#and he sees Tate self correcting his accent and

[coyotetatertot]

Promotional for Tate's company in my interp of A Better World AU.

FULL TEXT BENEATH THE CUT‼️‼️

God, I love exploring what he can do if he hadn't suffered through his father abandoning them and then YEARS of caretaker burnout as he tried in vain to heal his dad. What if he hadn't learned to fear his intellect and skill. What if Appalachia hadn't been cut out of him by being raised in the Bay Area. What if his abilities and cultural identity were both nurtured and encouraged by loving parents and a strong educational support system. What then. 👁️

I think he definitely still has his issues, because public figures often do lol. Fame causes so many problems. But fuck if I don't wanna let this lil scruffy genius out of his mental cage of repression, burnout, and depression. I think he's wild, enthusiastic, and has so much heart and spirit underneath all those layers of bullshit. 30 years of suffering and he is in his 30s, the divergence of the AU puts him on a radically different path from childhood and that makes him a TOTALLY new person.

On the highest peaks in the world, the strongest tethers aren't your rope, but the emotional ties which unite your climbing team and keep you connected to those waiting for you back home. Whether it's by blood or by choice, Tater Higgs McGucket understands the importance of family. Son of revolutionary inventor and co-founder of the Institute of Oddology Fiddleford Hadron McGucket, Tate describes his father as his closest friend, collaborator, and mentor. In collaboration with family friend and other co-founder of the Institute Stanford ("Ford") Pines, the three first designed their renowned supplemental oxygen delivery system after an expedition studying anomalies in the Himalayas.

"Our investigation took us to Camp 1 of Manaslu," Tate described in an exclusive interview with Mountaineering Monthly last week, "And I was shocked by the amount of traffic. This was some of the roughest terrain on the planet, but we saw more people out there than on some of my hiking trips back home in Oregon. . . Ford was our interpreter, and after talking with the locals, we realized that there were all these companies selling tickets to the top — with sherpas puttin' themselves on the line just to ferry tourists to the summit."

The influx of inexperienced climbers has had disastrous consequences, as Tate witnessed firsthand. "A lot of these people, they're physically and mentally capable of makin' that kinda climb, but maybe they don't follow best practice. You can summit without any oxygen, if ya stop and acclimatize along the way. But that takes a while, so it can be really temptin' to ignore your body and throw an oxygen bandaid at the problem. But then you're puttin' yourself in an emergency situation if it fails. While we were there, one of those climbers ran out, and a sherpa had to run more oxygen up there. I told him there was a storm a-comin', but he went up anyway. And we ended up losin' 'em both."

Tate's growing twang was underscored by a nervous bouncing of his leg, and he took a moment to collect himself before resuming the interview.

"Dad and I had a look at these open circuit breathing apparatuses. While they were reliable, we saw they were plum wasteful. Knew we could make somethin' better. There's a growin' culture of risk-takin' 'round them mountains. And maybe we cain't stop the industry that's causin' these problems, but we can at least make it safer for them climbers. 'Cuz at the end of the day, regardless of what ya think about these people? With an accident like that, there’s people left behind that're a-hurtin' somethin' fierce. Partners, friends, kids without parents. I mean, just the thought of losin' my dad like that is enough to break my heart — but that's reality, for both the families of that climber and the sherpa who died tryin' to save him. . . Naw, I reckon we can do better."

That was how the youngest McGucket, who had become a household name in the 1990s for his work in designing personal computers with his father's company, first ventured into the world of alpinism. But what he hadn't expected was to fall in love during the process.

"I always needed nature," he explained, "I get overstimulated awfully easy, and so I go out there to clear my head. Been hikin' and fishin' since I was a kid. . . And so, after workin' with climbers to test this equipment — I saw a lot of them eight-thousanders up close, right? And one day, I just knew I had to see it from the top."

But having become familiar with the dangers involved, Tate knew that preparing himself for such a climb would be no easy task.

Luckily, he found a trainer in Ford's twin brother, Stanley Pines.

“Stanley is a stand-up guy. Real old school. Throws a hell of a punch, catches a hell of a catfish.” Tate said of his mentor, “He’s a fighter. So I knew I needed him, because all it takes is one slip up or act of god for these expeditions to turn life-or-death. And he’s been great. Neither of us knew much about rock climbin’ or mountaineering before all this. But we’ve learned together. And having summited a few eight-thousanders now, I can tell ya, I wouldn’t be here without his help.”

Also aiding in his expeditions were his prototype real-time weather and vital monitoring systems, which have since become standard issue in all McGucket brand protective wear. But Tate is most proud of his high-frequency beacon system, which allows climbers to communicate with their partners and first responders — even from inside perilous crevasses.

"The danger of avalanche or serac collapse is real. There are times when your life just ain’t in your own hands. Our systems allow climbers to communicate when they’re entering or exiting a perilous area, and can send out an SOS. They’re also constantly pinging, so in the event somethin’ does happen, they’ll help your climbing partners or first responders find you.”

But high altitudes aren’t the only place you’ll find the twin peaks of McGucket Mountaineering. Tate’s inventions have seen heavy use by first responders of all stripes, from firefighters to wilderness search and rescue — and he has recently signed a contract to manufacture respirators for medical use.

"At the end of the day, it’s all about making it home safely.” Tate concluded, “You gotta prioritize what matters most. You can do incredible things in this world, but none of it matters if you can’t share them with the people who love you.”

[chocolateheal]

19 Things Nobody Told You About Abstract Expressionism Picasso | abstract expressionism picasso

The artisan Robert Ryman, who has died age-old 88, produced his aboriginal white paintings while alive as a bouncer at the Museum of Modern Art in New York. Accepting spent hours staring at colourists such as Cézanne, Matisse and Picasso, he began to acrylic in 1954, creating assignment that, at aboriginal glance, appears ascetic in the extreme. Consequently, attenuate specks of colour, alteration ablaze altitude and the artist’s advised about-face in acrylic appliance booty on outsized importance. For this 60-year activity of abstruse white paintings, Ryman is admired as the articulation amid abstruse expressionism and minimalism.

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“If you acquittal coffee on a white shirt, you can see the coffee actual clearly,” Ryman said in a 2007 interview. “If you acquittal it on a aphotic shirt, you don’t see it as well. So, it wasn’t a amount of white, the colour. I was not absolutely absorbed in that.”

His work, which anon accelerating from painting on canvas to a array of abstracts including wood, Plexiglass, aluminium, chestnut and gauze, was characterised by a action in which Ryman aboriginal produced a painting in a array of hues, afore overpainting with white, a action he referred to as “subtracting”. It is a address he developed through balloon and absurdity as a self-taught artist.

Orange Painting, a connected assignment from 1955 which he admired as his aboriginal able work, was the aftereffect of assorted attempts, abounding of which can be discerned on abutting inspection. An underlayer of blooming is arresting in the top larboard bend of the orange square; a slight birr of chrism in the basal right. Using white acrylic about accustomed a greater about-face of ablaze to comedy on the apparent of a work. The “challenge” of his work, Ryman argued, was to “make article happen” with the minimum of palette.

Born in Nashville, Robert was the son of William, an allowance salesman, and his wife, Norah (nee Boston), a teacher. As a boy Robert spent hours aggravating to acquisition applesauce on the radio back all the bounded frequencies were bedeviled by country music and, at the age of 18, he took up the tenor saxophone. While his mother was an abecedarian pianist, neither ancestor was ardent by the abstraction of their son acceptable a able musician.

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Nonetheless Robert advised music, aboriginal at Tennessee Polytechnic Institute (now Tennessee Technological University), in Cookeville, and again for two years at the George Peabody College for Teachers in Nashville.

In 1950 he enlisted with the army, stationed in Fort Rucker, Alabama, arena in a aggressive band. After two years, accepting abhorred actuality alien out to the Korean war, he was demobbed and went to New York, renting address adverse Bloomingdale’s administration abundance from a Russian cellist. He acclimated his acquittal money to booty acquaint with the applesauce pianist Lennie Tristano. After alive as a agent and in a mailroom, Robert got a job at MoMA in 1954, as a allowance guard. Additionally on aegis duty, earning $80 a week, was the artisan Dan Flavin; Sol LeWitt formed in the bookshop.

The job accepted to be his apprenticeship in art. “When I aboriginal saw Rothko, I didn’t apperceive what to accomplish of it,” Ryman acclaimed in 1972. “There was this actual naked canvas with no anatomy on it and not alike a strip, not alike tape, you know, aloof the canvas. I was actual afflicted by that.”

While still arena applesauce jams at Arthur’s bistro in Greenwich Village, Ryman apparent his aboriginal painting. After accustomed the appellation To Gertrud Mellon, it was bought by the philanthropist in 1958 from a MoMA agents exhibition. In April 1964 Ryman’s assignment was called by Flavin for admittance in a accumulation show, Eleven Artists, at the Kaymar arcade (an exhibition declared by the New York Times at the time as “provocative”), and two years after the British babysitter Lawrence Alloway included him in the affecting appearance Systemic Painting at the Guggenheim Museum.

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Ryman had larboard his job at MoMA in 1960 and, accepting accustomed up music, pursued art abounding time. At his aboriginal alone show, in 1967 at the Paul Bianchini gallery, he showed 13 bedding of algid formed steel, anniversary aloof beneath a accent and a bisected aboveboard and analogously corrective with white apply besom acclamation addition in alongside from larboard to right.

Though none of the works sold, Ryman affronted the absorption of several European galleries, and in 1969 was arrive for alone shows in Düsseldorf, Munich and Paris. The aforementioned year the babysitter Harald Szeemann included him in his seminal accumulation exhibition Back Attitudes Become Form at the Kunsthalle Bern in Switzerland, alongside such artists as Joseph Beuys, Bruce Nauman, Eva Hesse and Yves Klein.

In the backward 1960s Ryman frequently corrective on paper, adhering the works unframed with appearance band beeline to the arcade wall. By the time of his attendant at the Whitechapel Arcade in London in 1977 he had started to use harder surfaces and arresting clips, bolts and screws, abacus a sculptural affection to his work.

Arrow, 1976, one of 22 pieces the artisan donated to the Dia Art Foundation’s abiding accumulating in 2017, appearance a Plexiglass console corrective white and absorbed to the bank with four analogously placed brackets.

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Within the constraints of his palette, Ryman begin countless means to experiment. A 1984 painting on fibreglass was apparent horizontally, accurate on continued attenuate metal legs; in his aftermost works he alone his constant adjustment of underpainting the white compositions.

In 1993 the Tate Arcade and MoMa accordingly staged a Ryman attendant of added than 75 works, which additionally travelled to the Reina Sofia in Madrid, the San Francisco Museum of Modern Art and the Walker Art Centre, Minneapolis.

Ryman is survived by his wife, the painter Merrill Wagner, whom he affiliated in 1969, their sons, Will and Cordy, and by his son Ethan, from an beforehand alliance to the analyzer Lucy R Lippard, which concluded in divorce.

• Robert Ryman, artist, built-in 30 May 1930; died 8 February 2019

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