#and i did feel a smigeon of clive barker in there and then he was in the acknowledgements too
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variousqueerthings · 11 months ago
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finished reading "tell me I'm worthless," which was an interesting experience. I think there's something really good for you in your soul to be able to understand the genre conventions you're in and the kinds of structures and language and character that can be explored in these genres. I think about how people tend to -- with fiction about marginalisation and/or about people who are marginalised as a blanket whole, regardless of the story -- operate on a checklist of dos and donts, but mainly donts: don't ever tell us a deadname, don't ever use these "problematic" words to describe them/or have them describe themselves in this way, don't ever describe negative emotions or "problematic" emotions, don't let the characters have harmful traits (either towards themselves or others), don't hurt your characters at all actually, don't make your characters politically uncomfortable or "problematically" complicated in their political outlook and/or journey, don't make your characters be assholes ever, certainly don't traumatise your characters, and under no circumstance do you kill your characters!
which of course, this book does praaaactically every one of these things, thank goodness
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