#and i havent even drawn Lobo yet
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jokest3r · 10 months ago
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Finally doing the lineart on matvey's ref sheet and oooo this is gonna suck
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daculadaculadacula · 1 year ago
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'either you liked the film or it wasn't for you' is literally a black and white statement (from a post i can pick out and @ but i am not trying to start a fight or whatever). i am allowed to love something and be critical of the media i consume. i like renfield a lot and have watched it multiple times, and honestly find a lot of it skippable, but i know what i want from it lmao and hint: it is not cops or drawn out fight scenes
i am not sure where statements like this come from or why u would be getting upset over mysterious people calling renfield copaganda. i havent personally seen this as much as i have seen people be critical of hero cop screentime.
at the end of the day the hero cop (you can call her chaotic neutral all you'd like, but i'm of the opinion that even this begs a closer look than what someone who's seen it once or twice tops would take away) still has the moral highground and serves as renfields larger inspo for becoming a better more self-actualizing person. renfield cites the support group at the end, but lbr, he is stated to not have a lot of free will(? free thinking ability or something similar) by the director and has his whole git gud arc really pick up speed after he encounters rebecca. she stops acting like a cop and starts acting like a person and tbqh, i am not entirely sure why she keeps her uniform and job (there's nothing about the rest of the cops or even just her job post drac chop) since she does state that she wants to take the rest of them down permanently. i think this might be something overlooked in terms of referring to renfield as copaganda, or maybe it's meant to be ridiculous, but i'm gonna go out on a limb and say cop discourse isn't at a place yet where even the majority can see it's ridiculous that rebecca is still in uniform fighting for her personal justice against drug lords and against "her own," which is the factor that makes me think the corrupt cop narrative is a bit less than half-hearted. at the same time, the narrative about group therapy is also this way. the characters are a little sillay. there's a lot to parse and a lot of interpreting that can be done. cops and narcissism are both serious issues, i think taking offense to anyone with gripes about either issue is a bit much. renfield 2023 doesn't need to be held up as a golden pinnacle of media in order for you yourself to still be a decent person and enjoy it.
rebecca's sister and father (both cops) are pitched as good people. they are probably morally the best people in the film. that the unnamed cops arent going around actively harming people but working with others who do harm people in this film make it seem as if this is something to be taken with a grain of salt, as with literally everything else about the film, when the reality is that usa cops do this as well as actively commit atrocities against people on the regular. functionally they serve their narrative purpose, but i'm within bounds to say they're still treated too gently (ie near neutral. if you aren't able to think the lobos are entertaining or funny you probably don't like the film to begin with, and the cops in this film have put themselves on their level), esp with no one except kyle having a name. nameless mobs don't make effective antags or even pseudo villains. i personally appreciate that the cops are shitty and take advantage of overtime while being part of the industry with the fattest budget in the us. it's still a blink and you miss it gag tho. maybe some people with cop and law oriented agendas would take issue with it. i can see how people with anti cop and law agendas could also take issue with it.
i just think people can be allowed to call it copaganda if they'd like. anyone invested enough knows there's nuance, and we don't need to be puritans labeling a film or people reacting negatively to it as not good or not having justifiable takes. 'like it or just fuck off and don't be critical over xyz,' isn't a realistic expectation. a lot of thoughtless opinions get posted online all the time. in the end this is about a horror comedy and not a groundbreaking discourse piece. i think the angle for cops as a senseless body (tbc not the heroes or 'good guys.' still don't like that!) in this film is fine even and a step in the right direction for slap-in inclusion in narratives. i don't think taking issue with the people still critical of cop portrayal is a great move tho.
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