#and remember when people called chuuya the most dangerous/powerful ability user??

[multi-mused-menagerie]

NAKAHARA CHUUYA AND HIS ABILITY IN RELATION TO BEAMS OF LIGHT

UNDER THE CUT DUE TO LENGTH

Fun fact: light is made of photons and thereby exerts a pressure upon whatever it touches. Keeping that in mind, this could mean that Chuuya would not only be able to “sense” and differentiate sufficiently dense beams of light (i.e. flashlights, red dot sights, and other laser-based technology), but that he could also alter the light beams' gravitational vector.

In regards to sensing/differentiating different types of light, an important thing to know is that light travels at different wavelengths and frequencies. Using visible light as an example, red light when compared to violet light has a larger wavelength and lower frequency, giving it a different “feel”/look. This applies all types of light, not just the visible spectrum. Going off of that, this could mean that, with enough training, Chuuya could potentially be able to tell the difference between different types of light just by “touching” them, even light that isn’t visible. For example, unlike visible light, infrared light is invisible to the naked eye due and travels at a much wider wavelength. In simple terms, this means that it makes contact with other matter far less frequently than visible light. In more technical terms, it basically means that it exerts far less physical pressure than higher energy particles. Essentially, an infrared laser/sensor would be extremely difficult to detect. However, since infrared light still exerts a non-zero pressure on objects, this doesn’t mean that Chuuya can’t detect it physically.

For an example of this, the best place to look is in season 2, specifically the underground tunnel scene. In that scene, we are shown the night-vision cameras that are tucked away up high and out of sight, only noticeable if you’re looking for them. And yet somehow, almost instantly, Chuuya is able to find them.

How? Well, going back to the cameras, we are shown that each one has a small red recording light on them.

If Chuuya truly can sense the photons in light beams, then it could explain how he found the cameras; he “sensed” the red recording lights being pointed at him.

This scene is also a good example in showing that Chuuya is capable of altering the gravitational vector of light beams as well. Right after Chuuya finds the cameras, we can see that he instantly manages to destroy said cameras without moving a muscle, something that would seem impossible.

And yet, if we consider that Chuuya is able to alter the gravitational vectors of the photons of said light beams, something like this could be 100% possible since all he’d have to do is change the gravitational vector of the photons bouncing against him, specifically making the vector be in the opposite direction and have a greater force.

Another good and more memorable example of this occurs later on in the tunnel when Chuuya ends up in front of the turrets set in place. Again, a handful of red light beams are shined in Chuuya’s direction and, before they even have a chance to fire, the turrets end up destroyed without him moving a muscle, implying that, once again, he altered the gravitational vector of the photons to be in the opposite direction and have a greater force, essentially turning the turret’s light beams as a weapon against them.

In conclusion, Chuuya can not only sense and differentiate different types of light being shined towards him, but can also change the gravitational vector of the photons those light beams and use them as a weapon (i.e. turn harmless light beams into bullets), proving that once again, gravity manipulation is a terrifying ability holy shit-.

[thepiratearcinhamlet]

Dead Apple Explanation:

Part Two: Dragon Head Conflict

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WARNING. If you do NOT want spoilers, then please do not keep reading. :)

Understanding what happened during the Dragon Head Conflict is key to understanding what happens in Dead Apple.

This section is going to be the longest, so bear with me.

6 years ago, (from the present timeline,) the Dragon Head Conflict broke out. It was the bloodiest day in Yokohama's history. Dead Apple starts on the last day of the conflict, Night 87/Day 88, but the Prologue explains the basic layout of the Conflict in pretty good detail. (If you want to skip my summary and just watch the YT videos, link in Part One of my explanation. There are five videos, the longest is 5 and a half minutes.)

What happens is as follows:

An unnamed ability user with a vast fortune died. At this time in Yokohama's history, there were many more rivals and gangs in the city and several different groups moved in to claim the treasure. The treasure eventually became just an excuse for the rival gangs to finally wage all out war on each other, even though they just called it a 'feud'. As the conflict dragged on into days and then weeks, turning bloodier and bloodier, the Special Division of the government decided to hire an ability user named Shibusawa, who became known as the White Dragon. They thought they could use him, but Shibusawa had his own agenda. (Obviously he didn't tell the government that LOL.)

Shibusawa has a many faceted ability - one facet of it allows him to create a mist, the Dragon's Breath, which separates a user from his or her ability. (There are users who are immune/can resist, but more on that later.) The ability will then turn on the user and kill them. (Please note that this mist was NOT the all-encompassing mist we see later in Dead Apple.)

I feel like this is the perfect time to explain a bit about what we know regarding his backstory. He is an incredibly powerful ability user, and incredibly intelligent, as well, predicting people's moves with even more ease than Rampo or Dazai. (Dead Apple makes this scarily obvious.) He is bored with everything: life, death, abilities, etc. One of the few things he couldn't predict was what would happen if he could get an ability that was in direct opposition to his. He was NOT interested in creating and collecting ability gems yet, he just wanted to find his ability's opposite. Like he tells Atsushi near the end of Dead Apple, the opposite ability could possibly show him the strength and tenacity of life, and it would do so by killing him. It was so alive and powerful, that he would enjoy death at its hands. But he wasn't /sure/, because he couldn't find the antithesis of his ability. (This guy is seriously messed up.)

KEEPING ALL THIS IN MIND-

Enter Fyodor. Yes, Fyodor had his hands in it the entire time. You thought Shibusawa was in control? Nooooope. Fyodor is an enigma; he has a lot of agendas going at once, and he's basically on the same intelligence level as Shibusawa. He uses Shibusawa, (a feat in and of itself,) telling him about an ability user locked away in an orphanage. This ability is not fully developed, but incredibly powerful; the rival to Shibusawa. Elated, Shibusawa rushes off to the orphanage. How he manages to torture the abilty user is a mystery - either he snuck him out of the orphanage, or the director of the orphange was just that much of an @#$%^&*!. Regardless, Shibusawa tortured the ability user to try and extract his ability - since it wasn't fully developed, and buried so deep inside the user who had no knowledge that he WAS a user, Shibusawa couldn't separate it with his Dragon's Breath ability, and was forced to use electrocution.

The ability inside the user /was/ the rival to Shibusawa's, and even in it's not-fully-developed state, it activated last-minute to protect its user, turning into a white tiger and slashing through Shibusawa's skull, killing him.

However, Shibusawa's ability was unique. It resided in his skull, and the skull was not destroyed by the white tiger's claws. With a little unexplained Fyodor magic, (seriously, someone explain the many facets of Fyodor's ability already!) Shibusawa was revived, but Fyodor withheld his memories, thereby making it easier for him to continue manipulating Shibusawa without Shibusawa's knowledge. His memories are gone, but Shibusawa does remember his lust for collecting and his boredom with the universe. (He's also basically a spirit in some sort of magical physical body, since his skull was kept separate from him, so he's not going to die conventionally.)

There is a bit of a gap here, as Shibusawa somehow went from being a revived dead spirit dude to being hired by the government, and this is not explained. My guess is Fyodor was involved. Shibusawa was vital to his plan, and this was the perfect time to start putting it in motion. (Fyodor's plan is not important right now, that's for the apple suicide section.) So yeah - let's assume Fyodor somehow got the Special Division to hire Shibusawa. (Asagiri, I know this is not the most important detail, but it would be great if you explained it~)

Fast forward to where we left off with Dragon Head Conflict. We are not sure when in the 88 days of conflict that the government sent out Shibusawa, but it was probably around the middle. During the time he was free to roam the streets, the bloodshed increased. Ability users started dying en masse. Rumors of a "White Dragon" start circulating,

Oda, the mafioso who wouldn't kill anyone and Dazai's friend, went one night to investigate a jewelry store that had been blasted apart. It also doubled as a base of operations for a blackmarket organization known as the Gerhardt Security Services, or GSS. (You'll remember them from the Fifteen Arc.) The place was known to be protected by some extremely dangerous combat ability users. While there, Oda bumps into Shibusawa, who pretends to be investigating the scene of the crime and shows little interest in the deaths of the ability users, saying that people die all the time, especially since there is a war on. (Shibusawa actually was the one who attacked the store himself, stealing the gems for a separate collection of his [normal gems, not ability gems,] and killing all the ability users. His boredom caused him to obsessively collect things, and the loss of his memories amplified it.) Oda asks if he's new here, because the murders make no sense and he /ought/ to be surprised. GSS was one of the few neutral parties in the current feud, and therefore, whoever attacked was a "thrill seeking fool". Oda then speculates that maybe it's the White Dragon's doing, a loose cannon who appeared out of nowhere a few days ago and attacks anyone in any organization, leaving no witnesses. Shibusawa comments that, if there were no witnesses, how would The White Dragon get a name? He then says that if it /is/ the White Dragon's doing, he has no business sticking around. Oda says that he's going to stay because he wants to find out the White Dragon's motive. Shibusawa starts to leave, then says he's going to give Oda a hint to the White Dragon's obvious motive. (Real subtle there, sir.) The answer is pure boredom - perhaps beautiful jewels would awaken feelings inside him. He then leaves, saying that if Oda survives, he'd love to meet up with him again.

Dazai appears shortly afterwards, and Oda tells him what happened. Dazai tells him he is lucky to have survived, since that 'investigator' was the White Dragon himself.

Fast forward to 70 days into the conflict. Chuuya confronts Dazai for napping and subsequently ignoring a call from Mori to attend an important meeting, asking him if he even understands what's going on because this is the biggest gang feud in Yokohama's history. Dazai first teases him, saying he needs to buy a microscope to use on Chuuya because he's so short, then tells him that yes, he does understand. An organization called Strain has had 80% of their members wiped out. Another organization, the Tasake Corps, has had their leader assassinated, sending their gang into chaos. He then rattles off several other organizations who have joined in the bloodshed. Old feuds, paranoia, lust for revenge - the conflict is just an excuse for everyone to lay everything on the table. It will only end with the death of everyone involved. Chuuya yells at him, that he needs to contribute to stopping the death. Dazai comments that rushing headlong into a fight is what everyone else is doing, thereby causing more death and chaos. He says they should leave the strategy of the Port Mafia's part of the war to Mori, the leader of the Port Mafia, and then shifts Chuuya's attention to something else.

Dazai shows him a photo of a corpse of a Port Mafia executive named "The Colonel." Chuuya is in shock that the older man, who had a very powerful ability, could possibly be killed. Dazai tells him it's the White Dragon - the White Dragon's ability is still unknown, but he appears to get stronger with every kill he makes. Chuuya says this war makes the perfect hunting ground to find and kill the White Dragon, and asks Dazai what the plan is to take him down. Dazai says he doesn't plan on hunting him down, and that Chuuya ought to be wondering about who will replace The Colonel as the next executive, especially since they both are potential candidates. Chuuya's temper flares again, and he punches Dazai, telling him he's going after the White Dragon and Dazai can go back to napping until he dies, before storming out. Dazai mumbles "how cruel", but smiles, obviously having more up his sleeve than he let Chuuya on to.

Two days later, Shibusawa is taking a stroll through a ruined section of Yokohama. Despite the bloodshed, a few pedestrians are still around - life must go on. He approaches a street vendor and tries to buy a bouquet of white flowers. The vendor asks him if they're a gift for someone. Shibusawa says yes, that he plans to leave them with his next encounters, as a parting gift. (Seriously, this guy needs to learn the art of SUBTLETY-) The vendor then says she will gift him "this", and pulls out a gun, aiming it at him. The rest of the 'pedestrians' pull out weapons and surround him, much to Shibusawa's surprise. Dazai then appears, telling him that these are the Mafia's best, and he shouldn't resist; this is just the "entertainment before the show". Shibusawa is impressed, and guesses Dazai's identity. Dazai informs Shibusawa that he (Dazai) is "on thin ice" with his partner for "sleeping all the time" and asks Shibusawa to come away with him. Shibusawa asks what will happen if he refuses. Dazai tells him that he was offering to let Shibusawa choose where he dies, but he could just stay there and die right now. He then tells him that he made two miscalculations: First, Shibusawa can't win against Dazai, because Dazai's ability will nullify whatever the White Dragon's ability is. Second, the Port Mafia never works alone - the White Dragon is a One Man Army, and that will always fail.

Shibusawa asks if that's why Dazai joined the mafia, (i.e., being stronger in a group.) Dazai affirms this. Shibusawa tells him that's unfortunate, but Dazai probably feels the same way. He goes on to say that groups are important, likening individuals to threads and a group to a whole cloth. However, if you have one black thread in a white cloth, the cloth is nothing better than ruined trash. (Ouch, much.) Dazai brushes this remark aside, telling him that he will show him no mercy. The White Dragon went too far by killing The Colonel, and Dazai will punish him for it. Shibusawa shrugs, and says that's fine with him, but Dazai will regret it. Dazai denies this with a smirk. But Shibusawa keeps talking.

He tells Dazai that if he kills the White Dragon, the feud will not end. Dazai comments that's a unique way of looking at it. Shibusawa says that only the death of everyone will end the conflict, (echoing Dazai's words to Chuuya two days prior,) unless of course… another feud happens to distract everyone from the original feud. Dazai asks how. Shibusawa tells him that to stop a fire in an oil ring, you set off a bomb.

At that exact moment, an explosion goes off somewhere nearby. Rare shock appears on Dazai's face and he asks where it came from. Shibusawa tells him that no longer is this a feud, but an all-out war, thanks to him. His declaration was just delivered to all the organizations involved. Dazai watches the Mafia Headquarters rise into the sky, confused and still in shock. Shibusawa continues to talk, telling him that he is going to reduce everyone's base to nothing but rubble. Dazai then yells out that no, the mafia headquarters is /falling/. The bomb flew part of the building into the air, and now it's going to crash into the square.

Smug, Shibusawa repeats Dazai's "You made two miscalculations" quote back at him. First, Dazai thought the White Dragon wasn't expecting an ambush. Second, Dazai thought the White Dragon was alone. Supernatural abilities appear out of nowhere, attacking the mafia members in the square.

Dazai's subordinates fall one by one as he watches in horror. Shibusawa casually comments that Dazai was right, superiority in numbers was a splendid idea. He decided to form his own 'group', to help distract him from his boredom.

(What is NOT specified here is if Shibusawa is using his ability, or if he recruited ability users to his side. However, as we know from the beginning of Dead Apple, Shibusawa /did/ have a bunch of people in masks and cloaks and hoods. As to whether he animated them with abilities from deceased ability users, or if they were an extension of his own ability, or if they were a mix of ability users and normal people, is unknown. ASAGIRI, PLS JUST WRITE A WHOLE DANG NOVEL CALLED 'DRAGON HEAD CONFLICT'-)

As he finishes speaking, the rubble of the mafia looms closer to hitting the ground. Dazai mumbles that "who would have thought the White Dragon would be so powerful?" (This comment makes me think that in this instance, Shibusawa /was/ using his ability, and his hired hands were the ones setting off the bombs around Yokohama.) Shibusawa says he's tired of that name: "I am Shibusawa Tatsuhiko, the explosion that will end this war. The bringer of death that will end all of the massacres. This is the grand finale. I hope you leave me yearning for more…" Dazai recovers his composure and says that it's all very interesting, and it's time they had some fun, but at that moment, the headquarters finally hits the square, engulfing Shibusawa and Dazai in rubble and dust.

That day, every organization watched their base be destroyed, and they all learned the name of their common enemy. The Port Mafia sent a search party out to find Dazai, but his body was nowhere to be found, and neither was Shibusawa's.

Fifteen days later, Day 87 of Dragon Head Conflict, Shibusawa is moping in his palace, Draconia. (This is yet another facet of his ability - it is a special place, sort of like Lucy's, except he can make his tangible in the real world. Draconia holds everything he obsessively collects. Draconia is technically the name of his ability, but like I said, his ability is many-faceted, and the novel and movie refers to the palace as Draconia, so that is what I am going to do. He created his collecting palace after he was killed by the tiger ability, in a desperate way to find meaning without his memories - Fyodor briefly mentions this in Dead Apple.)

Fyodor appears and asks Shibusawa what's wrong? He's defeated amazing ability users, his palace is full to the brim with beautiful and priceless things; isn't this what he wanted? Shibusawa looks around at all the treasure and the heads (yes, you read that right, HEADS,) of many very strong ability users who he defeated. He says he's obsessively organized, just like he obsessively collected, but he has some measure of regret. Fyodor says that of course he isn't satisfied; he's told Shibusawa time and again that the pleasures of this world will never fill the deep emptiness he feels. "Not even jewels or war?" Shibusawa asks dejectedly. "No, they will not. As someone who has known you a long time, I can assure you of that." Shibusawa agrees reluctantly, commenting on how he predicted the moves of all his fallen foes and it's just so boring. He likens it to children who look back at old, broken toys and wonder how they ever enjoyed playing with them. What did they hope to get out of it? Eventually, they will just feel hopeless and smash the toy to bits. Fyodor tells him to blame the gods, because that's just how the world was made. Shibusawa asks what he should do, "detest the gods?" Fyodor smiles slyly. "No, there's a far simpler answer. Break your toys and move onto the next." Shibusawa smiles and proclaims this an excellent idea.

This exchange of dialogue is eerily similar to Dazai and Odasaku at the end of the Dark Era arc. However, the parallel is striking: both Dazai and Shibusawa are too smart for their own good, but their friends handle it in different ways. Oda tells Dazai to make his world more beautiful, save people, be a good man. Fyodor, who has his own agenda, advises Shibusawa to basically burn his world to the ground and do whatever he wants. (Fyodor, we hate you.)

Back at the temporary Port Mafia headquarters, Mori is holding a brief meeting between Hirotsu, Chuuya and himself. Mori bewails the fact that Shibusawa is a one man army and so enigmatic. Mori cannot use mathematics and logic and normal strategies and manipulation against an enemy they know nothing about, not even his ability, let alone his motive or whereabouts. "It's like we're fighting the mist itself." He goes on to explain that the top four organizations next to the Port Mafia have been completely annihilated, and many Port Mafia members have gone missing, from new recruits to executive candidates, including Dazai.

Chuuya says they should forget about "that moron" and try to find the others. (Obviously he doesn't think Dazai is dead, and knowing Dazai's crafty ways, he can look out for himself.) Mori comments there's the possibility that the missing people may not even be alive anymore, before asking Hirotsu for an update on the White Dragon.

Hirotsu tells him they don't have much beyond speculation and rumors, and that "the White Dragon's supernatural ability" is "a bizarre power that defies expectations." It appears that any user who encounters him commits suicide in despair. Mori then asks if Dazai left any information behind before his disappearance. Hirotsu says he's investigated everything thoroughly three times and has found nothing but a microscope that Dazai recently purchased, but it doesn't even look used.

Chuuya's eyes widen and he demands to know where the microscope is. Hirotsu says it's still in his room. (From the background pictures of said room, it is evident that Dazai has finally upgraded from his frighteningly isolated and empty storage container. Thanks for that stab, Stormbringer.) Fuming, Chuuya rushes off to the room, Hirotsu in tow. Once there, Hirotsu indicates the microscope, and Chuuya grabs it, promptly smashing it. Hirotsu starts to remonstrate, but is interrupted. Annoyance flashes across Chuuya's face as he holds up a transmitter for a tracking device that had been hidden inside. "That jerk saw this coming and got caught on purpose." Hirotsu says the coordinates are probably where both Dazai /and/ the White Dragon are, and is visibly impressed. "And the fact that he put it in a microscope so only I would notice must mean I have no choice but to go rescue that piece of crap. Damn it, Dazai! You always know how to be as annoying as possible!" He starts to leave, and Hirotsu asks where he's going. Chuuya tells him he's getting his motorcycle, indicating he plans to go after the White Dragon and Dazai. Hirotsu protests that Chuuya can't take on the White Dragon alone. Chuuya's annoyance fades, and he becomes more serious. "Don't worry, I have something for him." Hirotsu can't believe he's serious, (hello, Corruption!) and asks if that's really his plan. Chuuya just leaves, gets on his motorcycle, and zooms off, muttering, "Hold on, Dazai… you damn idiot!"

[leonawriter]

Okay so, yesterday Aja on Twitter kindly wrote up some of the differences between the Dead Apple movie and the stage play. Here it is, if you want to read it.

My problem is that despite the script having been written by Asagiri, there’s a strange juxtaposition here - a love of making references to events that happened in the past, or previous books that have been released since Dead Apple first premiered, while at the same time having a certain disregard for characterisation continuity.

I’m not going to copy the images into this post, but assuming you’ve got it in another tab or something-

Starting with the first image, and in the first lines, we have Atsushi not finding Dazai. The graveyard scene doesn’t happen. Personally, I liked having it there, because it emphasises how Atsushi can find Dazai when no one else can, and it has Dazai explaining to Atsushi that if it weren’t for Odasaku, he’d still be “in the mafia, killing people.” The fact that this scene has Atsushi calling Dazai out on being a better person than he thinks he is, is vital for setting the scene for the entire rest of the movie - since Dazai spends most of it among people who are encouraging his manipulative and dark side, we needed the graveyard scene to tell us that Atsushi’s belief in Dazai isn’t just blind. There’s something to it.

The second part here has Atsushi meeting Shibusawa in person, and thinking he’s a “kind person.” This... goes completely against everything in the movie. The entire premise of the movie for Atsushi’s arc is that the very sight of that man’s image on a report triggers PTSD flashbacks. No way in hell would he think Shibusawa is a “kind person.” That’s just so wrong.

The other side of the image now, and we have... okay, Chuuya tasking Akutagawa with tracking Shibusawa makes a certain amount of sense. That’s an executive telling a subordinate what the mission is, and it fits. However, “Dazai attacks Akutagawa and makes him pass out” does not. Dazai is never shown to use this sort of violence since his defection from the mafia, instead using manipulation of other people to achieve the same result. Likewise, this goes in opposition to Dazai’s actions regarding Akutagawa in the main series, where he seems to be wanting to encourage him, which I personally take as Dazai wanting to make right what he did wrong all those years ago, but still not being great at it. This here, would be a step backwards.

Chuuya’s ability not separating from him at this point in the story because Arahabaki is a different kind of ability could potentially make some sort of sense. However, it also would have to fit thematically with the fact that Atsushi’s ability, which is seen as a literal part of Atsushi, does separate from him. And so does Fyodor’s. Why does Chuuya still have his, and the others don’t? Even with the explanations here I’m still confused. Also, Dead Apple - as in, the movie script - was being written around the same time as Asagiri was writing Fifteen, so there’s no reason why he couldn’t have told the scriptwriters to throw that in at the time, if he wanted to.

Following on from that, we have... Chuuya telling Akutagawa to kill Dazai? I’m sorry, but knowing that Chuuya is later going to risk his life in order to save Dazai - never mind that the rest of the city is at stake too! - makes this feel off. But what’s worse, is that we now have what I feel is a reversal of characterisations; here, in the stage play, it’s Akutagawa who’s saying that Dazai now wants peace in Yokohama, when in the movie he was solidly following orders, more reminiscent of the way he threatened Dazai in the dungeon scene. 

But we also have Chuuya saying that he’d known Dazai for seven years, and that “there’s a monster inside of Dazai that no one can understand” which, when considering their entire backstory, doesn’t make sense! Same goes for Akutagawa saying that he does understand Dazai. Chuuya in the past has been shown to understand Dazai’s plans without the need for discussion, and those hearing them talk about plans haven’t been able to understand what they’re saying, because they’re on the same wavelength. Even outside of the line said by someone that “Chuuya [...] understands Dazai’s true motives.”

Aside from all that, we have Akutagawa’s statement being in conflict with canon:

Those are Akutagawa’s own words, by the way.

Still in the same scene, and we have Chuuya taunting Akutagawa and telling him that his constant “Dazai-san, Dazai-san!” (following him like a lost puppy/being a sycophant) is what makes Dazai not approve of him, and if he doesn't deal with the fog he’ll remain weak.

I can understand to a certain extent that the characters are all going to be stressed and that’s going to affect how they talk to one another. But this feels strange compared to how Chuuya is characterised talking to Akutagawa on the same subject in the Port Mafia Onsen drama CD, as well as another audio scene where Chuuya, Akutagawa, and Kajii are having soup. In the stage play, he might be telling the truth, but it’s in a way that hurts; in the audio plays, he acts more as a mentor, and as a mother hen to all of his subordinates. I personally see the latter as the more realistic version, and the only way that I can see the former being a thing is the stress of heightened emotions and the tension of Chuuya wondering if he’s really as safe as he says he is.

Skipping past the parts on the white trio, as I don’t feel that those bits really affect and change things so much, and I get to parts with Akutagawa, Atsushi, and Kyouka. To be honest my main issue here is that Akutagawa is saying way too much. This feels like those three are together and talking more for humour than anything? Atsushi should be able to list off more than just Kyouka’s likes and dislikes from her character profile! 

And to be clear, by “Akutagawa is saying way too much” I mean about letting on secrets. He says things about Kyouka that should be hers to reveal, such as the part about her parents - which in the movie, doesn’t get brought up at all, with Atsushi finding out about the phone being her mother’s and that it controls Demon Snow. As far as I remember, he shouldn’t learn about her parents until the manga chapter that’s revealed in. More importantly, though, he makes a thinly veiled reference to Verlaine; surely, if Verlaine is such a heavily guarded secret that he can’t come out into the light of day due to every authority thinking him dead, Akutagawa should not be mentioning his existence in a way that anyone could casually mention to someone they shouldn’t.

The banter between the three of them then goes back to, uh... bickering? Cheap shots? I dunno, it makes them all seem immature in ways I’m not sure about.

Following on from that, we have Akutagawa talking to Kyouka with a “gentle” voice, which to me feels off, because if this is supposed to be set before the Cannibalism arc, that’s before the first time Akutagawa says “I’m happy for you” which is the first time he seems to treat her with any real kindness. So, uh. Yeah.

Shibusawa killing “Fyodor” right after Dazai feels weird, and given later explanations, needlessly complicated.

Ango asking Chuuya to deal with the dragon feels like it’s handled weirdly - if I remember right, in the movie Chuuya only appears after the dragon has formed.  The movie version, I think, works better due to making it seem as though both Ango and Chuuya are more aware of the pressing danger. That’s my preference, though.

About the ending - the headmaster saying that if Atsushi had known about having killed Shibusawa, it would have crushed him mentally, makes sense. The multiple times the headmaster appeared in the movie were to warn Atsushi not to open the door to his memory of that day. One nice little bit of extra context that works.

However, Dazai reappearing and having the same conversation as in the movie with Atsushi saying that he was the one who saved them, doesn’t work quite as well without the graveyard scene. Instead it just makes me think of how through the play, Dazai has hardly done many things worthy of being called “good,” has he... which makes it feel like Atsushi in the play is placing his blind faith in Dazai more than the Atsushi in the movie.

Ango offering his life for what has happened due to his part in things (small though it was, which Chuuya acknowledges) emphasises the way that he’s dealing with his own self-hatred here. However, I’ll admit that I preferred this conversation taking place on the helicopter, before Chuuya goes to fight the dragon, rather than afterward. Because if it’s before, the feeling of the scene is shifted more toward knowing that Chuuya might not come back at all, and that these could be his last words not just to them, but at all. Having Chuuya’s potential last words include “I don’t actually blame you” was powerful.

Akutagawa not bowing to Chuuya at the ending and being unwilling to help (or so it seems) feels weird compared to how he’s shown being respectful to his superiors in almost all other appearances. I liked Chuuya saying that as far as he’s concerned, Dazai’s already acknowledged him, and he (Chuuya) does at least, though.

The closing scene with Chuuya talking to Mori feels like - I can understand why Mori wouldn’t appear in person, given the situation with his actor, but they could have handled something to emulate the way the scene was in the movie. I think that they attempted to put some of that into the Chuuya-Akutagawa scene (what with them talking about how Dazai included both of them in his plans), but Mori saying that specifically to Chuuya was important, as it’s Mori who Chuuya respects.

On “other points,” it’s stated that Akutagawa is the one to land the final blow in defeating Byakko; this goes against the movie’s statement that the ability user must defeat their own ability.

So... all in all, I feel like there’s a lot here that could have been improved if they’d just stuck closer to the way the movie felt, and what happened there, rather than changing things so much. 

There’s also a lot of references to things in the light novels that don’t always necessarily work - especially when some of those things might be top secret! Or such as when Chuuya talks about his ability, it seems to me that it’s not the sort of thing he’d normally be so open about. It feels as though the play treated such things as free reign to use and reference, rather than adding them in only when it makes sense.

I think the biggest thing though, is that the characterisation continuity doesn’t seem to be there at so many points. There are so many places where I can just grab out the manga (as I did once above) and point out that the stage play goes directly against established canon characterisation. Or drama CDs that have been accepted as good characterisation as they feel as though they’re correct portrayals, yet the stage play shows a different version of the characters than we saw (heard) in those.

This makes it hard to accept, as someone who puts a lot of stock in continuity. Continuity means no plot holes, no “but wait, that doesn’t make sense when you take [x] into consideration” and no “but didn’t they say [x] earlier, they’re contradicting themself.”

There were parts I read about that seemed nice, or decent additions, but the general impression I get is one of extreme frustration.

I saw someone - the OP of the translations, I think - say that they were upset with Chuuya for treating Akutagawa like this, but I can’t help but feel that it isn’t Chuuya I’m upset with, because Chuuya is a character. Perhaps unlike some, I don’t put authors on a pedestal; yes, the series belongs to them, and their word is god in terms of characterisation and so on, but they’re also a human being. And besides, it’s not a bad thing to be able to argue with “god” and say “hey, you said [this] ages ago, but now you’re saying [that], why’s that?” and hope for an answer that makes sense. If Asagiri approved of the content of the drama CDs, WAN, and the movie itself, why are they changing so many things now? I can’t help but wonder.

[nycttophilic]

Chuuya Nakahara

=BASIC INFO= FULL NAME: Chuuya Nakahara NICKNAME(S)/ALIAS(ES): Arahabaki, King of the Sheep (former), Double Black (former with Dazai), Mr. Fancy Hat (by Ranpo), Slug (From Dazai), Ability User A5158 (Special Ability Department) PRONUNCIATION(S): Shoo-ya AGE: 22 GENDER: Male SPECIES: Human (ability user), vessel for the God of Chaos BIRTH DATE: April 29 SEXUALITY: Pansexual (leans heavily towards males) =PERSONALITY= PERSONALITY: EMBODYING QUALITY/IDEA: LIKES: Hats, fighting, alcohol, rock music, poetry (would never admit that aloud, however), fancy things DISLIKES: Osamu Dazai, being used, disloyal people FEARS: Losing everything he has worked for (a family within the mafia), letting someone he loves die WEAKNESSES: Driven by his anger, prideful, acts before thinking, reckless, almost always angry about something STRENGTHS:  EXTREMELY loyal, soft on the inside, protective, reasonable SPECIAL/SIGNIFICANT BELONGINGS: His hat (which he received when he joined the Port Mafia), a choker that resembles a collar =PHYSICAL AND HEALTH INFO= HEIGHT: 5’3” WEIGHT: 132.3 lbs BODY TYPE: Small body but very muscular JEWELRY: Has one diamond earring in his left ear and his choker as explained before PIERCINGS/TATTOOS: Left ear piercing, on his upper back is a tattoo of wings SCARS/DISTINGUISHING MARKS: Torso is covered in scars from training, jobs, and from where he worked in Sheep =RELATIONSHIP INFO= RELATIONSHIP STATUS: Verse dependent PARENTS: N/A (Mori is father figure) SIBLING(S): N/A (Kouyou is older sister figure and Elise younger sister figure) – BEST FRIEND(S): N/A FRIENDS: Various members of the Sheep (previously), a few of his subordinates, Kouyou, Elise ACQUAINTANCES: Verse dependent ASSISTANTS: Subordinates GUARDS: Subordinates ALLIES: Akutagawa, Mori, other PM members PETS/SPECIAL ANIMALS: N/A – ENEMIES: the ADA, the Rats, the Guild MAIN ENEMY(IES): ADA MOST HATED: Osamu Dazai =STORY INFO= STORIES THAT THIS CHARACTER APPEARS IN: Bungou Stray Dogs STATUS: Alive BACKSTORY: Chuuya didn’t exist before he merged with Arahabaki. I follow the headcanon that Chuuya was created from the Book for the sole purpose of containing the god of chaos (which he doesn’t realize), and so he doesn’t remember a time before Arahabaki. When they merged, it created a devastation that was the cause of what now is known to be the Slums. Even though he made chaos of that magnitude, he was still captured after he was created and was kept in captivity for years. After the two merged, he was experimented on for years before he actually broke free. He doesn’t know a sense of family, only that he should have one. The Sheep was his first “family” and as such he would protect them and fight for them with his life. Still, they betrayed him and banished him for working with the Port Mafia, so he joined Dazai and became a mafioso. Now the Port Mafia is his family (a sense of family is very important to him) and he will defend it with his life. It’s no wonder he so easily rose through the ranks and became an executive in no time. – PLACE OF BIRTH: Government Facility in Yokohama (previously located where the slums are now) PAST LIVING QUARTERS: Government Facilities, among the Sheep, the Port Mafia building CURRENT AND FUTURE HOMES: The penthouse of a mafia owned hotel in Yokohama – NATIVE LANGUAGE(S): Japanese LANGUAGES SPOKEN: Japanese, English, French, Russian, German, Japanese Sign Language, morse code, etc. =TALENTS/OCCUPATION/EDUCATION= OCCUPATION/JOB: Executive in the Port Mafia BOSS: Mori TALENTS: Writing poems, guitar/piano playing, singing, perfect balance (comes with his ability) YEARS OF EDUCATION: No formal education LEVEL OF EDUCATION: N/A =COMBAT= SKILLS/TECHNIQUES: Favors close combat, is really good at long range if necessary. Often fights with his hands occupied (in his pocket, behind his back, crossed) SPECIAL POWERS: His ability, “For the Tainted Sorrow”. This revolves around gravity-manipulation, allowing him to manipulate and make gravitons, as well as alter the gravity of anything that comes into close contact with him. He is also capable of standing and walking upside down from ceilings. There’s another part of his ability, called “Corruption” that is the true form of Chuuya’s ability and is exceedingly dangerous. This ability allows him to manipulate the gravitons in his surroundings. When Chuuya releases his stability over said powers, Corruption takes over, essentially Chuuya reverting to his true, uncontrollable nature existing solely for destruction.  WEAPON(S) OF CHOICE: Knives, his own two hands, objects around him STRENGTHS: Can walk on walls/ceiling/air, can manipulate the gravity of bullets and send them back at the shooter, extremely strong, Corruption WEAKNESSES: Is a powerhouse that acts before he thinks (needs someone to give him a plan or he’ll act out of impulse), can die if in Corruption too long

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