it was all down hill from there. I moved out to the woods after the third guy... Mostly because the best I could do there was plead manslaughter.

Anyway. I bought a plot of land not too far from a hiking trail, built a little shack. Turned it into quite the operation. I was a one-man Sawyer family. I had butcher knives, cleavers, cutting boards, sausage stuffers... I remember the first time I ate a man in those woods. The first woman was alright. I screwed up the spices for her liver, though. Live and learn. All in all? I musta got about twelve or thirteen hapless hikers where they needed to be. And I ate like a king for six years.

Why only six? Throw another skull on the fire and I'll tell you... Thank you. See. One night, another guy came traipsing up the path. Another lost and weary traveler. Two in one day, would you believe it? But winter was coming. So a quick stock up in the event of being snowed in was necessary. Problem was I was outside having a smoke and I was still draining the latest one. If he saw that there'd be no mistake what I was up to.

So here comes a seven foot slab of man. Treating the cold around him like it wasn't much of an issue. One thin hoodie over a thin T-shirt and some overalls. I took to a short conversation with him as I sized him up. He had about a foot of height on me and he was built. Big country, cornfed son of a bitch.

"Who're you?" "Who are you?" "Why are you on my property?" "You can own property this close to a hiking trail?" So on and so on... And then I asked if he knew how to get back to the trail. It was getting dark, you see. I offered to help him back if He'd just let me nab my hiking boots. He agreed and I tried to circle around him. I figured he would still be looking at my front door. Waiting like a big old dog.

But when I exited the side, butcher knife in hand, he was holding a woodcutter's axe. Still looking at the door though. I could tell his tool wasn't mine. Crazy bastard must have had it strapped to his back... I took the chance and leapt at him from the side. He shook me off but the fight forced the door to my cabin open and he got a good look at the woman on the hook. I had left the TV on and was listening to it as I smoked, lit her up enough to see.

I'll remember until eternity, when else is there to remember to down here? But I'll remember until eternity what he said after I got to my feet. "Well... This is awkward," and I think it was a joke. I don't know. But I couldn't help but laugh. "I suppose it is."

But we looked at each other... And we kept sizing each other up. I knew my chances of surviving a face-to-face fight with a bigger man with more reach were minimal... If I recall correctly, he didn't want to fight. "We don't have to do this. I could help you butcher if you want..." But I tell you no lie when I tell you meeting a kindred spirit. One so forceful. One so... Comparatively Jovial. I was in love. And love makes us all do crazy things.

The next few minutes for both of us was a game of hack-and-seek. And we were both it. I don't know if he felt the same, but I think we were both having fun slinking around my house and yard. It was a hell of a way to spend my last hour or so on Earth.

But he caught me. I rounded just the wrong corner and he had me by the scruff of my neck. His weapon, unwieldy as it was with a single hand gave me just the time I needed. I stabbed him in the throat just in time to feel the axe crack though my rib cage and split my heart. I died on top of him... I remember trying to kiss him but I don't think I got close enough to his chin.

And now I feel it is another punishment for me. To never see my darling Francis again... I take some solice knowing he hasn't seen me, either... Maybe it means he felt the same. Who can say?

... Your presence in this realm is fading... Well, your arm is translucent, that's usually a dead give away, no pun intended... Just remember. Change your ways. Or you might end up with a good view of what's happening to everyone else while what happens to you, whatever it is, goes on and on. And on. And on. And on. And on.

After successfully leading your next target to your murder-shed in the woods, they pull out an axe from themself and proclaim "oh, this is awkward."

[leviismybby]

Levi Ackerman x fem!reader, nsfw 18+, Janitor!Levi go brrr

The dim lights in cinema, your eyes were glued to the screen ignoring or at least trying to, ignored Levi's hand creeping up your leg. You came to watch the movie you wanted to for weeks now, it just so happens that the cinema was the one where your boyfriend worked as a janitor. There weren't too many people watching the film and you sat back in the furthest corner, that still didn't make the situation any less risky. "Levi." You scold him the moment his fingers graze your inner thigh, too close to your core. All you get in return is a quite scoff followed by Levi nipping on the side of your neck. Despite the shiver that ran up your spine and the moan that was on the verge of escaping, you managed to keep it together, your eyes glued to the screen. He needed to try harder, it was his break, he needed to head back and the fact that his pretty girlfriend is here next to him isn't helping him at all. He bites into that spot on your neck, you already gave into him, your body was practically melting into him but he knew that you wanted to tease him.

His fingers slide upwards and they brush against your pussy, he notices then that you aren't wearing any panties. "Minx." He whispers into your ear. "You're a fucking tease, you know that?" Maybe it was the risk of the situation or maybe it was the fact that he looked so good in that blue work outfit, either way you wanted him take you right then and there. His hand grabs your jaw and he turns your head so you're looking at him before kissing you passionately. You moan into his mouth ad his fingers continue to play with you. Levi shifts slightly pulling you on top of him without an issue, the movie keeps the noises you two are making hidden, thankfully. Pulling away, he kisses down your jaw, his hands slip under your dress and grab your ass and grinding you on top of him. "Mghh fuck Levi." Your head falls onto his shoudler, you move your hips too, griding on top of him and getting wetter by the second. "See what you do to me huh?" His voice grows husky, for a moment he forgets that you're in public and not in the piracy of your shared apartment but he can't help but not care right now. You kiss him again, hands traveling down his body to undo his work uniform. Unzipping it, your hand slips under his shirt caressing his abs, Levi grunts, his hands squeezing your ass in response.

Your hand slips lower and lower until you make it past his underwear, you already feel his hips buck slightly. Taking his cock in your hand, you pump it in your hands a few times, he was so hard. A hiss leaves his lips as your thumb presses again his tip slightly, he bites into your neck to keep himself quiet. "I can't wait anymore. I need to be inside of you." His hands move from your ass to your hips and he lifts you up slightly, you let go of his cock helping him to position yourself on his cock. You moan as his top rubs against your wetness, you wanted to tease him a bit more but before you can so that he is already slamming you down onto his length. Luckily the film is loud enough to cover the noise both of you make, you hold onto his shoulders and start riding him. Levi uses the advantage of the position to pulls your dress down to your hips, exposing your breast to his lustly gaze. "Fuck. You're so fucking hot like this." He leavd one hand on your hip as the other grabs your breast, playing with it. Your moans get louder as you start to roll and move your hips faster on top of him.

"That's it. Good girl. Show me how much you want me." Letting go of your breast, he puts one hand behind his head, just admiring you as you fuck yourself on his cock. Your tight pussy is squeezing him just right, he keeps watching, his eyes going to your bouncy breast and then to the way your pussy takes him in. It's a shame that he can't hear the noises of it but this will do, for now at least. When his cock starts twitching inside of you, he takes the hild of your hips and starts fucking you harder. That's the sound of your moans grow a bit too risky, he slaps a hand of your mouth. "As much as I love to hear you, baby...you'll have ti quiet down." You nod, your eyes opening and locking with his. The movie in the background was long forgotten, all you can focus on is his cock deep inside of you and how good he is making you feel. "This wet cunt was made for me. Look at how well you're taking me." His pace gets more brutal, your nails dig into his shoulders, head slightly rolling back. You bite into his hand slightly however Levi doesn't seem to mind, in fact he slaps your ass fucking his cock even deeper into you.

"Are you gonna be a good girl and keep quiet if i remove my hand?" His voice was slutry as if he knew what he was doing to you. You nod and he keeps his word, removing his hand from your mouth. His hand goes to grab your thigh pulling you flush against his body. You starts to roll your hips harder, his lips meet you in a desperate kiss, his phone is buzzing in his pocket reminding him that his break is over. Levi dosent do anything about it, he keeps his focus on the way you're riding him, the way you feel around his length. Pulling from the kiss, you gasp. "You're so deep! I am gonna cum!" Your voice is half whinper, half whisper. "Yeah? That's my girl. Cum for me." As on command, you cum around him, your thighs shake as that hot pleasure runs all over your body. Levi follows suit, cumming inside of you, he holds your close as he fills you up, his cock pulsing. You two calm down from your highs and you look at him. "Well then janitor you have some cleaning to do.." Levi slaps your ass playfully. "Shut up brat. You're lucky we weren't discovered."

[serendippertyy]

WELCOME TO THE AMAZING DIGITAL WINTER WONDERLAND!! ❄️ ❄️ ❄️

pomni the cute little elf lady! not entirely happy with her new arrangements she begins her quest to escape which isn't easy as she's very sensitive to the cold!

ragatha is a tree topper angel whose the representative of the isle of misfit toys- she wants everybody to feel included and loved!

jax is a mischievous sprite, similar to jack frost. he loves causing wintery mayhem like turning people into snowmen! him and ragatha are very close :]

zooble is a voluntary resident of the isle of misfit toys- they feel quite comforted being around others with jumbled parts! ragatha is their best friend <3

gangle is a gingerbread creature from the candy canyon kingdom, she is in search of adventure with her new friend pomni!

caine is a nutcracker and the king and queen's most loyal guard! his companion bubble is a shape shifting sprite created by jax lol

and kinger and queenie are the mr. and mrs. claus of this au! they are gentle leaders who long await the arrival of their new elf! jax is their adoptive son :]

❄️❄️❄️

this is an au I've been drafting since september and I'm so excited to finally have enough to post! I'm sure I'll be showing off more of their dynamics through doodles n whatnot, but I've been very burnt out this week so I just made some simple refs for now lol

and I'm not very well versed in making aus so let me know what ya guys think! :] 💜

[hometoursandotherstuff]

Bear with me with this one, b/c it has a surprise in the attic. The 19th century Scottish Georgian townhome in Halifax, Nova Scotia, has been completely renovated. The 5bds, 4ba, 3,448 sq ft home is listed for C$1,499,999.

There's a small entrance foyer with elegant wainscoting and original floor tile.

Then, enter a wide side hall with original stair railings and architectural details.

In the large, newly brightened sitting room, the pocket doors, moldings, and fireplace remain. The floors are the original 19th century wood and on all levels have been refurbished.

Check out the eat-in kitchen with the wonderful fireplace.

They kept the fireplace, antique radiator, and wide moldings, but I'm not feeling the Mediterranean tile and ultra modern cabinetry combination.

There's quite a huge laundry room.

The bedrooms are very large. This one was given a skylight and has a fireplace. They painted the original floors up here.

This room has a lovely fireplace wall with built-ins. The floor has an oddly uneven green finish. At first I thought it was green stain, but it's not.

Marble bath with skylight looks like it may have the original sink. I can't believe how gold swan faucets have made such a comeback.

I love the basement b/c it's very original.

Look at those brick walls.

And, this is where 2 of the 5 bedrooms are. These 2 have fabulous brick walls.

The rec room is all new and has a complete kitchen.

But, look at the bath down here. Isn't this cool? It looks like they may have used the original tub and sink from the upstairs bath.

Okay, you waited long enough. Up to the attic to the "tomb room." Artist Michael Lewis painted this Ancient Egyptian-themed room. You'll notice that there's a sink on the right.

There's a sink b/c there's a bath up here. Need to use the shower or toilet?

Just open the Sarcophagus.

The yard isn't very large and it's paved with old bricks, but there's a deck.

I think that's a shed, it's a little small to be a garage.

The semi-detached townhouse is on a 2,295 sq ft lot.

https://www.zillow.com/homedetails/5642-Morris-St-Halifax-NS-B3J-1C5/305681805_zpid/

[saikenakoego]

What the heck, I'll also answer these with Sammy because I've been feeling edgy as hell lately.

Last one with this gal, for real this time. The unwilling vampire-turned-vampire hunter, Sammy

vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv

1. Excluding murder, what's the worst thing you've done?

SM: Considering the idea of giving in to the thirst at all.

2. Have you ever killed someone?

SM: Not someone, something. They're not people.

3. Have you ever killed a friend/family member/loved one?

SM: No. This question makes me incredibly angry.

4. What appears in your darkest nightmares?

SM: Blood that isn't my own.

5. What is your moral code?

SM: Protect the natural, kill the unnatural. Simple as.

6. Would you make a deal with the devil?

SM: Not even if it offered me salvation. I've killed demons. I know how that goes.

7. How far are you willing to go to get what you want?

SM: Far enough.

8. Would you consider yourself as evil?

SM: By virtue of my condition, yes.

9. Do you enjoy watching others suffer?

SM: I can't feel joy. But watching them squirm like the parasites they are as I send them straight to hell is... cathartic.

10. Have you ever tortured someone?

SM: Something. More than once. And I'll do it again. Until I inflict as much pain on them as they did to me.

11. If you were arrested, what would the charges be?

SM: Theft. Don't ask.

12. Who do you hate the most?

SM: ...Myself.

13. What is your "villain song"?

OOC: She doesn't really have one, but I tend to listen to Devils Never Cry when I draw her. Maybe Bring Me To Life by Evanescence? That's a certified Edge™️ classic.

14. If you draw: Draw your OC's darkest moment or reimagine them as a demon!

OOC:

Not really her darkest moment, but,

'Sammy looked ahead at the man who had once been her token of admiration.

A man of good, of kindness and sincerity. Who had once guided them into the right path.

Who'd once walked into her home not as a friend, nor as a figure of authority, but as family.

An equal. To her father, a brother. And to her mother, a cousin.

He stood there quietly, illuminated by the bright moonlight coming through the church's windows as he calmly straightened the creases of his vestment.

Staring coldly at the beaten and bloodied body of an unconscious Silver.

It had happened so quickly, she didn't even have time to react.

Before she knew it, she'd been slammed into the ground with enough force to shatter her spine.

It only took one or two seconds after that for her friend to follow suit and be reduced to a wheezing mess.

And she was powerless to do anything about it. As it always was. Forced to listen to the shrieks of pain of another victim while her wakened body tried its best to repair itself with what little blood she had left in her.

It angered her.

But what angered her the most was the unfeeling expression that bloodsucking bastard had all throughout.

It angered her so, so much.

"Now," the man finally spoke, wiping his bloodied hands with a pure white cloth "We can finally talk."

To hell with that, she thought.

"How peculiar" he continued "Those eyes of yours. They rage with the embers of hatred. Is it me that you despise?"

The man walked forward, into the shadows where she lay, matching her piercing stare with his own.

"I wonder why?" He calmly mused.

And then he placed a foot on her left arm. Pushing slowly, steadily, watching the skin tear apart and the bone splinter with a grotesque sound.

Of course, she didn't feel any of it. They both knew she couldn't. And to her, that was the worst punishment he could've given her.

"You were always quite fiery. The way you'd listen to the sermons, pay attention in Sunday school. That passion had always set you aside. And yet, it has also led you astray."

Then he did the same with her right arm, making sure to drag his sole on her mutilated limb with apathy.

"Holding to the remnants of your past. Hoping that they will keep you warm" he said, dropping the stained cloth on her pooling blood "I just can't understand why."

That got a grunt out of her.

"Why would the Father choose someone like you? Who so fervently seeks to reject his gift? His ideals? His goals?" He said while running a finger on his rosary "Someone so... immature--"

"Shut the fuck up already" she spat, voice coarse and breathy.

The man simply sighed in response.

"Of course. You're still young. I often forget that" he lamented quietly "Children learn by imitation, not comprehension."

Then he signaled back to Silver's unconscious form.

"That boy over there. You both act really similarly. Perhaps he was the one to influence you in this way?"

"Lay another finger on him..." she barked coldly, yet it did nothing to deter the pastor.

"And what?" He scoffed. Even though he couldn't express emotion, he sounded almost indignant "You are at the edge of your mortality, just like him. It would do you no good to continue your empty intimidations. After all..."

He turned around, giving her an uncaring glance as he walked back towards the boy.

"...You don't actually care what happens to him anyway, do you?"

"Go to hell."

The man knelt besides her sleeping companion, seemingly unfazed by the myriad of insults and threats that she continued to throw at him.

"You can stop pretending now" he stated matter-of-factly.

But that only fueled her anger further.

"You don't know fuck about me. Don't try to act like--"

"All of this... attitude. This rebellious phase." He interrupted her "Playing pretend with these... animals. Like they're not food to be consumed. Like you have the strength to make things right. Clinging on to something that you're not anymore. When in reality, you can't even get yourself to feel anything about them. For them. Stop pretending, Samantha."

She bared her teeth at him. Bloodied gums and sharpened fangs gleamed under the dim light, being reflected into his unchanging pupils. Defiant, yet slightly wavering.

He sighed.

"I have now come to terms with the fact that I can't make you understand. It is simply not my place to do as a father should" he said, standing up with that same unapologetic attitude that crept into her very nerves "But it is in my hands to set an example."

"If you fucking dare--"

"Relax" the man ordered, sending a shockwave through her core with his voice "That would be counter-productive. This child... is still yet useful. Both of them are."

Her mind wandered back to Johnny, and her eye twitched slightly at the realization that she'd completely forgotten about him in her rampage.

Wherever he'd run off to, hopefully he had managed to escape. The kid was smart enough to know when to turn tail and run.

How ironic, that the same thing she'd criticized him for was the culmination of both his salvation and her damnation.

Now wasn't the time to be reminiscing about that, though. With any luck, the pastor would be oblivious to her thoughts on the matter.

"But this... thing you three do, playing with toys while thinking you're some sort of heroes" he interjected, calmly walking back to her for the last time "It must be put an end to. For your own good."

"Fuck you, pendejo de mierda."

"I no longer expect you to understand, as I said. It is not my duty to act as a father would" he said with a sigh, kneeling before her "But as the elder sibling, I must set a good example."

She was about to tell him to go fuck himself with that family bullshit, when a metallic object suddenly came in contact with the roof of her mouth.

The hammer of Silver's .50 caliber revolver clicked into place with a small sound as the pastor once again got to speak in her place.

"As such, please watch and learn as I provide the appropriate punishment for such behavior, in place of the Father."

The last thing she could to was throw him one final spiteful glance before his finger came in contact with the trigger.

Bang! The sound of the first bullet reverberated in her mouth.

Bang! The second one pulsated deeply within her veins.

Bang! The third echoed through her lungs.

Bang! The fourth rippled through her milky eyeballs.

Bang! The fifth ringed far into the distance.

By the time she came to, what remained was only but the shattered pieces of the one person that she'd been desperately clinging to.'

OOC: But it's okay. She'll heal it off.

Dark OC Asks

Excluding murder, what is the worst thing your OC has ever done?

Has your OC ever killed someone?

Has your OC killed a friend/family member/loved one?

What appears in your OC's darkest nightmares?

What is your OC's moral code?

Would your OC make a deal with the devil?

How far is your OC willing to go to get what they want?

Would your OC consider themself evil?

Would you consider your OC evil?

Does your OC enjoy watching others suffer?

Has your OC ever tortured someone?

If your OC was arrested, what would the charges be?

Who does your OC hate the most?

What is your OC's "villain song"?

If you draw: draw your OC's darkest moment or reimagine your OC as a demon. If you don't draw: find a picrew or write a description instead!

[lnfours]

i feel like youre the only one who could understand my thoughts rn, hear me out: uni student who is having a hard time being motivated and is justt feeling overall down about school and such. THEN, lando comfort, just being there and being so comforting (this is not at all inspired by my life or anything...truth, ive been having such a shit week and i just know that this week is going to be bad too and i really need comfort, but am lacking in the friend/boyfriend department and my phone calls with my mom are simply not doing it for me anymore. okay enough with the venting.)

i definitely, 100% understand your situation. school is stressful and hard, especially when you’re feeling unmotivated. remember to give yourself breaks as needed, and my messages are always open if you need anything ❤️

‘feeling 22’ birthday sleepover

the sound of the front door opening sounded through the apartment before his voice did, "hey, baby."

you looked up from your laptop, smiling softly at him from the spot on the couch that you had realized you'd been at all day. the sun was beginning to set, peaking in through the curtains in the living room. he walked up behind the couch, wrapping his arms around you, leaning down and pressing a kiss to your cheek.

"it's five already?" you asked, glancing up at the time in the corner of your screen. sure enough, it was a little after five. you had quite literally been working on this final project all day.

he hummed, resting his head on top of yours, "mmhm," his nose absentmindedly nuzzled into the hair ontop of your head, taking in the smell of your shampoo, "have you been working on this all day?"

you nodded, sighing before pulling off your glasses, rubbing your eyes, "yeah and i feel like i've barely made a dent in it. i feel like no matter what i put, my professor isn't going to be impressed."

"he'd be an idiot not to be impressed with anything you do."

"yeah, but it needs to be perfect if i want to land that internship," you said, "and it's nowhere near perfect. no matter how hard i work i feel like it's not good enough and i just... i don't know what to do."

"take a break, baby," he said, "you've been at this all day. rest the rest of the night and have another go at it tomorrow or the next day. little by little."

you knew he had a point, but you sat there defeated as you tried to get yourself to close your laptop, "okay, yeah, just let me read it over one last time and then i'll be done for the night."

he nodded, "okay, just once though," he said, standing up again, "i have an idea, actually. i'll be right back,"

you nodded, letting him venture down the hallway and into your bedroom. he made quick work with his actions, gathering candles from your bedroom before placing them on the bathroom counter and lighting them. he started the faucet for the bath, making it the temperature he knew you liked before adding some of your body wash to the water.

once it was set up to his liking, he made his way back to the living room and you were still invested in the project on your laptop. he stood in front of you. gently closing the lid, which made you stop reading as you let out a soft sigh of defeat. there was no getting around it with him.

"c'mon," he smiled softly, reaching out and offering his hand for you to take. you placed your hand in his, rising from the couch as he led you down the hallway and to your bedroom.

"what're you up to?"

"nothing in particular," he smiled, and when you saw the bathroom you immediately almost broke down into tears. the candles dimly lit the room and a bath was drawn.

"lando," you gasped softly, his thoughtfulness making your heart flutter against your chest and reminding you why you fell in love with him in the first place.

he smiled, "you relax, i'll order us some food. how's that sound?"

you nodded as wrapped your arms around his neck, "have i ever told you how much i love you?"

he smiled, "once or twice, i can't quite put my finger on it though."

you laughed softly, pressing a soft kiss to his lips, "i love you."

"i love you more," he smiled.

you nodded in the direction of the tub, "how about you join me and then we order dinner?"

"i like the way you think."

[boopshoops]

Ah, how odd. It appears one of the puppets in Playful Land aren't quite like the rest. Almost like it has one of those consciences everyones been talking about, huh?

oc template by ai-kan1!! dividers by dollywons! Sound on!

Name: Isola Pinacirco-Cira

Nicknames: Pin, Pinpin, Goby

Gender: Demiwoman (Though she has not fully realized it yet!)

Pronouns: She/they

Sexuality: Unlabeled

Birthday: May 5 (Taurus)

Age: ??? (She has been asleep for a very long time, but she has been awake for 19 years)

Height: 5'0" or 152cm, though the height of the doll is adjustable.

Voice Claim(s): Lisa Hannigan, Miyuki Sawashiro

Twisted from: Pinocchio, Wendy's Music Box (From Tinkerbell/Peter Pan)

Unique Magic: "I've got no Strings" - The bearer can control and grant practically any unliving, immobile object the ability to move under their command. The more objects are being controlled, the more magic is consumed. However, the generation of blot is shockingly slow, allowing the bearer to use the magic for hours or even days at a time. Depending on the object, it may appear as though it is being haunted by a poltergeist. The magic, however, has a very short range. The object must be within five feet of the bearer, or it is no longer effective. Isola uses this magic to move her body on a day-to-day basis.

Grade: Freshman, though only after the Playful Land Event

Class: 1-D

Job: Playful Land Performer

Hobbies: Dancing ballet, face paint, makeup, putting outfits together, singing, sewing, wood carving, ceramic/pottery/resin repair.

Likes: Feather accessories, being alone, birds, rodents, bugs, performance, applause, classical, soul, and lofi music, animal figurines.

Dislikes: Rain, being alone, excessive heat, winter, bass boosted, fast, or hyper music, too frequent of doll repair jobs, cramped spaces, being unable to eat.

Fears: Being unlovable, never loving someone else, living a life alone, never living in a body they feel comfortable in.

Summary: A quaint performer at the renowned Playful Land, constantly known for putting on a show of elegance and grace. With her unusual cadence, she often struggles to maintain an audience despite her immense talent. Isola frequently scares off certain guests on accident. They have a very hard time handling their emotions, causing them to either come off highly unnatural or lacking facial expressions to a degree that could disturb others.

That's just the cons of being one of the many puppets on the premises, though. She is often mistaken as being one of the other, more robotic workers. Isola's body is detailed and articulated enough to stand out among them, but off-putting enough to be immediately recognized as inhuman. Nonetheless, she remains on the traveling amusement park as what is considered a "highly prized item" by the owner. Of course, you don't come across puppets like her everyday, do you? Might as well put her on display.

When night hits and protocol begins, when the consequences of breaking the many rules of the park take their toll, they can do nothing but watch over it all. It makes her feel sick, quite honestly. Disgusted. Yet, she isn't allowed to help anyone. Her attempts to help usually cause the visitors to flee from her anyway, followed by her own set of serious consequences imposed by the owner. The most she can truly do is make it harder on the other workers: including those she has no choice but to be closest to on the ship: Fellow and Gid- Ah. Wrong Identity. Ernesto and Gino.

CHARACTER PLAYLIST - INSPIRATION - CREATION STORY

Author's Note: holy fuck they have a chokehold on me. hOOOO they have a chokehold on me. she came to me in a vision and did nOT let me go until she was created, holy fuck. UGSDBGSDIUAAAAA anyway, i love her and she is my baby. my slightly fucked up baby.

Note that relationships are up for possible changes in the future- I have thought about possibly involving them with someone romantically, but i feel like I want her to put HERSELF first before that. Her story is one about self love, self discovery, and self care, and I feel like throwing her into oc x canon romance too soon would negate that. ALSO she is NOT a part of my TCOAV au!!! i mean. im probably gonna still do fun stuff where she could interact with my ocs from there since im an au fanatic, but- yeah. tcoav is a story more focused on Yuu Shi, and I feel that would also take away from important parts of Isola's character and growth. tis an excuse to try a new oc profile format too <333

that all being said and on a somewhat less related note. i wanna make a comic of her so badly. fuCK. evaporates into thin air. thank u for coming to my ted talk.

Tag list :D

@lowcallyfruity @skriblee-ksk @cecilebutcher @kitwasnothere @justm3di0cr3

@thehollowwriter @distant-velleity @techno-danger @scint1llat3 @the-trinket-witch

@beneathsakurashade @kathxrat-01 @twsted-canvas @prince-kallisto @qsoap

@sillyslipperybananapeel @tixdixl @twstinginthewind @gimmeurmoneyagh

[lu-is-not-ok]

A Narcissistic reading of Hong Lu

Yup, I'm actually doing this.

To lay down some facts first: I have NPD, alongside a bunch of other things that coalesce into a nuclear concoction strong enough to kill every dark empath in a five mile radius. If I find you ableisting it up, I give myself the permission to smite you. This is a threat and a warning.

Now, let's talk about Hong Lu. Because as it turns out, he might just be the most difficult literacy check in Limbus Company according to what I've seen.

I could just say "I'm a narcissist and Hong Lu is just like me fr fr so he's a narcissist too" and end the post, but honestly, where's the fun in that? There are, legitimately, things I want to yap about, so I'm going to yap about them, and no chucklefucks can stop me.

So, to start this off, let's make one thing clear.

Hong Lu is not only a good actor, but also a skilled liar. The way he navigates conversations and the methods he uses are just as important to analyze as the actual words he says, if not more so. In fact, I'd go as far as to say that trying to understand him based Only on what he says and not how he uses the things he says would result in an understanding that's not only incomplete, but potentially outright wrong.

Now, this isn't really tied to why I think Hong Lu could be very reasonably read as having NPD, at least not directly. Narcissists aren't inherently evil liar manipulators, and if that's what you take away from this post, that's more of a you problem (and you can go ahead and block me considering I'm one of the evil liar manipulator narcissists according to you).

However, there is a reason why I have to bring it up. And it's because almost all of Hong Lu's narcissistic traits become a lot more obvious once you look at the exact ways he takes control of conversations.

With that out of the way, what exactly are we even looking for?

NPD, in my experience, primarily affects one's sense of self-worth and self-esteem. I personally found that the analogy of a pendulum makes the most sense to me - a narcissist's sense of self-worth can swing between massive highs and massive lows, almost never staying in a middle "balanced" position, with even the tiniest things being able to throw it to one side or another.

The ways this can present outwardly are. Quite frankly, way too fucking many to count. But there are some common threads we can keep in mind:

High sensitivity to criticism

Need for an external source of validation

Tendency to seek out ways to make oneself feel more special, important, or powerful

So, does Hong Lu fit those criteria?

Well. Yeah. This post wouldn't exist if he didn't.

Let's talk about the first point, high sensitivity to criticism. And, immediately, I would like everyone to remember Hell's Chicken, specifically the scene where Meursault begins to verbally roast his team's dish, and in the process laying down a verbal smackdown on everyone involved. That scene ended like this.

Curious, isn't it? The moment Meursault was about to start criticising Hong Lu, he just jumps in and distracts Meursault with a change of topic - something even Dante's narration points out.

Mind you, this isn't an isolated event. This is just the most obvious example of Hong Lu exhibiting this kind of behavior.

Don't believe me? Just look at these.

These are all examples of Hong Lu either backpedaling, changing the subject, or otherwise trying to avoid the acknowledgement of something that criticizes his status, thought process, or (in the last example) which would reveal an emotional vulnerability.

This is a fairly consistent pattern for him, and that's not even getting into the fact that the line he says when hovering over him before a skill check he has a Very Low chance at succeeding in has him suddenly try to excuse himself and leave.

Hong Lu is absolutely highly sensitive to criticism, it's just that his primary emotional reactions aren't ones we're privy to. Instead, what we get to see is how he acts to try and minimize the impact of those criticisms, if not outright find ways to never let them leave someone's mouth in the first place.

Next up - need for external validation.

This one doesn't have as many examples as the previous point, as Hong Lu is a generally closed off person who keeps a certain level of distance from most other Sinners. However, that doesn't mean I don't have any.

One such example comes from Canto 4, where soon after acting out his part in the play, Hong Lu seeks validation from Yi Sang.

Then there's this moment in Canto 6, where Hong Lu, once again, seeks validation for something he's done.

And then there's also these lines from Hong Lu's various Identities.

Aaaand then there's these base Identity voice lines, which, if you ask me, feel a bit like fishing for compliments.

This point is a lot harder to say is a definitive one, mainly due to Hong Lu's more closed off projected personality. That being said, the fact that one can find examples of it despite that is pretty notable.

And for the final one - trying to make oneself feel more special, important, or powerful.

This is one that's a bit harder to provide exact examples for, as again, Hong Lu isn't someone who talks about how he feels often, and when he does it's not always exactly trustworthy. He's not like Rodya, who while still putting on a facade, is pretty open and easy to read about how she actually feels.

But, there's still some non-mutually exclusive interpretations I want to posit here. Two, in fact.

One - I believe that for Hong Lu, the thing he sees as power is control.

See, avoiding criticism isn't the only time Hong Lu steers conversations. In fact, it's something he does All The Time. He's often the one asking questions to get the group moving, trying to gather information that might be relevant to him, and generally taking over the direction a conversation is going in. Chances are, if Hong Lu speaks up, it's likely to alter the conversation he joins in noticeable ways.

This, I think, is one of the ways Hong Lu makes himself feel more powerful. After all, it's not that hard to guess from what little bits of his background we have that Hong Lu lacked agency for most of his life. So, wouldn't it make sense for him that having that agency, that being able to be socially in control, would be the exact kind of thing that would boost his self-esteem?

In fact, the only times we see him rendered completely speechless, seemingly stripped of that confidence in conversations he usually exhibits, are in Canto 7 - specifically in scenes where he's Not In Control of what the others are talking about. Those scenes being when the other Sinners start shit-talking Xichun in front of him, and when Xichun actively tries to bother Hong Lu by alluding to the way he's been treated back at home.

Extremely confident until something external happens that utterly strips him of that confidence... sounds familiar, doesn't it?

Then, there's the second interpretation.

See, with NPD, there are two ways a narcissist can try to make themself feel more deserving of attention. One is the one most probably think of when they think about narcissists - setting out to fulfill extremely high goals to feel amazing when one reached them and then feeling utterly crushed in the case one doesn't. This would be someone like Rodya.

However, there is also another way, one which I personally have much more experience with - to undersell. To set extremely low expectations, so that it's as hard as possible to fail reaching them, and to feel way better upon surpassing them than one would with higher, more "regular" expectations.

This, to me, is exactly the kind of narcissist Hong Lu is. Think about it. He's constantly putting out this image of an extremely sheltered person that barely understands the outside world, with notable moments where it's made clear he's Just Making Shit Up at points. Wouldn't making one seem unable to do anything, only to then proceed to do things you've led people to not expect of you, make it feel like you're much more exceptional than you really are?

The underselling goes the other way too. When the other Sinners point out something odd about Hong Lu in a more positive way, he's often quick to point out how it's Nothing compared to what his Family expected of him. Wouldn't that make one feel exceptional, to make it seem like whatever effort you're putting in to do well is but a fraction of what else you can do? That you don't even have to try to be able to be special?

...So, there. That's all the analysis and interpretation I find important to do to get my point across.

Just to make it clear, I don't think that the only thing wrong with Hong Lu is the narcissism. There's definitely a lot more shit going on in that head of his. But, I'll be honest, the NPD reading felt so obvious to me that it genuinely took me by surprise that other people don't see it.

Though... maybe I shouldn't be shocked. Some fuckers out there still think Faust is a narcissist when she's literally just autistic.

[demon-girl-izalith]

I do agree with the majority of what you say, but I think I disagree with the characterization of art as a transcendental beauty that exists fully independently of "political reasonance", of people and their interaction with the piece. The art doesn't exist in a vacuum, part of what makes it living is it's context and the communicative element it has with people. I think this interpretation here takes a fully subjective perspective on the art that I don't think quite captures the communicative, give-and-take aspect that I think we use to define art itself.

For example, when I engage with a piece of media I enjoy like the movie Office Space, a piece that has both pro-capitalist but anti-corporation elements, for example, I WILL be critical of some of these elements as the art does not exist in a vacuum, but I will also bring to the table a recognition of the qualities in the piece that met my axioms or expectations. And I think if I'm using my expectations, axioms, etc as a metric then the piece is going to be not fully subjective.

I do think there WILL be a layer of objectivity to that and I think the art itself should be looked at critically, we should ask what it's trying to say and what its appealing to, it SHOULD be the art's problem. We should ask if the piece is really tapping into an "aesthetic" very well, or, for example, if by appealing to the pro-capitalist aspects, if office space is not committed enough to doing so. Perhaps the piece was meant to interact with one aesthetic principle one form, and instead could be argued to be more strongly tied to another. That's where discussion about what a piece is saying becomes important.

By interacting with the art I'm bringing to the table my identity, my expectations and axioms and forms that I'm feeling pull on me, so I'm looking for these in a piece, and so it is entirely fair to criticize the piece for not meeting that expectation, especially if it demonstrates elements that otherwise engage with these themes that may have caught my attention to begin with. It leads to feeling misled by the piece, feeling like an aspect of the art isn't there that should be, as if the art is tied into larger aesthetic realities and they aren't being manifested by the instance of the work in engaging with. Of course, with a different perspective, a different set of axioms, I may indeed find that the piece IS meeting the standards of some other infinite form or transcendental aesthetic, but perhaps not the ones I'm looking for.

Ultimately I think you've made the art too transcendental here, removed too much of its humanity, defining art as a spectacle and nothing else rather than a communicative process that exists connected to ourselves as agents viewing it. Art can be a spectacle, but especially with art made for consumption, I think it is also made in a political context for real human minds, it is still communicative and it is not merely a spectacle. Claiming it is this and only this feels reductionist to me.

i dont think fight club was co-opted by the right because they didnt get the satire, it was co-opted because it fuckign kicks ass. they would have co-opted any movie that is that good and has hot sweaty men in it. right wingers aren't aliens, they know a good movie when they see it, the lesson isn't "don't make satire because the wrong people might think its for them" the lesson would be "don't make art that kicks ass" and i'd rather there be art that kicks ass

[wilcze-kudly]

Something I've always loved about atla is how it handled scars, particularly Zuko's facial scar and Aang's lightning scar.

I've probably spoken before about how, as a burn victim with a ton of skin grafts on my legs, torso and hand, Zuko really was the first character "like me" that I saw on TV. It was, as you can guess, quite a momentous moment for kid me. Which is probably why I'm so disheartened on the live action show shrinking and toning down Zuko's scar significantly.

Too often scars, especially burn scars are seen as gore or body horror and too graphic to be seen on TV that isn't horror or related genres. And often scars, especially facial scars are reserved purely for villains and are used as a signifier for 'evil'. A trope that you'll find is still alive and kicking even today even in big franchises.

And while Zuko does reinforce this trope to some extent, I think it was subverted enough for it to have irs own merit. Atla also steers away from the scars=evil narrative, by having a lot of "good" characters have scars too like Bato and Song. This helps destigmatise scars as a whole, making Zuko's 'scarred villany' seem like a more individual case.

In Atla, scars are more the trademark of victims rather than villains and this rings true for Zuko too.

Zuko is a victim of the Fire Nation in the sense that the Fire Nation's values of war, strength and honour facilitated Ozai's abuse of him, particularly the scarring.

Zuko's scarring does follow a very established trope of a son being scarred by a father, which is surprisingly prevalent, especially with burn victims. Seriously I collect these men like pokemon. This tropiness isn't a bad thing, since I think it leads to us very quickly sympathising with him. I certainly did, since his experience mirrors my own.

The scene of Zuko's scarring is also particularly special, due to it being rather unique, because it isn't quick or an action scene, nor is it shown as an overly gory horror scene, despite it being, well, horrific.

It's... tasteful. Or at least, as tasteful as the scene of a child getting scarred by their father can be, I suppose. It doesn't linger on the violence, but also doesn't sugarcoat it. The scene of Zuko's scarring, and the events leading up to it also give us a good exposition to his better qualities, like his compassion, and a good explanation for why these qualities stay buried.

I can understand why some people in the fandom believe that Zuko's scar symbolises his 'worse side', but I actually believe its the opposite. Very often, when a character has a 'split down the middle' type of scar, their scarred side represents their worse half, like with Two Face from DC.

Because Zuko's scar doesn't symbolise his allegiance to the Fire Nation, it symbolises the fact that he failed to live up to the Fire Nation's standards. It's a physical reminder of the time Zuko actively defied the Fire Nation's standards and mindset.

We get a lot of nods to Zuko's scar aymbolising disgrace and failure to uphold ehat the Fire Nation expected of him. It's literally a physical blemish upon his 'honour'.

This is especially noticeable when Zuko's appearance is contrasted with Ozai, who exists as sort of the human stand in for the Fire Nation's imperialism. For most of the show, we are not shown any of Ozai's features, his face being obscured by shadow or out of frame.

We finally see Ozai's face, it's when Zuko is seeing hik for the first time in years. And Ozai looks so similar to Zuko. An unblemished, perfect, complete Zuko, so to speak. In Zuko's fever dream, where we see an unscarred Fire Lord version of Zuko, he looks exactly how I imagine a younger Ozai would look. I also love that Zuko's adult design seems to lean into this similarity.

Furthermore, Zuko's scar is used time and time again as a way he connects with victims of the Fire Nation. People who don't know him, like Song and Jet, assume him to be another victim of the Fire Nation, citing his scar as the reason why. Which is half true, Zuko is a victim of the Fire Nation, just not in the way they think.

Jet: I think Lee would make a good Freedom Fighter. He's just trying to find his way in the world, like us. Smellerbee: You don't know anything about him, Jet. Jet: I know he didn't get that scar from a waterbender.

One person who doesn't connect to Zuko over his burn scar is Katara. I love the scene of Katara and Zuko in the crystal catacombs. It's a profound scene and one that always makes me a bit emotional, especially in the wider context of atla, a subject I've touched on in this post.

However, the handling of Zuko's scar in this scene is especially dear to my heart. I strongly remember that, when Katara offered to heal Zuko's scar, I actually got scared and upset. I was terrified of Zuko's scar being erased, of the connection I felt to him snuffed out and one of the best parts of his characterisation being erased.

But that's not what happened, and the scene is amazing on that front and all others.

We learn that Katara asscociates Zuko's face with the Fire Nation, which makes sense, since he's been kinda clingy for the entire 1st season. Katara denies it having to do with anything with Zuko's scar.

Katara: It's just that for so long now, whenever I would imagine the face of the enemy, it was your face. Zuko: My face? I see. [He touches his scar.] Katara: No, no, that's-that's not what I mean.

The Katara lover in me believes her. As a a member of the Sothern Water Tribe, she probably has seen many burn victims. And her pursuing healing would also probably lead her down the route of normalising and understanding burn scars.

However, I would not be surprised or disconcerted if the scar did have something with Katara perceiving him as a villain. After all, to a lot of people, scars and "ugliness" denote moral ugliness. The very obvious fire asscociation probably doesn't help someone traumatised by the Fire Nation too. It is a sad fact of life that even those who know better subconsciously react to people with scars and other "deformities" with disgust and distrust.

We also see Zuko explicitly give us the rundown of his previously unspoken struggle with feeling like his scar is defining him as a person.

Zuko: It's okay. I used to think this scar marked me. The mark of the banished prince, cursed to chase the Avatar forever. But lately, I've realized I'm free to determine my own destiny, even if I'll never be free of my mark.

This is something I can relate to as someone with prominent scarring and I'm sure we all sometimes feel defined by things outside of our control. Sometimes It's hard to seperate your identity from your appearance. And it's even harder to seperate yourself from events that influenced you so harshly.

As I previously highlighted, Zuko's scar relates strongly to his failure to adhere to the Fire Nation's ideals and conventions, his failure to be the perfect prince of the nation. And while to us, that is a good thing, to Zuko, at least at first, that is a very, very bad thing.

To Zuko, the scar is a symbol of his flaws, and a just, if not harsh punishment for his percieved transgression. He sees it as a brand, denoting his mistake and shame. He sees it as the physical manifestation of what his banishment and scorn from Ozai means.

It's only when he begins growing as a person away from the Fire Nation's influnece, that he starts to realise that the scar is just a scar. It holds no power over him. And while he relapses for a moment, "demystifying" his scar allows him to do the same to the event of his scarring. It allows him to look back at that moment and not see righteous discipline, but rather see it for what it was and go "hey wait a minute that was actually fucked up.". Which allows him to look at The Fire Nation's conquest of the world and go "hey this is also fucked up.", when the lessons he's learnt in the Earth kingdom finally click.

I believe this is why we see Zuko almost purely from the side of his scar in the scene where he confronts Ozai, especially when it's contrasted with Ozai's unscarred eyes.

Zuko's scar, like many scars in fiction, symbolises imperfection. But rather than an "objective" imperfection, as most fictional scars do, Zuko's scar symbolises his imperfection through the skewed and biased eyes of the Fire Nation. It's a nice subversion of the trope that usually encourages us to equate beauty with goodness and ugliness with evil.

Side note, I know I've been using the terms "ugly" and "ugliness" to talk about scars. I just wanted to note that I don't think scars automatically mean someone isn't attractive/scarred people are ugly. But in a lot of media, scars are seen as gross and ugly, which is why I've been using these terms.

I like that Zuko defies this trope by being drawn as very attractive with his scar, and even being seen as desireable in canon.

Even though it does loop back to the 'attractive=good' symbolism, I don't think it totally invalidates the story Zuko's scar is telling. Plus it WAS an ego boost to child year old me who thought no one whould ever love me bcs I looked like a burnt chicken nugget. So I'll let it slide.

I love Zuko's scar, and I love how it seamlessly fit into the story, while also subverting tropes and invalidating stigmas towards scarred people. It's probably one of my favourite, if not very personal aspects of the character.

I do however, also want to analyse and go over Aang's scar from Azula's lightning and I plan to go over it at a later date, since this post is getting a bit long and overwhelming.

Toodles!

[starlostlix]

ARCANE S2 ACT 1 SPOILERS BELOW as I analyse the scene between Vi, Jinx, Caitlyn and Isha, what it means for them, and the link to Caitlyn's 3-point plan for the strike team.

I don't usually post about Arcane here but I need a place to talk about it without word limits so here we are. Also my comparison between MTP's telling of A scandal in Bohemia and the og will be done at some point I have just been very distracted.

So the scene I'm focusing on starts here when Isha runs up to where Jinx and Vi are fighting, lying between them a pointing a gun at Vi to protect Jinx.

Now Isha is a kid that has accidentally wandered into Jinx's life and gotten attached to her enough to wish to try and save her from danger - a new found family for Jinx alongside Sevika (who gives aunt vibes to me). But not just any kid is going to run into the line of fire like this. If we know anything about Isha now it's that she's brave - really brave - but also shouldn't have to be in this position.

Taking at look at her face, Isha's expressions seem to flick between anger and fear quite quickly. There's the facial muscles around her nose often flaring for that anger, but also a deep fear you can see too.

I think it's how she maintains focus on Jinx whilst the gun is turned away to Vi that's interesting. It's clear that she's afraid of what Vi is doing and is focused mostly on protecting Jinx - so that gun isn't something she necessarily wants to fire. She occasionally kept trying to press the trigger, but her hesitation isn't necessarily that she can't, but that she doesn't want to. She had ample time to take a very clear shot but she doesn't (this is interesting when we think about Caitlyn nearby who is desperate to take a shot even if it's not completely clear - Isha's motive is protection whereas Caitlyn's is revengeful action). And once she is unarmed all she can do is cling to Jinx. Perhaps both for her protection of Jinx or for Jinx to protect her. Like how a child would cling to a mother or father or even a bigger sister. Isha is supposed to play the role of a younger sibling to, in my eyes, mimic that of Vi and Powder that Jinx is desperate to protect.

I wanted to move on to Vi because I think her reactions/expressions are the most interesting. You get to see her face a lot, and once Isha has the gun to her face the main expression is one of fear. Not fear for her own safety, but a fear for Isha's safety, AND a fear of what she's been doing as an enforcer.

When Isha has the gun, all Vi can focus on is this mystery child - who she's never seen before might I add- suddenly appearing to protect Jinx. Even if Isha is scared she's still trying to protect her, trying to help even. Perhaps Vi sees herself here, a kid just trying to protect her loved ones from the enforcers that oppressed them. Perhaps she sees Powder, a kid throwing themselves in harms way just to try to help. Either way, she sees an innocent kid putting themselves in the line of fire to protect their loved ones. Except this time Vi is the dangerous one, rather than the protector role she used to fill.

When the gun is knocked away we see Vi again, frozen in place as she stares at Isha clinging to Jinx. This one feels so much more like a face of realisation - that Jinx still has loved ones left and that Vi has become the problem she swore to destroy. She's become the enforcer who enters Zaun to 'clear stuff up' with no regard for how it affects the people of Zaun. Instead of a protecter, she has become an aggressor.

If you will, remember Caitlyn's 3 goals - 'Locate Jinx, Dismantle Shimmer, and neutralise any agents still loyal to Silco'. I feel that this is where Vi realises that those goals only truly help the people of Piltover rather than anyone in Zaun.

1 - 'Locate Jinx' - this is basically corporate speak for Caitlyn wanting to k!ll Jinx. Originally, Vi was fine with this, seeing Jinx as a 'monster she created' and who 'taints the memory of her sister' Powder. But in doing so, she now realises that she will leave people behind who care for Jinx - Isha in particular. She's seen in her life so many kids left behind after enforcers k!lled their parents/families who then turn to rebellion (INCLUDING HERSELF AND POWDER!!) that she knows if she k!lls Jinx here with Isha as witness that the cycle will only continue - more kids who turn to violence as a result of trauma. If she were to go through with it she'd have become a direct parallel to those enforcers who killed her own parents, and she's already become a parallel to the ones who terrorised her and her family in her childhood with her activities in the Zaun strike team (especially with their usage of the Grey).

2 - 'Dismantle Shimmer' - whilst the removal of this drug is a good thing for pretty much anyone, the way the team go about it creates huge problems. The team are specifically shown to simply burn large quantities of the stuff (in the opening montage to 'Hellfire') - not only does this add more dangerous gasses to the underground areas (which they've already been releasing the Grey into), but it also creates issues for addicts. With access to it simply cut off, a decent portion of the population who are addicted to it will experience pretty dangerous withdrawal symptoms which could even lead to d3ath. With no system in place, addicts are left entirely on their own, so the destruction of Shimmer like this only helps those in Piltover remove a threat to them without actually helping the people. Meanwhile higher-ups in Piltover like Salo can use it recreationally (for his tattoos, even if frowned upon as implied by Mel's conversation with Lest).

3 - 'Neutralise any agents still loyal to Silco' - I'm pretty sure the Chembarons are considered Silco loyalists due to the Zaun strike team's attack on one of Margot's brothels in episode 2. The Chembarons, now down to 3 of them, were heralded as the only leadership of Zaun besides Silco. Their infighting has caused major issues in Zaun, but their elimination will not necessarily help Zaun in the long run. The removal of the Chembarons will leave a power vacuum, much like the one already left by Silco, that others will only step into over time. The removal of leadership in Zaun will only cause more issues as up-and-comers will try to fill the power vacuum and build their own forces, eventually becoming a new threat but not without a long period of chaos as people try to build resources to fill the vacuum. Piltover needs the removal of those with current power and forces to remove any possible threats of attack like the attack on the councillor memorial. It is, again, only for the benefit of Piltover.

Vi had seen becoming an Enforcer as the only way to bring down Jinx (reinforced by Caitlyn's insistence of doing things together and also partly by Maddie talking about what Caitlyn did to get her the job) AND as a way of protecting Caitlyn, but now I feel that she has been able to see the negative affect she's been having on the people of Zaun - her own people. I think this is why Vi switches into doing anything she can to protect Isha and Jinx, her protective side for Powder kicking back in specifically.

Looking back at Jinx, she was so ready to d!e at Vi's hands until Isha appears. Her expression here is the clearest look at her emotions we really see in the sequence - concern and fear. We know she's not afraid of dying or k!lling (especially when she said earlier before the fight that she's not remorseful of orphaning kids as she's 'done it to herself enough'), but she's so visibly afraid of Isha being hurt, and afraid that Vi would be the one to k!ll Isha. She's grown attached to Isha more than she'd like to admit, perhaps even seeing similarities to her and Powder (especially in their desire to help their family).

Once Isha's gun is shot away she clings to Jinx. Jinx at first is trying to claw her off - get her away from the danger, telling her to 'scram', referring to her simply by 'kid' so she leaves and doesn't get hurt. But when Vi is just sitting there looking rather than attacking she brings Isha in closer as a form of protection and looks at Vi. The way she looks at Vi. That's fear. She's afraid of her own sister again. She's afraid her sister will hurt an innocent kid, who's just trying to help, with a punch again. All her face says is 'Don't hurt this kid'.

And it's devastating. Devastating for both Jinx and Vi. Jinx sees her sister as a threat, whereas Vi begins to see a bit of Powder in Jinx again. She sees herself about to repeat a mistake that previously cost her everything - leaving a child alone with no support. This is also part of what turns Vi to protect Jinx and Isha from Caitlyn.

Last but not least, Caitlyn.

Caitlyn's effect on this scene can sometimes be forgotten (I almost didn't include her in this analysis at all) but it's actually bigger than one may think. I mentioned before how her desperation to k!ll Jinx causes her to shoot even when her shot is not clear (and how it contrasts Isha's reluctance to shoot even with a clear shot), but there's also so much more. For one, she shoots at the gun Isha is holding almost without a second thought. She tries to shoot Jinx whilst Isha is clinging on to her almost without a second thought. She shoots Vi's gauntlets when she tries to stop her. She frankly is unhinged at this point, tunnel vision on k!lling Jinx with no regard for anyone else in this situation, not just Isha but Vi also.

Grief is a strange thing. It can create many reactions from people depending on their situation. In Caitlyn's case, her grief has morphed into a desire for revenge and a thirst for violence, strengthening her pre-established prejudices towards Zaunites that she was so adamant in reversing in season 1. In her grief there is one constant - blame for Jinx - that morphs into further prejudices towards Zaunites as a whole to justify her actions in her own mind. She similarly justified her tunnel vision in this fight with the idea that 'she wasn't going to miss' despite missing her shot multiple times already (specifically when she shoots to k!ll Jinx and only hits her middle finger).

Her actions here are what happens when grief takes control and her usual logic and reasoning is not able to intervene as much as usual. Her insistence on not harming innocents (seen early in episode one), her understanding of how Zaunites were treated unfairly (s1 episode 7) - it's all overshadowed by her grief. However, her grief doesn't excuse her actions - she's still making decisions based on her own internalised prejudices that with her grief are projected outwards and drive her actions.

This has all culminated here, where her tunnel vision has led to her hurting Vi and almost caused her to hurt an innocent child. She's this looming threat to the scene, her hextech rifle being probably the most powerful weapon here - and it's in the hands of someone who is vengeful and seemingly trigger-happy and in a position of power she was not ready for. If Vi was a big danger in Jinx and Isha's eyes at first, there's a bigger danger in Caitlyn, one that even Vi notices. And she's only going to get worse next arc.

[There could be more to say but I think this is a great place to end it! I may make more arcane posts as s2 releases but i'll have to see, I just really wanted to talk about this scene in particular it's just so interesting.]

[ghostieblr]

Melting Glaciers

Because the universe is unfair, it gives Derek Hale a kitten. One that is just as black as his wolf fur, and just as scary looking until you manage to get close to her by a painstakingly long process of trust exercises and find that oh, she's the most adorable thing in the world, too.

See, Stiles is a realist. When constant skirmishes with one certain older werewolfman, where his life was equally threatened and saved by this said werewolfman, made his little Stiles happy to the point of constant little deaths in the not-so-privacy of his bedroom, he'd choked down the realization of not being so straight as he'd mistakenly thought. At the time, the sorrow of it had more to do with the fact that his crushes were always so unattainable rather than the fact that it was a man he was crushing on, one that his dad had arrested too. And then when his dad was brought into the fold of the hidden layer in their world, and he saw his dad recognize the real Derek, he knew he had his dad's permission.

His dad's always been a realist, too. Stiles' affection is anything but secret when it comes to Derek, because he deserves all the good things in the world, and despite his design to push and prod until the person Stiles is talking to comes undone and shares their secrets, Stiles has done anything but that with him. In the beginning, it was curiousity. It was his desire to know the unknown, to gather all the facts, to know enough to get over Derek Fuckin' Hale. Somewhere down the line, but very close to beginning, his feelings turned warmer, though. Glacier of ice melting into rivulets of water, carried away on a sea of emotions he'd denied himself to dip toes in for far too long.

And now that Derek's brought home a kitten he found abandoned near the Walmart, and named her Princess of all things, Stiles has been forced to take a fucking dive into that sea.

He makes a choked off sound when Derek, in the middle of the Loft, takes off his soft-looking, cozy green henley, and Stiles is assualted with the very vivid view of his gorgeous abs.

Derek opens his arms and Princess, deeming it her cue, climbs atop him, her little claws her little helpers, and Derek's enchanting smile Stiles' doom. Once she's nestled against his chest, he looks at Stiles. Another sound falls from Stiles' mouth, without his permission. It's a whine, he thinks; a call for help.

"You okay?"

O-K-A-Y. Four letter word, where sometimes the last two alphabets are unnecessary. Just like this question.

"What do you think!" Oh no. He needs to calm down. Princess is looking at him, her green eyes wide and anxious. Stiles whispers, hisses really, "Her! You! Henley!"

Derek looks at his little princess, then looks back at him. "You are not making sense, Stiles." Looks back at Princess, says, "Your Tata is acting crazy." Princess meows, as if in agreement, and oh fuck, seriously universe? Why should Derek look so damned adorable when he's just paying attention to his kitten like many others do! Hell, Peter was doing the same thing in the last pack meeting, and Stiles had thought nothing of it. But Derek does it, and it's like Stiles has discovered a whole new world of kinks. What the hell.

During Stiles' inner freakout, Derek has managed to sit on the couch, and now he's petting Princess, who is still attached to his chest like a barnacle. Why isn't Stiles a kitten?

Wait.

"DID YOU JUST ME CALL ME HER TATA?!"

Princess hisses quite venomously at him, probably at the volume of his voice, because Derek winces too. Oops. But no, not oops!

This is serious business.

He points a finger at Princess. "Don't talk to me like that young lady," he waggles his finger for emphasis. She follows it with her eyes, looks at Derek once, then settles down and watches him with wide, unblinking eyes. What an attitude on this one. Just like her dad, really. Who is... looking at him, the corner of his lips tilted up in amusement. "You. Words. Explain."

"Words are usually his thing," Derek tells Princess, who meows once in acknowledgment. Then he lifts his eyes towards Stiles and pats the free seat beside him. Stiles sits. "I am more of an action person."

And then Derek takes Stiles' hand and puts it on top of his other one, the one Derek's been using to constantly pet Princess. Stiles' breath stops for a moment at the touch.

"Is this okay?"

"More than," Stiles admits, and watches with awe as Derek's eye sparkle under the waning sunlight, the way his mouth stretches further up into a grin, unabashed and unbelievably pretty this close up. Stiles forms a grin in response too. "So," he says, playfulness creeping away the shock. "Since I am her Tata... I vote to name her Princess Leia."

Derek's laughter in response echoes through the Loft, and Princess makes her displeasure known at the vibrations on her comfy spot by jumping onto Stiles' chest. They remove their hands at the movement, and Stiles puts his hands back on her, lets her burrow in his chest. She's already in his heart, anyways.

"Stiles," Derek says when he's calmed down, only a minute later. Stiles isn't even offended; The sound of Derek's laughter is like eating candy. Like pure bliss. "That's already her name."

Stiles blinks.

Derek calls, "Leia, come to dad," and she goes.

"I love you so, so, so much, you don't even know, Derek Hale," the words come out, and he... is not afraid they're out there, because Derek has, once again, Princess Leia on his chest, and his left arm comes around Stiles' shoulders to pull him in towards himself.

Derek kisses the top of his head, and Stiles melts, and he is a realist, so when Derek replies, "I love you, too, so, so, so much," he knows he's done for life.

Stiles' heart will belong to no other, but Derek Hale.

As if reading his thoughts, Princess Leia meows, and Stiles amends his mental declaration: his heart will belong to no other, but Derek Hale, and the family they create.

[adhdduckie]

not the one! g.s. x reader

synopsis ; you're in love with gojo. he doesn't love you back. It takes you awhile to realise this, and you find out in a way you wish you'd never. Tw: ANGST no fluff no comfort #nofluffwedielikemen my masterlist

jjk masterlist

A/N : guys sorry this came out of nowhere and kinda possessed me (did not at all stem from my own lovelife, no not at all, this was just something that came out of nowhere!)

1.5k -------

being in love with gojo as his friend was pretty insane, a lot of the time.

the first time you ever even said that maybe you loved him, you cringed. it sounded weird, but even when shoko gave you a weird look, you knew that it was to be true.

sometimes, you'd swear that maybe, just maybe, he'd love you back. you'd read too much into stares, and lingering touches.

you'd think too much of how he just always seems to be just around the corner of wherever you'd be, and how he always seemed to be looking at you and only you.

you'd think that because of the smiles his friends throw your way, the fact that getou had spoken to you about him a lot, and how getou always made sure to wave at you when he was with gojo.

how gojo's eyes would seem to light up when he saw you, but maybe that was just his big baby blues, but honestly, anything would have made him look brighter. If you thought about it, maybe it was the sweets you always seemed to have on you, just always specifically for him.

and getou knew, and maybe gojo did too, but the fact that he never changed the way he looked at you meant that he felt the same way too, but he was just afraid to tell you, because that it's quite daunting! and if he needed it, you'd wait till the end of the world for him. this was so embarrassing, you'd think to yourself, finding yourself talking about him for the umpteenth time that day to your friends, who seemed interest in the conversation enough, but you knew they were just waiting for you to stop!

and maybe if you were more rational, you'd think properly. like, well obviously he was basically around every corner, you'd attended the same school and it was just you four students in the year anyway. and obviously he stares a lot, he's pretty unpredictable, and tends to just be super affectionate with everyone.

and getou's your close friend, of course you're gonna be getting smiles from him, because he's your friend. getou obviously is gonna just acknowledge you, because yet again you're his friend. and when you were away from gojo, you could think pretty rationally. "there's no way he likes me" you'd think, and "I gotta stop liking him, this isn't gonna go anywhere." and you were right, but once you saw him again, it was as if you hadn't even considered this at all in the first place, and it was completely gone from your mind. but all in all, no matter what, there was nothing you could do, because if you'd been reading everything wrong, you'd ruin your relationship, and you could never ever be with him at all, not even as his friend anymore. this is the conclusion that you came to one friday night, and honestly, it really did hurt, but then the next day, when he was sitting next to you super close and leaving absolutely no personal space to you, and then it was gone all over again. but when you finally realised, for the first time, that gojo didn't love you at all, was when you'd gone out to the convenience store with gojo, getou and shoko. You'd been standing in the aisle staring at some quick noodles, and gojo's arm had been slung over your shoulder.

you were trying to pretend that you weren't phased at all, but your heart was thumping non-stop in your chest. Shoko had given you a grin and a thumbs up, discreetly to cheer you on and hold yourself together. it had felt, for a moment, quite domestic and romantic. gojo was tactile, you knew this, but you also knew that he wouldn't do this to shoko, so it gave you some doomed hope. not like the hope was gonna last long anyway.

gojo's standing there, with his arm wrapped around your shoulder, and he sighs.

your attention turns to him from the generic brand quick noodle brand in your hand, and you frown, worried. "what's wrong?" you ask him, turning your attention back to the quick noodles on the shelf. "i got no baes." he says, blatantly.

you pause, very confused. "what do you mean?" "I mean that I can't get a girlfriend." he says, drooping a little as he even pouts, and you can't help but want to hit him.

you're not prepared for that sucker gut punch that it seems to give you, and you wince a little. you hear a smack in the vague distance, and you can only assume that it's nobara smacking herself in the face in exasperation at gojo, but you can't really think about that just now. after awhile, you hear yourself going; "loser." and you walk away. that's it, that's all you say. but you try not to think too much about it because that's rather normal behaviour.

you join shoko at the counter, and she slaps you reassuringly on the back, and she says that : "he's an idiot." and you have to agree, even if it's half-arsed, and you're muttering while you're staring off. it gives you time to think, because, if he did know that you liked him, and he liked you, wouldn't he just do something about it? in the distance, you hear a small cheer, and you manage to snap out of it. "what just happened?" you ask shoko as you watch gojo jump up and down like a kid, with getou standing next to him, shaking his head in exasperation. shoko looks at you with pity evident on her face. "getou said that he'd hook gojo up with someone." shoko tells you. you can hear the heart beating in your ears, and manage to limit your emotions to a small little frown that only shoko can see. "i'm sorry" she whispers to you, pulling you in for a hug. you shrug, not exactly sure what you're supposed to do in this moment. you're there when gojo first meets yuki. it's been weeks, and you hear about her non-stop. it's always yuki this, yuki that, and you can never seem to escape it. gojo always needs to talk to her, and you just can't take it anymore. and you see her, for the first time, and she's gorgeous. she's sweet, and she's everything you want to be, and in every single way. you want to be the one that gojo is all happy to see, he's chasing her like you would have chased him, like you did chase him. but unlike her, he didn't turn around to see you, as she did for him. the first time you see them hug, shoko's there, holding your hand. because she knows you love him, even if you won't even want to say it yourself. but he's happy with her. you tell yourself, the first time you see them kiss. he's happy with her and that's all that matters. it doesn't matter that he skips hangouts with you to be with her, it doesn't matter that he completely ignores you for her, and it doesn't matter that when you both sparred, and had a clash of powers, both of you were injured and ran to her, only helping her as you laid there bleeding. It doesn't matter.

it doesn't matter that you don't even see him anymore, and that he skipped out on your birthday just because she wanted to see him. and it really, really doesn't matter, when you 'jokingly' tell him that you used to like him, and he laughs and he says "that's funny." because honestly, that hurts, and you really hate it.

you want to resent getou for getting them together, but you can't because you can't even blame him, because, it's not his fault. nothing would have changed the way he saw you, not with yuki around at least.

and god, you couldn't stop thinking about them. how they would hold hands, how he'd offer his jacket for her if she so much as sneezed at the slightest cold weather, and how she would look at him as if he had hung the moon and the sky and the stars. and you look at her, and you think, god, is that how i look at him? but it's okay for her to do that, because he looks at her the same way.

and sometimes, you lie in bed at night by yourself, and you're overcome with the thought that she might be with him right now in another bed somewhere else, and it makes you sick to your stomach, that it's someone else. But no matter what, nothing will change how things have played out.

and it makes you cry. it really does. you think to yourself that if hanahaki really existed, you would be affected by it, no questions asked, and that thought makes you so upset, because honestly, what did you do to deserve this? but the fact that he's happy makes it all worth it. at least, that's what you tell yourself.

[vulgrados-best]

Officially 24 hours and 100 votes have passed. Now I must speak upon the results of my poll. Of course it will keep going for another week, but 100 is a good sample size.

I. Cannot believe. How many of you genuinely fell for that very obvious test.

The question you were asked was quite literally "Do we think women can kiss on the mouth?" Yet 13 people decided to answer "I think men can kiss on the mouth." Frankly, I thought this poll wouldn't work as it was such an obvious ploy and yet! 13 people voted men.

Lets roll that back. You were asked: Do we think women can kiss on the mouth and 13 people opted to answer I think men can kiss on the mouth.

This is downright satirical! And even if these 13 people decided to vote for men because they were being contrarian or because they thought it was the funnier option; I want you ask yourself: why? How often do you repeat a scenario like this about this exact subject?

"Why can't they both kiss" is a comment I got multiple times in response and I will point out to you: nowhere in my post did I say that men couldn't kiss on the mouth.

Isn't that crazy? In response to a question that was, and I cannot stress this enough, EXPLICITLY ASKING ABOUT WOMEN, people still asked "but what about men?"

There is a post that goes around that this reminds me of:

And it seems we have managed to recreate the phenomenon to at least some degree.

// To be serious for a moment: there is a legitimate problem within rotomblr and of course tumblr as a whole where there's very much a divide between the traction of mlm blogger's posts, and the traction of wlw blogger's posts. This poll was sparked by this phenomenon.

// Please, if you are able, take time to not only appreciate wlw/sapphic content, but also directly engage with it.