#and i’m perpetually filled with rage & have been waiting to let it out without repercussions since approximately 2010
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Standing at my window and I see two people out on the street staring at me….. Is this going to become sort of fucking The Strangers type of situation
#if so i’m gonna level with you i don’t have weapons. nor do i have speed or coordination on my side. and i don’t have lung capacity either#i am wearing men’s pyjama bottoms which are too short for me and a tshirt with elephants on#i have no martial arts training. the only thing i have going for me is that i’m larger than the average man despite being a woman#and i’m perpetually filled with rage & have been waiting to let it out without repercussions since approximately 2010#i think it was 2009 when i threw that girl. so. yeah; 2010#(storytime of why i threw the girl; anyone? so i was like 13 and this girl in the year above me at school used to bully me#running up to me and screaming and stuff like that. i mostly tried to ignore it but this one day she escalated and jumped on my back#bear in mind she was about 4’10 if she was lucky and i at 13 was already 5’11#before i even really knew what was going on i threw her off me so hard she hit the wall behind; turned around and punched her in the face#while screaming words to the effect of ‘what the fuck are you doing you stupid bitch?!?!?’#and then i ran away and cried because i thought i was going to get in trouble and excluded. lol#i literally hid behind a portakabin. not exactly an og response to the situation#but my friend caught up with me and was like ‘no teachers saw and i don’t think she’s going to tell anyone that that happened lol#she is getting teased mercilessly’ so i picked myself up and went to class#and uh. i didn’t hear a peep out of her or anyone in her group or even some of the Other people who’d been bothering me ever again. so#i’m not saying to throw a girl but like……. i think throwing the girl was at least like 27.3% of the reason i survived secondary school)#and now back to the people outside my window. they’ve moved on i’m pretty sure#will sleep with a pair of big scissors by my bed regardless#personal
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A Season 6 Bellarke Recap [a.k.a. the Receipts]
Before the finale airs, I thought we were due for a recap of some of the major B/C moments of Season 6, episode by episode.
6x01 “Sanctum”
[a.k.a. “It’s not crazy.”]
This felt like such a turning point for Bellarke, particularly on Bellamy’s end, because you can finally see him starting to fill in the blanks of their relationship. Clarke is so tentative and reticent about addressing the radio calls. Bellamy recognizes her vulnerability, understands the significance of this admission. And by assuring her “it’s not crazy” that she depended on him for six years, he reveals that he relied on her memory just as much, thus affirming the strength and stability of their relationship. Devotion is the name of the game.
6x02 “Red Sun Rising”
[a.k.a. “I don’t need you anymore.” + “This time, you die. Not me.”]
Talk about Foreshadowing™. This episode allowed audiences to get into the heads of each character (sans body snatching) and fully grasp what it is that drives/haunts them. Case in point, during Bellamy’s red sun psychotic episode, his compulsive need to protect and save his people is underscored, as is his deep-seated fear of being abandoned by/losing Clarke. This illustrates how, to a certain extent, Bellamy is terrified of how much he depends upon Clarke, knowing fully well the toll her death took on him for the past six years.
6x03 “The Children of Gabriel”
[a.k.a. “She is. She can speak for us.” + “We’ll bring Madi back. I promise.”]
Though the two are separated for the majority of this episode, Bellamy and Clarke’s “Together” partnership and co-leading dynamic are back in full force. Theirs is a relationship built on trust and mutual respect, a fact made very apparent when Bellamy doesn’t hesitate to allow Clarke to unilaterally conduct diplomatic affairs in Sanctum while he reconnects with their people. Likewise, Clarke entrusts the safety of her daughter to Bellamy in spite of the calamitous series of events that transpired in Season 5. It’s truly a redressal of S5, and it establishes how a relationship as profound as theirs is only strengthened by past disputes, betrayals, and grievances.
6x04 “The Face Behind the Glass”
[a.k.a. “You’re my family, too.” + “You’re too important to me.”]
I found this moment particularly significant when juxtaposed with the B/C dynamic in Season 2. Clarke’s “You’re too important to me” is very reminiscent of her S2 “I can’t lose you, too,” only this time around Clarke doesn’t attempt to diminish Bellamy’s value to her and, instead, recognizes that her love for him is a strength, not a weakness. She conveys to him how deeply she regrets abandoning him at the pits (much like her abandonment of him at the gates of Arkadia in S2), vowing to never lose sight of the fact that he is and always will be family to her.
6x05 “The Gospel of Josephine”
[a.k.a. “How are we on different sides of this?”+ “Who are you?”]
The strength of B/C’s relationship is even further bolstered with Josephine acting as a foil character to Clarke. Bellamy and Clarke know and understand each other so well, and her absence is glaringly obvious to Bellamy when he recognizes how uncharacteristically out-of-sync they are. He is the first and only person to have figured out that Clarke had been bodysnatched purely from knowing who she is as a person—her mannerisms, the way she speaks, the way she thinks, the things she values most (the same cannot be said of her own mother, but c’est la vie).
6x06 “Memento Mori”
[a.k.a. “...the hardest decision of his life: he will not take revenge.”]
Bellamy reveals the depth of his love for Clarke not by being consumed with his desire to exact revenge on her murderers, but rather by pushing aside his rage and grief in order to honor her. His inconsolable, bereaved, emotionally volatile state screams at him to perpetuate the cycle of war and violence, yet he overrrides his natural bloodthirsty instincts, all for Clarke. Bellamy is a fighter, and him choosing not to fight to preserve Clarke’s legacy is precisely why his love for her must be true and abiding—a love that stands the test of time and transcends death.
6x07 “Nevermind”
[a.k.a. “You’re too afraid to face him.” + “I’ll take your deal.” vs. “We’re gonna get her back.”]
The noticeable absence of Bellamy in Clarke’s mindspace (save for the drawings of him on her cell walls) is very weighty, especially when accompanied by Mindspace Blodreina’s spiel about Clarke‘s subconscious being unable to conjure Bellamy up due to fear. Fear that he will always resent her for her mistakes, fear that he views her as a selfish monster. It’s evident that Clarke values Bellamy’s perception of her to an unparalleled degree. Pieces of him are scattered throughout her mindspace (notice how a sketch of him is hanging in the area of her mindspace that symbolizes home, happiness, security, and family). He is literally ingrained in her head. This makes her decision to sacrifice herself to Josephine all the more meaningful. It is only when Clarke assumes Bellamy had given up on her without a second thought that she, herself, gives up. What she doesn’t get to see is how devastated he had been by her death and how determined he is to get her back when he discovers she’s still alive.
6x08 “The Old Man and the Anomaly”
[a.k.a. “You only care about Clarke.” ATTA BOY, JORDAN]
Bellamy is a man on a mission, and he’ll stop at nothing to save Clarke, regardless of the fact that doing so potentially endangers his people and their prospects for peace. While it’s inaccurate to suggest that Bellamy “only [cares] about Clarke,” you cannot deny that in this precarious situation she takes priority above all else. Saving Clarke is more important to Bellamy than ensuring that the peace deal for his people is fleshed out without a hitch. “He’d do anything for her. To protect her. Just makes sense.” Yet another S2 parallel. Bellamy will do whatever it takes to bring Clarke back, consequences by damned. If that entails leaving his people to fend for themselves, then so be it.
6x09 “What You Take With You”
[a.k.a. “Your people are in trouble. I guess you care about her more.” + “Now that’s a weird relationship, isn’t it?” + “I won’t let you die.” + “I’m not leaving you.”]
This episode was truly an ode to the history between Bellamy and Clarke—a complex history characterized by its highs and lows, by reconciliation and betrayal—but a history of devotion, nonetheless. Bellamy’s interactions with Josephine are enlightening, to say the least. The clinical way she breaks down the complicated relationship between Bellamy and Clarke is not only a testament to who she is as a person (i.e. a psychopath) but also to how deeply B/C must care for each other. In spite of everything that’s happened between them, their love and devotion to one another remains. Josephine leaves no stone unturned when it comes to recounting the bad and the ugly aspects of Bellamy and Clarke’s relationship, yet she redacts all of the good (those deep, intimate, emotional moments must be difficult to comprehend through the eyes of a psychopath). Everything about this episode—from Bellamy’s heartfelt “I won’t let you die,” to the terror and desperation in his eyes when J!Clarke is on the chopping block, to Clarke’s adamant “I’m not leaving you”—affirms that their bond is unbreakable.
6x10 “Matryoshka”
[a.k.a. THAT SCENE]
It takes real acting chops to simultaneously rip my heart in half and stitch it back together, yet, within the span of two measly minutes, Bob Morley accomplished the feat seamlessly. When Bellamy is confronted with the reality that Clarke is dead on that operating table, his greatest fears in 6x02 paradoxically come alive before his very own eyes. “I’m not losing her again.” “I need you.” “I’m not letting you go.” The shift from denial to desperation to devastation is as breathtaking as it is heart-breaking to watch. Speaking of the heart, what elevated the CPR scene to a caliber rivaling that of poetic cinema was its overt symbolism. Bellamy is Clarke’s heart. Clarke is Bellamy’s heart. When she’s trapped in her own head, it’s Bellamy’s voice that brings her back and jumpstarts her fighter instincts. When her heart’s stopped beating, he pumps it for her. He’s begging for her to come back to him because she is his touchstone, his other half. “The heart and the head.” “The head and the heart.” In other words, we belong Together. In other words, I love you, and I don’t want to live without you.
6x11 “Ashes to Ashes”
[a.k.a. “You saved me.” “So how do we save everyone that I left behind?” + “For Monty.” “For Monty.”]
The guilt sets in for Bellamy as he begins to think about the potential repercussions of his actions. Leaving everything behind to save Clarke was purely a heart move, and now that he’s got Clarke back, his head is starting to punish itself for shutting down and abandoning his people. Bellamy is off kilter and guilt-ridden. His plans for a peace deal fell apart, and he’s terrified that he won’t be able to protect his people just as he had failed to protect Clarke before (a 6x02 callback). Now, more than ever, it’s evident that Bellamy relies on Clarke to center him. She is his voice of reason, the head to his heart—a heart that, in a lot of ways, beats for her, as evidenced by his adamant refusal to allow her to jeopardize her life by acting as the inside man. Objectively, he knows her plan is the smart play and the only way to ensure that they “do better” per Monty’s charge, but he can’t risk losing her again. Bellamy eventually conceding to her plan illustrates how ideologically-attuned they are now. They’ve never been more Together, and, above all else, they uphold faith in each other.
6x12 “Adjustment Protocol”
[a.k.a. “I left them.” + “What took you so long?”]
Though this was definitely more of a fast-paced, plot-driven episode, the flashes of Bellarke peppered throughout are very telling, teeing up a major emotional moment for them in 6x13. While waiting for Clarke to shut down the shield, Bellamy is once again plagued by guilt for leaving his people behind without a second thought. Octavia’s verbal consolations do little to ease his mind, which goes to show how tormented he is by his actions. He genuinely believes dropping everything to save Clarke was a selfish decision on his part because he couldn’t bear to live without her. It wasn’t so much about Clarke needing Bellamy than it was about Bellamy needing Clarke.
He needs her. Not just as a co-leader, not just as a partner. Bellamy needs Clarke. His person. Never mind that his people may need him. If Clarke’s in trouble, he’ll go through hell and back to save her.
Pivot to the Becho reunion. Bellamy’s just been reunited with his girlfriend, the person he’d entrusted to protect his people while he went off to galavant around the woods with J!Clarke. The pure relief on his face upon being reassured that Echo okay is apparent. He left her behind, she was in trouble, but now she’s okay. He’s comforted by her presence in the same way that he’s comforted by the knowledge that a member of his family is safe.
But that look on Bellamy’s face when his eyes meet Clarke’s and everything around them seems to melt away? That’s more than relief. That’s yearning. That’s devotion. That’s “You came through. I knew you would.” That’s love.
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