#and i can believe it... because for many of my character names I go by root words and references
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power-handmaiden · 2 days ago
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Chuck Tingle interview
OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!
-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?
the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving
-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?
DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.
-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?
i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 
similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time
-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...
yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me
-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?
same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points
-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?
oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.
as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us
-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?
probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.
-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?
-a ghost of a regular human
-a regular human vampire
-a human/fish mermaid
-a sentient winged horse
-a sentient centipede large enough to wrap around a mountain several times (she is handsome)
alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification
a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories
MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.
WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid
a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler
-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)
i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug
-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?
honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more
THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL
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alextydaisuda123 · 2 days ago
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"Dance Tower"
So... a new AU?:") ... I don't know, I drew everything on pure enthusiasm. And I was shocked by myself when I realized that... THIS WILL BE MY FIRST QUIET AU! °□° Without any serious plot! This AU will exist purely for fun. Why not. No, I did not refuse dark and tense plots, I just wanted to create something calm. So meet >:)✨️
Dance Tower - this AU will be based only on dancing. Yes, there will be elements of competitions and combat, and only because most of the dances are tied to combat due to the characteristics of the bosses.
Plot? Well, as I said, there is nothing serious there. Everything is simple. Peppino and Gustavo receive a letter from Pizzahead with a simple invitation to the tower to dance, whether they go or stay, it is their choice, their no one forced them. But they went, why not :). And now, let's move smoothly to the characters. And yes, I will say in conclusion that the characters have remained unchanged, but they will have some added facts and details. And yes, almost all the characters will be friends with each other.
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Peppino. His dance style is hip-hop with elements of breakdance. He is still anxious and afraid to perform in public, so he dances either only with Gustavo, or alone. But when he receives an invitation, he still decides to go there, purely out of curiosity.
Facts: Peppino has accumulated a lot of scars throughout his life (half of which he does not remember where he got), so he hides them under thick clothes (even in the heat he walks like that, poor thing🥲). Only Gustavo knows about the scars. He can still cook (though he does not have a restaurant at all).
Gustavo and Brick. Their dance style is Flamenco. In fact, Brick initially did not know how to dance, but when he became interested in what Gustavo dances, he decided to learn. Gustavo is more confident in dancing and is not shy in public.
Facts: He tried to learn breakdancing from Peppino, but alas, he realized that it was not his genre, although he knows a few tricks from there that he can perform. He met Brick purely by chance in the tower, when he tried to dance with Noisette, whom he met on one of the floors of the tower. Brick really liked Gustavo's style, so he tied a red belt on himself and asked Gustavo to do his hair :3.
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Pepperman. His dance style is ballet, with elements of allegro, boxing or something like that. He has been dancing ballet since an early age, which he really liked. But over time, he added elements of combat to it, which makes his ballet look somewhat sharp and dynamic (which surprised Peppino himself when he took part in a dance with him).
Facts: Because of his additions to the dance style, it is difficult for him to find the music he needs, so he approaches it very slowly, but reverently. He still draws. He tried to mix dancing and drawing before, but he cannot concentrate on anything in particular, so he does drawing separately, namely when he is resting. During dancing, his legs suffer the most, so they are constantly bandaged (jumps and kicks do their job). He has many costumes that he can use in dance. He loves to wear makeup, so he also does his own makeup (sometimes Noisette does it).
Vigilante. His dance style is cowboy country. In his dance, he uses a gun (safe), because it adds more ... epicness to it? Dynamics?🤨...well, yes, something like that. He takes dancing quite seriously, initially not perceiving other genres. Over time, of course, it passed, but he does serious preparation for dancing.
Facts: He has been dancing not since childhood, since he initially believed that he and dance were something incompatible. But when he grew up, he decided to try to find something suitable for him, and since he loved country music, he began to dance in a similar style. That's where his love for the cowboy theme came from. The ribbon on his hat was given to him by PM, as a sign of their relationship and joint partnership in dancing.
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Noise. His style is Hip Hop with elements of break dance and ... rap🥲. Well, yeah, why not |:). Has been doing this since childhood. Initially, his family taught him to dance something simple and national, like Harabe. But he quickly got bored and learned something else (nobody forbade him in general). When he fights in a dance with Peppino, he can use random things to win and get more rating.
Facts: Initially, he thought that his dance style was special, but when Bruno himself repeated his tricks, even did better, he softened opinion about it a little. When he met Noisette, he was ashamed to admit that he usually dances when she said that she dances, and he hid it for a long time (they were then able to combine their dances, so everything is generally fine now). He doesn't really try hard on his images😅.
Noisette. Her style is ballet, compatible with roller skating or ice skating (mostly rollers). Her dances are mostly complete improvisation. Still as cheerful and energetic.
Facts: When she danced with Gustavo, she didn't have the goal of defeating him somehow, but just to dance from the heart. She still cooks different goodies, and they turn out quite tasty (if you're really hungry, of course, but Noise will eat everything). Her costume is also some kind of improvisation, since she wanted to diversify the ballet costume. She sometimes likes to arrange a fashion show with PM.
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Fake Peppino (Bruno). He has the same dance style as the regular Peppino, only also with elements of improvisation. Initially, Bruno was not conceived as a clone who needs to defeat Peppino, but purely as an ordinary participant, like everyone else. So he wasn't created with evil intent.
Facts: Despite his love for frogs, he asked Noisette and Pepperman to sew him something frog-related, which they did very well (except there were also pants, but they were abandoned due to inconvenience). On his floor, there are many dance machines that he plays (either alone or with friends, if they are not busy). His relationship with Pizzahead is not bad, yes, he does not particularly care for him, but he does not torture him, but simply treats him like a child, whom he can occasionally notice and does not refuse to dance with him.
Pizzahead. His dance style is a little special, namely tap dancing. It is special because for other bosses this genre of dance is "from the old days" (plus the clothes refer to the old days (and to the image of Charlie Chaplin🥲👍)). In this AU, he is not evil, but he can sometimes get along with other bosses because of little things or because of the thirst for victory in some contests or simple competitions. But someday he will have to admit his defeat. And so, he is a simple smiling fool, nothing more.
Facts: The reason why Pizzahead invited Peppino to his tower is because he saw him on TV purely by chance. He admired his movements (even if they were constrained due to Peppino's insecurity) and decided to invite him as a friend. Of course, he did not expect Peppino to come, but he was prepared for his appearance in advance. His cane serves not only as a dance element, but also purely to maintain posture, since he has minor back problems due to his tall stature. He has a bad habit of tap dancing at night, which keeps others awake. Oops.
That's how it is :D. I will occasionally draw this AU for fun :>. I hope you like it^^"✨️.
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occasionally-poetic · 2 days ago
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marauders characters’ ethnicities/religions/languages
just my own HCs so don’t get offended!
jayaram fleamont potter
(tells people to call him j or jamie bc its easier, so everyone assumes his real name is james, and he doesn’t correct them)
indian hindu on his mum’s side (tamil nadu specifically)
effie comes from a rich tamil pureblood family (many pureblood families name their children something greek/latin, thus ‘euphemia’), and teaches jamie hindi, tamil and some greek
his tamil is great and he’s fluent in writing/reading as well as speaking, writing letters to effie from hogwarts in tamil
his hindi is okay, mostly with reading and talking, his writing is pretty limited
his greek is godawful and he’s barely conversational, much to effie’s dismay
(non-practicing) catholic chilean on his dad’s side
monty is (obviously) a potter, and most of his relatives live in chile or south america, but his parents moved to england for hogwarts (didn’t want him going to school on another continent to them)
he’s a practicing hindu with his mum (monty doesn’t really get it because he doesn’t speak a word of hindi so he just smiles and nods)
he speaks english and (chilean) spanish, which he teaches jamie, who speaks/reads/writes it as fluently as his english and tamil
sirius orion black
he is heir of the noble and most ancient house of black so he’s the french-est pureblooded-est guy you’ll ever meet
especially pureblooded because he’s the product of incest (his parents are second cousins) (canon)
the black family are french, owning many estates there, etc., but have lived in england for generations (his great-grandparents migrated and now they only visit france in the summer sometimes)
catholic (receiving NOO criticism here bc this is canon (no its not)) with intense religious trauma and internalised homophobia (not projecting at all whaaaaat)
sort of converts to judaism (ish?) he makes remus explain it all and siri thinks its sooo fascinating so he gets a menorah for the dorm for hanukah and buys a torah to study and remus is so happy
speaks french as his first language, and latin and greek fluently from tutoring, but only started to learn english for hogwarts (is so bad at it in first year omg)
remus yohanan lupin
(I KNOW HIS CANON MIDDLE NAME IS JOHN BUT HE IS SO JEWISH CODED TO ME SO HERE’S THE HEBREW FORM OF JOHN INSTEAD X)
polish-jewish on his dad’s side (lyall was evacuated to wales in ww2, when he was about 10, and hope’s parents looked after him until he graduated hogwarts and started dating hope (they literally adored him and helped raise remus I DONT CARE))
protestant welsh on his mum’s side (didn’t really practice her faith though - just brought them all to church on christmas eve and easter sunday)
interfaith household + being a patrilineal jew (more not fitting in angst for remus guys!)
spoke english and welsh at home, equally fluent (lyall picked up welsh while living with hope’s parents), and hebrew too from his hebrew sunday school
lyall tried (and failed) to teach him polish, as that was his first language, so remus can speak a very basic amount of polish, mostly swearing and children’s lullabies (marlene teaches him more at hogwarts so they can gossip!)
not very orthodox jews, but celebrate jewish holidays and go to the synagogue on sabbath (and he wears a necklace of the star of david that belonged to lyall’s late mother)
pieter daan pettigrew
(anglicised his name for hogwarts because everyone called him p-eye-ter (like actual pie + ‘ter’))
protestant dutch on his mum’s side (but she went to hogwarts!)
protestant english on his dad’s side
parents were ‘born again’ christians so they were very devout (grace before every meal, helping out at church every sunday, bible study every morning, etc)
peter never really believed in any of it, and would often go to jamie’s to avoid having to go
he spoke english with his dad and half-brother, but solely dutch with his mum and his other siblings. he was also taught latin before hogwarts (pureblood things) and absolutely HATED it (he was probably dyslexic and often found himself changing language in the middle of his talking exams)
picked up a fair bit of tamil from jamie and effie (aka his second mum) and absolutely LOVED the potters’ diwali party (literally the highlight of his year)
let me know any other characters i should do!! and if you disagree feel free to leave your HCs in the comments, but please respect that people have different opinions xx
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dazzelmethat · 4 months ago
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Ameebs 10 year redraw 2024 vs 2014.
The character himself is about 18 years old though (middle school). Somehow the name Ameba stuck so I just call him Ame now. Or Ameebs. I have done much research into Chinese names for him, but nothing has stuck. The greek root word amoibē means 'a change,' named for his more unsteady physical form.
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billygoat26 · 9 months ago
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Guys- moots who know me well enough kind of-
I'm not simping solely for fictional characters anymore-
...
I hate this, it's weird, I wanna say something to them or at least one of my other irl friends but I'm too scared that 1: they'll judge me and 2: they'll TELL HIM. Dear god I do not need that-
BUT IT WON'T LEAVE ME ALONE (aka it's been on my mind for a few hours too long)
Yesterday, pool party with friends, right?
I knew that he did some workout stuff but I still was NOT prepared- (me, who was fully expecting him to wear some form of his normal outfit but for the pool- noooooope! Shirtless- very unprepared)
And listen, I knew I at least sort of like-liked him before cuz you know, personality and all that stuff, but come onnnn- like- what do I do now??
And then they were playing chicken fights in the pool or whatever the game is called, and after that they were standing on each other's shoulders and pretending to walk on water (We all had just endured a bible unit in our English classes)
He had offered for ME to stand on HIS shoulders- and for that to happen, you know, they gotta swim under, right? Well, we both have the dirtiest of minds (I also just have shitty balance so I was not about to try that anyways. That was the main reason on my mind but I thought of the other stuff after).
I don't even know if I have blushed since elementary school, but if I did then, then thank god for the sun because sunburnsssss
And then he couldn't find his shirt after we had all gotten out, and one of my other friends said that he didn't need the shirt (jokingly) and dear god I wanted to agree (verbally) but I'm too worried about my whole bullshit being too obvious if I did, so I just had to stay quiet. (He ended up not finding it and just having to leave cuz his parents were there)
But that- that day- just... that. It's not. Leaving. My. Mind. Alone.
#billygoat talks#Look ma- I'm not simping for only fictional characters!#I'm not adding him to the simp list tho- 1: not putting his name anyways and 2: that list is for fictional characters only#Wait- what day is it now?#Fuck- it's only Sunday...#Should I say something? Cuz I only know him because of the IB program but I'm not gonna be in it next school year#And I think the only time we would see each other is either during lunch and after school going to the buses or just buses#But I'm worried that- if I do say something and he doesn't feel the same- our friendship will be fucked up and awkward- I don't want that..#Besides- I've never had good luck with these things#And at the start of the year I had come out to my friends as gay- mid-school-year one of my friends and I agreed I was pan#<- that was only one friend... and the one who made the joke I told y'all about#But he still thinks I am gay- we joke about it a lot- so how would I even start?#I've never been in a relationship- can't say I've never been kissed before only cuz of a weird thing in elementary school-#Believe it or not- even if I can give others advice- I don't know what to do for myself...#I guess I'm scared of rejection but I should be used to it by now-#Oh yeah! The other thing- we've only known each other for a whole one school year- his friends have known him for much longer-#I feel like it's wrong to even think like that after only one school year and say something about it- like it's too soon#Believe me- I do wanna say something but I'm just scared that our friendship will be ruined or he'll ask questions I don't have have answer#to- more than likely one of those would be about my sexuality#I feel like I have to stick to that- like a limitation- but I don't want to-#I have so many wants but I feel like I'm not exactly good enough for anybody and those wants will just be wishful thinking forever#Fuck- just bombarded y'all with my shower thoughts... sorry-#Ummmmmm-#Yeah-
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dweeborea · 1 year ago
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Howdy, meet Emera's long long LONG lost son
Being taken from your mother and assimilated into a hivemind (The Voice of We Many) for >13,000 years does things to you
Also don't glare at Mizuki, boy, he's the reason you're an individual again
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hoshigray · 8 months ago
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Hiiii, I have a request- could you do like jealous or after arguement smex- you can pick any sort of of storyline or any jjk character. (prefferbly a character like sukuna or toji because i feel like they'd be kind mean about it)
Tyy
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𝐚. 𝐧𝐨𝐭𝐞: oof, i think after an argument, sex w/kuna would go crazyyy (esp true form! like yikes)
⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: true form! Sukuna x fem! reader - explicit content; minors DNI - size difference - fingering (f! receiving) - impact play (spanking + pussy slaps) - clitoral play (grinds, swipes, and pinches) - biting - pinching - degradation (bitch, whore) - monster-fucking (he got 2 dicks) - double penetration; anal and vaginal - backshots/doggy position - pet names ([little]dove, my wife, pet, woman) - multiple orgasms - mention of drool/spit and blood.
⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1.3k
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You dare avoid him? The King of Curses? Did the screws in your brain finally come loose, and now you’ve gone mad?
Ryōmen Sukuna rarely lets things slide. He is considered the top dog of the cursed Jujutsu world – he doesn’t find himself bowing down to things because things are supposed to bow to him. Anything and everything doesn’t go unnoticed under his gaze, as that’s the order of things that are supposed to happen.
And this philosophy doesn’t stop with you — his little dove.
Being engaged to a human spouse already raises flags of inconsistency. It isn’t rare for you and Sukuna to argue; the workers of the fortress where you reside can attest to this. The love is there, but Sukuna expects you to understand your standing in this marriage. You may be what he always keeps by his side. However, even you shouldn’t overstep him so carelessly.
Nonetheless, your humanness continues to poke him; your resilience is a thorn to your giant husband’s side. The more disagreements you clash with him, the bolder you’ve become in your standing, which makes the cursed man proud, albeit prefers it wasn’t directed towards him. 
And now, after he puts his thunderous foot down and shuts you up with your bickering, you decide to be courageous enough to turn your back on him? Him? Your betrothed? He couldn’t believe what he saw; your expression molded to neutrality before you turned on your heel and headed somewhere away from him. And then you don’t respond when he calls out to you — the absolute nerve.
Oh, you knew Sukuna wasn’t the one to be daring with, especially when you think you can get the last laugh. So, it would be best if he corrected your foolishness. 
“—Dahhh! Su’kunaa, stop! Let go—Ohhh!”
“Shut your mouth. Think you’re in any position to order me now, huh?”
He has you pinned to the tatami flooring, his upper hand on your head to keep your cheek printed on the mat despite your cries. The upper right hand has a good hold on your waist while his lower right hand grips your ankle to keep your legs spread. And with the lower left, he uses it to tease and toy with your chasm. The mouth of his chasm laps around your labia to lick the fluids that coat your slit while his middle and ring fingers grind on your sore clitoris.
This is your punishment: your husband reprimanding you as he gesticulates around your body. You can cry and holler all you want, squirm out of his hold when knowing your efforts are futile. He doesn’t care because he knows that he will make this point to you no matter what.
The tongue of his palm easily swallows your essence, pushing the muscle into your cunt to fuck you. You nearly choke on spit, sensing the considerable muscle swirl around your insides and graze your walls. “Mmph! Oh, fuck—Nnnm! Sukuna, no! I just came seconds ag—Oooh!”
“Do I care?” He raises his sole pink brow, four red eyes scanning your figure, writhing because of his touch. “You will cum however many times I say, my wife.” He draws out the last words to your ear, enjoying how small you appear under his massive shape. 
He lives for your shrieks, your pitch going higher and higher with every flick of his tongue. Swiping your clit makes it harder to maintain balance, your resolve slipping through your fingers with every push and pull of the abnormal tongue.
“Hahhh, ahhhshit, shiiiit,” your eyebrows scrunch together, nails purchasing on the tatami mat beneath you, which you’re sure your scratches would cause damage. Again, not that your jerk of a spouse would care; he is probably getting a kick out of you losing your poise because of him. “Ooh, ‘Kunaa, y’re going too fast…Nnnn !”
“Oh? Does the dove think I’m going too fast?” Sukuna licks the helix of your ear tantalizingly slow, and you gasp when he bites it while the mouth of his palm sloppily kisses the entrance of your vagina. “You wish to cum again, woman?”
You nod hurriedly, his chuckle rumbling to the core of your heart. The hand on your waist comes up to smack your ass, denting the skin by piercing his fingertips. You howl in pain, “Yesss, I wanna cum again!” 
“Hmph, no,” he removes his hand from your throbbing folds before slapping it; the abrupt action erupts a choked sob. Screams fly out at the pinch of his fingers on your delicate bud; the pain from your chasm stings, making your head pound. “You’re not some whore who gets to cum when they want; you’re mine, and cumming without my permission will get you into predicaments worse than this. Are we clear, pet?”
You had no choice in the matter, propping your ass up and your face down, forcing you to take his two cocks with both of your holes. 
“Aiishhh, oh Lord, Shhlow down! I’m t’oo full…!” 
“Mmnn, khheh, I bet you are, grippin’ on my cocks like a real bitch in heat…”
His lower hands keep hold of your hips, keeping you glued to his pelvis as he pistons his fat dicks into your ass and vagina. The tip brushes on your inner walls, and you mewl at every push as the girth stretches your caves. His upper hands keep you held down to the floor, submitting you to his robust stature that easily swallows your small frame.
Your face is still on the floor, drool trickling down your lips as ineligible babbles seep out. “Nnmahh, ahhaa…!” God, he puts so much strength on your poor body; the inability to move or move away from him keeps you immovable for him. 
Sukuna’s pace is unforgiving, propelling himself into your leaky wetness with no remorse. The fact that he has you come two times already doesn’t concern him; if anything, it aids him in pushing to and fro from your tight cunt. He bites his lip from how your rear contracts around him—so snug for his dual limbs as if you’d milk him dry.
“Fsshoo, ohhmy Go—Daah!” A hand finds its way to the left wrist on your shoulder. “Ohh, ‘Kunaa!”
Your wails are broken when he bends down; the added weight is so lethal that you might end up being pressed and being one with the tatami mat. “Hmm? What is it, woman?”
“—Ahhck! Fuuuhuck, pleaseee, can I pwease cu–Uhhmm?!”
You make him snicker, pulling back his rhythm to implement slow yet harsh ruts to your openings while throwing a slap to your asscheek. “Why should I let you?” 
A tear rolls down your hot cheek. “Pleasee, forg’ve me! I shouldn’t have…turned my back on you...”
Crimson eyes narrow while observing the way your ass quakes from his powerful pounds. Sukuna then comes to your shoulder to bite on your shoulder, and of course, you yelp bitterly. The sight of his canines drawing blood from his mark dials his excitement. “Say it properly, pet,” he purrs as he licks the wound on your shoulder.
“Mmmm! Suk’naa, my Lord…”
“Hmm?” He cups and squeezes your cheeks with his upper left for access to kiss your neck, and the lower left snakes down to play with your clit again. You gasp from the sensation of the tongue of his stomach licking your back, the colossal muscle having you arch like a cat.
Rubs on your pearl have you squeaking for him and eyes rolling upward— all desperate and aching for your release that you could break any moment. “Forgive me for stepping out of line...Hooooh, I wanna cum on yer cocks,” you admit while swaying your hips. “Please allow me to cum.”
“Depends,” you gulp at his quick answer. “This will be your only kind warning for this; if you dare do it again, don’t ever think of asking me.” Sukuna licks your cheek before he chews on the flesh, your breath halting at the graze of his fangs. “Understand?”
Your brave side takes over to turn to him meekly, watery eyes meeting his fierce red ones – a good move on your part. “Yess, my husband…”
And he sneers. “There you go, little dove.”
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© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ☆ header edit done by me + dividers by @/benkeibear.
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mygnolia · 4 months ago
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to weave my love ⭒ n. riki
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⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.
⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader
⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)
⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!
⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end
⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY
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NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.
What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you. 
See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading. 
In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now. 
“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye. 
“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?” 
(Nope.)
Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?
Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class. 
A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.” 
“It’s a partner project. And we’re partners.” You wince at the awkward wording. 
Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards. 
The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing. 
“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him. 
You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.” 
Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”
“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval. 
Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room. 
“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch. 
Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows. 
“I better hear you two are dating by next week.” 
“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth. 
“Riki and ____. Let me have one,” Jake answers, reaching inside the bag. 
Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question. 
“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.” 
“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got. 
Jake offers him a shrug of defeat. “I got nothing.”
The three of them fall into normal conversation and Riki finally explains everything that happened during English.  “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?” 
Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.” 
“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.” 
And they’re silenced immediately. 
“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.” 
Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”
“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?” 
“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.” 
“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.” 
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NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.
All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert. 
He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold. 
He doesn't like it one bit. 
Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area. 
Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner. 
A spark. 
“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself. 
What the hell was that?
He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm. 
Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man. 
The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.
“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”
The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”
“But why?” All Riki wants is answers. Some sort of explanation.
The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.” 
That scared the shit out of him. 
The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape. 
What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him. 
He needs to end this fast before he becomes burnt toast.
Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal. 
“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”
The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him. 
Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.
With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it. 
Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars. 
“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that 
Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can. 
His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving. 
It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it. 
No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero. 
He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.
And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same. 
His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you. 
In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.
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NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.
The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you. 
When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby. 
The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits. 
“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project. 
“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises. 
What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago. 
“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”
“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head. 
“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“
You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.” 
To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch. 
One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line. 
“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.
Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”
“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.
“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.” 
“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response. 
Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.” 
His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.” 
The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.” 
Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.” 
“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.” 
Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter. 
“Yup.” And his fate is sealed, just like that.
“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head. 
“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.” 
Jake gawks. “You must really like her,”
“I was planning to read it regardless of who I was partnered with.” 
“Okay- that’s debatable.” There goes another one of Riki’s nachos.
“Gross.” 
He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom. 
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NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.
He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right? 
Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM. 
Who the hell picks a fight with a teenager at this ungodly time? 
Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.
The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes? 
Hopefully, his instinct will help him win this time—again. 
The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark. 
He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor. 
He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy. 
It’s attracted to the power plant. 
Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims. 
Bam. 
He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed. 
Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back. 
This fight will, in fact, not be over soon. 
With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity. 
The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.  
Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle. 
It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop. 
Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory. 
All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest. 
Holy fucking shit is the first thing Riki thinks when he wakes up. 
He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds. 
He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time. 
The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.
But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him. 
He’s most definitely not coming to school like this. 
While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop. 
Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein. 
The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about. 
Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text. 
Truth be told, you don’t pay attention to any of it. 
The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy. 
“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him. 
“You can just call me Jake,” he explains, “what’s up?” 
You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.” 
Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?” 
He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend. 
“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom. 
What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.” 
“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?
He blurts, “He just got badly hurt.” 
Immediately, Jake knows he’s fucked up. 
Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.
Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?” 
The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision. 
“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria. 
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NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.
Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task. 
The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves. 
Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more. 
Panic settles in. “Wait- how long was I sleeping for?” 
He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook. 
“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down. 
And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”
Smiling at him, you respond with, “Thank you, really.” 
Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?” 
He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning. 
“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination. 
Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less. 
He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish. 
There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.
The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end. 
You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.
“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag. 
“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.
All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break. 
Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask. 
-
Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.
“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm. 
“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?” 
“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading. 
“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”
You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”
Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.
RIKI'S TO-DO LIST BEFORE PROM
☐  talk to ____ regularly 
☐  don't make it awkward 
☐  be..cute? 
The boy decides that his superhuman responsibilities might be easier to complete than any of those three things. 
He switches the subject to stop his head from hurting too much. “Did you finish the report?” 
You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-” 
“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago. 
Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his. 
“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice. 
So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.” 
The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.
“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.” 
Riki cracks a smile at your light teasing, soaking up your praise. 
“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills. 
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NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.
Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight. 
Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.  
For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.
There it is again: that little tendency to not pay attention to your surroundings. 
You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse. 
Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.
Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.
The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists. 
Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated. 
A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.
“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.” 
Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back. 
The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle. 
Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot. 
He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance. 
From the roof-top, Riki scans his surroundings before making the split-second decision to jump. 
He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse. 
You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it. 
You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist. 
Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him. 
You. He still needs to save you. 
With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him. 
Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended. 
Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement. 
He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.
Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists. 
In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action. 
Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop. 
“Please,” he begs, “don’t leave. I’ll be right back.” 
You’d be a fool to do anything but wait. 
Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go. 
To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind. 
He quickly leaves, returning to where you’re seated.
Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion. 
A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade. 
“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.
“Thank you, really, for saving me. I don’t know how you manage to do it.” 
Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.” 
Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.” 
“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.” 
Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.” 
He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?” 
“Just prom,” and he hears just how strained it makes you. 
Riki tilts his head in faux confusion. “What do you have to do for prom?” 
He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.” 
Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?” 
“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.” 
Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit. 
So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do. 
“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened. 
You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?” 
Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.” 
There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay. 
“Let’s get you home, yeah? Don’t you have stuff to do anyways?” 
You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting. 
Riki. Spark. Spider-Man. 
“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.” 
“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear. 
“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs. 
Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest. 
‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.
Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain. 
The swirling feeling of trepidation in your stomach leaves three words running around your head. 
What. The. Fuck. 
Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities. 
Until now. 
“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.” 
His blood runs cold. 
“You think this…why?” 
You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.” 
Riki was going to strangle his best friend. 
“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”
He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too. 
“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation. 
Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.  
“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.” 
You raise an eyebrow. “And you haven’t gotten him caught?” 
“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms. 
You shrink in your spot, feeling sheepish for questioning a superhero so bluntly. 
“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?” 
“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?” 
“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki. 
You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are. 
He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.” 
As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate. 
“Thank you for saving me tonight.”
“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart. 
“Goodnight, Spiderman.” 
—-
Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain. 
Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.
The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue. 
Or at least, for a few seconds it was on until the power went out. 
The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something. 
Nothing. 
One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news. 
He was right–it was the same time travel portal that was ruined from a few months ago. 
Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that. 
Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something. 
There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it. 
The machine was scheduled to be completed tomorrow. 
-
A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two. 
Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant. 
A truck or car would make things much easier, but whatever.
Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night. 
He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring. 
“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine. 
“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.
With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away. 
Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive. 
“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.
Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him. 
The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment. 
“Fuck,” he curses, fighting his aching limbs to get up once more. 
And the solution hits him. Literally. 
When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge. 
Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him. 
“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen. 
Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan. 
Maybe this is where Spider-Man dies. 
He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th 
While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt. 
Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down. 
Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard. 
All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm. 
The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them. 
Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead. 
“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!” 
Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks. 
“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?” 
Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.
The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge. 
The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more. 
The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop. 
“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”
“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.” 
Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions. 
“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds. 
“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.” 
Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.
Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body. 
You’ll understand after he explains everything, right? 
“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach. 
Do not say it’s true. 
“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass. 
“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you. 
“Holy shit.” 
There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony. 
“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”
You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit. 
Instead of being the villain, Riki is, in fact, the savior.
The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?” 
Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips. 
He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers. 
Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.
“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing. 
“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?” 
The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint. 
“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow. 
“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school. 
“I have my reasons,” he says, his voice quiet. 
You pause. “For being Spider-Man?” 
“No,” he shakes his head. “For coming here.”
“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”
“I really want to ask you to prom.” 
You simply stare at him, surprised. 
“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”
Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.” 
You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel. 
“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?” 
“Jake.” 
“Seems like a pretty good friend.” Riki nods in response. 
 “I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze. 
“For what?”
“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you. 
“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”
You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”
“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed. 
“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.
“How’d Jake find out?” 
Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”
“Then why’d you tell me? You could’ve just gone back to your friends.” 
“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head. 
“Not stupid. Keep going.” 
“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.” 
You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class. 
“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly. 
The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.” 
You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt. 
Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things. 
There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.    
You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.
It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”
“Prom-goers,” he answers with a slight nod. 
You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.” 
You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore. 
“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.” 
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MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE. 
He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest. 
Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.
But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug. 
Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach. 
“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear. 
He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.” 
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NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.
But first, he has to try something out. 
He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is  right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago). 
“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand. 
He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised. 
The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain. 
When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze. 
“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!” 
Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you. 
Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.” 
“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”
“I’m fine. I should’ve probably put more thought into that.” 
You snicker, sliding into your heels and closing the door behind you. 
“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.
“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe. 
“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting. 
“I thought girls liked this.” 
You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose. 
Whispering quietly, you ask, “You’ve kissed other girls upside down?” 
Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.
You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.
“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.” 
“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him. 
“Whatever.” Riki laughs. “Stay here, I’ll be right back.” 
You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man. 
Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.
“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration. 
“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.
You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.” 
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REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!
RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)
꣑ৎ permanent fic taglist (TAGGED IN TEASERS, FICS, HEADCANNONS, DRABBLES, ETC.): @dimplewonie @minleeeknow @heeheesang @mintpjzroll @llvrhee @firstclassjaylee @in-somnias-world @rairaiblog @suneng @mavlogist @sensitively-taken @sumzysworld @simpjay @moons-v @riksaes @txtari @jungwonscatcus @tya0 @sasfransisco @woorcve @shypen @pinkriki @rikisluv @saranghaohoshi @lilifiedeans @wonmyheart @k1ttyluvr @nikisgfff @ramenoil @laurradoesloveu @lvcky-g1rl-syndr0me @ikeulims @missychiefs1404 @qwonyoung23 @yangjungwonnie @onementally-unstabel-kid @microwvdstrawb3rri3s @blooqz @anormieee hi permies hope u enjoy! kith
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absolutely-esme · 5 months ago
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I have seen too many posts where a time traveling member of the JL decides to kill Danny to prevent Dan from happening and not nearly enough where they decide to kill Vlad for the same reason.
Even if a hero was pushed to the point of preemptively killing one of the two people Dan was made from in order to prevent his creation, why would they pick the one who is currently both a hero and a kid instead of the one who's already a villain and a grown ass adult?
Also, it would be so much more fun to read about Vlad getting hunted down by Booster Gold or scrambling to try and stay one step ahead of the world's fastest man while desperately trying to figure out which of his evil schemes they found out and got this hero's attention and pissed them off this much.
Was it bugging his nemesis's house? He can see how that probably looks bad out of context, but he swears the video surveillance of a teenager's bedroom was regular supervillain creepiness, not other types of creepiness!
Edit: Two things.
First off, my wording about having seen too many of the other thing was intended playfully. I am not putting those fics down. You don't have to justify it to me, and I am genuinely sorry if I came across as antagonistic. I think everyone should be allowed to write whatever they want and I don't expect it all to adhere to my likes and dislikes.
That said, I wanted to address something else. I've gotten a few different people just talking about how they would have no reason to target Vlad because of what looks like an older version of Danny, and I wanted to clarify.
Here's the thing: Dan does not look like an older version of Danny, he looks like a fusion of Danny and Vlad.
Unless someone they have reason to believe tells them that Danny grows up to be Dan, there's no reason for them to assume that Danny and Dan are the same person (especially considering that Dan is a name the fans came up with and not something the character himself went by).
So this time traveler sees a teen hero fighting an adult villain both of whom share differing physical characteristics with the Future threat, and the most likely conclusion to draw is that it's a Conner scenario.
Alternately, maybe they did actual research on the origins of the threat before time traveling instead of just hoping that murdering the first person they saw with a familial-level resemblance to the threat would prevent him from going on a rampage.
Here are some pictures of them
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See how much Dan gets from Vlad's side?
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chansaw · 7 months ago
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i read donald sutherland’s letter to gary ross pleading for the role of president snow and was so struck by his eloquence, wit, and humor. i’m posting it in full below. what a loss </3
Dear Gary Ross:
Power. That's what this is about? Yes? Power and the forces that are manipulated by the powerful men and bureaucracies trying to maintain control and possession of that power?
Power perpetrates war and oppression to maintain itself until it finally topples over with the bureaucratic weight of itself and sinks into the pages of history (except in Texas), leaving lessons that need to be learned unlearned.
Power corrupts, and, in many cases, absolute power makes you really horny. Clinton, Chirac, Mao, Mitterrand.
Not so, I think, with Coriolanus Snow. His obsession, his passion, is his rose garden. There's a rose named Sterling Silver that's lilac in colour with the most extraordinarily powerful fragrance — incredibly beautiful — I loved it in the seventies when it first appeared. They've made a lot of offshoots of it since then.
I didn't want to write to you until I'd read the trilogy and now I have so: roses are of great importance. And Coriolanus's eyes. And his smile. Those three elements are vibrant and vital in Snow. Everything else is, by and large, perfectly still and ruthlessly contained. What delight she [Katniss] gives him. He knows her so perfectly. Nothing, absolutely nothing, surprises him. He sees and understands everything. He was, quite probably, a brilliant man who's succumbed to the siren song of power.
How will you dramatize the interior narrative running in Katniss's head that describes and consistently updates her relationship with the President who is ubiquitous in her mind? With omniscient calm he knows her perfectly. She knows he does and she knows that he will go to any necessary end to maintain his power because she knows that he believes that she's a real threat to his fragile hold on his control of that power. She's more dangerous than Joan of Arc.
Her interior dialogue/monologue defines Snow. It's that old theatrical turnip: you can't 'play' a king, you need everybody else on stage saying to each other, and therefore to the audience, stuff like "There goes the King, isn't he a piece of work, how evil, how lovely, how benevolent, how cruel, how brilliant he is!" The idea of him, the definition of him, the audience's perception of him, is primarily instilled by the observations of others and once that idea is set, the audience's view of the character is pretty much unyielding. And in Snow's case, that definition, of course, comes from Katniss.
Evil looks like our understanding of the history of the men we're looking at. It's not what we see: it's what we've been led to believe. Simple as that. Look at the face of Ted Bundy before you knew what he did and after you knew.
Snow doesn't look evil to the people in Panem's Capitol. Bundy didn't look evil to those girls. My wife and I were driving through Colorado when he escaped from jail there. The car radio's warning was constant. 'Don't pick up any young men. The escapee looks like the nicest young man imaginable'. Snow's evil shows up in the form of the complacently confident threat that's ever-present in his eyes. His resolute stillness. Have you seen a film I did years ago? 'The Eye of the Needle'. That fellow had some of what I'm looking for.
The woman who lived up the street from us in Brentwood came over to ask my wife a question when my wife was dropping the kids off at school. This woman and her husband had seen that movie the night before and what she wanted to know was how my wife could live with anyone who could play such an evil man. It made for an amusing dinner or two but part of my wife's still wondering.
I'd love to speak with you whenever you have a chance so I can be on the same page with you.
They all end up the same way. Welcome to Florida, have a nice day!
sourced from this article
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lavenderchqn · 4 months ago
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"TO PRACTICE FREEDOM"
synopsis — You're the biggest scaredy cat living amongst the people of Scions of Canopy. You try to get over your fear of heights... by trying out bungee jumping under the watchful eye of your partner. Let's just say... it doesn't go according to plan. pairing — kinich x gn!reader warnings — near death experience (falling from heights), minor character death, spoiler warnings for kinich's story and voicelines, ajaw is a lore accurate menace notes — I've had an idea for this as soon as we learned that Kinich has interest in extreme sports... reading his story felt weird (the longer I am in genshin fandom, the more stuff I predict right...)
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The People of Huitztlan believe in the concept of absolute freedom. That’s why so many youngsters throw themselves into dangerous sports with a lack of safeguard measures. Perhaps having nothing securing a person allows them to experience said freedom. 
To practice death is to practice freedom, after all. 
“We’re here,” Kinich says, looking in your direction. He has held your hand ever since you started your trek up the higher regions of the Coatepec Mountain. “Do you want to take a break?” 
“Y-Yeah… I need to… sit.” You slowly get down with the help of Kinich. Only after he signalises being opposite of you, do your eyes open.
Kinich has taken a sit too, still holding onto your hand. He’s slowly rubbing circles trying to ground you as best as possible. 
Well… here you are — the biggest scaredy cat, who decided to try and work on your fear of heights by trying out bungee jumping. It’s quite ironic really. Not only are you a resident of Scions of the Canopy, which literally is suspended off the cliffs, but also in a relationship with a guy, whose second name could be ‘extreme sports’. 
To say your mind felt pressure to get over it would be quite an understatement. 
“We can still get down. Just say the word.” Kinich says, keeping his eyesight directly on you. Even if you had asked him to help you with your fears, he’d never force you to do so. Sure, it’d be pretty cool to share interests with a partner, but it should never come at the cost of their mental health. 
You shake your head. You have to try. Maybe it won’t be as bad as you think? Kinich will do everything in his power to keep you safe. 
“I can do this.” You answer, taking a deep breath. 
“Well then, chop chop SLOWPOKE!” Ajaw zooms right near your face, spooking you to bits. “Stop wasting MY precious time!” 
“Just how loud can you be…” Kinich sighs, getting up to shoo Ajaw away. “Tone it down a notch, will you?” 
The tiny saurian starts arguing with your partner, although you can easily tell it’s one-sided. No matter how much he would try, the most he could bring out of Kinich were insulting comebacks. Ajaw could try and rage the male in multiple ways… and yet, unfortunately for the dragon, your partner was too resilient to die from anger. 
In the meantime of their dissing match, you slowly get up on your legs. Ajaw is right… You don’t want to waste Kinich’s time because you’re scared and worried. He takes notice of your sudden movement, once again getting close to you. 
“Do you want to try now?” He asks, holding his hand out. These are obvious signs, that he will lead you step by step. 
“Yeah… I think I’m ready.” 
“Alright. Hold still. I’m going to put the climbing belt on you now.” 
As he says, he does. Kinich does it slowly, explaining his movement every step of the way. You’re aware, he’s doing it to ease your mind… and it’s working well. In the blink of an eye, the sound of a snap-hook getting attached brings you back from a short daydreaming session.
“All done.” He takes another look at you, checking if the equipment is snug against your body while making sure it isn’t digging into your skin. “Can you move for me?” 
“Yeah, sure!” You do a slow spin, followed by kneeling on one foot. “Although I can feel the harness… it’s not uncomfortable.” 
“That's good.”
Once again, it’s another series of your partner explaining the next steps. All you need to do is find a point to connect your line to. He already connected the rope to your belt. The other end is currently sitting tightly in his hand. 
“You’re not going to hold me when I jump?” You ask, growing worried. 
“I know you’d feel more comfortable with me doing that,” Kinich starts answering, his eyes wandering for an anchor. “I don’t want to also fall down the second you jump.” 
He even explains the physics behind it, ending his speech by saying it’s best you move further to look for a good place to jump from. 
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You’re walking next to Kinich, admiring the scenery. With the rope in his hands, you’re feeling much more comfortable. Although he’s trying to talk here and there… his eyes are still locked on finding a stable anchor. 
Unfortunately for the both of you, an anchor is nowhere near. Curse you lunatics with no regard for their safety. 
“So many jumping platforms, and yet not a singular anchor?” He questions, closing his eyes. 
All of a sudden your eyes land on a ruffed pheasant that just landed on one of the platforms. You’ve never seen one so close! Without thinking about your safety, you start inching closer towards the bird.
Your steps are slow and cautious. The bird, a magnificent creature with iridescent plumage, seems utterly unaware of your presence. Its feathers shimmer in the sunlight, creating a mesmerising display of greens and oranges. An odd sense of calm wash over you, momentarily forgetting the anxiety that’s been gnawing at your insides.
"Careful," Kinich warns, his voice seeming distant as if muffled by the pounding of your heart.
The platform beneath your feet is uneven, its surface worn smooth by the countless jumps of those, who came before you. With no warning, Ajaw jumps from behind your shoulder, screaming right next to your ear. The bird, startled, flies away. You try to also get away when your foot catches on one of the loose boards. The world tilts violently, and suddenly, you're weightless.
A scream tears from your throat as you plummet downwards, the wind rushing past your ears, drowning out all other sounds. The landscape blurs into a mix of greens and browns, the ground below rushing up to meet you at an alarming speed. For a split second, your mind goes blank — pure terror seizing every thought, every instinct. You’re going to fall to your death. 
Back on the hill, Kinich’s body goes numb for a second. He’s seen this happen once before. He cannot allow it to happen again. You’re not his drunkard gambling mess of a father, and he’s not his seven-year-old self. Kinich will save you, even if it’s the last thing he ever does. 
The blood is pounding in his ears when he shifts all his weight to his legs. Only when he cannot feel any force trying to get him off the cliff, does he start pulling up. With a sharp tug, he jerks you backwards, the rope connected to the harness snapping taut. The force of the pull knocks the air out of your lungs, but it stops your descent abruptly. You swing wildly in the air, the ground still far below, the rope swaying and creaking with the strain of holding your weight.
Above, you can hear Kinich shouting your name, his voice frantic, barely audible over the sound of your racing heartbeat. You cling to the rope, your hands shaking uncontrollably as the realisation of what just happened crashes over you. You almost fell to your death.
"Hold on!" Kinich yells, his voice breaking through the fog of panic in your mind. "I’ve got you, just hold on for me!"
Tears sting your eyes as you try to steady your breathing, every muscle in your body tensed and trembling. The rope holds firm, and slowly, agonisingly slowly, Kinich begins to pull you back up. Each inch feels like an eternity, but his strength and determination never waver.
As soon as your body reaches the ledge, Kinich grabs onto you, pulling you up with a force that nearly knocks you both off balance. He wraps his arms around you, holding you close as you collapse against him, shaking uncontrollably.
"I'm so sorry," he whispers, his voice unusually tight with emotion. "I should have been more careful. I should have—"
You shake your head, unable to speak, still trying to process the fact that you're alive, that you're safe. Kinich's arms tighten around you, his hand cradling the back of your head as if to shield you from any further harm.
"You're okay," he murmurs, repeating it like a mantra. "You're okay, and I'm here. I'm right here."
For a long moment, you stay there, clinging to him as the fear slowly ebbs away, replaced by a deep, overwhelming sense of relief. The world around you, once a blur of panic and chaos, begins to settle back into focus. The mountains, the sky, the distant sound of birds—all of it feels surreal as if you’ve been given a second chance to experience it. In your state, you don’t notice the glare Kinich is giving to his companion. 
If looks could kill, Ajaw would be dead. 
After a while of sitting idly, Kinich pulls back slightly, enough to look into your eyes. His face is pale, his expression filled with concern, but there's also a deep, unspoken resolve in his gaze. It’s quite different considering the death stare he was giving the saurian just a second ago. 
"We’re done here," he says gently but firmly. "No more extreme sports for today. We are getting you home.”
You nod, still too shaken to argue. As he helps you back onto solid ground, you realise how much you’ve relied on him, not just for safety, but for the courage to face your fears. And even though the experience was terrifying, there’s a small part of you that’s glad you tried, that you didn’t let fear win entirely. You can clearly say, you did indeed practice freedom today. 
In a moment you’re seated on his back, Kinich deciding you’ve had enough walking for today. He’s in absolute control now — and he’s picking the safest route possible. 
“Oh and Ajaw,” Kinich’s voice is laced with coldness. “Don’t think you’re getting away with the stunt you pulled today.” 
"WHAT?!"
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date of posting — september 5th 2024
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scourgeofmyownbrain · 2 months ago
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Only one guy on here has two eyes, and even then, they're fake eyes. It's big-tits-McGee, Mr. logic man extraordinaire, Geneva Suggestion Believer himself: Shockwave! Yep, all 12 of him, a reasonable amount of alternates to have, unlike some people... Shockwave Height Chart, everyone, fuckin wee.
Edit: I didn't like the old scaling I had so I changed it. The old chart is at the end of this post.
Quick Disclaimer, if any of the images look weird, it's because I had to stitch a few separate images together to create a full body shot of the character.
Here are links to my Bumblebee Chart, my Optimus Chart, my Megatron Chart, and my Soundwave Chart. !!NEW!! -> Ratchet & Ironhide. Please go gawk at how many Optimus designs there are, sweet fuck, there are so many. For future reference, all these charts will be filed under my "Transformers Height Charts" tag and my "aka the adventures of a..." tag.
Master Post
Explanations and Sources below the cut.
Unicron Trilogy Energon - ~14 feet 3 inches (No actual source, and Energon doesn't have any listed heights anywhere. For the uneducated, the Unicron Trilogy has given each of its 3 seasons separate names and 3 separate art styles. This is the design used in Energon (S2) though he only shows up in Energon. I was able to compare him to Optimus, and using Cybertron's listed heights, I got this number. I am in physical pain, it does not get better from here. Hilarious side note, his Japanese name is Laserwave, which contains the missing "wave" of Shockwave in this iteration's name.)
Earth Spark - ~15 feet (No actual source for ES, but using a barn door to get Bumblebee's height, then Optimus's, then Megatron's height, I was able to make a guess at Shockwave's. Shockwave comes up to about Megatron's chin; I lost the screenshot I used. It's so convoluted, I know, but it's all I have, also, tiny universe, everyone is so small)
TFA Longarm/V1 - 15 feet 2 inches (Animated has no actual numbers, but the lovely @phoenix-inanis has provided a frankly astounding resource with their own calculations for the heights of all the TFA characters. Go look at it, it's wonderful -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)
Gen 1 - ~18 feet (TFWiki, uuuuh I've got nothing to add)
Netflix Cybertron Trilogy - ~18 feet (I have no source for this, other than assuming that because this design is identical to Gen 1, they are the same height. That's it, really)
Knight/Capel-Verse - ~18 feet (No source, and he never stands next to anyone I can measure him against, but because the TFOne director has said that this movie is both canon to the LA movies and its own separate canon, I am assuming the height I figured out for TFOne applies to this universe as well. Until proven otherwise. Capel directed the ROTB movie if you're wondering why his name is there)
One - ~18 feet (No source, I got this number by comparing him to Optimus. Now, I am aware of the TFO heights listed on the wiki, but I reject those numbers on principal. A: Those numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon, so I have elected to use the few given heights we have from KCV and worked from there. My Optimus post has slightly more context if you want it)
Cyberverse - 20 feet (This comes from a screenshot of this video which has the Cyberverse height chart everyone uses, though the quality of the screenshot is iffy.)
Aligned Cont. WF/FOC/TFP - 26 feet 2 inches (This number comes from Fandom and I completely believe it, even if they don't list their source, because the entirety of this universe is freakishly tall. Go look at my other charts, all the ALC designs are monstrous compared to the others)
TFA V2 - 29 feet 11 inches (Once again, phoenix-inanis did a fuck ton of work, go look at it, it's wonderful -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)
Bayverse - ~30 feet (Ok, so I don't have a source for this one. There used to be one, BV Shockwave used to be listed as 40 feet tall bc of an article done to promote the movie, but that is no longer listed for reasons not known to me, and making some comparisons to Optimus, I have found them to be kinda close in height. It's very hard to actually validate any of this. Shockwave never stands normally next to anything I can use as a ruler at any point in the movie. He's always at a dramatic angle or partially covered by something in the shot. It's so violently frustrating. I am confident he is around this height though, I just can't figure out how much taller than Optimus he is)
And that's it. I didn't have to leave any designs out, all of them are included here (hopefully). It was so nice to work with a character where I wasn't drowning in 20+ designs across every goddamn universe.
Edit: Here are the different layers separated.
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vvv Old scale vvv
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cy-cyborg · 11 months ago
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The Jaws Effect and what it means for media representation
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The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.
Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.
This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.
If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.
This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.
Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.
But the impact of representation, of course, can go both ways.
I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.
But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.
Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.
When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.
[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]
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athenamikaelson · 5 months ago
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Klaus Mikaelson x Reader!Soulmate x Elijah Mikaelson PART 10
Word Count- 7.2k
Warnings- Swearing, blood, violence, death, Damon’s ass/Damon BEING an ass, shitty Google translate, spelling mistakes(I'm wayyy too tired to edit this rn)
A/N- some of this is not canon just because I love a character too much and she deserved better in the show. 
“Are you just going to keep sulking in here,” I ask from my position in Damon’s doorway.
Damon answers me back with a loud groan mixed with what I believe to be a growl, “Tell me again why you’re here. And why I haven’t killed you yet?”
If I had just met Damon I would be scared of what he just asked me, but after these past weeks of knowing him, I’ve realized most of his threats are half-assed. So I just shrug and walk into his room.
“My mother and brother are away for the week visiting family, leaving me home alone. And, well, I don’t feel like having “he who shall not be named,” come and kill me in my sleep. And you haven’t killed me because you don’t want to. I’ve called you many bad names to your face, and yet I stand here, unharmed."
“Here you stand annoying the hell out of me. Again.”
I roll my eyes and sit on the edge of Damon’s bed. Damon still hasn’t moved from his position under the covers. 
“Damon,” I turn over my shoulder to look at him and he lets out yet another groan to acknowledge he’s listening, “I’m going to be honest with you.”
“Nothing new there,” I hear him say under his breath sarcastically.
“You’re kind of embarrassing to watch right now,” I turn to see him fully glaring at me now, “You’re how old? Like five thousand years or something like that? It’s time you grew up.”
“Says the high schooler.”
“Says the man in love with a high schooler,” I bite back which has him shutting up momentarily.
“You don't know anything,” He says as he finally sits up in his bed. His white sheet falling down, revealing his naked chest. I quickly avert my eyes, not because I’m attracted to him but because seeing Damon half-naked would be like seeing my annoying ass distant cousin naked. No, thank you. 
“Don’t bullshit me, Demon-spawn,” I point an accusing finger at him resulting in him glaring at me some more. 
“I know you have feelings for Elena, everyone and their bloody mothers knows. And as much as I like Stefan, I also don’t think it should be something you need to feel bad for,” I think momentarily and tap my chin in thought, “Well, okay. Maybe a little bad because she’s 17 and you’re like 1,000 and she’s also your little brother’s girlfriend,” I catch Damon’s deadly look and stop rambling, “Moving along…What I’m trying to say is that we can’t control who we catch feelings for. And honestly, Elena’s pretty and nice as hell so I don’t blame you there. But what we can control is how we choose to express those feelings.”
Damon just stares blankly at me and I feel like I’d be better off giving a toddler this speech. 
“What you’re doing right now, sulking and getting mad at everyone around you for something that is out of our control isn’t helping anyone. It’s only making things worse. Elena’s my best friend and I know she’s scared out of her mind right now but doesn’t want to say it because it'll cause more stress for the people she loves. What she needs right now is all of us. After tonight is over and Elijah’s elixir brings her back then you can go back to your hissy fits but right now,” I stand up and face him, planting my hands on my hips in a power pose, “You need to get your ass out of bed and get a fucking grip.”
Damon and I hold each other’s glares for a straight minute before he huffs, throws his blanket off of him, and gets out of bed. I have to fight a smirk as I get overly proud of my pep talk. 
“I’m really starting to miss when it was just puke coming out of that mouth of yours,” Damon growls as he walks to the bathroom and pulls down his boxers without a second thought. My eyes fly out of my head as I get a full look at Damon’s white ass. I quickly turn around and gag.
“Dude! Seriously, warn a girl!”
---
“I don’t remember you being so…talky,” Damon’s voice yells from over the water of his shower.
I frown as I think about his comment and sit back down on the edge of his bed facing the front door and not the bathroom. Not wanting to get a face full of his behind again, or worse…ugh.
“I…don’t think I’ve ever been talky. There has never been a reason for me to be,” I say back to him not really caring if he hears or not.
A moment later I hear the shower water stop and his footsteps padding around behind me. 
“What the hell is that supposed to mean,” Damon says from next to me and I slowly turn hoping he’s at least half decent. 
Thankfully, he has covered his behind with jeans and is currently slipping a shirt over his chest.
I think about his question and then shrug my shoulders, “I’ve never really had friends to talk to, and whenever I had tried talking to people they just hadn’t cared. So I never really saw the point in talking.”
Damon stops fixing the buttons on his shirt momentarily to look at me. His eyebrows are drawn together and the look in his eyes isn’t one I think I’ve seen from him before. Something about it almost seems kind of…human. But within another second it’s gone and his lip upturns into a smirk.
“People are a waste of time anyway. The only good thing about them…,” He takes a step closer to me and leans down so he’s in my face, “Is there blood.”
I huff as I stand up and push past him heading towards the door, “And here I thought I could actually have a half-decent conversation with you. My mistake.”
I start walking through the halls toward the living room where Elena, Stefan, and Elijah are. Out of the corner of my eye, I can see Damon catch up to me so we’re walking side by side.
“You’re kind of annoying,” He says and I have to fight the urge to not punch him.
“Gee, thanks,” I go to walk faster but he catches up to me again.
“What I mean is…,” He pauses for a moment trying to find his words, “You may be annoying but that doesn’t mean what you have to say is pointless or something that shouldn’t be heard. Screw anyone who tells you otherwise…or just kill them.”
I look at him with a confused look matching the confused feelings I now have, “Thank you? I think.”
“Don’t mention it,” He leans down and glares at me, “Seriously, I will kill you if you tell anyone what I just said.”
I suck on my teeth and then nod my head, “And there’s the Demon we all know and loathe.”
“Right, back at you, Pukey.”
I watch as Damon’s eyebrows furrow as we get closer to the living room and as we enter he speaks up, “Then why are we letting him break the curse?”
I follow Damon into the living room and see Elena and Stefan sitting together on a sofa and Elijah standing before them. Elijah’s eyes lock onto mine and I acknowledge him by sending him a small smile which he just returns with a nod. Okay, Rude.
“We can kill him today. With Bonnie,” Damon says and I realize we’re talking about him. At the mention of him, I begin to clench my fists as a surge of anger rises through me but stop myself since I don’t feel like accidentally cutting myself in a room of vampires. I take my seat on a loveseat next to Elena, who sends me a warm smile before turning towards Damon.
“No. Bonnie can’t use that much power without dying.”
“I’ll write her a great eulogy,” Damon’s words have me turning in my seat and glaring at him. So much for my speech getting to him.
“It’s not an option Damon,” You tell him, Elena. 
Stefan sighs, “Alright, how do we break this curse?”
“Well, the ritual itself is relatively straightforward. The ingredients, so to speak you already know,” Elijah answers.
“The moonstone,” Stefan says.
“A witch will channel the power of the full moon to release the spell that’s bound within the stone. After that Klaus, being both a werewolf and a vampire, will sacrifice one of each.”
“And where do I fit into it,” Elena asks him.
“The final part of the ritual. Klaus must drink the blood of the doppelganger…to the point of your death.”
Elijah’s words have both Stefan and I taking deep breaths.
“And that’s where you come in.”
Elijah goes to the shelf behind him and opens a little wooden box, “This is an elixir that I acquired some 500 years ago for Katerina. It possesses the mystical properties of resuscitation.”
“So I’ll be dead..”
“And then you won’t.”
Damon the grouch speaks up, “That’s your plan? A magical witch potion with no expiration date,” He turns to Elena, “You want to come back to life, what…What about John’s ring?”
“Those rings only work on humans. The doppelganger is a supernatural occurrence. Odds are…the ring won’t work.”
“I’ll take those odds over your elixir. What if it doesn’t work Elena?”
“Then I guess I’ll just be dead.”
Damon shoots his brother a look, but knowing Stefan, he’ll go with whatever Elena wants. Even if he doesn’t agree. Damon realizes this too before shooting another glare at the group before leaving the living room back to where we originally came from.
“Do we know if Klaus has everything he needs to do this? Does he have a werewolf?”
“Klaus has been waiting over a thousand years to break this curse. If he doesn’t already have a werewolf my guess is by tonight, he will.”
I watch from my position on the couch as Stefan follows his brother outside. That’s going to be a fun conversation. 
Elena approaches Elijah, “You’d think he’d understand why I’m willing to do this.”
“Why are you?”
“I’m the key to breaking the curse. Klaus is here because of me. If I don’t stop him, then he’s gonna hurt people. It’s that simple.”
I frown sadly to myself and fight back the watering that has started in my eyes. This isn’t fair. None of this is. 
“You know, there’s a possibility this elixir won’t work. I don't want to mislead you.”
“I know the chance I’m taking.”
The tense atmosphere is broken by a door slamming shut and a woman yelling from the foyer. 
“Jenna, Jenna!”
“Get out!”
I quickly rise from my seat and go to follow behind Elena to check on Jenna, but a hand grabs my own, pulling me back. 
“Wait here,” Elijah’s stern voice says to me as he drops my hand and follows behind Elena.  I watch his retreating figure and shake my head. Who tf does this guy think he’s talking to?
I run towards the foyer and freeze when I see Ric standing there. Or Klaus, I guess. My breathing gets faster and I’m debating on whether to swing on him or pass out.
“Jenna, put the cross-bow down, okay? It’s me.”
Stefan joins us and Elijah comes to stand in front of me, not before shooting me a disapproving look.
“What’s going on,” Elena asks the two adults.
“It’s me, Elena, I swear, okay? He let me go. Klaus let me go,” I frown at Ric’s words and look to Elijah to see if he can tell if Ric is telling the truth or not but his face is completely still. 
“Prove it,” Damon who has now joined says.
“Okay, uh, the first night you and I spent together Jeremy walked in right when-”
“Ok! It’s him,” Jenna exclaims as she drops her weapon. Ew. Everyone in the room throws glances at each other before turning back towards Ric. 
“Why did he let you go,” Stefan asks.
“He wanted me to deliver a message. The sacrifice happens tonight.”
—-
“Katherine was there,” Ric says from his position on the couch. We all moved back into the living room to keep discussing our plans for tonight. 
“She’s under compulsion. Damon snuck her vervain but she can't leave until Klaus tells her she can.”
“Where is Damon,” Elena questions, and I get a bit unnerved. Not knowing where Damon is is not an ideal situation. 
“I saw him go upstairs,” Jenna says. 
Elena stands up and goes towards his room and I go to follow her but Elijah grabs my upper arm, “I need to speak with you,” I begin to argue back as he pulls me into the next room.
“Dude let go of me,” I hiss at him and he drops my arm and stares blankly at me.
“Do not dude me, Elskan,” Elijah says with that stupid monotone voice of his that makes me want to wrap my hands around his throat.
“You don’t get to tell me what to do Elijah,” I whisper yell to him so the others don’t overhear us, “And stop with that stupid nickname.”
Elijah narrows his eyes at me, “You are making it incredibly hard for me to protect you.”
“Oh I’m sorry,” I roll my eyes sarcastically, “I didn’t realize you actually cared, since you’ve been acting like you don't.”
Elijah’s narrowed eyes morph into ones of confusion, “What are you talking about?”
“Seriously! One second you’re making all these promises to protect me and being all nice and stuff and then the next moment you won’t even acknowledge my existence.”
“It would be impossible for me to not acknowledge your existence, Y/n. There is not a single moment where I am not searching for you. This situation,” He gestures between us, “Is not something I take lightly. And keeping you safe is now my most important mission in this life. So I apologize if I have hurt your feelings whilst doing that.”
I’m frozen as I listen to Elijah and he takes a single step towards me. He reaches his hand up and brushes a stray hair behind my ear. 
“You have no idea how long I have waited for you,” His words have me frowning in confusion as he brushes his finger across my cheek, “But, I fear that if I let myself get too close then it will only put you in more danger and I would rather dagger myself before ever letting that happen.”
My chest and my brain don't seem to be working properly as I just stare wide-eyed at the man in front of me. I try to think of something, anything really to say but I can’t seem to get my mouth to form a sentence. 
A loud bang comes from upstairs and Elijah gives me one more look before exiting. I feel like I’m on autopilot as I walk towards the noise, catching sight of Ric and Jenna running towards it as well. I make my way up to Damon’s room and gasp as I see Stefan with a very big piece of wood through his stomach. Ric tries to grab Damon but the ladder pushes him off him before walking out of the room.
“Okay, Jenna, downstairs in the basement are some blood bags,” Ric tells Jenna who is standing in front of me, “Go get them, now. Go!”
Jenna leaves as Elena rips the wood out of Stefan. I walk over and kneel next to them as Elena holds and tries to comfort her hurt boyfriend.
“I’m so sorry,” Stefan groans out.
I frown, confused, “Why is he sorry? He’s the one who got stabbed?”
I’m ignored for a moment as Elena shushes Stefan until he passes out and with tearful eyes, she looks over to me, “Damon he…he fed me his blood. Y/n, I don’t want to be a vampire”
'My chest practically caves in on itself as I hear my friend's small sobs and shake my head in denial, “No…no. There has to be another way. There has to be Elena,” I stand up and look at her once more, “You’re not going to be a vampire.”
I storm through the halls and down the stairs until I see Damon in the living room pouring himself a glass of whatever alcohol he has on hand. That anger from before rises at the idea of what he just did.
“You selfish bastard,” I storm over to him and I see Elijah try to stop me from the corner of my eye, only to receive my hand in his face. And as Damon turns around to look at me he receives my fist in his face. 
Damon hisses as my fist flies across his cheekbone and I fight back tears at the pain in my knuckles. I’ve never thrown a punch before but I didn’t realize it would hurt this much. Jesus.
Damon looks back at me as if my punch did nothing to him, which it probably didn’t and I expect him to charge at me, and I’m assuming Elijah does as well because he moves next to me. But all Damon does is stare at me, raise his glass to his lips, downs it, and then exits the living room. 
“You’ve never thrown a punch before have you,” Elijah’s voice has me turning my gaze over to him.
I look at him sheepishly, “Is it that obvious?”
Elijah stares at me and from his face I think he's trying to debate whether to be amused by me or scold me, “A bit, but I applaud you for the effort,” Elijah’s eyes dart towards my hurting hand and he picks it up with his own and inspects it. 
“You’ll have some bruising but thankfully there appears to be no breakage.”
I let out a pained hiss as one of his fingers brushed against my middle knuckle. He instantly stops and looks at me.
“I can heal you if you’d like,” He asks me and I remember back to when he healed me the first time. It feels like another lifetime ago. 
“I’ll be fine,” I dismiss him and he nods but doesn’t drop my hand. He does reach his other hand up and uses his thumb to wipe a stray tear off my cheek. 
“I’m sorry about Elena,” I quickly remember why I punched Damon in the first place and go to question about the elixir but he shakes his head as if he already knows what I’m thinking, “It won’t work any longer. Damon made sure of that when he fed her his blood. When Elena dies she’ll wake up as a vampire."
I shake my head in denial and feel the tears reach my eyes again, “No... Elijah. There has to be another way! Please tell me there’s another way.”
Elijah’s features form to one of sorrow as if he can feel the pain I’m in, “I’m sorry, Elskan. I truly am.”
I shake my head and bite down hard on my lip to try to stop my tears. Elijah reaches up his hand though and frees my bottom lip from my teeth with his thumb. 
“Come here,” Elijah says as he pulls me into him and wraps his arms around my body. The smell of something masculine, almost smoky, surrounds me as he rests his chin on my head. After everything that has happened, if I were to die like this in his embrace, I don’t think I would regret it. 
I wipe the remnants of my smeared mascara as I look at myself in my car mirror. After Elijah left the Salvatore’s saying he had some loose ends to clean up before tonight and to not get myself into any more trouble, I went to check on Elena. 
She hugged me for about ten minutes straight and I just rubbed her back as she cried into my shoulder. And I may or may not have cried along with her, feeling heartbroken for my friend. 
Elena and Stefan then left together to go spend her last day as a human together, which is as bittersweet as it is heartbreaking. And after bidding Jenna and Ric a goodbye I found myself driving to the Mystic Grill. That’s why I am now sitting in it’s parking lot trying to collect myself and trying to keep myself busy for what is to happen tonight. 
I open my car door and hold my bruised hand tentatively as I push through the front door to the Grill. I had seen a “Help Wanted,” sign here the other day and if I hopefully survive the night I’ll need a job for the summer. Not being a trust fund baby really sucks ass sometimes. 
Matt Donovan sends me a warm smile as I walk past him. I'd never really talked to the guy other than the few times in class where he’d ask to borrow a pencil or if I could help him with some math equation, but he always seemed sweet. Unlike the stupid jock stereotype, I’ve gotten used to seeing in this town. After being told by Elena what happened to his sister and that now he lives by himself as a 17-year-old because his mom’s a deadbeat, I feel bad for the guy. 
I let out a low groan as I stop my walk towards the bar which is currently occupied by the demon overlord himself. I debate to myself if I should just turn around, but a hand on my shoulder shocks me.
Ric stands there with his hands raised up in apology, “My bad Y/N. Didn’t mean to scare you. Just wanted to check on you and see how you’re doing.”
I look at Ric and sigh, “I’m just glad you’re you again.”
Ric nods his head in agreement, “Ya, me too. I didn’t hurt you while I was Klaus right?”
I shake my head, “No Ric, and even if you did it wouldn’t have been your fault. You had no control over yourself.”
Ric sends me a warm smile and nods, “I feel kind of violated, to be honest.”
I snort at his joke, “I don’t blame you.”
“I need a drink,” Ric says as he walks with me up towards the bar and my knuckles start to burn as I stare at the hair on the back of Demon’s head.
“I’ll have the same as him,” Ric says to the waiter as he sits on Damon’s right and I sit down on his left. The waiter then looks at me for my drink order, “A Shirley Temple, please. And a job application?”
The waiter, a half-decent-looking man, smirks as he pulls out a pad of papers from behind the bar and hands them to me before going back to making drinks.
“Job searching, Pukey,” Damon asks from beside me and I stare forward not looking at him.
“Ric,” I call to him and he turns to look at me, “If Damon’s here who do you think is guarding the gates of hell?”
Rics snorts out a deep laugh and I can see Damon scowling from beside me. The waiter comes back and gives Ric his bourbon and me my Shirley Temple. I accidentally grab it with my injured hand and try to cover the hiss I let out, with a cough.
“How’s your hand,” Damon asks from next to me. I’m surprised that his voice doesn’t sound completely sarcastic.
I turn and glare at him, “How’s your face?”
Damon sends me a smirk and gestures to his unmarked face, “Perfect.”
I roll my eyes and take a sip of my Shirley Temple ignoring whatever the two men next to me are talking about. That is until a voice that has my heart doing a fucking backflip in my chest calls from behind us. 
“Gentlemen? Why so glum,” A deep British voice asks and I could’ve sworn goosebumps went up my arms at the sound. What the fuck? 
All three of us turn to match the voice to the face and…Holy shit.
A tall dark-blond man stands about a foot length from me. At this distance, I can see the different shades of blue in his eyes and the small freckles that decorate his perfect nose. 
I hear Damon groan from behind me and I’m not sure why as I’m too busy ogling the pretty man before me. 
“Klaus, I presume.”
I blink. And then I blink again. And then once more as I’m frozen staring at Klaus. The Shirley Temple in my hands starts to shake as I can’t take my eyes off the man. 
“In the flesh. Thanks for the loner, mate,” Klaus smirks at Ric and if I wasn’t in total shock right now I’d defend him. But the man I’ve thought of killing for the past week is standing right in front of me and I was counting how many fucking freckles I could see on his goddamned nose. There’s thirteen.
 Shut tf up Y/n?!
Klaus hasn’t looked my way once and although I should be glad about that a part of my lower stomach drops at the fact.
Damon stands from his seat and goes to face the man, “Any reason you stopped by to say hi?”
“I’m told you and your brother fancy my doppelganger. Just thought I’d remind you not to do anything you’ll regret,” Klaus’ warning doesn’t seem to sway Damon as the ladder lets out a laugh.
“Thanks for the advice. I don’t supposed I could talk you into a postponement by any chance, huh?”
Klaus lets out a chuckle and I swear my heart just skipped a beat. What the fuck Y/n?!?!??
“You are kidding,” Klaus asks and then turns to Ric, “He is kidding, right?”
“No, not really.”
“I mean, come on, what’s one month in the whole grand scheme of things,” Damon asks and I realize that he’s doing this because he doesn’t want Elena to die with vampire blood in her system. 
“Ya, I mean one month is like,” I pretend to count on my fingers, “Like thirty days. I don’t see why you can’t wait that long. You’ve already waited over a thousand years, what’s thirty days?”
I ask the man and this finally has Klaus acknowledging my presence. But honestly, from the way he’s looking at me, I wish I would’ve kept quiet. His eyebrows are drawn together and his lips curve upwards into what I hope isn’t a snarl. Damon must’ve noticed the look too because he moves in front of me blocking me from Klaus’ vision and him from mine. 
“Let me be clear,” I hear Klaus’ deep voice say, “I have my vampire, I have my werewolf. I have everything I need. The ritual will happen tonight. So if you want to live to see tomorrow don’t screw it up.”
I catch sight of Klaus’ back as he strolls away.
“Would I be a bad person to say I kind of hope his werewolf was the Jules’ chick,” I see Ric shoot me an “Are you serious” look and I shrug, “Hey, she was the one who tortured me. I still got the little knife scare on my leg to prove it.”
Damon doesn’t say anything as he sits back down and sighs. 
“You’re gonna screw it up, aren’t you?”
“You think if I took his werewolf out of the equation she might…get over the fact that I tried to turn her into a vampire?”
“Nope,” I say popping the p.
“I think it won’t matter, because you’ll be dead.”
“But without the werewolf he can’t preform the ritual tonight which means I would have bought her one month before the next full moon.”
Ric shakes his head, “But you’ll still be dead.”
Damon leans into him, “Are you gonna help me or what?”
Ric looks at him for a moment, “What do you want me to do?”
I slurp up the rest of my drink, throw a five onto the counter,  and jump up as the two men next to me watch me wearily.
“Alright gentlemen, dream team time!”
Ric raises an eyebrow while Damon shoots me a look of disgust, “I don’t know what the hell that was, but you’re not coming along.”
I frown as I grab my application and follow behind the two men, “Why the hell not? I want to help.”
Damon whips around to me, “Look kid, not happening. There’s already too much shit going down and I can’t be babysitting you, making sure you don’t get killed on my watch. So go back home and we’ll see you tonight. Capiche?”
Damon turns back around and walks to his car. Ric sends me one last smile and a shrug of his shoulders before following behind. I watch the two men drive off and I sigh as I stand in the middle of the parking lot. Anger and sadness building in me, when I realize just how useless I truly am.
I try to give Elijah a smile as he opens the SUV door for me. But with the mood I’m in I think the smile comes out more like a frown than anything else. Elijah must notice this too as he reaches his hand out for me to take. I debate it for a moment, 1. Not being a big fan of PDA, and 2. Stefan and Ric are with us and I don’t want them to be angry with me. But then I remember that my best friend is going to die tonight so a little PDA isn’t that huge in the grand scheme of things. 
Elijah seems elated as I place my hand in his and he guides Stefan and I through the woods toward the creepy ass witch house where Bonnie, Jeremy, and Ric are. 
“The sacrifice is completed in stages as the full moon sets,” Elijah explains to us. I feel his hand squeeze mine in comfort and I squeeze his back, “First the werewolf is killed, then the vampire’ and finally the doppelganger. Once Elena dies, the curse will be broken. Klaus will become a hybrid.”
Stefan comes to walk next to us. His eyes go down to Elijah and I’s intertwined hands briefly before looking back up to me. When I send him a weary smile, he sends me a small one in return calming down my nerves.
“So when do we attack,” Ric asks from behind us.
“Elena’s death will activate his dormant werewolf side. He’ll be vulnerable during the transformation. That’s when Bonnie comes in.”
“And you’re sure Bonnie will survive this,” Stefan asks and I’m thankful at least one of the Salvatore brothers has a heart.
“If she can deliver him to the brink of death I’ll finish the job myself.”
Stefan and Ric nod.
“Could I talk to Elijah for a moment,” I ask the two men who share a look before nodding and moving towards the house. 
Elijah turns towards me, “What is wrong, Elskan?”
“Are you going to be able to do it?”
Elijah frowns and shakes his head, “What do you mean?”
“Elijah you’re going to be killing your brother. I know siblings are a pain in the ass,” I think back to Theo and thank whatever higher being is out there that he left town this week, “but even when you hate them…you still love them. I’m not judging you for what you have to do. I’m just asking, are you ready for what you’re about to do?”
Elijah’s face is solemn as he processes what I asked, “Klaus wasn’t my only sibling,” I frown as he continues, “There once was a time when we were all together. But Klaus ruined that when he dumped their bodies in the middle of the Pacific.”
I let out a strangled gasp at Elijah’s confession. His pain evident on his face. 
“Elijah…I didn’t know. Why didn’t you tell me?”
Elijah steps forward and holds the side of my face with his free hand, “You’re so good. So…pure. I didn’t want to strangle out the light you have inside you with my demons.” 
“Elijah, you’re not the only one with skeletons in their closet. Trust me. But I want you to be honest with me. I need you to be. If this,” I gesture between us, “whatever this is. Is going to work. I’d never judge you. I know sometimes I can be a lot but that doesn’t mean I don’t anything but happiness for you. I don’t know what this means but you make me feel something I’d never felt with another human being.”
Elijah stares at me and something in his eyes tugs at my chest, “What is that?”
“Safe. You make me feel safe, Elijah. And I know I’m not some supernatural immortal and I can’t throw a punch to save my life. But, I want to make you feel that way too. However, I can.”
I start to get embarrassed as Elijah stares at me silently and I really wish I would’ve just kept my mouth closed.
“ᛁ ᚹᚨᛚᛚ ᛚᛟᚡᛖ ᛇᚢ ᚢᚾᛏᛁᛚ ᚦᛖ ᛋᚢᚾ ᛖᛗᛈᛚᛟᛞᛖᛋ, ᚦᛖ ᛟᚲᛖᚨᚾᛋ ᛞᚱᛁ ᚢᛈ, ᚺᚢᛗᚨᚾ ᛚᛁᚠᛖ ᚺᚨᛋ ᛚᛟᚾᚷ ᛋᛖᚾᚲᛖ ᚷᛟᚾᛖ ᚨᚾᛞ ᛁ ᚨᛗ ᚾᛟᛏᚺᛁᚾᚷ ᛒᚢᛏ ᛗᚣ ᛋᛟᚢᛚ. ᛒᚢᛏ ᛖᚡᛖᚾ ᛏᚺᛖᚾ ᛁ ᚹᛁᛚᛚ ᛋᛏᛁᛚᛚ ᛒᛖᛚᛟᚾᚷ ᛏᛟ ᚢ. ᛖᚡᛖᚱᚢᛏᚦᛁᚾᚷ ᛁ ᚨᛗ ᛁᛊ ᚢ,” Elijah says in some old language I can’t place. 
“What exactly did you just say to me,” I ask, expecting the worst.
Elijah smiles and places a kiss on my temple, “I feel safe with you as well, Elskan.”
“I’m going now,” Stefan interrupts us and I move away from Elijah shocked.
The sense of warmth and peace I just had completely washed away as soon as those words left Stefan’s mouth. 
“You should get inside Y/N. Bonnie needs you,” Stefan says to me making me frown. But I nod as I walk through the threshold of the house. Elijah follows me as I stand next to Ric. After a moment Bonnie and Damon walk up the basement stairs and out the front door. I frown as Ric and I follow them and Elijah squeezes my hand once more before dropping it as he passes through the threshold. Ric and I are pushed back though.
“What the hell?”
Ric yells from next to me, “Bonnie! What is this?”
Bonnie turns back towards us, “I can’t put anyone else at risk. I’m sorry.”
“You can’t do this! What if he goes after Jenna,” Ric asks angry.
“Jenna safe locked in at the Salvatore’s.”
“Damon?”
Damon sends us a look, “Sorry buddy. She’s right.”
I look to Elijah for help but from the look on his face he doesn’t seem surprised.
“You knew.”
Elijah turns to me one last time, “I meant what I said about protecting you. If I have to kill my brother to do that, I will. I’m sorry, Elskan. I will see you soon.”
I watch silently, as he turns his back on me and disappears into the woods. So much for trust. 
—-
I watch as my history teacher paces in front of me. Jeremy’s unconscious body lay on the couch next to me and Elena's estranged bald father who looks like Charlie Brown watches us wearily. If you had told me I’d be in this situation a month ago I would’ve called you crazy and set up an appointment for you with my therapist mother. But here I am. Yippee. 
I stand up, and both of the grown men watch me, “Just using the bathroom. Wait…Does this place even have a bathroom,” I ask but groan when I get no answer. I’m about to make my way out of the room when a piercing pain slices through my chest.
It only takes one scream from my lips before Ric is at my side. His mouth is moving but the sheer pain I’m experiencing makes it so I can’t process his words. I watch with teary eyes and sobs coming out of my mouth as Ric lifts his hand from my chest and his eyes widen. The crimson liquid coating his hand is the last thing I see before the world goes black.
3rd Person POV- 
Bonnie screams out her spell as she crushes Klaus’s body. Fire burns around them as the once powerful Original lay in agonising pain. From the shadows, Elijah stalks towards his younger brother. 
Elijah stands above him. A mask of anger covers his face as he leans down to stare at the man he once called a brother and a friend. 
“Elijah?”
Klaus stares up at the man he once saw as his protector, and for the first time in centuries, Klaus feels true fear. 
“Hello, brother.”
Stefan and Bonnie watch from afar as Elijah plunges his arm into his brother’s chest. Wrapping his hand around his still-beating heart. 
“In the name of our family…Niklaus…”
“I didn’t bury them at sea,” Klaus’ desperate voice halts Elijah momentarily before shaking off what he believes to be a trick.
“I know about Y/n,” Those four words have Elijah pausing, “I know what she is to you. And I know she's the same to me.”
The hand that was once clenched around Klaus’ heart slacks as Elijah stares at his brother in horror.
“You’re lying,” Elijah snarls.
Klaus shakes his head, “I wish I was, brother. But I’m not. And if you kill me what do you think will happen to her. Are you really going to take that risk?”
Elijah’s once cool face breaks and turns into one of horror as he looks at his hand that is in his brother’s chest. 
Stefan noticing this lapse of judgement speaks up, “Elijah, don’t listen to him.”
“Elijah,” Klaus says, “Think of her.” 
“Do it and I’ll take you both out,” The Bennet witch threatens.
Elijah looks up to her, “You’ll die.”
“I don’t care.”
Stefan and Bonnie watch in horror as Elijah speeds himself and his brother out of the flames and into the night, leaving only silence and heartbreak. 
— 
“Why are we going to this again,” My brother asks from the hallway outside my room as I fix my black dress in my mirror. My hands freeze for a moment as they land on the spot on my chest that was bleeding just the night before. 
-Flashback-
I woke with a gasp and before I could get a second to breathe I felt someone grasp my shoulders into a hug.
“You’ve really got to stop freaking me out like this,” A soft voice says into my ear.
I pull back and my eyes widen to see Elena with glossy eyes staring back at me.
I shake my head confused, “What happened? Did the ritual happen? Who died? Are you a…,” I pause before finishing my last question.
Elena sends me a smile and shakes her head, “They found another way.”
I feel a smile break out onto my face and I go to sit up to hug her but a sharp pain in my chest stops me.
“Don’t move ok. Just lay still,” Elena coaxes me back onto the coach I’m lying on.
“What happened?”
-End of Flashback-
In Elena and Ric’s spark notes version of the night, about 20 minutes after Stefan, Bonnie, and, Elijah left for the ritual I fell down to the ground in pain, screaming and yelling, and when Ric went to check on me I had blood spilling from my chest. Right above where my heart is. Ric said there was so much blood he couldn’t find where it was coming from but after holding pressure on it for another ten minutes the bleeding had stopped and when he moved his hands from my chest I had no wounds that showed I had been wounded. 
Alaric told me he was surprised that I was still breathing after losing the blood that I did. He also told me that while I was unconscious he found Damon slipping me some of my blood. And if I wasn’t as sore as I was I’d have bitched him out. I’ll just put that on the back burner for now. As well as figuring out what the hell is wrong with me. Bonnie said she couldn’t feel any spells or curses on me so at least that’s a plus. I guess. Also, I haven’t seen Elijah in over a day. Honestly, I don’t know if I could face him right now anyway. I’m pissed that he betrayed us, but there’s a part of me that is happy he didn’t kill his brother. A part I’m not telling the public because right now I’m off to a funeral for Elena’s dad who did die.
Elena told me he had Bonnie do some spell that switched his life for hers. And as much as I disliked the guy, I got to give it to him he showed up in the end. RIP Charlie Brown. 
“We’re going because Elena’s my friend and her dad died, Theo. Try to not be an asshole for the afternoon please,” I say as I meet my brother at the front door of our house. My mother and he came back early last night because she had to get home for some work thing. Typical. But that also means I get to be with Theo for the day and after almost dying yesterday, I realized that I wouldn’t have gotten the chance to say goodbye to him, and today could’ve been my funeral he’d be going to. A chill runs down my spine at the thought and I fight back a set of tears.
“Okay, I promise. I’m sorry,” Theo says as he notices a tear fall down my face.
I smile at my little brother and pull him into a hug.
“I knew you missed me,” I can hear the smirk in his voice as I laugh into his suit jacket. 
“Ya, whatever loser let’s go.”
I watch with tear-filled eyes as Elena places a rose on her biological father’s grave and then walks over to her parent's matching graves and places roses on them. Theo stands next to me with a solemn expression on his face, Jeremy is next to him, Bonnie, Caroline, and Tyler stand behind us, and Jenna is on my left as she holds Ric’s hand. I turn to look over my shoulder and I catch Damon’s eye as he stands against a tree. And for the first time ever I almost swore he smiled at me. Damn, maybe he’s dying too. 
“I’ll be in the car,” Theo says to me and begins to walk away but not before bringing Jeremy in for a bro hug. I watch as my brother safely gets to the car and then I begin to walk over to Elena but see her already crowded with our friends. My gaze goes towards Damon who stands facing the graveyard and I frown. 
“I have a bone to pick with you. You can’t just go and put blood into people’s mouths while they’re-” I say as I approach him. 
“I’m happy you’re ok, Y/N.”
Damon’s interruption and the sincerity in his voice make me halt as I approach him. 
“Wait…I think I’m hallucinating because I could’ve sworn you just called me by my actual name,” I walk up to him and jokingly smirk, “You dying or something?”
“Tyler Lockwood bit me.”
Oh. Fuck.
Translation-
“​​I will love you until the sun explodes, the oceans dry up, human life has long since gone and I am nothing but my soul. But even then I will still belong to you. Everything I am is you.”
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threeacttragedy · 1 month ago
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Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea
“Last night I dreamt I went to Manderley again.”
Ah, yes, that ominous opening line from Daphne du Maurier’s novel, “Rebecca.” Have you ever read it? It’s an old book – from 1938, in fact! – but it’s truly a remarkable story, especially for its time. It’s not often you find yourself rooting for the murderer.
Lately, I have found myself becoming more and more frustrated with the fandom. And, no, my annoyance is not from the Sincerely Ignorant teetering on and off the boat every time someone takes a dump on the deck of the USS Lukola – I’m pretty fucking used to that shit – and, honestly, many of our dear Sincerely Ignorant seem to be gaining their sea legs. It’s the Conscientiously Stupid that have struck a chord with me – a disturbing, dissonant chord that leaves me questioning the average level of human intelligence.
My issue with the Conscientiously Stupid is that they push narratives that, when taken collectively, make no goddamn sense. Thanks to The-One-That-Lurks-in-a-Play-Misty-For-Me-Heaping-Pile-of-Discordant-Garbage, I have had the [dis]pleasure of learning about Nicola- and Luke-Adjacent theories. Did you know that the small scrap of green blanket Nicola was sitting on in her August 11 “Drink Your Milk” picture proved that the picture was meant for Jake? You know the guy that, at that point in Fandom History, most people had no clue even existed? I mean, that makes a lot more sense than linking the “Drink Your Milk” shirt Nicola was showcasing to the one Luke was seen wearing on June 22. Now, I’m not saying the shirt belonged to Luke, but if we’re comparing apples to apples, which one of these theories seems more plausible to you?
At this point, you have probably started to realize I enjoy weaving in and out of storytelling mode, mixing fact with theory and speculation. Today, I decided to take a classic novel – surely you didn’t think I made that reference to “Rebecca” for nothing – and loosely intertwine it with some Conscientiously Stupid adjacent theories. This is all in good fun and, like usual, mostly for my own dark humor.
I should probably begin by introducing our book characters. Honestly, you can probably guess which of our shipmates I have assigned to each role fairly quickly.
First, we have our Unnamed Narrator. Seriously, her first name is never revealed.
Second, we have Mrs. Danvers, the obsessive, borderline psychotic housekeeper.
Third, we have Maxim de Winter, our Narrator’s husband.
Fourth, we have Jack Favell, the dodgy and unlikeable cousin.
Lastly, we have our titular character, that darling creature Rebecca.
Now, let’s see who is on the playbill.
ANTONIA AS MRS. DANVERS
It pained me just a little to give the role of Mrs. Danvers to Antonia, primarily because Mrs. Danvers is such a complex character and I’ve always found Antonia to be rather simple. And, no, I’m not insinuating Antonia is simple-minded; I am saying it was never difficult to see through her bullshit (i.e., the phrase, “patterns are patterning,” didn’t come out of thin air). It helped that Mrs. Danvers is one of the main antagonists in the book and almost certainly the GOAT at trolling the heroine of “Rebecca.” I mean, the second Mrs. de Winter didn’t stand a chance with Danny lurking in the background.
The general narrative in Lukola Lore is that Antonia is an online troll. I’ve never been sure as to who her primary target was – Nicola or the Lukola fandom. I tend to believe it originated as Nicola and the Lukola fandom was simply collateral damage. I also cannot say for fact that Antonia was trolling anyone, but I can confirm that the general belief within the fandom that Antonia was trolling is well-documented on social media. For today’s story, we are going to assume the narrative that Antonia was trolling both Nicola and the Lukola fandom. We are also going to assume the USS Lutonia (because I have no fucking clue what the Luke-Antonia ship is called!) was real. Don’t get your feathers fluffed over this. This belief does exist – and it’s why Antonia has been able to fuck with the Lukolas as long as she has – but I promise I have every intention of peppering the side of this ship with holes.
Okay, let’s tow the USS Lutonia out to sea. Don’t forget your Dramamine!
We are living under the umbrella that Luke and Antonia were dating during the World Tour. Poor Antonia was forced into hiding by – who the fuck knows but let’s keep rolling with this narrative – and she wasn’t allowed to be openly seen with Luke or post anything on her social media with Luke. And, Luke mirrored this behavior and made an effort to keep Antonia out of the spotlight (in fact, at the New York City premiere, the average viewer wouldn’t have known Antonia was anything more than Luke’s “friend of a friend”). Antonia, annoyed with this lack of engagement (and, almost certainly fed up with, at a minimum, fans shipping Luke with Nicola), started the pattern of posting pictures of herself and tagging her location as places the fandom knew Luke had recently been. Luke, for his part, made no effort to acknowledge his relationship with Antonia. Instead, he continued his flirtatious relationship with Nicola. After the London premiere, the Lukolas put a target smack dab in the middle of Antonia’s back and blamed her for setting up Papsmear for her own benefit. Luke still made no effort to acknowledge his relationship with Antonia or protect her from the abundance of online hate she received. In fact, he posted his “I will not let [Cressida] ruin our night” story to Instagram instead (see my “Entry 1 – The One About That Weird Ass Cressida Post” if you’re confused by this comment). During post-Papsmear events, Luke did not list her as a plus one and he didn’t like any pictures of Antonia that were not on her grid. In fact, the only evidence directly linking Luke to Antonia were leaked and/or since-deleted pictures and videos not released by Luke. Throughout the summer, Antonia continued her efforts to place herself in proximity to Luke via tagged or easily recognizable locations. Oddly, many of Antonia’s posts seemed to occur shortly after Nicola posted or before/after DeuxMoi posted pap pictures, which gave birth to the “Antonia is trolling” subplot. Still, Luke made no effort to acknowledge his relationship with Antonia. On July 30, Luke was papped with Antonia and his friend group in Sorrento (see my “Entry 11 – The One About the Heart of the Ocean” if you want my opinion about that excursion). This was the last time Luke and Antonia were publicly photographed together. Once Luke returned to London on August 2, Antonia continued her campaign of insinuating she was in the same location as Luke, with the most recent being the Italian restaurant in Rome (which the restauranteur debunked, in my opinion). Again, Luke and Antonia have not been photographed together since July 30. To date, Luke has made no effort to acknowledge his relationship with Antonia, and the only visible interaction by Luke are his likes on Antonia’s semi-monthly Instagram grid posts, which seem obligatory at this point. For the month of November, there was no interaction between Luke and Antonia because Antonia did not post to her grid (gasp!).
Now, for all the Lutonia’s out there, explain to me why this kind of relationship is acceptable to you. Seriously, explain it to me.
Convince me that Luke didn’t shutter Antonia from the moment the USS Lukola schematics were presented to the engineers.
Convince me that Antonia is the kind of woman who would happily accept Luke’s blatant dismissal of her existence while he globe-trotted around the world with a woman he was being openly shipped with by fans, the press, and Bridgerton mates.
Convince me that Luke’s behavior towards Antonia doesn’t make him the worst boyfriend on the planet.
Convince me that Antonia’s online behavior towards Nicola and the Lukola fandom during and after the World Tour doesn’t make her a troll.
Convince me that Luke and Antonia are the definition of “true love.” Actually, before you do that, convince me that Luke and Antonia are currently dating.
Or, maybe you’ve realized that any effort to try to convince me would be a waste of your time because you, too, are starting to find this entire narrative unacceptable. It equates Antonia to someone who doesn’t mind being boxed into a corner and forced to claw her way out, and it likens Luke to an overbearing womanizer who doesn’t give two flips about how online hate may be affecting his partner. I mean, we may as well dump these two into an entirely different book called “The Handmaid’s Tale.”
I didn’t assign the role of Mrs. Danvers to Antonia because I thought Antonia was a feeble coward without her own voice. And, no, I didn’t give her the role because Mrs. Danvers is an obsessive psychopath. I gave Antonia the role of Mrs. Danvers because the fandom handed her the power to influence this narrative on a silver platter, just like the Narrator in “Rebecca” allowed herself to be manipulated by Mrs. Danvers. Moving forward, when you see Antonia with a lit match, all you need to do is lean over and blow it out. Poof! And, she’s gone. Seriously, if you see our version of Mrs. Danvers with anything that might light a fire, take it away from her!
Surely someone out there gets my joke…
LUKE AS MAXIM DE WINTER
Of course, Luke is Maxim de Winter, the outwardly charismatic, but recently widowed anti-hero who caught the affection of our Unnamed Narrator. I mean, he’s a good guy, right? Uhh, yeah, sure… Who doesn’t want to be married to a brooding chauvinist who is outwardly obsessed with the titular character? Wait a minute, that doesn’t sound like Luke at all! Oh, no, actually it does – if you believe the USS Lutonia is real!
For Luke, we are going to assume the same narrative as above – that the USS Lutonia is real, that Antonia trolled Nicola and the Lukola fandom, and that Luke refused to acknowledge his relationship with Antonia. Besides the obvious “Luke is the shittiest fucking boyfriend in the universe,” I have a few other gripes with the USS Lutonia.
Initially, I understood the concept of “keeping Antonia in the dark,” after all I try to be logical when I process information. It was always possible Luke and Nicola were rocking some great PR in the beginning of the World Tour, and that was the only thing they were rocking. In fact, that’s what I initially believed Nicola was doing – being cute but also professional in her interactions with Luke during those early press junkets. Luke, on the other hand, always seemed to wear his heart on his sleeve. Once they hit Australia, it seemed obvious to me that something had changed (go back and read my “Entry 12 – The One Where We Start Laying the Yellow Brick Road to Italy” for a briefing on this). The more I watched Luke and Nicola interact on the World Tour, the more I became convinced Antonia must have been a thing of the past (or possibly nothing) for Luke – until Antonia showed up at Papsmear. At that point, I fully expected Luke to just own up to her. Like, give up on trying to hide Antonia from public view. But, then he pulled that goddamn “Cressida” post (seriously, if you have not read my first entry to this blog, go back and read it!). When you look at the World Tour and subsequent Hot Boy Summer, and the behaviors that were – and were not – on display during that timeframe, you start to develop a completely different view of the USS Lutonia. I mean, I’m not even sure that ship ever left the planning room!
One of the most glaring cosmetic flaws with the USS Lutonia is why “nice guy” Luke would treat Antonia with such indifference if he loved her. When asked who was most like their Bridgerton character, everyone always answered Luke. That he was the kindest, most genuine person. If that’s true, then why did Luke treat his “girlfriend,” Antonia, like she didn’t exist? Again, convince me that Luke’s Public Display of Apathy towards Antonia made him a great boyfriend. Even if Luke was a private person, one would think that after someone he cared about received as much hate as Antonia did after Papsmear, he would have stepped up and taken control of the narrative. He didn’t hesitate to clear up the “cake eating” picture from his September 7 Instagram post (about Nicola), and that “Cressida” post will live rent-free in my mind forever. The only “logical” explanation I can come up with for “nice guy” Luke to shutter Antonia right from the jump is that Antonia is not, and was not, a significant person in his life. That, or he really is a shithead, and he has a team of people lying about what a great guy he is.
We also need to consider Nicola’s interactions with Antonia. First, Nicola has never followed Antonia and Antonia has never followed Nicola, at least not on her public account. But, Nicola followed – and still follows – Luke’s ex, Jade. Now, typically, I’d just be like, “Meh,” on something like this. But, after Papsmear, Nicola could have very easily played the “Diplomat Barbie” and given Antonia a follow on Instagram. But, she didn’t, which signals to me that Nicola wasn’t touching Antonia with an invisible 10-foot pole. Second, if you watch the back-and-forth between Nicola and Antonia on social media – in black and white, pen on paper – you’ll see Nicola playing the cat-and-mouse game right along with Antonia (Nicola just played it a helluva lot better). It even appears Nicola sicced her – what my father calls JVN – “assassin” on Antonia starting around July 20 or, at the very least, she condoned JVN teasing Antonia. If everything was great between Luke and Antonia – and Luke was genuinely happy with Antonia – why would Luke put up with the back-and-forth on social media between Antonia, Nicola, and JVN? Oh, that’s right, because Luke is the corrupt captain of the USS Lutonia.  Seriously, if all was well between Luke and Antonia at this point in the timeline, then you’d have to surmise that all was not well between Luke and Nicola. We will get to that in a moment. Right now, aboard the USS Lutonia, Luke is just a lousy boyfriend.
Lastly – and what has always left me scratching my head – why would Luke allow Antonia to troll his fandom? Why allow Antonia to make insinuations online that they’re together but never come to her rescue when the fandom starts flinging shit at her? In my opinion, the InStyle copycat pictures (go read my last blog entry…) were just Antonia getting her feet wet. Why continue to put up with Antonia after allegations began flying that she arranged Papsmear and the Italy pap pictures? I suppose the answer most Lutonias would give is, “Because they’re in love.” With everything I have outlined in this entry, do you honestly get the “in love” vibe from those two? Because I don’t.
Now, why did I draw parallels between Luke and the book character, Maxim? It’s not because I believe Luke to be a male chauvinist so wrapped up in his own drama that he ignores those around him. The USS Lutonia will definitely paint that impression, though! It’s because Maxim’s demeanor was superficial. What the Unnamed Narrator believed was true about her husband was not actually true. And, that’s how I view the USS Lutonia – Luke’s behavior and the narrative surrounding this ship does not match the logic.
JAKE AS JACK FAVELL
Sorry, Jake, you get to be the icky Jack Favell. Yeah, that manipulative, blackmailing creep sleeping with his own cousin! But, hey, that subplot isn’t any more disturbing than Jake being shipped with Nicola, is it?
Alright, let’s jump on board the USS Jakola but not before I preface this section with my father’s flabbergasted words: “This ship is on the bottom of the ocean. These people must have oxygen masks. They’re down there with Jules Verne. This just doesn’t make sense.” No, it really doesn’t make sense but, because I’m here to tell a story, I will begrudgingly dive into the USS Jakola narrative. And, by “dive,” I mean plunge to the bottom of the ocean because that’s where this ship rests.
Just like we did with the USS Lutonia, we are going to assume the USS Jakola is real. The Jakolas believe that Nicola has been seeing Jake since, I guess, the Renegade Nell premiere on or about March 26, 2024. Although, the last I checked Eamon Farren was also at that premiere holding an umbrella for Nicola. I am not confirming Nicola was ever dating Eamon; I am simply saying he was present at the event and holding a fucking umbrella for her. You can make up your own mind about Eamon’s role in Nicola’s life. Regardless, it must have been an instant connection between Nicola and Jake because, if the Jakola narrative is to be believed, they began secretly dating after that. The Jakolas will argue that all the songs Nicola posted to her Instagram stories were for Jake. The Claddagh ring has no traditional meaning when Nicola wears it, and Chaos Week was also for Jake (and a “fuck you” to Luke). The Lukola-coded fan fiction was a “fuck you” to the Lukola fandom (see my “Entry 10 – The One About the Audibly Loud Lukola FanFic”). And, Jake and Nicola are in love and have hard launched their relationship because (a) Jake has been seen wearing Nicola’s bucket hat, (b) they have been seen in public together, and (c) they occasionally hold hands.
I’m not going to lie – for the longest time I didn’t pay any attention to the USS Jakola because it was such an incredibly absurd concept to me. A few weeks back, I posted to my Tumblr account a music video that Jake had done in early 2023. The song is called “Mixed Emotions” by You Me at Six, and the article that came out with the video on February 7th, 2023 stated, “With Jake Dunn who played the protagonist in the video who is actually a friend of mine, we actually spoke a lot about toxic masculinity and his experiences within his sexuality and the impacts it has had on his relationship with his dad.” It honestly never occurred to me the USS Jakola actually had passengers on board until October when the Jakholes went bananas over Nicola holding Jake’s hand. In my opinion – and you do not have to agree with me – the music video speaks for itself as does Jake’s social media presence, whether it be on his own pages or on those of his friend group. I’m sure I’ll get some Jakholes in here crying that we shouldn’t speculate on Jake’s sexuality, but the reality is the only people speculating on Jake’s sexuality are the Jakolas trying to discern whether he’s heterosexual. But, why doesn’t he just come out and say it? I get this question all the time. The answer is quite simple – he doesn’t need to. Jake never buried this part of his life; it’s other people burying it for him. Do you need to blast your sexual preferences out into the universe? I didn’t think so.
For shits and giggles – because that’s what I’m here for – let’s keep going with the story that Nicola and Jake are hot and heavy with each other. I’ll play center field and say Jake is a switch hitter. Happy now? If Jakola is real, then why would Nicola lay all those Lukola-coded breadcrumbs? And, NO, I am not explaining every crumb she’s dumped online. This post is already too damn long. But, Dear Jakolas, don’t tell me those coordinated airplane pictures didn’t have you crying into your pillows. Seriously, though, why would Nicola fuck with the Lukola fandom? I’ve mentioned in previous posts that Polin and Lukola have even been blurred by Netflix & Co. at this point. What would be the point of dragging the Lukolas along only to find out it was Nicola just fucking around? That makes about as much sense as “nice guy” Luke being the shittiest boyfriend on the planet. Again, the narrative does not fit the logic – although you’re welcome to try to convince me that Jakola is real.
For starters, convince me as to why Nicola is Jake’s “type” and not Luke’s. I am not being factitious. I seriously want to know why she’s acceptable for Jake but not Luke. And, if you’re going to tell me it’s because Luke likes brunettes, you better bring me some evidence that Jake likes blonde women.
Convince me that the Claddagh ring has no traditional significance to Nicola and that Jake would be okay with Nicola wearing that Claddagh ring – the one she had made in honor of Bridgerton Season 3, the season she shared with the man that fills her Instagram grid and tags and is the other half of Lukola. If you’re stuck on the significance of this ring, go read “Entry 6 – The One Where I Explained the Claddagh Ring to My Dad.”
Convince me that Nicola and Jake are a couple. And, if you’re going to mention handholding, then convince me that Nicola is not in a relationship with Mark, JVN, Jack R., Golda, Hannah D., Dylan L., or Luke. Oh, and is it true Jake is now dating Ellie Bamber? Convince me he’s not…
Any ways, good luck, babe, trying to sway me into believing Jakola is the real deal because I have a feeling your efforts are going to make your face become as flushed as Jack Favell’s when he was caught with his hand in the till.
NICOLA AS REBECCA
Surely you didn’t think Nicola was going to be the heroine of this story! If you believe the USS Lutonia and USS Jakola are smoothly sailing across the ocean blue, then the only role Nicola could reasonably play is that of the story’s villain – Rebecca. Yes, Rebecca was a bad, bad girl. She was manipulative and intentionally cruel; a Bitch with a capital “B.” She haunted poor Maxim and controlled Mrs. Danvers and Jack like a master puppeteer. She also tortured the Unnamed Narrator from her watery grave.
Seriously, though, let’s turn the tables. Let’s pretend Lutonia and Jakola are real. Starting, say, April 29, Nicola started trolling Antonia by dropping Luke-coded material online and really started ramping up those doe-eyed looks in Luke’s direction. Remember all that cute BTS? Perfectly timed to make it look like Antonia was trolling her when in reality Nicola was trolling Antonia! Unbeknownst to Luke, Nicola commissioned that Claddagh ring and started wearing it to make it look like she was in a relationship with Luke. She even organized a side jaunt over to Galway to introduce Luke to – surprise! – her mother! But, after being rejected by Luke – because he really is in love with Antonia (the USS Lutonia is blasting its horn right about now) – Nicola – YES, Nicola! – set up Papsmear to ruin Luke. I mean, if he wasn’t going to be her boyfriend, he sure as shit wasn’t going to be anyone else’s! All summer Nicola waited for Luke, but he’d gone into hiding, scared to surface because Nicola might find him! After growing tired of waiting for Luke, Nicola got her assassin, JVN, to start trolling Antonia online, that way Nicola could put all her efforts into finding and trolling Luke. She set up Chaos Week. She trolled him on the airplane. But, she needed help (after all she had so many other events and awards shows this summer) so she enlisted her unwitting accomplice, Jake! Jake helped her set up that Lukola FanFic to remind Luke of what could have been. But, nothing was working so Nicola upped the ante and volunteered Jake to be her confused boyfriend. “Luke…Luke…” I can still hear her desperate cries being carried like ashes in the wind…
SEE!  I can do it, too – make up total bullshit to fit whatever narrative I please!!!
Yeah, yeah, maybe I went a bit too far (I warned you I had a dark sense of humor) but, honestly, I believe the only way the USS Lutonia and USS Jakola could stay afloat is if Nicola is the villain. She doesn’t even have to be a super villain. She just needs to be disingenuous enough to alienate Luke, terrorize Antonia, manipulate Jake, and mislead an entire fandom. Lucky for her, I don’t believe Nicola to be a real-life Rebecca. If you need an explanation as to why, then you didn't watch the same World Tour as me and you’re clearly on the wrong side of the fandom.
In truth, I believe the real villain to be…
YOU AS THE UNNAMED NARRATOR
Now, now, calm down. I’m not calling you out – at least not individually. I’m calling all of us out.
We as a fandom are the Unnamed Narrators of Lukola, Jakola, and Lutonia. We built these ships, and we control whether they stay afloat.
We took the narrative out of Luke and Nicola’s hands the moment we launched the USS Lutonia. Then we had to go and build the USS Jakola – I guess, because we were bored. No matter how hard Luke and Nicola try to pull the narrative back under their control, we allow side characters to feed us their side of the story! We fill our bellies with their nonsense and then vomit it all over the deck of the USS Lukola.
Seriously, we are the villains in this story. And, collectively, we are one bloody powerful super villain, aren’t we?
We control the narrative. So, if there’s a narrative you don’t agree with – for example, one that doesn’t make sense to you – stop being Conscientiously Stupid and feeding into it.
Remember what I said earlier? If you see Mrs. Danvers with a lit match, blow that fucker out! Otherwise, you’re going to let that bitch burn down the whole goddamn house.
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smileysuh · 3 months ago
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dumb frat boy - TEASER
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🌙 starring. Lee Donghyuck x afab!Reader
🔮 preview. “I’d ask what you want me to do to you, but I did some research last night, watched some of that Hentaid shit you were talking about. It’s a lot of bondage, isn’t it, Angel? A lot of… creampies. You’ve got a thing for being held down and filled, huh? I guess…” he lets out a small laugh, “I guess I’m a little shocked, seeing as you’re so sassy with me. Guess you just want someone to put you in your place. What is it you called Johnny? A good daddy dom? I might not always be a dom, but for you, I can make it work.” 
tw/cw. yandere/stalker sub themes, ‘unknown’ caller, he’s horny, mentions of porn/masturbation, weed/alcohol use, unprotected sex, oral (m/f receiving), deep throating, face fucking, nipple pinching/nipple worship, fingering, dirty talk, praise, hyuck has a thick cock, cum/fullness kink, creampie, etc… I pet names: (hers) Angel (his) baby.
👹 rating. 18+ explicit I wc. 9.1k
🍭 aus. uni/frat au, yandere subthemes, Halloween, etc…
☀️ mlist + an.  We're back in the Ghostie au! I'm so happy to be able to put out a fic for Hyuck a year after the original story captivated so many of us <3
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“Burner phone, baby.”
“And what would be the point of getting a burner phone just to call little ol’ me?” you sigh, relaxing against your pillows and pinching the bridge of your nose in annoyance. 
“Why so serious, Angel?”
“Jeeze, dude, if you’re going to do the whole creepy caller before Halloween cliche, at least stick to your character.” You can’t believe he’s quoting Health Ledger’s Joker at you now. “Who are you even trying to be? Ghost Face is so last Halloween, we all know Johnny knocked that shit out of the park. A copycat sequel is just… early 2000’s.”
“Okay, let me drop character for just a second,” the man on the other end of the line sighs, and you giggle at how his voice modulator emphasizes his own exasperation. “Think, horny telephone guy.”
“I wouldn’t call Ghost Face particularly horny, he was just a nerd.”
“I’m not Ghost Face!” he insists. “Scream came out in the mid-nineties, think earlier than that.” 
“What, am I supposed to be some kind of horror movie expert?” you scoff. 
“Fine, I’ll just tell you,” the guy sighs. “Have you seen Black Christmas?”
“Never even heard of it.”
“Fuck,” he curses. “Well, don’t go watch it, it has some cult following but it’s not even one of my favourites- the reason I chose the dude from that movie is because he’s a horny little fuck and calls a sorority house and some shit- and also, don’t look up the second movie, I don’t claim the sequel.” 
“Wow, I love that you chose a character based purely on horniness and not if the movie is even good,” you giggle.
“Well, Johnny took the best slasher caller! What was I supposed to do? Go all ghost child from The Black Phone movie?”
“What’s The Black Phone movie?”
“Ethan Hawke? Horror veteran, who plays the hero author in Sinister, turned bad guy in the 2021 film by the same director?” 
You let out a whistle. “TBH, dude, it sucks Johnny got to Ghostie first last year, because I’d bet money you know more about horror movies than he does.”
“I one hundred percent do!” 
“Okay, so back to the point,” you laugh. “You’re calling me as this horny dude from some Halloween Christmas movie- for what?”
“To talk to you?” he suggests. “To uh… be horny… at you?” 
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