#and prior book characters just got thanos snapped

[thetimelordbatgirl]

As someone who dropped the Descendants franchise after D2, should I just never read Escape From the Isle of the Lost for as long as I live?

Yes, don't ever go near that book unless you want to slowly lose your brain cells while reading a book that ruins any Descendants character it can.

[thanksbarton-moved]

Starter Call. Verse Descriptions under the read more for easier access.

I can get by on my own ~ pre serum

So this verse will be anything relating to Steve prior to taking the serum. Probably mostly before the film is set. This will also be the dump tag for anything au until I sort out a tag for our au. But you can definitely talk to me about anything relating to this verse. I’m sure I will have a lot sorted out down the line.

steve knew me longer and steve had a plan ~ falcon and the winter soldier

So this verse is for any muse that is specifically set during this time or any muse that would like to do a verse with Steve set during the time of the series. Steve has definitely been retired since Endgame in this verse as with most Phase4 based verses. The general public probably has no idea what happened to him and yes the rumors are that he’s on the moon which is really just a gag someone started on the internet. Probably a meme gone wrong. He is still youthful in appearance and is single and unattached in any way to anyone. Depending on plot needs, Steve can take a role in the plot involving John Walker as Captain America and the shift from John to Sam as Steve definitely intended for Sam to take the shield and not John. He would not be a fan of John whatsoever and you can pry that from my cold and dead hands. Steve in this verse is more of a secondary or underlying presence and won’t actively join the action/fighting unless he is asked or the plot lends to it in the way that Steve is worried about Sam or Bucky or Sharon. He will not be kind to Zemo if there are Zemo and Steve interactions and I would say that he will be aggressive towards John especially after what he did with the shield. Steve gave the shield to Sam because Sam knew what it meant and how to wield it properly for the right reasons. He saw a lot of good in Sam and that he could change the world for the better, in ways that he hadn’t, and probably couldn’t during his tenure as Cap. So he is not going to be on board with anyone else having the shield, especially someone the government cherry picked as his replacement. 

You mean he’s not on the moon? ~ post endgame

So this is essentially my post endgame verse for Steve that is open to everyone who doesn’t want to go into my main verse. If you have expressed wanting to ship in any capacity or filled out the interest tracker with it as a possibility ( but not specified a verse ) then I will likely place you here. Steve is retired, living quietly off the grid, in a nice enough cabin that I will get pictures together of once I find something that fits. He’s not fighting or doing anything related to the Avengers anymore ( unless it’s lending to the plot in some way ) and is mostly spending his time volunteering to work with veterans, leading some group therapy sessions, and creating some various foundations to work with veterans and their mental health. He’s also not much of a writer in his opinion, but with all the books about his life that got most of it wrong he’s read, so far. He’s decided to start on his autobiography which he knows he has plenty of time to complete with his lifespan. But it is still sort of a daunting task.

( living in the state of dreaming ~ infinity war au )

This is a verse where everything that happened in the mcu aside from any divergences that I usually take happened. Except in Wakanda, Thor went for the head instead of the gauntlet, and Thanos was defeated. No one snapped. There was no Endgame. Tony and Nat did not die nor did Steve return to the past. The team is still a unit and he and Tony are working through what happened in Siberia while they rebuild anything lost in the destruction of Thanos’ efforts. Willing to play this verse as a variant meaning that Steve can cross over to the canon mcu timeline if you are not wanting this to be your characters canon. But you still want to use the verse with him.

[merakiaes]

Strong For Too Long - Happy Hogan

Pairing: Happy Hogan x reader

Requested: By @thatlittlered 

Warnings/notes: A bit short and not so much interaction as I would have wanted but for some reason I found it hard to write this piece, I still hope you like it, though!

Wordcount: 1241

Summary: You find Happy in Tony’s lab when going to clean it out, grieving by himself following Tony’s passing. You comfort him.

Like so many others, you had completely misjudged Tony Stark’s character when you first met him. You always spoke of the importance of not judging a book by its cover, to not make up your own version of a person before really getting to know the real them. You, however, had not taken your own advice.

When you first started working as his assistant a few years back, you had just assumed Tony was as much of a cocky playboy as the gossip magazines spoke of, but you had been wrong. He was one of the most amazing people you had gotten the honor to meet. He was the smartest man you knew, the kindest and definitely most generous.

And now he was gone. He had built a time machine, gone back in time, reversed the snap, and saved the universe once again. Although this time, it was at the cost of his own life.

Everyone was in grieving. Especially you. You had been closer to him than almost anyone, besides Pepper, Morgan and Happy, that is. You loved him like the brother you never had. You didn’t have any powers like the rest of the team. You hadn’t been there during their fight with Thanos, you had been stuck in the Avengers warehouse with Happy, practically biting your nails to the bed.

Speaking of Happy, you had been introduced to him by Tony when you first started working for him, as Happy had been with him long before you came around.

You were a lot younger than them; they were almost double your age. But despite this, you had formed some kind of strange crush on the personal driver. You didn’t know definitely if it was requited, but you knew for sure that you had shared more than a few moments.

There was everything between gentle hand-brushing when passing each other in the hallways, to long stares every time you locked eyes. And you figured that the way he would stumble over his words and flush up to a tinted pink whenever you spoke, was a good sign.

But after Tony’s passing, all that had gone straight out the window. Not that you had the time nor energy to complain or even think about it, the grief inside you digging way too deep to even brush over the thought of romance.

But your heart did reach out to Happy. He had now moved on from driving Tony around, to driving Peter around. You loved Peter with all your heart, but Happy had barely even gotten the time to grief before his next job was thrust upon him.

This led to you barely seeing him anymore, and mixed with the grief you felt about Tony, that made you absolutely miserable. You wanted nothing more than to have him hold you when you cried, and to hold him when he did.

He probably thought he was being discrete, but everyone could hear him sniffling in his room late at night when he thought everyone else were asleep. But in truth, none of you could.

And now here you were, walking towards Tony’s lab with two carboard boxes in hand, figuring since no one else wanted to take on the job that was cleaning the room out, you would have to be the brave one to do so.

After all, you probably knew better than anyone where he kept his stuff. You had lost count of the amount of nights you had been holed up in there, assisting him when he made improvements his or the others’ suits.

You had thought you would get to be alone when you tackled your task at hand, seeing as no one had been willing to do it since the battle two weeks prior, but you were surprised to find the lab completely lit up.

You frowned, looking inside through the glass, but not seeing anyone. You were confused. Ever since Tony’s death, everyone had avoided his lab like it was the plague. But now, when you had finally sucked up the waterworks and decided to tackle the task, someone else had had the same idea.

Pushing the glass door open, you walked inside quietly, and it wasn’t until then you noticed the man sitting by one of the desks on the other side of the room.

It was Happy. He was nursing a drink in one of Tony’s crystal whiskey glasses, gazing up at the hologram-screen that Tony had spent days and nights staring at when trying to solve one of his very many problems.

He adverted his gaze at the sound of your footsteps approaching, his hand shooting up to wipe under his eyes, no doubt to rid of any evidence that he had been crying before your arrival. It made your heart clench with pain.

“Sorry.” He cleared his throat, going to stand up in a hurried manner, glass still clasped tightly in his hand. “I was just leaving.”

You only shook your head, hands shooting out push against his chest in order to stop him before you could stop yourself. He flinched slightly at the contact, only proving further what a vulnerable state you had caught him in.

You gave him a sad look as he fell back into his seat, his hands going to cover his eyes. Your heart ached at the sight, your stomach filling with butterflies. Not the good kind, though, more like the uncomfortable kind.

“Hey.” You whispered, dropping the boxes in your hands to the floor and reaching out to pull up another chair to sit next to him. You hesitantly moved out to grab the glass from his hand. Although begrudgingly, he let go and let you put it away to the side.

You grabbed his empty hand then, letting your smaller one slip into his larger one. You felt him stiffen under your touch, but nonetheless he kept his other hand covering his eyes. “You don’t have to bottle it up, you know?” You told him quietly. “It’s okay to grief. You need to grief in order to be able to think about the good memories and smile in the future.”

It was as if something snapped inside him at your words, causing him to finally let go of the feelings he had been bottling in for so long, a soft sob racking his whole body and his hand visibly pressing into his eyes harder.

Your eyes sadly watched him, as you kept talking. “You have to take care of yourself, too, Haps. Not just everyone around you, despite what you’re used to. It’s okay not to be strong all the time.”

You could see the silent tears escaping from underneath his hand now, and carefully, scared that he would push you away, you reached out and wrapped your arms around him. Much to your surprise, he melted into your embrace without protest, and for the first time that day, you felt tears start to prick your own eyes, as well.

You stayed there for a long time. How long, you weren’t sure. But by the time you had both stopped crying and actually got to cleaning out the room, it was dark out and the rest of the Avengers had somehow found their way down there to help, all of you finally being able to smile at the thought of your savior; not with dry eyes, but it was a step in the right direction.

[thenerdparty]

Avengers: Endgame Film Review

Written by Shawn Eastridge Has it really been 11 years since the first Iron Man? The Dark Knight might have taken all the credit that year for revolutionizing the superhero genre, but Iron Man’s legacy has proved just as important. While other films in Phase One hobbled somewhere between decent and mediocre, Joss Whedon’s first Avengers exceeded any and all expectations. To this day, it stands as one of the greatest superhero films ever, and it paved the way for the remainder of Marvel’s Cinematic Universe.

Over the course of the past decade, the MCU has seen its fair share of highs (Anything directed by the Russos), lows (Thor movies not directed by Taika Waititi) and everything in between. But through it all, Marvel Studios has maintained a consistent level of quality, conjuring up box office numbers that made Warner Bros SO JEALOUS they ruined Superman in the attempt to catch up. (Hey, WB: I’m still available to help get you on the right track with the Man of Steel. Call me.)

But now, twenty-two movies later, it’s all come down to this. We’re in the Endgame now, the long-awaited BIG FINALE to Marvel’s Cinematic Universe.

Let’s be real, though - we all know this isn’t really the finale. The MCU will chug on and on forever. In fact, we’ve even got another Marvel movie right around the corner. (That would be July’s Spider-Man: Far From Home) And while that knowledge does dilute Endgame’s overall effectiveness - can anyone ever stay dead in the realm of comic books - it seems foolish to recognize Endgame as anything other than a monumental success.

Seriously, this ‘conclusion’ to the MCU’s recently dubbed ‘Infinity Saga’ satisfies on nearly every level, fulfilling arcs set up in prior films and providing proper send offs for characters we’ve come to know and love over the past decade. Instead of collapsing under the weight of its ongoing 22-film arc, the Russo Brothers, along with screenwriting duo Stephen McFeely and Christopher Markus, rise to the challenge and then some, wrapping things up with style, grace and a surprising amount of emotion. That is perhaps the most pleasant surprise: Endgame is genuinely touching in the way it thoughtfully concludes this ongoing story arc. You may find yourself dabbing the corners of your eyes more frequently than expected through the film’s brisk three-hour runtime.

This isn’t all to say that Endgame is without its fair share of flaws - and there are plenty that I’ll get into during the spoiler section of this review - but honestly, the nitpicks feel so minor when compared to all the things that work. Marvel Studios hasn’t just raised the bar for superhero filmmaking and ‘big finales’ in general. They’ve obliterated it.

There. That’s my non-spoiler reaction. MASSIVE SPOILERS await you ahead. So, do yourself a favor: if you haven’t seen Avengers: Endgame already, see it. Immediately. If you have any fondness for any of the films in this massive franchise, there’s no way you’ll be disappointed. Once you’re in the know, come back and check out the rest of this review.

Sound good? Okay. Let’s push forward.

. . . . .

Where Infinity War brought the comic book action early and often, Endgame’s opening moments are more meditative and somber. Our heroes have just faced a crushing loss. They’re still reeling from the devastation of Thanos’s infamous Finger-Snap Heard ‘round the Universe. Nothing will ever be the same.

After staging an effectively heart-wrenching opening scene, giving us a brief glimpse at Hawkeye’s family life before his wife and kids fade into ash, the Russos keep the mood low-key and mournful for the duration of the film’s first act. Then we get one of Endgame’s earliest and best twists: within the film’s first twenty minutes, the Avengers find Thanos and discover he’s destroyed the Infinity Stones to prevent anyone from undoing his monstrous deed. In an empty gesture, Thor chops off the purple dude’s head. It’s a brilliant way to kick things off, throwing the audience for a loop and suggesting an ‘anything goes’ vibe to keep us on the edge of our seats.

The story jumps ahead five years(!!) to find our heroes scattered and broken, attempting to mend together the pieces in a world still devastated by its new reality. I loved that the Russos let us wallow in our heroes’ misery for a bit. You really get a sense of the loss they’ve experienced, that the entire world has experienced. These scenes offer some wonderful character beats and conversations, something that has always elevated Marvel above the rest of the pack.

Scott Lang, a.k.a. Ant-Man, escapes the Quantum Realm (you saw Ant-Man and the Wasp, right?) to discover a significantly altered world. But he brings a message of hope with him: the duration of time he experienced in the Quantum Realm was only 5 hours, suggesting the potential for time travel. Maybe they can find a way to fix the devastation Thanos has wrought by traveling back in time?

P.S. Can I just take a moment to talk about how much I love Paul Rudd in this movie? Ant-Man has been on the periphery of the MCU’s big events and to see him take on such a big role in this movie was a huge thrill.

This glimmer of hope inspires the band to get back together and it’s genuinely surprising where some of them have ended up. Bruce Banner has finally made peace with his meaner, greener side, resulting in Professor Hulk, a version of the character that maintains Banner’s intelligence and personality. Thor never overcame his grief and has spent the past five years descending into drunken slobbery and gaining a significant amount of weight in the process. This provides one of the film’s best sight gags. Plus, it’s maintained throughout! Kudos to you, Russos!

And then we have Mr. Tony Stark himself, the key to figuring out how to make time travel work. But he’s moved on. He and Pepper have an adorable daughter. He has absolutely zero desire to lose what he has. Ultimately the realization that he can save the lives of countless billions - including one surrogate son Peter Parker - drives him to support the cause.

Endgame’s 2nd act centers around the newly reassembled Avengers time-traveling into the past to gather the Infinity Stones, bring them to their future and use them to ‘un-snap’ their fallen comrades. These sequences are fun and light on their feet. They’re especially effective in lieu of the grim opening scenes.

Here’s the thing, though: As much as I love this portion of the film and the way the time travel stuff is handled, I couldn’t help feeling there was a general lack of consequence to everything that happened during this sequence. Even when things skew from the team’s set plan, it doesn’t feel like a significant snag or an insurmountable obstacle. These moments are treated as minor annoyances before our heroes carry on with a new solution, nary breaking their strides or a sweat in the process.

It’s all fun in a Back to the Future Part II kind of way, but it’s treated more as an extended comedy bit than anything else, and to a certain extent, this robs Endgame of some level of suspense. Plus, it’s time travel. Once you throw time travel into the mix, all bets are off, and I couldn’t help shaking that feeling. After all, what’s to stop them from using this plot device again and again in the future, consequences be damned?

At the very least, the wackiness of the time travel sequence is balanced with some great character beats. I loved Thor’s tender moment with his mom. I loved Captain America vs. Captain America. I loved that Tony gets a sincere heart to heart with his dad, offering some much-needed closure. Robert Downey Jr. has never been anything less than wonderful in this role, but his performance in Endgame might take the cake. Honestly, everyone brings their A-game to the table and these moments ground the sequence, keeping it from getting too bonkers.

This sequence is also balanced with a genuinely tragic moment: Black Widow sacrifices herself to get the Soul Stone. I don’t know why this scene has been stirring up some people, because here’s the thing: this moment works perfectly. Natasha (Black Widow) and Clint (Hawkeye) travel to Vormir to obtain the Soul Stone. As established in Infinity War, the only way to obtain said stone is to sacrifice the thing you love most. Clint’s willing to take the plunge. He’s become a monster in the five years since his family’s disappearance (but an awesome, katana-wielding monster) and he doesn’t feel he deserves to see them again. Natasha knows this isn’t true and she’s willing to sacrifice herself to ensure Clint gets his happy ending. After all, he saved her all those years ago. It’s time to return the favor. It’s heartbreaking, but it feels right and Scarlett Johansson and Jeremy Renner sell every minute.

The plan is a success, but it's not without its snags. Past Thanos ends up getting involved when past Nebula tunes into future Nebula’s wifi and begins broadcasting everything future Nebula has seen, including the Avengers’ time travel plan. Thanos gets worked up into a tizzy and he and past Nebula devise a plan to get him into the Avengers’ future so he can ensure everyone snapped out of existence stays snapped out of existence. Also, why not wipe out everyone else in the process just for good measure? Because that’s what big, angry, purple maniacs do. Don’t question it.

Is it a bit weird that the Thanos the Avengers face isn’t the same Thanos so carefully fleshed out in Infinity War? Yeah, a little bit. To be honest, it makes things feel kind of impersonal. This Thanos feels more like the mysterious being teased in dozens of MCU post-credits sequence than the layered, thoughtful villain of the previous film. It’s a bit of a bummer, but it is what it is.

Ultimately, my biggest gripe with Endgame is the same gripe caused by Infinity War’s conclusion. We already knew the disintegrated heroes were going to come back for their obligatory sequels. Their arrival during Endgame’s epic battle to end all epic battles feels inevitable more than surprising.

And, look, let me be clear: Endgame’s climax is the ultimate superhero big battle you’ve been dreaming of since Nick Fury first name-dropped the ‘Avengers Initiative.’ I went nuts with the best of them when all our heroes returned from the abyss for this ultimate showdown, so understand my next criticism comes from a place of love. Once all the heroes show up, the stakes disappear. I didn’t have any doubt the Avengers would win. As a result, the climax is robbed of its suspense. It’s basically fan service to the nth degree, which again, I’d like to emphasize I was totally cool with. It just prevents the battle from conjuring up any emotional depth.

This isn’t The Return of the King. It's not the Battle of Hogwarts or the Death Star trench run or even the first Avengers' Battle for New York. It’s a big, flashy special effects extravaganza overflowing with crowd-pleasing beats, but lacking in genuine (here’s this word again) consequence. Again, I want to emphasize that I loved every second of it, but there’s a significant lack of loss during these scenes. Ultimately, Tony Stark sacrifices himself to save the universe and it’s absolutely BRILLIANT and heart-wrenching, but no one else seems in danger. Iron Man dies so that dozens of franchises can live on.

The remaining twenty minutes or so of Endgame are low key. We witness Tony’s emotional funeral, torches are passed (go, Sam Wilson, go!) and some unexpected-slash-exciting team-ups are teased (Fat Thor with the Guardians of the Galaxy? I am SO in.) But it’s during these quiet scenes that the Russos skillfully remind us what has always mattered the most: the characters. And I’m not going to lie, it’s difficult not to get choked up when Steve Rogers, a man who has sacrificed so much for the greater good, finally gets his happy ending, dancing the day away with the love of his life.

Big finales don’t get much more enjoyable or fulfilling than this. Marvel’s Cinematic Universe will go on and on and on. Inevitably, its quality will wane and fade, but we can rest easy knowing that the heroes that kicked everything off got the send-off they deserved. It might not be perfect, but it’s pretty damn great. Most importantly, it’s satisfying.

With the Infinity Saga, Marvel Studios has accomplished something extraordinary. They’ve touched countless millions across the globe without compromising the artistic quality of this multi-billion dollar franchise. We can rage on and on about Disney’s domination and how everything is just a corporate product and blah, blah, blah, but we’d be ignoring the fact that they got to where they are because they honored their source material and went out of their way to give the fans something special.

So to Kevin Feige and the entire team at Marvel Studios, cast, crew, writers, bean pushers, etc., I’d like to say thank you. You’ve earned every record-breaking penny. We love you 3000.

Now can someone please un-cancel Daredevil?? Come on!!

[missnighttigress]

I’ll Be Home for Christmas

Characters: James Buchanan “Bucky” Barnes, Steve Rogers, Reader (specifically targeted to @oh-snap-bucky)

Pairing: Bucky Barnes x Reader (@oh-snap-bucky)

Word Count: 4,418

Summary: Y/N was always in the Christmas spirit, even when times were tough for Team Cap during their rogue days. After losing the love of her life in the snap, Christmas has lost its luster for her. Irritated by being around the compound, she sets off for home, hoping for a break and maybe a chance to start some other traditions. This continues for five years until one particular trip proves to be particularly enchanting...

Warnings: angst, mild language (a curse word sprinkled intermittently), heartbreak, fluff at the end I promise

A/N: I had the tremendous honor of being the Secret Santa for @oh-snap-bucky for @itsbuckysworld‘s Marvel Secret Santa this year. I went through her wishlist and hoped to touch point by point. Merry Christmas, dear, and I really hope you enjoy. I am so terribly sorry for the heartbreak. After Infinity War and the Endgame trailer, I’ve just been feeling this vibe. I hope you have a spectacular holiday!

Christmas was a magical season. People had pine trees that glistened with twinkling lights and glittering tinsel. Stores decked themselves out in reds, greens, and silvers as they urged you to purchase the perfect gift for your someone special at their location. Radios buzzed with holiday carols in hopes of making listeners dream of snowy pastures and hot cocoa snuggles by the fire.

Indeed, Christmas was supposed to be a magical season. But for Y/N, this particular Christmas had lost all its enchanting luster. That’s because her longtime boyfriend, Sergeant James Buchanan “Bucky” Barnes, wouldn’t be home this Christmas...thanks to a giant purple space freak.

As the year slipped further into the holiday season, Y/N became more and more irritable. As much as she tried to hide it, she couldn’t conceal much from her and Bucky’s best friend, Steve Rogers.

Y/N was sprawled out across one of the common room couches, her thumb constantly flipping through channels on the enormous flat screen television. News channels were covering how people were handling the holidays with half the population missing. Freeform was showing nothing but holiday movies, and she couldn’t even look at the root-your-teeth-out romantic crap Hallmark was airing. A snarl ripped from her throat as she turned the TV off, whipping the remote in a nearby armchair before draping an arm over cerulean eyes.

“I take it there’s nothing on?”

The voice from behind the couch made her rip her arm away to stare into concerned baby blues hovering over her. She sighed and shook her head. “Not a damn thing. Everything is either rubbing salt in the wound from the decimation or it’s sappy romantic bullshit.”

Steve cocked his head to the side, his brow furrowing. “The Y/N I know is a sucker for that sappy romantic stuff.”

She growled again before pushing herself off the leather couch and onto the floor to pace. “That was before Thanos disintegrated the people I love, those I care about.” Her hands reached up to rake through her shoulder-length blonde hair. She walked a few feet before slowly rotating on her heel, eyes now red and threatening to overflow with the tears that sat on the edges of them. “Stevie…” she whispered, “I...I can’t be here for the holidays. Not this year.”

Sadness and understanding flooded his face. In the months since Thanos’ snap, he knew Y/N was having a difficult time. When she wasn’t at a training session, she was holed up in her room with a movie or a book, trying to lose herself in any world that wasn’t crashing around her. Prior to then, she was the bubbly, cheery one that made everyone get involved in whatever activity she was doing, especially when they went into hiding. His chest heaved in a heavy sigh. “If you can’t be here, where will you go?”

She rolled her shoulders in a weak shrug. “My parents’ place, maybe? Just for a couple weeks until the holiday season is behind me. I just can’t stay...here.”

“I get it,” Steve murmured, advancing towards her. “You’re one of my closest friends, Y/N. As much as I want to be selfish and keep you around, that’s not fair to you. Being here is going to remind you of him too much. You should go home. You need a break. Just...promise me one thing, won’t you?”

“Anything.”

A tiny smile formed over his lips, but the worry was still evident in his face. Worry that if she went home she’d never come back unless Bucky was found...if he could be found. “Promise me that you’ll come back?”

Y/N choked out a laugh and soft sob as she jumped to wrap her arms around Steve (as much as she could anyway). She buried her head against his chest. “You’re such a punk, Steve. I’m going to come back after the holidays, I promise.”

“Good,” he breathed, swooping down to give her a ginger peck on the head. “Because I don’t know what I’d do if I lost you, too.”

Steve’s words echoed in Y/N’s ears as she packed her suitcase to head to her parents’ place. For a while, she couldn’t help the pang of guilt that riddled her stomach. Steve was hurting too, everyone was, and Christmas was supposed to be a season of togetherness. She wasn’t really embracing the “togetherness” spirit by taking off.

Then again, how could she be “together” if a piece of her heart was missing? Her mind trailed to a tall man with long tendrils of dark chocolate with piercing eyes that could kill a man if he wanted...or cut her to her core as he often did. She thought about the first time she met Bucky, when Steve had contacted her for intel while he was on the run after the Sokovia Accords situation. That smolder of his as his eyes traced her up and down triggered a fire inside her, one she couldn’t quell without being around him. A few flirtatious meetings later, and he finally had the cajones to ask her on a proper date. When he and the rest of Team Cap had to go underground, there was no question about it. She went with them more than willingly. Even though the conditions weren’t always the best and they were always looking over their shoulders, she and Bucky made the best of everything...because they found each other.

That night, she dreamed of her former Hydra super soldier. She dreamed about their first Christmas together, when she found this beautiful fern someone was throwing out on the side of the road and brought it back to the run-down motel they were in. Her hands were immediately busy with her sketchbook, drawing little trees and holiday ornaments. Quickly, she worked to carefully rip around the edges of her scribbles, leaving ample room at the top for her to tear a hole in them in order to hang. When Bucky came back that night, he was taken aback at the makeshift Christmas tree, but then immediately peppered Y/N with kisses to show his appreciation.

She couldn’t help but replay the dream during the tedious drive to her parent’s place. It sprinkled in between thoughts of Steve and the bear hug they shared before she got in the car. He checked her oil and tire pressure for her before she left, and she gave him the address she’d be at on Christmas Eve and Christmas Day, in case he needed a break too.

After quite the trek, the vehicle roared up to the roadside curb in front of her parents’ place. Her eyes fixated on her childhood home, where a dark figure stood on the top step of the wooden porch. Though dusk was approaching, she could tell by the broad shoulders that it was her father.

There was a huge wolf-like creature resting on his haunches next to her father, and the sight of the dog made Y/N’s eyes brighten. Instantly, she clamored out of the car and ran to the other side, arms flying open. “Apollo! C’mere, baby!”

Her father dropped Apollo’s leash, and this husky came barreling at the woman. He slowed upon approach so as not to knock her over, but his whole body wagged in excitement at seeing his owner after so long. He licked a stripe up her cheek as her fingers ruffled his fur. “Who’s a good boy?” she cooed. “Apollo’s my good boy!”

After a moment, she rose to her feet and started up to the home while her dad stepped down to the sidewalk. As soon as she reached him, he took her in his arms and gave her a tight squeeze. “My baby, Y/N. I’ve missed you,” he whispered against her hair, his voice breaking.

Y/N swallowed thickly, trying not to lose her composure as well. “I...I missed you too, Dad.”

The two pulled apart after holding each other a while, her dad instantly reaching up to collect the tears at the sides of his eyes. “I’m...I’m glad you decided to come home for the holidays this year. This was going to be a hard year without you or your mother…”

The lump was even harder in Y/N’s throat. She wasn’t the only one to lose the love of her life. Her parents had been out antiquing when the snap happened, and her mother turned to ash in front of her father just as Bucky had. It was another reason why she wanted to go home for the holidays. Her dad needed her more than Steve and the others did. “I’m sorry, Dad. The team...you know, they’re all racking their brains to come up with a solution.”

“If there even is one.”

There was a lingering silence between the two of them before her father shook his head and clapped a hand on her back, pushing her toward the door. “C’mon, kiddo. Enough sadness. Let’s just enjoy each other’s company and get the holidays started right, huh?”

The first few days Y/N spent with her father were great. She really couldn’t complain. They both understood how the other felt about the holiday season right then, and they tried to veer away from doing anything too holiday-oriented. They watched action movies or old westerns while snacking on chips, and took Apollo out for strolls around the neighborhood. Their idea of a Christmas tree this year was one of those ceramic trees with little pegs that lit up. That was all the festive they were getting.

That was, until Christmas Eve came around. Y/N’s aunt invited them over for a Christmas Eve party, and her dad was all gung-ho and ready to go. Y/N...not so much. Christmas Day was special, sure. Christmas Eve, however, was always the most fun with Bucky.

“I don’t really feel like going to [Y/A/N]’s tonight, Dad,” she murmured, curled up on their couch with Apollo on the opposite end. “It’s going to be a lot of Christmas trees and cookies and holiday carols and it’s just...it’s going to be too hard.”

[Y/D/N] cocked an eyebrow from his recliner toward his daughter. “But you love going over there! It’s Aunt [A/N] we’re talking about here! Doesn’t she always slip you $10?”

Her fingers fiddled with the fur by Apollo’s collar idly. “I do love her, Dad, but this has nothing to do with that. Christmas Eve was always special with Bucky. We had our own traditions that we started together and I don’t get to do that this year.”

“Y/N, look at me.”

She raised her eyes to meet her father’s.

“You know, neither your mother nor this Bucky fellow would want us to sit here and mourn during what’s supposed to be a happy time. I won’t force you to go...but I’m going because your mother would kick my ass if I sat here and moped around. Promise me you won’t do the same.”

She sighed and scooped Apollo’s head from her legs, moving them before placing him back on the cushion. “I’m not. I’m going out, too.”

In typical father fashion, she was met with a gruff, “Where to?”

Her shoulders rolled in a shrug as she grabbed her jacket, purse and keys. “Out. Around town. Crazy. I don’t really know, Dad. It’s just wherever the road takes me.” As she was getting ready, she caught a glimpse of his features twisted in worry. Her cerulean orbs rolled as she gave him a quick peck on the cheek. “I work with the Avengers, for crying out loud, Dad. I’ll be safe, I promise.”

He grumbled a bit before giving her a small nod. “You’re right. Just be careful and have your butt back in this house by 11 o’clock. Santa starts his rounds at midnight, you know.”

She couldn’t help but snort at the sentiment as she stepped through the door. “Love you, Dad!”

Y/N drove around town for a while, weaving through the streets and losing herself in her thoughts. She thought about the Christmas Eve traditions she started with Bucky, how goofy they were but they had meant the world to her...and to him as well it seemed. She went out every year and would buy them a new set of Christmas pajamas to wear, one small game each, a mug, a snack and a pack of hot cocoa and wrap those items up in a box for them to open on Christmas Eve. The year prior, she bought him a green light-up onesie that said “fa-la-la-llama” and had a big wool llama on it. Though he grumbled and griped, he snatched it from her hands when she went to take it back and wore it with pride, even if Steve and Natasha both keeled over cackling at him.

She couldn’t help but smile at the memory as she turned onto a road that led outside the town and into the countryside. As she raced past the lines of oaks and maples, she thought about taking Bucky back there, showing him where she grew up. She envisioned taking Apollo for a walk in the forest until they came to a clearing, where Bucky would have laid out this little picnic (complete with snacks for the pupper). They would devour the food while savoring each other’s presence and the majestic scenery before he’d twist to her and take her hand, opening a small square velvet box…

If they ever saw Thanos again, she’d do what Thor didn’t and aim right for his bulbous head.

Bright neon lights flashed “Late Night Dine Right” up ahead, breaking her from her rage momentarily. Her gut let out a deep growl, and she realized she hadn’t eaten much all day. A diner burger did sound really good just then.

Once she had the car safely parked in their gravel parking lot, she sauntered in and was immediately transported back to the 1950s. They really made the place look like a classic diner. The floor was coated in white and black checkered linoleum. The candy-apple-red booths and barstools were leather, puffed up to look extra inviting and comfortable. The tabletops were solid, white with a few scuff marks from the millions of plates they probably saw slide across them. In one corner of the room was an old-time jukebox, radiating red, orange and yellow neon while it crooned Bing Crosby’s “White Christmas.” She couldn’t help but snort slightly. Bucky would have loved the place.

“Go ahead and make yourself at home, sweet pea! I’ll be right with you!”

The silvery voice broke Y/N away from her appreciation of the scene in front of her and onto the woman behind the counter. The woman looked to be in her 50s or 60s. Her curly red hair was pinned up in a Lucille Ball style, her lips painted fire engine red. The dress she donned was a Tiffany blue with a white waist apron. Y/N reached her own arm and gave it a slight pinch. No, this wasn’t some oddly specific facet of her imagination. This was the real world.

Shrugging her jacket off, she followed the waitress’s orders and slid into a booth right by the door, facing across from the jukebox. Menus were resting right on the table, so she grabbed one to peruse. Chicken parmesan, eggs benedict, t-bone steak with hash browns...everything sounded so good. Before she got the most extravagant thing, though, she wanted to try a hamburger. You could usually tell how good the rest of the food was at a place if their burgers were up to snuff. Just as she was placing the menu back in its holder, the waitress appeared by her table.

“Hi there, sweet pea. I’m Miss Georgia and I’m going to be your waitress this evening. What can I get you to drink?”

Up close, she could see that Georgia had dark circles under her eyes, no doubt from busting her rear working at a 24/7 diner on Christmas Eve. Suddenly, Y/N felt very sheepish and very guilty.

“I’m sorry, Georgia. I didn’t even think. I shouldn’t be making you work extra on Christmas Eve.”

Georgia offered her a genuine smile. “Oh honey. I’d be working my tail off whether you were here or not. You seem like a sweetheart and aren’t gonna cause me any problems, unlike half the drunk clientele I get in here. Now, what can I get ya?”

Y/N gave the woman a warm grin. “Water with lemon, please.”

“‘Water with lemon,’” Georgia repeated, scribbling the drink order in her notepad. “And judging by how you put that menu back, I’m guessing you’re ready to order. What would you like?”

“I’d like a double cheeseburger please, with cheddar if you have it, and a side of seasoned fries.”

Georgia’s fingers scribbled the order quickly and she gave Y/N another wide smirk. “A woman who knows exactly what she wants and isn’t afraid to go after it. Sweet pea, I like you. Order’s coming right up, okay?”

“Thank you!” Y/N called as she took the order back to the kitchen. She waited a moment before digging in her purse and retrieving her sketchbook and pencil case, spreading the materials out on the table in front of her. She opened the book to a random page, and a gasp escaped her lips.

Inside the random page she chose was a picture she had tucked away. A tall man with long, dark chocolate tendrils was staring straight out of the photo and into her heart, it felt like. His cocky smirk made her heart race, her breath stop. She was the one who took the photo during one of their first dates at a Romanian cafe, and she had completely forgot about it. Tears stung her eyes.

She was so focused on her find that she didn’t even notice Georgia’s return until the water was placed in front of her. “Oh my, what a little cutie! Is that your boyfriend?”

Y/N could do nothing but swallow and nod.

“You got yourself quite a catch! He looks so handsome and mysterious. Almost reminds me of someone my grandmother once dated actually. She took a picture with him at Coney Island. Huh. Maybe a distant relative.” Georgia stopped momentarily, her head craning to get into your line of vision. “Sweet pea, it’s Christmas Eve! There’s no crying on Christmas Eve!”

Y/N sniffled and wiped at her eyes. “S-Sorry. It’s just...Christmas was one of our favorite seasons together.”

Georgia offered a sympathetic nod. “My Henry was like that as well. This is...this is my first season without him actually. That’s why I’ve buried myself in shifts here. One day, I was cooking in our kitchen and he was in the living room. I heard him call for me, and I caught the tail end of him turning into ash right in front of my eyes.”

Y/N looked up at the woman, whose jungle green eyes were glistening with tears. “Oh, Miss Georgia. I’m so sorry. That’s...I lost Bucky that way, too.”

There was a sigh from the waitress. “Well...they say that the Avengers are actively working on a solution, if there even is one. If they had been around prior to all this happening, maybe it wouldn’t even be a problem.”

Y/N wanted to leap to the defense of her team, but Georgia was suffering just as much as she was, and in times of crisis, people looked for someone to blame even if they didn’t deserve that blame. If...when they found a solution to what happened, a reversal, maybe then people wouldn’t be so harsh on the team.

“I’ll be home for Christmas…”

Georgia snarled from the tableside. “Now, how rude is that? That damn jukebox is playing on our misery! Huh uh. No way.” She stomped over to the jukebox and jammed her fingers against the screen, instantly changing discs. Rotating on her heel, she turned her attention to Y/N. “I’m gonna make a sign. No one is allowed to play that song when either one of us is here.”

Y/N couldn’t help but giggle. Oh, she liked Georgia. She was sweet and friendly but also feisty. “Oh, Miss Georgia,” Y/N chuckled. “I propose a new Christmas tradition! I’ll come back here every Christmas Eve as long as you’re working.”

Georgia stopped as she traipsed behind the counter. A smile played at her lips before she turned her full focus back to Y/N, green eyes alight. “Well now, sweet pea...I’d think I’d like that.”

For four consecutive years, Y/N kept her promise to Georgia. Every holiday season kept getting easier and easier, thanks to their little tradition. It was an added bonus that the food was spectacular...and she got to visit her dad and Apollo.

It was going on the fifth year when things got a little rocky, particularly with Steve. When he caught wind of Y/N’s request for her usual two weeks off, he instantly barged into her suite at the compound.

“Y/N, please tell me you’re not going back there this year” he pleaded.

Y/N was sprawled out on her bed with her Kindle in her hand, and she cocked an eyebrow at the way he approached her. “Excuse me? Stevie, you know I go every year. You’ve never had a problem before. What gives?”

He started pacing at the front of her bed, muscular hands running through his dirty blonde locks. “Y/N, you know we’re just so, so close to fixing this thing. With Scott and Tony actively working with that time contraption of theirs, I think we might finally be on the brink of a possible solution...a possible reversal.”

Y/N sighed heavily and put the tablet aside before rising to her feet to join the super soldier. “Steve...Tony and Scott have been working on that thing all year. That I know of, they aren’t any closer to reversing anything or bringing anyone back than we were last year. I don’t want to break a tradition on a possibility and not a certainty.”

The kid from Brooklyn worried his lower lip with his teeth. “I just...if we are able to reverse this or get them back...I want you to be the first person Buck sees if we can get him back by Christmas.”

Y/N had dreamed several times about being back in Bucky’s arms in the five years since the decimation. Her body ached for it, yearned for him. But other people felt the same way. Her father felt that way for her mother, Georgia for Henry. And the whole situation was still a big “if.” Tony and Scott had made some headway, but who knew if it was enough to bring Bucky back? Going to [Y/Hometown/N] was a certainty. Being there for her father and Georgia was absolution.

She reached up and caressed Steve’s face gingerly. “That’s a sweet thought, Stevie...and I do want to be the first person he sees. But you know how being there for my dad and Georgia have helped them heal...helped me heal. I have to go. You know how to reach me. If there’s any development, call me and I’ll race right down.”

Steve gave a nod of understanding, but Y/N could see the pain in his eyes. He really wanted her to be there when Bucky came back...if Bucky came back. “Just be safe okay, and promise you will race right down if I call?”

“What, you don’t think I would any other time?” she teased, poking him in the ribs. “Stevie, I will. I just have to do this, for me, Dad, and Miss Georgia.”

“Just be careful,Y/N. And Merry Christmas early.”

“Merry Christmas, Steve.”

No one could ever say that Y/N wasn’t true to her word. Christmas Eve, she strolled right in to the Late Night Dine Right diner, clad in a bright green knit sweater with a plush puppy protruding out of it that barked when its nose was poked. Georgia was behind the counter pouring coffee for a patron, but she gave Y/N a wide grin and waved. “Have a seat, sweet pea! I’ll have Marcus start your burger!”

“Thanks, Miss Georgia!” Y/N called, spreading out her art supplies in front of her much like she had that first night half a decade ago. She flipped the pages until she got to a sketch she was working on, the jukebox that was perched in the corner of the diner. Her eyes flicked up to get a good look at the jukebox, and she couldn’t help but guffaw at the giant “NO ‘I’LL BE HOME FOR CHRISTMAS’” sign.

Georgia set down a glass of water in front of her and smirked. “Ain’t had anyone try to be slick yet!”

“You’d set them straight anyway, Miss Georgia. I know you.”

The red head just laughed as she strode back behind the counter.

Y/N focused back on her sketch. The outside of the jukebox was easy because it was so large. The intricacies of the buttons and all the other details? That was another task entirely. She lost herself in the crisscross pattern of the speaker portion, making sure each hash mark was perfectly aligned and looked meticulous. It wasn’t until she paused that she heard the beginning of that song that had been banned for that day and that day only.

“I’ll be home for Christmas. You can count on me.”

Y/N’s head snapped up, her blue eyes glaring daggers into the head of the long-haired straggler looming over the jukebox. “Hey, asshole!” she hissed, rising from her seat. “Can’t you fucking read? The sign specifically says-”

Before she could continue her tirade, the stranger rotated on his heel. His lips curled up into a cocky, arrogant smirk at the woman who was chastising him just seconds before. His piercing caramel eyes made her breath hitch and her heart stop.

“Oh my god,” she breathed out incredulously. She almost couldn’t believe who was standing in front of her. Yet there he stood, in all of his super soldier glory. “Bucky?”

“Merry Christmas, doll.”

[hellzyeahthewebwieldingavenger]

Infinity Thoughts

 So I have something of a tradition of reading comics that will in some way tie into upcoming Marvel live action films. To this end with Avengers: Endgame approaching I read through, among other things, the TPBs ‘Avengers vs. Thanos’. ‘Rebirth of Thanos’, ‘Infinity Gauntlet’ and ‘Infinity’ volumes 1-2.

For the most part I rather enjoyed them. My respect for Jim Stalin grew and I’d argue Infinity Gauntlet may well be Marvel’s finest ever crossover event story of all time...Then I got to Infinity.

Hooooooooo-boy.

This was a lame story.

To be crystal clear the trades I read through collected the main issues of the event plus the tie-in issues of Avengers and New Avengers. Since all were written by Jonathan Hickman the tie-ins are actually essential to the reading experience and I was never exactly lost reading the story. There was a brief but well done reference to the Guardians of the Galaxy tie in issues that weren’t collected but that was it.

You know how I said my respect for Stalin grew through reading this stuff? Ell my respect for Hickman sunk...even lower than it already was.

First off reading Infinity seems to have been a waste of time for my personal purposes. Whilst I do not know what Endgame has in store Infinity War took precious little from this story. It just borrowed 4/5 of Thanos’ inner circle of henchmen (Corvus Glaive, Prixima Midnight, Ebony Maw) and also the Outriders, those four limbed footsoldiers Thanos uses to invade Wakanda. Speakin of which the mere idea of Thanos invading Wakanda was also borrowed from this story but it plays out drastically differently.

That’s not really a problem with the story just a personal complaint I had.

On the flipside something I can’t really complain about but will point to as a problem is that to follow the main story of Infinity you HAD to pick up the tie-ins I mentioned. A well written event shouldn’t price gouge you like that. Noticeably Infinity Gauntlet didn’t. Reading all 6 issues was a satisfying experience unto itself, I never felt like I was missing anything.

But saying Stalin is a better cosmic writer than Hickman would be redundant.

Another problem I discovered after the fact with this story was how the first 15 pages of Infinity #1 are literally just reprints of New Avengers #6 and the Free Comic book day Infinity issue. So 15/54 pages were stuff you’d either read before or could read for free.

This isn’t even getting into the writing problems in general. First of all Hickman had this insufferable habit of within issues themselves having like chapter breaks in the for of entirely blank pages with a grey title and symbol at the top. So you know...nice that you are paying for nearly blank pages amidst your £4+ comic books.

Second of all Hickman has this habit of like throwing meaningless lore at you.

In Infinity #1 for example he throws at you the brief backstory of this planet you have never seen before nor will see again as though it means something, complete with flashbacks and exposition about this planet’s great champion who’s already dead courtesy of the guy delivering the narration. And when I say it’s meaningless lore I mean Hickman has the guy say “Whatever happened to your proud champion to won the Water Wars and untied the tribes by defeating the Great Beast of Pol?”

Like...who gives a shit no one knows where or what Pol is or what the Water Wars were. The best part is that this is all adding up to this planet giving Thanos’ henchmen a tribute of several dead people.

Basically it stretched out 11 pages with meaningless lore to communicate Thanos is bad, Thanos has bad henchmen, Thanos’ demands defeated planets pay him tribute in dead people. Seems like you could accomplish that in maybe 4 pages at a push, especially for a villain everyone knows about already.

What makes this all the more confusing is that Thanos isn’t even really the central plot or threat in the story. This is in spite of being on the covers, mentioned in the solicits, the story’s name referencing stories that explicitly involve him and the story frankly existing because of his post-credits scene in Avengers 2012.

The story’s central conceit I guess is that it’s a war on two fronts.

Captain America leads most of the Avengers into space to join the Kree, Shi’ar, Skrulls, Annihilus and other alien races in a war against the army of the Builders. Meanwhile the remaining heroes (including Iron Man and the Illuminati) have to contend with Thanos who has invaded Earth looking for the sole remaining Infinity Gem and the last of his children, the half-Inhuman Thane.*

Essentially in spite of the advertisement Thanos is really just one of two antagonists in this story. And frankly clearly the one Hickman is less interested in compared to the Builders, whom shockingly, just so happen to be his own creations.

What follows is essentially a cosmic war story all about military strategy and game theory and so on, with very smart people doing very smart things.

Now in fairness conceptually this isn’t a bad idea whatsoever.

So what if Thanos is just one of two antagonistic forces. So what if it’s a war story. Those are ideas that can be done great right?

Yep...except...they aren’t.

Let’s talk about Thanos first.

His central motivation to kill his half Inhuman son is contrived and whilst it COULD have worked it just doesn’t.

As the lead in issues to Infinity Gauntlet make clear with Nebula, who claimed to be Thanos’ granddaughter, Thanos finds the idea of reproducing an affront to his nihilistic beliefs.

Thnos of course is in love with Death. As in he sees Death as a woman he’d like to make out with. To this end he committed his life to mass slaughter to win her love.

Thus entirely logically his creator Jim Stalin established that Thanos would not seek to have any offspring because, duh, if your goal is to kill as many people as possible you aren’t going to create MORE life.

So on the most basic of levels, Thanos even having any children seems out of character.

But it could have worked because the story does establish Thanos has killed his other children too. So it is entirely possible to argue that Thanos, whilst no celibate, made a point of killing his off spring to balance the scales, possibly even seeing his kids as mistakes of his youth before he’d entirely committed himself to Death.

Except the story doesn’t say anything like that. Thanos simply states the idea of Thane existing keeps him awake at night. In other words one of the 2 central antagonists has at best vague motivations.

To make matters worse Thanos is defeated via a total dues ex machina. Basically Thane undergoes a mutation as a result of Black Bolt unleashing a Terrigen mist throughout Earth, this causes him to inadvertently and instantly murder everyone within a certain radius by waving his left hand. He can only control this with the help of a containment suit one of Thanos’ inner circle, Ebony Maw provides. Maw acts as a kind of evil mentor/advisor to Thane, think Wormtongue from the Two Towers but more powerful and sinister, but we’ll get to him in a minute.

Anyway Thane is captured by Maw and presented to Thanos and whilst Thanos and his last surviving inner circle (they’re called the Black Order btw) Proxima Midnight are beating the shit out of the Avengers. Maw then says some shit about wanting to see if Thane has evolved and how he’s the only one who can beat Thanos. So Thane waves his right  hand and encases Thanos and Proxima in a great big amber cube.

Oh and this comes out of exactly nowhere!

That’s the resolution to the final issue by the way. THAT is how this 2 volume event friggin ends. Pathetic.

More pathetic even than the already pretty pathetic motives and characterization given over to Ebony Maw and the entirety of the Black Order.

Look, the idea of Thanos having an elite entourage as opposed to just hordes of gneric nameless thralls** is a good one.

The idea of them worshipping him and/or Death is fine.

But beyond their looks we get little characterization from any of them. Glaive and Midnight are offhandily established as married. Black Dwarf is just a big dumb warrior thug. We get a mini-monologue about Supergiant’s childhood and why she follows Thanos in the pages just prior to hear death towards the end of the story. And Ebony Maw...nothing. We have no reason for why he acts against his master or what the fuck his agenda is.

What little we know of the Black Order comes from I kid you not a mini Marvel Handbook segment randomly inserted into the story that gives you like a short paragraph on each member and their abilities.

So you know...literally telling us instead of showing us who these people are and to boot it’s not even actually part of the story.

Then the story has the audacity to say that Thane, Hickman’s new underdeveloped character has and will become even worse than his Dad. His Dad who I will remind you literally caused universal genocide when he snapped his fingers and killed half the universe’s population...and THEN murdered all the cosmic beings. Oh but Thane is worse because he...can trap people in amber...?????

There is also precious little characterization or development lent to Thanos in the entire story, whereas the events its trading off of (Infinity Gauntlet, etc) absolutely did. Here Thanos is the big bad villain and little else. He isn’t even the biggest threat nor does he comprise the majority of the panel time.

That distinction goes to the Builders.

Oh lord...the builders. Who also count among their ranks the Gardners known as the Ex Nihili, the Alephs robot soldiers and exist in the superflow of the multiverse having created the Starbrand and other cosmic tools to shape the evolution of species across the universe.

Did any of that sound bland, boring, meaningless and simply pretentious mastabatory science fiction talk?

Well that’s only because it is.

Marvel has a robust cosmic lore to them. The first generation of that was really installed by Lee and Steve Ditko in Doctor Strange and to a much greater extent Lee and Jack Kirby in Thor, Fantastic Four, Avengers and other titles. That’s where we of course get guys like Galactus.

The second generation I’d argue was Jim Stalin who set up Thanos, Drax the Destroyer Adam Warlock, the Infinity Gems and also Chris Claremont along with his collaborators who birthed the Phoenix Force and the Shi’ar and so on.

The third generation was Dan Abnett, Andy Lanning and Keith Giffen. These guys added a few things to Marvel Cosmic but really their forte was more adopting stuff already in the Marvel universe and expanding it or using it in interesting ways. The best examples of this being their Magnum Opus, Annihilation which made Annihilus a Big Bad for the Marvel Universe, and ESTABLISHING the Guardians of the Galaxy that the movies took inspiration from. Whilst they didn’t necessarily create any of the Guardians they were the guys who essentially made them the space Avengers.

Hickman is essentially the headliner for the fourth generation and by far and away the most creative.

And by creative I mean he is very good at dreaming up ideas. He’s a classic ‘Big Concepts’ science fiction writer.

Where he falls down is in executing said concepts.

Whilst the past generation of Marvel Cosmic creators vacillated between going for something sweepingly epic or else fun and bombastic or something in between, Hickman’s work is devoid of the fun bombast of a Silver dude riding a surfboard in space but is also if anything trying way too hard to be ‘Epic Cosmic’ than anything the older creators did. And they at least were doing it at a different time when standards for comics were different.

Let’s take the Galactus Trilogy and Infinity Gauntlet as an example. In the 1960s presenting us a science fiction comic book antagonist who was an allegory for God was really impressive and him engaging in a debate with the Watcher about the nature of humanity was deep stuff.***

Similarly the Infinity Gauntlet was concerned with the burden of Godhood and acted as something of a bizarre love story between Thanos and death, the ultimate character study of the Mad Titan.

Hickman in Infinity though mostly just throws Big Science Fiction Concepts (tm) at you and expects you to be impressed by their mere existence, as though ‘the Avengers fight a big space war’ is something to be impressed by in 2013 when we’ve had how many stories like that?

Worse his Big Concepts aren’t just expected to be impressive via their mere existence but are also just...rather dull. There is little personality to the boringly named Builders and only slightly more in the pretentiously named Ex Nihili (Hickman loves throwing around very impressive big nonsense words for his science fiction crap, God forbid they be something simple and/or silly but memorable like ‘Galactus’, ‘the Infinity Gauntlet’, ‘Annihilus’, etc). The Gardners/Ex Nihili kind of look interesting but the Builders themselves are just the most boringly designed aliens ever.

When you see the Watchers or the Celestials you BUY that they are the oldest race in the universe, you buy they are cosmic beings on a higher plane than mere mortals. The Builders are just grey vaguely buggish dudes. Their footsoldiers the Alephs are worse. They’re generic Terminator rip off robots.

The art throughout the story looks pretty but it’s design sense is lame at best and it has the eternal problem of so many 2000s/early 2010s comics that the art looks beautiful panel to panel but is also stiff and looks like a series of very pretty portraits that lack life or the illusion of movement. Comic book art shouldn’t be  a series if paintings next to one another conveying the highlights of a scene but an organic flow from one panel to the next creating the illusion of movement. Want to see this done well in a big event story? Check out Mike Zeck on Secret Wars or Perez/Lim on Infinity Gauntlet. Or hell anything Ron Frenz draws.

Okay, they look boring, they sound boring, their concepts aren’t used that effectively BUT...surely the Builders storyline has merit? Surely this cosmic war story is at least a good war story.

Well...yes and no.

The military strategy used in the story is pretty realistic and well thought out, speaking as someone who isn’t familiar with military strategy history or stories rooted in that stuff.

If nothing else the core concept of Thanos attacking Earth whilst the Avengers are off fighting on another front and the X-Men are divided (because of Schism) is basic and interesting use of strategy.

And the space warfare for the most part seemed reminiscent of Star Trek, speaking as someone who’s got novice knowledge at best of that franchise.

Here is the problem though...it’s also painfully dull for anyone who isn’t hyper into that stuff.

Which would be fine...if the story was solely contained within the main Infinity book.

I’ve long defended Secret Wars 1984 on the grounds that as it’s own mini-series it wasn’t obliged to follow thematic conventions or writing conventions of the solo or team titles, it could be it’s own sandbox. So if it wanted to be a light war story/series of fun action set pieces, fine.

So if Infinity wanted to be an Avengers space military strategy comic book for 6 issues okay fine. Except it wasn’t, it roped in Avengers and New Avengers into it too.

And at that point the tie-ins at the very least needed to have something more. You know like...personality.

The single biggest problem with pretty much any Hickman story I’ve read is that far too often the characters talk stiffly and unrealistically, with a coldness to them, a functionality. There is precious little personality or emotion to them. Even when the art is showing us emotion you simply see it as opposed to actually connecting with it.

There are only the briefest of smatterings of truly emotional or personable moments in the entire story and as a consequence they kind of stick out like a sore thumb. Smasher and Cannonball hooking up (out of nowhere in the story like there was no inclination they had the hots for one another earlier) and Sunspot quipping about it is the most human moment in the entire story closely followed by Manifold expressing exhaustion over constantly fighting.

The closest thing to a charismatic character in the entire story is friggin Maximus the Mad!

How do you do that in a story with Captain America, Captain Marvel, Iron Man, Thor, Hulk, Hawkeye, Black Panther, Reed Richards, Namor and friggin Thanos!!!!

All this and the story exists for anything but a genuine creative drive. It exists because

a)      Marvel needed to make bank off of Thanos’ cameo in Avengers 2012

b)      Marvel needed to remind people Thanos exists after his cameo

c)       Marvel needed to workshop some possible concepts for the then inevitable Thanos movie on the horizon

d)      Marvel needed to amp up the Inhumans via their stupid cloud unleashed in this story so they could begin their dastardly master plan to supplant the X-Men with them

 Ugh. I recommend you simply skip this story wholesale.

*The other 5 Infinity Gems were destroyed

 **By the way in Stalin’s stories Thanos’ armies comprised of a diverse group of alien baddies. Here...there are different kinds of aliens but they seem to be a few species who all look the same. Hardly what Stalin and other artists rendered, which gave you an idea of the scope of Thanos’ travels.

If we’re going to be paying more money for comics nowdays could they maybe put in at minimum the same effort as cheaper comics from 40 years ago!

 ***The Watchers and Celestials by the way, Jack Kirby creations, get supplanted by Hickman as the oldest and most powerful race in the universe for the sake of his boringly named ‘Builders’

[therealandian]

Spoilery as hell essay about Tony Stark I did for my English class:

Please do not read it if you haven’t seen ENDGAME, because everything is spoiled. EVERYTHING!!!

This essay explores how Tony Stark is a tragic hero more than anything else.

The Tragedy of Tony Stark

The Marvel Cinematic Universe (MCU) is a titanic movie franchise spanning more than a decade with over 20 movies to its name. As a franchise based off of comic books, it has its share of wacky characters, witty one-liners, and ridiculous costumes. But as a movie franchise, it also has its share of dark, profound plot elements. One such element is the tragedy of Tony Stark.

Tony Stark is no ordinary hero. He is, as he once boldly proclaimed, a “genius, billionaire, playboy, philanthropist” (The Avengers). Beyond that, he is Iron Man, legendary hero in his personal weaponized suit of mechanical armor. But this is only scratching at the surface of the man who has carried the entire MCU since its infancy. During this time, he has been beaten down and betrayed, has suffered and struggled, and has been abused and ignored. Despite all of his achievements, Tony is much more of a tragic hero than he has ever been just a hero.

A tragic hero is defined in the dictionary as “a great or virtuous hero…who is destined for downfall, suffering, or defeat.” Commonly, they’re set in dramatic tragedies, such as Oedipus Rex or Hamlet. Although the MCU doesn’t quite ring true as a “dramatic tragedy,” the “hero destined for suffering” part perfectly describes Tony, who struggles against foes far more powerful than himself, only to lose a piece of himself in the process. Jennifer Wallace puts it best when she states “The source of a tragic hero's greatness is also the cause of his destruction. The overriding desire for honor that motivates tragic protagonists also results in their shame and demise” (Wallace). This also describes Tony very well; many of Tony’s enemies are of his own making, and people tend to get hurt when he takes matters into his own hands and attempts to solve the problems himself.

Almost everything that happens throughout the MCU involves the tragedy of Tony Stark in some way. He is a walking, breathing catastrophe who can barely hold himself together. He is guilt-ridden and anxiety-plagued, yet everyone still expects him to be Iron Man. When he snaps and lashes out at people, or otherwise ignores their requests for assistance, everyone tends to be surprised. One of the most clear examples comes from the most recent MCU film: Avengers: Endgame. After Tony had just returned from almost starving to death during his month-long space trip, the other Avengers immediately want to talk strategy with him. He’s still hooked up to an IV while they discuss all the things he’d predicted was coming long before they ever came to pass. He snaps at Steve Rogers, saying “I got nothin' for you, Cap! I've got no coordinates, no clues, no strategies, no options! Zero, zip, nada. No trust—LIAR!” (Avengers: Endgame). He collapses shortly thereafter, completely, utterly defeated.

In a world of supersoldiers, monsters, aliens, and supervillains, Tony is a bit of an odd man out—he’s still human. “The Tony Stark character is memorable in that he was someone who could readily comment on the insanity around him” (“First-of-its-Kind…”), says the Targeted News Service. Rather than being a supersoldier, ultra powerful gamma monster, or highly trained assassin, Tony is just a “man in a can” (Iron Man 3). He has only his intelligence to aid his hero’s journey, and he carries the burden of it with him everywhere. In every movie after the first Avengers film, Tony struggles with the knowledge that something like the attack on New York will happen again (Iron Man 3; Avengers: Age of Ultron). His greatest fear is losing everything because he failed to do enough, and it shows the most in his most vulnerable moments. Even worse, his fears become reality before his very eyes (Avengers: Infinity War).

Further setting the burden of tragic heroism on Tony’s shoulders is the sheer amount of villains he’s created. Justin Hammer, Ivan Vanko, Aldrich Killian, Ultron, and Adrian Toomes are all directly linked to Tony and his bad decisions. Killian is ignored by Tony completely after he makes a promise to meet him, Hammer attempts to replicate the Iron Man armor for military use and personal gain, Vanko gets Tony’s personal advice on how to make his weapons more efficient, Toomes loses his job because of Tony’s handling the aftermath of Loki’s attack on New York, and Ultron comes into existence because Tony let his fears control him (Iron Man 3; Iron Man 2; Spiderman: Homecoming; Avengers: Age of Ultron).

Tony’s ego is certainly one to blame, but so is his carelessness. He often lets the situation dictate his response, rather than forcing his actions to dictate the situation. In other words, Tony is a reactionary character. This can be seen best in Captain America: Civil War (CA:CW), when he reacts to the death of his parents, and in Avengers: Age of Ultron (AoU), when he experiments with Loki’s scepter to streamline the creation of Ultron.

Tony also faces two life-shattering betrayals and several smaller ones, further placing him in the “tragic” category. In his debut movie, Iron Man, he learns that the terrorist group called the Ten Rings was hired to kill him by Obadiah, his trusted friend and mentor. Obadiah later paralyzes Tony and physically rips out the one thing that keeps him alive—his arc reactor. Tony manages to survive on an older model, but is almost killed in the ensuing battle. He even resigns himself to death and forces his personal assistant to blow the reactor beneath them. He fortunately survives, but his former friend does not (Iron Man). In this movie, not only does he survive a torturous three months in Afghanistan, but he comes back to almost immediately die at the hand of one of his closest friends.

In CA:CW, Tony learns that his parents were murdered by Bucky Barnes, who is unfortunately standing next to him at that time. He’s understandably distraught, but becomes enraged when Steve reveals that he already knew about the murder and never told him. This moment is especially ironic given Steve’s line in AoU, when he tells Tony in frustration that “sometimes my teammates don’t tell me things” (Avengers: Age of Ultron). Tony attacks the pair, who proceed to nearly beat him to death. At one point, Steve rips off Tony’s face mask, then stabs his arc reactor with his shield. They then leave him, beaten and alone in Siberia, with Steve having chosen one friend over the other. Tumblr user @teamsharoncarter notes that “Tony Stark lifted up his arms, covering his face when Steve was going to hit him with the shield, subtly showing that Tony is used to anyone he trusted to betray him and try to kill him” (“Tony Stark…”). While this point could be debated as mere headcanon, it is true that Tony is betrayed often. It’s fascinating to see a side-by-side comparison of Tony’s facial expression when he discovers the two major betrayals.

Tony also deals quite a bit with mental illness. It becomes most prevalent in Iron Man 3 (IM3), and looms on the sidelines in other movies. Given at the start of IM3, he has been kidnapped and tortured (Iron Man), has nearly died of radiation poisoning (Iron Man 2), and has flown a nuclear missile into a wormhole to kill an alien army with no hope of surviving (The Avengers), it’s a wonder PTSD isn’t a major topic prior to it. Much of IM3’s secondary plot revolves around Tony’s mental state post-Avengers, and he never quite resolves it. Later on, he begins a multi-million dollar project to help “clear traumatic memories” by recreating them in a pseudo-physical format and altering them as the user wishes (Captain America: Civil War).

Tony tries again and again to do the right thing, yet he somehow makes everything worse in the process and loses something very dear to him. These attempts and subsequent failures are the most telling mark of his tragic heroism. He saves his life with the arc reactor, but it winds up poisoning him with radiation (Iron Man 2). He enters the clean energy market to make up for his company’s history of weapons contracting, only for his building to be partially destroyed during the Battle of New York (The Avengers). He tries to be better to his girlfriend, only for her to be kidnapped and tortured after their home is blown up because he ditched someone on a roof in 1999 (Iron Man 3). He tries to build a peacekeeping A.I., but it turns murderous and tries to drop a city out of the sky to wipe out humanity. He winds up losing much of his certainty, Bruce Banner, and J.A.R.V.I.S., his personal A.I. based on a childhood friend (Avengers: Age of Ultron). He signs the Sokovia Accords to try and redeem himself, but according to Rogers, it is the moment he signs it that he destroys the team (Captain America: Civil War). He tries to retire from being a hero and settle down, but he winds up lost in space with half the universe disappearing from existence because someone wanted to spare his life (Avengers: Infinity War).

It is rather fitting that when Ultron asks him if he’s come to confess his sins, he answers with “I dunno, how much time you got?” (Avengers: Age of Ultron).

Yet no one stops him from doing anything, and it often ends in disaster. And then when he tries to right these wrongs later on, his former teammates turn on him and abandon him in the cold of Siberia, halfway beaten to death by two supersoldiers. His contributions to the team and efforts to protect it are overlooked and forgotten the moment he signs the Sokovia Accords. Clint Barton says “you better watch your back on this guy. Chances are he's going to break it” (Captain America: Civil War), despite having fought alongside him only a year before during AoU. Even Tony’s plan to take the fight to Thanos, rather than returning to Earth, backfires and results in the loss of the Time Stone to the Mad Titan (Avengers: Infinity War).

All this being said, there is no denying that Tony is a hero. Incredibly, despite everything he goes through, he still keeps being Iron Man. As pointed out by Marvel Comics editor Axel Alonso, “he perseveres because of his winning combination of brains and heart” (”Iron Man Insider”). Tony himself even proclaims “I shouldn't be alive, unless it was for a reason...I just finally know what I have to do. And I know in my heart that it's right...there is the next mission, and nothing else” (Iron Man).

In almost any story that’s called a tragedy, the protagonist(s) dies at the end. Take, for example, Romeo and Juliet, Macbeth, and The Fall of Icarus. Unfortunately for Tony Stark, this trope still applies. The final nail in the coffin for Tony’s tragic-yet-heroic narrative is his battle against Thanos in Avengers: Endgame. After having survived wave after countless wave of attacks against both himself and his planet, Tony is forced to make the ultimate sacrifice, despite having finally achieved all but one of his goals throughout the MCU: “Peace in our time” (Avengers: Age of Ultron; Avengers: Endgame).

Despite everything, though—all the pain, suffering, torment, betrayals, and losses—he keeps getting up and coming back to fight the bad guys in a bid to make the world a better place. And perhaps this is the most tragic part about him. It’s not that he keeps losing, it’s that he keeps believing that someday, somehow, he’ll get his happy ending. And now that we know how Tony’s character arc ends, we also know that he never truly finds it.

Works Cited (for things that aren’t the movies)

“First-of-its-Kind Course to Examine ‘Universe’ of Cinematic Storytelling, Perspectives in Ongoing Marvel Films.” (2014, Sep 16). Targeted News Service.

“Iron Man Insider.” Discover, vol. 34, no. 4, May 2013, p. 23. EBSCOhost.

@teamsharoncarter. “Tony Stark lifted up his arms, covering his face when Steve was going to hit him with the shield, subtly showing that Tony is used to anyone he trusted to betray him and try to kill him.” Tumblr, http://teamsharoncarter.tumblr.com/post/144019313080/tony-stark-lifted-up-his-arms-covering-his-face.

Wallace, Jennifer. (2012). “The Tragic Paradox.” Comparative Drama, 46(4), 545-548,581.In almost any story that’s called a tragedy, the protagonist(s) dies at the end. Take, for example, Romeo and Juliet, Macbeth, and The Fall of Icarus. Unfortunately for Tony Stark, this trope still applies. 

[dexi-green]

Avengers:Endgame Thoughts !!SPOILERS!!

Just some random thoughts and questions and such about the movie. There are spoilers so…don’t read if you haven’t seen it and care about spoilers. I tried to organize it a bit but we all know that’s impossible.

Okay so..I’m not the biggest fan of the Russo Brothers and what they have done with their Marvel films. There have been some improvements, and some things that just can’t be helped and I just want to make that known first. I don’t really hate any of the films they made, they are definitely enjoyable, and fun, have great moments.

I’ve been a bit critical about how they used some of the big storylines from the comics in the films, because they never felt the same (they never can honestly, comic books and films are different formats, different ways of storytelling) but this honestly is the closest to the annuals. This is the closest to waiting an entire year after reading comics each month, to the big huge event. It feels as big as those. Civil War didn’t to me, Age of Ultron didn’t, Infinity War kinda, but this. This felt huge. Especially when actually watching it.

This is a huge fanservice film. You could probably enjoy it without any prior knowledge, or without seeing all the other films, but god, it’s better if you do. Soooo many little throwbacks and easter eggs and payoffs from the earliest films and the comics. So I highly suggest the other films, I think every single one film has some sort of tribute in this one. (I’m making a list of references and such so I’ll see)

So one of my biggest gripes out of the way…the Joe Russo cameo. It completely pulled me out of the film. The scene itself could’ve been a nice little thing to see what Steve has been up to during those five years but…just watching and listening to what was mostly Joe Russo talking and inserting himself into the universe…eh :/ It’s not like a Stan Lee cameo, he didn’t have a hand in creating these characters and we don’t owe the Russo Brothers as much as we owe Lee and Kirby and Simon and Ditko and Bendis, etc. I think his cameo in Civil War and Winter Soldier was better, he barely talked in WS and not at all in CW, was barely on screen, it was fine. I just felt it was a little too much… His cameo was longer than Stan’s.

Also that was their way of making the “first openly gay character in a Marvel movie.” they even said that, “We felt it was important that one of us play him, to ensure the integrity and show it is so important to the filmmakers that one of us is representing that.” which...is really a cop out I feel. That LGBTQ representation, the smallest line of being on a date, could’ve easily gone to Valkyrie/Brunnhilde’s character, seeing as Tessa Thompson says her character is queer and played her that way (take one look at Tessa’s or Brie Larson’s twitter or some interviews, it isn’t hard to see they support it), and Tessa is actually Bisexual in real life. But whatever I guess...

Though it was definitely funnier than the other movies the Russo’s have done, and DEFINITELY prettier. I’ve had a big issue with the color grading and scene composition in the Russo’s movies. Say what you will, Joss Whedon knew how to make a comic splash page translate to screen, but the Russo’s did...the airport fight scene. The scene’s in their films that did have great composition were pulled straight from the comics (like Steve Vs. Tony, Shield vs. Repulsors) Okay. But, in Endgame it definitely looks better. There are memorable scenes. There are shots that I thought...okay thats art. The end battle had some shots, like Thanos in the foreground pointing his sword, and his army behind him. When Tony was looking out of the Benatar and saw the glowing light that is Captain Marvel. When Okoye, T’Challa, and Shuri walk out of the portal to the final battle, it’s a bit hazy, almost dream like, gives the feeling of Steve seeing them and not knowing whether this was real or not. The colors still look a bit dull in some scenes, but at this point it seems like the Russo’s are resigned to gray and mud and mess to get that gritty “realistic” vibe that for some reason is what people want and not the escapism, fantasy, cosmic stories that comics can be.

I did really like the small nods towards how relationships formed or degraded throughout time, or how people changed, especially during the five years we didn’t see. We got a little nod towards Carol and Rhodey’s relationship from the comics with…a nod and a good luck and a lingering look. Natasha calls Rocket fluffball, I think it was, and says she gets e-mails from him. Bruce and Natasha are on some sort of not dating but close friends terms after hardly interacting in Infinity War. Definitely acknowledging Age of Ultron and not just making it a joke and trying to push it aside. Nebula and Rocket seem to have gotten closer, probably due to all of their friends dusting. Rocket and Bruce seem to be on some level of friendship, or at least acknowledge each others connection to Thor. Okoye calling Natasha, Nat. Carol has been coming to earth somewhat regularly. Tony and Nebula playing the paper football game, her giving him the food even when he offered it to her, (It reminded me of the blueberry bit in the first Avengers) working together to try and get somewhere. TONY AND MORGAN!! He raised a whole five year old kid. He definitely seems like a stay at home dad, especially since Pep is the CEO of Stark Industries.

It’s really nice (and sad) to see how some people’s lives moved forward. How people tried to move on, how all these different personalities coped with the loss. Seeing Cassie has aged was definitely a favorite. Cassie has thought her dad was dead for five years, and for Scott he was only gone for five hours, but he comes back to his little girl as a teenager. At the end, when we see them together with Hope, we know that Scott now has to go forward knowing he missed five years of his daughter’s life, and is probably going to try and make the most of it. Maybe that means giving up Ant-Man, or having her join in (we need Stature, I mean come on, we need another young avenger). But it was nice to see that time didn’t just stand still until the Avengers found a fix. It kept moving forward.

I wish we would’ve gotten a bit more of Wakanda/Wakandans. Okoye was still alive, and I think M’Baku survived the Snap as well, but I don’t think we saw him until the final battle. We only got a couple glimpses of Wakanda. Which I guess makes sense because with both T’Challa and Shuri gone, Wakanda needed leadership (though I’m unsure as to whether Ramonda dusted as well), but it would’ve been nice for Okoye to maybe be a little involved in the efforts to get the stone, especially considering Wakanda is so advanced. Even without Shuri there could’ve been something they could contribute. T’Challa really had like one or two lines basically but okay.

I sorta didn’t like Thanos dusting away. I was a bit off put at the beginning when Thor cut of his head because to me, that was Nebula or Gamora’s kill (though seeing as both Gamora and Nebula seemed somewhat sad after seeing him die (Gamora after she seemed to kill him in IW and Nebula after Thor went for the head) MCU Gamora and Nebula might not want to do that). I understand it though, Thor was angry. At the end I was hoping that Thanos wouldn’t dust so we could get that kill, and sort of mirror Tony’s fear of being the only survivor, but… I guess it’s the writer’s poetic justice. It’s not bad, but I just kinda hoped they would go a different way with it.

I love when the music cuts out and Quill is just dancing and singing to himself. “So he’s an idiot”.

“I bet the raccoon didn’t have to climb a mountain.” “Technically he’s not a raccoon you know?” “oh whatever he eats garbage.” Are they talking about Rocket...or...Thor?

That girl power scene? We love it. “Don’t worry” “She’s got help.”

I love how they pass around Tony’s Gauntlet like a football, trying to get it to the van. But when Peter had it and was thrown to the ground and was curled up clutching it, I was so prepared to cry.

Same with Rocket trying to protect Groot.

No vision. I didn’t really find myself even thinking of him all that much during the film. We got a line or two but that’s about it. It makes me wonder about the ‘WandaVision’ show and whether that title was just to throw people off, or if he is going to be in it.

I’d be really interested in seeing more of what happened during those 5 years. Maybe I just want to see more of Tony as a dad? Maybe… But to see how everyone tries to move forward. Like what does Cassie do? Did her mom and step-dad dust to? Was she alone? Did the Avengers check on her? I think Bruce mentions he spent 18 months in a Gamma Lab. I would love to see how he came to terms with Hulk. I would love to see how the Asgardian’s settled. Etc. I think there are some interesting stories there, maybe for future shows or comics or stories.

CAROL DANVERS / CAPTAIN MARVEL

I love that Carol Danvers had a small moment/lingering shot when they were looking at everyone who dusted and she saw Nick Fury. Another little nod towards a relationship without being overt and having her mention to characters how Nick Fury was a close friend. I mean that was the reason why they came out with the Captain Marvel movie before this. So the audience members who saw both would understand Carol’s role, powers, motives, and relationships before so they wouldn’t have to squeeze it all into this movie.

I also forgot that Captain Marvel was even in this movie after the last time they showed her in the beginning because I was so wrapped up in everything else, so when she showed up at the end I was genuinely surprised and excited! They really hyped her up to be the most powerful hero, but didn’t overuse her or make her OP at all. They gave everyone else their time knowing that she has the future MCU ahead of her. I think they spent a good amount of time on the original avengers as this really was their send off, knowing the rest of the characters have future films/shows to shine in. (Which kind of makes me forgive the lack of Wakanda..but still…)

The look on Thanos’ face when Carol showed up, amazing. Her exchange with Peter? Pure and beautiful. And that little *dink* when he tries to headbutt her? Pure comedy.

Thanos pulling the power stone out of the gauntlet to use against Carol was...forgive me...a power move.

THOR ODINSON & LOKI LAUFEYSON

I know a lot of people think Thor’s mental health/PTSD was just played as a joke, but I don’t think it was. I mean there have been times they tried to sweep Tony’s mental health under the rug and times where (maybe just the fandom) treated Tony as a villain for how it showed itself.

Thor didn’t want to think about it. Thor was done. He wanted to drink and forget. He didn’t want people to talk about Thanos, or Loki, or anything that happened. He made a new home for all the Asgardians and then retreated into himself. When we first see him, Bruce stops and asks Thor if he’s okay and tells him that he was in a similar dark spot as well and that Thor was the one who helped him out. It’s a sweet moment, yeah it’s sandwiched by some jokes, but it's there. As is the moment when Thor talks to his mother for the last time. Frigga gives him piece of mind. Let’s him know that she knows what her fate is, that it isn’t his fault, which is one weight off his shoulder. She lets him know that he doesn’t need to be whatever he thinks he needs to be, just to be who he is. He doesn’t need to be an Asgardian King, or whatever else his father wanted, if that's not what Thor wants. Being himself is enough to be worthy. So he fights that final fight (completely okay in the fact that Steve is worthy as well, even saying he knew it! So he must’ve knew Steve was pretending not to be able to pick it up all the way in AOU), he makes Valkyrie/Brunnhilde King/Queen of Asgard, and he goes with the Guardians, because that's where he wants to be.  He’s not being who he is supposed to be, but who he is. Which seems to be someone who wants to have fun and save people who need saving. Which I think is a nice mirror to Chris Hemsworth’s relationship to playing the character. He said that he prefers the fun, comedic Thor that Taika made with Ragnarok, and doesn’t as much like playing the uber serious Thor from previous films. He even said he’d be open to more Thor movies if Taika Waititi was directing.

While I hope we see Thor in Guardians Vol.3, and his story didn’t feel as final as Steve and Tony’s did, he did come full circle. From fighting tooth and nail to be a worthy king, to finally accepting who he truly is and being comfortable with accepting that. Sort of mirroring Loki.

Speaking of Loki...His scenes in this movie were definitely more humorous than anything. I know people wanted a better end for him. I’ll be honest, I liked his end in Infinity War (though I did believe he might still be alive because he didn’t revert back to his Jotun form when he died in IW). But for all the same reasons as Thor. He started feeling tremendous envy and hate for his brother and father, felt the need to prove himself, though he took a very different route than Thor, he got to a point where he accepted who he truly was. A Jotun, and an Odinson, Thor’s brother, Prince of Asgard. So to me, yeah it would be nice to see a different ending for Loki, (if they do bring him back I feel they either can’t kill him or have to kill him for real), I’m content with his entire arc.

BRUCE BANNER / HULK

Bruce has finally come full circle as well. He started off wanting to actually kill himself because of the Hulk, but now he has found the ‘Professor Hulk’ middle ground. He even says he sees it as an ‘evolution’ (X-Men reference/hint maybe??). After Ragnarok and Infinity War, something during those five years lead both Hulk and Bruce to accept each other. Just imagine how happy Hulk was when those kids came up asking for a photo. It’s no longer “Earth hates Hulk”. Hulk is a hero, he has fans! Young kids who aren’t scared. Bruce doesn’t have to be scared of running rampant and out of control and hurting innocent people. He doesn’t need to be locked in a cage. He can be completely who he is without holding back.

Bruce admitting that he tried to bring back Natasha with his Snap…oof.

NATASHA ROMANOFF / NATALIE RUSHMAN/ BLACK WIDOW & CLINT BARTON / HAWKEYE / RONIN

I actually really liked the beginning and how they handled Hawkeye’s story. Him helping Lila with her Archery and her walking out of frame, then when it cuts back to where she should’ve been only some dust particles in the air? Amazing, show not tell. We didn’t need to actively see Clint’s family dust away (honestly it makes it sadder that he didn’t see it either, didn’t know what happened, they were just gone). And we didn’t need a scene of him talking about it. We just got into it. The Ronin story isn’t my favorite but I’m glad too much time wasn’t spent on it and only the parts that mattered were addressed. That his family is gone and he’s angry. Natasha still cares about him deeply and has been looking for him.

Also..who puts mayo on a hot dog?

Natasha and Clint’s relationship is one that I really like. It’s this pure friendship and salvation from the beginning. Clint was the one who made the call to not kill her, but rather show her a different path. In Endgame, Natasha does the exact same for Clint. She takes him from being a ruthless assassin, angry at the world, to fighting for the good guys again. They are family. She is Aunt Nat to his kids, friends with his wife. She knows about his family and ‘secret’ life when no other Avengers did. It’s because of him (and Nick Fury) that she has a family not only in them, but the rest of the Avengers. But it just makes stories like Infinity War/Endgame and Civil War sadder for her because, almost all the other Avengers have a life outside of the team, and have families to go to, but not her. So when they break up, and aren’t talking, she is left alone. No wonder she stays at the compound. When Rhodey is telling her about Clint and she starts crying, it’s so sad, because he was her family and he just left.

Natasha and Clint literally fighting over who gets to sacrifice themself? Big oof. Natasha really makes me like Clint’s character in the films. And as much as I love the “refund theory” of Steve returning the soul stone to Vormir and getting Natasha back, and I would love a better send off (like with Thor) I think her story has really come full circle.

One of the biggest themes I noticed in her arc throughout the films is choice. When she was in the Red Room, she had no choice but to do what she was told, because of what happened there she doesn’t get the choice of having children or not. In Winter Soldier she felt like she felt like the choice of fighting for the ‘good’ guys was an illusion. Etc. But here is the biggest choice she can make, and she decided that she’d rather die so everyone else, everyone she cares about, can have a chance. She wasn’t going to let someone else make that choice for her. She did it despite Clint’s protest. She finally found something, someone she chose to die for. And the imagery of her on the ground not only mirrors her position in Tony’s vision from AOU, but the pool of blood draining from her is almost literally her getting the red out of her ledger like she mentions she wants to do in Avengers. “I’ve got red on my ledger. Now I need to wipe it out.” She has finally atoned for all the bad she has done.

I know she didn’t get a funeral scene or a big send off, but I think that was as to not overshadow or take away from Tony’s. Which is sad. Maybe we will get a better send off in a different film or show. We did get those lines from Clint and Wanda about hoping she knew that they did it, that her sacrifice wasn’t for nothing. Which is small, but it is the person who cared about her the most.

Also...did no one tell Clint and Natasha that they would need to sacrifice someone to get the stone? Surely Nebula knew...

STEVEN ROGERS / CAPTAIN AMERICA

“I can do this all day.” “Yeah, I know.” Even Steve is tired of himself.

Scott: “That’s America’s Ass.”

Steve, later, looking at his own ass on a past version of himself: “That is America’s Ass.”

My mind immediately when we heard Sam’s voice over Steve’s comm: https://www.youtube.com/watch?v=uB1D9wWxd2w

Also on that note... I absolutely love that Sam was the one that Steve choose to carry on Captain America’s legacy. In the comics both Sam and Bucky take up the mantle and I was sincerely hoping Bucky wouldn’t in the films. At least not at first. Bucky has so much interesting story to explore from when he was the Winter Soldier and still has so much healing to do from not only that time, but everything he was thrust back into when he was still settling in Wakanda..and being dusted. In the films, Sam is perfect to be the Captain America of modern times. He knows how the modern world works, he’s been in the military, dealt with war (both earthly threats and extra terrestrial), and I feel he’s emotionally/mentally stable enough for it. Hell he ran a veteran support group which inspired Steve to run a support group for survivors during the five years after the snap. Also, I don’t think I need to get into why having a Black/African-American Captain America in these times is amazing. I would love to see him in a movie, but if we get a live action show on the Disney+ streaming service, I think that would be great.

When they showed someone sitting on the bench, I was like okay that’s Steve. But how skinny and small he looked I thought it was going to be Pre-Serum Steve...but no, we got old man Steve. Which surprised me, it shouldn’t have but it did, because when he left and they couldn’t bring him back I leaned over to my sister and said “he stayed in the ‘40s”. But I had like 1000 thoughts running through my head every second of this movie. (except when the theater fell silent when Tony...ya know) It sorta reminded me of Logan for a hot second...

I’ve seen some people say, "It's not in character for Steve to live a life and not fight".

Every single movie has been building to Steve getting more and more tired of fighting. First he sacrifices himself for everyone else. Then he is woken up to fight in a war, and a world, he barely knows anything about, and starts seeing that privacy and freedom might not mean the same things they use to. That the governments meant to protect the people have even more secrets and lies, and are becoming more violent and ruthless. His whole vision sequence (and basically entire arc) in AOU was about how he needs war and to fight but how he doesn’t want that to be the case. He wants to go home. He wants the 40s. He wants Peggy. He wanted Bucky. He wants a family and a life. It hints that sometimes he may feel he doesn’t deserve it, or that the time for that has passed.

He didn't leave Bucky behind, Bucky knew full well what was happening and didn't seem too bothered. He knew and was happy that Steve had this chance. He loves him and wouldn't keep him from that. More than likely Bucky sees a future for himself as well, just not in the 40s. Bucky could have went back with him if he wanted to. But he didn't. Sam even offers to go back with Steve, Bucky standing right there and Steve says it's okay. Bucky doesn't protest. Bucky is smiling. Plus we don't know exactly what happened. Maybe Steve would have still fought here and there, maybe he did help that timeline/universe Bucky. He did still have the shield with him. Or maybe he was a house husband/dad while Peggy worked. Whatever he did he was clearly happy and content with all his choices and no one protested.

I actually really love this ending for Steve. He finally gets to rest. He finally gets the woman he loves. He can be content knowing the world is safe and that there are others willing to protect it. From the skinny, sick, kid who was always searching for a fight and felt he was (or had to be) alone in the world. He found a family, his love, a life.

TONY STARK / IRON MAN

I really love that for the scene in the 70s they used James D’Arcy to play Edwin Jarvis. He played Jarvis in the Agent Carter show, and I think most people who watch any of the shows know that the shows are payed dirt in the MCU movies. So as someone who loved that show, loved the characters and actors, seeing that was great! It intertwines the show more closely to the films, and it was nice for Tony to see the other man who raised him even for a second. Yeah it would’ve been nice to see Paul Bettany, but I feel he is more connected to J.A.R.V.I.S Tony’s A.I rather than the actual person of Jarvis.

I love that Tony gets a reunion/closure with his father (similar to Thor’s with his mother). Before his own untimely death, he gets to talk with his father and really see things through his eyes and learn what his mind set truly was. Now that he’s a father himself he understands a bit more the struggles Howard had, he knows Howards own self doubts. That despite everything Howard cared, and that Howard’s own father was cruel to him. And they get to share that last hug and is able to thank him! Just like he wanted to in Civil War. He gets to say I love you, and thank you for everything.

Peter says he “got all dusty. Then [he] must’ve passed out”. So like...no time passed for those who got dusted in the snap...

I was sorta hoping Tony would wield Mjolnir as well, but he didn’t :/ but it’s fine. He doesn’t need it. He wields the Gauntlet/Infinity Stones.

Something Kevin Smith brought up that I hadn’t really thought of was that Tony was completely set. While he definitely had regrets and felt guilty, he had a good life in front of him. He 100% could have just lived the rest of his natural born days out with his family and been as happy as he could have been. But seeing that picture of Peter, and knowing all that was lost, feeling guilty, and just being the self-sacrificial man he is, risked it all for everyone else. Knowing it could go wrong, he still did it.

Tony’s scene towards the beginning was the first time I almost cried. After he gets rescued, and they are talking in the compound. He is so skinny and in a wheelchair and hooked up to the IV. Cap starts talking, like he always does, and Tony just is not here for it. This is exactly what he said was going to happen, this was the culmination of all the PTSD and anxiety he has had for 8 years. It happened, he was right. No one wanted to listen to him. People gave him so much shit for Ultron and the Accords and literally everything that he has ever done, and this happens and he (pardon my language) snapped on Steve. It was heartbreaking. Because he tried so hard to prevent it. Steve told him they would lose together but he was alone. He watched the kid he cared about disappear in his arms, had no idea who else he cared about who could’ve done the same, and he was alone in space (well Nebula was there, but..he didn’t know her really, they were forced to get to know each other. Remember she showed up when they were already battling Thanos). He was suffering, believing he was going to die. No oxygen, no food, no water…and when he gets back Steve just wants to jump back in, and get information out of him? No. He has had enough. Steve lied. Sure maybe he didn’t mean to, but he said they would work together and then Civil War happened. He made a decision in that movie to be on the opposite side of Tony. I’m not saying that Steve wasn’t justified in his actions in Age of Ultron, or Civil War or anything after, but just that from Tony’s perspective, Steve was continuously putting other people and things in front of him. He probably thought that Steve would make an effort if they were truly friends, and if he truly cared Steve would’ve done more to salvage their friendship but didn’t. I have a whole thing with Steve and how he acted but I just know Tony was hurt, and one person he thought he could turn to, wasn’t there. And the line he closes out his rant with? “No trust, liar.” That hit like a ton of bricks.

When Tony asks Dr.Strange if this was the one they won, Strange says he can’t tell him or it won’t happen. But later Tony looks at him and holds up one finger, telling him this is the one. He told him because he knows that Tony already knows and has come to terms with what has to happen. Tony knows he has to get the stones and Snap Thanos away, knowing that it could kill him. So Dr.Strange just affirmed it for him. If he would’ve told him earlier, than Tony might’ve thought of a different plan, or thought he could make it out, maybe he would’ve gotten excited and cocky. That also means that from the moment Strange looked into the future in IW he knew Tony was going to die. Yeah he knew Thanos needed the time stone because the Snap needed to happen in the first place for them to reverse it, but he also knew Tony was going to make this sacrifice, and couldn’t die just yet. I always thought that Tony was the key after Infinity War, but now it explains why Dr. Strange’s demeanor changes after that.

I almost cried a lot during this film but I actually cried during Tony’s death and funeral scene. Bookending the entire saga with “I am Iron Man”. How Rhodey goes up to him, then Peter (Tom Holland never fails to make me cry when he’s playing Peter), mirroring the last moments in Infinity War, “We won. We did it Mr.Stark”. Then Pepper goes up to him, and has to look at him and he seems almost...catatonic. He isn’t responding, just staring at each of them. Pepper has to watch her love, her husband, the father of her child, die. But she still reassures and comforts him, telling him he can rest now… and i’m about to cry just writing this omg… Then the light of the arc reactor blinks out and you know for real that he’s gone. Tony leaves a message for them knowing his fate, book ending the film from the message he was leaving at the beginning of the movie, to the message he’s leaving for them now. He loves Morgan 3000. Just knowing over the years, Morgan and Pepper will go back and watch this message. Morgan will grow up knowing her father saved the universe with his own hands. They will probably have suits and old tech around that she will be able to look at and play with and tinker with (because you cannot convince me Tony Stark’s daughter won’t be as much of a tinkerer as him). The “Proof Tony Stark Has A Heart” display is sent adrift in the lake outside their home, Little Morgan sitting with her mom. And every person who Tony has come to know and love is watching. Millions more probably mourning all over the world (and in our universe as well). Tony started as an arrogant, genius, billionaire, playboy, philanthropist, rich kid with more brains then he could handle, and become the self sacrificial saviour of the universe. He’s been through the worst things, kidnapped, tortured, betrayed, watched people die in front of his eyes, get hurt because of him, etc. But always was looking for a way to make things better for everyone else. He is 100% the heart of the Marvel Cinematic Universe. Robert Downey Jr. is the heart of the MCU. Him and Jon Favreau and Kevin Feige took a chance on a movie that was guaranteed to do the best in 2008, improvised through a film with little to no script and built an empire. Robert is Tony Stark in sooo many ways other than both having rich and famous dads. Tortured, and regretful pasts that they rose above. I cannot sing the praises of this character or this man more. So I will end it here. It will sad to go forward without the character, but we really won’t be. Tony and Robert are cemented in every Marvel film and every film to come.

Thank you to all the creators, crew, directors, writers and actors. Robert Downey Jr., Kevin Feige, Jon Favreau, Stan Lee, Joe Simon, Jack Kirby, Steve Ditko, etc. <3 Thank you!

[master-sass-blast]

Strong as Stone --Part Forty-Two.

Welcome back! Sorry for the brief hiatus; depression was kicking my ass (still is, but I’m determined to move forward), but now I’m back and

GOOD LORD I HAVE MADE SOME ANGST. WOW.

So, uh, last time we learned that M’Baku and Okoye are going to have a baby! Yay! How wonderful!

This time, we get to see the pre-stages of Dewani’s trial --and it gets angsty. Whooooo boy.

This chapter is rated T for the following: heavy angst, discussions of death, and angst. Angst angst angst.

Pairings: Okoye x M’Baku and Shuri x OC.

Yupp. Angst heavy update. You’ve been warned.

(Side note: I had to edit the title twice because I got the wrong number. The fuck is wrong with me?)

@the-last-hair-bender, @skysynclair19

Not every fight you face will be one you can control. There are times when you are the game master, and there are times where you are merely a piece on the board.

It’s hard to be a piece on the board when you know the stakes are high, because doing your best will never feel like enough --especially if you lose.

There is no magic answer, my dears, for avoiding the fear or the loss. All you can do is put one foot in front of the other.

Sometimes, moving forward is the only answer.

“This will be so much easier once the rail system is finished.”

Okoye couldn’t help but smile as she carefully --expertely--piloted her ship through the mountain range that led to the Jabari lands. “Is that so?”

“Don’t act like it won’t be!” Shuri said with a laugh, momentarily pausing her pacing around the cabin of the craft. “Just sit back and ride. It’ll be shorter, too.”

“Shortest distance between two places is a straight line,” T’Challa agreed without looking up from the book he was reading.

They were headed to the Jabari lands so that they could prepped for Dewani’s impending trial; they’d all have to give testimony in defense of the Chief’s sister --which they were all willing to do, no questions asked--and were flying out a week early so they could get a sense of what would be required of them and how the trial would proceed.

As far as Okoye was concerned --as far as they all were concerned--it was a sham. As soon as the trial started, F’Tendi’s history of abuse would come out, and that’d be the end of it. The curmudgeon would hang himself on his own rope, and Dewani would be freed from her uncle’s looming, oppressive presence.

Shuri, however, was nervous. She’d started pacing the perimeter of the cabin as soon as they’d taken off and hadn’t stopped for almost an hour.

Okoye knew the princess was young, and that youth could lend itself to restlessness and worry, but she also knew that Shuri was remarkably level-headed --and that if there was anyone who would have an inside eye on how the trial was shaping up, it was Shuri; she was Dewani’s girlfriend and confident, after all.

So, if Shuri was nervous, there had to be a reason for it… right?

You’ll find out one way or another, Okoye told herself as she steered her ship through a narrow pass. For now, focus on making it to the Jabari lands in one piece.

There was, in fact, a reason for Shuri’s nervous energy.

A very large, very --figuratively--sticky one.

According to the elder representing Dewani’s case --since M’Baku was the chief of the tribe he couldn’t present her case himself, so it had been delegated to a trusted advisor--most of F’Tendi’s charges were superfluous. Homosexuality wasn’t a crime under Hanuman’s tenaments, and F’Tendi’s abuse towards Dewani over her orientation was grounds for his own expulsion from the tribe.

Rescuing Adesina from the cult territory, however, was more than enough to land Dewani in hot water.

“She was dying!” Shuri snapped once she’d processed the information. “I’ve got more than enough medical records to prove--”

“And we will definitely be relying on those records as physical evidence, your Highness,” the elder said evenly, “but the point still remains: entering the cult territory is expressly forbidden. And, given that Sister Dewani ventured there many times and interacted with a member of the cult, she can be tried for expulsion.”

“Adesina was a victim --is a survivor--of heinous, horrific physical abuse!”

“Again, the physical evidence you have will be very handy in proving that.”

“So what’s the issue, then? Why are we even worried about Dewani’s rescue mission?” Shuri exclaimed with a scowl. “It was a goodwill mission! She risked her own life and standing to save someone else --someone that she didn’t know, that by all means should’ve been inconsequential to her. Why isn’t her compassion--”

T’Challa placed a hand on his younger sister’s shoulder. “I think the elder is trying to get to that point, but they do need the opportunity to get a word in edgewise.”

“Your Highness, you were present when Dewani asked Adesina to aid in the battle against Thanos, correct?”

Shuri’s narrowed. “What does the battle have anything to do with… anything? Thanos was trying to destroy half the world. Dewani was trying to help save it.”

“According to certain testimonies, Dewani had prior knowledge of Adesina’s powers and asked her to use them against Thanos.”

Okoye felt her heart sink. Shit.

Rescuing Adesina could easily be spun as a goodwill mission --primarily because that’s exactly what it had been. But encouraging Adesina to use her powers?

You don’t have to belong to the tribe to see where encouraging a demon to use their powers might come across as blasphemous.

“Well, we all saw Adesina use her powers when HYDRA attacked the palace,” Shuri reasoned. “Technically, there’s no legitimate way to establish that Dewani had any prior knowledge of Adesina’s powers before then. And, given the severity of the fight we were facing with Thanos, we needed all the help we could get; Adesina’s inclusion is practically in consequential.”

“Perhaps in the logistical scheme of things, but inciting a person to use dark magics is still considered an act of blasphemy,” the elder said with a small, somewhat amused smile. “Though, I might ask you to help present the case. You seem to have all the arguments formulated already.”

“Given that asking for Adesina’s help was an act of blasphemy regardless of how we look at things, what does that mean for Dewani?” T’Challa asked.

“The context of the situation might be enough to sway the council into pardoning her, especially of Adesina is truly repentant of her upbringing.”

“And if it’s not?” Okoye asked.

“She’d just be banished,” Shuri interjected. “Right?”

The elder grimaced. “Given that Adesina is a legitimate conduit of Ravana, no. Inciting the use of dark magics on that scale is ground for execution.”

Okoye’s eyes widened as Shuri let out a horrified “What?” “Isn’t that a little severe? She was heinously abused by her uncle for years and lost her brother in the fight with Thanos only a handful of weeks ago. And she only asked for Adesina’s help to try and save the world!”

“The law is the law. We can only hope that the council will be merciful and see Dewani’s choice as an act of youthful foolishness, rather than act of malicious defiance.”

T’Challa grabbed Shuri’s hand, effectively cutting the teen off before she could go on a tirade. “How can we help ensure that outcome?”

“Attesting to Dewani’s character and commitment to her tribe will be important --and providing testimony about F’Tendi’s mistreatment towards her. He’ll be presenting the case against her, and the worse of a light we can paint him in, the better Dewani’s chances are.”

Shuri stood up abruptly and darted out of the room. “I need to see Dewani.”

“It’s alright,” the elder said when T’Challa got up to go after her. “We have all week to prepare, and trying to cram everything in now isn’t going to help.”

Okoye nodded, then stood when T’Challa did. I need to speak with M’Baku.

M’Baku and Dewani were out in one of the gardens, sitting together on one of the many benches that dotted the green space. Dewani was curled up in her brother’s lap --as much as she could be, she was almost T’Challa’s height now and almost the King’s size as well--and had her face buried in his neck. M’Baku had his arms wrapped around his sister, and he looked like he’d just seen the face of death.

They know, Okoye realized. They know she could die.

Dewani popped out of her brother’s lap as soon as she saw Shuri, and then she was slumping against her girlfriend, heaving ragged sobs.

Okoye slipped past them to get to M’Baku. She held him as tightly as he held her, pressing kisses against his chest. “I’m so sorry, my love.”

“I’ve worked so hard to protect her--”

“I know.”

“--and her good intentions could get her killed.”

Okoye grimaced as she felt her throat constrict with emotion. “I know.”

M’Baku let her go and looked off to the side, away from everyone else, as he blinked rapidly. “If I-- if I had adopted her sooner, there might’ve not even been a trial. I would’ve known about her orientation sooner, handled things myself, and all this could’ve been handled quietly. She’d be safe.”

“This isn’t your fault,” Okoye insisted quietly as she rubbed her hands up and down his arms.

“Chief M’Baku,” T’Challa said as he walked up to them. “I’m so sorry.”

“That makes two of us.”

“Is there--” T’Challa paused, grimaced, then continued. “Is there anything I can do to help? Anything that might… prevent an execution order?”

Can he use his status as King to interfere so that Dewani’s guaranteed to stay safe, one way or another, Okoye translated mentally.

M’Baku smiled bitterly and shook his head. “I’m afraid not. It’s out of both our hands. We can only hope that the council judging her is lenient.”

Okoye clenched her teeth together as she watched Dewani and Shuri hold each other. Bast, please let it be so.

“I don’t know. I just don’t know.” M’Baku was sitting on the edge of his bed, head in his hands. “If it was just F’Tendi’s abuse and her orientation in question, I wouldn’t be worried--”

“Things have changed,” Okoye said softly as she knelt in front of him. “I get it.”

“The elder presenting Dewani’s case is worried that F’Tendi will use her relationship with Shuri to prove her lack of devotion to Jabari tradition and that she encouraged Adesina to use her powers to bring about the apocalypse.”

“That’s a load of bullshit. Anyone will be able to see through that.”

M’Baku shook his head. “My people are terrified of the cultists. Different beliefs and practices aside, there’s a long history of hatred and hurt there. I’m scared it won’t take much for them to transfer that to Dewani, misplaced as it is.”

“M’Baku, look at me.” Okoye cupped his face in her hands when he did. “Dewani’s going to make it out of this. She will. As soon as the elder representing her case starts talking about F’Tendi’s history of abuse, he won’t have a leg to stand on. He’ll be laughed out of the room.”

M’Baku sighed heavily before drawing her into his arms. “I wish I could have your faith.”

“Things will work out. They will.” They have to.

M’Baku pressed his lips against her forehead, then pressed one of his hands against her stomach. “How are you feeling?”

“Tired, but alright. I’ve already had to cut back on my coffee intake.”

“Horrors. Have you thought about any name choices?”

Okoye chuckled. “Isn’t it a bit early for that? We’ve only known we’re having a baby for a couple weeks now.”

M’Baku was silent for a moment, then said in a trembling voice, “I was thinking… if we had a girl --if Dewani doesn’t--”

Okoye wrapped her arms around his neck and held him as he buried his face into her shoulder and sobbed. “It won’t come to that. We aren’t going to have to do that.” She squeezed her eyes shut as she felt her own tears start their escape. Bast, please don’t make us do that.

[jack-os-5d]

im cpypasting this from my 3am discord rant and im not gonna bother hiding that

so like

[2:44 AM]the reason most people use the trope of "the villain from a previous arc is now helping the main characters to fight the current, even worse viallain" is that they want to establish that the current villain is so much bigger and badder than this other villain, right

[2:44 AM]and that's like fine and all, like it's perfectly valid, but like

[2:45 AM]that's not WHY that trope is actually good

[2:45 AM]you guys get me right?

[2:46 AM]like the reason that trope is so good, is because fundamentally at it's core you HAVE to have a villain with real motivations for that to work

[2:47 AM]and villains with motivations are inherently more interesting that ones without

[2:49 AM]like even if you're villain's motivations are incredibly cartoonish like they write evil on their calendar or they want to rule the world or the literally just want to be the most evil guy around, if another villainis PREVENTING THEM from baing able to achieve that, then that villain is going to want to put a stop to it

[2:50 AM]like "i cant fucking rule the world if this guy destroys it" or "yeah i wanted to turn the whole wrld into worms but this fucker wants to rule the world and he's gonna make that shit illegal. AND HE CAN ACTUALLY STOP ME IF HE DOES"

[2:51 AM]i also like when villains sort of lose their motivations to be villains too

[2:52 AM]like "i'm going to kill all these people so that i can be immortal" and then later they become immortal without killing anyone so theyre just not evil anymore like yea i got what i wanted

[2:55 AM]or like i'm going to destroy this country to get revenge on the president whom i blame for my sister's death and then like at the end of the arc they find out the president was actually trying to save their sister or whatever but then later they break out of jail to save the president because they owe them their gratitude AND an apology

[2:55 AM]fuckin...

[2:55 AM]villain motivations are cool

[2:55 AM]which is why the mcu sucks

[3:00 AM]like if there's a guy who's gonna snap his fingers and then you gotta flip a coin and if it comes up tails you're dead before you even see the result I'M NOT GONNA TAKE THAT FUCKIN CHANCE are you fuckin kidding me?

[3:01 AM]there's no fucking reason why literally EVERYONE in the WHOLE UNIVERSE shouldnt be trying to stop thanos from snapping

[3:07 AM]like i dont care who you are (actually wait know death is a canon real person in marvel at least in the comics so ONE person is like yes... YES but aside from that... and even then THAT was why thanos did it in the comics too because he wanted to impress death) but no matter how many days on your calender are totally booked because you wrote "evil" all over it, you kinda gotta reschedule IF YOUR MINIONS ARE GOING TO HAVE TO GET THE PUSHBROOM OUT TO CLEAN YOU OFF THE FLOOR. you dont have prior arrangements when someone has a gun to your head for the same reason no one tries to make a deposit at the bank during a robbery: the bank teller is a little busy

[theronk09968433-blog]

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[theemichelleb]

Avengers: Endgame - Movie Review

I actually saw this movie opening weekend and decided to give everyone a chance to watch before publishing because I know just how important this film was for my generation and those Marvel fans before us. I definitely do not want to ruin anything for anyone so if you have not seen the movie yet DO NOT READ THIS and don’t watch the trailer for the new Spiderman Movie. It will truly ruin your day, LOL.

That was your warning….

Now, for those of you that are not HUGE Marvel fans, if you’re wondering… Yes, I did sit through the 3 hours and 2 minutes of awesomeness known as Avengers: Endgame. Would I do it again? ABSOLUTELY! The movie was awesome and everything I imagined it would be. It didn’t even feel like I was sitting there for 3 hours.

I think it was only right for the writers to end the story line with Tony Stark the same way they started this decade of awesomeness with him, and he deserved that spotlight. We have waited 10 years for the powerhouse that was Thanos to come and conquer or be conquered, I had no idea Infinity War and Endgame would play out they way they did, but I think it was genius. I love movies that don’t have the fairy tale happy ending and leave us with scars because that’s how real life is; it hurts, makes us cry, and makes us question how we’re going to move forward after this. I mean, I didn’t cry or anything, and I definitely can’t wait for whatever Marvel has next in our heroes respective story lines, but life isn’t perfect and I admire movies that show these worlds in a more realistic light.

Leaving out of Infinity War, I knew Gamora was gone… although they’ve found a way to bring her back to close out the Guardians franchise without a missing piece. I also knew Thanos had to die and our beloved heroes would need to be brought back to life… there was too much money and too many franchises riding on their main characters being brought back from the dead; especially T-Challa because the black community was going to have a riot if our beloved Black Panther was knocked out of the MCU after ONE self titled film of cinematic genius.

But here is where I have to acknowledge Stan Lee’s amazingness and how I almost dropped a tear to see he actually got to end the game with Endgame… truly iconic and he will be missed.

So! Avenger’s: Endgame… where to start? It’s definitely clear to say if you did not follow the entire franchise with all of the individual story lines that tie into the Avenger’s, you’re going to be lost at some parts during the movie. We took trips back to the first Guardians of the Galaxy, the first Avenger’s movie, Doctor Strange, Thor: The Dark World, Avenger’s: Infinity War, and I know I’m missing a few others but those were the big ones for me that were traveled back to. But honestly, just watch all of the movies to get the entire experience and learn who each character is, there are 22 movies included in the Avenger’s MCU, although I don’t really count the Incredible Hulk (2008)… Bruce Banner/The Hulk isn’t even portrayed by Mark Ruffalo in that movie and I personally don’t think it has anything to do with the series other than it’s an origin story for The Hulk; but, watch at your own discretion and choose if you agree on your own.

Now, don’t be confused. I completely 100% believe that the movies are corny and cheesy, some more than others, but that’s the beauty of taking your childhood comic book characters and making them real; just take a look at the Transformer’s dynasty… Optimus Prime is about as corny as it gets but we still love him on film! Let me not get off topic, though. My least favorite films from the Avenger’s universe are the first two Thor movies (although Ragnorak was absolutely amazing and saved Thor’s story line in my eyes), Iron Man 3 was okay I could have done without it, Spiderman: Homecoming, and Ant-Man… I know those last two may make some people unhappy, but you can definitely share your views in the comments below! I’d love a good conversation on this. My faves, however, consisted of Black Panther, all 3 of the Captain America Movies, Guardians of the Galaxy 1, Thor: Ragnorak, and all of the Avenger’s movies. All the rest were good for what was needed to move the story along, including those that I didn’t care for much.

Only thing I don’t care for are how the movies end with plot holes that are later “filled” in future movies, I think that’s Marvel’s attempt to cover their tracks, but those holes could be left purposely to leave space for flexibility in upcoming movies. There were a couple holes in the plot for Endgame that I’m just not convinced of, however.

If Thanos’ past self is killed, shouldn’t the affects of Infinity War be erased? If he’s dead before he can snap his fingers the first time, technically he never erased half of the universe’s population, which then means Endgame didn’t occur and we should be sent back 5 years prior as though nothing ever happened. I could believe that only those heroes that participated in fixing the timeline would remember what actually happened.

If Gamora died in Infinity War, but her past self was brought forward when Thanos came to the future in Endgame, technically Thanos could not have killed her to get the Death Stone in Infinity War, which also means he never erased half of the universe’s population. I guess they could spin this as since she’s still alive it doesn’t make a difference… still a plot hole to me.

Where did Loki go? He got hold of the tesseract when the team went back to 2012 to get it and the staff, but of course things did not go as planned and he disappeared. I just want to know when we are going to discuss how that throws off the time line, because if he disappears he technically never winds up in jail in Asgard.

I’m sure there’s some round about way to explain all of these, but I’m just letting it be known that it doesn’t completely make sense. Time travel is a complicated nonexistent thing to understand as is, so I won’t sit too much on what was off about it because there was so much more that was right about it.

I was talking to somebody about the movie and appreciated just how amazing the women were in this film, yet again, displaying just how D.O.P.E. we are in real life and the way we always come through in the clutch. Okoye, Shuri, Valkyrie, Wanda/Scarlet Witch, Captain Marvel, Pepper Potts, and our beloved Black Widow, may she rest in peace, kill the game in the movie and aren’t just side kicks. This goes back to my excitement about Black Panther… I don’t care what anybody says or who chooses to believe that movie wasn’t a big deal, it was a HUGE deal to me and the emphasis of D.O.P.E. black women was truly out of this world. They seriously carried that trend through the end of the Avenger’s story.

In particular, let’s highlight Black Widow and her sacrifice to save the world. There truly was no question about who would have to die between her and Hawkeye, unfortunately. They were quite the pair but he had something tangible to gain from saving the world, his family; she, on the other hand, was able to save all of her friends and give his family back to him by sacrificing herself. She had waited and obsessed over how to save the world for FIVE years and this was it; Hawkeye went through the world killing bad guys to remedy the curse that was Thanos. I think it was a beautiful second chance for him. He not only got his family back but his best friend gave her life so he could find his way again and become the hero she knew he was.

This is why I’m so hooked on how D.O.P.E. we are as women!

Captain America also got a loving ending to his story and I appreciate how the baton was passed to Sam Wilson, a glorious black man. Could this be foreshadowing to a branch off for Captain America movies?? I tell you one thing, these crazies in the world today better not start ANY NONSENSE about there being a black Captain America the way they did about Idris Elba being the black James Bond…. and that’s that on that.

For my dear Iron Man… Tony Stark you have truly achieved the level of acknowledgment and heroism that you chased after with your escape from captivity in 2009 and we appreciate you for your sacrifice and getting that 1 in 14,000,605 chance to beat Thanos right! Tony Stark’s path has taken many turns that I didn’t expect it to take following him through the years, but I’m glad he reached the goal he was fighting for in the movie primarily; to save his family. The procession shown at his funeral to close out the movie was so beautifully laid out the only thing that could have made it better was if Stan Lee had made a cameo. I think it was genius how the pan through all of the characters at the funeral was a parallel of the comic book opening for all of the Marvel movies. I think the best part about how Tony is honored is that Pepper was by his side in the fight against Thanos and he had daughter that I’m most certain is going to follow in his footsteps in both brains and courage. His legacy will definitely live on into new movies and through the characters that we got back.

There are truly so many other things that can be said about the movie. Overall, it was the best ending for this struggle to survive than I could have imagined. It truly made the last 10 years worth while, and I appreciate the growth of Marvel over the years in their execution of all of these movies. They sought out to tell an amazing story and ended up with an epic playing field that has provided a ridiculous amount of growth and development for the company. The casting has definitely been A-1, the plots are intriguing, the scripts have gotten more believable, and execution was always pretty on point but have gotten even more intense and engaging for the audience.

The movie is a must see. If you haven’t gotten into Superhero movies, it’s okay but if you want to give something new a chance now’s the time. You can watch the entire story be told from beginning to end and there are so many ways to find the order to watch all 22 movies so the story flows and you’re not lost.

Happy Binge Watching!

[hellzyeahthewebwieldingavenger]

My thoughts on Infinity War and Spider-Man’s role within it.

Yeah obviously SPOILERS

tl:dr version: It’s great but there are some problems, mostly in regards to it as an adaptation but there are some problems even taken on it’s own. Spider-Man’s better than he was in Homecoming but there are still fundamentally broken aspects to his character

Longer version:

Brolin and Saldana’s performances were utterly stellar. Like everyone did a great job but they were on another level. The Thanos/Gamora relationship was just perfect, closely followed by Wanda and Vision’s romance (WHY won’t Marvel just let them be together again in the comics!).

 The action was also just great with my personal favourite being Captain America and his team’s first appearance.

 I don’t think the action scenes were up there with the best stuff from Avengers Assemble or Civil War, but there was nothing wrong with it...well....except maybe one thing but I’ll get there in a minute.

 The Russo’s also, much like in Civil War and as Whedon did with both prior Avengers films, performed a master class in balancing out a truly MASSIVE amount of characters.

 Yes some characters got a lot more play and focus than others (Iron Man edged out Captain America, small wonder since this movie was kind of celebrating the 10th anniversary of his movie) but the amount of play each character got felt appropriate to the story being told. Like T’Challa wasn’t as focussed upon and didn’t really have a big moment in comparison to Iron Man but then again Iron Man was the guy who literally had PTSD due to the Battle of New York and that was Thanos’ fault. Also it’s appropriate given how Thanos was originally an Iron Man villain.

 There was also plenty of laugh out loud moments, especially when it came to the Guardians. In fact credit to the Russo’s they did a wonderful job of keeping the Guardians consistent with Gunn’s portrayals of them.

 Now...that cannot be said of every character. Tony Stark I felt was consistent with their take on him from Civil War but along with that movie’s rendition of him leant more towards the serious side of things than Whedon’s portrayals of him or his characterization in his solo trilogy.

But I also do not regard that as a bad thing. One of my frustrations with the MCU, especially in Phase 3 has been that they don’t take things seriously enough and undermine the characters and drama with too much humour at times.

 This is the root of my profoundly mixed feelings on Thor: Ragnarok. It IS hilarious. It’s funny and fun. But also extremely inconsistent with the other Thor films and to be blunt a downright insulting portrayal of the rich almost Lord of the Rings level high fantasy world of the Asgardians. Thor is far from devoid of humour of course but primarily he’s a high fantasy noble warrior and that’s tonally played straight. So when you have him bumbling around or facing off against Jeff Goldblum playing a character practically designed to be an internet meme it’s really going against the spirit of the character.

 As far as I am concerned MCU Thor, whilst likable enough in his own right, has yet to really nail the character. However Infinity War at least course corrected this somewhat following Ragnarok. Infinity War’s Thor is still comedic but he is also somewhat tortured and a real bad ass at various moments. However the price of this was essentially entirely undermining Ragnarok’s ending. It reads as though the Russo’s were blowing a raspberry at Waititi, much as Rian Johnson’s Last Jedi did to Abrams’ Force Awakens movie. I’m less upset about it though because all the Asgardians I gave a damn about were casually killed off in Ragnarok anyway and that movie screwed over Thor’s mythos anyway.

 I’m hoping this clean slate approach could maybe lead to a second attempt at getting Thor right but I dunno if that’s likely.

 Another character who was treated with more respect and was just over all more on point than in their solo movie was Doctor Strange.

 THIS was the Doctor Strange we were promised in his 2016 movie. The MASTER of the Mystic Arts and the dude in CHARGE of the magical stuff on Earth. Along with his absolute lack of slapstick bullshit this more competent portrayal of Doctor Strange was an infinitely better reflection of the classic Ditko character than his own movie.

 Finally as I touched on above Thanos himself needs to be lauded. He is easily one of the three best MCu villains ever. Loki, Killmonger and him compete for the top spot. His motivation is interesting unto itself and in a perverse way even sympathetic. His character has actual layers (not to the level of other great comic book villains admittedly but they exist) and in a very real sense this is HIS movie moreso than anyone else.

 Okay that’s all the good stuff that comes to mind...what about the stuff I didn’t like.

 Well whilst the humour was more finely balanced with everything else in this movie in comparison to say Ragnarok (which was a comedic action movie, not an action movie with comedic moments in it) or the slapstick bullshit that was Homecoming and Doctor Strange, there was still a little too much in there at least for me.

 I laughed for sure but it still felt a bit too ‘this is a Marvel movie so we need to have humour moments because that’s part of our brand don’t ya know!’. In particular Wong and Doctor Strange mentioning talking about ice cream in the middle of the discussion about Thanos’ impending invasion of Earth was way too far. Even if it wasn’t specifically Doctor Strange in that scene it was just stupid that we needed to cram a joke like that in a scene that realistically shouldn’t be there.

 Another of the admittedly few problems with the movie was that the Infinity Stones’ abilities were rather vaguely defined. Like...what exactly DOES the power stone do? What are the limits of the Time Stone? Because in Doctor Strange it seemed to be able to turn back all of time but in this movie Wanda kills Vision by destroying his Infinity Stone and then Thanos beats her up. He proceeds to reverse time so HE can get Vision’s stone but Wanda remains beaten. So...can he localize the effects of the Time Stone...apparently.

 This becomes kind of a plot hole considering a major point of the movie was his need to kill Gamora in order to attain the Soul Stone. But if he can reverse Time...why couldn’t he just go back in time and save her?

 Things get even more screwy because the Reality Stone enables him to apparently WARP reality. At first it seems like he can just cast convincing illusions. But no...he literally turns Drax into stone and makes Star-Lord’s gun shoot bubbles.

 He can warp reality.

 But if he can do that...why does he need the other Stones at all? Why is Gamora’s death a big deal because he could just warp reality in order to bring her back couldn’t he? Hell why did he struggle at all in ANY of his battles with the Avengers/Guardians?

 I’m not saying there is no way to explain this stuff (e.g. that he needs a certain degree of concentration to maintain his alterations to reality) but the movie needs to GIVE them to us.

 My final bone of contention would be the changes to Thanos’ character. I’m no Thanos expert but even I know the character’s drive is his romantic feelings for Death. If you didn’t know in the Marvel Universe Death is literally a sentient Cosmic entity that can adopt various forms, most commonly that of a woman.

That is how Thanos sees her and he is literally in love with her. He kills people to please her. THAT is the reason he is known as Thanos the MAD Titan.

In this movie though his motivation is to kill half of the universe’s population because the universe only has a finite amount of resources thus less people, the more people can live happily off those resources.

Like I said it’s an interesting and in a warped way sympathetic motivation.

He doesn’t hate anyone, he isn’t evil he has looked at the problem and come up with a coldly pragmatic solution...Kinda...

I guess you could just handwave this on him being so deranged as to honestly commit to murdering half of everyone alive but when you think about it his plan doesn’t make a whole lot of sense.

I mean for starters killing half of everyone is a temporary solution at best. Once upon a time there were less people alive then there are today so those numbers will go BACK up given time?

Was his plan to just keep the numbers down whenever they get too big?

Secondly if his argument is that resources are finite so there needs to be less people in order to consume those resources well...that doesn’t really fix the problem. Because those finite resources are still going to be consumed, it will just take twice as long.

And what about places for whom those resources are already mostly depleted so the half who have survived can’t make that much use of them anyway?

How about those planets that are actually SO over populated that their resources are still not enough to support even half the population?

Then you have the fact that if Thanos can warp reality to the point where clicking his fingers kills half of everyone in the universe couldn’t he just snap his fingers and DOUBLE the resources for everyone?

Couldn’t he just create like more planets with more resources and more space for everyone?

See the ‘half of everyone alive are gone’ thing IS directly from the original Infinity Gauntlet storyline but in that story it didn’t raise these questions because the entire reason he killed half of everyone was because he was trying to impress Death.

I know, I know. The movie’s motivation is an easier concept to grasp and easier to sell to a mass audience than ‘Death literally looks like a woman to him and he wants to make sweet love with her’.

At the same time...it’s SUCH a bold and strong idea that it’s honestly far more original and striking than the motive this movie gave him.

More importantly though in removing that motive they kind of...eviscerated the foundation of Thanos.

Like if you are doing an adaptation of Thanos the ONE thing you need to do is have him be in love with Death.

That is literally the thing his whole character revolves around.

To not do that is to essentially just do an uber powerful purple alien who can take down whole hordes of super heroes and has the trappings of Thanos.

Like I said I like the move and I liked Thanos in it but at the same time it was a really bad portrayal of him.

Speaking of which...

Let’s talk Spider-Man

...Sigh...god dammit...

Look not much new to say.

Spider-Man in this movie much like his other MCU appearances is defined by his youth and his relationship to Stark.

The character can be summed up as ‘the young inexperienced kid hero who’s a pseudo son to Tony Stark’.

THAT is who MCU Peter Parker is.

That is also fundamentally NOTHING like who Peter Parker is!

How badly did they lean on this take on him though?

They leaned on this take on him so badly that Doctor Strange LITERALLY asked if he was Tony Stark’s ward. The film makers LITERALLY referenced how they’ve turned Spider-Man into a pseudo Robin to Iron Man’s Batman.

They also had Spidey cry and wimper at the prospect of dying.

This is something I’m conflicted over.

On the one hand if Spider-Man is the everyman, the hero who could be you, his ability to feel fear, especially over his own demise, should make such an portrayal of him permissible right?

Well...yes and no.

First of all the overwhelming majority of the time whenever Spider-Man truly believes himself to be facing what seems to be inevitable death he’s NOT acted that way. In ASM #40 he was at the mercy of the Goblin and even stated he wasn’t afraid to die. YES he was older than MCu Spider-Man but he was 19 vs 15. It’s not that big of a difference frankly.

But okay even if we ignore that we have Ultimate Peter Parker, whom MCU Spidey is clearly more based upon than the 616 version, definitely NOT acting that way during the Death of Spider-man story arc.

But honestly I think my problem with the scene (apart from him dying in Stark’s arms to further beat you over the head with the fact that he is Tony’s ‘son’) was kind of my problem with Superman murdering Zod in Man of Steel.

It’s not that you can’t have that happen but it’s when you are having it happen.

In Man of Steel it was an origin movie and the first movie to establish that version of Superman.

What this means is that we needed to see Clark become Superman but also have Superman be as definitively Superman and do the usual Superman stuff as much as possible. This is also why the Dawn of Justice version of Batman didn’t work. You can say it’s Batman at the end of his rope all you want but that doesn’t mean anything if we haven’t seen what Batman is NORMALLY like.

You need to establish the default setting for the characters, what their typical personalities are like and then you can push the envelope with stuff like that.

With Spider-Man because they’ve leant so hard on the ‘HE’S YOUNG’ thing and had him cry and whimper in Homecoming’s climax as well as this movie’s climax (which are 2 of his 3 appearances so far) it’s served to push that this is part of the ‘default’ setting for MCU Spider-Man.

MCU Spider-Man cries and whimpers as a child would. Which is not something that’s wrong  to do with Spider-Man’s character especially in context of these movies...but it IS wrong to do them at such significant moments so early in his existence to the point where it is essentially the default setting.

Spider-Man does not TYPICALLY act that way but MCU Spider-Man now DOES. It also undermines Homecoming’s climax as wasn’t that moment supposed to show Peter growing beyond that?

Hell as the trailer revealed he becomes an Avenger in this movie the very thing he REJECTED as part of his character arc at the end of Homecoming. WTF?

One some positive notes though he was not AS bad as he was in Homecoming, he had a clever plan at one point, was a FAR more competent fighter than in his own movie and the Iron Spider Suit’s inclusion surprisingly didn’t undermine the ending of Homecoming. I and everyone else suspected he would go against his decision at the end of Homecoming and accept the new suit Stark made for him in light of Thanos’ threat. But what actually happened was that Stark essentially forced him into the suit to save his life. And whilst that again undermines Spidey by making him Tony’s child, it at least avoids invalidating his rejection of the suit in Homecoming.

Over all I give the movie a solid A as a movie and like a solid B as an adaptation...except for the Spider-Man parts. Fuck those they get a D.

P.S. I feel my inner nerd needs to point out that this movie as an adaptation is actually a fusion (to varying degrees) of mostly FOUR different stories.

It takes the name from the Infinity War storyline but (much like Age of Ultron) the name is the only thing it really takes.

As most people know the movie is based upon the 1990s crossover event (back when those were less common and usually less atrociously awful) Infinity Gauntlet.

However since a significant chunk of the movie is spent upon Thanos’ acquisition of the infinity stones the movie is actually also a (very, very loose) adaptation of the Thanos Quest storyline which was the lead in story to Infinity Gauntlet.

It also took a not insignificant amount of inspiration from Jonathan Hickman’s Infinity storyline, which was Marvel’s annual event story for 2013.

At the time it’s likely that story was done to merely capitalize upon Thanos’ tease from the post-credits scene in Avengers Assemble the previous year.

Now though I’m wondering if it might have been used to generate prototype concepts for the Infinity War movie to play with.

Thanos invading Wakanda is straight out of Infinity as are (unless I am mistaken) ALL of Thanos’ henchmen. Proxima Midnight, Black Maw, Supergiant, Korvus Glaive, his foot soldiers. They’re all specifically from that story. Also fun fact I essentially had to skim that entire event for my first day and my new job in 2016.

Obviously there are other little aspects taken from other Marvel stories too, like the new Spider suit is inspired by the Iron Spider suit that originally had nothing to do with any given Thanos story.