#and so upset it didn't tank the career of david ayer

[jupitermelichios]

So I decided to rewatch Suicide Squad and I have some thoughts...

This isn’t really a review so much as it’s just a series of thoughts and impressions. I will say that while it’s still one of the worst made films I’ve ever seen, it’s never boring, which is by far the biggest sin a film can commit. It’s bullshit but it’s consistently interesting bullshit which makes it better than something like Fant4stic, which is as bad and incoherant but also just incredibly dull. I don’t think this could ever have been a good film, there was too much massively wrong with it before shooting even started to have been salvagable, but I do think it could have been a lot more coherant if it hadn’t been for the reshoots, re-edits, re-edits of re-edits and all the the other stuff that happened to it post production. Unlike something like BvS, I get why some people liked this one.

On that note, while I am going to end on a few possitives this basically a roast so if you don’t want to read about a film getting picked apart, this probably won’t be your jam. But if like me you find critiques of bad movies cathartic, read on. I’m not the first person to do this, but I’ve spotted some stuff I haven’t seen anyone else talk about so hopefully there’ll be something new for you.

All the dialogue is just slightly off in a way that’s hard to pin down, in the way that a lot of comprehensible stuff written by computers and neural networks is just slightly off. It’s got that phishing email or pornbot quality to it. Literally the fourth or fifth line in the film is Griggs saying about the prison rations, “...Everything a growing young man needs like you”, which isn’t nonsense, but is clearly wrong, and a lot of the lines have that quality to them.

In a similar vein, Deadshot’s daughter is written like she’s five or six, but the actress looks about twelve. I actually went and checked how old she was when this released, because I know white people are often wildly bad at judging the ages of black kids and I’m bad at judging ages in general, but no, she was 12 or 13 when this was shot, so why’s she written like a toddler? She doesn’t give a good performance (which is not the actresses fault, Will Smith barely gives a good performance in this and he can do this shit in his sleep, there’s no way a kid could have risen above the terrible script and direction) which makes it even worse, because you’ve got this pre-teen delivering dialogue written for a kindergardener in a way that feel like it’s maybe the first time she’s ever seen the script, and it makes what is otherwise one of the most competant scenes in the movie feel just as off as everything else.

The Joker. A lot of people have written a lot about Leto’s Joker but I want to add two things to the discussion I haven’t seen talked about much before. Firstly, before the electro-shock torture and acid bath, he and Harley have no romance. Like, explicitly, there is no romance, or even cammeraderie there. He’s her patient. She’s his jailer. He didn’t seduce her, he just tortured her until she gave in. That’s literally shown in the film. Even after the torture when she’s now on side he still really doesn’t like her, and not in a Paul Dini BTAS he doesn’t like her but he also wants her around kind of way. He doesn’t want her in his life. He orders her to leave him alone and she fucking stalks him. That’s not even subtext, she is specifically his stalker, because apparently the solution to the relationship being abusive was to retconn Harley into also being a creep as though that somehow solves something.

Secondly, Joker isn’t smart. Not only is he no longer emotionally intelligent (and comics Joker is many terrible things but he’s probably the most emotionally intelligent character in DC, that’s a lot of what makes him so dangerous because it’s how he manipulates people) he’s not intelligent full stop. His great plan for breaking out of Arkham? Some of his goons from the outside literally just shoot their way in to get to him. Even leaving aside the fact that Arkham apparently isn’t set up to deal with that kind of violence in this world despite Batman having been opperating for a decade, that’s not a clever plan, and it’s not Joker’s plan. 'Hope some of my dudes are loyal enough to come get me’ isn’t any kind of escape plan, and nothing we see after that point suggests that this was a moment of weakness. Joker just straight up isn’t very bright in this, which is weird because that’s one of the few genuinely consistent character traits he has. He’s no Riddler, sure, but he’s really smart and that makes him hard to contain.

Ayer made Harley functionally a sex worker in this, and it doesn’t actually matter that there’s absolutely nothing wrong with sex work or that sex work is real work, because David Ayer definitely thinks there is, and also really really hates women. David Ayer hates women so goddamn much. The only thing Slipknot does in the entire film apart from die is hit a woman just for being a woman.

When Waller arrives at Belle Reve, Croc is doing push ups. And that’s fine, it’s a classic movie shorthand for ‘bored prisoner is also fit and strong’, but the actor isn’t actually doing pushups. He’s got one knee tucked under his body to support his weight, and is clearly actually just sort of bobbing his head. What I suspect happened is that the prosthetics on his arms and chest were too heavy to allow that kind of movement, which would tie up with the stiff way he holds his arms throughout the film, but he’s not even bothering to pretend very hard and it adds to this pervading sense of off-kilter wrongness the film has.

Rick Flagg is supposed to be ‘the best special forces opperative this country has’, but he’s... really bad? He’s no use in any of the fights, he’s incapable of working with a team and has zero interpersonal skills, and when he’s assigned to be a bodyguard, he immediately starts fucking his client which is like, bodyguarding rule 1. He’s really bad at his job. (Which would be fine if the explanation was that he’s a fucking psychopath who’s 100% willing to just murder a civilian in the line of duty, but he’s meant to be Hannibal Smith more than Dirty Harry, and also if he is here because he’s a psychopath, why did Amanda Waller assume June Moon would be into that?!) He even has to be blackmailed into joining the opperation, so he’s incompetent, unprofessional, causes unecessary conflict, and isn’t even loyal to the project, so why him and not, I don’t know, literally any other character?

On the subject of June Moon, she goes (alone) on an archeological dig in a rainforest somewhere, finds a cave full of human remains and ancient artefacts, and literally her first action is to deliberately smash one of the artefacts, presumably just to see what would happen? IDK! We never get any explanation for that, but it’s definitely meant to be deliberate and not accidental when she smashes it! Why are archeologists in movies all so terrible?!

People have joked a lot about the fact that the movie changes the purpose of the squad from ‘plausibly deniable black ops, especially on American soil’, to ‘punching Superman’ but kept Captain Boomerang on the team, but there is actually an explanation given. A really really stupid explanation. Amanda Waller says that he’s there because ‘he faced down a metahuman and survived’, referring to him surviving being arrested. By the Flash. Who is famously non violent, and in fact in the next film in the series specifically says he’s never fought someone. So Boomer is on the team because he didn’t die when Flash picked him up and carried him to a police station, and Amanda Waller thinks that’s some kind of achievement. Like that isn’t the case for literally everyone the Flash has ever caught. And Flash is a street level hero, so that’s a whole lot of muggers and purse snatchers who are apparently capable of fist fighting Superman by Waller’s logic.

(On the same note as the Joker, Waller is also now incredibly stupid, but she’s mostly stupid for plot related reasons, so it sort of gets a pass? It gets more of a pass than the Joker at least, because making him comics-smart wouldn’t have necessatitated changing anything else about the film)

Re: Waller’s stupidity, her whole plan for recruiting El Diablo to the squad is... show him a video of him setting fire to some dudes. That’s it. She doesn’t even speak to him, she literally just holds up the video to the little window in his tank and seems surprised when that by itself isn’t enough.

And then when Flagg is like ‘hey let me try persuading him with actual arguments instead of just a weird video’, Diablo’s response is “You think you’re the first person to ask? I won’t do it. I’m a man not a weapon”, which gives us the amazing insight that in Ayer’s version of the DCU, there are apparently just... other Taskforce Xs running around. Other government agencies recruiting metahuman soldiers. So what exactly was the point of the half an hour or so of footage of her persuading the brass to go along with it? Because apparently they’re fine with this if every agency is doing it!

Tone? What even is tone. Griggs both has an antagonist but banter-y relationship with and brings cookies to the prisoners, but also he tortures them and is implied to be sexually abusing Harley, and like... you can’t have it both ways, Ayer. This is a one or the other situation. They can’t have a fun and jokey relationship with a man who is explicitly torturing and abusing them. Tone. You need to pick a fucking tone!

The decision to add a subplot about Deadshot being involved in a custody battle with his ex-wife was a fascinatingly terrible choice, and honestly tells you a lot about Ayer’s relationship to MRA talking points. Like, we know nothing about Deadshot’s wife except that she raised a cute well adjusted kid, so probably a pretty good parent, and that she doesn’t want her daughter to be spending time with a MASS MURDERER! So definitely a good parent! The comics just kind of handwave away Zoe’s mom most of the time, which was the right choice, because Ayer wants us to be on Deadshot’s side here, but it’s literally a choice between "a serial killer but you take credit cards” and a normal loving parent and somehow he thinks serial killer is the right answer? WTF happened in Ayer’s life that he thinks this is a choice where we side with Deadshot?! And it’s not even visitation rights or anything, Deadshot wants full custody. And the film thinks he’s in the right!

Not once, at any job I have ever had, one of which was a tourist attraction that required all visitors to wear a pass, have I ever seen someone wear a visitors pass on their sleeve. Not once. And it’s honestly such a good summary of the pervading wrongness of this film. This doesn’t feel like it was made by people. It feels like it was made by middlingly intelligent algorithms trying to pass as human.

Someone please tell me what the fuck any of this set is supposed to mean. The pose feels deliberate, but it’s not invoking anything I can see except the hanged man from the Ryder-Waite tarot deck, the halo of knives almost looks like it’s pseudo-religious imagery except that it’s not a full halo, the circle is incomplete on one side because of a broken piano, does the piano mean something? What about the babygrows, do they mean something? Does the Joker... want kids? Kill kids? Think Harley’s pregant? What the hell is any of this supposed to mean, and if, as I suspect, it was never supposed to mean anything why the fuck did they go to the trouble of making it?! What exactly does the hours this took to put together add to the movie?

David Ayer has a really weird relationship with both gang culture and latino gang culture specifically. He always feels the need to shoehorn them in somehow, and it’s this weird love-hate relationship where he apparently thinks latino gangs are so cool they have to be in everything, but is also so fucking racist he’s incapable of having a latino character who isn’t in a gang. Also in order to shoehorn them in here, he basically removed all of Joker’s henchmen (except for one scene which serves no narrative purpose) and replaced when with generic racist-stereotype LA gangs.

The fact that Griggs just hands Harley the phone in front of all the other guards and soliders was A Choice. Made even more so by the fact that Griggs never actually pay off. He gives Harley the phone, she tells him he’s “so screwed now”, and then... nothing. He’s just gone for the rest of the movie. He’s not even in the epilogue back in prison scenes.

I fucking love that the first thing Waller does is tell the world’s best assassin her real name. That is just... *chefs kiss* Everyone in this film is so fucking stupid.

I knew it was coming. I knew it was coming and I remembered the line perfectly, and I still had to stop the film because I was laughing too hard for “Ah would advise naht gettin’ killed by her, her sword traps the souls of its victims”. It’s the ‘that wizard came from the moon’ of film dialogue, and no one could have made it work, but the southern accent is really what makes that line delivery. I don’t know why, there’s just something about it in that drawl that it just endlessly hilarious.

It really is impressive how every character in this manages to be an offensive stereotype, sometimes multiple offensive stereotypes at once.

I love how Flagg’s right-hand woman is a samurai with a magical possessed sword that traps the souls of the damned who also isn’t military and refuses to speak English most of the time, but the squad are too weird for him. “You won’t believe it, this guy Boomerage, he’s got these bent stick things, and when he throws them they come back! I am freaking out, I can’t deal with this. Oh hi Katana, trap any damned souls lately?”

Harley is explicitly malicious in this in a way no other version of Harley has ever been, which is a Freudian nightmare when you combine it with her also being more sexualised than ever, and more infantalised than any version outside the Arkham games. Someone get Ayer a goddamn therapist. (Also in the vein of everyone being dumb in this, Harley is now an absolutely terrible psychiatrist and all her diagnoses are explicitly wrong, so that’s fun.)

The fucking pink unicorn-bundle of money switcheroo. There’s nothing to say on it that hasn’t already been said but holy shit. How do you fuck something up that bad? How? It’s like looking into Chekov’s nightmares and finding a pink stuffed unicorn staring back.

I love the way the soliders just come and go in this. Are they dead, are they alive, have they abandonned the cause? Why the fuck knows? Certainly not the editors!

I love how we’re supposed to be really sad about El Diablo being dead, but not care that Croc is seemingly directly underneath the explosion and definitely about to die, that’s fun.

I need to know if it was Ayer or Cara Delavigne’s choice to make Enchantress be just.. doing a little dance. Duing all the ‘tense’ moments. Because there are probably things which undercut tension more than the bad guy having a bit of boogy, but not many.

Enchantress gets so many costume changes, and I want to believe that they’re all from different versions of the film but I honestly think it was deliberate and I need someone on in the design department for this movie to tell me why because it add nothing.

I think the best thing about the stupidly on the nose liscenced soundtrack is that it just disappears once they arrive in Midway city. After spirit in the sky it’s original music all the way until the final scene. The great soundtrack DC stans insist this film has is literally only in the first 50 minutes and the last 2 of a 2hr+ movie.

The glorification of abuse in this is... seriously fucking something else. Twilight doesn’t have a patch on this. 50 Shades of Grey doesn’t have a patch on this. This shit is disgusting, and the fact that they pushed so hard to get it a child friendly rating is just morally bankrupt.

Possitive note to end on:

The dialogue is way too on the nose and exposition dump-y but the scene in the bar works pretty well. It fulfils its role in the story, and gives us a decent dose of team bonding.

Deadshot and Harley have great chemistry, and Boomer is perfectly cast, in a way that makes me really hopeful for James Gunn’s take on the team. A writer who knows how to write friendships could do a lot with the three of them, and they’ve been the core squad since 2011 so they’re the ones who matter. It probably helps that whatever Will Smith’s faults as an actor, you could cast him opposite a housebrick and they’d somehow have great chemistry.