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#and of course theres the secret third category
fmajorenthusiast · 4 months
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There are two ways that my characters and OCs get named, generally speaking
1. Alright. I've done the research, this name fits you, it's meaning relates to you, this is a good arrangement
2.
Me: goes to random name generator for a placeholder
First name that pops up: Your soul is mine now.
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lesbianshadowheart · 2 months
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thinking abt all my favourite female characters and how most of them fall into 2 very specific categories
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lstories · 3 years
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Emma and Gaudi(um)
(Safe, Soft, Unwilling, Vore, accidental fearplay.)
Original idea by @mangotangovoredango. I just put my own spin on it and used my own oc's
"Owww." Emma woke up, her back was killing her. "Every God damn night." She muttered to herself still half asleep, she tried to grab one of the blankets to cover herself and fall back asleep as the morning sun crept in. She flailed her arms to no avail, looking down to the foot of her bed Emma realized she had kicked off all her blankets trying to get comfortable in her sleep... again. Every night was the same, waking up in weird positions and her muscles aching from working and resting. She didn't have to work, she didn't have to do anything. She was the CEO of a nationwide electronics/shopping chain and didn't have to work in store but, she wanted to help more than shoot ads and work as a telephone line between the board of directors. She still had to work as the CEO while also working in store and it was starting to catch up to her.
She didn't want to fall into the category of not having to work a day in her life so she worked retail in her own company. After laying in bed for almost an hour, waiting for the alarm to get her out of bed she was not expecting a knock at the door to be the thing to fully wake her up. "Why is anyone out here, and why right before work." She thought starting to sit up. Putting her slippers on. Emma lazily walked over to the front doors. She wasn't expecting anyone and she lived a few miles out of town so nobody should be here. "Hey! I told you this was her house." Emma could recognize the voice immediately without needing to see their face. A few of her work friends stopped by with a car parked out front. That would be great if she didn't have to take a shift in an hour. "Hi, work starts in an hour, what are you doing here?" Emma said trying to sound as awake as she could. "You signed up for the carpool, remember? It was a four person pool and you signed up as the third person in ours. Also why aren't you ready for work yet." Hope said, a bit confused and concerned.
Emma started to remember, she just thought it was another paper for her to sign and now the pictures started to make more since. She didn't want to let her friends down so maybe a week would be ok before she stopped to not hurt their feelings. "I... guess it just slipped my mind, I'll get dressed really quick." Emma said closing the door and walking back to her room. "MAKE IT QUICK, WE GOTTA BE THERE SOON!" Paige yelled threw the closed door. Emma started to get dressed as quickly as she could. Stoping only to grab a small tied bundle of physical cash she put into a side pocket in her purse. She was still so tired, she couldn't keep going to work with how she's been sleeping, mostly less than an hour or two a night. She also refused to drink coffee, it was too bitter and it only made her feel even worse after a while. She walked out the door, just barely remembering to lock it as Paige basically dragged her to the car. "WE GOTA GO NOW!" She yelled as Hope started to drive off before Emma could put her seatbelt on.
"What is your rush, we have over an hour and a half before work starts." Emma said finally getting her seatbelt on. "No, it starts in half an hour and we're 10 miles away AND we have to pick someone else up!" Paige said as she frantically looked threw map and clock apps. Emma couldn't help but peek over the seat and look at her phone, and then she realized something. "You remembered daylight savings, right?" Emma said tiredly, showing her phone to Paige. She looked at the time on her phone, then the time on Emma's phone, back and forth until editing her time. "My time was off." She quietly said. Hope started to laugh her ass off. "Looks like we'll be able to stop and get coffee too." Hope said as her laughter started to die down. "Oh... cool." Emma said, a little annoyed that she couldn't go back to sleep for this. She tried to drift off, her head resting into the soft cushion. She almost fell asleep until the car stopped and another person got in the car. The briefcase they were carrying hit Emma in the legs and she winced in pain. "What the, why's there a forth person. Who... Faith?" Emma exclaimed rubbing the side of her leg that was hit by the briefcase.
"Oh, sorry Emma. Were running late and looks bad when the manager shows up last." Emma slightly glanced at her, annoyed that she couldn't sleep. "Did you-" Emma tried to talk before she was interrupted by Paige. "Daylight savings was last week and we were late but Emma showed me that my clock was fast and now were heading to the coffee shop because were early, is your clock fast?" Paige said. She didn't seem to need to breath when she talked. "Oh, I guess it is. That's embarrassing. Where are we going for coffee?" Faith asked as she started to settle down. Emma couldn't believe it, this was the first day of the car pool she didn't remember signing up for. They were uncoordinated and didn't plan for time, and she wouldn't expect anything less from her friends. "Theres a coffee shop on the corner and the new guy there makes amazing drinks. Should we go there?" Hope said, turning the corner before anyone could answer. "Guess that's a yes." Emma said under her breath. They all talked and waited in line and Emma just tried not to fall over. "Hi, what can I get ya." Gaudi exclaimed. "Hey your the new barista that Hope has been talking about, didn't you just move here because the old coffee shop you worked for closed and you were transferred here because you were so good and did you know Amy she was a regular there." Paige said, a giddy smile on her face and no falter in her breath. "Like a walking plot machine." Emma said under her breath. Gaudi slightly laughed at it, but no one else heard it. No one was supposed to hear it, she knew she said it quietly enough so nobody could hear it, let alone someone on the other side of a glass pain while she was in the back of a crowd.
"Ya, I knew Amy. She always got a hot chocolate instead of something caffeinated." Gaudi said, his face going from concerned back to chipper in an instant. "Anyway, what can I get you all?" He said. Everyone ordered their cups and last was Emma to order. She had never ordered coffee before and she didn't want to start now. "I heard something about hot chocolate, could I just get that." Emma said, her eyes were too heavy to hold open for very long. "Its not my specialty but I can load it with sugar if that's going to help you threw the day." Gaudi said, slightly laughing. "If can get me threw the day I might come back tomorrow." Emma said, placing 100$ on the counter. "You can keep the change." She said walking back to her friends. Gaudi was shocked, he looked at it and back at her. He wanted to make her drink perfectly, would it be so selfish to use a bit of magic to help her and himself. She seemed nice and she was cute so why not have her around sometimes, and maybe she might give him another big tip someday. He started to work on all their drinks, once he got to Emma's drink he made it as normal before lightly scratching something into the side of the cup. Emma couldn't stop looking back at him, there was something about him that she couldn't shake. It wasn't bad but she didn't trust it.
"Here you go everyone, and we hope you come back soon." Gaudi said while handing everyone their cups. Emma took one sip and immediately her entire body seemed to wake up. It was super sweet and she took another sip. Once she finished she felt like she had slept an entire day. When Gaudi wasn't making anything or helping anyone Emma came up to talk to him.
"What did you put in my drink? I haven't felt this awake in months."
"Magic."
"You put magic in my drink?"
"Ya, a small awakening spell."
"Come on, what did you put in it. I need to put it in my own drinks at home."
"If you won't accept magic then it's my personal secret."
"So you want me to come here every day to get your drink."
"I'd be able to see you every day and that would be nice."
"You want to see me? Can't tell if that's flirty or stalkerish."
"Well you said you would come back if the drink woke you up."
Emma started to talk once again before getting cut off. "We gotta go now, work actually starts soon." Hope said walking out the door with the others. Emma walked away without saying anything, trying to catch up to her friends. "Guess I'll see you tomarow then." Gaudi said with his head on his hand and a big grin on his face. Emma spun around, her cheeks were slightly red. She was about to say something before turning around and following her friends out. They all got into the car, everyone was eerily quiet. Emma had one last glance at Gaudi threw the window, he was helping a customer and was able to slightly glance back at Emma for just a second before Hope drove away. "So... You like him, don't you?" Faith said looking over at Emma. "No. Quiet, I'll fire you if you dont be quiet." Emma said, her cheeks brightening. "You do, you think we didn't notice." "Of course you do, and I think he likes you." They kept talking about how cute it would be if they were together, Emma just buried her head in her hands until they got to work.
Timeskip: Next Day
"Ugh" Emma's back was killing her... again. This time she had to get up even earlier for the car pool. She got up, got dressed, and waited outside for her friends. Her mind started to wander, she thought about what would happen at work, what the board of directors would be arguing about and all that. Then she started to remember what happened yesterday, Gaudi, the drinks, her friends, and how they would probably bring her back there. Oh and speak of the devil's, her friends pulled up at that moment. She lazily got into the back seat and they drove off, Hope and Paige were talking about her. "You were more productive yesterday and you seemed happier." "Maybe its because of the new barista." They kept pestering her about it. Soon they picked up Faith and she joined in, joking about her and the new barista. Not even five minutes later and they were at the coffee shop. They all gave their orders, leaving Emma to talk to Gaudi at the other counter.
"So, your back."
"I said I would be."
"Well, what can I get you today."
"Another hot chocolate."
"Will do."
Gaudi got to work making her drink, once she sat down he put another scratch into the side of her cup, covering it with the sleeve. Emma took a sip, her body started to wake again. If it kept waking her back up she was going to come here every day without complaint, other than her friends annoying her. They all talked, Emma actually able to commit to the conversation now. Before they left Emma put 200$ in the tip jar, smiling at Gaudi on her way out.
Timeskip + Brief Summary: 4 months later
Emma continued to go nearly every day. She stopped going in the car pool after a while but still met up with her friends there. She gave a sizable tip to Gaudi almost every day, but his coworkers were starting to get annoyed. She experimented with the drink, staying up for almost two full weeks with no sleep and no repercussions. She kept wondering and pestering Gaudi what he put in her drink but she never got an answer more than "magic". They started to get to know each other more, eventually Gaudi got her number and they watched a movie at her house. He was amazed at how big her house was, he didn't believe it when he saw it. Eventually, Emma had to go on a business trip and couldn't take Gaudi with her.;
Gaudi was glad the day was over. His shift was getting long and he just wanted to get home, well, as much of a home as it was. Working at a coffee shop didn't pay much, Emma's tips did help but it wasn't enough to buy a house. He walked down his normal route to home, letting his mind wander on the day. He was sad that Emma had to leave today but she told him what it was for and it made enough sense. He only had to wait 2 more weeks before she would be back and they could watch another movie or something. He walked threw a back alleyway, and into the nearby forest. It didn't take more than 30 minutes to walk to the small clearing in the forest. He could feel his wings and tail getting restless, whenever he turned into a human all of his draconic features turned into a shadow of what they were. He could still feel his tail, wings, the horns on his back, etc. They weren't invisible, but they weren't not there. Either way they needed to move, every night he turned back to a dragon to sleep and he never needed to worry about someone seeing him because they believed that there was a monster in the forest. He was a little bit sad though, his friends were getting mad that he was getting huge tips from a single customer. They all split the tips so he didn't understand why they were mad. He didn't really think on it too long before falling asleep, surrounded by his collected "treasures".
Timeskip: next day (again)
Emma couldn't belive how boring this was. She thought this work trip would be a little more fun but it was just signing more papers and agreeing with the board of directors and signing off with the marketing department. She wanted to leave and go back home, even being with her family would be more entertaining than this. She did read that 2 people went missing on the same day in her home town and that would be fun to look into. If she did have to go threw this, she wasn't going to do it tired. She called Gaudi, his phone rang for a few seconds before he picked up.
"Hey Gaudi"
"Hi, how are you"
"I was wondering if you could tell me how to make the drink, everything is so boring and I'm to tired to deal with anything."
"You know I can't tell you how to make it, it's my secret."
"Come on, how long have we known each other."
"Long enough to say that I will tell you someday, but i can't today."
His voice sounded broken and sad, she couldn't see him but she knew that he wasn't happy. He was always happy about something so this was different.
"Are you ok, you dont sound too good."
"Oh... ya, dont worry. Everything's fine."
"Well, ok. See you when I get home."
Emma couldn't stop thinking about what might have happened to Gaudi. He was never sad, he always seemed to be happy about something so hearing him like that worried her. This was going to be a long trip if she couldn't stop thinking about it.
(Before the call) Gaudi walked back to his work, he was always the first there to open shop. He never had any trouble before and he always did everything right, if he got fired he wouldn't know where to go other than back home. Once he got inside he unlocked the doors and started to turn on the heaters for the drinks. Soon enough his colleagues started to come in. They were all staring at him and watching the windows, eventually the boss came in and called Gaudi into his office. He started to get worried, the boss only ever called someone into his office if something was wrong. He sat down on the other side of the boss' desk, his leg shaking. "Gaudi, your track record and work ethics are astounding, but we've been getting complaints about you." The manager said, his face still as uncaring as when Gaudi first saw him. "Who put in the complaints?" Gaudi chocked out, his throat felt swollen. He feared the worst from what his boss would say, he didn't know why but he knew that something bad was about to happen. "Your coworkers have all been complaining about you, that you haven't been working as hard and that you have been fraternizing with a customer. We are sorry to say this but were letting you go. By signing this form you will be given a full year's pay as compensation if you leave today." He said. Gaudi's mind raced at this, where he would go, what he would do, how he would explain why he had to leave to the only friend he had here. His mind went darker and he wanted to turn into his dragon self and bat the manager around, like a cat and a ball of yarn. It wouldn't be hard and the manager did resemble a ball.
"Yes, I'm sorry sir and have a good day." Gaudi said sadly, signing the papers while holding back tears. He walked out a few of his former colleagues were smiling at him as he walked outside while the others didn't seem to care. He walked home finally laying down defeated, on the verge of tears when his phone rang. It was Emma, he didn't want to talk to her despite her probably being the only thing able cheer him up right now. He answered after letting his voice return to normal and calming down a bit. He didn't want to worry her so he wouldn't say anything about his job right now. He reassured her that everything was fine but still couldn't explain how her drink worked yet, especially over the phone.
Timeskip + brief summary: 3 weeks
Emma got threw the excruciating 2 weeks of mindless board meeting and peptalks to a camera. Once that was over, she reunited with her family for a week. Her youngest brother had finally made a friend and she believed she saw a dragon at the edge of the forest her brother was running to. She tried to stop him and ran after him only to find his new friend with cutout of a dragon and a flashlight. He did seem a bit confused while he was holding them tho. Gaudi was miserable, still sad over losing his job. Sitting in the parks most days to feed off the joy of people walking in the park. He started to use it more as a drug than a food source at this point. He couldn't stop himself, until he got a call from Emma.;
Emma got up from her seat, tiredly stumbling off the plane. A limo pulled in next to the private jet and the 2 other people on the plane started carrying bags from the plane to the limo. Emma got in, trying to go back to sleep. Eventually the limo started moving, jolting Emma back to consciousness and the man driving it started to talk. "Where should I take you mam." Emma tiredly mumbled to him before showing him the address of the coffee shop Gaudi worked at. After a few minutes of driving they arrived, Emma got out of the limo and stumbled into the coffee shop looking for Gaudi. After a bit of waiting she walked over to one of the counters, the persons face was ecstatic that she was walking over.
"Hi, how can I help you."
"Is Gaudi here today?"
Their face slumped a little in disappoint when they heard that the rich CEO that gave out hundreds of dollars in tips was asking for a specific barista.
"Gaudi? He was fired almost 3 weeks ago."
"What! He didn't tell me he was fired."
"Ya, he was fired a few days after you stopped coming in. Is there anything I can get you?"
"No, I'm leaving."
Emma walked out, getting back into the limo and driving off. She called Gaudi to ask where he was. It took a while for him to pick up. He told her he was at the park and she immediately started to head down there. It didn't take long for Emma to find him but his usual smile was replaced by a cold frown. For the first time ever she saw Gaudi sad. It started to break her heart and she walked over, sitting next to him on the grass.
"So you were fired?"
"Yep."
"And you didn't tell me? I talked to one of your colleagues and he said it was the same day I called awsking for your drink recipe."
"Auctly, it was after I was fired. I just didn't want you to worry."
A tear started well in Emma's eyes, rushing in for a hug. She was able to force herself from crying, and she saw the smile return to Gaudi's face. He couldn't hold back his tears as he returned the hug, he felt a wave of emotions wash over him.
"I... I have to leave soon, I just wanted to stay and say goodbye to you."
"What! No, you can't leave. Why are you leaving?"
"I wanted to get away from my family, to live my own life and now that I'm out of a job I need to go back."
"Wait, because you dont have a job you have to go back home? What if I hire you."
"For what? I was fired from the only thing I'm good at."
"That's it. You could be a personal at home barista. It would pay your what your monthly salary of your last job daily, you would have a new place to stay, and you wouldn't have to go home. You could stay with me, here."
"You would do that?"
"I could print the documents in the limo and we could hire a moving team to get everything from your home."
"I don't own a house."
"Your appartment?"
"Nope."
"Where have you been living?"
"In the forest neer the lake."
"You've been... what did you have, is there anything you need to pick up?"
"Nothing important."
"Do you just want to go home?"
"I could make you your drink."
"Or we could finish watching the movie series we started."
"That would be nice."
After a few silent minutes they eventually got up from where they were sitting, Emma had forgotten how tired she was. The adrenaline she had from needing to help her friend was enough to forget she hadn't slept for the past few days. Gaudi sat down next to her, some tears still pooling in the bottom of his eyes. She typed away on the computer she had in the car until they got to her house, Gaudi silently watching the entire time. When they got home she printed out the papers and Gaudi signed them. Emma showed him his new room, it was massive, deffenetly big enough for him to sleep in his dragon form. She showed him where the supplies he would be using were until she could get a full side bar set up somewhere. Gaudi immediately began to work on a quick drink for Emma, the soothing taste and the quick energy fix was needed. Soon the day came to an end, he had unpacked the one bag he was going to use to bring his minor belongings home. Emma had put on a movie in the private theater in her house. Soon a scene came on, a monster showing it's true form to their friend with them immediately accepting the monster as they had known each other. Gaudi couldn't help but want to tell Emma. Gaudi stood up from his seat and motioned Emma to follow him. She followed Gaudi into the front yard of her house. She didn't know what was going on but she thought it was going to be fun.
"So the monster scene that was just on in there, this is kinda that. I'm... I know its weard but I'm... I've wanted to say this for a while that... I know what im trying to say here."
Gaudi kept getting caught up in his words, wanting to just show her. Emma was confused but more happy than anything, it was cute.
"Ok, I'm just going to show you, but I want you to know that I really like you and that I would never do anything to hurt you and I will only ever try to protect you."
She didn't know what he was talking about but it didn't really matter, but her calm face soon went from calm and happy to horrified in just a few seconds. Gaudi's skin started to shift and ridges soon formed, and those into scales. His limbs started to extend as his clothes started to undergo the same process as his skin. Wings and a tail started to form from nothing and grow with him. And in a matter of seconds, a full dragon stood in front of Emma, the dragon of Joy. His pink scales glistened in the moon light. Gaudi fell onto all fours, accidentally shaking the ground with his weight. Emma instinctively took a step back, her face only held one emotion, fear. She was to afraid to move, her muscles were frozen and her heart was racing. Gaudi, tried to keep his smile, but his face was burning with worrie and confusion. Emma took a step back towards the house and Gaudi's instincts started to kick in. He lowered his back closer to the ground as if to pounce on Emma while his face stayed the same. They stood in silence studying each other for a few seconds. Emma made the first move, running toward the front door to get to the safety of her home.
Gaudi jumped, missing the door and jumping past her, trying to reach out his claws to stop her from entering the house. He tried to tell her to wait but she ran threw the door without listening. Emma grabbed her phone and started to unlock it as Gaudi reached threw the open doors and grabbed her. She screamed as a claw came up and flicked the phone out of her hands. He gently pulled her out of the house, holding her in front of him so they could talk. She was punching at his claws, screaming and begging to be let go, trying everything to get away. Gaudi knew she was making to much noise, trying to calm her down. "Please, I'm not going to hurt you. You wanted to know how I make the drink and I told you, magic, It's ok, your safe just please be a little quieter for just a minute so I can explain. " Emma kept screaming for help, her voice barely able to travel to the nearest house. Gaudi kept trying to reassure her that everything was fine when something caught his eye. The neighbors light a ways down the road turned on as a silhouette walked near the blinds. Gaudi ducked between the house and the lake as Emma kept screaming. There was a scene in a older movie that had a monster eating something whole and making it completely silent. He had swallowed a few squirrels and birds when he was younger and put them in his storage stomach to transport them so his mother who could heal them but nothing as big as a human. With a sorry look on his face he shoved Emma into his open maw, making sure not to hit his teeth. He gulped again and again, the sound of Emma's pleas getting quieter and quieter. The taste of chocolate was so strong and he couldn't help but let out a sigh, his eyes widened as he did. He forced himself to gulp faster to stop it from happening again. Eventually her head reached his stomach, a thin shallow liquid pooling at the bottom, covering her already drool covered face. Gaudi closed his mouth, one final powerful gulp and he let gravity do the rest of the work. Gaudi held his throat high, he let out a sigh as his stomach started to expand, a tear started to well in his eyes as he thought about what he had done. His ate his only friend who helped him stay away from his family, and it felt amazing. He knew it was safe but he didn't know if Emma knew, he wanted to help her but he didn't know how. Emma slowly slid into his stomach, the mussels of his throat and stomach started to crush her and she had to pull herself into a ball. After a few seconds of contemplation she started kicking the walls of his stomach and stretching as far as she could when she was fully in. She begged him to let her out, offering money and whatever else, she was fully crying and hearing her cry started to make Gaudi cry.
She couldn't believe it, her friend, the only person she felt she could auctly confide in betrayed her. Gaudi didnt know what to do, his mind raced as his stomach started to hurt. Maby he could make it all seem like a dream, marking a sleep spell into the dirt and raising his hands to his stomach. The clear liquid pooling around her started to glow, more of the liquid started to seep from the muscles of Gaudi's stomach even faster. A blue dust was mixed into the new stomach fluid. She touched a bit, her mind started to swirl and the tips of her fingers went numb. She tried to stay away from the new stomach fluids but it was no use, she begged gaudy not to digest her. A small amount of the liquid driped onto her head, her legs and mid torso were already numb and she couldn't think anymore, she kept awake for as long as she could, but her mind was falling and she couldn't help but drift off.
Gaudi started to calm down, he could feel Emma slowly drifting off to sleep, she stopped fighting his stomach walls and her begging turned into quiet mumbling and sobs. He started to think of how he could spin this so she wouldn't remember what had happened. He could clean up and stay in his human form, putting her back in bed and pretend it was a dream when she wakes up. His mind started to drift and his eyelids were heavy, he laid down on the grass between the house and the lake. He started to think about how he could help her, and if she found out would she let him stay. The grass was so soft, Gaudi's mind started to swirl as he unknowingly let the sleeping spell take him.
Timeskip: Morning
Gaudi woke up to the sound of birds chirping, he looked over to his side and saw a house, the morning sun bounced off his scales and onto the white walls of the house. His gut felt amazing, he hadn't felt this full ever but he didn't remember eating anything. He rolled onto his back, the weight of whatever was in his stomach pressing onto his back was nice but he wanted to know what happened. He rubbed his distended gut for a while, it was so sensitive he almost passed out from the feeling and went back to sleep. As he massaged his stomach he thought he could feel it moving. He sat up, his claws lightly dug into the ground as he watched his stomach. He held his breath for a second watching his stomach slowly, ever so slightly expanding and contracting. If his stomach was moving while he was holding his breath then what did he eat. He laid back down and extended his neck around the corner of the house, there was a limo in the driveway and the doorway looked familiar. He realized he was at Emma's house, had it worked, did he tell her that he was a dragon, but if he was out here than were was..... EMMA!
He rolled over, immediately grabbing his stomach and pushing it forward and forcing himself to get her out. His stomach started to hurt as he pushed Emma up his throat, he couldn't stop thinking about what he had done. If she was awake she would deffenetly call the cops and he would have to leave, and if she wasn't awake how would he fix this. Gaudi was finally able to push her out, he positioned his tounge over his teeth and she slid off of it like a slow sticky slide and onto the grass. She was still somehow asleep but covered in stomach fluids. Gaudi picked her up and hastily blew off all the fluids that were on her, he couldn't feel anything in his hands or claws when he set her back down on the grass. He quickly shifted back to his human form and cafully picked her up and carried her inside. He put her on the bed in the middle of her bedroom with her head resting carefully on her pillows and lazily threw the covers over her before he quickly walked out of the room. He started to make her drink, it was still his job and he would only be fired if she remembered. He worked as fast as he could and looked for a cup, eventually finding a water bottle and peeling one of the stickers down to scratch in the rune. He put the sticker back on and as he poured the drink into the cup he heard slight movement from Emma's room.
Emma woke up slightly moving her arms, somehow the blancket was still on her bed when she woke up. She was getting ready for the surge of pain whenever she wakes up but it never came. She opened her eyes expecting them to stay heavy and her not wanting to get out of bed, but she was fully awake, she sat up in her bed and looked over to her clock seeing that it's an hour until she has to be at work. She got out of bed already dressed, but her clothes were a bit wet for some reason, oh well. She walked out of her room seeing Gaudi pouring a drink into a water bottle. He was already smiling and it only grew as he saw her walking out of her room.
"Goodmorning, it's nice to see you awake"
"Morning Gaudi"
"I tried something new for you. A white hot chocolate, courtesy of your new personal barista Gaudium"
"Thanks, it's nice that... wait, Gaudium"
"Right, I've never told you my full name before"
"I thought your name was just Gaudi"
"Ya, well... I put my full name down for my last job and no one wanted to call me that so they called me Gaudi and I've just been using that ever since"
"After all this time I'm just now learning your name? Why didn't you tell me before"
"I guess it never came up"
"Huh. Well work starts soon so I should get going"
"Alright, when you get back we could finish that movie we started last night"
"Right... it was getting good to, why did we stop watching"
"Oh umm... I don't remember"
"Well I better get going, thank you for this and I will see you when I get back"
Emma walked out of the house, Gaudium was still smiling at her as she walked out. Whenever he smiled it made her happier. She walked down the intricate brick pavement to her car but, something to the right caught her eye. It looked like a liquid splatter, it was thick and was left in small clumps around her tree and on the lawn. She walked across the lawn and knelt down to get a better look at one of the bigger clumps. There was tiny blue specks in it and it looked like they were glowing. She stuck two of her fingers in it and brought a small amount of it closer to her eyes to get a better look. It was sentless and it was silky smooth but also sticky. The blue specks in it started to move closer to her fingers and once they touched her fingers it started to numb them. Her mind started to swirl as she couldn't keep a thought strait. She flicked the substance off her fingers and wiped the rest off on the grass.
Once she got into her car she took a sip of her drink, her mind started to straighten and she kept thinking about the substance. She had seen it before while she was terrified, she thought hard on it and eventually it clicked. The pink scales, the flesh surounding her, falling into his stomach... Gaudi's stomach. She rubbed the pocket of her pants leg, it was still slightly damp. Once she felt it her face slowly shifted to pure terror and she started to shake, he eyes quickly started to well with tears. She looked at the window to the kitchen in her house, Gaudium was silently sweeping away at the floor. He seemed focused and scared but once he looked out to Emma his smile reappeared. Emma couldn't help but smile back, it was involuntary but she still felt happier when she looked at him. She pulled out of the driveway and started to think about everything that happened, shaking all the way. She was eaten whole, how was she still alive, she should have been digested, why did the slime make her numb, how could he do this? She had so many questions she couldn't think strait, all she could think about was how her friend betrayed her. She instinctively parked not realizing where she was, her mind still raced as she looked up and, all at once, it stopped.
She instinctively parked outside the coffee shop and when she realized it her mind slowed to a stop. She sat in her car for a while just trying to process what she was doing and slowly her mind became more active. She started thinking about how he worked there, her friends forcing her to meet him, the happy times they had together in and out of this shop. He was a friend, he always looked out for her and he thought he could trust her enough to tell her something probably nobody else knew about him. He may have ate her but she was fine, and for the single second she remembered not struggling it was almost peaceful. Like the biggest hug he could give her, and somewhere deep down she felt protected, almost enough to stay there. She started to remember what he said before he was a dragon and as he was a dragon and like he said, she was safe. He fully trusted her and she trusted him. She started to drive to her work, she thought about what she would say to him when she got home, maybe he'd be willing enough to show her again... and possibly eat her again.
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thegloober · 6 years
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There’s the first round of the NHL draft, and then there’s everybody else
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It’s no big secret that many of the NHL’s best players come with a first-round pedigree, but the numbers are still surprising
Edmonton Oilers’ Connor McDavid and Pittsburgh Penguins’ Sidney Crosby.|Getty Images
It seems that I’ve stumbled on a theme, so I’m sticking with it. It started a few weeks ago with a country-by-country breakdown of NHL players. Then it was a draft breakdown. Then a goalie breakdown.
This time around, I’ve highlighted five key statistical categories through the opening month of the 2018-19 NHL season – top 50 scorers, top defensemen scorers, players averaging at least a point per game, and forwards and defensemen who were leading in average ice time – and then looked at what round these players were drafted in. (Spoiler: The first round. If a player ranks in the top 50 in any of the aforementioned categories, he was most likely a first-round pick. Game recognize game.)
Spoilers aside, though, here’s a more in-depth analysis of the results. (Note: Stats through games played as of Nov. 2.)
Top 50 NHL scorers (13+ points) 1st round: 40 2nd round: 4 3rd round: 2 4th round: 1 5th round: 0 6th round: 0 7th round: 0 Undrafted: 3 Notable: If this doesn’t illustrate the importance of the first round of the NHL draft, nothing does. Entering Friday night’s games, 50 players had scored at least 13 points this season — and 40 of those 50 players were first-round picks. Another way to look at it ­– there were only three players who were drafted in the third round or later among the league’s top 50 in scoring (third-rounders Brad Marchand and Brayden Point and fourth-rounder Johnny Gaudreau). And there’s not a fifth-, sixth- or seventh-round pick to be seen. There were, however, three undrafted players in the top 50: Calgary’s Mark Giordano, Columbus’ Artemi Panarin (originally signed by Chicago) and Vegas’ Jonathan Marchessault (originally signed by Tampa Bay). Giordano was also one of only five defensemen to crack the league’s top 50 scorers, and the other four (Toronto’s Morgan Rielly, San Jose’s Brent Burns, Ottawa’s Thomas Chabot and Washington’s John Carlson) were all first-rounders.
Top 48 NHL defensemen scorers (6+ pts) 1st round: 25 2nd round: 8 3rd round: 3 4th round: 4 5th round: 2 6th round: 2 7th round: 1 8th round: 1 Undrafted: 2 Notable: First things first – we went with the “top 48” highest-scoring defensemen rather than the top 50, because the “top 50” was actually the top 69 due to the glut of defensemen tied at five points. Of the 48 defensemen with at least six points entering Friday night’s action, a little more than half were first-round selections (25 of 48), including most of the big names (Burns, Carlson, Erik Karlsson, Drew Doughty, Morgan Rielly and others). But there were definitely some good finds spread throughout the subsequent rounds – P.K. Subban, Roman Josi and Duncan Keith were second-rounders, Kris Letang was taken in the third round, Mattias Ekholm in the fourth, John Klingberg in the fifth. And don’t forget Dustin Byfuglien in the eighth round in 2003, a round that doesn’t even exist anymore after the NHL cut the draft back to seven rounds in 2005.
Players with points-per-game average of 1.00 or higher (minimum 5 GP): 70 First round: 51 Second round: 6 Third round: 4 Fourth round: 3 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 4 Notable: Of the 608 players who have appeared in at least five games this season, 70 were averaging at least a point per game. That number is sure to drop as the season unfolds – only 24 players averaged a point per game last season (minimum 40 GP) – but it’s a good sample size for our purposes here. Once again, the vast majority of the NHL’s most productive players have a first-round pedigree – 51 out of 70, to be precise. The sixth-rounder, in case you’re wondering, is newly minted Islanders captain Anders Lee. With 12 points in 12 games, he was right on the 1.00 PPG number, just a glimmer behind former Isles captain John Tavares (14 points in 13 games, 1.08 PPG).
Top 50 defensemen in ice time per game First round: 30 Second round: 6 Third round: 4 Fourth round: 4 Fifth round: 1 Sixth round: 1 Seventh round: 1 Eighth round: 1 Undrafted: 2 Notable: Really, what better way to gauge a defenseman’s worth than his average ice time? Of course goals and points are great, but ice team speaks to how much value a player’s team – and coach – places on him. After crunching the numbers, the NHL’s 50 busiest defensemen were playing at least 21:59 per game, with L.A.’s Doughty (27:07), Minnesota’s Ryan Suter (26:01) and Edmonton’s Oscar Klefbom (26:01) leading the way. All three of those blueliners were first-round picks. Meanwhile, Tampa Bay’s Anton Stralman was in 50th place in average ice time (21:59), and Stralman also represents the seventh round in this exercise after being drafted 216th overall by Toronto in 2005.
Top 52 forwards in ice time per game First round: 39 Second round: 3 Third round: 4 Fourth round: 1 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 3 Notable: A total of 52 forwards were averaging at least 19:06 in ice time per game (three forwards were tied at 19:06, hence the “top 52” instead of “top 50”). Do the math, and nearly 80 percent of the NHL’s forward ice-time leaders were first-round selections (39 out of 52). Dig a little deeper, and we see that four No. 1 overall picks rank among the top 10 — Connor McDavid (first, 23:11), Nathan MacKinnon (fifth, 22:11), Ryan Nugent-Hopkins (sixth, 22:05) and Patrick Kane (10th, 21:05).
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Sam McCaig
Copy editor Sam McCaig rejoined The Hockey News in 2017 after previously working at THN from 1999 to 2010. His career high for goals in a season is one.
Source: https://bloghyped.com/theres-the-first-round-of-the-nhl-draft-and-then-theres-everybody-else-3/
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trendingnewsb · 7 years
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A smartwatch wont fix whats broken with Fitbit
Fitbits Q2 earnings could have been worse. Unlike Q4 of last year, the company didnt use the opportunity to announce that it would be laying off six percent of its staff. Still, things are bad. As we pointed out earlier in the week, the companys stock price is little more than 10 percent of its 2015 high.
According to some new numbers, Fitbit can also no longer claim to be the worlds top wearable maker. Right after the company announced its financials, Strategy Analytics noted that Chinese handset maker Xiaomi had snapped the title away from the company. Of course, Fitbit tried to put a happy face on its recent woes by reconfirming its plan to bounce back: a smartwatch.
In a statement issued alongside its earnings, co-founder and CEO James Park wrote, Our smartwatch, which we believe will deliver the best health and fitness experience in the category, is on track for delivery ahead of the holiday seasonand will drive a strong second half of the year.
Park has been talking up the watch for months now, in an attempt both to build hype and, it seems, reassure investors that help is on the way with what he believes will be an industry game changer. Thats a lot to pin on one device. Its still too early to pass judgement, of course all we know about the product is what weve seen from leaks. But what weve seen so far points to a company that has been learning many of the wrong lessons of late.
With a reported $300 price point, Fitbit is firmly targeting the premium market. Thats a full hundred dollars more than its current most expensive device, the Blaze. Released last year, that product straddled the line between fitness tracker and smartwatch, omitting, among other things, support for third-party apps. So Fitbit doubled down and went on a shopping spree. Earlier this year, the company bought two unique smartwatch startups, Pebble and Vector, for a reported $53 million.
Those companies, along with mobile payment startup Coin (which it bought the year prior), serve as the foundation of the still-secretive smartwatch. Production on the device has reportedly been plagued by technical issues, including problems with GPS and waterproofing, which could go a ways toward explaining why weve heard so little about the product, even as the company has been talking up its arrival for months.
In spite of those apparent delays, theres little question that Fitbit has a good team in place, capable of producing a very good product. Until very recently, it has been the dominant force in wearables, and both Vector and Pebble have already given the world compelling devices. But much of Fitbits problems stem from the fact that wearables in general have flatlined. Initial excitement has died down and many who have purchased a fitness band are holding on to the ones they own.
And with the notable exception of Apple, smartwatches havent looked much better. In fact, the low end of the pricing spectrum is a rare bright spot for the otherwise lackluster space. As Fitbits share of the global market fell sharply from 29 percent to 16 percent, Xiaomi rose from 15 percent to 17 percent. That growth was fueled by the companys extremely low price point. Here in the U.S., you can pick up one of their Mi Bands for $15. Fitbits cheapest device, meanwhile, is the Zip, an extremely basic clip-on step counter thatll run you $60.
Cheaper devices are one potential option for the company moving forward. Granted, its often hard to be price competitive with Chinese manufacturers like Xiaomi, but Fitbit still has healthy brand reconnection and robust software offerings, which could justify a bit of a premium over rock-bottom trackers like the Mi Band. A substantial price drop on an offering like the companys best-selling Charge 2 would do wonders for sales. Right now, the fitness band is nearly 10 times the price of Xiaomis cheapest offering.
Lowering device cost would also help the company gain even more of a foothold in the competitive corporate and clinical health space. Its a still lucrative portion of the wearable industry, into which its one-time fierce competitor Jawbone is said to be shifting after a couple of years of radio silence.
Im happy to hold off judgement on the new smartwatch until it actually arrives, which, from the sound of it, will be sooner than later. But even if it manages to combine all of the best worlds of the companies it has acquired, its hard to imagine a premium-priced device being the right path forward for Fitbit.
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vitalmindandbody · 7 years
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Blockbusters assemble: can the mega movie exist the digital epoch?
From Star Wars sequels to superhero franchises, blockbusters still regulate the film industry. But with Amazon and Netflix tearing up the release planneds, are they on shaky dirt?
Is the blockbuster in difficulty? On the surface, to intimate such a thing might seem as foolhardy as siding out the incorrect envelope at the most difficult contest of the cinema docket because you were busy tweeting photographs of Emma Stone. This is the blockbuster were talking about. Its Luke Skywalker, Jurassic World, Disney, The Avengers, Batman, Superman, Spider-Man, Pixar. Its the Rock punching his fist through a structure. Its the effects-driven cultural juggernaut that powers the entire film industry. Does it look as if its in trouble?
A glance at the balance sheet for its first year to year would cement the view that the blockbuster is in insulting health. Total gross are higher at this stage than any of the past five years. Logan, the Lego Batman Movie and Kong: Skull Island have already been attracted in big audiences globally. And then theres Beauty and the Beast, a genuine culture phenomenon, currently hastening its room up the all-time higher-rankings. All this and theres still a new Star Wars instalment, another Spider-Man reboot, Wonder Woman, Justice League, Alien: Agreement, Blade Runner 2049, plus sequels of (* deep breath *) Guardians of the Galaxy, Cars, World War Z, Kingsman, Transformers, Fast and the Furious, Planet of the Apes, Despicable Me, Thor and Pirates of the Caribbean still to come. Hardly the signs of a crisis, it would be fair to say.
Dig a bit deeper though and the foundations that blockbusters are built on start to look precariou. Last-place month, Variety published a fib that covered a picture of an manufacture scared to death by its own future, as shopper flavors change with changes in engineering. Increased influence from Netflix and Amazon, those digital-disruption barbarians, has caused the big studios to consider changing the style they secrete movies. The theatrical window, the 90 -day cushion between a films debut in cinema and its liberation on DVD or stream, is set to be reduced to as little as three weeks in an attempt to bolster diminishing residence entertainment marketings. Its a move that service industries sees as necessary, as younger viewers develop more adaptable, portable considering procedures, and certainly many smaller creations have begun to liberate their films on-demand on the same day as in cinemas it was one of the reasons that Shia LaBeoufs Man Down grossed a much-mocked 7 in cinemas.
Ana De Armas and Ryan Gosling in Blade Runner 2049. Photograph: Allstar/ WARNER BROS.
At the same time, investors from China long thought to be Hollywoods saviour have suddenly refrigerated their interest, cancelling major studio bargains as the Chinese box office digests growing sufferings( with domestic ticket sales merely increasing 2.4% in 2016 against a 49% rise its first year before)and the governments crackdown on overseas investment starts to bite. Add to that got a couple of high-profile recent flops Scarlett Johanssons Ghost in the Shell, Matt Damons The Great Wall, the unintentionally creepy Chris Pratt/ Jennifer Lawerence sci-fi Passengers, Jake Gyllenhaals Alien knock-off Life and you have an manufacture thats not as prospering as the blockbuster bluster might suggest.
Hollywoods response to this instability has been to double down, places great importance on blockbusters to the exclusion of just about everything else. In the past few decades the summer blockbuster season has mission-crept its practice well into outpouring, a phenomenon that has been period cultural global warming; this year, Logan was released a merely three days after the Oscars resolved. The arising influence is of a full calendar year of blockbusters, with a small drop-off for Oscars season in January and February and even in that point this year we are continuing insured the secretes of The Lego Batman Movie, The Great Wall, John Wick 2 and the lamentable Monster Trucks.
Meanwhile, the mid-budget movie that hardy perennial that used to help prop up the industry by expenditure relatively little and often paying fortunes( belief Sophies Choice or LA Confidential) has significantly been abandoned by the major studios, its potential profit margins seen as insufficiently high when the cost of things such as sell is factored in. Which isnt to say that mid-budget movies dont subsist, its simply that theyre being made by smaller, independent studios witness Arrival and Get Out for recent successful precedents or most commonly as TV series.( Theres that Netflix, interrupting stuffs again .)
In essence, what this all means for service industries is that its blockbuster or bust. Studios have looked at the altering scenery and decided to react by filling it with superheroes, activity aces and CGI creatures, doing more blockbusters than they used to, but fewer cinemas in total. The old tentpole formula, where a few large-scale films would shelter the mid-range and low-budget material, has significantly been abandoned. The blockbusters are about reducing the films these studios cause down to a minimum, suggest Steven Gaydos, vice-president and executive editor at Variety. They represent nothing but large-hearted bets. You have to keep improving a bigger and more efficient spaceship.
Its a high-risk strategy and one that, in accordance with the arrangements of Disney and their Marvel, Star Wars and Pixar franchises, has brought large-scale reinforces. But this sudden ratcheting up of the stakes means that the cost of flop has already become far more pronounced. Last year Viacom was forced to take a $ 115 m( 92 m) writedown on Monster Trucks, while Sony took a writedown of nearly$ 1bn on their entire cinema disagreement after a faltering couple of years.
Hugh Jackman in Logan. Photo: Allstar/ 20 TH CENTURY FOX
While those losses might be explained away as research results of bad bets on bad cinemas Monster Trucks was infamously based on an idea by an managers five-year-old son they hint at the cataclysm who are able to ensue if a broader, industry-wide trouble were to present itself. Namely, what if the public loses its appetite for the blockbuster?
Its not entirely without precedent: in the late 1950 s, as video threatened to plagiarized a march on cinema, studios responded by croaking large-hearted. Spectacle was seen as the key: westerns, musicals and sword-and-sandal epics reigned. But gatherings soon flourished tired of these hackneyed categories and ticket sales continued to shrink. That experience service industries lived, thanks firstly to the insertion of vitality provided for under the edgy, arty New Hollywood movies, then later with the early blockbusters such as Jaws and Star Wars.
Could such a mass tuning-out happen again? Surely, theres an creepy echo in the way that Hollywood has reacted to changing times with length and spectacle, but also in their narrow focus. Once an sexual thriller such as Fatal Attraction or a musical drama such as Footloose might have reasonably been considered a blockbuster. Nowadays the blockbuster almost exclusively resides in the action, imagination, kids cinema or superhero genres.
The superhero film in particular towers large-scale over the industry, as every studio tries to replicate the formula to be prepared by Marvel. Ever-more niche caped reformers are being given their own films Batgirl, Aquaman, the Gotham City Sirens in an attempt to exhume a brand-new Deadpool. Spider-Man and Batman have once again been rebooted in an attempt to freshen up the respective franchises. And, of course, everyone wants their own cinematic cosmo a enormous galaxy of references that together can generate a apparently infinite number of spin-offs, sequels and prequels. At this very moment, the creators of Call of Duty are actively seeking to turn their gruesome shoot-em-ups into a series of interlocking movies, while James Cameron a director whose preferred method of cracking a seed is with a sledgehammer, you believe is creating a nature around his smash-hit Avatar, replete with five sequels, graphic fictions, actual novels and, most bewilderingly, a Cirque du Soleil show.
These shared natures actively court the kind of gatherings who will turn up to every movie, buy the action chassis, don the cosplay outfits and eat the branded breakfast cereal in other words, teenage boys. The dominant ideology is fanboy culture, articulates Gaydos. It is teenage. It is the conflicts by violence. It is wish-fulfillment, spectacle and recreation audio and ferocity, if we are seeking to get Shakespearean.
Truly, the geeks have inherited the earth. But what about the rest of us? How many have the time, vitality or inclination to sit through, answer, all the movies in the forthcoming Universal Monsters shared universe, which begins this year with a reboot of The Mummy and has resurrections of Wolf Man, Van Helsing and the Invisible Serviceman in pre-production? Greenlighting this sequence of cinemas without knowing whether anyone is going to bother to watch even the first of them looks like a risky undertake, and the recent quandary of the Divergent YA film dealership, whose recent cinema is being exhausted as a TV movie due to lack of interest, offers up a cautionary anecdote that studios should perhaps be paying attention to.
Cars 3. Picture: Allstar/ WALT DISNEY PICTURES
But whats impressing about all these blockbusters is how youth-skewed they are, at a time when a one-third of cinemagoers in the US are over the age of 50. Older gatherings can enjoy The Avengers as much as everyone else, of course, but pitching your sell primarily towards young people is a risky programme. Young people tend to be the most fickle gathering, one whose attention is split in a million places, remarks Gaydos. Theyre likewise the audience least able to splash out on cinema tickets. And of course theyre an audience who are becoming increasingly accustomed to watching content on their telephones, laptops and smart TVs.
In other messages, theyre the ones likely to oblige through the seismic change the industry is currently fretting over. If they lose interest in the modern blockbuster in accordance with the rules that younger gatherings turned away from the countries of the western, musicals and historical epics in the 1960 s, the studios will have to find something glistening and brand-new to wave in their faces and this time they wont have something akin to the New Hollywood to courtroom them with, as that sort of transgressive, jumpy, groundbreaking price is increasingly swerving up on the small screen.
Perhaps the best stuff the studios can do in the face of this new world is to demonstrate some imagery in how they develop and existing their blockbusters and there are signs that this is already happening. Producer Stephen Woolley, who has worked on films such as The Crying Game and the forthcoming adjustment of On Chesil Beach, quotes Deadpool as a film that has subtly managed to alter the feeling of the superhero movie. Its taking a much more sophisticated attitude of that macrocosm and ridiculing it, while at the same reinforcing it. It was a clever have-your-cake-and-eat-it from the people who formed it.
Meanwhile, Disneys successful live-action reimaginings of their inspired handiworks most notably Beauty and the Beast and The Jungle Book suggests that its possible to play the sequels and remakes tournament without it feeling like a retread over old-time floor. Most singularly of all, the musical seems to be making a comeback with the success of La La Land, that rare mid-budget movie to have traversed over into blockbuster status, grossing more than $400 m at a plan of $37 m.
Woolley is aware of health risks twirling all over the blockbuster, but feels that mass extinction is still some room away, if it ever returns. The jeopardy you have is that audiences are fickle, and they could suddenly turn off, he says. Something happens for them to say: Actually, we dont such as those movies any more. And theres always this inkling that is likely to happen. But every time it seems to happen on the blockbuster figurehead, another movie comes out to prove you wrong.
Ultimately, though, what might keep the blockbuster safe for the time being is not the films themselves but all the stuff around them. The happen that the studios are building is something akin to a hypermovie or a supermovie, adds Gaydos. Its a whole other thing. Its a toy-delivery plan. A Cars movie will gross $500 m or $600 m but the Cars makes will sell$ 4bn. Eventually the movie is designed to be a whale commerce implement for stock and theme park that render billions and billions.
As Hollywood agonises over its own future, it might be that the best route for the blockbuster to survive is to subsume itself into bigger, most secure revenue streams: toys, plays, product, live attractions. So if you want to keep the blockbuster around for a while longer, you should get your Superman costume on and move yourself a container of that branded cereal.
Read more: www.theguardian.com
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thegloober · 6 years
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There’s the first round of the NHL draft, and then there’s everybody else
News
It’s no big secret that many of the NHL’s best players come with a first-round pedigree, but the numbers are still surprising
Edmonton Oilers’ Connor McDavid and Pittsburgh Penguins’ Sidney Crosby.|Getty Images
It seems that I’ve stumbled on a theme, so I’m sticking with it. It started a few weeks ago with a country-by-country breakdown of NHL players. Then it was a draft breakdown. Then a goalie breakdown.
This time around, I’ve highlighted five key statistical categories through the opening month of the 2018-19 NHL season – top 50 scorers, top defensemen scorers, players averaging at least a point per game, and forwards and defensemen who were leading in average ice time – and then looked at what round these players were drafted in. (Spoiler: The first round. If a player ranks in the top 50 in any of the aforementioned categories, he was most likely a first-round pick. Game recognize game.)
Spoilers aside, though, here’s a more in-depth analysis of the results. (Note: Stats through games played as of Nov. 2.)
Top 50 NHL scorers (13+ points) 1st round: 40 2nd round: 4 3rd round: 2 4th round: 1 5th round: 0 6th round: 0 7th round: 0 Undrafted: 3 Notable: If this doesn’t illustrate the importance of the first round of the NHL draft, nothing does. Entering Friday night’s games, 50 players had scored at least 13 points this season — and 40 of those 50 players were first-round picks. Another way to look at it ­– there were only three players who were drafted in the third round or later among the league’s top 50 in scoring (third-rounders Brad Marchand and Brayden Point and fourth-rounder Johnny Gaudreau). And there’s not a fifth-, sixth- or seventh-round pick to be seen. There were, however, three undrafted players in the top 50: Calgary’s Mark Giordano, Columbus’ Artemi Panarin (originally signed by Chicago) and Vegas’ Jonathan Marchessault (originally signed by Tampa Bay). Giordano was also one of only five defensemen to crack the league’s top 50 scorers, and the other four (Toronto’s Morgan Rielly, San Jose’s Brent Burns, Ottawa’s Thomas Chabot and Washington’s John Carlson) were all first-rounders.
Top 48 NHL defensemen scorers (6+ pts) 1st round: 25 2nd round: 8 3rd round: 3 4th round: 4 5th round: 2 6th round: 2 7th round: 1 8th round: 1 Undrafted: 2 Notable: First things first – we went with the “top 48” highest-scoring defensemen rather than the top 50, because the “top 50” was actually the top 69 due to the glut of defensemen tied at five points. Of the 48 defensemen with at least six points entering Friday night’s action, a little more than half were first-round selections (25 of 48), including most of the big names (Burns, Carlson, Erik Karlsson, Drew Doughty, Morgan Rielly and others). But there were definitely some good finds spread throughout the subsequent rounds – P.K. Subban, Roman Josi and Duncan Keith were second-rounders, Kris Letang was taken in the third round, Mattias Ekholm in the fourth, John Klingberg in the fifth. And don’t forget Dustin Byfuglien in the eighth round in 2003, a round that doesn’t even exist anymore after the NHL cut the draft back to seven rounds in 2005.
Players with points-per-game average of 1.00 or higher (minimum 5 GP): 70 First round: 51 Second round: 6 Third round: 4 Fourth round: 3 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 4 Notable: Of the 608 players who have appeared in at least five games this season, 70 were averaging at least a point per game. That number is sure to drop as the season unfolds – only 24 players averaged a point per game last season (minimum 40 GP) – but it’s a good sample size for our purposes here. Once again, the vast majority of the NHL’s most productive players have a first-round pedigree – 51 out of 70, to be precise. The sixth-rounder, in case you’re wondering, is newly minted Islanders captain Anders Lee. With 12 points in 12 games, he was right on the 1.00 PPG number, just a glimmer behind former Isles captain John Tavares (14 points in 13 games, 1.08 PPG).
Top 50 defensemen in ice time per game First round: 30 Second round: 6 Third round: 4 Fourth round: 4 Fifth round: 1 Sixth round: 1 Seventh round: 1 Eighth round: 1 Undrafted: 2 Notable: Really, what better way to gauge a defenseman’s worth than his average ice time? Of course goals and points are great, but ice team speaks to how much value a player’s team – and coach – places on him. After crunching the numbers, the NHL’s 50 busiest defensemen were playing at least 21:59 per game, with L.A.’s Doughty (27:07), Minnesota’s Ryan Suter (26:01) and Edmonton’s Oscar Klefbom (26:01) leading the way. All three of those blueliners were first-round picks. Meanwhile, Tampa Bay’s Anton Stralman was in 50th place in average ice time (21:59), and Stralman also represents the seventh round in this exercise after being drafted 216th overall by Toronto in 2005.
Top 52 forwards in ice time per game First round: 39 Second round: 3 Third round: 4 Fourth round: 1 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 3 Notable: A total of 52 forwards were averaging at least 19:06 in ice time per game (three forwards were tied at 19:06, hence the “top 52” instead of “top 50”). Do the math, and nearly 80 percent of the NHL’s forward ice-time leaders were first-round selections (39 out of 52). Dig a little deeper, and we see that four No. 1 overall picks rank among the top 10 — Connor McDavid (first, 23:11), Nathan MacKinnon (fifth, 22:11), Ryan Nugent-Hopkins (sixth, 22:05) and Patrick Kane (10th, 21:05).
Tags: nhl
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About the Author
Sam McCaig
Copy editor Sam McCaig rejoined The Hockey News in 2017 after previously working at THN from 1999 to 2010. His career high for goals in a season is one.
Source: https://bloghyped.com/theres-the-first-round-of-the-nhl-draft-and-then-theres-everybody-else-2/
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thegloober · 6 years
Text
There’s the first round of the NHL draft, and then there’s everybody else
News
It’s no big secret that many of the NHL’s best players come with a first-round pedigree, but the numbers are still surprising
Edmonton Oilers’ Connor McDavid and Pittsburgh Penguins’ Sidney Crosby.|Getty Images
It seems that I’ve stumbled on a theme, so I’m sticking with it. It started a few weeks ago with a country-by-country breakdown of NHL players. Then it was a draft breakdown. Then a goalie breakdown.
This time around, I’ve highlighted five key statistical categories through the opening month of the 2018-19 NHL season – top 50 scorers, top defensemen scorers, players averaging at least a point per game, and forwards and defensemen who were leading in average ice time – and then looked at what round these players were drafted in. (Spoiler: The first round. If a player ranks in the top 50 in any of the aforementioned categories, he was most likely a first-round pick. Game recognize game.)
Spoilers aside, though, here’s a more in-depth analysis of the results. (Note: Stats through games played as of Nov. 2.)
Top 50 NHL scorers (13+ points) 1st round: 40 2nd round: 4 3rd round: 2 4th round: 1 5th round: 0 6th round: 0 7th round: 0 Undrafted: 3 Notable: If this doesn’t illustrate the importance of the first round of the NHL draft, nothing does. Entering Friday night’s games, 50 players had scored at least 13 points this season — and 40 of those 50 players were first-round picks. Another way to look at it ­– there were only three players who were drafted in the third round or later among the league’s top 50 in scoring (third-rounders Brad Marchand and Brayden Point and fourth-rounder Johnny Gaudreau). And there’s not a fifth-, sixth- or seventh-round pick to be seen. There were, however, three undrafted players in the top 50: Calgary’s Mark Giordano, Columbus’ Artemi Panarin (originally signed by Chicago) and Vegas’ Jonathan Marchessault (originally signed by Tampa Bay). Giordano was also one of only five defensemen to crack the league’s top 50 scorers, and the other four (Toronto’s Morgan Rielly, San Jose’s Brent Burns, Ottawa’s Thomas Chabot and Washington’s John Carlson) were all first-rounders.
Top 48 NHL defensemen scorers (6+ pts) 1st round: 25 2nd round: 8 3rd round: 3 4th round: 4 5th round: 2 6th round: 2 7th round: 1 8th round: 1 Undrafted: 2 Notable: First things first – we went with the “top 48” highest-scoring defensemen rather than the top 50, because the “top 50” was actually the top 69 due to the glut of defensemen tied at five points. Of the 48 defensemen with at least six points entering Friday night’s action, a little more than half were first-round selections (25 of 48), including most of the big names (Burns, Carlson, Erik Karlsson, Drew Doughty, Morgan Rielly and others). But there were definitely some good finds spread throughout the subsequent rounds – P.K. Subban, Roman Josi and Duncan Keith were second-rounders, Kris Letang was taken in the third round, Mattias Ekholm in the fourth, John Klingberg in the fifth. And don’t forget Dustin Byfuglien in the eighth round in 2003, a round that doesn’t even exist anymore after the NHL cut the draft back to seven rounds in 2005.
Players with points-per-game average of 1.00 or higher (minimum 5 GP): 70 First round: 51 Second round: 6 Third round: 4 Fourth round: 3 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 4 Notable: Of the 608 players who have appeared in at least five games this season, 70 were averaging at least a point per game. That number is sure to drop as the season unfolds – only 24 players averaged a point per game last season (minimum 40 GP) – but it’s a good sample size for our purposes here. Once again, the vast majority of the NHL’s most productive players have a first-round pedigree – 51 out of 70, to be precise. The sixth-rounder, in case you’re wondering, is newly minted Islanders captain Anders Lee. With 12 points in 12 games, he was right on the 1.00 PPG number, just a glimmer behind former Isles captain John Tavares (14 points in 13 games, 1.08 PPG).
Top 50 defensemen in ice time per game First round: 30 Second round: 6 Third round: 4 Fourth round: 4 Fifth round: 1 Sixth round: 1 Seventh round: 1 Eighth round: 1 Undrafted: 2 Notable: Really, what better way to gauge a defenseman’s worth than his average ice time? Of course goals and points are great, but ice team speaks to how much value a player’s team – and coach – places on him. After crunching the numbers, the NHL’s 50 busiest defensemen were playing at least 21:59 per game, with L.A.’s Doughty (27:07), Minnesota’s Ryan Suter (26:01) and Edmonton’s Oscar Klefbom (26:01) leading the way. All three of those blueliners were first-round picks. Meanwhile, Tampa Bay’s Anton Stralman was in 50th place in average ice time (21:59), and Stralman also represents the seventh round in this exercise after being drafted 216th overall by Toronto in 2005.
Top 52 forwards in ice time per game First round: 39 Second round: 3 Third round: 4 Fourth round: 1 Fifth round: 1 Sixth round: 1 Seventh round: 0 Undrafted: 3 Notable: A total of 52 forwards were averaging at least 19:06 in ice time per game (three forwards were tied at 19:06, hence the “top 52” instead of “top 50”). Do the math, and nearly 80 percent of the NHL’s forward ice-time leaders were first-round selections (39 out of 52). Dig a little deeper, and we see that four No. 1 overall picks rank among the top 10 — Connor McDavid (first, 23:11), Nathan MacKinnon (fifth, 22:11), Ryan Nugent-Hopkins (sixth, 22:05) and Patrick Kane (10th, 21:05).
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Sam McCaig
Copy editor Sam McCaig rejoined The Hockey News in 2017 after previously working at THN from 1999 to 2010. His career high for goals in a season is one.
Source: https://bloghyped.com/theres-the-first-round-of-the-nhl-draft-and-then-theres-everybody-else/
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trendingnewsb · 7 years
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A smartwatch wont fix whats broken with Fitbit
Fitbits Q2 earnings could have been worse. Unlike Q4 of last year, the company didnt use the opportunity to announce that it would be laying off six percent of its staff. Still, things are bad. As we pointed out earlier in the week, the companys stock price is little more than 10 percent of its 2015 high.
According to some new numbers, Fitbit can also no longer claim to be the worlds top wearable maker. Right after the company announced its financials, Strategy Analytics noted that Chinese handset maker Xiaomi had snapped the title away from the company. Of course, Fitbit tried to put a happy face on its recent woes by reconfirming its plan to bounce back: a smartwatch.
In a statement issued alongside its earnings, co-founder and CEO James Park wrote, Our smartwatch, which we believe will deliver the best health and fitness experience in the category, is on track for delivery ahead of the holiday seasonand will drive a strong second half of the year.
Park has been talking up the watch for months now, in an attempt both to build hype and, it seems, reassure investors that help is on the way with what he believes will be an industry game changer. Thats a lot to pin on one device. Its still too early to pass judgement, of course all we know about the product is what weve seen from leaks. But what weve seen so far points to a company that has been learning many of the wrong lessons of late.
With a reported $300 price point, Fitbit is firmly targeting the premium market. Thats a full hundred dollars more than its current most expensive device, the Blaze. Released last year, that product straddled the line between fitness tracker and smartwatch, omitting, among other things, support for third-party apps. So Fitbit doubled down and went on a shopping spree. Earlier this year, the company bought two unique smartwatch startups, Pebble and Vector, for a reported $53 million.
Those companies, along with mobile payment startup Coin (which it bought the year prior), serve as the foundation of the still-secretive smartwatch. Production on the device has reportedly been plagued by technical issues, including problems with GPS and waterproofing, which could go a ways toward explaining why weve heard so little about the product, even as the company has been talking up its arrival for months.
In spite of those apparent delays, theres little question that Fitbit has a good team in place, capable of producing a very good product. Until very recently, it has been the dominant force in wearables, and both Vector and Pebble have already given the world compelling devices. But much of Fitbits problems stem from the fact that wearables in general have flatlined. Initial excitement has died down and many who have purchased a fitness band are holding on to the ones they own.
And with the notable exception of Apple, smartwatches havent looked much better. In fact, the low end of the pricing spectrum is a rare bright spot for the otherwise lackluster space. As Fitbits share of the global market fell sharply from 29 percent to 16 percent, Xiaomi rose from 15 percent to 17 percent. That growth was fueled by the companys extremely low price point. Here in the U.S., you can pick up one of their Mi Bands for $15. Fitbits cheapest device, meanwhile, is the Zip, an extremely basic clip-on step counter thatll run you $60.
Cheaper devices are one potential option for the company moving forward. Granted, its often hard to be price competitive with Chinese manufacturers like Xiaomi, but Fitbit still has healthy brand reconnection and robust software offerings, which could justify a bit of a premium over rock-bottom trackers like the Mi Band. A substantial price drop on an offering like the companys best-selling Charge 2 would do wonders for sales. Right now, the fitness band is nearly 10 times the price of Xiaomis cheapest offering.
Lowering device cost would also help the company gain even more of a foothold in the competitive corporate and clinical health space. Its a still lucrative portion of the wearable industry, into which its one-time fierce competitor Jawbone is said to be shifting after a couple of years of radio silence.
Im happy to hold off judgement on the new smartwatch until it actually arrives, which, from the sound of it, will be sooner than later. But even if it manages to combine all of the best worlds of the companies it has acquired, its hard to imagine a premium-priced device being the right path forward for Fitbit.
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vitalmindandbody · 7 years
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Blockbusters assemble: can the mega movie subsist the digital era?
From Star Wars sequels to superhero dealerships, blockbusters still rule the film industry. But with Amazon and Netflix tearing up the freeing planneds, are they on iffy sand?
Is the blockbuster in hardship? On the surface, to indicate such a thing might seem as absurd as handing out the incorrect envelope at the most difficult happening of the movie docket because you were busy tweeting pictures of Emma Stone. This is the blockbuster were talking about. Its Luke Skywalker, Jurassic World, Disney, The Avengers, Batman, Superman, Spider-Man, Pixar. Its the Rock piercing his fist through a house. Its the effects-driven cultural juggernaut that powers the entire film industry. Does it look as if its in difficulty?
A glance at the balance sheet for its first year to date would cement the view that the blockbuster is in inconsiderate health. Total grosses are higher at the present stage than any of the past five years. Logan, the Lego Batman Movie and Kong: Skull Island have all attracted in big-hearted audiences globally. And then theres Beauty and the Beast, a true-life cultural phenomenon, currently racing its behavior up the all-time rankings. All this and theres still a brand-new Star Wars instalment, another Spider-Man reboot, Wonder Woman, Justice League, Alien: Agreement, Blade Runner 2049, plus sequels of (* deep sigh *) Guardians of the Galaxy, Cars, World War Z, Kingsman, Transformers, Fast and the Furious, Planet of the Apes, Despicable Me, Thor and Pirates of the Caribbean still to come. Hardly the signs of a crisis, it would be fair to say.
Dig a little deeper though and the foundations that blockbusters are is built around start to look precariou. Last month, Variety wrote a tale that covered a picture of an industry scared stiff by its own future, as purchaser flavours change with a difference in engineering. Increased pressure from Netflix and Amazon, those digital-disruption barbarians, has caused the big-hearted studios to consider changing the mode they liberate movies. The theatrical opening, the 90 -day cushion between a movies entry in cinemas and its freeing on DVD or stream, is set to be reduced to as little as 3 weeks in an attempt to bolster lessening residence amusement marketings. Its a move that service industries sees as necessary, as younger spectators develop more adaptable, portable considering techniques, and certainly many smaller productions have begun to secrete their cinemas on-demand on the same day as in cinemas it was one of the reasons that Shia LaBeoufs Man Down grossed a much-mocked 7 in cinema.
Ana De Armas and Ryan Gosling in Blade Runner 2049. Photograph: Allstar/ WARNER BROS.
At the same time, investors from China long thought to be Hollywoods saviour have abruptly chilled their interest, cancelling major studio spates as the Chinese box office accepts growing stings( with domestic ticket auctions simply increasing 2.4% in 2016 against a 49% rise its first year before)and the governments crackdown on overseas investment starts to bite. Add to that got a couple of high-profile recent busts Scarlett Johanssons Ghost in the Shell, Matt Damons The Great Wall, the unintentionally creepy-crawly Chris Pratt/ Jennifer Lawerence sci-fi Passengers, Jake Gyllenhaals Alien knock-off Life and you have an manufacture thats not as prospering as the blockbuster bluster might suggest.
Hollywoods response to this instability has been to double down, focusing on blockbusters to the exclusion of just about everything else. In the past few decades the summer blockbuster season has mission-crept its style well into springtime, a phenomenon that has been expression cultural global warming; this year, Logan was secreted a mere three days after the Oscars intent. The ensuing aftermath is of a full calendar year of blockbusters, with a small drop-off for Oscars season in January and February and even in that season this year we are continuing received the liberations of The Lego Batman Movie, The Great Wall, John Wick 2 and the lamentable Monster Trucks.
Meanwhile, the mid-budget cinema that hardy perennial that used to help prop up the industry by costing relatively little and often deserving fortunes( imagine Sophies Choice or LA Confidential) has significantly been abandoned by the major studios, its full potential profit margins seen as insufficiently high when the cost of things such as market is factored in. Which isnt to say that mid-budget films dont prevail, its just that theyre being made by smaller, independent studios witness Arrival and Get Out for recent successful instances or most frequently as Tv line.( Theres that Netflix, disrupting things again .)
In essence, what this all means for the industry is that its blockbuster or failure. Studios have looked at the shifting landscape and decided to react by filling it with superheroes, activity starrings and CGI beings, making more blockbusters than they used to, but fewer cinemas in total. The old tentpole formula, where a few large-hearted cinemas would shelter the mid-range and low-budget substance, has largely been abandoned. The blockbusters are about reducing the movies these studios produce down to a minimum, reply Steven Gaydos, vice-president and executive editor at Variety. They oblige nothing but big stakes. You have to keep building a bigger and better spaceship.
Its a high-risk strategy and one that, in accordance with the arrangements of Disney and their Marvel, Star Wars and Pixar franchises, has brought large-hearted honors. But this abrupt ratcheting up of the stakes means that the cost of collapse has become far more pronounced. Last-place time Viacom was forced to take a $ 115 m( 92 m) writedown on Monster Trucks, while Sony took a writedown of practically$ 1bn on their entire cinema fraction after a faltering couple of years.
Hugh Jackman in Logan. Image: Allstar/ 20 TH CENTURY FOX
While those losses might be explained away as the result of bad stakes on bad cinemas Monster Trucks was infamously based on an idea by an executives five-year-old son they hint at the cataclysm who are able to follow if a broader, industry-wide question were to present itself. Namely, what if the public loses its appetite for the blockbuster?
Its not entirely without precedent: in the late 1950 s, as video threatened to plagiarized a march on cinema, studios responded by proceeding big. Spectacle was seen as the key: westerns, musicals and sword-and-sandal epics reigned. But audiences soon germinated tired of these hackneyed categories and ticket marketings continued to diminish. That hour the industry endured, thanks firstly to the injection of vitality provided for under the jumpy, arty New Hollywood cinemas, then later with the early blockbusters such as Jaws and Star Wars.
Could such a mass tuning-out happen again? Surely, theres an spooky repetition in the way that Hollywood has reacted to changing days with width and sight, but also in their restricted focus. Once an sexual thriller such as Fatal Attraction or a musical drama such as Footloose might have reasonably been considered a blockbuster. Nowadays the blockbuster almost exclusively is still in the action, imagination, boys film or superhero genres.
The superhero film including with regard to towers large over the industry, as every studio tries to replicate the formula set by Marvel. Ever-more niche caped crusaders are being given their own films Batgirl, Aquaman, the Gotham City Sirens by seeking to discover a new Deadpool. Spider-Man and Batman have once again been rebooted by seeking to freshen up the respective dealerships. And, of course, everyone wants their own cinematic universe a vast galaxy of reputations that together can generate a apparently infinite number of spin-offs, sequels and prequels. At this very time, the creators of Call of Duty are actively seeking to turn their appalling shoot-em-ups into a series of interlocking films, while James Cameron a director whose preferred approach of cracking a seed is with a sledgehammer, you believe is creating a macrocosm around his smash-hit Avatar, rife with five sequels, graphic fictions, actual novels and, most bewilderingly, a Cirque du Soleil show.
These shared cosmoes actively court the kind of audiences who will turn up to every film, buy the action illustrations, don the cosplay outfits and feed the branded breakfast cereal in other words, teenage sons. The dominant ideology is fanboy culture, articulates Gaydos. It is adolescent. It is conflict resolution by savagery. It is wish-fulfillment, sight and recreation seem and frenzy, if we want to get Shakespearean.
Truly, the geeks have inherited the earth. But what about the rest of us? How many people have the time, vigour or inclination to sit through, add, all the movies in the forthcoming Universal Monsters shared universe, which begins this year with a reboot of The Mummy and has resuscitations of Wolf Man, Van Helsing and the Invisible Soldier in pre-production? Greenlighting this series of movies without knowing whether anyone is going to bother to watch even the first of them looks like a risky attempt, and the recent predicament of the Divergent YA film dealership, whose latest cinema is being released as a TV movie due to lack of interest, offers up a cautionary fib that studios should perhaps be paying attention to.
Cars 3. Photo: Allstar/ WALT DISNEY PICTURES
But whats impressing about all these blockbusters is how youth-skewed “they il be”, at a time when a one-third of cinemagoers in the US are over the age of 50. Older audiences can enjoy The Avengers as much as everybody else, of course, but sloping your marketplace primarily towards young people is a risky programme. Young beings tend to be the most fickle gathering, one whose attention is split in thousands and thousands of homes, answers Gaydos. Theyre also the audience least able to splash out on cinema tickets. And of course theyre an audience who are becoming increasingly accustomed to watching material on their telephones, laptops and smart TVs.
In other messages, theyre the ones likely to violence through the seismic change service industries is currently fussing over. If they lose interest in the modern blockbuster in accordance with the rules that younger audiences turned away from the countries of the western, musicals and historic epics in the 1960 s, the studios will have to find something lustrou and brand-new to motion in their faces and this time they wont have something akin to the New Hollywood to tribunal them with, as that sort of transgressive, jumpy, groundbreaking grub is increasingly diverting up on the small screen.
Perhaps the best happen the studios can do in the face of this new world is to demonstrate some imagination in how they develop and existing their blockbusters and there are signs that this is already happening. Producer Stephen Woolley, who has worked on movies such as The Crying Game and the forthcoming modification of On Chesil Beach, quotes Deadpool as a film that has subtly managed to shift the sensing of the superhero movie. Its taking a much more sophisticated panorama of that nature and humiliating it, while at the same reinforcing it. It was a inventive have-your-cake-and-eat-it from the ones who established it.
Meanwhile, Disneys successful live-action reimaginings of their enlivened duties most notably Beauty and the Beast and The Jungle Book suggests that its possible to play the sequels and remakings tournament without it feeling like a retread over old ground. Most singularly of all, the musical think this is making a comeback with the success of La La Land, that rare mid-budget movie to have intersected over into blockbuster status, grossing more than $400 m at a budget of $37 m.
Woolley is aware of the risks swirling all over the blockbuster, but feels that mass extinguishing is still some direction away, if it ever runs. The hazard you have is that gatherings are fickle, and they could abruptly turn off, he does. Something happens for them to say: Actually, we dont such as those movies any more. And theres always this inkling that it might happen. But every time it seems to happen on the blockbuster front, another movie comes out to prove you wrong.
Ultimately, though, what might keep the blockbuster safe for the time being is not the films themselves but all the stuff around them. The thing that the studios are manufacturing is something akin to a hypermovie or a supermovie, reads Gaydos. Its a whole interesting thing. Its a toy-delivery structure. A Cars movie will gross $500 m or $600 m but the Cars concoctions will sell$ 4bn. Ultimately the movie is designed to be a monstrou sell tool for stock and theme park that generate billions and billions.
As Hollywood agonises over its own future, it might be that the best mode for the blockbuster to survive is to subsume itself into bigger, most secure revenue streams: dolls, recreations, merchandise, live attractions. So if you want to keep the blockbuster around for a while longer, you should get your Superman costume on and move yourself a container of that labelled cereal.
Read more: www.theguardian.com
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