#and find out she was queer herself!!

[cake-emu]

Coronation Street | Carla Connor

Carla Connor: consistently gobby

Bonus:

[deb-ava]

I could fill seats you know, but they all thought it was because of my sitcom or the fire. I was never seen as legit by guys like them.

HACKS Season 3, Episode 4 "Join the Club"

[drbtinglecannon]

The plot of Scott Pilgrim Takes Off is actually better than original plot, by a large margin

[post-futurism]

I feel like my mum finds men ridiculous and charming the same way that gay men adore Jennifer Coolidge. No I won't elaborate.

[memories-break-our-fall]

chat should I tell my irl friend I’m aroace

[mizumuu]

>Laughs Out Loud

I thought that piece was just about people focusing too hard on labelling Mizuki instead of letting them be themselves like they ask, not that it was transphobia ._ .

its ok to have ur own interpretation of that piece but its very clear to me that that wasnt ame's intention

[ravencromwell]

I have to add Archivist Wasp and its sequel Latchkey by Nicole Kornher-Stace. (Both those links lead to Weightless Books, an arm of the incomparable Small Beer Press that sells drm-free versions of numerous small presses' books for ease of reading and to avoid the amazon monster; to tout the awesome of Small Beer and Mythic Delirium, both primarily responsbiel for publishing Kornher-Stace would be a post of its own, but look them up if you're unfamiliar because they've provided some of the most envelope-pushing, queer-heavy scifi of the last decade.) Archivist Wasp is in the "destroyed earth" rather than the space category of scifi and...well, Amal El Mohtar can sell it better than I ever could:

An Archivist has two jobs. The first is to hunt and catch ghosts in order to learn about the precataclysm past from them; the second is to defend her life and position against “upstarts” — the other girls marked by the goddess Catchkeep’s claw-shaped scars at birth — once a year. Wasp has been Archivist for three years, and wants nothing more than to escape a dismal life of killing her sisters and obeying the Catchkeep-priest — so when an unusually powerful ghost asks her to help find his former partner in the underworld, she agrees. But, as is so often the case with the underworld, she finds both more and less than she bargained for. More than anything else, this book is sharp. You could cut yourself on the prose — Wasp’s world is one of thorns, knives, edges of thick, broken glass, a constant background-hum of pain that sometimes swells into a shout. Wasp’s perspective absolutely thrums with tension and violence, but also aches with a fierce, hollow loneliness to break the heart. The longing and gratitude for the smallest beginnings of true friendship make the betrayals more vicious, and the stakes just keep rising. I burned through this book in about three hours, desperately rooting for her. It’s also a brilliantly constructed narrative and world. The gods are cruel and absent. The underworld is a maze in layers, a twisting, turning palimpsest, one that allows Wasp to descend almost archaeologically through time by literally experiencing her ghost-partner’s memories. The pre- and post-apocalyptic worlds reflect each other in shards and fragments, all the more powerful for being subtle, for their resistance to being spelled out. It was also keenly refreshing — especially in something that’s ostensibly YA, where the Love Triangle of Doom is so annoyingly pervasive — to find a book in which all of the strongest, primary relationships are friendships; where friendship has the narrative, motive force usually reserved for sexualized romance. I very much wanted to see the A in QUILTBAG represented in this column, and this is a fine example: while the connection between the ghost and his (female) partner is intense and loving, it is never represented as sexual, and sex is in fact completely irrelevant.

Sci-fi books where a queer woman has the ghost of an annoying dead guy in her head

*Misery is nonbinary (she/they) and who’s in her head is not dead or a guy but I’m counting it, okay

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[husberttee]

that one girl in my class today was like hey is your girlfriend pretty? despite me never having told her I'm dating a woman. so i ask her how did u know and she was like first of all have you looked at yourself? second of all I'm gay

:')

[todayontumblr]

Friday, April 19.

Enchanté

We've someone we would like you to meet. Her name is Jean Deaux, and she does a lot. And when we say a lot, we mean a lot: she is a Chicago-based artist, musician, and filmmaker, spanning genres and disciplines, and a trendsetter in the Black queer community. She even has a Tumblr, as luck would have it, which you can find at @thedeauxdiaries. We think you'll get on just great. 

She released the video for "Roll With Me" today. It comes from her new EP, Nowhere Fast, a record that explores themes of fears of intimacy, stagnation and returning, and chasing your dreams.

At this point, we would like to write something clever about themes of intimacy and its fears, stagnation and returning, and chasing your dreams. But why would we do that when we can leave it to Jean Deaux herself?

Nowhere Fast is out now. If you're fearing intimacy, feeling stagnant and getting back to yourself, or pursuing your dreams, this is a record for all y'all. It's a record that shows, despite these challenges, you can always create something from it.

[ferninkho]

something about luz’s story and character development in the owl house is. So funny when you just take it into a different kind of perspective. like. shes a queer 14 year old from 2020, making demon slayer edits and my hero academia cosplays on tiktok. but then over the course of a summer, finding herself a world where she finally felt like she belongs, she’s having to fight morality and humanity with this religious man from 1600s colonial america that is hoping to wipe out the world that she could have ever dreamed off, Him deeming the people of this realm as “inhumane”, “blasphemous”, “animals”. He hopes to save away humanity from their disgusting sins, to guide luz to his fascist idiology. she eventually becomes a literal titan with godly powers to save the world and beat his ass. then becomes a gnc alternative adult. she takes all majors in the boiling isles and has a girlfriend in STEM. fucking Queen

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[genderqueerdykes]

Went out with a friend today in a local “queer friendly” cafe. We were talking about her new girlfriend and a woman decided to force herself into the conversation, trying to turn the conversation on me while asking about my girlfriend. Told her I don’t have one and then made a pointed show of ignoring her.

A few minutes later my friend asks how my transition has been going so I told her about my T dose upping and my new goals to get to for my surgery. Same lady comes right back into the conversation to ask why a “nice young lesbian” would be taking testosterone. She asked if there was something “physically or mentally wrong with [me]”.

Now I’m just blatantly uncomfortable. I tell her I’m not a lesbian, I’m just a man. She says “so it’s mental then.” She continued trying to talk about my genitals, my “broken attraction,” and a few other bullshit things. None of this would be a big experience if not for the fact that when my friend went to find the manager or someone who could handle the situation better, we found out that she’s the daughter of the owner and is set to take over the place next year 🙃 and we got kicked out for “causing a scene”

people genuinely do this shit. i'm so sorry holy hell. what the fuck is wrong with people. why do people view transmasculinity as a fucking mental illness. thank you for sharing, however

[juney-blues]

June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.

The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.

The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.

In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)

For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)

All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.

If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.

And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."

You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.

But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)

you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.

It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.

If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....

Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"

*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.

[j-psilas]

Will we ever get anything quite like Code Geass again?

I don't think it's possible.

Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...

...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.

The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]

The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.

"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:

Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.

Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.

Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.

The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.

The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."

A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.

Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.

A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.

An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.

Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.

A character called "the Earl of Pudding."

A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."

The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.

An episode in which a mech tosses a giant pizza.

A gay yandere sleeper agent who can manipulate the perception of time.

Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.

A fictional drug that can most succinctly be described as "nostalgia heroin."

Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.

I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.

Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.

[chrissv4mp]

♱ EYES FOR YOU

requested <3

WARNINGS. tiny outburst, small argument, jealous!reader, and billie acting like a huge cornball.

SYNOPSIS. when you find a wide-spread video of your childhood best friend kissing another popular social media star, you find yourself growing jealous. however, billie seems to think you're a little out of your mind.

WORDS. 2.5k

LETTERS. wanted this fic to take a more gentle, fluffy route since i haven't been providing that much 🤍

music from billie's new album boomed in the background of the low-quality video, lights flashing of every color imaginable onto the stage that seemed to be crowded with more people than it would hold.

the most noticeable people were front and center—billie and quen, a friend of hers that you'd grown to like and enjoy hanging around.

billie walks in quen's direction, the quality fuzzy, but it's clear that billie grabs her chin and pulls her into a kiss—a quick one—but a kiss nonetheless. with their height difference, billie has to raise herself on her toes.

sure, the kiss doesn't last long, but when billie pulls away, her fingers are still grasping at quen's chin. then, billie moves away and she retracts her hand like nothing happened.

you can't seem to take your eyes off of your phone, the video playing on repeat as you just sit there and watch. it was some stupid tiktok taken last night while billie was at coachella to play her album that showed up on your feed—and it was getting to you a little more than you'd like to admit.

billie was your childhood best friend, and the bond that you and her grew throughout all these years never changed. your feelings—platonic, of course—never changed, not even when you two had arguments or disagreements. but then, when billie got together with her second boyfriend, something in your mind shifted.

and after she broke up with him, you were happier than ever. it was selfish of you, sure, but you couldn't help it. then, when billie started seeing another guy a few years later, you finally acknowledged your crush on the girl—but you never had the guts to tell her.

then she broke up with the boy, and you were happy again, like you had a chance at winning her heart. every time she broke up with one of her boyfriends, you were always there, comforting her with gentle words despite how overjoyed you were. you didn't understand how she never saw that you were the one for her.

so, when billie came to you with the confession that she liked girls as well, your hopes—as if you were gonna tell her anytime soon—skyrocketed. then word spread via an article, and the whole queer-baiting rumors started up again. when her album came out, and lunch was put out into the world, the feedback seemed both positive and negative.

billie's collab with charli was another big thing that was put out into the world not even 5 months later, and with the knowledge that billie was so open and proud about her sexuality, you somehow found yourself falling deeper in love with billie—your childhood best friend.

when your hopes were just starting to overflow and you were beginning to gain the courage to ask her out, this video was put onto your for you page. but this was not meant for you to see at all.

you weren't sure what came over you. in an instant, your phone was flying through the air and banging against the door of your bedroom. with a small clatter and the quietest cracks of glass, your phone falls onto the hardwood floors of your dimly-lit room, the only source of light being the evening sun shining through your blinds.

a quiet gasp was all you could react with because, quite frankly, you had no idea what you had just done. you throw your covers off your body, the cool air hitting your skin immediately. your feet tap against the wood beneath you as you scurry to grab your phone, eyes wide and filled with the tiniest flickers of terror.

the screen protector that billie had suggested sounded really useful right now. but, of course, you were always so stubborn.

you carefully grab the device, eyes tracing the little pieces of glass and plastic that surrounded it. you knew it was destroyed, but something in your head told you it wasn't. so, you flip it over, and fear quickly passes through your system. it shouldn't have been a surprise, but your phone was broken and you couldn't have been more frustrated.

to think this was all over a stupid video of billie kissing her friend was embarrassing, really, and it almost made you want to laugh just thinking about it. but nothing was funny because now your phone was broken and now—maybe—your best friend, crush, whatever she was, kissed a girl that wasn't you. but she was prettier than you, so you had no chance in the world anymore.

your mind is fuzzy, filling with so much anger and frustration that it feels like you might explode any second now. not even the stupidest person would be dumb enough to something like this: destroying their phone over some girl that they stood no chance with. a popular, liked world-wide, pretty girl.

dropping your phone and sitting against the wall beside your door did nothing to help your situation because when you blinked, your eyes gravitated to the calendar that was pinned above your bedside table—and, by some coincidence, tomorrow was the day billie began her temporary stay so that she could get the plumbing in her house fixed.

you were so fucked.

you only realized how much you regretted giving billie the spare key to your house when she showed up at the bright and early time of 8 am with a backpack slung over her shoulder and a couple of suitcases at her sides. the quiet thud of the front door closing isn't what woke you, not even the loud clatter of billie tripping and falling over her suitcases disrupted your peaceful slumber.

neither of you knew how or why, but the faint smell of billie's perfume when she carefully and quietly opened your door was the one thing that would never fail to wake you. your eyes snap open, and your heart clenches immediately as you sit up to see the exact person you dreaded meeting today. in an effort to seem presentable, though, you offer billie a sleepy, half-assed smile.

"good mornin'," she greets, lips tugging up into that smile you always loved but forced yourself to hate in this moment. it was not a good morning.

however, you rub your eyes and pull the covers closer to your body. you lower your hands back to your sides, twisting and tugging at the comforter nervously as you completely ignore her.

billie shrugs it off, brown locks cascading over her shoulders, a loose strand hanging over one lense of her glasses. she kicks her shoes off, placing them beside yours like she always did whenever she came over before she crawls onto the bed with a gentle smile on her face. her eyes are still drowsy with sleep, and you can tell she's still not over the high she got from coachella just a few days ago.

the thought alone makes you sick.

but you keep down your comments, keeping yourself calm with a few deep breaths. your eyes move back over to the open door, billie's bag and suitcases resting in the hallway, knocked over. you're so intent on your need for a distraction you don't even realize when billie snuggles under the covers and turns on her side to stare at you.

she notices your distracted state, eyes following yours to the hallway where her things were. she only giggles at the memory, "i'll get those in a bit. they fuckin' tripped me. unbelievable." she grumbles, shaking her head.

despite your nervous, ticked-off mood, you can't help but crack even the smallest smile at her ability to get mad at an object.

still, you don't utter a word, the only sounds coming from your throat being soft breaths and the quiet, fast thumping of your heart in your chest. you were sure billie heard it. or you were just paranoid and kept on your toes from the video you saw yesterday. you couldn't ignore the jealousy and frustration you felt even at the slightest indication of it.

at your silence, billie sits up, cocking an eyebrow and tilting her head in confusion like a dog, "hey, what's wrong?"

when your silence continues, billie can't help but come up with the idea that you're ignoring her. because that's exactly what you're doing, "did i do somethin'?" she asks, voice small. she sounded genuinely concerned.

she frowns when you still don't give her the reassurance or satisfaction of a clear answer. even a simple nod of the head would do it for her, but you don't even provide her with that comfort. her hands clench into fists, tucking her lower lip between her teeth because she didn't know what else to do.

her eyes flicker with worry as you exhale deeply, and she comes to the conclusion that you're mad. mad at her? but why? she didn't understand, but she wanted to. she really did because she couldn't stand the silent treatment. and you knew that.

"y/n," her voice shakes, lower lip beginning to quiver. billie really was just a big baby when it came to you, "seriously, you know how much i hate this shit." she murmurs, running her fingers through her hair and tugging softly whenever she gets to the ends, "y/n."

even at her vulnerable, sad state, you still don't let out a peep. you just sit and stare at the hallway, breathing in and out deeply, each breath coming out harder and faster. your heart felt like it'd beat out of your chest if it kept up with the pace it was at.

your own hands tug at the sheets, finally tearing your eyes away from the hall as you focus your attention on the white comforter again. you tried to ignore her, you really did, but with the way she was asking—almost begging—made you want to punch yourself because she was just so sweet.

"just tell me if i did something. i—i'll fix it, y/n, i promise i will." she whimpers. she whimpers and your walls break down completely.

"you kissed her, billie. at coachella," you blurt, tone hostile and sharp as you turn your entire body to face her, "you kissed her when it was so obvious that i like you." you scoff, and exasperated smile on your face.

she's taken aback by your confession, and the bewildered look on her face is laughable, but nothing seems to be very light or funny. she furrows her eyebrows, recollecting the events of the night a few days prior where she was on the stage with her friends.

a lot of videos seemed to circulate and get passed around all of social media that night. videos of billie grabbing her friends playfully and just being touchy per usual. the video that was most prominent, though, was the clip of her and her close friend, quen, kissing. it was obviously playful, anyone could see if they had two eyes and good vision.

and, plus, most of the internet passed it by as 'billie eilish and her best friend quen blackwell playing around,' so it came as a surprise whenever you looked at her as if awaiting an answer.

"it was quen, y/n, she's one of my closest friends. i was being a total goof the entire night, it was all just playful fun. i—you, sorry—you like me?" she stammers, the entire situation too much for her to wrap her head around so quickly.

it was all news to her. your confession, your accusation, everything.

"still, billie—it doesn't make any fucking sense." you retort, eyes wild.

she still tugs at her hair nervously, albeit knowing the reason for your silence, and begins to speak again, voice shaky, "it was just a dare odessa gave me, y/n. honest. quen thought it was out of the ordinary, too." billie explains.

"we were laughing at the videos on the ride back to our places. it was all just a misunderstanding," she breathes, eyes searching yours for any glimmer of hope or realization. when your eyes meet hers, she almost frowns because of how embarrassed you look.

instead, her hands reach out for yours, taking them in her own large ones adorned with the rings she forgot to take off the night prior. she gives you a reassuring smile, soft and genuine as her eyes dart between your lips and irises.

still, she catches the tiny glint of doubt in your eyes. so, she acknowledges your confession again, knowing that was the one thing that was bugging you, "i don't think anyone's more stupid than me for not realizing your feelings sooner. and after all these years? god, i feel like an idiot." she laughs.

her eyes never leave yours, showing just how serious and committed she is to the words that leave her mouth, "i really hope you more than just 'like' me because i love you."

your lips part in surprise, eyes widening even more if that was possible. your heart seemed to beat faster, and this time you were sure it'd beat out of your chest if you didn't calm down soon. her own confession was a huge smack in the face because she seemed to be really good at hiding it. so, it led you to think she was lying. just maybe.

when she saw the flicker of doubt was still there, though, she did the first thing she could think of. her face spoke for her as she gave you a, 'you think i'm kidding?' look, then her hands cupped your face and she kissed you and you almost passed out from the shock.

her lips molded against your so perfectly, fingers digging into your skin so gently it was like you were getting pulled in by nothing but the wind. her nose brushed yours as she pulled you closer, lips curling into a smile from the pride she got from finally making a move.

the feeling of her lips against your own was euphoric, like something you'd never felt before. it was a new high that would never be beat ever again because billie was surely about to take over your entire life after this. she'd become everything and all you'd think about.

she never wanted to pull away, but when her lungs demanded fresh air, she pulled away with hesitancy, lips parting to breath deeply, heavily. her eyes fluttered open, eyes flitting all across your face and taking a second to admire your each and every feature.

her tongue darts out to wet her lips before she speaks again, mind completely lost in nothing but you, "believe it now?" she teases lightly, challenging you even in the softest, most vulnerable moments of your relationship—a relationship that was definitely gonna become more than just friends.

her thumbs caress your cheeks, touch soft and sweet against your skin, "now you know i only have eyes for you." she whispers, smiling proudly.

your smile grows at her words, biting your lip as your eyes flit down to her own plump ones, "glad to finally know that."

"great. now can i kiss you again?"

TAGS. @mseilishmwah @sophloveswomen @mxqdii @livvydunneness @vyntagess @afteraftercare @wiidfi0wer33 @loving1dsworld @tan1shere @fallingforfalll2 @cierraonline @dandelions4us @scarlittt @ifwdominicfike @slxtarchive @stonerfromlesbos @bilsdillldough @47lake @hopingforgoodblogs @karaeilishh @mybluebossanova @sturnsmia @moralesluvr @justtr @greenbttrflyy