#and it’s something they spend much of the series reckoning with and it’s so poignant

[potato-on-your-head]

@priscilla9993’s tags are impeccable

favourite ouat scenes: 77/?

[nellie-elizabeth]

The Falcon and the Winter Soldier: One World, One People (1x06)

Oof, okay, so I obviously enjoyed watching this, but I do have some things I would like to discuss.

Cons:

The biggest one is honestly about Isaiah. I understand that this is a superhero show, and there's some cheesiness baked into the very concept of it. I like the idea of a triumphant ending for our heroes, where amends are made and everyone is brought some measure of peace. BUT, I feel like a more nuanced, more true to reality ending here with Isaiah might have been different. Maybe he gives a tip of the hat to Sam, says he's happy he's found his peace, but he still doesn't agree with his choices. See, the thing is, some people who have been hurt by systems want that system to acknowledge its mistake, to apologize, to make amends. That's what Sam is pushing for. He believes we can do better, and all that. And that's a wonderful perspective. But other people who have been hurt by systems might not want anything to do with that system ever again. At the end, when Sam sets up the part of the museum for Isaiah, he says "now everyone will know what you did for this country," and Isaiah seemed pleased and touched by this. But I couldn't help but think... he was forced into doing those things, and then punished for doing them. If he'd decided he didn't want acknowledgment, didn't want to be linked to the idea of American heroism... I couldn't blame him for that. It might have added more nuance to the ending. Sam could have even said that it's okay if he and Isaiah don't agree on the best way forward, they still have mutual respect, or whatever.

As a white lady, maybe I'm off base. I'm just really curious at what the reaction is going to be. All through watching this show I kept saying to myself that an ending where Sam takes up the shield and becomes Captain America can't stand on its own. There's got to be nuance. There's got to be some good justification for it. And as I'll talk about in a moment, I think they've done an okay job... but I also wouldn't be surprised to find some people enormously dissatisfied with this conclusion. Steve Rogers handed the shield to Sam, yes. But should we forget what he did before handing it over? Well, he walked away from the government and was on the run because he didn't respect their choices. Just some food for thought.

I also just want to say: ????? to that ending for John Walker? It was so bizarre to see the light banter moment between him and Bucky after Walker had quoted Lincoln. Like... that felt so out of place. And now he's being made into an American agent? I don't understand that random lady's role in events. I don't know if I'm supposed to think it's sinister and creepy as fuck that John still has a uniform, and even the suggestion of authority (I do think it's creepy as fuck, for the record), or if I'm supposed to be... pleased that he got a new job? Just, tonally, the stuff with Walker in this finale was all over the place. He didn't seem to really matter, and yet he was still there, and the episode didn't seem able to reckon with his presence.

Oh, also, I can totally respect a bit of ham-fisted politic in a show like this. It's really the only way to do it. But Karli saying that Lamar didn't matter, and John saying "you think Lemar's life didn't matter?" was, perhaps, a little on the nose. I'm not sure I like the BLM mouthpiece being blond haired blue eyed John Walker, especially when Lemar's death, at least as a narrative function, only happened to allow John to get sad and angry about it. Where's his wing in the museum, huh?

Also Sharon Carter, she's my girl or whatever, but I gotta admit she was kind of boring to me in this whole series. I wanted more from her. The reveal that she was the Power Broker had me shrugging. I wanted to be more shocked, but she was so clearly telegraphed as being fishy from minute one. The fact is, we haven't had enough time with this character to figure out who she actually is as a person, yet. I don't understand her, and that's a shame.

Pros:

That was a long "cons" section, especially for an episode that kept me riveted the whole way through!

First off, the action was exciting and different and had so many classic "superhero moments" while not totally abandoning a more grounded feel. Sam holding the car up was such a Moment. Also the "that's Black Falcon!" "No, that's Captain America" moment was so cheesy but exactly the right kind of cheesy, you know? We got to see everyone being a bad-ass, crowds applauding, Sam's fantastic entrance with the new suit, the wings, the shield... damn. It was all cool in the way the best Marvel products need to be.

So, Sam taking the shield. I think it works because of his speech to the politicians. Specifically calling out the power they have, and the people they have in the room with them when they make the decisions that will affect so many people. There's this wonderful moment when one of the politicians asks a legitimate question: what about people who came back after the snap to find someone else living in their house? It's so complicated. And as the show ends, we're not given a simple answer. Sam merely points out the miracle of having everyone fighting the same fight for once. These rich and powerful people have had no idea how impossible it can be, and now they're getting a taste of that. There might just be the power of equalizing in all of this.

And most important to me? The government didn't hand Sam the shield. Sam took it and took ownership of it on his own terms. Think back to the legacy of Steve and the shield, honestly. Yes, he was given it by the government, but then he stole it when he ran away, then he gave it up, then Tony gave it back to him... it's a lot more complicated than it might first appear. Nobody's going to argue that the shield was Steve's to give, and he gave it to Sam, and Sam took it for his own. That made it work for me, as a direct contrast to the way in which John Walker got his hands on it.

Karli's death was inevitable and tragic. While I never cared all that much for her character as an individual, she worked quite well as a symbol. Sam points this out in his speech as well. Hasn't anyone stopped to wonder why people believed in this cause so much they were willing to die for it? That matters. It means something. And more will follow. I appreciate that the show ends on an ambiguous note. The people in power are still the people in power. And yes, their decision has been postponed. They've decided not to relocate people and replace the borders immediately. But what is the long-term solution? How does the world begin to heal? Well, we don't know. We don't get to see that.

If anyone got short shrift in this finale it was Bucky, but I'm honestly okay with that for a couple of reasons. One, this is Sam's show and I'm happy that it stayed that way. And two, we saw Bucky's emotional arc come to a head in last week's episode. The work isn't done, but he knows what the work is that he has to do, and we see him start to do that. He gives the journal up to his therapist. A way of letting go of his guilt, but also of saying goodbye to Steve in a way that can give him some actual closure. He confesses to his friend Yuri what really happened to his son.

And more than all of that, he shows up to hang out with Sam and his family. He brings cake. He goofs off with the kids. He hugs his friend, his partner, Sam Wilson. I can see Bucky coming to peace with some things. Coming into his own. It breaks my heart that we don't get to see more of that play out on screen. The show had to make a choice about whose story to prioritize, and in my opinion it made the right choice. This was a show about Sam's journey and Sam's decision here at the end was the capstone of that.

That scene at the end, though... the kids hanging off of Bucky's metal arm was such a poignant image for me, because this man is a killing machine, was designed to be so, but has remade himself into something else, and this moment really showcased that. Also, that gay-ass ending of Sam and Bucky looking out over the water together and then strolling away, Sam's arm around Bucky? Thank you for my life, Disney, I guess. And we got Bucky calling Sam "Cap," and his obvious admiration and pride in him for his speech... I just love them, y'all. I really do.

I wouldn't say anything about this show broke the mold or made me really excited about Marvel again. I enjoyed it, because I already liked Sam and Bucky, and I got to spend more time with them. I was nervous about how they were going to navigate certain political stickiness, and honestly I think they did... an okayish job. I could have wished for them to go even further, but they didn't take the easy way out, in my opinion.

I hope they make more of this someday. Regardless, I'm not ready to say goodbye to Sam Wilson or Bucky Barnes, so I hope we get to see Captain America and the White Wolf grace our screens again in some project or other!

8.5/10

[temperkitten7-blog]

2018 Review Thingo

Belated happy new year to you! For the tenth year on the trot, here is the Annual Review Thingo. Previous episodes: 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010 and 2009.

1. What did you do in 2018 that you’d never done before?

made two new friends who live in the next village. Walking distance pals: the holy grail!

took a beginner’s sewing class (swore a lot)

consistently attended both Pilates and yoga classes… after years in the exercise wilderness I’ve found some love again!

had a brilliant trip to Green Mountain in Vermont as a guest blogger to work on my binge eating stuff.

2. Did you keep your new year’s resolutions, and will you make more for this year? I chose a word for the year, Outside: “I literally want to get more fresh air, but also looking to get outside of my head and outside of my comfort zone”. This turned out to be a handy anchor and it was an adventurous (for me!) 12 months.

I haven’t felt drawn to any words or particular plans for 2019 thus far. I’m happy to just rattle along for now and make sure I keep the twinkle lights twinkling.

3. Did anyone close to you die? No.

4. What countries did you visit? USA and Australia.

5. What would you like to have in 2019 that you lacked in 2018? A stronger lower back and more blogging.

6. What dates from this year will remain etched upon your memory, and why?

February 8 – Snowshoeing in the dark at Green Mountain with all senses singing and an overwhelming feeling of being in the right place.

April 28 – Gomez concert. Closure for my 2002 self who accidentally chucked out Sydney tickets! #dumpsterdivingfail

May 3 – Day of the Missing Ziggy. My heart sinks to my shoes just thinking of that horrible long empty night she went AWOL, both G and I worried what we’d talk about without that furry grump in our lives. Lucky for us she was only trapped in a garage, four doors down.

Gomez at the Barrowlands, April 2018

7. What was your biggest achievement of the year? On paper it would have to be my positive progress on the BED recovery stuff. – I’m chuffed with how much has changed for the better. But sewing that bloody zipper bag really felt like a triumph 😉

I’d set a goal to make six crafty projects in 2018 – an attempt to try something new that had nothing to do with work or “self improvement”. At the time I mentioned on Insta my stages of learning:

wild enthusiasm

overwhelm

panic

thinking up excuses to run away (cat emergency? credible?)

small moments of success

mistakes

swearing that you think is only in your head but actually out loud

un-fecking-picking

grim determination

starting over.

Despite all that, by December 30 I had six small objects that didn’t exist before, that look alright from a distance!

I’m still working on a scarf that I started knitting over Christmas 2017. Once I’d used all the yarn up it didn’t feel long enough, then it took a few months to track down more. Now it’s too long, but I feel compelled to get through this extra ball so I’m just carrying on! I reckon Lenny Kravitz might like it when it’s done.

Newbie projects: drawstring bag, 2 x cushion covers (one patchwork; one origami style where I did half the folds the wrong way round), sunglasses case, lavender eye pillow and the zipper pouch.

8. What was your biggest failure challenge? Righto, questionnaire whose origins I can’t remember, I’ve changed that word above because language is important 😉 The biggest challenge by far was #9 below.

9. Did you suffer illness or injury? A month after returning from Vermont, buzzing with rediscovered exercise joy, I injured my lower back on a hike that was in retrospect too lengthy for my fitness level. For the next six months I couldn’t walk, sit, or stand for longer than five minutes at time without unleashing a world of teary agony. So I rotated between the three like the world’s most BLOODY BORING triathlon.

I’ll spare you the details but it made things, especially work, quite difficult at times and my mental health got wobbly. But after much trial, error and super strong painkillers, I got in with an awesome NHS physiotherapist and we’re now on a good plan for healing!

It’s been an exercise in patience and acceptance and prioritising, I tells ya. I’m in the midst of Project Strengthen Back, Butt and Hips – and unlike with my dodgy knee ten years ago, I’m actually doing the physio exercises religiously! I’m now back up to walking a good 20 minutes without pain and feeling much more chirpy.

10. What was the best thing you bought?

Cabin Zero carry-on backpack – I got this in 2017 and after a year of regular use I still love it. On short trips I find a small wheelie suitcase can be more trouble than it’s worth. Best example, when in London visiting my sister, it’s easier to squish this bag onto my lap on a busy bus than wrestling a suitcase. It fits heaps inside it, has a laptop bit, is comfortable on your back when walking around, and tucks easily into the overhead locker on the plane.

Fleece leggings – my Canadian pal Jilanna got me onto these – like trackydacks/sweatpants, but leggings so it’s like getting the warmest, cosiest hug for your pins on a super cold day.

Leuchtturm B5 dotted notebook – bigger than a pocket notebook but smaller than A5, this is a brilliant size notebook for random lists. The soft cover makes it light to tote around (every gram counts with a dodgy back, mwahaha.)

Lisa Eldridge Velvet Morning lipstick – my favourite orange-red since Lady Danger

3 metre USB cable – so I could charge the phone and use it at the same time without acrobatics. Genius!

11. Where did most of your money go? Airfares.

12. What did you get really, really, really excited about? The Americans final season. What a masterclass in TENSION! The brilliant series finale was so stressful my teeth were actually chattering. As handsome as Mr Bodyguard was, I think Matthew Rhys was ripped off for the Golden Globe for Best Actor the other day!

I love character-driven shows where people grow and change over a stretch of years – the kind of shows that invite deep obsession. I love the routine of watching each episode, poring over online recaps and discussions and podcasts afterwards, dreaming about the characters, and of course, worrying about them years after the show has ended, as though they were real. This show gave me six years of quality obsession and it’ll be hard to ever find that kind of love again. 😉

13. What song will always remind you of this year? Fitness by Lizzo. She would have been my most-played artist on Spotify in 2018, if not for Gareth’s prog and 80s metal cluttering up the mix. We have started the new year with separate accounts, as painful as that was for his thrifty sensibilities!

14. Compared to this time last year, are you: a) happier or sadder? Happier.

b) richer or poorer? About the same.

15. What do you wish you’d done more of? Fiction reading.

16. What do you wish you’d done less of? Staying up too late on a school night.

17. How did you spend Christmas? Quietly, in London with the nearest and dearests. Festive dining while watching Home Alone and Jaws on the telly. We did venture out for a walk at one point, then came back for trifle and Home Alone 2!

18. Did you fall in love this year? Oh aye… with these Ottolenghi oven chips with Greek oregano and feta! I first saw these on Nigella’s Instagram a few years ago (they hark from Australian chef George Calombaris) but it wasn’t until I borrowed Simple from the library that I made them. SO GOOD. Crispy in a way I’d never known oven chips to be before.

Ottolenghi chips with feta and oregano

19. What was your favourite TV programme?

Halt and Catch Fire – I watched the first season a couple of years ago after Jason Kottke wrote about his love for it and how he got to be an extra. The first season didn’t grab me so much, but then I saw a few articles that urged to stick with it, for it gets goooood. And it did! It zoomed right into deep obsession and my top 5 series of all time. You may start watching HAFC and think, this is just about two geeky dudes building a computer. But it blossoms into soooo much more. If you grew up alongside the internet it’s cool to watch a show that covers that evolution, but really it’s the characters that got me laughing and crying and utterly hooked.

The Americans – as per joyous ramblings above.

Salt Acid Fat Heat – Unbridled enthusiasm is by far my favourite quality in a person and I could watch the luminous Samin Nosrat talk about food all day. I really hope she makes more programmes soon. If she made one episode per every good thing to eat in the word, I’d tune in. We could start with Cake Laksa Chocolate Bagels!

Mortimer & Whitehouse: Gone Fishing – this was such a funny wee series in which comedian Bob Mortimer (who I crush madly on) is introduced to fishing by comedian Paul Whitehouse. Both of them had recently experienced heart conditions. Each episode has them go for a fishing lesson where they muse on both life’s big questions and minutiae. It’s addictive and touching. My favourite moment was when they cooked dinner for a cardiologist and asked him, “Which one of us do you think is going to die first?”

Billy Connolly: Made In Scotland – in this brilliant two-part documentary Billy talks about his early life in Glasgow, his career, growing older, and his Parkinson’s. It’s hilarious and poignant without ever being sentimental.

Also enjoyed: Sharp Objects, Spiral, Press, Killing Eve, Queer Eye, Feud and Mozart in the Jungle. The latter is one of those shows that I forget about between seasons but always enjoy when it pops up. Classical music, New York City, and Gael García Bernal – you cannae go wrong!

20. What was the best book you read? The Life to Come by Michelle de Kretser. It follows the lives of five Australians, their lives entwining or briefly brushing past over time. I cackled and/or squirmed at the savage observations about writers and expat Australians. Cheers Kim of Reading Matters for the rec!

21. What was your favourite film? I watched Three Billboards Outside Ebbing, Missouri on a plane and loved it. I probably should watch it again though as I’ve found when I rewatch films I saw on planes they’re often not as good on the ground, because I’m always a bucket of feelings on a plane. Anyone else get like that!?

Catching up on older films: I enjoyed Arrival and Grand Budapest Hotel.

22. What did you do on your birthday, and how old were you? I turned 41 and it was a quiet and unremarkable day. But the following weekend I went out for tapas with two dear pals and that was spectacular.

23. What kept you sane? Ziggy pats and funny friends.

24. Which celebrity/public figure did you fancy the most?

Lee Pace in Halt And Catch Fire. Even in the 1995 episodes with his terrible hair and glasses that reminded me so much of dot com folks from back in the day.

25. Who did you miss? In June I had an all-too brief trip to Australia. It had been over five years since the last one, and that was too long! I want to prioritise getting back more often because it’s so bittersweet seeing people after such a long gap and realising so much has happened since the last catch-up.

Source: https://www.shaunareid.com/2019/01/2018-review-thingo.html

[thiswillbereportedtomanagement]

When we think of documentaries, we often think of the films that investigate harsh truths about our world. The Oscar tends to go to a documentary that delves into the underbelly of Mexican cartels, details the atrocities of war in the Middle East, or investigates systemic poverty in our own backyard. Of course, this sort of documentary is essential. A documentary like Super Size Me, Icarus, or 13th can change the way we think about the world. But, documentaries about art and creativity can change the way we think about the world as well. A documentary that focuses on the possibilities of creativity can move us just as deeply as a film that shines a light on the darkest depths of humanity. Let’s look at some of the documentaries that you can watch today on Netflix that might inspire you with their visions of compelling artistry, incredible design and bursting creativity. If, in your life on Earth, you can find the joy that Iris Apfel has found, then yours will have been a life well spent. Interior designer and fashion icon Iris Apfel captured the attention of the New York style scene decades ago and never let go, curating her homes and her personal style in a way that “larger than life” only begins to describe. Apfel first arrived on the New York fashion scene in an entirely unorthodox way by today’s standards. She and husband Carl Apfel ran a textile company together. She would also work as a writer at Women’s Wear Daily, as an interior designer, and as an illustrator’s assistant. Later in life, she got into historical restoration, which brought her in contact with a number of celebrity clients, including nine presidents. The comfort that her ventures afforded her allowed her to collect an impressive, and impressively strange, array of objects, trinkets and accessories, including an oversized RCA dog, ornate vases, and various and sundry huge, colorful bracelets and necklaces. And then there are the clothes. Her fashion collection grew so immense that the Met was able to build a special exhibit from just a small piece of her massive holdings. Apfel insists on being called “The Geriatric Starlet” to this day, and after watching this breezy 80-minute film, you’ll be convinced no one has ever earned the title so thoroughly. Not only one of the best documentaries about art, Exit Through the Gift Shop is viewed as one of the great film works of the 21st century so far. In Exit, famed British street artist Banksy tells the story of Thierry Guetta, a French emigre to the United States who is obsessed with street art. What we have then is a documentary about a man who is obsessed with Banksy (and documenting himself), directed by Banksy. You won’t be surprised to hear that Exit Through the Gift Shop also premiered to a degree of controversy. We are talking about Banksy after all. It almost seems too good to be true, and many observers suspect it is. For his part, Banksy has maintained that the film is “real.” Though, after you watch the film, you’ll likely spend some time considering what, exactly “real” means. The film becomes a meditation not just on street art or “conceptual” art, but on the nature of art, fame, and authenticity. As the first African-American animator hired by Disney, Floyd Norman made history. He went on to have an incredible career, working on classic films like Sleeping Beauty, 101 Dalmations, and The Jungle Book. If his work at Disney had been his only contribution to animation, he would have been a legend in the field. But, Norman went on to work at Hanna-Barbera and Pixar, where he worked on Scooby-Doo and Toy Story 2, respectively, before retiring at age 65. Later in life, Norman invested himself in mentorship, and continues to attempt to develop the careers of others even though he is now over 80 years old. Rarely do artists get the chance to demonstrate the political courage that Sun Mu has in his life, and almost never do they rise to the challenge in the way he has. Beginning his career in North Korea as an anti-regime propagandist, and going on to continue his art after being exiled, Sun Mu is a true artistic renegade. The film follows Sun Mu as he prepares to go undercover for his first solo exhibition in China, where he is truly risking danger for his art. During the film, Sun Mu never shows his face to the camera and every appearance he makes is shrouded in shadow. Even his name keeps him anonymous, as it simply means, “No boundaries.” I Am Sun Mu offers a close-up look at the immediate danger and admirable bravery that comes with being a true political dissident. Art can be a weapon, and watching someone wield their art in this way is truly inspiring. It’s difficult to imagine the stress and pressure that would go into creating a collection for a major fashion house. Dior and I offers the insider’s point of view that means you don’t have to wonder anymore. The film follows Raf Simons as he creates work for Christian Dior, and the highs and lows that come with becoming fashion royalty. Dior and I meditates on the concept of the Belgian designer Simons finding his place in the storied fashion house. Though Dior himself has been dead since 1952, his ghost haunts the film, as Simons reckons with his legacy while trying to define his own. Simons doesn’t speak French; he is a minimalist: will he fit in? Beyond the fashion world, Dior and I admirably tackles an age-old issue that plagues many great artists. How do you honor the job you’ve been tasked to do and your own artistic voice at the same time? There are still rags to riches stories, or at least farmhouse to fashion house stories. This was the trajectory of Jeremy Scott. His childhood was spent on a small-town farm, and now he is the creative director of Moschino. As with many people from rural areas or difficult circumstances, Scott has carried a piece of his upbringing with him as he’s navigated the fashion world. Scott was rejected from FIT because of a “lack of creativity and originality.” He overcame that to become head of a fashion house. Then, he was derided by critics, even as fans embraced his work. And now, even at the top of his game, he maintains a carefully curated cavalier attitude that betrays just how much he really cares. Perhaps the most poignant sequence in the film shows him going back home to visit the farm where he was raised. There we see something that many of us know all too well: you never really leave home, no matter how far you go. Creating meaningful art means taking risks. Few artists have taken the kind of risks Ai Weiwei has. The Chinese artist, sometimes called the “Chinese Warhol,” has often found himself at odds with China’s one party regime during his career. That hasn’t stopped him from continuing to push boundaries with his work. Director Alison Klayman started documenting Ai Weiwei at an interesting time. In May of 2008, a massive earthquake hit the Sichuan Province, which led Ai Weiwei to sharpen his criticism of the Chinese government. The film follows Ai Weiwei as he continues to create art despite harassment from the state. The film ends with authorities trashing Ai Weiwei’s studio and assaulting him. While this is a horrific moment, the viewer is also meant to appreciate that for Ai Weiwei, there is no separation between his art and his activism. You’ve probably sampled a number of the original fictional series released on Netflix lately. It’s tried to do the same thing with documentary, and Abstract is one of its most rewarding attempts. The series tries to get at the heart of what design means, and, perhaps more importantly to the filmmakers, how design works, by interviewing designers in various fields: shoes, theater, cars, and more. Episode two, featuring Nike designer Tinker Hatfield will likely be the most interesting to our readers, but, if you have any interest in design, you’ll want to stick around for the rest of the episodes. Each designer offers a glimpse into a different process, different inspirations, and of course, different products. Documentaries about creatives often take a “life’s work” biographical structure. Here, the series aims to be about process, and while not always perfect, Abstract creates something that is unlike much of what you see in the documentary world: a real glimpse into what goes into creation. We don’t necessarily consider forgers to be artists. This film makes the argument to the contrary. We meet German forger Wolfgang Beltracchi as he nears the end a six-year prison sentence that followed a thirty-year career creating fakes of some of the greatest artists who ever lived. Jail time has not shaken the man’s confidence in his craft: he believes he can forge any artist from Da Vinci to Monet. From there, the documentary demonstrates that he is right. Though the film offers intriguing details about the economic incentives and artistic realities that allow con artists to succeed, it is when we watch Beltracchi work that the film reaches its high point. He pays attention to every detail of his work, from dust on the back of the frame to the smell of the canvass. You quickly grow to understand how someone could be taken in by a fake, especially when the forger creates a piece to fill a “gap” in an artist’s catalog that, if it were real, could be worth millions. But that doesn’t take away from the awe that Beltracchi’s work ultimately inspires. Vivian Maier, a Chicago nanny and housekeeper, was one of the greatest street photographers of the 20th century, and no one knew it until just before her death. Even the people in Vivian Maier’s life didn’t know much about her work. She never exhibited publicly. She lived her life in total obscurity. And yet, she took thousands of pictures that offer a beautiful glimpse into the bygone era of 1950s and ’60s Chicago. The pictures may have remained unknown to the world if director John Maloof hadn’t purchased a lot of her negatives for $400 at auction. The discovery of Maier’s work is valuable not just for the photographs themselves, but also as a springboard for a discussion of art. What makes someone an artist? What makes something art? These questions and more swirl around the subject: a woman who was finally branded an artist when she no longer had a voice in the matter. In recent years, documentarians have taken to highlighting the skills of musicians lost to history. 20 Feet From Stardom told the story of two long-time back-up singers, and 2008’s The Wrecking Crew gives a moment in the sun to unheralded 1960s session musicians. We have all heard songs by The Beach Boys, The Mammas and the Pappas, and The Monkees. What you probably didn’t know is that all of these bands relied on the same session musicians in the studio. Even on immortal albums like Pet Sounds, the titular Wrecking Crew often played the instruments on the recording. Your first thought may be that these players might have some bitterness as they look back at all they didn’t get credit for, but what’s so inspiring about the film is how positively the surviving musicians remember their time in the studio. They were paid to do what they loved, and the entire country got to love it along with them. To a person, the musicians view that era as a golden opportunity and a highlight of their lives. Director: James Marsh Is tightrope walking creative? Is it art? Whatever your view may be, you can’t deny that it is pulse-pounding entertainment. Marsh’s film chronicles Phillippe Petit’s 1974 high-wire walk between the Twin Towers. The film focuses only on the event itself, portraying it with the drama of a heist film. The performance lasted nearly an hour before Petit was arrested, and even his arresting officer had to admit he had beheld a work of art. The policeman said Petit’s performance was like “dancing.” Any artist will appreciate the focus the film gives to the various people on Petit’s team who helped him pull off the legendary stunt. It turns out that the old saying is true: no man walks alone… even on a tightrope. Romance novelists are some of the most derided workaday artists there are. Romance novelists are often women. They write for a predominantly female audience. And they tend to produce work at a prodigious rate. As far as the American patriarchy is concerned, that’s three strikes right there. Director Laurie Kahn offers a different perspective. Rather than beat us over the head with it, she allows it to come organically from the (mostly) women who write, edit, and publish the books that comprise this multi-billion dollar industry. Much of the film focuses on the nuts and bolts of the romance novel industry, which is incredibly interesting. But, the most inspiring moments of the film come from a focus on the community around the books, and the kind of close-knit camaraderie that grows up around writers, publishers, aspirants, and fans of the bodice rippers as they celebrate their passion. Though he was once among the handful of prominent American writers, the younger generations don’t seem to think much about Gore Vidal these days. While he was alive, however, Vidal elevated the role of public intellectual to that of an artist. His debates with conservative William F. Buckley are still viewed as some of the best in American public life. While Buckley’s bigoted worldview hasn’t aged well, Vidal and his massive body of work, hold up as thorough, if often acidic assessments of American life. Vidal published his first novel at age 19, and wrote and spoke prolifically from that point forward. He wrote the comic transgender novel Myra Breckinridge. He wrote the script for Ben Hur. Most memorably he wrote excoriating assessments of the titans American political life. At the end of his career, Vidal amassed of total output of over thirty novels and dozens of non-fiction texts. More importantly, he became one of the great examples of what it meant to be an American voice. What can you do with yarn? If all you’re imagining is a grandmother working on her crochet game, you’ll quickly feel like you lack imagination. Yarn follows a series of artists who are doing amazing things with, yes, yarn. A Japanese artists shows off his yarn-based climbing apparatus. A Polish artists produces crocheted bodysuits. There are even yarn street artists. If you’re feeling a dearth of creativity in your life, Yarn will likely cure what ails you. If you’re left with the sudden urge to pick up some yarn yourself, then, at least you can’t say we didn’t warn you. Next up; here’s how to hack your happiness, according to a new book.

https://www.highsnobiety.com/p/netflix-documentaries-creativity/