#and idk who's watched st but the plot is somewhat inspired by it

[noahtally-famous]

not me popping back on here with a post after months of semi-inactivity (uni is being a bitch) just to reiterate how much i love writing the pahkitew island cast.

aside from sammy and amy (obviously), literally everyone else can be shipped with one another and it'd make sense to some degree, like it takes skill to create a group of people so inherently shippable (platonically and/or romantically) and ofc the writers didn't know it they just shoved a bunch of random ppl together and dusted their hands off on it but fr tho 😭

(yeah im planning out my leonave 'stranger things inspired' au, and the gears are turning, and i forgot just how much i love writing for this dumbass group)

(i swear im working on the next chapter of a guide to surviving the apocalypse too)

[lesbianrobin]

have u done an analysis on endgame st ships? a penny for ur thoughts

i have not!! i would like two pennies please. my thoughts are not actually worth that much but i think i deserve them anyway. i’m gonna talk about some stuff that may seem unrelated or only loosely related to the question but i prommy it’s relevant <3 warning this ended up being like a thousand words somehow idk how that happened but i’m putting it under a cut bc i’m nice like that.

so! something that’s kinda unique/interesting to me about stranger things is how all of their ships are so clearly telegraphed and quickly developed. there’s a sense of... impatience, for lack of a better word. on the surface, it appears to be largely an effect of the cinematic style of the show; there’s very little room for questioning who someone’s gonna end up with or for slowly developing a relationship over time when you only get eight episodes every like. twoish years. AND you have about a dozen main characters AND evil government forces AND monsters from another dimension. it’s a lot to juggle!

stranger things has a lot to accomplish in a pretty short amount of time. the timeline of a single season usually spans no more than a week (excluding flashbacks/end-of-season timeskips), and well... nobody wants the important stuff to happen offscreen! i’ll use the stoncy love triangle as an example: jancy was originally intended to get together at the end of s1 after steve’s death, but since they decided to let steve redeem himself and survive, there was just no time to separate stancy and get jancy together without it seeming wayyy too abrupt. since jancy was always their plan, they didn’t want to leave nancy with steve, but they knew they couldn’t just have that boyfriend swap occur offscreen... which is why s2 Had to have a stancy breakup plot in order for the writers to accomplish their goal of getting jancy together.

the main characters in stranger things tend to maintain homeostasis between seasons, their circumstances and relationships rarely changing any more than the audience might have just assumed they would anyway (like lucas and max dancing together + sharing a kiss at the end of s2 and officially dating by the start of s3). steve and nancy are dating at the end of s1, so they must still be dating at the start of s2, and thus we must break them up DURING s2. joyce and hopper are friends with some deeply buried feelings in s2, so they’re friends with Less Buried feelings that must become apparent during s3. excluding the stancy situation (for reasons which i think are obvious but i will talk more about later), momentum is always forwards. mileven, lumax, and jancy argue, but they come back together, presumably more mature and stronger than before. 

all of this is to say that stranger things has thus far been rather dedicated to their starting ships. there isn’t much misdirection; mike’s crush on el is obvious from the start, nancy and jonathan share charged moments even while she is with steve in the beginning, lucas shows interest in max immediately and shares more significant interactions with her than the other boys from early on in s2, and the deep loyalty and care between joyce and hop is always apparent. steve and robin (initially intended to be together romantically) hold hands quite early in s3 and dustin asks steve about whether he likes her. 

the point? stranger things doesn’t dick around when it comes to love! they handle their ships with remarkable efficiency. in each season, it tends to be pretty obvious from the start who’s going to end up with who, and heading into the show’s fourth season, almost everybody is paired off: mike and el, max and lucas, joyce and hop, nancy and jonathan. which leaves us asking... are all of them going to last until the end?

we’ve only had one true breakup on the show so far, and as i’ve said before, the stancy breakup is an anomaly as it was essentially “righting a wrong,” allowing jonathan and nancy to get together as they were intended to do from the start. the only other romantic relationship to end on the show was between joyce and bob, and well... we all know why that ended, and it started/ended within the confines of a single season. 

stranger things tends to treat each season as an extended film, right? they draw inspiration from classic 80′s films, and each subsequent season after s1 is treated as a sequel (they are Literally referred to as stranger things 2 and stranger things 3). when they introduce tension in a season, they’re inclined to resolve that tension by the season’s end so that people leave satisfied, while also providing a plot hook for the next “sequel” for audiences to theorize about. this hook is always part of the grander plot, not a will-they-won’t-they tease or something else of the sort. remember, they could have broken up steve and nancy in s2 and waited to get jancy together in s3, but they didn’t! they wanted to go ahead and resolve the tension! 

while there are narrative and practical incentives that i’ve covered for this impatience/efficiency/[insert better word i can’t think of here], i also think it kinda reveals something about the writers of the show. to some degree, they genuinely care about and want their ships to be together! we’ve watched them introduce new characters just to kill them off a couple of times now, and i think it’s fair to say that the writers might be a bit too attached to the mains to consider killing any of them off (at least prior to the series finale). maybe... this reluctance to kill their darlings extends to ships.

romance isn’t the primary draw of the show, but an indulgence, something that there may not always be time for but that the writers continue to prioritize as much as they can because they enjoy it, or feel that it is important to the overall product. if we accept this idea, that the inclusion of and focus on so many romantic relationships in stranger things is (to some degree) indicative of the writers’ own desires, then it might inform our speculation regarding endgame ships.

i’m not here to like... really actually assert that i know what’ll be endgame, because i don’t really know jack shit. however, i do think that the writers are pretty invested in all of the current canon st ships (and yes, i am including jopper in that, as their romantic development was explicit in s3). i also think that the writers like catering to fans, leaning into popular jokes (steve “the hair” harrington) and devoting more and more time to the ships fans obsess over (particularly mileven). 

with this all in mind... i really think that most if not all of the current canon ships will be endgame. 

i think that barring any extreme circumstances (i.e. a character Actually dying instead of just fake dying) jopper will be endgame. they’re the only ones that the writers have had the restraint to actually do a slow burn with, and i really can’t see them devoting so much to developing their dynamic just to say it was all for nothing in the end. 

i’m less confident on the others. there are some signs in canon that the remaining couples have some serious problems and may not last, but these issues are often dismissed, played for comedy or brushed over within the text itself, and many of the details within the text contradicting this dismissal are often so small that it’s unclear whether they’re intentional or not. while breaking up mileven might make perfect sense for a fan who reads into subtext and pays attention to unusual acting choices and subtle parallels, it would be a pretty risky move on the surface level. allowing these ships to remain canon for awhile and garner large fanbases only to break them up later would require both a willingness to actively contradict the desires of their audience as well as a certain degree of restraint in their romantic storytelling, which runs counter to the impression i personally have of the st writers (this is, of course, my own personal opinion).

there’s a good chance that at least one of the current canon ships will break up by the end, if only because i think that it would be a little boring if every relationship stayed the same for almost the entirety of the show’s run, and the stranger writers like to keep things new and exciting. perhaps long distance will kill jancy or mileven, or lucas and max will go off again and never come back on, but either way i wouldn’t be surprised if we got a breakup in s4. even with that, though, i think it’s somewhat likely that a current couple may break up in s4 and get back together for the series finale, just for the sake of a little suspense. overall, though, i feel like our current canon ships are going to be more or less the same at the end of the show.

that’s about it. i suppose i didn’t really... answer the question you asked skdndsdkjc i feel like you probably just wanted to know like if i’m a byler endgame truther (which i am not but i could happily be proven wrong). thank you for asking, though! i hope this made at least a little bit of sense.

[anomaly00-archive]

Happy STS, Maddie! Who was your first OC? What or who inspired them, and how have they evolved over time?

Well, Hunter, I had to take a solid 10 minutes to figure out this question though a good 3 minutes if that was my dad asking me if I liked/would like to try handling a certain type of gun, and tbh I don't know if I can answer this as accurately as I would like. It really depends on your definition of oc: is it just the first character you've created in general, or the first one that was somewhat developed past that of a plot device. I've been writing since I was a kid--mostly assignments or just bouts if day drwaming--so I've made a lot of characters that I can't remember them all. I mean, the majority of them were there just because the story needed them to, not because kid me was all that interested in them.

The earliest characters I ever remember making was when I was in elementary school and my dad let me use Word on his computer. I ended up writing 2-3 pages of a story (just the opening scenes) of these 2 best friends who suddenly find themselves transported to and crowned joint rulers of a magical land where the capabilities of magic are only limited by one's imagination. I never got past their initial introduction to the world, so their characters remained as flat as a piece if paper.

After giving it some thought, I'd say my actual first oc (when I decided to take my writing a little more seriously) would be either Fenice Alexandra (the very young, very flat predecessor of the main character for WCTD, Fenice vi Aetier) or a man called Arthur Kingsley. They were both conceptualized at around the same time, though for different reasons. Fenice was a byproduct of the plot, one with a certain job to fulfill though I didn't know what it was at the time. Arthur, though, came as a character all on his own; his personality and backstory hinting at a story, though nothing ever really clear.

I don't exactly remember what was the inspiration for Arthur Kingsley, though considering the scenario he was involved in, and my earlier memories of him, I probably watched some sort of war movie (early versions had him as an admiral) or consumed some form of media that had themes of sentient AI and the definition of humanity. His story was one that never really bloomed past experimental prose on a word document and idyll daydreams in school. One where he wasn't exactly the main character, but whose choices and mystery provided some of the driving conflict within this story-that-never-was. He was a genius, a scientist, an inventor, and apparently used to be a part of some shady stuff at one point? idk. He was a lot of things. One thing I know for sure about Arthur is that he loves his wife. He loves her to the point of invention. Loves her enough the blur the lines between the real and the artificial, humanity and machines.

[thatparkinsongirl]

WORLDS.

Friends. No one ever told you life was gonna be this way. The apartment complex has seen better days but it’s a roof over your head and that’s more than enough to be grateful about. There’s a pitch-perfect coffee shop on the corner and the people on your hall are actually fantastic.

Disaster. It’s the end of the world. Everything in ruins. You’re running, running, just trying to survive these last days. You sleep fitfully, even then still alert, one hand tangled with theirs and the other gripped around a gun/wand. Or alternately, you’re the crackpot science team that first discovered something was wrong. You’ve all been locked up behind miles of reinforced steel in the CDC? NSA? Area 51? trying to solve this disaster. You were pulled away from your families, not able to save them, not able to take anything. Coffee, coffee, MRE meals. Microscopes, slides, formulas scribbled across white boards trying not to give in to the impending doom.

Inversion. This is not the world you know. Here, Headmaster Riddle pats a young boy on the shoulder and gives some much needed advice. Here, Grindewald and Dumbledore strike fear in the hearts of all the muggleborns. Here, everything and everyone is just a little off center. Your choices define you. (Borrowed from here)

Darkest. Dark magic thrums through your veins, slick and oily. You crave it, live for it. The forbidden section has been your second home ever since the first time you snuck in second year. You are something to be feared. The magic you play with is going to change the world. It’s not about hurting people (sometimes an unfortunate side effect) or taking over the world necessarily (though that is a goal), it’s about this sickly curiosity in magic. How far can you can go? How many lines can you cross? LOOsely off this in which the golden trio go somewhat dark, https://archiveofourown.org/works/6334630/chapters/14514247. Particularly there’s a whole thing in which they bond themselves to each other in a fit of codependency which just yessssss.

Rich as fuck. Money, money, money. Money is the anthem of success. Fast life, shiny diamonds, the best clothes. Speeding too, too fast down the highway, hand out the window. Cops won’t pull you over; they know better. Your lives are a never-ending party. Super Rich kids by Frank Ocean.

Roadtrip bitches. It’s the summer before university. The last hurrah before you all go your separate ways. Long, too deep conversations around a fire while you all smoke. Roadtrip mix blaring through the speakers. Seeing every weird roadside attraction you can. Talking about growing up, childhood, fears, change. About how you could go a year without speaking to someone but they’re still, always gonna be your best friend.

Political. Is it the west wing or house of cards?? Are they corrupt as fuck, bribing and killing and manipulating their way or they earnest and honest as possible, hearts brimming with desire to make the world something worth living in.

PUnk. idk. Hip hop. DJs. Raves. Tattoo artists. Lighters. Smoke rising up into the sky. Motorcycles and a shit ton of leather. Graffiti in the alleyway behind the bar you own.

Therapy. Post-war, and it’s rough. The physical scars are easy enough to ignore. It’s several months before you break down and join the therapy group at St. Mungos. You all swear you’re only there for the free coffee and doughnuts. Phobias, triggers, panic attacks. Recovery. Late night phone calls cause you had the nightmare again.

Olympics. Fencing? Swimming? Hockey? Gymnastics? Ice skating? Or, I mean, alternately, they could be in the Quidditch world cup. Competitors who like mock each other but also hardcore root for each other. It’s a small community and you all have known each other your entire life. It’s been a fight but here you are on the olympic team, favorites for the gold. 

Doctors. Late night hours. 12 hr shifts. Narcissism. The ultimate god complex. Shitty coffee. Stress. Lost a patient today, saved a patient tomorrow. Fighting over who gets to be second on the awesome heart surgery. A quickie in the on call room because damn your ass looks fine in those scrubs. Quizzing each other over a quick lunch. Complaining about your attending at the bar on your first night off in ages.

Unspeakables. They died, struck down during the war and none of you could bear to survive without them. The plan is put together in the early hours of the morning, feverish. It’s stupid, selfish; all this to save one life. You all join the Unspeakables because the rumor is they’ve been working on creating new time turners. None of you care who suffers for this as long as you can get them back.

How to Get Away With Murder/I Know What You Did Last Summer. You’re tied together by an awful, terrible secret. None of you can risk turning on each other. You’ve made sure of that. Toxic people. Guilt. There’s a body in the morgue with your names on it. It was an accident truly but the covering it up that was deliberate. Maybe some unknown person knows and is blackmailing you all or maybe, maybe they’re just trying to get away with it.

Spaceeeee. Inspired by the Wolf 359 and the Strange Case of Starship Iris. Science. Space. Discovery. Futuristic. Bonding because you’re trapped together in a tiny space ship. Conspiracy. Suicide missions. Technology betraying you. The fate of the entire human race resting on your shoulders. 

Parks&Rec/Brooklyn Nine-Nine. Any job-lawyers, firefighters, coffee-shop. It doesn’t matter because they’ve become a tight-knit family. Work hijinks, skinny love probably, I broke your email after I sent you 20 cat memes in a row. office parties. a hint of danger and risk (ok i admit it i like the firefighter one best). My very first day I was driving around trying to find the staff parking and a car honked, whizzed past me, yelling something crude out the window. It turned out to be my new boss.

Dark Post War. With Voldemort dead, Death Eaters being rounded up left, and peace returned to Wizarding London for the first time in more than a decade, it’s easy to believe that all is well. (The problem is that there is no length that people won’t go to protect their peace once they get it back.) Conscription into the Aurors for eligible wizards is enacted to ensure a strong standing against any lingering Voldemort supporters. A man in a black robe is murdered in the street one night because a young, nervous Auror thought he was a Death Eater. Incredibly harsh sentences handed down for any war crime. When Hogwarts finally reopens its doors over a year after the Battle of Hogwarts, it’s to the complete eradication of the Slytherin house (there are rumors about what happens to the children that the Sorting Hat would’ve sorted into Slytherin) and the addition of core classes. It is not a school but a training ground. Certain shops in both Diagon Alley and Hogsmeade are shut down for “sedition” and “miscreant behavior”, most notably Weasley’s Wizard Wheezes. Known war hero, Hermione Granger, is tossed in a Ministry cell for two months for sedition, after she attempts to prevent the arrest of a werewolf. Released war prisoners, people like the Zabini family who did not bear the Dark Mark but who were afflicted with Dark families, and “potential dark wixen” are branded by the Ministry as a warning to the public. All the while, the Ministry reports capturing dangerous Death Eaters, spotting war criminals in Hogsmeade, about danger lurking everywhere. The official statement is that they are trying to right mistakes made after the defeat of Grindewald, if they’d taken a stronger offense then Voldemort never would have happened. What it boils down to though is fear and vengeance and the shifting tide of power. 

Darkest Minds. So I’m finally reading this series since the movie’s coming out soon. I’m only 6 chapters in thus far but yes! this plot! would! definitely! want!

Dark Academia. The Secret History!!! Probably, definitely a secret society!! Mystery! The most pretentious assholes you will ever meet. Arguments over classic literature. Speaking latin to each other so no one else knows what they’re saying. Tweed jackets. Fall in New England. Tea. No i don’t own a tv I believe they’re corrupting the youths’ minds. Insomnia. A 40 page treatise on the Odyssey. 

Alternate Fifth Year. In a world where the young slytherin fifth years spend the summer of between fourth and fifth year, watching their parents with disgust and trepidation. They are ambitious, devoted to self-preservation and they are smart enough to see that following the Dark Lord is a road to ruin. Lucius Malfoy comes back from Death Eater meetings, shaken, Mr. Nott Senior with a long cut down his face. No, the slytherins have no interest in a life like that. It’s too bad then that they’re not even being taught Defense in school. It’s luck that they hear about the group of students that have started practical magic in secret. Canon divergent fifth year where the slytherins join Dumbledore’s Army. Can start after fifth year too but like that’s where it diverges. 

Back Home*. When they say you can’t ever go home again, they mean it, because home isn’t a static location, it’s a word full of extra connotation. It’s tied to a specific time and emotion and feeling. A group of friends return to their small hometown for the first time in eight years for the funeral of a mutual friend. Some of them have vaguely kept in touch but for the most part despite how close they were growing up they’ve all drifted apart. A story about loss, growing up, nostalgia, fear, and friendship. You won’t ever the same kind of friends you had when you were young. 

Shadow Children (Margaret Peterson Haddix). Futuristic, dystopian. Every family is allowed ONLY 2 children yet secret 3rd children do exist, living in the shadows and scraps. Some are lucky enough to get a fake identity and freedom. So I read this series when I was like 11 or something and they’ve kind of haunted me ever since. I’d probably wind up disappointed if I ever tried to reread them but whatever.  Anyway, I’ve been thinking about the first book lately, in regards to all the school kids protesting gun violence and the people in power just looking away as more children die, and just viscerely reminds of the horror I had reading the end of the first book in which (SPOILER) one of the main characters goes to a protest on the front lawn of the white house esque government building, convinced that if enough them protest, if they demand justice, they can get it. Each and every person at the protest is gunned down. For   young me who had largely only read books where everything wound up happy as long as you were brave and honest and full of spirit, this was an enormous shock. Idk how this would work but yes!

CONNECTIONS. 

Bodyguard. Mighty, mighty need for this. You’re the ambassador or president or queen or minister’s kid and your parents hire a bodyguard. You resent their protection. Ruining your semblance of a normal life. Judging you. You can’t help slipping their protection. Heart to hearts. Shared truths. Grudging respect and whatever. Ugh and the sexual tension, more alive than a power line. The attack comes out of left field and it’s a mess. (This. So down to play this out as whatever characters in any world)

Death. Straight up angst here. Final battle death scene. One second they’re right there and the next there’s a flash. You hold your hands over the gaping wound, screaming for a healer but you both know it’s over. Tears mixing with blood. Maybe they become a Hogwarts ghost. (Any character, any sort of relationship-married, dating, siblings, best friends, we shouldve dated but now your dying my arms)

Toxic. Do I feel guilty about having a thing for fictional toxic relationships? Yes, yes I do. But does that change anything? no. “Oh, we broke ages ago.” But everyone rolls their eyes when you say it. Because neither of you can stop and everyone knows. A couple of drinks in and you can’t keep your hands off each other. There’s still jealousy and toxicness and protectiveness and posssesiveness. There’s a dent in the wall from the time you threw a lamp at them. And god, if you could just make it work but love just isn’t enough sometimes. I’d tattoo your name on my arm but i wouldn’t marry you(Any characters)

Married in Vegas. You two hate each other’s guts. You’re constantly trying to one up each other in front of the boss. And you both always have a different way of approaching a problem. You steal candy bars out of their desk and they keep getting you locked out of your computer somehow. But your both the best so of course your selected for the Vegas conference work is holding. What happens next?? well?? a lot of alcohol, you know that. Neither of you quite remember but those rings on your fingers might mean something.

Romeo and juliet. Mob vs. cops or Death eaters vs. Order.  Forbidden romance. Secret meetings. My uncle killed your father. You have a body count that would make them blush. Maybe you’ll turn states evidence for them. Maybe they’re just using you. (any)

Softsoftsoftsoft. Bakery and coffee shop across from each other. Skinny love. A lot of Troye Sivan and Hayley Kiyoko playing. Longing stares, blushing, awkwardness. All your friends say they are definitely into you but??? Or alternately, you co-own the bakery coffee shop and you’ve been dating since third year and your friends all want to kill you. Because ughhh noone should still be that in love. Some serious codependency and domesticity here. Like if anyone’s seen How I Met Your Mother-Lily and Marshall. (any)

Misunderstandings. Classic trope. Of course, you thought they were dating. They live together, steal food from each others plates, share sweaters, tease each other relentlessly, constantly physically affectionate. Really what were you supposed to think. Cue the miscommunication and needless pining and hilarity. (any)

Bonnie and Clyde. Gringotts robbers? Who knows but you’re criminals and you’re good at it. Three steps ahead of the aurors. Careless laughter, drunk on adrenaline. Drive it like you stole it by the Glitch Mob!! and End Credits by Eden!! (any)

Siblings. I’m sorry that all the others are relationship plots because I really do high key love a good best friends/siblings plot. Real siblings or we grew up together and i would murder someone for you siblings. They know each other better than the backs of their hands. Secrets are for other people. Soft plot-just them taking care of each other after a tragedy. Tough love-you fucked off to Paris because you couldn’t deal with your life and they dragged your ass back because when you were kids they promised not to let you make any irreversible mistakes. protective-just. they keep doing dangerous shit and risking their life and you have to knock some sense into their thick skull. Ridiculous-they are everyone’s worst nightmare, stuck together like glue, always causing trouble. Spitting gum down at people from the astronomy tower. Finding ways to beat the anti-cheating quills. Actually helping your sibling get rid of a body. (any)

Best friends/Squad. You all meet at the bar religiously after work. Got each other’s back still, always, forever. Growing up doesn’t mean you have to lose them. (all; I watched the whole first season of golden girls last night so I’ve got a lotta squad feelings. )

Parent and child. Honestly just this song. Heirloom by Sleeping at last!!!! You’re both trying your best but there’s always going to be this tension, these mistakes on both sides. Regrets, nostalgia, angst, softness, forgiveness. (any, but this song always gives me Draco-Scorpius and Harry-Albus vibes)

Eighth Year Partners. PostWar. After a review of Hogwarts’ records, it’s decided that the school year of 97-98 will have to be repeated for all students. In an effort to bring the students of all houses together to promote healing and unity, a random buddy system is set up. A Ravenclaw sixth year paired with a Gryffindor fifth year. A Hufflepuff and Slytherin second year paired. So on and so forth. Though Headmaster McGonagall believed it was a good opportunity, she was loathe to force any student into something they didn’t want, certainly not after the past few years. Thus her only fast rule for the partnerships was sitting together for two meals a week. Some took full advantage of the system, studying together, attending each other’s quidditch games. Others sat in stony silence during the required time only.

@ginevraxweasleyy @marcusflvnt @occlumensism