#and it's not like i'm even referring to controversial things with this

[strawberriesinmoominvalley]

why are non-religious people always so shocked when religion affects someone's life? it's not like a person's religion is the lens through which they see the world and impacts on decisions they make

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[deansguns]

I'm not sure I trust people who say they watched the entirety of spn and didn't see any destiel, like at all. really? you watched the entire 15 seasons and you came out thinking that those were two straight characters without an ounce of romantic love for one another?

[queenoftheimps]

This is the most minor of James Somerton's sins, but I remembered earlier today that in his Neil Gaiman video, he was talking about Good Omens and said something like "All the angels are referred to by they/them pronouns"

When I initially watched it (before the controversy), I was like "Pretty sure that's wrong, but whatever"

But now that it's been revealed that James Somerton is both a plagiarist and wilfully ignorant, now I'm left being like....did he even watch any of this show at all before dedicating half of a video to it?

Because even if you don't include many, many scenes of Aziraphale being referred to as "he", or Gabriel being referred to as "he", even if you only saw the most talked-about scene of the recent season, it still has Metatron being called "he" a whole bunch of times

like, this makes me think he didn't watch even a single scene of the thing he was claiming to analyze, which is wiiiiiild

[peachiejeongin]

hello you magnificent human being.

I see your requests are open and I’m always ready to send my ideas to capable writers haha

so: Seungmin + angsty angst + redemption + happy ending (bc I’m a weak and unstable bitch)

reader is pregnant, at the beginning maybe she knows, maybe not. Seungmin is having some existencial crisis (maybe he feels like he’s not living he’s youth as he should), gets distant, neglecting his relationship. he cheats on reader (maybe not, and it only looks like it), reader finds out, confronts him, he says some really mean words about her, the relationship, the baby. maybe (I know, tons of maybes, I have ideas but also want to give you freedom to write whatever you want! hahaha) he implies he doesn’t want the baby or mentions something about an abortion?

however the reader reacts, what he does after, the redemption and else is up to u.

I hope you like the idea as much as I do. happy writing🧚🏼‍♀️

Fractured Foundations | Seungmin

Synopsis: When secrets flow and hearts break during an argument, you are left wondering why you entered into this relationship.

Pairing: bf!Seungmin x fem!reader

Genre: Angst. So. Much. Angst. (But a fluffy ending!)

Warnings: Swearing, mentions of pregnancy, mentions of drinking, implied cheating (he does not), arguing, mentions of Seungmin not wanting the baby, break-up This is a pretty triggering fiction, so if you need to skip this one, please feel free to!

Notice: No, I did not sob my eyes out while I was writing this; what are you referring to?! Nevertheless, my darling! Your suggestion is out of this world, and it broke my heart just reading it! The only thing I did not include was the idea of abortion just due to some past experiences of mine and because the topic is insanely controversial; however, I hope you enjoy the story all the same ! As I stated in the warnings, this fiction is one that is more on the triggering side, so please feel free to skip out on reading if you need to :)

The apartment felt cold, even with the heater on full blast. You sat curled up on the couch, a half-forgotten mug of hot chocolate cooling in your hands; your eyes were fixated on the little plastic stick on the coffee table. The two faint lines stared back at you, blurring slightly through your tears.

You should have been happy; this is what you have been dreaming of for so long - to start a family and have a minature you running around the house. Yet, all you could feel was an ache deep in your heart - one that had been festering for weeks.

Seungmin had not been the same lately, and you could sense it. He was not the boy who used to hold your hand under the table at crowded restaurants or sneak kisses when he thought nobody was looking. He was not the man who used to talk about the future like he could not wait to spend every moment of it with you. He was not the man who shared your dream of settling down and beginning a family of your own.

These days, he came home late, smelling like a mix of winter air, cigarettes, alcohol, and someone else's perfume. He did not touch you like he used to, and he did not look at you with the love he had once felt if he even made the effort to glance your way at all.

You tightened your grip on the mug, the ceramic bearing into your palms. The words you had practiced in your head over and over felt heavy in your throat.

How do you tell somebody you love that you are carrying their child when you are not even for certain that they still want you?

The sound of the door unlocking snapped you out of your consuming thoughts. You wiped at your face quickly as Seungmin stepped inside, his shoulders stiff and his expression unreadable.

"You're home," you commented softly, forcing a smile.

"Yep," he muttered, kicking off his shoes without looking at you. He walked past the couch, heading straight for the bedroom.

"Seungmin?" Your voice cracked slightly, and you hated how desperate it sounded. "Can we talk?"

"I'm tired," he stated as he stalled in the doorway, his back still turned to you. "Can it wait 'til tomorrow?"

"I don't think it can." You swallowed the lump in your throat, your fingers trembling against the cooling mug.

He turned then, his face annoyed and his eyes carrying a sharp, distant stare.

"What is it?"

The words were right there, ready to spill out. Yet, as you looked at him - the man you used to know better than he knew himself - you doubled down.

"I..." you hesitated, suddenly unsure. "I just want to make sure you're okay. You've been pretty distant lately."

Seungmin sighed, running a hand through his hair.

"I'm fine," he replied. "Just stressed."

"About what?" you pressed gently.

"Work. Life. Everything and anything." He glanced at you then, his tone hardening. "And I certainly don't need you breathing down my neck right now, so just drop this."

Your stomach twisted, a painful knot forming in your chest. You wanted to cry, to scream, to break down and tell him everything. Instead, you nodded, your barely audible voice mumbling an, "Okay."

Seungmin disappeared into the bedroom, leaving you alone in silence.

For the first time, you had felt like you were truly alone.

---

The days that followed felt like they were unfolding in slow motion, each one darker than the last. Seungmin stayed locked in his own world, a stranger in the home you had built together. His absence lingered, even when he was physically present, silence replacing the laughter you once shared.

You told yourself to wait for the right moment to bring it up, to tell him about the baby, but the fear of his reaction gnawed at your gut. Every time you opened your mouth, his distant gaze or clipped tone shut you down.

The breaking point came one Friday night.

Seungmin had been out late again, the smell of whiskey clinging to him as he stumbled through the door. You were sitting at the kitchen table, a plate of untouched food in front of you.

"Seungmin," you called, your voice shaking slightly. "We need to talk. it can't wait any longer."

"Not this again," he groaned, leaning against the wall as he kicked off his shoes.

"I'm serious," you stood up as your hands trembled. "I can't keep doing this. You're never here, and when you are, it feels like you aren't. What's going on with you?"

"What's going on with me?" he repeated, his tone slurring out of frustration. "You're the one who's always picking fights here recently."

"Picking fights?" Your voice rose, anger bubbling over your previously meek demeanor. "I'm trying to save this relationship, Seungmin! You won't talk to me! You won't let me in!"

"Maybe because I don't want to, y/n!" he snapped, cutting you off.

The words hit you like a harsh slap; you stared at him, your heart pounding so hard you felt it in your ears.

"What's that supposed to mean?"

"It means I'm suffocating, okay?" He clenched his jaw, rubbing his temples aggresively. "This life we have? It's not what I wanted."

"Not what you wanted?" Tears blurred your vision as you took a shaky step backwards, nearly stumbling in the process. Seugmin exhaled sharply, pacing the small space of the kitchen.

"I'm 24, for fucks sake. I should be out living my life, not tied down to some boring routine."

"You feel tied down?" you echoed, your voice breaking. "Is that all I am to you? Some weight holding you back?"

"I don't know!" he shouted, his emotioned boiling over. "I don't know what I want anymore, but I do know that I can't keep pretending that everything is fine when it clearly isn't!"

The room fell silent, save for the sound of your muffled, shaky sobs. Slowly, you reached into your jacket pocket, pulling out the small ultrasound photo you had been carrying around for days.

"Maybe this will help you figure it out," you responded, your voice quiet, trembling even as you placed it on the counter in front of him.

Seungmin frowned, his eyes narrowing as he glanced down at the photo. When realization dawned, his expression twisted into something you could not quite discern - shock, confusion, maybe even rage.

"You're...you're pregnant?"

"Yes!" you replied, tears cascading down your face. "I found out a couple weeks ago, and I just went to the doctor to confirm it. I didn't tell you sooner because I knew, I knew this was how you were going to react."

Seungmin shook his head, a stressed hand clamped onto his forehead.

"This can't be happening."

"What do you mean?" you demanded, your voice rising several octaves. "This is happening, Seungmin. We're going to be parents, and you don't get to act like it's some inconvenience!"

"Inconvenience?" he repeated, his voice hard. "Do you know what this means? We're not ready for this! I'm not ready for this. I don't even know if I want-"

"Don't you dare," you cut him off, your voice growling with anger. "Don't you dare say something you can't take back."

"Maybe you should have thought about that before you decided to keep it."

The words hung in the air like a knife between you: sharp and unforgiving. Your breath hitched, your hands shaking as you stepped back from him.

"You're unbelievable," you whispered, pain prominent in your tone. "You know what? I'm done. You can figure out what you want without me here, because I'll be damned if I raise our child in an environment where I am treated like this."

Without waiting for a response, you grabbed your coat off of the rack in the living room, slamming the door behind you as you walked out.

---

You did not know where you were going, but anything felt better than the asphyxiating walls of that apartment. Your hands gripped the steering wheel as you drove aimlessly, hot tears streaming down your cheeks. The world outside blurred into a kaleidoscope of color. You could not stop thinking about what Seungmin had said.

"Maybe you should've thought about that before deciding to keep it."

The statement echoed over and over, each repetition cutting deeper than the last. You pulled into an empty parking lot and parked the car, burying your face in your hands as sobs washed over your body.

How had it come to this? The man you loved, the man you thought you would spend forever with, had looked you in the eyes and shattered every hope you had held onto.

After a few moments, the tears slowed, leaving you hollow and exhausted. You reached for your phone, scrolling through your contacts until you landed on a familiar name.

"Hello?" a groggy voice answered after the second ring.

"Changbin," you sobbed. "I need somewhere to stay."

---

The apartment was eerily quiet without you. Seungmin stood in the middle of the living room, holding the ultrasound photo you had left behind.

He felt horrible.

The anger and frustration that had fueled his words had disappeared, replaced by a sickening pit in his stomach. He had not meant to say half of the things that he did, but in the moment, it all came tumbling out.

"What the hell is wrong with me?" he muttered under his breath, sinking into the couch. He could not stop playing the look on your face - the way your shoulders had slumped, the tears in your eyes and anger in your voice as you left.

For the first time in weeks, he let himself confront the feelings he had been burying. The truth was, he was terrified. Terrified of losing his freedom, of not being good enough for you, and now of fatherhood. Instead of talking to you about it, however, he had lashed out, pushing you away when he needed you the most.

Seungmin stared at the ultrasound again, his thumb brushing over the tiny image.

'That's my baby.'

The thought sent a wave of emotion crashing over him, of fear yes, but also a deep unfamiliar sense of awe.

Yet, he was convinced he had already ruined everything.

---

Changbin greeted you at the front door in sweatpants and a hoodie, his face full of concern.

"What happened?" he questioned, his voice filled with concern but also tiredness. You shook your head, not able to speak without choking up. He ushered you inside, grabbing a nearby blanket and wrapping it around your shoulders.

"Take your time," he told you softly, sitting beside you.

The story spilled out in fragments - your fears about the pregnancy, Seungmin's distance, the fight, everything. By the time you had finished, Changbin looked angrier than you had ever seen him.

"That idiot," he mumbled under his breath. "I swear, I'm going to knock some sense into him."

"Don't," you replied quickly, your voice hoarse. "It's over, Changbin. I'm not going back." Changbin frowned but did not argue; instead, he pulled you into a comforing hug.

"You don't have to decide on anything right now. Just focus on taking care of yourself, okay?"

---

The next morning, Seungmin woke up to an empty apartment and a gut-wrenching sense of dread. He had tried calling you, but your phone went straight to voicemail. Panic set in when he realized he had no idea where you had gone.

It was not until later that day that he worked up the nerve to text Changbin.

'Is she with you?'

'She's safe. But don't plan on coming here. She needs space.

Seungmin sank down onto the couch, running a hand through his hair. You were safe, and that was all that mattered for now, but he knew that he could not leave things like they were.

The empty apartment was becoming unbearable; Seungmin missed the warmth of your embrace at night, the sleepy sounds you yawned in the morning, everything. Nothing felt right without you there.

His first attempt to fix things was impulsive; he showed up to Changbin's house unannounced, despearate to see you.

Changbin opened the door, his expression a mixture of disappointment and stifled frustration.

"She doesn't want to see you."

"I know I messed up," Seungmin responded. "I just need to explain-"

"You don't get to explain," Changbin cut him off. "Not yet, at least. You can't just apologize and expect her to forget everything that happened."

Seungmin faltered, shame washing over him.

"Then what do I do?"

Changbin sighed, his tone softening slightly.

"Figure out why you acted the way you did. Fix yourself, then fix the relationship."

---

Seungmin took Changbin's words to heart. For the first time in weeks, he had sought out therapy.

Sitting in the therapist's office, he struggled to put his thoughts into words.

"I feel trapped," he had finally admitted. "Like my life is moving faster than I can keep up with, and I took it out on my girlfriend." The therapist nodded, encouraging him to continue. "I think I'm scared. Scared of failing her, of failing the baby, of being stuck in a life I don't know if I'm ready for."

"That's understandable," the therapist gently assured. "But you need to know that running from your fears doesn't make them go away; it just hurts the ones you care about."

Seungmin left the session feeling lighter, though the weight of his actions was still pressing down on him.

He knew he could not fix things overnight, but he wanted to show you how serious he was about changing.

He started small, dropping off groceries at Changbin's house, knowing that you would not accept them from him directly. He began attending prenatal classes on his own, learning everything he could about what you were going through.

One day, he left a note for you with a small gift; it was a baby onesie that read, "I already have the best mom."

---

Weeks passed before you agreed to see him. You met at a park, the winter air crisp and cool. Seungmin looked nervous, his hands stuffed into his pockets as he approached.

"I'm not here to ask you to forgive me," he began, his voice steady but soft. "I just want you to know how sorry I am."

You crossed your arms, giving him a wary, "Go on."

He took a deep breath, his gaze meeting yours.

"I was selfish, and I let my fear and insecurities control me, and I hurt you in ways I can't even begin to make up for. You didn't deserve that."

"You're right," you replied quietly. "I don't." Seungmin nodded, swallowing hard.

"I can't change what I said, but I'm working on being better, for you, for our baby, and for myself. I understand if you never want to be with me again, but I'll always be here for our child. No matter what."

His sincerity caught you off guard. For the first time in weeks, you saw a glimpse of the man you had initially fell in love with.

---

The months that followed were not easy. You let Seungmin attend the doctor's appointments with you, but you kept your defenses up. Seungmin did not push; he showed up for every appointment, every class, and every moment you allowed him to be apart of. He listened more than he spoke, letting his actions do the talking.

One night, after a particularly long day, he found you sitting in the nursery, staring at the crib. You were far along at this point, about six or seven months; the realization of having this baby was finally beginning to set in.

"Everything okay?" Seungmin asked gently, leaning against the doorframe.

"It's just...a lot," you hesitated before nodding. Seungmin walked over, standing behind you and resting his head on your shoulder and wrapping his arms gently around your belly.

"I know, but you're not alone in this. Not anymore."

---

A few months later, you found yourself laying in the delivery room, clutching Seungmin's hand as your baby lay in the hospital's makeshift cradle just in the corner of the room. Seungmin's cheeks were stained with tears, his love evident within his expression as he walked over to the baby.

"I didn't think it was possible to feel so much love," he whispered, his voice breaking. You smiled through your exhaustion, watching as he gently cradled the baby for the first time.

In that moment, you knew he had changed.

And as he leaned down you press a gentle kiss to your forehead, you felt it too - the hope of a new beginning.

[ylangelegy]

⋆.˚ svt as formula one drivers ♡︎ soonyoung, wonwoo, joshua.

── .✦ 01. the one where soonyoung is enamored by a fan. 02. the one where wonwoo falls for a journalist. 03. the one where joshua has someone at home waiting for him.

✰ fluff, light angst [blink and you'll miss it], competitive!soonyoung, in denial!wonwoo, boyfriend!joshua, formula one references, svt ensemble, all sfw. intentional lowercase.

THE ONE WITH SOONYOUNG.

🏁 f1 driver soonyoung who started off as a street racer, who has always been a bit reckless when it comes to practically everything.

🏁 f1 driver soonyoung who signs with alpine alongside jihoon; if jihoon is ice, then soonyoung is fire. they make it work.

🏁 f1 driver soonyoung who is an absolute devil on the grid. he may not always place well in the championship standings, but he will give everyone hell before they can overtake him.

🏁 f1 driver soonyoung who's just a little bit controversial for flirting with audience members, whether they're a fan of alpine or not. what can he say? he's a thrill-seeker, and there is some thrill in all the pretty people who want to get with a racer.

🏁 f1 driver soonyoung who is all that until he meets a fan who just— shuts him up. he's struck dumb by you, which is a tall feat. love at first sight is a cruel twist of fate for someone as impulsive as he is.

🏁 f1 driver soonyoung who just can't do it, who can't flirt with you the way he has with the dozens of onlookers in the grandstands. it frustrates him. he literally races for a living, and yet you have his heart hammering in his chest like he's some goddamn fool.

🏁 f1 driver soonyoung who does end up kind of acting like a fool in front of you once he thinks he has enough courage to strike up a conversation. he hits you with an outdated pick-up line and is mortified at how terribly the conversation goes. (jihoon never lets soonyoung live this down.)

🏁 f1 driver soonyoung who gets a bit sulky when he realizes you're not there for him, per se. you're a fan of some other team, some other driver. he absolutely hates it.

🏁 f1 driver soonyoung who stumbles over his words when he attempts to change your mind, who only grows more and more frustrated as you cheer on the cars shuttling past him.

🏁 f1 driver soonyoung who decides that the best way to go about this is to do the one thing he does best: drive.

🏁 f1 driver soonyoung who gets even more unpredictable, who finally starts actually winning races instead of just driving for the sake of it. jihoon is impressed, and the other drivers are disgruntled, but soonyoung only really cares about one opinion.

🏁 f1 driver soonyoung who— drenched in champagne after winning at the monaco grand prix— finds you in the paddock clubs. "did you see?" he asks you, his helmet tucked under one arm. "were you watching?"

🏁 f1 driver soonyoung who says, "keep your eyes on me, baby. i'm going to be winning a whole lot more."

THE ONE WITH WONWOO.

🚥 f1 driver wonwoo who knows better than anyone that the car maketh the man, and so he keeps up with all the tech as he tears through race after race.

🚥 f1 driver wonwoo who is the face of mclaren. he signs with mingyu— a non-negotiable in all of his contracts. the two are formidable on the grid, but are best friends away it.

🚥 f1 driver wonwoo who hates the media circus, honestly. that had always been more of mingyu's thing. wonwoo has to endure it all the same because it's part of his job, because he wins races and reporters always want to hear from the winners.

🚥 f1 driver wonwoo who doesn't mind one reporter, honestly. you're efficient. you're professional. you ask questions that make him think.

🚥 f1 driver wonwoo who unintentionally makes you enemy number one among all the f1 journalists, because he's always calling on you when he gets the chance.

🚥 f1 driver wonwoo who will lean in just a little too close (to hear you better, he'll reason). who will nod in all the right places as you ask your question (he's being polite, he says).

🚥 f1 driver wonwoo who is teased relentlessly by mingyu, because of all the people that wonwoo could've fallen for, it's someone who's just doing their job.

🚥 f1 driver wonwoo who calls mingyu absurd. he is not in love. ("a crush, then?" mingyu insists, but wonwoo shakes that off, too. he's a man in his late twenties. he wasn't supposed to get crushes.)

🚥 f1 driver wonwoo who is reading one of your articles on his phone and smiling at the little icon featuring your face when he realizes, fuck. oh, fuck, fuck, fuck.

🚥 f1 driver wonwoo who buries himself in studying about race strategy and aerodynamics, like he might find the answers there. he starts only answering the reporter questions he hates. about the weather, about car conditions, about his cat back at home.

🚥 f1 driver wonwoo who has to be cornered and confronted by mingyu, who realizes immediately that wonwoo is trying desperately to shift gears.

🚥 f1 driver wonwoo who is here to win, who is here to represent mclaren, who can't bear to be distracted by a sharp tongue and a pretty face. right? right? he tells mingyu all that as he paces the pit box, as he tugs at the tips of his fire-resistant gloves.

🚥 f1 driver wonwoo who has to be reminded, gently, by mingyu, "hyung, you're allowed to want more than one thing."

🚥 f1 driver wonwoo who, the next time he sees you, flips the script. "you're always asking me questions. i'm allowed to ask you one of my own, don't you think?"

🚥 f1 driver wonwoo who swears it's worse than racing— the feeling in his chest when he finally manages to choke out, "what does a guy have to do to take you to dinner?"

THE ONE WITH JOSHUA.

🏆 f1 driver joshua who started karting at the young age of six, who was practically born in to the life of motorsports.

🏆 f1 driver joshua who carves out a space for himself in mercedes. his partner vernon has nothing but praise for him. joshua, after all, is the picture perfect mercedes driver: sleek, sophisticated, meticulous.

🏆 f1 driver joshua who— single-minded as he is— is still controlled and efficient. who has never crashed in his career. who would rather lose than put himself in danger.

🏆 f1 driver joshua who does all this because he knows there's someone back at home (or in the stands, if it's a particularly good prix), absolutely scared shitless.

🏆 f1 driver joshua who would give it all up for you in a heartbeat. would it suck? yes. but he would. you have to know that. all you have to do is ask.

🏆 f1 driver joshua who appreciates that you never ask. he knows you worry, knows he's probably shortened your lifespan with all the anxiety he's put you through, and yet you never make him choose. he is so, so grateful.

🏆 f1 driver joshua who is relentlessly excellent and pedantically careful because he owes you that much. it is his one promise to himself; his quiet vow to you. the red flags will never be for him.

🏆 f1 driver joshua who is criticized for playing things safe, for giving too much way to vernon. joshua merely shrugs and smiles and thinks of you, and how he's just excited to be back in your arms once this goddamn season is over.

🏆 f1 driver joshua who still wins, every so often, because he really is good. just cautious. and when he does win— when he's the one with the champagne bottle and the gold trophy and all the cameras trained at him— there's only one thing he looks for.

🏆 f1 driver joshua who will jump off the podium to find you, or point straight at a camera broadcasting live to reach you, as if to say, look; i'm in one piece. i'm fine. i did it. i'm fine. i love you. i'm fine.

[vanteguccir]

── ୨୧ !　𝗖𝗔𝗡 𝗬𝗢𝗨 𝗦𝗜𝗡𝗚 𝗙𝗢𝗥 𝗠𝗘?

　　　　　　　　　𝒄𝒉𝒓𝒊𝒔 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader

SUMMARY: Where Y/N is a worldwide famous singer, but her favorite thing in the world is hearing Chris singing just for her.

WARNING: None.

REQUESTED?: No.

AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism! | English isn't my first language, so I'm sorry if there's any grammar error.

　　　༻✦༺ 　༻✧༺　༻✦༺

When you are a world-famous singer who performs at least once a month, tours every year, models, acts, does interviews, is looked at everywhere by papparazzi and scouts, has articles published about you - often with false information -, it was safe to say that Y/N needed a place to rest, and hers was next to Chris.

Her resting with him was many things: spending hours marathoning mindless movies on the couch wrapped in a fluffy blanket and her boyfriend's arms, or when she could lay on Chris's lap and sink into a new book; sometimes it was when her house shared with the triplets smelled like her favorite cake, or when she spent the day making a new DIY that she found on tiktok...

Y/N was a girl with simple tastes, she didn't need much to be impressed, just a few minutes next to Chris were enough for her to feel like the luckiest girl in the world and finally be able to relax her body completely, getting rid of the adrenaline of having a life as an artist.

Don't get me wrong, Y/N loved her profession, since she was little her biggest dream was to be able to perform in front of a crowd and show her talent, and her fans provided that for her; seeing a sea of ​​people in front of her singing along to a song she composed made her see stars, the adrenaline that coursed through her veins when she picked up her pink microphone and could walk, dance, run and jump around the stage freely while singing the lyrics that referred to important moments in her life was incredible.

But nothing compared to waking up next to Chris in the morning and finding the sleepy face she loved so much along with his husky morning voice, or cooking homemade food for them and receiving a hug from behind that was always accompanied by "I love you so much". No moment in front of interviewers with overpriced magazines compared to when Chris won a round of one of his video games and got up from his chair with an excited scream, running over to where Y/N was and showering her with kisses.

Don't even remind me of the thousands of butterflies that flew together in Y/N's stomach when Chris wrote one of his love letters to her, delivering it along with several sweets and chocolates that she was addicted to - a weekly event in their lives.

Y/N's professional life was hectic and tiring, when she wasn't on a plane going from one country to another, she was in a studio recording a new song, or on a famous program answering very controversial questions.

So, when her busy day's were over and she could simply be Y/N, she would go straight into Chris's arms, where she knew she would receive comfort and security.

And that's exactly what she did today. After a turbulent day in the studio recording her new songs, making wrong high notes and having to redo them, crossing out written verses and rewriting them, the girl just wanted to get home and dive into her boyfriend's arms.

Y/N slowly closed the door to her shared room with Chris, her eyes wandering to the low lights and the almost imperceptible sound coming from the television, which was turned on in a random series.

Chris was already in bed dressed in his pajamas, the fluffy gray blanket covering his body up to his shoulders. He had his eyes almost closed from the intense tiredness, but he seemed to fight against it.

That was another thing that Y/N loved about Chris, regardless of what time she came home, he would always be waiting for her awake - more or less.

The girl walked with light steps to the nightstand on her side of the bed, taking the remote control and turning off the television, complete silence settling in the room.

"Hey, I didn't hear you coming." The brunette's sleepy voice caught Y/N's attention, who turned her face towards him, seeing him still lying in the same position, but with his blue eyes now very much open and looking at her. Probably having "woken up" due to the lack of the background sound.

"Hi my love, I just arrived. I'm just going to take a shower and come to bed with you." Y/N responded in a whisper.

"Okay." He said softly, looking at her from below with doe eyes.

Y/N leaned over the bed momentarily, sealing her lips over Chris' soft ones for a few seconds before getting up again and walking to the bathroom.

　　　　　༻﹡﹡﹡﹡﹡﹡﹡༺

Y/N opened the bathroom door, the steam from the hot shower escaping momentarily as she crossed to the bedroom, already in her pajamas, before closing it again.

She walked slowly to the bed, seeing Chris lying on his side and holding his phone with one of his hands, looking more awake than before - or trying to -, the screen brightness turned to a minimum as his thumb scrolled through his Instagram feed.

Chris lifted his head slightly when he heard her approaching, a lazy smile stretching across his face as he stretched slowly, locking the screen of his phone and briefly placing it on top of his bedside table. He opened his arms, waiting for his girlfriend to lay there.

Y/N returned the smile, lifting the gray blanket and laying down on her side of the bed, snuggling in before burying herself in Chris's arms. She ran her nose down his neck, breathing in the fresh scent of soap on his skin, caressing the sensitive spot with her lips.

His hands circled her shoulders, a sigh of pleasure escaping his lips at the comfort that the warmth post-bath of Y/N's body provided. The girl lifted her left hand, running it through Chris' hair, brushing his bangs out of his eyes.

"How was your day?" Chris asked softly a few seconds later, his blue eyes taking in his girl's tired features.

The deep sigh that escaped her mouth was answer enough for him: tiring.

"Did you eat anything? Are you hungry?" He continued, lifting his right hand - which was previously on Y/N's waist - and taking her left hand from his own hair, bringing it to his lips and sealing the soft skin for a few seconds, keeping his attention on her face.

"I had lunch, honey, I'm not hungry." She replied, a tired smile appearing on her lips at his affectionate gesture.

"Don't you want me to get you a snack? Lunch was many hours ago, kitten." Chris intertwined their fingers, only receiving a shake of her head.

"Can you sing f'me?" Y/N asked in a low, weak tone, her words barely noticeable.

A goofy smile grew on Chris's face, his eyes shining with excitement and love. He adored it when his singer girlfriend asked him to sing for her, it seemed too ironic to be true, but that was exactly what Y/N adored most.

"What do you want today? Rap, pop or rock?" He teased, a soft chuckle escaping Y/N's lips as she rolled her eyes, intertwining their legs together and scooting closer to him, laying her head on his shoulder, placing a little kiss on the region.

"Anything is fine, I just want to hear you sing." She asked, eager to listen her boy's soft voice against her ear.

"Y/N baby, I dedicate this one for you." He joked, a smile on his voice before he started to sing a song that he knew that was one of his girl's favorite. "Stay bugging out, days on end..." Chris began slowly, resting his chin on his girlfriend's head, his voice now sounding hoarse and low, intensifying Y/N's drowsiness. "Days on end."

Her eyes began to flutter closed, her heartbeat calming down as the weight of her shoulders seemed to drain down her body, her limbs relaxing completely.

"Play this often, don't take this shit too seriously." He continued gently, stroking Y/N's back in circles with his left hand, feeling the area lose its previous tension. "Know you get insecure, wish I had more wisdom for you..."

Y/N took a deep breath lightly, allowing her mind to drift off into the world of dreams, Chris's voice becoming muffled and almost null against her ears, but her brain seemed to still register it, using it as a personal tranquilizer.

"Sleep, babe." Chris whispered after singing some more lines, noticing her closed eyes and slightly open mouth.

He pressed his lips to the top of his girlfriend's head, before snuggling closer against her body, allowing himself to sleep, Y/N's slow breathing serving as his favorite lullaby.

[botanyshitposts]

Hey! I'm not a botanist, but I'm in circles where it's a bigger thing and I'm kind of curious about something.

So, from an outsider's perspective, the genus Garcinia has a lot of weird and messy classifications. For example, common species like G. intermedia and G. gardneriana are really similar to Garcinia brasiliensis, to the point that it's pretty controversial if they're actually separate species. The Garcinia species colloquially known as "achachairú" also appears to bear a lot of similarities to that trio (although much less than they share with each other), HOWEVER it's almost exclusively referred to (in cultivation and in studies) as G. humilis, a Carribean species with small oval-shaped leaves, despite actually having very long lanceolate leaves and being exclusively found in the Andean foothills of Bolivia. Also, multiple frequently cultivated species like Luc's garcinia and Russell's sweet garcinia haven't actually been described yet, despite for example the former having a decent amount of scientific interest and frequent genetic testing done on it.

All of these odd classification things and even more others have been pretty well known in my circles for the past 15 years-ish, but still nobody seems anywhere close to a conclusion for them. How long does it usually take for a genus to get organized when it has as many species as Garcinia does? And how do they do it? Do they go around testing every single species or only a few at a time? If a species is currently not named, do the same people usually describe them as part this endeavor, or just leave them for somebody else? I saw Plinia and Artocarpus recently got reshuffled a lot because of some prominent genetic studies on them, and several new species and even genera were added, but it just seems alien to me how stuff like that even ends up happening. There are so many plants out there!

Sorry if I'm asking the wrong person here, but I've been wondering about how this stuff will eventually be resolved for yeeeearrs

There are so many plants out there!

ok im kind of surprised i can offer a few possible answers to this question despite having never heard of this but i think i can. if the question is 'why aren't some plants actually described', this is the primary reason why.

when i was in plant anatomy class in college, the person teaching us was a plant anatomist who assigned us different plants from the greenhouse to dissect and describe in a paper for her, and she told us that we might find something that hadn't been described before, which was pretty shocking to me. what do you mean i could potentially find a new-to-science thing? has nobody in history looked at this plant that's just growing in the greenhouse upstairs??

what she said was that no, sometimes not. there are so many plants out there that it's difficult to do one exact in-depth description and published examination of each species, so what botanists end up doing is doing or finding one in-depth examination of one species in a specific group and assuming that all the others in the group are at least similar, if not the same. which is good because it saves time and works as a shorthand, especially if there's not much funding, but also sometimes it has the potential to overlook more nuanced differences that can go undiscovered for a long time. but that's just botanical species in the conventional sense, which i don't think is as straightforward in what you're describing.

another answer to this question that's more specific to the species you're talking about here is that plants are having sex. they have so so so soooo much sex. few things they enjoy more to be honest. and given that the most conventional (but not only) definition for different species is 'can't have sex with other species because it's too different from them', the lines get blurrier to deal with, and one thing botanists do when the lines between species get too blurry (because of all the sex) is to just assume that they're all part of some kind of hard-to-describe genetic soup with individual plants falling along gradients or spectrums of similarities or differences, and in this case you'll see botanists just name the most prominent species among them and call it the '[most common suspect] complex', which groups together all the ones that happen to be having sex with each other at the same time, just to make them easier to talk about. this typically doesn't mean that they're species-less, but more that they can be thought of as a group with a few distinct points where they can look very distinct, and those points are the species, if that makes sense; see the citrus sex graph at the end for an example.

i also see from a cursory google search that people seem to be planting and eating these in a more widespread way, and people are talking about them on forums and stuff. this is one of the cases in botany where things get tricky, because a person looking for traits in a fruit that's having tons of sex might not actually be looking for the same things botanists are looking for when describing a species-- it might seem easiest to just find which species or few species are the tastiest and grow those, but if it's a genetic soup then all you can really do is do it the old fashioned way and breed individual plants for the traits you want. which, who knows, could end up being a hybrid between all of them.

case in point: again i am not completely up to date with the lore here but i found a forum thread where people were debating which species to plant and the consensus was just to plant multiple species at once, which is fine but is also really funny given that it DOES facilitate even more sex, thus blurring the lines even further and-- if the posters decide to plant the resulting seeds from the fruits-- will create even MORE hybrid plants of no discernible concrete species in the plant soup. the hybrid of a hybrid of a hybrid of a hybrid or whatnot. when does one stop calling it a hybrid between two species and start calling it 'the tree in grandma's backyard that's the tastiest of the berries i've tried'? that is the question, truly, one humanity has had for millennia in the search for the tastiest berry, and at that point it might just be easier to call it a variety or cultivar, which are horticultural terms for just that-- a distinct 'kind' among the same species that taste good subjectively and can be reliably rebred and harvested, like all the apple varieties people debate about.

another reason is that plant phylogenies are hard and brain-twisting and plant taxonomists and systemisists are among our strongest warriors. it's not uncommon at all in botany to be researching something and to find out it's been reshuffled because of a new breakthrough on the case a bunch of people more qualified on the subject decided made more sense like a decades later. sometimes species themselves will even change names multiple times if it turns out that it was described earlier by someone else considering the new circumstances. if you're a really unlucky or just controversial plant all this can happen over and over again until, finally, the trees of math have been resolved in a way that makes sense. how long will it take? surely there is a concrete end to the madness? nah. lol

finally, if you're looking into studies on this, you should know that some phylogeny stuff is opinion-based or subjective, especially at first. what counts as a new group for one group of researchers might not count as one for another. so when you see stuff where people are inventing new categorizations or genuses or whatnot or merging multiple ones together spontaneously, it'll depend on how well supported their reasoning is and what the evidence seems to show, and the larger community of plant taxonomists will, overtime, decide what they want to do with that information-- which may include verifying it or refuting it with more evidence. what researchers are proposing when they split stuff off or merge it together is a new or updated model for thinking about existing information, and that model may be more or less useful than the existing one for the means of actually learning more about the plants.

anyway in short there are lots of reasons why this might not be sorted out and the more sex these plants have the longer it's gonna take. i'm strongly reminded of that one citrus sex graph (its this one) (screenshotted to see it on night mode):

[topazadine]

Things that immediately turn me off a fiction book

I'm pretty picky with what I read, because the time I spend reading is time that I could spend writing. I generally know if I will like a book within the first chapter, and I feel no shame in giving up if I'm not vibing with it.

And no, I don't believe in the "oooh read further it warms up" because does it? Does it really? Do I want to waste time finding out?

Frankly, at this point in life, I read more nonfiction than fiction because there's just so. many. bad. books. that are getting published. Worse than fanfictions.

Anyway, here are the things that make me give up. Maybe hearing this will help you as you write your own masterpiece.

Too Many Proper Nouns

Three characters maximum in the first chapter or two. Do not throw dozens of people at me. I will get confused and give up. Let me get to know the main character, by themself or with a few of their closest companions, before you make me remember everyone else. And go deep with those characters! I want someone to stick with!

You can reference other characters, to create a sense of a deeper world, but do not go all-in on them. Make it clear that they are just there to provide a bit of context, and we don't have to remember them yet. We should only be meeting three characters maximum.

Throwing Us Immediately Into a Dramatic Action Point

This is controversial I know, but I hate when something immediately starts with a battle. I don't care if any of these people live or die. I don't know them. I haven't grown attached to any of them.

Even just a page or two to get to know them first will help. You can have them gearing up for a battle, thinking about what's going to happen, maybe talking to their friends, maybe checking their armor, whatever feels natural for them. But do not just start with stabbing people! I don't care about them yet!

Too Many Details

Many this is just me, but I simply do not care about every piece of armor your character is wearing. I don't need to hear a play-by-play of every single color of every single thing because I don't care. Pick out a few specific things for me to focus on and that's it. Stop overloading me with colors and patterns and armor styles.

Yes, yes, you've done your research on historically accurate gear. That's great. It would be good for a movie. But if I have to look up different armor pieces every five seconds, I am glossing over it and moving on. I don't care. I'm here for the story. If I wanted an infodump about medieval armor, I would simply pick up a nonfiction book (and maybe I will).

White Space Syndrome

Tell me what the overall scene looks like instead of all these hyperspecific details of certain objects, like carts or emblems or whatever. I want to know where I am!!

Don't just say "a forest." Tell me what kind of forest. Tell me if it's a young forest or an old snarly forest or a swampy forest or a cold alpine forest.

Don't just say "a castle." Tell me if it's a bustling castle or a gloomy castle or a rundown castle.

Don't just say "on the sea." Cold sea? Tropical sea? Far far away from land or is land in sight? These are the things I want!

Too Much Backstory

For the love of god do not explain the entire history of this culture in the first chapter. The first chapter is for getting to know the characters we're going to be following. You can introduce those things slowly and carefully as the story unfolds.

I get that fiction writers are delighted by all the worldbuilding (or research, in historical fiction) they have done. But the reader does not care right away. They need to get invested before all those little specifics matter at all. My eyes glaze over and I give up because I don't want to have to remember all of that all at once. It's like you just threw a college textbook at my face.

Plus, if you're doing third-person limited, you have to remember that the character is not going to be thinking all of that! They won't say all of that either! Because they know all of that!

Even a general on the brink of a major battle is not going to go "yes, this all dates back to when we took Iuanfutila back in 181, when the brave Iuanfutilans protested the rule of our Yawwbaawnwhryr leaders ...." They are focused on the present moment, and they may discuss the backstory later. Tell us what we need to know now because that is what the character would be thinking too.

"Oh, but Topazadine, how will the readers understand the context if I don't tell them??"

There's a battle. Two groups are at war. Or something was stolen. Or two people are fighting. Whatever. We understand those things. We can get the basic gist of how things are going to play out by just showing us these things happening. Then, as we have gotten a feel for the characters, you can tell us more about the context.

If you walk into a store that's being held up by an armed robber, do you give a shit about his backstory, or do you only care once that person has been arrested and you have to testify? I think we know the answer. You're not going "ohhh why is he doing this??" at first. You're going "HOLY SHIT THERE'S A GUN WHAT'S GOING TO HAPPEN NOW???" and then you'll care about the other stuff later.

Too Much Play-by-Play

I also do not need a play by play of a fight scene. I need to know the general movements, and then the overall atmosphere. I want to feel what the character feels rather than feel like I'm watching a football game.

Your reader will fill in the gaps if you give them enough information, but when you overload them with every single action, they're now trying to keep track of what went where instead of how this moment is supposed to feel. And now the action and drama has gone out of the writing because it's become a manual of fighting techniques.

Pointless Dumb Conversations

"Oh, could you turn around for me? I want privacy."

"Sure, of course, I'm a respectable man." Manfred knew that a lady-in-waiting would be unsettled by the presence of a strange man, so he wanted to be respectful.

"Thanks."

"You're welcome."

Oh my god no one cares!!! No one!! We don't need this exchange. Cut it. This is stupid. Unless something is actually happening or something is meaningful about them saying this, shut up.

How to Not Write a Horrible First Chapter That Makes People Ragequit

Can you tell I'm mad today? I started and stopped three different books because they were all so bad.

Three characters max in the first chapter, with deep discussion of each. (One or two is better.) General appearance, demeanor, profession, whatever.

Restrain the urge to infodump! Dribble it out over the chapter!

Give the setting more attention than random little details that ultimately do not matter. I don't need to know the pattern of the curtains on the horsecart that's about to be burnt. Don't care.

Do not give a play by play of every single action that a character takes because it's boring and no one cares.

In media res is great but do NOT start with a big climactic intense battle or fight or whatever because we don't know these characters and don't know who to root for (or why we should care).

Your character is not going to give us a history lesson in why this conflict is happening. Do not do it yourself either. Give us just enough to get intrigued and no more. Think how your characters would think and what they would prioritize in discussions.

If a conversation is just pleasantries and has no purpose, drop it, we don't care.

[senshis-top-surgery]

It's me again, back with the Gender Analysis

I wonder if this will be controversial. I hope not.

But, probably, because even with the wonderful additions of @cloverandcrossbones to the ElfShi mannerisms post, people are still misinterpreting Senshi. People are calling him a twink? A femboy?

I'm going to look at various character's clothing, both in setting and in the daydream hour modern setting. I'm going to be using words like "feminine" and "masculine" but please bear in mind, I am going off what is seen as "typical" or "expected" - that is to say, what would not be punished or criticised by average society. I am not saying anything is inherently one or the other, bevause I don't believe anything can be inherently feminine or masculine, since those are terms made up to describe things. Like how something can't be inherently romantic. We assign these things.

Okay, that said, let's begin.

Let's look first, at two other Dwarves

Daya and Namari

We see them here, wearing what is presumably typical clothing for dwarf women. So let's take this as "Feminie Standard" for Dwarves

Here are some more outfits

Now we see a distinction between Daya and Namari. Daya's dress is now much more feminine, covering knees, while Namari's dress is still in Feminine Standard, but with slightly less frills. I would say Daya here is High Femme for Dwarves and Namari is just Average.

This is confirmed when we see them in modern clothes

Daya is wearing the cutest sundress, and even holds herself in a more delicate, feminine way. Whereas Namari is pretty neutral. Nothing particularly feminine or masculine. This may dissappoint some people, but I don't think Namari is that butch. She's certainly on the 'butch'er end of the lady spectrum, but she's not giving dedicated butch to me. More sort of, low effort comfy lady vibes.

I would say that both Namari and Daya are comfortable presenting as, and being seen as, women.

Okay, now we're going to look at Senshi

Senshi and Namari's armour is basically identical, except Senshi opts for a tits out look, probably because he's not actively combating as much as Namari.

Senshi having his chest out is not unusual for dwarf men, nor is covering the chest. Seems like dwarf men are similar to modern day human men. I'm jealous.

So, Senshi's armour is pretty much Masculine Standard. Or perhaps Dward Standard. But it doesn't give us much information on how he chooses to present.

For that info, we need to look at modern clothing Senshi

A Hawaiin (?) shirt and a dress shirt with a tie. A tie! For sitting on the couch with friends. Everyone else is dressed casual and Senshi chose to wear a tie. Even if he just came from work, he has not loosened it.

Look how nice his hair is! He's taking care of his looks. He cares about his appearance. The tie is a choice.

Now, I dunno about you, but this level of care is not Masculine Standard to me. Its like, Masculine+. He's not doing it like Namari, but he's also not over performing Masculinity. I'm calling it Masculine+. What it certainly is NOT is feminine. He also has the same body type. Because you can't change your body type (well, not easily).

Senshi is a bear. 'Bear' within the gay community refers to the body type of fat, hairy men. It is not in reference to behaviour. Same, I believe, is true of twink. Bears can be effeminate in their behaviour. As has been artfully illustrated in the previously mentioned post, Senshi acts effeminately. That's his behaviour. It's a part of his presentation but, it is not about his appearance.

Senshi is an effeminate bear. He's big, he's hairy, he cares about how he looks, he likes to dress masculine, and he likes to act feminine. He's still seems comfortable presenting as, and being seen as, a man.

This is what I personally mean by Genderqueer. Where you're not all the way within the expectations of society. He isn't acting the way a dwarf man is expected to act. He dresses the way a dwarf man expects to be dressed. He's doing Things with his Gender. Things that would make average society go "hmm...bad...".

This is long, so I may do a separate post for analysing Marcille and Falin. But that's my take on Dwarves.

This is of course in no way saying you can't headcanon! Or draw dress up! I love that shit. I just also feel strongly about acknowledging what IS and ISN'T in the source material.

[oh-no-its-bird]

Look all I'm saying is that if I were going to make a minecraft movie.

Well, first off I'd put down the first person to even reccomend we do it in cgi. Not just because it looks objectively terrible and half of the magic and nostalgia factor of minecraft is in its texture but holy shit budget much??? You are literally looking at a situation where the cheaper option is also objectively the better option. What the fuck are you doing

But I mean, after that.

Second off, all my writers must watch popular smps and minecraft roleplays/let's plays to understand the "magic" of the game. That's how we're studying for this, not the game books or whatever. Those guys are clearly doing smthn right, and as the executive/writer who knows very little about mineraft that I am in this hypothetical scenario, I need to do my best to make money. And that means learning what people like about the game and community.

Maybe even bring on some popular (non controversial please god) smp writers for consulting. They literally make minecraft movies as their fucking job, they are the expert u need to consult

Story wise, you NEED to choose if you wanna play this straight or silly. I'm so sick of movies trying to be all emotional and "ohh this world is so beautiful,, if u could only understand,, woaa" with their epic sound track and dramatic lighting, but then the dialogue being ripped out of a stupid marvel knockoff trying too hard to be witty

Anyways. Give me a generic "kid has a hard life and uses [thing] to escape it but then their parent trashes [thing] to teach them a "lesson"" movie.

The thing is minecraft and this kid is totally in love with letsplays and smps and has a server with their online friends (get a sponsorship from discord for that good good film sponsorship money, have them play while in call)

The mom or dad or maybe both trash the kids computer for some reason (bad grades maybe or one of those shitty "you need to talk to us more!!! That computer is killing ur brain!!! You don't love us as much as you should and it's that damn games fault!!!" But like it's actually just a kid being a normal fucking kid and having normal fucking kid hobbies things and the parents are dicks)

They delete the minecraft world rip

Them boom, kid somehow gets stuck in the game

Switch to NON CGI FILMING IN MINECRAFT. If you really need to add your stupid shitty fucking cgi then at least make it look like an ACTUAL MINECRAFT ANIMATION holy shit

It'll save us so much money too

So main plot is this kid, being trapped in minecraft, actually falling through different minecraft servers.

We can have different cameos from popular smps and youtubers, get some old youtubers and gameplay in here too. Get fucking dantdm and the diamond minecarts og series with the lab thing, it'll make the old fans lose their fucking MINDS.

The youtubers themselves don't even have to show up, just shove the kid into settings that are clear references to smps and letsplays. Have them wander through Aphmau's OG minecraft diaries sets or Sundee's lucky block series

The best part is that as backdrops, you don't even have to fully commit to "you'll only get this/find this interesting if you know these guys" bc if your writing is good enough you can still make people care by just. Introducing it correctly. Don't present it as "Aphmau's old minecraft diaries series world" go "oh wow look st this cool village,, woah I wonder who built this ,," And have them interact with NPCs organically

Meanwhile the parents go into the game after the kid to bring them back and we do this whole world hopping adventure where the parents learn that,, minecraft can be fun? Actually?

They find the kid and the kid is like "nooo I'm having too much fun the real world SUCKS!!!" but then we do that "it's cool to have fun and indulge but you still need to be present in the real world and do real people things too in order to have that fun responsibly" where somehow the kid realizes that moderation is good for u.

Maybe they almost die in game fr fr? Every world they enter has its difficulty upped a little bit till they enter *gasp* a hardcore world (oh no)

So like the kid learns that you can't just lock yourself in the room and wish the world goes away while you play minecraft for 12 hours straight, and the parents learn that minecraft is cool and fun and can be a good outlet and outlets are important for adults and children alike. And also that they totally pulled a dick move and they need to try to understand their kid instead of just demanding the kid understands them

Somewhere along the way, the kid ends up in their friends server and the friends help to pull them out of the game w the parents

We end the movie with the kid making an effort to be more present with the parents, and the parents also making an effort to interact with the kid in ways that they know the kid will enjoy and respond well to— shown a family dinner scene where the kid very eagerly eats their food while talking about school, then they all go to play minecraft together

The end <3

Oh right and if you seriously want Jack Black there so fucking bad then make him either the dad or like. School computer teacher who helps the kid use Minecraft EU to learn science (shows off that some schools use minecraft for education purposes) who also helps the kids friends pull them and the parents out of the game

Overall, lots of themes not just about how the game is cool and can let you do cool shit, but also about how the community is cool, and how it's provided so many kids and adults outlets to express themselves and have fun together

That's how you do a game movie

Anyways yeah, minecraft movie looks shit. Hire me instead next time

[gyaru-tau]

FINALLY FINISHED MY QPHIL 3.0 DESIGN HOORAY (cant wait to. redesign it again in like 3 months.) (CHECK UNDER THE CUT FOR MY SILLY DESIGN NOTES!!)

I think I said this before but i so. SO BADLY wanted him to have a sleep theme since I always loved how his presence on the island was kinda up in the air. Is it a dream? Is it not? When he goes between the island and hardcore is that change really happening? Who knows.

The idea of making his usual outfit more like a housecoat was super appealing to me, so I opted for this open housecoat look with really heavy frills which were super fun to figure out, and I knew from pretty early on that I wanted to give him a quilt pattern SOMEWHERE on his design, so I thought the inside of the coat would do nicely for a sorta "default state". It also meant I could attribute meaning to the symbols and colours I used. wink nudge.

He has a more subtle angel theme, like with the mobile on his walking stick being a halo with the wing placement further emphasizing this, as well as just his generally lighter colour scheme. When I say sleep was his theme I almost more-so imagine it as like. The feeling of waking up in the morning where you're mostly refreshed but still a LITTLE drowsy. Lots of very spring-y, morning colours.

Just some other quick notes, I always really liked the mod in the server where you could have the crows perch on your shoulder and follow cuz of the lantern, so I thought it'd be fun if I made it so brian just straight up WAS the lantern. So I made him look like one of those wall outlet nightlights!! The backpack being kinda cat shaped was COMPLETELY unintentional but a very welcome result. Missa backpack is real.

As for the alternate outfits, I have a bolas one, as well as an ender king one since I deemed those two the most important. For the ender king I weirdly don't have many notes, like it's fairly straightforward (Save for the elephant in the room but now I'm gonna keep my secrets on why that's a thing). The Quilt design is supposed to be a lighter, easier-on-the-eyes version of the no texture pattern, and I imagine that all the goop and gunk on Phil is hidden under the coat. I imagine it'd look fairly similar to canon so just like. imagine it for now. Might draw it one day. MAYBE. There's some tiny additional colour symbolism but I'll hold my tongue on that and let you guys draw your own conclusions there. I WILL say, however, that instead of his theme being sleep, his theme is "nightmare" (and also kinda sleepwalking since both fit).

The Bolas design was SUPER fun to work with. For starters I wanted the three designs to be in three different states. One with the coat, one with the coat reversed, and one without the coat entirely. Since I wanted to do the checker pattern thing with the possession design, having the sleeveless bolas design worked really well for the shape I landed on, even if it wasn't conventional. and SPEAKING of non-conventional design choices, I decided to go against the usual plague doctor + gas mask fusion design. Which might be controversial... But god. The moment I thought of his mask being a falconry hood, the idea just wouldn't leave my mind. Because of this, the full mask is kinda separated into two parts. The eye mask which kinda also mirrors his usual sleep mask, and the gas mask itself (I kept it in a beak shape since it'd feel odd if i made it any other shape for phil, lol). When designing the whole thing I kept thinking about more apocalypse setting clothing. Like mad max. Or the one gag from that one spongebob movie. Lots of leather. And of course, to match the other sleep themes, the Bolas outfit's theme is "fever dream", although its a bit more subtle. It's easily the weirdest design, The pops of green were simultaneously in reference to the friendship emerald... As well as... Well, the green chain right below the chain on the sickness themed design was probably the most tasteful way I could've chosen to get across vomit without it being too on the nose. (also sidenote, I had a few friends compare bolas phil to... a fly. Which wasn't intentional but it's kinda funny that the guy designed after fever dreams looks a little bit like a bug.) Ok thats it for design commentary I'm gonna go to bedge nyow.

[bunybunn]

Okay enough time passed for me to try to put it all my thoughts about the Dream situation in one place at least until the Shut up i'm talking (patreon only 7$!!!) episode comes out.

First of all let's not forget that all of this started because Dream got involved in Twitter beef that had nothing to do with him. Sure xQc mentioned Dream's name but it was in reference to Tommy "dickriding" Dream when he was starting making content. It was dig at Tommy that didn't needed Dream's response in the slightest however the green guy didn't care and posted meme using r-word. Which obviously gain shit ton of backlash from every normal enough person because that is a slur. This also means that a lot of people reacted and talked about it including Tubbo.

The fact that this followed with 3 hours stream where Dream specifically reacted to Tubbo is ridiculous by itself. All he had to do is apologise and take responsibility for using a slur but instead Dream felt the need to pull out old controversy and pull more content creators into it. Additionally despite himself claiming that you should not cut things out of context he was skipping parts of Tubbo's stream and did not watched in in full. Also it's important to mention that the "apology" he did said in the said stream was especially "I saw people on Internet calling me that and I thought that means I can use it as a slur as well" which is an insane take that also sounded like something little kid would use as ane excuse.

Next important stop is Tommy's response. It was basically just Tommy telling Dream that he doesn't want to associate with him anymore. It's worth pointing out Tom's video was done in one take style, the was no big editing but rather just Tommy shearing his opinion and his feelings. Because of that we got few hyperboles like Dream "harassing" Tommy's mom and him being described as a movie villain-like.

Then you have the Dreams response to Tommy that was definitely not done with good intentions. Unlike Tom's one Dream's video was edited, he added music, pictures that were not proofs but were there to invoked specific emotions and also a short in Minecraft scene when he referenced his dream smp character. In my opinion that video was perfect example of how to manipulate audiences with content. He ensured that Tom's arguments seemed ridiculous, usually by taking it out of context like he did with the sexism part as well as with Tommy saying he was behind dream smp success, or pulled heavier accusations that make Tommy looked bad. Keep in mind how insane it actually was to after Dream had his content and merch be called lazy going straight to using case of scummy company that produced Tommy's merch at some point and has legal case against it that Dream had no deeper knowledge about and using rumors that Tommy is/was mistreating his editors using screanshots that were cropped and taken without consent of people in those. All of it while Dream was trying to act like he is still the good guy who so respects everyone and just wants everyone to get along.

The thing is Tubbo's discussion with Dream proved that was absolute bullshit. During the conversation it was clear genuinely expected it to go as he usually described private calls aka after he gets to explain himself the other person will see it his way. Unfortunately for him he heavily underestimated Tubbo, who did phenomenal job try to point out Dream missteps and make good arguments. Still Dream's behaviour was very much manipulative during it. I think the moment that shows it the most was the part where they talked about the merch company where Tubbo got to the point where he slipped and mentioned that there was one case of child labor in said company, something that clear came from his insider knowledge, and Dream started to use Tubbo's words against him to justify himself even though he had not know about it when making his video therefore it was irrelevant. His attitude also was very much "rules for thee not for me" any time Tubbo tried to hold Dream to the same standards Dream is holding other people who talk about him. Another thing that rubbed me the wrong way was how hard Dream was trying to make himself look good at the very end of the discussion by throwing complements and trying to act as if everything got resolved. I'm pretty sure he hoped this would encourage people to talking it out with him in private but I feel this might have the opposite effect since everyone got to see how such call would potencialy look like.

[calliecopper]

Ian Gallagher Being His Own Person, and Why That's Controversial

A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)

How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?

Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.

During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.

Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.

Season Five: The Breakup of All Time

I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.

Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.

There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"

This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.

But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.

I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.

In season 10:

"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"

- Ian to Mickey, S10E9

Compare this to this conversation during the breakup:

"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."

"I love you."

"The Hell does that even mean?"

- Ian and Mickey, S5E12

I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.

Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:

"I hate the meds. You gonna make me take 'em?"

"You get fucking nuts when you don't."

"Are you gonna want to be with me even if I don't?"

- Ian and Mickey, S5E12

That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."

And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.

Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.

"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."

- Ian to Mickey, S5E12

Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.

"Fuckin' nurse now?"

[...]

"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"

- Ian to Mickey, S5E10

But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.

"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."

- Mickey to Ian, S5E12.

Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.

"I'm not saying never!"

"No, you're just saying you don't love me enough now."

- Ian and Mickey, S10E9

And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.

It's all one massive miscommunication.

Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.

Specifically, the parallels between these two conversations.

"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."

"Yeah, um, even Mickey now."

"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."

- Monica and Ian, S5E11.

Vs.

"What the hell is wrong with you?"

"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"

- Ian and Mickey, S5E12.

Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.

But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.

Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.

"You flushed your pills? You get thats a full-on Monica move, right?"

"I'm not Monica."

- Ian and Fiona, S5E8

Vs.

" [...] Cause they all say how alike we are."

"That's probably not a compliment."

"Uh... No, I think it is."

- Ian and Monica, S5E11

This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.

Debbie: But he's been acting crazier for longer than that.

Lip: Yeah, at least this past year.

Officer: How would you characterize his behavior?

Debbie: Compared to how he used to be... He's different.

Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.

Debbie: He almost hit me in the head with a baseball bat.

Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.

Officer: In your opinion, does he require medication?

Fiona: Yes.

Officer: Is he unable to care for himself?

Fiona: Sometimes, yes.

So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.

"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."

- Ian to Monica, S5E11

When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.

But it doesn't go the way he expects it to.

At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.

Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."

He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.

I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."

"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."

- Monica to Ian, S5E12.

Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.

A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.

He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.

So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.

Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.

TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.

Season Six: Dating Caleb and Other Blasphemy

The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.

Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:

"You gonna wait for me?" - Mickey to Ian, S6E1.

And when Ian shows hesitation:

"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.

So, Ian replies:

"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.

Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.

But, let's look at it from Ian's position.

Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.

Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.

Now, before you bring out the pitchforks;

"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."

Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.

Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.

Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.

It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.

Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.

But from his point of view, it's better for everybody to try and move on.

What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.

Now, onto the actual "dating other people" part of the conversation.

For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.

"He as smart as you?"

"No."

"Yeah, he's smart."

"Lip is the genuis of the family."

"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."

- Ian, Lip, and Professor Youens, S6E3

And:

"This is it for me, Lip. This job. This is where I land."

- Ian to Lip, S6E3

Which Lip comments on in a very concise way:

"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."

- Lip about Ian, S6E3

Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.

That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.

This leads us to Caleb.

Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.

After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.

Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.

From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.

"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."

- Mickey to Ian, S2E8.

(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)

So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.

So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.

Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.

"You ever pitch?"

"... Usually, but I'm open depending on what you're into. Where we doing this?"

"Follow me."

[...]

"Wait, we're actually playing softball?"

- Ian and Caleb, S6E5

I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.

Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.

But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.

From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)

"[...] I was hoping to get my hands on your hose."

"Is that what this is to you? A fuck?"

"You say it like it's a bad thing. Come on, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."

"I am."

"Then what's the problem?"

"I don't stick my dick in just any guy."

"What do you want, then?"

"Seriously? Do I have to spell it out for you?"

"Yeah."

"A date."

"With, like, flowers and chocolate and shit?"

"No, we could skip the flowers."

"Okay. You're on."

- Ian and Caleb, S6E5

(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)

During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,

"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."

- Ian to Caleb, S6E6

but that's actually not true, DESPITE the writers forgetting that.

"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."

- Ian to Lip, S6E6.

He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)

I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.

"Usually, I get a bunch of apps to share. You good with that?"

"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."

[...]

"You seem like a very pensive kinda guy. You an only child?"

"Uh, no."

"Brothers and sisters?"

"A bunch, yeah."

"Older or younger?"

"Both."

"What about your parents? Both still alive?"

"... Yeah."

"... Fantastic. I'm learning so much."

[...]

"Where I'm from, people communicate with their fists."

"Where's that?"

"Southside."

"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."

"Is that a problem?"

"Only if you make it one."

- Ian and Caleb, S6E6.

Then, beyond their first date, we have the actual relationship to dive into.

Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.

There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:

"So what are we doing?"

"Whatever you want, I guess."

- Ian and Caleb, S6E7.

Or this moment:

"What are you smiling at?"

"I like having you over here. What are you smiling at?"

"I like having a purpose."

- Ian and Caleb, S6E8.

Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.

"You haven't told me which one is your ex."

"Guess."

"Old guy, pink sweater."

"How'd you know?"

"Ooh, a redhead, Caleb? Does his carpet match his drapes?"

"You're a good sport."

- Ian and Caleb, S6E8.

[...]

"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."

"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."

"That's-that's how we're playing this?"

"Hey, you threw down first."

"Where you from, kid?"

"Back of the Yards."

"Local boy. What's your story?"

"Story?"

"Who you are, what you do, how did you meet this chocolate bundt cake?"

"Met him at the firehouse."

- Ian and Gregory, S6E8

[...]

"We like this one, Caleb. Don't we, Gregory?"

"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."

- Caleb's friends about Ian, S6E8.

OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.

"So, where'd you sleep last night?"

"Home. Got done at three, told you I'd be late."

"Yeah, like nighttime late, not next day late."

"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."

"Where's there?"

"Home, you mean?"

"Yeah."

"Back of the Yards."

"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"

"Uh... my brother, I guess? Or my sister."

"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."

"I'll... put their numbers in your phone."

"Great."

- Ian and Caleb, S6E11 deleted scene.

OR any of the follwing:

When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.

He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.

He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.

To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.

Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.

Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.

When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.

During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.

During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.

There's this line, when Caleb asks Ian to kiss for the first time:

"Can I kiss you?"

"I thought kissing comes after you've had sex a bunch of times."

"Ian, kissing comes whenever you want it to. Even now."

- Ian and Caleb, S6E6.

Then, there's Mandy stating that Caleb was better than Mickey.

"A hot black fireman. Also an artist."

"Upgrade from my brother."

"I miss Mickey, but uh... This new guy's nice."

- Ian and Mandy, S6E9

These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.

Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.

It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.

But is this really how Ian feels?

Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.

And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.

Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:

"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."

"Is that what you're doing with me?"

"Good question. Can I kiss you?"

- Ian and Caleb, S6E6

(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)

Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.

"Cmon, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

- Ian and Caleb, S6E5.

Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.

"Don't worry, guy I did the scene with said he was clean."

"He didn't use a rubber? Are you out of your fucking mind?"

- Ian and Mickey, S5E5.

Vs.

"Guy in college. He lied to me."

- Caleb to Ian, S6E8.

(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)

So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?

Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.

The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.

Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.

"I'm enjoying it while it lasts."

"You think he'll dump you?"

"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."

- Ian and Mandy, S6E9

So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.

Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.

"I haven't been this happy in a long time."

- Ian to Caleb, S6E8.

And really, everything that I just talked about doesn't matter when you think about it that way.

No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.

And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.

It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.

So, to summarize:

Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.

Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.

Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.

Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.

TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.

Season Seven: Putting His Own Wellbeing First

This one will be less long winded than the previous one, because I have less to say on it, honestly.

During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.

When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.

I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.

What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.

After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:

"What are you doing up?"

"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"

"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."

"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"

"I don't know. Probably. Where's this coming from?"

"Things have been weird between me and Trevor since Mickey got out."

"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."

"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."

"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."

- Ian and Fiona, S7E10.

I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.

In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.

But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.

People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.

I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.

Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.

Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.

After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.

But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.

TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.

To End This Yap Session:

Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.

I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.

I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.

In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.

However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.

Anyways feel free to leave thoughts.

[lavenderlyncis]

Join me in reviewing Olivia Rodrigo's album GUTS. I've waited years for this!!

all-american bitch - 9/10, big fan. I love it when she screams because the world is unfair. same girl, same

bad idea right? - 10/10. I know this one is controversial but I LOVE her more punky songs, I think that's when she's best

vampire - 10/10. I'm not always a fan of piano ballads, but the bridge and outro really make it for me. The hurt turning into anger and despair is just so cathartic. And the video is one of my faves of all time

lacy - 1000/10. What the hell. Did not expect to feel this much emotion from that title. Uhhh... yeah, same. I super relate to that. Whether or not lacy is supposed to be a real person or a manifestation of the beauty standard, this hits. Also, idk if I'm making this up but I dig the romantic undertones, they sell it

ballad of a homeschooled girl - "I made it weird, I made it worse"/10. OLIVIA HOW DID YOU KNOW that I lie awake thinking about all the weird things I did and said, Olivia, did you write this for me specifically??? Every day I am alive IS social suicide. I'm sorry, this is my song, actually. "Can't think of a third line", she's so real

making the bed - "I'm playing the victim so well in my head"/10. How. Does. She. Do. It? I could write an entire essay about this song. Maybe THIS is my song?? She's so good at saying exactly how I feel. I already know that this song will play a million times on my phone. Also I love the drivers license references. Big fan of the making the bed metaphor

logical - 9/10. favourite crime vibes. She's good with these songs about bad relationships. Used to be my favourite thing she did, but now I'm more invested in the songs that are about her/other experiences. That being said this song is really fucking good. This is the Olivia I fell in love with and she's still amazing at doing piano ballads

get him back! - 9/10. Olivia having ANOTHER song with speak-singing where she wants to get back with her ex?? Yes, PLEASE. Bad idea right 2.0. Fucking obsessed

love is embarrassing - 10/10. I said it before I'll say it again, angry Olivia is the best. And she's right, love IS embarrassing as hell

the grudges - 10/10. She does the paino ballads SO WELL. I think this is my favourite one on here. Because, wow, yeah, that is how it is

pretty isn't pretty - i can't rate this/10. GOD, I love it when she talks about insecurities. And don't think I don't see that skipping lunch line. It's sp hard to articulate how this song makes me feel. Especially since I've been low key comparing myself to her, even though we have entirely different bodies and faces. It's nice to know she also struggles with this. And she's right, you could do literally anything to change your appearance and you'd still be unhappy

teenage dream - 100000/10. "Is it recording? Of course it is.", the way I gasped. Okay, I love the interpretation of it ending with a child to be about growing up and childhood innocence. But the line she says?? Especially combined with the meaning of the song it feels a lot like it's about taking away youth by recording it and putting it out there just like she was supposed to be everyone's teenage dream as a child actor and young musician. This feels so personal to her while also being relatable to others. I'm 19 too, Olivia and I are born in the same year. And this is exactly how I feel about growing up. I hope it gets better, my teenage years were crap, I'm tired of being young, but it's also the only thing I can hold onto. I'm honestly terrified of turning 20. But hey, Olivia did it, so... it'll get better, right?

[gravekeptsecret]

commissions~

among other things, i'm looking to save money to buy a pair of nice crutches. i'm an intermittent mobility aids user, and i used to use a cane, but because of problems with my hands i find the more structured support of a crutch useful.

i will paint any wrestler(s) from any promotions, within reason (i.e. i am probably not going to paint more controversial wrestlers).

i like to paint from references - photos or screencaps. it's a great way of immortalising something your chosen person did, or a wrestling move you really liked.

we can discuss colours, themes, etc, particularly things like underpaint colour. i like to use red, but you can ask for it to more truely reflect the picture or to use a different color entirely ~

studies - £25

bigger paintings - £35

these just have more detail and take more time. they can include more options for personalising the backgrounds or, like with the painting i have of rhea ripley, doing something a bit different.

dm me to inquire. tips welcome. if you like my art but can't buy a painting, a reblog would be amazing, or even potentially you can leave me a tip on ko-fi (same username)