#and by three different medias i mean two different shows

[lobslobslobs]

* i still havent decided a thing abt this au . hm hm hmmmmm ....

[july-19th-club]

seven or eight times now ive watched the episodes in which they take the andromache and this is the first time ive realized that during the initial battle, after they board, every time the camera is from dufresne's perspective it's blurrier than otherwise because. he took his glasses off for the fight

[psychoticwillgraham]

fuck it, i’m gonna be the #1 nolan/will shipper and yall can’t stop me

[mariacallous]

Last year, the lead singer of The 1975, Matt Healy, managed to offend a whole lot of Gaelgoirí (Irish speakers) when he appeared to mock a fan’s name – Dervla – at a meet-and-greet.

Healy isn’t alone, though, when it comes to anglophone bafflement at Irish names. A recent study based on an analysis of Google searches revealed the words that British people have the most difficulty pronouncing. The names Aoife, Saoirse, Niamh and Siobhán occupy places in the top 10.

And it’s not exclusively a British problem: I always cringe watching US talkshows where the host quizzes their Irish guest (usually Saoirse Ronan) on the pronunciation of their and other Irish names.

I’ve heard every possible variation of my own name from non-Irish people. It’s not uncommon in Ireland; in secondary school, there were four Niamhs in my class. But I rarely come across an English person who is familiar with it, despite the proximity of our two countries.

In case you don’t know, it’s pronounced “Neev” or “Nee-av”, either is perfectly acceptable. The prefix Ní means “daughter of”. My surname is trickier, and has even tripped up a few Irish people; it can be translated as Herbert, and is pronounced “her-a-vard”.

When I was living in London, I quickly learned that saying Niamh at the counter in a coffee shop or over the phone to make a booking simply wouldn’t fly. This led to the invention of what I call my “Starbucks name”. Anything easily pronounceable with a simple spelling would do. Mia, Sophie and Rose were among my common aliases.

Speaking to others reveals a litany of similar experiences. Aoibhe Ní Shúilleabháin, a designer and teacher, spent two years at college in England having her name mispronounced and disrespected. (Her first name is pronounced “Ay-vah”.) More than one lecturer resorted to calling her “blondie”.

She tells me: “I was asked to say, ‘Three hundred and thirty three trees’” – a tongue-twister that does the rounds on TikTok – “more often than I was asked to repeat my name.” She recalls the lack of interest when she attempted to explain that Irish and English are different languages with different pronunciation rules.

Clearly, the sensitivities at play here are rooted in history: Ireland was colonised by the English and our national language was all but wiped out. A language revival began in earnest in the 19th century, but it’s never quite recovered. Ireland’s most recent census shows that about 40% of Ireland’s population can speak Irish. The English destroyed our language once before, so every little throwaway comment and scoff at our names hurts a little bit more – and ultimately becomes just tiresome. A handful of people even remark, “Oh! I didn’t know Ireland had its own language,” when I tell them about my name.

Writer Darach Ó Séaghdha is all too familiar with these difficulties. (The “rach” in Darach is pronounced like “Bach”, he says.)He hosted a podcast called Motherfoclóir, a podcast about the Irish language and culture, and whenever there were guests on with Irish names, “inevitably the episode would turn into group therapy”. There was one bad experience, he recalls, when he was told that his surname “looked like a wifi password”. But he decided to give his children Irish names, too. It’s a common trend, he says, “because parents with Irish names have been battle-hardened”.

Like the others I spoke to for this piece, writer and director Rioghnach (think “Ree-nock”)Ní Ghrioghair believes that a sense of superiority among English speakers is to blame for the constant mistreatment of Irish names. But she’s defiant. “We are going to scrutinise the British for any transgression regarding the pronunciation of our names,” and other things, she tells me, like British media claiming Irish actors as their own during awards seasons.

There is no easy crash-course I can give to you on the pronunciation of Irish names, but you can always try out “how to pronounce”-style websites (which themselves can be contested). But the simplest and most reliable solution is perhaps just to politely ask an Irish person – and listen attentively to what they say. I may have accepted that English people are very rarely going to get my name right on the first go, but I appreciate a well-intentioned effort. Just don’t laugh at it, please.

[lcriedlastnight]

Hi,

Ok so this is inspired by all the drama and gossip I’ve seen on Instagram recently.

Can you write something with Lando and Y/N where Lando has made it clear from the very start that he likes Y/N and wants to date her? Y/N likes him back but is hesitant to start a relationship because of his many female friends, the fact that he and his family still follow his ex-girlfriend on social media, and because he still wears the bracelet his ex-girlfriend gave him. And y/n isn’t comfortable nor is she the type of person who would date guys with so many girls around him. She doesn’t want to explicitly tell Lando her reasons (because she doesn’t want to tell him what to do and not to do) so she always gives subtle hints when he asks why she doesn’t want to date him. Lando never picks up on these hints until someone close to him points it out, and he finally realizes what Y/N has been trying to tell him. And from here you can continue however you want

anon the way this is sooo real. also the drama? idc about it but i absolutely love drama in any way so!

tw: fem!reader, swears, idk lmk if you want me to add anything.

w/c: 1.9k

ever since you had first met lando he had made it very clear that he wanted a relationship with you and that he really did like you. the boy was all over you. he was constantly offering you take you out on dates when he was in the same place as you. he always wanted to be around you, giving you a call to come over and sit in his flat with him while he deep cleaned his kitchen. lando even told all of his friends about how much he liked you. oscar was sick fed up of hearing how pretty he thought your eyes were and max had told him that if he did not shut up about how infectious your laugh was he was going to leave him to sort out the details for the quadrant video for himself.

so it was safe to say that you had no reason to doubt that lando like you. you liked him too. you did not show it in the same ways as him though, you just being a tad more on the shyer side. your mind should have been convinced that lando only had eyes for you but it felt like you were adding two and two together to get five. his actions just did not make sense to your insecure mind.

the first 'red flag' you had stumbled across- well you did not even stumble across it. your friend did. and had told you it was one hundred percent a red flag and how were you to know any different? you were not experienced in this kind of thing, due to your shyness.

you had both been out for lunch and some shopping when you had just been chatting about lando and how things were going. she had asked why you guys had not done much more than two or three basic dates and you had responded that you were a little nervous to progress with him. she had questioned this and at that point you were not totally sure why you were feeling like that which had made you feel more guilty at the time. you had told her about one little thing that was niggling at the back of your brain since you had discovered it. all of lando's loved ones still followed his ex girlfriend on basically all socials and even liked her pictures regularly, this included lando. although lando had not liked a picture since they had been dating he still followed her.

"you are having a laugh?" she gasped at your words. the way she seemed shocked had made you a little nervous. were you wrong to be worried about it? were you not worried enough about it? it was moments like these that you thought you were not cut out for romantic relationships, it was much too hard these days. you wished for simpler times when if you liked someone you just told them and then you were dating.

"is that bad?" you had asked her, worriedly.

"i mean, it's kinda a red flag. why would he want to follow her? unless he was still close with her. he must be if his family still follow her. she must've been one of those girlfriends that the whole family falls in love with too." your friend explains as thoughts. you had thought that her explanation would have made you feel better but just like that you felt your mind shift into almost sure to doubt.

you knew your friend kind of had a point with what she had said but the rational part of you, deep deep down, was telling you that all of this was just causing unnecessary doubt to grow in your mind. it reminded of you of how lando acts towards you and it settled your mind for a minute or so before you fell down the hole again. you had always believed actions spoke louder than words but what actions spoke louder in this case?

from then you had fallen down a horrible spiral of pulling apart almost everything lando did. your mind always going back to that conversation in a cafe and reminding you of what your friend told you.

lando had invited you out as he had missed you a lot and of course you had said yes because as much as you were stressing yourself out about all of this, you did like him. you were just wary, that was all. it was not your scene at all, this house party. you did not know anyone there except lando and max. max was there alone as his girlfriend was not able to make it. you three sat with each other all night and max had gotten a front row seat into seeing exactly how lando was acting around you and vice versa.

all throughout the night, girls that lando was apparently 'friends' with had come up to him and blatantly flirted with him, right in front of your face, everyone here knew that he had brought you here with him as his date. so it confused you to no end how lando just sat back and let these girls flirt with him. it was literally textbook, basic flirting. finger twirling a piece of hair around as she giggled at something he said. even though it was not really that funny. and you just had to sit back and watch because what else were you supposed to do? you did not want to tell him how to live his life. if he wanted to be 'friends' with these girls then who were you to tell him he could not be? you guys were not even dating, for gods sake! even if you were you were definitely not one of those girls who told their boyfriends that they cannot even talk to another girl, never mind be friends with one.

once the fourth girl of the hour had left you all alone lando turns to you again.

"you're a wanted man tonight." you tell him, your voice tight as you tried not to be jealous. you felt stupid being jealous, was there anything to even be jealous over? lando laughs at your words and does not seem to notice your tone or even the expression clear as day on your face. you were too busy talking to lando to notice that max had notice everything you had tried to hide.

"guess i am." is all he says. it stuns you that that was all he said to you but you do not cause any drama about it. well you do not mean to. it just comes out, really. you just have to hope that he does not take it to heart.

"it's a lot of girls." it comes out like a half laugh half scoff. max thinks lando is incredibly dumb for not even noticing the reassurance you were clearly seeking right now. he set himself a metal note to slap him on the back of the head once they were alone.

lando barely even registers the words you say as he changes the subject and that is it forgotten about. you know it was not on purpose. he did not mean to just change the subject there and then when you had brought that up but it kind of did make sense and in your mind it went down as another red flag. it sat right next to the one your friend had pointed out a few weeks earlier.

you had left a little earlier than you had originally intended and as you were waving goodbye to both boys from inside the taxi, lando had ever so kindly booked and payed for you, you see max's hand come to slap the back of his friend's head. it made you laugh but you did not think too much about it. neither did lando apparently as he just hits max back ten times harder as he heads back inside.

the third and final 'red flag' came from when you were stalking instagram. you knew yourself you should not have been scrolling through the f1 gossip pages but you got curious about that curly-haired boy that took up your mind constantly. you do not have to scroll very far to get to something that upsets you. a picture of lando with a fan and a second one zoomed in on his arm, showcasing a lovely bracelet that you had seen lando wear many times. the caption? 'lando is still wearing the bracelet his ex got him!'.

you felt dumb again. you did not have to ask anyone if that was a 'red flag', you already knew. the next time you met up with lando after you had seen the instagram post you immediately noticed the piece of jewellery and it was so fucking hard to take your eyes off of it from then. somehow max had ended up on this outing too and just like always, he noticed your eyes glued to his arm. it did not take him long to put the pieces together. he knew there and then that he had to sit down and have a chat with him. as soon as he possibly could.

max had left to pop into a different shop as you and lando had waited outside together.

"so, can i ask why exactly you don't wanna date me?" lando asks bluntly, like he had been sitting on the question for a while.

you flush. "we've been on dates." you tell him, like he was not there and did not already know that.

"i know. but i get the feeling you don't wanna go further with me. it's alright if you don't but i'd like to know why?" lando asks, you can see the traces of hurt in his eyes as the mere thought of you not wanting him the same way he wanted you.

"no, i do. well i don't but i do. i like you, really like you. but i'm scared to go further with you."

lando looks at you confused, as if it was baffling to him to be scared to jump head first into something, especially when he keeps making you doubt if you were seriously even an option in his mind sometimes.

"why are you scared?" lando presses further but before you can respond max comes out with a bag in hand and asks if you can all stop for some food. the moment is gone and you are not too sure if it was a good thing or a bad thing.

after the outing was finished and max and lando were hanging out at lando's max finally decides to have the conversation with his friend. hoping that he will knock some sense into his seemingly senseless mate. lando beats him to it though.

"today while we were out, i asked her why she doesn't why doesn't wanna be with me and she said she was scared? she didn't get to tell me why." lando admits, his worry evident to his friend. max huffs at his friends obliviousness.

"she's scared because you're going around wearing shit your ex got you! doesn't help that your surrounded by girls flirting with you and you don't even shoot them down. and not getting any hints she drops? dude you're more stupid than i thought."

lando's brows rise as he lets max's words set in. he is completely shocked. he had not thought about any of this or about how it would effect you. he suddenly felt a rush of guilt wash through him. he needed to see you right now.

lando basically runs to you, leaves max at his flat and rushes over to yours. he needs to apologise as soon as he can. he needed you to know that you seriously are the one he wants the most.

[saltpepperbeard]

Be a Lighthouse - Fight For OFMD Season 3

Hi everyone. The news of our cancellation is both incredibly devastating, and quite shocking considering the trajectory of the show and its fanbase. Everything looked like it was lining up in a positive fashion...only for the rug to get yanked out from under us.

I cried. I went numb. I stared at the wall for a while.

But then, something sparked. Like Ed who was resolved to his fate in S1Ep4 only to rocket back upwards, I was struck with a realization: we need to be a lighthouse!

Fanbases have campaigned before, and have gotten results. Sense8 was able to get a two hour finale to properly wrap everything up. Lucifer was able to get picked up by Netflix after being cancelled by Fox. Brooklyn 99 was able to get picked up by NBC after being cancelled by Fox. And many more examples.

Be it a proper renewal, a finale wrap that entails Ed and Stede's wedding, or the attention from another network, I say we fight that good fight. So, here are some ways we can be heard; if you think of any additional points, please feel free to add them!

If you don't cancel your Max Subscription, continue watching the show and leaving feedback on Max's online feedback form. I had a kneejerk reaction when cancellation was announced and pulled the plug...only to sit back and reconsider. I want them to still get my metrics. I want them to still see the show means something to me. And whether that's through words or statistics, I feel like that's something.

2. Follow @renewasacrew and keep up with their resources/campaigns. They're very active and passionate, and have already come up with different ways to fight for our show.

3. Sign the petition to give us just that little bit more of a chance to have our voices heard.

4. Stay active on social media, and stay positive. Continue sharing how much this show means to us. Continue creating. Continue loving. Use hashtags like-

#RenewAsACrew

#SaveOFMD

#RenewOFMD

#BeALighthouse

#OFMDSeason3

or anything equivalent on any and all OFMD-related posts. Keep the buzz about it going on social media. Comment on posts, keep spreading the word, and get the light burning.

5. Renewasacrew has given us another outlet; an official HBO email address. Write an email detailing your personal experience with this show, and how significant a third season would be.

6. Tweet/email other platforms to pique their interest. Be it Amazon Prime, Hulu, Netflix, or whoever else, let's see if we can't catch someone else's attention. A romcom with iconic LGBT representation seems pretty enticing if you ask me!

This show means the world to me. Y'all mean the world to me. So let's show them why. Let's show them why, and get the proper ending we, the cast and crew, and the characters all deserve.

[drabblesandimagines]

Swipe Right

Leon Kennedy x female reader, commissioned piece Lots of dumb fluff ahead! Thanks so much to the lovely @porcelainseashore for commissioning me with the brief of Leon using a dating app! I've said it before and I'll say it again - please do go check out Porcelain's fics! x

“So,” Leon places his elbows on the counter behind, leans back and flashes a winning smile, “how about dinner later?”

The auburn-haired woman waits for her coffee to finish dispensing before she shakes her head, lips pursed. “No, thank you, Agent Kennedy.”

“Oh.” He was sure they’d had some sort of connection. Their eyes had met across the office on more than one occasion, flirtatiously so – had he read it wrong? “You have plans already tonight?”

“Mm, something like that.” She smiles, politely, picking up her DSO-branded mug and heading out of the break room without so much as a glance back.

Leon shrugs it off – he’s good at that – and places his own mug under the spout, about to make his coffee selection when a familiar voice chirps over his shoulder.

“Have you ever thought of internet dating?”

He spins round, surprised. “Claire?”

“Hi.” She waves with a smile. “So, internet dating?”

Leon’s brow furrowed, about to ask why she was here, but from the visitor lanyard around her neck it was clear it was down to some sort of TerraSafe business, but why is she going on about internet dating?

Oh.

“Wait, did you hear…?”

“The dinner invite? Oh, yes.” She nods, crossing her arms. “Does that ever work?”

“Yes.”

Claire quirks an eyebrow.

“Okay, not recently.” He retorts, turning back around and pressing the button for his black coffee to start dispensing.

“Uh-huh…” She steps forward, turns to lean against the counter to look at him. “I’m telling you, Leon - internet dating. I finally convinced Chris to give it a go about six months back, and he seems pretty happy. Been seeing a nice girl for three months now – a florist.”

Leon shakes his head, watching the coffee dispense with feigned interest. “Surprised Redfield went for it. How the hell do you introduce anyone to what we’ve seen?” At least with women from work, he didn’t have to skirt around what the hell he does all day.

“Heard of keeping work and homelife separate?”

“And Chris manages that?”

“I mean, she knows what he’s shared with her, but he took it slow. It’s not like the government can keep everything secret these days – not with everyone having a smart phone.” Claire grimaces, remembering the videos of the Alcatraz attack popping up on social media on a live stream. It was taken down pretty quick, but still popped up occasionally. They can’t hide it forever.

“Anyway, enough about Chris’ love life, I’m trying to help yours. Have you tried it? There’s websites and apps…”

Leon recalls a week of medical leave – battered, bruised and laid out on the couch on high doses of meds, flipping through the cable channels and losing hours to a show about people falling in love over the internet, only for the person to be using a fake photo of an entirely different identity and being crushed when they met in person.

“Isn’t that where the catfish are?”

Claire rolls her eyes. “We won’t set your radius that large.”

He looks down, a little confused. “My… radius?”

Leon’s not present on social media, but that’s hardly a surprise with his work. Maybe, if things had been different, he would’ve trawled through it at some point – joined a group for graduates from the Police Academy of ’98, checked in, gone to some sort of graduating class reunion where they would’ve swapped stories from precincts over a lukewarm beer or two in a hall dressed up with balloons and streamers.

Come to think of it, he doesn’t really remember the names of anyone in his graduating class, though he’s not sure if that’s down to a certain amount of knocks to the head throughout his career getting to him. He could look them up – they’ll be in some sort of database somewhere that Hunnigan could help him locate, but what would he say?

“Me? Well, I had one day on the job – hell of a first day, actually – and then I was ‘recruited’ into military training, so technically not a cop anymore either.”

“Phone, please.” Claire has moved to sit down at one of the small tables in the kitchen, now holding out her hand expectantly. He finds himself joining her, mug of coffee in one hand and the other pulling out his cell from his suit jacket pocket. He hands it over because it’s Claire and he’s known her long enough now to know she’s not going to drop the subject so easily.

“Have you got any selfies on here?”

“Don’t think so. Why?”

“To put on your profile. Anything I shouldn’t see in your gallery?”

He shakes his head.

“Seriously, Leon?” She must’ve opened the app by the way she’s scrolling down on the screen. “These are all sunsets and photos of your motorcycle.”

“What should I be picking pictures of?”

“Oh, wait… Here’s one.” She turns the phone around. It’s him, grinning, next to a corpse of a zombiefied lion. “I repeat – seriously, Leon?”

“Ha, yeah.” He smiles in acknowledgement. “I was trying to get Hunnigan interested in fieldwork with the spectacular sights.” Claire turns the phone back around and the sound of a camera shutter clicks out of the speaker.

“Ooh, that’s a good candid – and no-one needs to know what you were looking at.”

“Look, it’s nice of you to offer, but I don’t know about all this…” He rubs the back of his head.

“It’s 30 days free. Just try it and if you still don’t like it by the end of the trial, you can delete it off your phone and I won’t bring it up again.”

He stalls, taking a long sip of his coffee as he thinks. Claire means well, after all and if Chris has had luck with it, considering what Leon knows he’s seen and lived through, what does he have to lose, really?

“Fine. 30 days.”

“Great! Now, let’s set up your profile…”

--

Claire had given him a tutorial – swipe left if you’re not interested on a profile, right if you are. If the person swipes right in return, it’ll set you up as a match and you can start a conversation – signaled by a small speech bubble icon appearing on the bottom right.

It wasn’t until that evening that Leon tried it out properly, sat on his couch, killing time before bed and begins to swipe through. It feels a little odd – he usually likes to get to know a person somewhat before offering out his dinner invite, but this is mostly on looks alone, with a tiny snippet of profile information – age, location, what they’re looking for.

He swipes right on a blonde, her profile full of photos from beach vacations or something, says she’s not too far away from him and is ‘looking to connect with someone deeply.’ A chat box pops up immediately and after a moment or two, three dots show Beauty – he’s not sure that’s her real name - is typing.

Hey, big boy. What’s bigger – your forearms or… An eggplant emoji?

Oh.

He hesitates over writing back a response. He can flirt with the best of them, but how is anyone meant to make a genuine connection over this app? Maybe he’s too old for this shit.

He puts his cell down by his side and switches on the television instead.

--

“So…” Claire drawls over his shoulder over three weeks later, tracked him down to his desk.

“So…” He mocks back with a tease, swinging around in his office chair.

“Any good dates recently?”

He laughs. “How do you even get that far?”

“You’ve not gone on one?”

“Not for lack of trying.” It’s true. After Beauty, he had struck up conversation with a few more genuine girls that seemed to be going well until he’d broached the idea of a date and they’d drop off the radar. “A couple seemed interested but then stopped replying. I got one date – she didn’t show up.”

“Oh, come on.” Claire leans against his desk. “That can’t be everyone. Let me see.” There’s the expectant hand again. He sighs, picks up his phone and opens the app before handing it over to her.

She sets to scrolling through new arrivals for him, before she pauses. “Well, this one looks sweet.”

“Claire, I appreciate your concern but I just don’t think this app is for me. I gave it a go, I swear.”

“I know, but you’ve got a few days left on the free trial at least - you won’t lose anything. Just take a look?”

He takes the phone back and looks at the screen – a cropped picture of you, it looks like, your friends’ arms around your shoulders, a big, genuine smile on your face. Not a pout or a smolder in a night club mirror.

“Aw, you’re smiling.”

“Fine.” He swipes, but the message bubble doesn’t pop up. That’s the one thing he doesn’t like about this app – you never know if the other one will swipe back.

“No match.”

“Give her a moment,” Claire elbows him, playfully. “Not everyone is scrolling for dates at work.”

“Hey-”

“Speaking of, I’ve got a meeting. See you!”

--

You throw yourself down on the bed, a little bit tipsy after an evening of drinking with your friends, and hold your phone dangerously above your face – you’ve been so close to giving yourself a black eye from the drop so many times but never learn – and open up that stupid app. Your friend had encouraged you to sign up to it after declaring you’d been in a pity party for long enough now after your last break-up and it was time to get back out there.

You scroll through the latest arrivals, swiping left as you go. Everyone internet dates now, you don’t know why you only seem to attract utter creeps on it. You’d been on a few dates, but they’d all been entirely awkward outside the safety of the chat box.

You pause on one new arrival, Leon, 41, the first photo in the set clearly a candid. He’s dressed in a suit – no tie. Businessman, you wonder? Amazingly hot and maybe the most shiniest hair you’ve ever seen.

You roll over onto your stomach and swipe right, smiling when a chat bubble appears.

--

Leon had just settled into bed for the night when his phone vibrated angrily on the bedside table. He threw a hand out, blindly, and looked at the screen, half expecting it to be an email from work or a message from Hunnigan.

It’s neither – a notification from the app.

Hi, Leon. Thanks for swiping. Can I ask something?

He frowns – a unique opener, but it could still go the way of the others, he reckons. He’s not a prude, per say, but he’s seen a lot more than he was intending to these past few weeks. He backs up and has a quick scroll through your profile, vaguely recognizing your face from when he’d swiped right earlier that day – the girl Claire had deemed sweet.

Hi – ask away.

A bubble appears with three dots within.

How do you get your hair that shiny?

Leon barks out a laugh - definitely refreshing.

I’m sorry, I don’t think we’re at that stage of our relationship yet where I’m comfortable sharing my beauty secrets.

Please? Mine is so dull.

He clicks on your profile again and onto the photos but can’t see why you’re worried about your hair. Truthfully, all he registers when he looks at the picture is that sweet, genuine smile.

Looks pretty good from what I can see.

The camera adds all the shine. Are you using a filter?

Trust me when I say I wouldn’t know how.

Don’t know about filters but using a dating app? That doesn’t gel.

My friend suggested I give this online dating thing a go, so here I am.

Well, you’ll have to thank your friend for me.

Leon hesitates a moment, before shrugging it off.

I’ll be sure to, especially as it’s got me talking to you.

Your scalp tingles, but it seems nothing to do with the alcohol consumed earlier.

Too cheesy? I told you I’m new to this, right?

Nah, you’re gouda.

Leon grins.

--

The conversation continues to flow over the next few days. You talk about work – he keeps it vague, works in the government, can be called away on business trips last minute – and you are equally elusive in your response of office work. Internet safety, he reckons, smart girl that you are. Hearing his phone ping with a notification has quickly become his favourite sound.

Nice day? Definitely. Picked up my motorcycle – it’s been in the shop a while. Dare I ask what happened? He hesitates. Chasing a bioterrorist down a highway is perhaps a little too much…

Hit by a truck. I wasn’t on it - obviously.

Jeez. Insurance not just buy you a new one? I can’t think how that’s salvageable.

It’s my favourite, I couldn’t give up on her. You ever been on a motorcycle?

Uh-uh. Too scared.

What of?

Falling off, mainly.

No danger of that if you ride tandem - just need to be sure to hold on real tight.

You bite your lip, mulling over a response, but Leon fills the gap.

And I’d look after you, of course. Make a nice first date, don’t you think?

First date? That’s more, like, third or even fourth date material.

There’s your chance, Kennedy – don’t mess it up.

Well, then we better get the first date out of the way.

You bite your lip as you type back a response. Is that your way of asking?

If it is?

If it is, then I’m free Friday...

Perfect.

--

Friday morning arrives and Leon’s at his desk, typing up a report when his phone chimes. Checking over his shoulder, he pulls it out of his pocket and smiles when he sees it’s a text from you. You’d exchanged numbers the other night, deciding it time to take communication off app ahead of meeting up.

Morning. Question?

Morning. Still after my shampoo secrets?

Yes… But not that. How am I meant to recognize you?

I thought that’d be easy – by how shiny my hair is, apparently.

It’ll be dark out, though.

Is this you trying to be subtle about asking for another photo?

No comment.

Leon locks his computer, the screensaver switching to today’s date and time on a black background. He swings his desk chair around, looks around again to make sure no-one’s on their way past, and opens the camera app. He flips the viewfinder around and tries out a couple of smiles before snapping a selfie – if Claire could see him now…

He sends it through.

Included the time and date and all. Happy?

No comment.

Well, how will I recognize you?

Easy. I’ll be the one coming up to you and saying, “Hi, Leon.” See you tonight x

Until then x

--

The two of you had decided to meet at a bistro – varied menu for all tastes, not too intimate, excellent wine, spirits and craft beer menu.

Leon is nervous as he stands to the side of the entrance – an emotion he hasn’t truly entertained since 1998. There had been no time for it when bioweapons and death were staring him down the face. But, tonight… Well, he’s out of his element on this one. Leon had only ever approached women through work and, yes, it was to varying degrees of success but they’d already seen him properly in person, heard his voice, aware of what he does. There was a horrible niggle at the back of his mind that the date who had stood him up a few weeks ago had caught sight of him and turned heel on the spot.

He looks down at this watch to see it’s bang on 7.30. He’d arrived ten minutes too early, but didn’t want to chance being late and showing up in a fluster. When he looks up, slipping a hand back into his pocket, a figure with a familiar face is walking towards him, greets him with an anxious smile and an awkward half-wave.

God, you’re adorable.

“Hi, Leon.” 

“Hi,” He smiles, one hand still in his pocket, the other hanging down by his side. He wonders if he should’ve gone in for the kiss on the cheek, but he’s missed his chance.

“Erm…” You wring your hands together. “You okay?”

“Great. You?”

Why does he feel as giddy as he did when he picked up his girlfriend for prom back at high school?

“I’m good. It’s nice to put a… voice to a face?” You laugh – light and airy - and Leon’s already desperate to hear it again.

“It really is. Er, shall we?” He gestures forward with his arm.

You nod. “Let’s.”

The conversation is stagnant at first, a sentence here or there as you peruse the drinks menu and move on to ordering starters and entrees. With a little liquid courage, though, the two of you soon slip into easy conversation.

It’s just after the appetizers are cleared when Leon realizes he’s completely and utterly smitten.

You don’t even know where the time has gone, but all of the sudden the two of you are the only diners left and it’s clear the wait staff are looking for you to leave so they can begin their nightly clean down.

He follows you out and onto the sidewalk, a few metres away from the bistro entrance, standing awkwardly opposite each other – mirroring the beginning of the evening.

“So, fancy a ride?”

You tilt your head at him curiously before you burst out into laughter and he grins, rubbing the back of his head, awkwardly, as he realizes the context.

“I mean, I brought my bike here. I can give you a ride home - on my bike.”

You smile. “Not on the first date, remember?”

“Of course.” He nods. “Sticking to your principles – I respect that. Well, can I call you a cab?”

“Oh, actually, I’m gonna walk. I live just in that building over there…” You point up to an apartment building about halfway up the next block.

“I could walk you across the street?” He cringes as he realizes maybe he’s coming on too heavy-handed. “I’m sorry, I promise I can take a hint-”

“No.” You cut across abruptly. “I mean, walking me home would be nice.”

You cross the road in silence, both wrapped up in your own thoughts. You wish you lived slightly further away so you’d have longer to work out what to say, how to end the night.

“So…” Leon begins the other side of the road, the entrance to your apartment block just ahead. He’s trying to keep calm and collected, but there’s just something about you that has made his heart race, his palms sweaty. Don’t fuck this up, Kennedy. “I had a really lovely evening.”

“Me too.” You smile back – and you mean it – but you can’t help but brace yourself. Is this the part where he says, yeah, he had a nice time, but he’d rather not do it again? It seems all too good to be true. He’s the same as he was on the phone, messages and photos.

“Great…” You take a deep breath at his pause, unconsciously clenching your fists, “..cos I was wondering how you felt about a second date?”

“You’re really desperate to get me on that motorcycle, huh?” You tease, instantly relaxing. “But, seriously, I’d like that, to see you again.”

“Is tomorrow too soon?”

“That depends what you have in mind.” You stop, suddenly – the apartment foyer to your left. “This is me.”

“Well, we’ve done dinner, shall we work backwards and have lunch next?”

You take a step closer. “And then breakfast?”

“Fourth could be a midnight feast?” He steps forward too, misjudging the distance and something hard brushes against your stomach. Leon’s eyes widen in alarm. “Oh, wait, I…” He dips his hand into his trouser pocket and pulls out a travel-sized bottle of shampoo with a sheepish smile. “I meant to give you this at the end of dinner – my beauty secret.”

You yank him forward by his jacket collar and kiss him before you can even think properly about what you’re doing. You step up onto your tip toes to deepen the kiss, a hand bracing yourself against his chest for a moment before you mean to step back, maybe even apologise for pouncing on the man, but Leon’s arms wrap around your waist, holding you in place, kissing you back incessantly before you both have to retreat for breath.

“Well, if I knew the shampoo would get that reaction I would’ve started the night off with it.” He murmurs, pulling away and resting his forehead against yours. “I gotta ask though - you’ll kiss on the first date, but not ride a motorcycle?”

You shrug, half-heartedly. “One’s more dangerous than the other.”

He kisses you once more, softly, ending with a teasing nibble on your lip.

“Oh, we’ll see about that, sweetheart.” -- Masterlist . 1,000 followers event

[hayleythesugarbowl]

hello! I've been seeing a lot of smosh vidcon content lately as well as rewatching shayne guesses and it made me brainstorm a bit!

How about a Spencer x reader where he freaks out about his favorite creator being at vidcon (the reader obvi) and the other cast members trying so hard to get them to meet and they hit it off? *you know Kiana would be allll over helping a bestie out lol*

or maybe even the same kind of thing but instead of meeting, reader is one of Spencer's fav youtubers in Shayne's guessing favorite youtubers video? Shayne immediately knows it's spencer and kind of outs his crush! reader is a big fan of smosh so she sees the video and it goes from there!

absolutely adore your work and keep it up queen! 🫶

See You Online || Spencer Agnew x reader

⋆ ˚｡⋆୨୧˚ masterlist • smosh masterlist  ⋆˚｡⋆୨୧⋆

summary: when you see a smosh video of spencer saying you’re one of his favorite youtubers, you begin to interact online. then, when you both attend vidcon (and spencer’s friends convince him to talk to you) you hit it off

word count: 2.6k

warnings: mild language

a/n: hey darling! so i kind of went with both of these ideas and i hope you like what i did 🤭 i included some fake insta/yt in this because it fit so this is partially a social media au. fem!reader. enjoy!!

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     “Well, this is obviously Spencer.”

     Shayne tapped his pen against the desk as he looked at the screen in front of him.

     Three YouTuber names had appeared next to him for the viewers to see. 

     “What makes it me?” Spencer’s teasing voice came from off camera. 

     “C’mon,” Shayne said. “We got Retro Game Corp, MandaloreGaming, and (Y/n) (Y/l/n).”

     He continued. “Everyone knows you love retro shit. MandaloreGaming sounds like just the kind of nerd thing you’d be into. And (Y/n)—that one’s just self explanatory. I mean, Spencer’s obsessed with (Y/n). Ask anyone in the office.”

     “Ok woah,” Spencer piped in again. “I don’t know about obsessed.”

     “Dude, you just told me yesterday that you watched her videos until two in the morning the night before,” Shayne addressed him.

      Then he faced back to the screen, to the viewers. “Spencer’s got a little bit of a crush on (Y/n). It’s uh, it’s honestly adorable.”

      A woman’s muffled voice came from offscreen. 

     Shayne laughed. “Kiana said Spencer would have (Y/n)’s babies.”

     “Dude!” Spencer yelled at Kiana offscreen. “What if she sees this!”

     “There’s no way,” Shayne laughed. “There’s no way any of the YouTubers from this video are seeing this.”

      “Imagine,” Spencer joked. “I’m like, ‘hey (Y/n), hit me up’, and then she sees this, bro.”

      “Hey,” Shayne raised his eyebrows. “You never know. I mean, I married a YouTuber.”

      “Just an excuse to bring up Courtney,” Spencer coughed.

      “Anyway,” Shayne put his hands on the table in front of him. “We’re getting a little off track here. We’ve established Spencer’s in love with (Y/n). Now—do I even have to guess?—show me Spencer!”

      He pointed to the side as an imagine of Spencer popped up on the screen. 

      “Well, thanks for that easy round,” Shayne joked. “Now, let’s see the next set of YouTubers…”

     And that was where you stopped watching the video every time. You’d seen the whole of Shayne Guesses Favorite YouTubers before, but when you went back to rewatch it, it was always this clip.

     You’d been sent this specific clip by hundreds of people. Your followers and subscribers on all different platforms. The comments ranged from ‘oh my gosh look at this’ to ‘you have to see this smosh video’ to ‘petition to get Spencer and (Y/n) to go out’.

     What they didn’t know, was that you’d seen it long before they began tagging you in it.

     You were a huge Smosh fan, and had been for years. Imagine your shock when you yourself were named in one of their videos. 

     You’d only been a creator for a little over a year now, but you’d quickly gained a following and were becoming more and more popular online. It still all felt so surreal, and seeing yourself named as someone’s favorite YouTuber—especially on one of your favorite channels—felt like a huge moment.

      That, and you were flattered by Shayne’s comments about Spencer. You thought it was sweet that he enjoyed your content and—you couldn’t stop the blush from spreading to your cheeks—you. 

      That was what prompted you to leave a comment under the video—a comment which Spencer responded to.

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Can Shayne Guess Our Favorite YouTubers? Smosh Games • 721k views • 38k 👍

comments 2.9k

yourusername ✓: does this count as being in the youtuber and the celeb crush vid?

♥️ by creator

spennser ✓: it was actually only until 1am i swear smoshyyy651: spensser LMAOOOO chumbawumbasnumbertwofan: the fact that (y/n) (y/l/n) saw this ✋😭 y/nstanforlifeee: oh my gosh my queen is here 👑 I love you and your vids (not as much as Spencer apparently asksfsk)

mya_sol: how many times have you watched 8:04? me: yes

yourfavoritepizzaplace: ‘spencer would have (y/n)’s babies’ KIANA THATS WILDDDD 💀

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    And from there, you began interacting. Leaving comments and likes on each other’s videos and instagram posts. Leaving fans to obsess over your every interaction, to make compilations, to wonder if you were dating.

     Because you’d be lying if you said you didn’t read most of the comments about you two. 

    You enjoyed your little online back-and-forth. You’d known who Spencer was before the Shayne Guesses video had come out. Watching Smosh on-and-off for years, you’d seen him in multiple videos.

     It still felt so unreal for him to know who you were—not only know who you were but like your videos.

     And now look at you, messaging him and liking his posts like you were old friends. Spencer pretty much liked and commented on every one of your feeds or stories or uploads.

     After your original comment on the Smosh video, things just…took off. You didn’t really know how it started, one comment led to another, and suddenly it was like you had always congratulated each other and left witty comments on each other’s pages. 

     You smiled as you stared at the screen of your phone, looking over your’s and Spencer’s latest interaction. You couldn’t deny that he was really cute. You’d always thought so. 

     You thought of Shayne saying that Spencer had a crush on you and you felt your smile grow bigger.

     Your empty suitcase caught your eye as you looked up, sitting on your bed and reminding you that you still had to pack.

     You set your phone down. Fangirling over Spencer could wait. You still had yet to pack for your flight that that was in two days, and you didn’t want to leave it ‘till the last minute—or, more last minute than it already was.  

     You had been lucky enough to be invited to VidCon this year, and you were thrilled about getting to go as a creator and meet other artists who had inspired you. You were less thrilled about the packing.

      You stood up and walked towards your closet, starting to decide which outfits you wanted to bring, daydreaming about what VidCon would be like. All while thinking about Spencer.

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yourusername

liked by hannahmontoya, spennser, and 21,449 others

yourusername: new vid up now !! 💌

view all comments

haleypham: about to go watch it right now xoxo love you

yourusername: stop ilysm 🤭

ynsgirlfriend: WAKE UP SHE POSTED 🙏

spennser: guess what i’m going to be doing at 2am

⤷ liked by yourusername

darlingdaisy: please do a grwm next i need to see your skincare routine!!

ryla768: we’re being fed well today 🙇‍♀️

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spennser

liked by yourusername, filmingamanda, and 17,914 others

spennser: it’s giving cat lady

view all comments

phatchanse: *cat queen

yourusername: my cat says to tell ur cat hi

spennser: my cat says ur cat’s pretty cute carmensanfransisco: LOL 😂🐈 urmom17: oh my gosh she commented spencer are you freaking out? spennser: urmom17 shitting my pants fr

jessicarabbitsimp: who else has noticed spencer and (y/n) all over each other’s igs 😏

smoshismylife: love you spencer 🫶

──────────⋆⋅☆⋅⋆────────── yourusername

liked by spennser, iamjordiofficial, and 32,712 others

yourusername: thx for 100k 🥂

view all comments

spensser: yay i contributed

⤷ liked by yourusername

yourusername: how’d you have time to create 100k accs tho? ⤷ liked by spennser

lucindajones101: congrats girlie!! you deserve it

ynfan7: my queen 🧎‍♀️

butterflyenjoyer: been here since the beginning 🥹 keep shining!!

getyninasmoshvideo: the way spencer makes an appearance on all her posts 😭

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VidCon was amazing. 

      Today was the first day, and you couldn’t wait for all the festive still to come. You had already seen so many cool presentations and been a part of so many workshops and met so many interesting people. 

      And now, as you stood at the table set aside for you, staring at the slowing line of people still waiting to meet you, you thought that this was definitely your favorite part.

     You’d gotten to talk to people who watched your channel and hear how your content had impacted their lives or inspired them to create. It really made it all feel worth it. It made you love your job and all of the opportunities it had given you.

     You’d been here for nearly two hours already, and still there were a few more fans waiting to speak with you and get a picture.  

     You smiled to yourself as the last of the people filed through, letting the momentary silence wash over you. You had just picked up your phone to take a quick selfie for a later post, when you heard a commotion to your left.

     You turned to the source of the noise and had to do a double take when you saw the entire cast of Smosh at a setup similar to yours, having their own meet and greet.

     You didn’t know why in all of your thinking about Spencer you hadn’t assumed that Smosh would be at VidCon. It seemed obvious now. They were YouTubers, weren’t they?

     Speaking of Spencer, you saw him talking to Courtney and your heart did a little flip in your chest. After interacting with him online these past few weeks, and watching his channel for these past few years, it seemed crazy to see him in person. 

     As if sensing your presence, he looked your way and you turned away in time so it didn’t look like you’d been staring. You didn’t think he’d caught you watching him. 

     “Wait? Spencer, is that (Y/n) (Y/l/n)?” Courtney’s voice carried over the several feet that separated you.

     “Oh, is it? I hadn’t noticed,” you heard him say sarcastically, even though your back was turned to him. You stepped a little bit closer to their location, pretending to be fixing something on your lanyard.

     “Dude, you have to go talk to her,” you heard a male voice—Shayne? You didn’t dare turn around—say.

     “No way man,” Spencer answered, “What would I even say?”

     “You’ve been commenting on each other’s instagrams for like a month, you’ll think of something,” Courtney said.

     “Yeah, but that’s different. This would be, like, a real conversation,” he answered. “I don’t actually know her. What if she thinks I’m just some creepy fan, and it’s like bro back off.”

     You bit your lip, stifling a giggle. Oh, what he didn’t know.

     Then the music in the venue picked up and you couldn’t hear their conversation for nearly a minute. You walked a few feet back over to your table, picking up and looking at a few of the gifts fans had given you, finding a new way to look busy. This went on for another minute before you heard a new voice say,

     “What’s this about Spence and (Y/n) (Y/l/n)?”

     “Just that Spencer’s going to go up to her,” Courtney announced. 

     “I’ll get the popcorn,” the voice said. 

     “No, Kiana,” you heard Spencer say. “That’s not what’s happening.”

     “You’ll regret if forever if you don’t go talk to (Y/n),” The voice—Kiana—stated. 

     “No way. That’d be like if I asked you to just ‘go up and talk to’ Darren Chris,” Spencer said

     “My favorite white guy,” Kiana joked.

     “Hey bro, I thought we established that was me!” Spencer said in outrage. 

     “You will be if you go and talk to (Y/n),” she finished. 

     “I will not be manipulated,” you heard him say, and you stifled another chuckle. 

     “No, but you will be shoved,” Kiana said.

     “Wait what?” Spencer got out, before you heard a scuffing sound.

     You turned around just as Kiana pushed Spencer and suddenly he was right before you. 

     “Hey,” he said, looking uncomfortable, shooting a glare behind him at Kiana. “I heard there was a meet and greet?”

     You smiled. “You just missed it, actually.” 

     “Damn, next year then,” he said.

     “I suppose I could make an exception,” you teased. “I wouldn’t want to be the one to take away anyone’s Favorite White Guy title.”

     Spencer winced. “How much of that conversation did you hear?”

     “What conversation?” You winked at him. 

     “I can’t remember,” Spencer said, smiling as he rubbed a hand along the side of his face.

     You were both silent for a moment.

     “So,” Spencer started, breaking it. “I would tell you that I love watching your content—until a very reasonable hour of the night, might I add—but you kind of already know that. And I bet you’ve already been told that by hundreds of people today.”

     “Not by anyone nearly as cute though,” you replied, before leaning in to mock-whisper. “And I don’t mind hearing it again.”

     “Also,” you continued. “I could say the same to you. I love Smosh—I’ve watched your channel for years. You guys are all so talented.”

     “Really? No way,” Spencer smiled. “You watch Smosh?”

     “Really,” you smiled back. “I did know who you were before the Shayne Guesses video, you know.”

     “Don’t remind me,” Spencer said, shaking his head.

     “I thought it was sweet,” you told him, laughing. “And if that video had never happened, we wouldn’t be here right now.”

     “Or at Buca Di Beppo tonight at 8?” Spencer said, with trepidation.

     “Or that,” you agreed, nodding. “Are you asking me out on a date, Spencer Agnew?” 

     You felt a blush creeping up your cheeks. 

     “I guess I am,” he said. “Unless you’re going to slap me, in which case no.”

     “Only if the date goes badly,” you teased. “And if you don’t make 100,000 more accounts to subscribe to my channel with.”

     Spencer grinned. “Done. And I can introduce you to the rest of the gang.”

     “Are they good with me crashing your guys’ dinner?” You asked. You couldn’t believe you were going to meet the members of Smosh.

     You couldn’t believe you were going on a date with Spencer. 

     “Oh, they already know about it. They’re listening to every word of our conversation right now.” Spencer pointed a thumb behind him and you looked over his shoulder to see all of the Smosh cast watching you.

     They all waved at you.

     “Hey girl hey!” Kiana called to you, smirking at Spencer. 

     You waved back at them, grinning. 

     “Well, I don’t want to keep you from meet-and-greet-ing any longer,” you said, turning back to Spencer.

     “Isn’t that what we’re doing right now?” Spencer joked, gesturing between the two of you.

     “Doesn’t count,” you said back. “Technically we’ve already met on the internet.”

     “Yeah, well, you’re much prettier in person,” Spencer said, as he backed up towards the rest of the Smosh cast.

     “Well then,” you said, only a little bit breathless. “I guess I’ll see you tonight.”

     “Unless I see you on the internet first,” Spencer said, turning around and walking away. 

     You couldn’t wait. Not only did you have your date with Spencer to look forward to, you also had the rest of VidCon to get to know Spencer better and hopefully hang out with him before all this was over. 

     You turned to leave as well, walking in the opposite direction of Spencer as you tried to think where you had to be next. It was hard to focus when all your thoughts were occupied by something else. Someone else.

     You were almost out of earshot when you heard Kiana’s voice, carrying over the crowds of people.

     “Get over here, loser. I’ll take my thanks in the form of cash and/or worsted weight yarn.”

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yourusername

liked by spennser, co_mill, and 41,813 others

yourusername: had the best time with spennser at vidcon ‘24 ❣️

view all comments

kianaparker: ok but i’m glowing (also yw 💁🏾‍♀️)

⤷ liked by yourusername

spennser: new phone who dis?

yourusername: definitely not your gf ⤷ liked by spennser materialgorl199: GF?!? AHHHHH heatherscandystore: wait they’re together? I’m so happy for them ily both sm 🤭

jessicarabbitsimp: I KNEW IT WAIT 😭

thirdcutestsmoshboy: i met both of them there and they were so sweet

ynislife: so are they dating???

angelagiovanagiarratana: GUYS 🥹

~~~~~~~~~~~~~~~~~~~~°~❦~°~~~~~~~~~~~~~~~~~~~~

ˋ°•*⁀➷ hope you guys enjoyed this little bit of a different format. i had sm fun writing this. check out my other spencer fics if u want more like this 🎀

[thehereticdiaries]

When Fantasy Becomes Reality

Summary: You're stuck in a stupidly tedious class during your final semester. The upside? The TAs are incredibly attractive. What happens when they catch you writing something very interesting during one of their tutoring sessions?

Warnings: SMUT!!!!!!!!! Reader gets manhandled, size difference, humiliation kink if you squint, fingering, oral (f rec), slight dumbification, dom!YunGi, sub!reader, one (1) spank to the thigh, praise/degredation

Pairing: Yunho x Reader x Mingi

Collab with @mingkismain ! Read her part here (it's a direct sequel)

Your final semester was supposed to be as laid-back as possible. You chose classes that you’d be able to ace with minimal effort. All of your core classes were finished at this point, so you had a bunch of free electives to fill up your last credits. For the most part, you succeeded. You could pass three out of your four classes in your sleep. That fourth class, however, proved to be much more tedious than you anticipated. Your friend insisted you take ‘Philosophy of Science Fiction’ with her. You only agreed because you figured the lectures would consist of watching sci-fi movies or reading sci-fi novels.

You were so incredibly wrong. Well, you were right about the lectures including sci-fi movies, tv shows, and novels. The numerous essays about said media were what killed you. In the 15 weeks of the semester, you had written eight essays. EIGHT. It was fun for the first two or three, but now it was just exhausting. There was only one perk to the course: the two very handsome TAs. 

Staring at Jeong Yunho and Song Mingi quickly became your number one pastime during lectures. You often attended their tutoring sessions even with your grades being near the top of the class. Which is what you were doing right now, in fact. They were holding an all-day tutoring session to help your class work on your final essays. You finished your paper on Iron Widow hours ago, but you stayed in the reserved study room and acted like you were adding your final touches. It wasn’t a total lie. You were writing, but it definitely wasn’t classroom appropriate. You were engrossed in perfecting the filthy words on your google doc. So engrossed, that you failed to notice Yunho looking over your shoulder.

“Oh, shit.” You jumped at how close his voice was, whirling around to gape at him. The study room was empty except for you and the two TAs.

“Yunho, it’s not what it looks like, I swear.” He smirked at the flush rising on your cheeks. Before you could attempt to defend yourself further, Yunho snatched your laptop from in front of you. He easily evaded you as you chased him around the table. “Give it back!”

“Mingi, give me a hand.” The other TA snaked his arms around your middle and lifted you off the ground. The height difference left your feet dangling by a few inches.

“Put me down, please! It’s not a big deal,” you pleaded, smacking his forearm repeatedly. You felt his chest vibrate when he laughed.

“Doesn’t seem like it from how hard you’re trying to get your laptop back,” Mingi teased while Yunho scrolled through your story. You wiggled to try and loosen Mingi’s grip on you, but he was definitely stronger.

“Damn, Y/N. You’re into this?” Yunho’s heated gaze fell back on you. He clicked his tongue with a shake of his head. “Dirty girl.” You froze, digging your nails into Mingi’s arm subconsciously. 

“Dude, are you going to tell me what she’s been writing or not? I think I've waited long enough.” Shit, what did that mean? You narrowed your eyes at your laptop, willing it to explode on the spot. No such explosions occurred, to your horror.

“Elena rolls her hips against Luca’s thigh, desperate for relief after his relentless teasing. He splays a hand across her lower belly to keep her from moving. ‘Patience, sweetheart. Be good for me or I won’t let you cum at all tonight.’ Elena pouts up at her lover, tears welling–”

“Yunho! Shut up, please, shut the fuck up!” You hid your face in your hands. You yelped when Mingi swatted your thigh. 

“It’s rude to interrupt someone when they’re speaking,” you shivered at his breath fanning across your neck as he scolded you. “Keep going, Yunho.”

“Oh, this is a good line: Elena’s thighs tremble against Luca’s hold. She whimpers and tries to push him away, but he uses the hand not inside her to pin her arm to her side. ‘You wanted to cum, love. So now you’re going to cum as many times as I see fit.’ Elena whines as he licks another thick stripe over her clit,” Yunho paused to share a look with Mingi. His eyes looked darker than normal.

“Is that what you want, pretty girl? You want to be pinned down and forced to cum over and over again?” Mingi’s voice was low next to your ear. You swallowed down the whimper that nearly escaped your throat.

“Looks like it. Her character came three times on the dude’s mouth and fingers, then two more times on his cock,” Yunho confirmed in your silence. He skimmed through the next few paragraphs, grinning wickedly. 

“Any more interesting scenes?” You truly wished the ground would open up and swallow you whole. You were beyond mortified, especially since they seemed to relish in your humiliation. 

“Mmm, a couple lines here and there,” Yunho glanced up at you, tongue poking against his cheek. “She really likes to mix praise and degradation.” He set your laptop on the table, stalking forward to invade your space. You refused to look him in the eye.

“Does she?” The hand not supporting your weight gripped your jaw, forcing you to look at Yunho. 

“Some of her most used lines to use are full of it.” Yunho ran his hand up the back of your neck to grip your hair. You couldn’t contain your soft moan this time. “You taste so fucking good, sweetheart. You look so pretty taking my cock. Look at you, such a good little slut for me.” 

“I’m- I don’t…” You stumbled over your words, panting from their body heat pressing into you. “Please…”

“Please what, baby?” Yunho teased with an edge of condescension to his voice. His hand trailed up your thigh, fingers brushing under the hem of your skirt.

“Do you want us to stop?” Mingi’s hand released your jaw, only to rest on your neck. “Or do you want us to do all those filthy things to you?” A strangled sound at the back of your throat morphed into a gasp.

“We need an answer. A verbal yes or no, otherwise you’ll get nothing,” Yunho drawled, dragging his hand further up your skirt and pulling your leg to hook over his hip. 

“Fuck,” you cursed under your breath. You took a shuddering breath, goosebumps rising under his touch. “I- I want it.”

“Not good enough. What do you want, sweetheart?” Mingi insisted, hand slightly tightening on your neck. 

“I want you to do the things I wrote about. God, please do something,” you whined loudly, thankful for the sound dampeners lining the study room walls. Yunho stepped back so Mingi could sit, keeping your back pressed to his chest and holding your legs open over his knees. You’d imagined having Yunho between your thighs, but fuck the real thing was so much better. He shoved your skirt up to bunch around your hips.

“Shit, you’re already so wet and we haven’t even touched you yet,” Yunho smirked and pushed your thighs further apart. “Feel her, Mingi.” The man behind you dropped a hand down to stroke over the wet patch on your panties. Your hips jolted forward as he pressed down on your clit.

“Damn,” Mingi sucked a breath in through his teeth. He lightened the pressure from his fingers, tracing soft circles that offered little relief.

“Y/N, do you know the traffic light system?” Yunho tapped your knee to grab your attention. You nodded, head feeling fuzzy from their teasing. “Tell me.”

“U-um, green means I’m good, an-and to keep going. Yellow, fuck, yellow means slow down or change something. Red is a hard stop,” you stuttered, interrupting yourself with airy whines. 

“Good. Once we start, Mingi and I won’t stop until we think you’ve had enough. ‘No’ and ‘stop’ mean nothing, the only word that matters is ‘red’.” Yunho pulled roughly on your skirt, pulling you closer to him. Mingi lifted your hips so Yunho could drag your panties down your legs. You barely registered him pocketing them. He littered your thighs with open-mouthed kisses, avoiding where you really wanted him. Your hips bucked forward to try to get him to go faster.

“Sit still,” Mingi ordered. You yelped at the warning bite left on your inner thigh. You squirmed again, pulling an irritated huff from Mingi. He pinned your hips against his with one arm. You gasped at the feeling of his half-hard cock against your ass. 

“What do you think she should get, Mingi?” Yunho didn’t wait for an answer to finally run his tongue over your clit. Your hand shot down to his hair, winding your fingers in the soft strands. 

“She’ll take exactly what she wrote, and more.” The hand not holding you still moved under your shirt to cup your tit over your bra. You couldn’t even comprehend what he meant, too lost in the shockwaves of pleasure Yunho’s mouth sent through your core. You cried out when he thrust two fingers into your dripping cunt. You dropped your head onto Mingi’s shoulder, giving him access to suck dark hickeys on your neck and collarbones. 

“Fuck, fuck, Yunho please,” you panted heavily, pushing against the arm holding you in place. 

“You close already, sweetheart?” Yunho’s voice sent vibrations across your sensitive clit. 

“Yes! Please, can I cum?” You whimpered when his fingers curled to drag over the spongy spot you couldn’t reach with your own.

“Ooh, asking permission?” Mingi smirked against your neck. “Good girl, cum for us.” Another harsh suck sent you over the edge, eyes rolling to the back of your head. You clapped a hand over your mouth to muffle your scream. Yunho slowed his fingers, but didn’t stop licking your clit until your thighs trembled. He pulled back, mouth and chin shining with your release. 

“It sounded cheesy before, but fuck, you really do taste so fucking good,” he repeated the words you had written just before your laptop was taken. “Look at you, already fucked out before we’ve even fucked you.” He stopped thrusting his fingers, keeping them buried in you to continue curling against your g-spot. You clenched when Mingi circled your clit once before continuing down to prod at your entrance. Your back arched as two of his fingers pushed into you, right next to Yunho’s. 

“God, you’re tight. Can’t wait to fuck your pretty pussy,” Mingi groaned, unable to tear his eyes away from where their fingers disappeared in you. The stretch and Mingi’s palm brushing your clit had another orgasm quickly building. 

“Who would have guessed? Ms top-of-the-class is secretly a kinky little slut,” Yunho mocked, grinning when your walls clamped down on them. He sat up higher on his knees to leave his own marks on your neck. He bit into the juncture of your neck and shoulder, pulling a pathetic squeak from your throat.

“C-cumming!” Was the only warning they got before you arched in another orgasm, inadvertently grinding down on Mingi’s hard-on. Your skin buzzed and you struggled to catch your breath. They continued to finger-fuck you through your high. 

“Too much, too much, please,” you whined, weakly pushing at their wrists. Yunho’s free hand grabbed your jaw to force eye contact.

“What’s your color?” 

“...green,” you answered after a beat of silence.

“Thought so.” Yunho crashed his lips into yours, immediately licking into your mouth. You tasted yourself lingering on his tongue. You whimpered at the emptiness left when they removed their fingers. Yunho pulled back, still connected to you by a string of saliva. “Mingi’s turn.” Your back hit the table before you could process his words. Your legs were thrown over Mingi’s shoulders as he dove in to lap at your swollen clit.

“Fuck! I can’t- how many more?” Tears gathered on your lash line. Blinking them away, you stared as Yunho palmed himself through his jeans.

“You get stupid when you cum, don’t you? Can’t even remember the scene that you wrote.” Yunho sat in the chair you occupied moments ago. He tilted his head at you sifting through your syrupy thoughts.

“T-three on your fingers and tongues, two o-on your,” a high-pitched moan cut into your sentence. “Fuck, oh my god. Two on your cocks.” Another rush of arousal shot up your spine when you realized that both of them were going to fuck you. 

“Atta girl,” the slight praise went straight to your head. Mingi stole your attention back by blowing cool air over your clit. Your hips jerked, overly sensitive from cumming twice already. He watched your face contort with pleasure, pupils blown wide. Three of his fingers pushed back into your cunt, walls fluttering around him. In the back of your mind, you realized that they were prepping you to take their cocks.

“You’re right, Yunho. She does taste good.” Mingi’s eyes flickered to his friend for a moment before returning his focus to your pussy. “She makes such pretty noises when we stuff her full of our fingers.”

“I bet she’ll sound downright sinful when she’s stuffed full of our dicks.” The way they spoke about you like you weren’t in the room made you dizzy. Your head floated in a cloudy haze. Mingi moved back to your clit, sucking hard.

“Fuck!” Your third orgasm hit like lightning, only lasting a few seconds but leaving you breathless and flushed. You nearly sobbed, pressing the heels of your hands into your eyes. You barely felt it when Mingi stood from his place between your legs. When you finally managed to open your eyes, they loomed over you, eyeing you up with a predatory glint in their eyes.

“Oh, sweetheart, we’re nowhere near done with you."

Permanent Taglist: @furfoxsake22 @babygirlskz98 @miniverse-zen @holly-here @corgilover20 @eastjonowhere @bookswillfindyouaway

[ckret2]

Kinda weird ask incoming: Are Bill's substance abuse issues in your characterization based on anything canon or an Alex Hirsch interview or something or is it just "he obviously would abuse substances (more) if this wasn't a disney show so I'm just filling in the blanks"

1/3 actual canon & context clues, 1/3 reading five feet deep into one foot deep canon material, 1/3 "he totally would if this wasn't Disney."

To my knowledge there's no interviews confirming that he's heavy on the substance ABUSE (rather than just substance use), but to my recollection I'm pretty sure he's got the most allusions to consuming something alcohol/drug-adjacent of all the characters in the show. Outside of Bill we've got:

Stan ordering "expired apple juice"

since we're including "they probably would have done this if not for Disney," you could make the argument that Stan drinking Pitt cola was probably supposed to be beer cans.

the apple cider at the Northwest party

I'm gonna throw in Grenda drinking spoiled milk

Mabel consuming Smile Dip

farmer Sprott drinking hippie tea and pouring it out when he sees the love god fly by

Ford & the Oracle drinking Cosmic Sand, something strong enough he wakes up the next morning in a different dimension

that one alcoholic priest in TBOB

on TINAWDC, Ford tells Stan where to find his stash of beer.

And I think that's it?? Remind me if there's more.

WITH Bill, we've got:

In the Bill Reddit AMA he mentions salting his margarita glass with Time Baby's molecules. (and for the longest time I'm pretty sure this was the only explicit reference to an alcoholic beverage in a Gravity Falls-adjacent media; but Reddit is a godless land where S&P cannot tread, so I'm not gonna put too much weight on that. Still worth mentioning tho.)

he's got Time Punch at his Fearamid Party. Considering the "time" in the name, it could be related to Cosmic Sand (maybe you mix sand to make the punch?) which would mean they're drinking HARD.

(if Cosmic Sand IS related to Time Punch, now that we know Jheselbraum was in Bill's gang, there's a high chance she picked up drinking it while in the Henchmaniacs, so that's another thing we can now tie back to Bill's influence.)

He's drinking something while trying to interrogate Ford, an activity you'd probably want to be clear headed for, meaning either he drinks so hard so regularly that he DOES still have a clear head or else he's so accustomed to going "this is stressful, I need a drink to unwind" that he just does it even though it puts him at a disadvantage.

with the addition of TBOB, we now have: the silly straw page, where he's drinking a cocktail while also sitting in an enormous cocktail. Bill gushes about silly straws as one of his favorite things; and we know that stems from childhood, but NOW he paints an association between silly straws, drinks, and an overall margaritaville vibe

Bill mentions that the shaman introduced him to a local strain of hallucinogenic moss

Bill brings boxed wine to the Puritan girls' night.

Bill gets Ford wasted at karaoke night (and I have no doubt Bill was just as sloshed)—and if he knows how to make a drink that'll get you drunk in your sleep, he's got some serious mixology chops

the O'Sadley's incident.

That's so big it gets two bullet points. Nowhere else in all of Gravity Falls is there such an extensive, explicit, or extreme example of unhealthy substance abuse—barring the Smile Dip incident, but like, Mabel didn't know that was gonna happen and immediately swore off Smile Dip.

Three bullet points. He noclipped a guy into the ceiling. he got so drunk he forgot he killed his mom. He was arrested for "indecent exposure." Bill you good???

So most of the examples of drinking/hallucinogenics we get from the rest of the show are like, casual drinking or else children doing stupid shit. ONE incident of depressed drinking and one alcoholic side character.

But Bill drinks when he's partying, drinks when he's depressed, drinks when he's relaxing, drinks when he's stressed, drinks socially, drinks alone, drinks when he's helping a friend have fun, and thinks about drinking when he contemplates his worst enemies.

Okay.

Now half of these are from TBOB, so obviously they didn't factor into my decision to portray him as inclined to substance abuse over a year ago; but like... I'd say I interpreted the info we had on hand correctly, yeah?

Beyond that, it's a headcanon built up on the fact that he's got a lot of traits that lend themselves toward substance abuse.

An EXTREME "maximum fun NOW, consequences later NEVER" attitude. There seems to be no limits to how far he'll go in the name of chaos, fun, & hedonism, no matter who he hurts, no matter if he hurts himself. He's got that combination of reckless + irresponsible + shortsighted + passively self-destructive.

BIG on partying, which generally means drinks are involved and definitely seems to be the case here based on the time punch. "A party that never ends with a host that never dies"??

"says he's happy, he's a liar." When an emotionally stunted depressed person is in denial about being depressed and trying to convince everyone they're fine, what's a common coping mechanism? Self-medication!

he likes hurting himself. consuming substances in ways that are harmful to him is recreation to him. Yes I am talking about the soda in the eyes, even if it was a loaner body that can't have felt pleasant. The way he seeks out extreme+strange sensations makes me think he'd jump at the chance to try some weird new substance that does some crazy new thing to your head.

loves to socialize, but like... doesn't seem to have close friends. It would make sense for him to be inclined to use drinks/drugs as a social lubricant, both for himself and for his "friends," to help them all overlook the fact that maybe they don't actually really enjoy each other.

he's got a very strained relationship with reality, by which I mean he's actively attempting to murder reality and replace it with fantasy. What's a common method people use to try to escape/avoid reality? Self-medication!! What's one variety of self-medication particularly good at letting you slide into a fantasy world? Hallucinogenics! Which thanks to TBOB we now know he takes!!!

if Bill's reaction to an emotionally close relationship catastrophically falling apart is going on a massive bender, and if Bill's got a long string of exes that fell apart so catastrophically that they're straight up blocking his number, he's denying he ever dated them or ever felt love, and he's claiming that love is merely a pupa for hate... I think there's probably been a lot of benders.

overall he's just... a stressed, cranky, high-strung control freak who wants to give off the image of being so chill and cool and popular and enviable and suuuper happy. I think it'd make sense for him to turn to chemical assistance to bridge the gap between who he really is and who he pretends to be.

[buckets-and-trees]

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: ATHENS TO MIAMI

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

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[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[maniculum]

Perlesvaus (Evans translation)

So I'm taking another stab at reading the Sebastian Evans translation of Perlesvaus, for... reasons. Or the High History of the Holy Graal, as he titles it -- funnily enough, the people who put out this reprint apparently looked at the title, said "we're not doing that", and spelt it Grail on the cover.

Despite the bizarre choices in diction, it's still pretty fun, and I want to share some particularly entertaining bits of this text with y'all. (For those of you who aren't up on the two different translations of Perlesvaus and don't know what I mean by "bizarre choices", the Evans translation is from 1898 but pretending to be from, like, 1498.)

N.B.: Marginal notes in red are from the last time I tried this -- they stop showing up roughly a quarter of the way through the book, because that's when I decided to buy the Bryant translation instead.

I just find this funny because "who cares?" strikes me as such a modern thing to say. To me it is a phrase that seems most natural coming from a teenage character in late-20th-century media. But nope. "Who careth?"

This is here just for the bizarre scene. We have three women coming into the throne room (riding mules directly into the building, by the way). One is carrying a severed head decorated with silver and gold. Another has "a pack trussed behind her with a brachet thereupon" -- you can see from the notes that I had to look up "brachet", found out it was an old word meaning roughly "female scent-hound", and then had the mental image of this woman carrying around a beagle in a baby-bjorn.

Again something I find funny. Gawain just leaping through the air to interpose himself between the horses and this hermit, like he's trying to take a bullet for them. This is entirely because he is 100% certain the hermit will handle the saddles incorrectly, and when the hermit assures him he actually does know how this stuff works, Gawain calms down & lets him do it.

This is, for my money, one of the funniest things in all of Perlesvaus, which is saying something because it is a bonkers text. This lady rolls up and provides that description, and the hermit recognizes who she's talking about. Like, "oh yes I did see a knight with a heart of steel and the navel of a virgin". I want to give this description to a sketch artist. (I kind of want to throw it at an AI just to see what it comes up with, but you know. I don't want to encourage the machines.)

This time I'm nit-picking the translation, because that strikes me as a misplaced modifier. Obviously it's meant that Gawain is unaware of events, but the sentence is constructed to make it sound like it's referring to the building itself, which is of course unaware because it's a building and isn't aware of anything. (Also, side note, I like the phrase "as methinketh!")

One more, and I'm leaving this for now...

Here is a case where I was going to complain, but on further examination, I must hand it to Evans. I assumed that he was just randomly archaizing, but I looked it up after uploading this photo, and according to the OED, this was a valid alternate spelling of sovereign from the 17th to the 19th century. (Interestingly, the latest attested example on the OED is from 11 years before this translation was published, meaning this is evidence it was in use slightly longer than the OED entry would suggest -- does anyone know if there's still a way to submit instances of a word to the OED?)

[spookysteddie]

Text Me The Details

Modern!Rockstar!Eddie Munson x Influencer!fem!reader

18+ MINORSDNI

cw: gossip magazines, reader being horny on a live stream, cocky!Eddie, drinking, drugs mention

a/n: I kinda want this to be a series? So expect a part two at some point. But yeah this isn't an original idea so, credit to literally everyone who's done this before me. I gave reader a last name because if I have to write y/l/n one more time I'll sob. ANYWAY I hope you all enjoy and let me know if you like this!

WC: 1.2k

...

You are never drinking again. Ever.

Your management would agree after what happened last night. You didn’t mean to spill the secret you’d been keeping. It wasn’t even that big of a deal, however, you had an image to keep up. The party girl, the kind one, the one with lots of friends, the girl who had good grades in college, the one who always donated most of her fortune to various organizations. 

Now, every tabloid was writing articles about your celebrity crush. 

Party girl and influencer drunkenly admits she’d love to sleep with lead singer of Corroded Coffin Eddie Munson. Sources have said they’ve been together for a while but decided to keep it under wraps. 

The dating portion of that article wasn’t true and you silently vow to figure out who the fuck these ‘sources’ were. However, you admitting to wanting to fuck Eddie… did happen. You have no one to blame but yourself. 

Now, there are three reasons why you’re so stressed about this. First, even though you party all the time, you were good. You know, like only went out on the weekends, did every single assignment, tutored people on the side, was probably the most unproblematic influencer out there. Second, the last thing you wanted was Eddie Munsons attention. You had this thing where you didn’t want the people you were fans of to perceive you. 

Theoretically you knew they did, most of them followed you on social media. But there was a difference between being a fan of someone, and them semi-knowing you vs your actual crush who you own a poster or two of? That makes you want to throw up and pass out at the same time. 

But, finally, the third reason this stressed you out was because Eddie and his crew were not good. You know like, partied every single day, smoked a lot of weed and snorted coke off of his groupies and fans. It was all over the tabloids and the band has even posted about it a time or two. You didn’t do that. And if the tabloids caught you doing that, you’d lose everything you worked towards.

“So this is how we’re going to fix it,” Case, your manager, says from where she’s standing next to the fireplace in your apartment. “You’re gonna go back on live and say it was an accident.” 

You look up from the article you were reading, eyes finding his. “That is the worst idea ever. I was tipsy not black out drunk. No one will ever believe that was an accident.” You huff, locking your phone, “and I have tickets to their show next week.” 

You loved your team, but sometimes they made the most insane comments on how to fix the unfixable. 

You stand, pacing the room, “he isn’t one to read gossip magazines. And-and I’m not on the same level as his band. They’re A listers and I’m C list at best.” 

Your manager and publicist look like fish after what you said. Anna, your publicist speaks first, “I swear to god if you ever say that again I am uppin your therapy appointments. You hear me?” 

You huff, sitting back down on the couch, “I’m not kidding though. I’m not giving up this ticket. It’s one of the few things I’m looking forward to.” 

Case answers after rubbing her temples, “you better pray this blows over without him seeing it. You may party but his partying is a whole other level.” 

… 

The call came two days later, an unknown number popping up on your phone. 

You knew, you knew before you even accepted the call who’d be on the other end of the line. 

It felt like it started in slow motion, first came the gossip mags with the original story. Then came Eddie following you on instagram. He’d like a few photos and stories you put up. Then came his interview. The interview where he said, “of course I know who she is. I’m flattered really. I hear she’s a sweet girl.” 

Now, your phone is buzzing in your hand and you can’t bring yourself to answer the phone. 

“Yes just a fucking person. Just like you’re a person. Answer the phone.” You look down at the phone and are thankful it’s just you in your house. You tap the answer button, a fake smile on your face, as you put the phone to your ear. 

“Hello?” you use your best interview voice, the one Anna has drilled into you. 

You can hear him breathe in before letting it out, long and slow, it’s clear he took a drag of his cigarette. Is he nervous too? There’s no way. Eddie always seemed to be this cool and calm guy, never afraid of anything or anyone. He gets into more fights in a week than you have in your entire 25 years of existence. 

“Good afternoon, Miss Asher.” You can hear the grin in his voice and it sends a shiver down your spine, your heart pounding in your chest. “It’s Eddie.” 

He didn’t have to introduce himself to you, you’d be able to pick out his voice in a crowded room. But only because you’ve listened to his music so often… only reason. 

“Oh! Hi! I’m s-surprised to hear from you.” You cringe at the stutter that came out of you. You had more than enough practice dealing with any situation thrown at you. From the funny to the uncomfortable to the scary. You were trained for this and you were fucking it up. “How can I help you?” 

“The band and I will be in town next friday, we’re playing a show.” You know where this is going and it makes your heart beat faster, so fast you’re scared it’ll burst. “I was wonderin’ if you were goin’?”

Oh fuck. Oh fuck. Oh fuck. Oh fuck.

“I am, actually. Me and a few of my friends actually.” You rub your hands down your sweatpants, nerves making them sweat. 

“Oh! Well that is fantastic,” his tone is chipper as hell and you know he’s high. On what, you have no idea. “I was thinkin’ that maybe ya friends and you’d wanna join us backstage. VIP area for the show? What cha think?” 

All of sudden you forget how the english language works, your tongue sticking to the roof of your mouth. This is what you’ve been wanting for so long. Well, in your dreams of course. But looking at it from a business perspective, it could bring his fans to your page and your fans to his page. It was kind of a win win. Well, win win lose because then Corroded coffin knows who the actual fuck you are and you arent just some fan. And that, terrified you,  

“Heeeeeeello? Are you there?” 

His voice breaks through your clogged mind, forcing you to respond. 

“Hi, sorry. I’m here! I um I got distracted. But, yeah that sounds great, actually. We-we’d love that.” 

“Good! I will have my people call your people, yeah?” 

“O-or you can just send me the information,” you say it before thinking and now you really want to punch yourself. 

He chuckles to himself, “okay, sweetheart, I’ll text you the information. See you next friday.” 

He hangs up before you can say another fucking stupid thing. You press the phone into your hands, foot bouncing on the floor with nerves. You can think of seven different ways that conversation could’ve (and should’ve) happened. One of which was with your entire team, another being with your friends, another being with your parents. Not alone to make a fool out of yourself. Your management team was really going to kill you.

[mostlysignssomeportents]

It’s been twenty years since my Microsoft DRM talk

On THURSDAY (June 20) I'm live onstage in LOS ANGELES for a recording of the GO FACT YOURSELF podcast. On FRIDAY (June 21) I'm doing an ONLINE READING for the LOCUS AWARDS at 16hPT. On SATURDAY (June 22) I'll be in OAKLAND, CA for a panel and a keynote at the LOCUS AWARDS.

This week on my podcast,This week on my podcast, I read my June 17, 2004 Microsoft Research speech about DRM, a talk that went viral two decades ago, and reassess its legacy:

https://craphound.com/msftdrm.txt

It's been 20 years (and one day) since I gave that talk. It wasn't my first talk like that, but at the time, it was the most successful talk I'd ever given. I was still learning how to deliver a talk at the time, tinkering with different prose and delivery styles (to my eye, there's a lot of Bruce Sterling in that one, something that's still true today).

I learned to give talks by attending sf conventions and watching keynotes and panel presentations and taking mental notes. I was especially impressed with the oratory style of Harlan Ellison, whom I heard speak on numerous occasions, and by Judith Merril, who was a wonderful mentor to me and many other writers:

https://locusmag.com/2021/09/cory-doctorow-breaking-in/

I was also influenced by the speakers I'd heard at the many political rallies I'd attended and helped organize; from the speakers at the annual Labour Day parade to the anti-nuclear proliferation and pro-abortion rights marches I was very involved with. I also have vivid memories of the speeches that Helen Caldicott gave in Toronto when I was growing up, where I volunteered as an usher:

https://www.helencaldicott.com/

When I helped found a dotcom startup in the late 1990s, my partners and I decided that I'd do the onstage talking; we paid for a couple hours of speaker training from an expensive consultant in San Francisco. The only thing I remember from that session was the advice to look into the audience as much as possible, rather than reading from notes with my head down. Good advice, but kinda obvious.

The impetus for that training was my onstage presentation at the first O'Reilly P2P conference in 2001. I don't quite remember what I said there, but I remember that it made an impression on Tim O'Reilly, which meant a lot to me then (and now):

https://www.oreilly.com/pub/pr/844

I don't remember who invited me to give the talk at Microsoft Research that day, but I think it was probably Marc Smith, who was researching social media at the time by data-mining Usenet archives to understand social graphs. I think I timed the gig so that I could kill three birds with one stone: in addition to that talk, I attended (and maybe spoke at?) that year's Computers, Freedom and Privacy conference, and attended an early preview of the soon-to-launch Sci Fi Museum (now the Museum of Pop Culture). I got to meet Nichelle Nichols (and promptly embarrassed myself by getting tongue-tied and telling her how much I loved the vocals she did on her recording of the Star Wars theme, something I'm still hot around the ears over, though she was a pro and gently corrected me, "I think you mean Star *Trek"):

https://music.youtube.com/watch?v=4IiJUQSsxNw&list=OLAK5uy_lHUn58fbpceC3PrK2Xu9smBNBjR_-mAHQ

But the start of that trip was the talk at Microsoft Research; I'd been on the Microsoft campus before. That startup I did? Microsoft tried to buy us, which prompted our asshole VCs to cram the founders and steal our equity, which created so much acrimony that the Microsoft deal fell through. I was pretty bitter at the time, but in retrospect, I really dodged a bullet – for one thing, the deal involved my going to work for Microsoft as a DRM evangelist. I mean, talk about the road not taken!

This was my first time back at Microsoft as an EFF employee. There was some pre-show meet-and-greet-type stuff, and then I was shown into a packed conference room where I gave my talk and had a lively (and generally friendly) Q&A. MSR was – and is – the woolier side of Microsoft, where all kinds of interesting people did all kinds of great research.

Indeed, almost every Microsoft employee I've ever met was a good and talented person doing the best work they could. The fact that Microsoft produces such a consistent stream of garbage products and crooked business practices is an important testament to the way that a rotten organization can be so much less than the sum of its parts.

I'm a fully paid up subscriber to Ronald Coase's "Theory of the Firm" (not so much his other views):

https://en.wikipedia.org/wiki/Theory_of_the_firm

Coase says the reason institutions exist is to enable people to work together with lowered "coordination costs." In other words, if you and I are going to knit a sweater together, we're going to need to figure out how to make sure that we're not both making the left sleeve. Creating an institution – the Mafia, the Catholic Church, Microsoft, a company, a co-op, a committee that puts on a regional science fiction con – is all about minimizing those costs.

As Yochai Benkler pointed out in 2002, the coolest and most transformative thing about the internet is that it let us do more complex collective work with smaller and less structured institutions:

https://www.benkler.org/CoasesPenguin.PDF

That was the initial prompt for my novel Walkaway, which asked, "What if we could build luxury hotels and even space programs with the kind of (relatively) lightweight institutional overheads associated with Wikipedia and the Linux kernel?"

https://crookedtimber.org/2017/05/10/coases-spectre/

So the structure of institutions is really important. At the same time, I'm skeptical of the idea that there are "good companies" and "bad companies." Small businesses, family businesses, and other firms that aren't exposed to the finance sector can reflect their leaders' personalities, but it's a huge mistake to ascribe personalities to the companies themselves.

That's how you get foolish ideas like "Apple is a good company because they embrace paid service and Google is a bad company because they make money from surveillance." Apple will spy on you, too, if they can:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Disney and Fox weren't Romeo and Juliet, star-crossed lovers making goo-goo eyes at each other across the table at MPA meetings. They were two giant public companies, and any differences between them were irrelevancies and marketing myths:

https://locusmag.com/2021/07/cory-doctorow-tech-monopolies-and-the-insufficient-necessity-of-interoperability/

I think senior management's personalities do matter (see, for example, the destruction of Boeing after it was colonized by sociopaths from McDonnell Douglas), but the influence of those personalities is much less important than the constraints that competition and regulation impose on companies. In other words, an asshole can run a company that delivers good products at fair prices under ethical conditions – provided that failing to do so will cost more in lost business and fines than they stand to make by cheating:

https://pluralistic.net/2024/05/24/record-scratch/#autoenshittification

Microsoft is a company founded and run by colossal assholes. Bill Gates is a monster and he surrounded himself with monsters, and they hired monsters to fill out the courts of their corporate palaces:

https://pluralistic.net/2024/06/14/patch-tuesday/#fool-me-twice-we-dont-get-fooled-again

To the extent that good things come out of Microsoft – some of its games products, the odd piece of hardware, important papers from MSR – it's in spite of the leadership; it's the result of constraints imposed by competition and regulation – and that's why Microsoft pursued such an aggressive program of extinguishing its competitors and capturing its regulators.

In retrospect, I think one of my goals in that talk was to convince those people doing good work for a rotten institution to go elsewhere and do other things. Certainly, that's one of the goals I pursue in the talks I give today. At the time, some of Microsoft's highest-profile technologists were publicly resigning over the company's war on free/open source software, so it wasn't an unrealistic goal:

https://web.archive.org/web/20030214215639/http://synthesist.net/writing/onleavingms.html

What I did not expect what that publishing the talk on my site and blogging it on Boing Boing would spark a wave of public interest that would get its message in front of several orders of magnitude more people than I spoke to at Microsoft that day. Partly, that was because I released the talk into the public domain, using the brand-new Creative Commons Public Domain Declaration (which was later replaced with the CC0 mark, due to legal issues withBu its drafting):

https://web.archive.org/web/20100223035835/http://creativecommons.org/licenses/publicdomain/

Some mix of the content of the speech, the spirit of the moment, and the novelty of that wide open license sparked a ton of interest. Jason Kottke recorded an audio version that Andy Baio hosted:

https://kottke.org/04/06/cory-drm-talk

My brutalist ASCII transcript was quickly converted to beautiful HTML by Matt Haughey and Anil Dash:

https://web.archive.org/web/20040622235333/http://www.dashes.com/anil/stuff/doctorow-drm-ms.html

For people who needed a hardcopy, there was Patrick Berry's printer-friendly stylesheet:

https://patandkat.com/pat/weblog/mirror/cory-drm/doctorow-drm-ms.html

Multiple people recorded (and sold!) audio versions, and then there were all the fan translations, into Danish, French, Finnish, German, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese (both EU and Brazilian), Spanish and Swedish. I stayed in touch with some of those translators, and they helped me translate the position papers I wrote for UN WIPO meetings. Those papers were so effective that ratfuckers from the copyright lobby started to steal them and hide them in the UN toilets (!):

https://web.archive.org/web/20041119132831/https://www.eff.org/deeplinks/archives/002117.php

Re-reading the speech for my podcast on Sunday, I expected to be struck by the anachronisms in it, and there were a few of those to be sure. But far more clear was the common thread running from this talk to other talks I gave that took on a significant life of their own, like my 2011 "War On General Purpose Computing" talk for CCC:

https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/

And my work on Adversarial Interoperability:

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

And my most recent work, on enshittification:

https://pluralistic.net/2023/08/27/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse/

In other words, I've been saying the same thing – in different ways – for more than 20 years. That could be depressing, but I actually found it uplifting. Two decades ago, I was radicalized by a fear that the internet would be seized by corporations and governments and transformed into a system of surveillance and control. I found my way into a job at EFF, where I worked with colleagues across multiple disciplines – coders, lawyers and activists – to fight this force.

At the time, this was a fringe cause. Most of the traditional activists I'd come up with in the feminist, antiwar, antiracist, environmental and labour movement viewed digital rights as a distraction and dismissed its partisans as sad, self-obsessed nerds who mistook fights over the management of Star Trek message boards for civil rights struggles:

https://www.newyorker.com/magazine/2010/10/04/small-change-malcolm-gladwell

I thought I was right then, and I think history has borne me out. The point of waging these fights – both in the wide public sphere and within political movements – is to get people activated before it's too late. Every day that goes by is a day when the internet becomes more inhospitable to political organizing for a better world – more surveillant, more controlling. I believed then – and believe today – that the internet isn't more important that the other fights I waged as a young activist, but I think that the internet is fundamental to those fights.

Saving the planet, smashing patriarchy, overthrowing tyranny and freeing labor are all fights that will be coordinated – Coase style – on the internet. Without a free, fair and open internet, those fights are infinitely harder to win.

The project of getting people to understand, care about, and fight for digital rights is a marathon, not a sprint. When I joined EFF, it was already 12 years old. There were six people in the org then (I was the seventh). Today, there's more than a hundred of us, and we're stretched so thin! The 30+ year old idea that internet policy will intersect with every part of every fight has been utterly vindicated.

Back in 2004, I asked Microsoft why they were willing to fight the US government to the death over antitrust enforcement, but were such wimps when confronted with the entertainment industry's demands for DRM. 20 years later, I think I know the answer: Microsoft understood that DRM would let them usurp the relationship between creative workers, entertainment industry companies, and audiences. Their perfect instincts for seeking out and capitalizing on opportunities to seize monopoly power drove them to make deliberately defective products, in the belief that their market power would let them cram those products down our throats:

https://memex.craphound.com/2004/01/27/protect-your-investment-buy-open/

Here's a link to the podcast episode:

https://craphound.com/news/2024/06/16/my-2004-microsoft-drm-talk/

And here's direct link to the MP3 (hosting courtesy of the Internet Archive; they'll host your stuff for free forever):

https://archive.org/download/Cory_Doctorow_Podcast_470/Cory_Doctorow_Podcast_470_-_My_2004_Microsoft_DRM_Talk.mp3

And here's the RSS feed for my podcast:

https://feeds.feedburner.com/doctorow_podcast

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/06/18/greetings-fellow-pirates/#arrrrrrrrrr

[storiesforallfandoms]

icdiwabh ~ joseph quinn

word count: 3688

request?: no

description: after finding out that her recently broken up with ex is already in a new relationship, she puts on a happy face for the public. but she can't do the same with him

pairing: joseph quinn x female!reader

warnings: swearing, angsty angst, rpf, use of y/n

based on this song

masterlist (one, two, three)

To give her credit, my best friend and guitarist, Chloe, tried her best to keep me from looking at my phone before our show. And it was working. I didn't even think anything of it, just that we were goofing off before a show as usual.

And then my phone chimed with a text from my mom. She always sent me a good luck text before a show. I unlocked my phone to respond, then saw that my social media notifications were blowing up more than usual.

I shouldn't have looked, but you know what they say about curiosity and the cat.

I opened Twitter to see I was being mentioned a lot. Mainly in replies to other tweets, and most of the tweets were along the lines of, "What happened to @(Y/U/N)?" I clicked on one to see what that context was, and was brought to a tweet from Pop Crave.

"Joseph Quinn photographed on a date with Doja Cat," followed by various photos of my ex-boyfriend getting cozy with another woman.

I felt my heart drop and break into millions of pieces.

I know what you're thinking: why would seeing my ex moving on hurt so much? It's not like we were together. We were both free to see whoever we wanted now. But there were a few reasons this news was upsetting; for one, we had only broken up three months ago, which apparently is around the time when these pictures were taken. Second, Joseph had broken up with me due to the fact that I was a singer, which meant we didn't get to spend as much time together as either of us would've wanted. I understood at the time. I mean, of course the break up still hurt, but I kind of knew it was coming when things between us had felt different the last month or so of our relationship.

Then there was the biggest reason: Doja was the woman he told me not to worry about.

I am not joking.

Joseph and I were together when the whole Doja versus Noah stuff happened online. We both laughed about it at the time, and i had jokingly asked Joseph, "Should I worry about you getting stolen away by Doja Cat?" He had wrapped me in his arms, kissed me, and said of course not.

Obviously, that had changed.

Chloe found me just as the tears started to fall. She was quick to hug me and whisper comforting words.

"Sweetheart, I'm so sorry," she said. "But we have to get to the stage."

Performing was the last thing on my mind, but I had thousands of fans waiting for me. I couldn't let them down just because I was heartbroken.

I followed Chloe to take my place. I wiped the tears from my eyes, hoping my face wasn't too red or puffy. Our backstage crew passed me my microphone as the countdown for the show to start started in my earpiece. I took a deep, calming breath, pushing everything out of my mind. As the blinding stage lights hit me, I put on my best show smile.

~~~~~~

The next few weeks were tough. I had to go on a full social media hiatus, meaning I deleted all social media apps from my phone to keep myself from seeing any more updates on Joseph and Doja. Chloe took up posting on my accounts so no one suspected anything. We had already decided the best course of action was to ignore the questions and comments, and to pretend like the news didn't even hurt me.

But it did. It hurt me more than any words could ever describe. Having to go on stage two to three nights a week and sing the love songs I wrote about him made it even harder. I struggled to keep it together on stage sometimes. I saved the emotions for when I'd get back to the hotel or the tour bus. Then I'd be able to cry until my eyes hurt and were too heavy to stay awake.

Some nights were sleepless, though. On those nights, I'd usually just lay awake or try to use one of the streaming services on my phone to distract myself. One night, I found myself too hungry to be distracted. My stomach was rumbling enough that I could hardly hear the show I was watching. After some quick Googling, I found a 24 hour diner that seemed like it would be slow enough for me to go without being recgonized.

I pulled on a pair of sweatpants and a baggy hoodie with the hood up to cover my face. I put my phone and my hotel room key in my pocket, and left to make my way to the diner.

As I expected, there weren't many people there. Maybe one table with two young ladies sat there, plus the workers. I kept my hood up anyways as I ordered, just in case. The host who took my order did look at me like he may have known who I was, but he didn't say anything.

My plan was to get my food and take it back to the hotel to eat it. But that plan was quickly changed when a familiar British voice said, "(Y/N)?"

I froze. There was no way he was actually here. It had to be a figment of my imagination. A hallucination made up by my misery over the breakup and his quick moving on.

But when I looked up, there he was. He was also in a hoodie and sweatpants, but was doing less to hide his identity. Actually, nothing to hide his identity. I couldn't help but glance around to make sure no one was looking at us or there was no paparazzi that had followed him and started snapping photos.

"How did you know it was me?" I asked, then realized it was a stupid question and winced at myself.

"That's...um...my hoodie."

I looked down and realized that he was right. I hadn't even noticed that I had it, even when I packed it for the tour.

"I was wondering where it went," he said with a little smile.

"Here it is," I said, lamely flourishing my hands. "I'd offer to give it back, but I'm not wearing anything underneath."

I saw him swallow at my comment. I thought I saw a tinge of pink creeping onto his cheeks, but I figured it must've been the lighting or something. There was no way I could still make him blush when he obviously had no feelings for me anymore.

"What are you doing here?" I asked.

"I'm in town shooting the Fantastic Four movie," he explained. "I just finished a late shoot, so I stopped in for something to eat. What are you doing here?"

"I had a show tonight. I couldn't sleep, and I'm hungry. So..." I did my lame flourish again.

"Oh yes. The post-show adrenaline."

I ground my teeth to keep from saying anything. The weeks of sadness and misery suddenly vanished and became anger. I was angry at him for reminding me that he knew me so well. That we had shared memories on sleepless nights like this. I was also angry that he didn't think our breakup and his quick moving on would be the cause of my sleeplessness. Did he think I didn't know? Or just that I'd be okay with him and his new girlfriend mere weeks after our two year long relationship ended?

I just shrugged in response.

My order was called and I quickly grabbed it. I turned to give Joseph a wave as a goodbye. I needed to get out of there and get back to my hotel room to wallow in my dispair.

But it seemed Joseph had other plans, as he stopped me before I could leave. "Do you want to sit? Maybe...catch up?"

"Is that a good idea?" I asked.

"I don't see why it wouldn't be."

"You don't want your new girlfriend to see paparazzi photos of you with your ex."

There, it was finally out. No more tiptoeing around the topic.

It seemed to have its desired effect as Joseph was now awkwardly shuffling. He rubbed the back of his neck, which was now undoubtably turning pink. "So, you've heard."

"Of course I heard!" I snapped. I glanced around again, realizing I was raising my voice. "Your pictures are everywhere, and I'm being tagged in them cause we never told everyone we had broken up."

"I'm sorry you had to find out that way."

I scoffed. "How else was I going to find out? Were you going to call me and tell me you were dating the girl you said wasn't a threat to our relationship?"

He sighed. Before he could say anything else, they called that another order was ready, and evidently it was his. It was also packed in a to go bag, so he clearly had no intentions of staying either. With any luck, he'd drop this stupid idea of sitting down for a "catch up" and let me leave to deal with all the emptions I was feeling.

But of course, luck was not on my side.

Joseph grabbed his food and turned back to me. "Just...sit with me for 15 minutes at least. Let me explain."

Even though I very much wanted an explanation, I said, "You don't have to explain anything."

"Just...please, (Y/N)."

And that's how I found myself sat in a booth that was tucked away, in the middle of the night with my ex-boyfriend.

It was a bad idea, and I knew that. Besides the fact that I definitely should not be sitting down with the ex that I had been in shambles over for weeks, it was also a bad idea publicity wise. Joseph wasn't trying to hide himself. Anyone could see us and snap a picture, or call paparazzi to make a quick buck. Even with me trying to hide myself, someone would eventually put the pieces together to realize it was me. Then we'd have a whole new shit show on our hands.

I opened my food and started to eat. There was no point in letting it go cold and completely ruin my night. Joseph wasn't as quick to do the same. He was watching me. When I realized he wasn't eating, I made a gesture for him to start talking.

"Is there anything specific you want to know?" he asked.

Well, that was a stupid question. There was a lot I wanted to know. So much so that I knew we'd be here way longer than 15 minutes if I asked it all.

I decided to ask him the most prominent question on my mind: "Did you leave me for her?"

He seemed stunned by my question. "No! No, of course I didn't. Why would you think that?"

I gave him a look. "Come on, Joseph. We both know why I'd think that."

He shuffled in his seat. "It's not like that."

"Then explain it. That's the whole reason I'm sat here."

So he did. He told me he met Doja (he used her real name, which made my stomach churn) at her concert. He had gone with a few friends, and when she found out he was there she brought them backstage to meet her. He swore it was all casual at first, that they were just friendly and were making light of the situation between her and Noah. When things started changing, he swore it was just a rebound thing.

"I never meant for it to become anything more," he insisted. "I was still so hurt. I just wanted something that would take my mind off of the pain."

I couldn't hold back the scoff that escaped my lips. "What?"

"Oh, nothing," I said. "I'm just so sorry to hear that you were hurting."

"What, you don't think our breakup was hard for me?"

"Weirdly enough, no, I didn't think you took things hard when you dumped me."

Joseph sighed. "It wasn't - "

"And you know what else?" I cut him off. "You told me you found it hard for us to be together because of our professions. And, honestly, I understood! If you weren't away filming, I was away touring. If you weren't doing press for a movie or show, I was doing press for an album. It wasn't easy, and while I was willing to go through those strifes for us, I did understand how it could be too difficult for you. But then you turned around, not even a month after you dumped me, and started dating another singer."

He was quiet. He couldn't even meet my eye.

I felt a lump forming in my throat, and my voice cracked as I said, "If you didn't love me anymore, you could've just said that."

He looked up at me quickly. "That's not - "

He was cut off again. Not by me this time, but by his phone. Someone was calling him. When I looked at the screen, I saw her name. It felt like a knife directly through my heart.

I packed my food and stood. Joseph looked like he was going to say something, but I put a hand up to stop him. "Answer your girlfriend, Joseph."

He didn't try to stop me when I left this time.

~~~~~~

As I expected, photos of Joseph and I got out. I didn't know to what extent as I still wasn't back on social media. My manager confronted me about it and I explained what had happened. She wasn't upset as I wasn't the one who hadn't been concealing my identity, and she agreed that the best course of action was just to ignore everything until it blew over.

Another two months passed and the tour finally ended. It became easier to perform as the time went on. Not completely easy, and I did have a night or two where I slipped up and got emotional on stage, but eventually I was able to put the meanings of my songs aside and just performed them for my fans. I knew some nights weren't as great as others, but I got through it, and finally I was going to have a break.

Chloe reluctantly agreed to let me have my social media back. I was still hurting a little, but I told her I couldn't isolate myself forever. It just wasn't healthy. Besides, I would need something to keep me occupied while I was home, besides just watching mind numbing reality TV. She finally relented when I told her she could watch me block the words "Joseph Quinn" and "Doja Cat" on all social media so that I wouldn't have to see any posts about them.

I was honestly surprised to find that I didn't want to look up anything to do with them. For a long time, the desire to know about their relationship was eating away at me. There were so many specifics I felt like I needed to know, but I eventually realized that I was just going to hurt myself further if I looked into them. Of course, I didn't completely stop thinking about Joseph. I didn't expect to. We had been together for two years, almost moved in with one another. I thought we were going to get married. You don't just let that go easily. But at least it was getting a little easier to live in a world where he was no longer mine.

On one particularly nice day, I decided to go out on the balcony to read. It was one of those fall days where the sun was out and there was a little heat coming from it, but not enough that it was unbearable. A slight breeze would blow through every so often, just cool enough to keep it tolerable outside. I was laid back in one of my deck chairs, engrossed in my book to a point that I hadn't heard someone approaching.

"Must be an interesting novel."

I jumped at the sound of a voice coming from my driveway below. I bookmarked my page and sat up to see the last person I wanted to be around. "What are you doing here, Joseph?"

"I just got back from filming."

"Good for you."

"I...I was hoping you were home."

"Well, you see that I am. Don't let the gate hit you on the way out."

"(Y/N), can we just talk?"

I stood from my seat and leaned over the balcony railing to look at him. "We said all there was to say in that diner months ago. There's nothing else to be talked about. Besides, do you want more pictures of us to come out? I'm sure Doja wouldn't be happy to see her man making a personal visit to his ex's place."

"We broke up!"

I stopped. "What?"

"Last month. It was all over social media, or so Lupita tells me." He tilted his head. "You didn't hear?"

"I-I blocked yours and Doja's names on social media so I wouldn't have to see any tweets or posts about you."

Joseph looked at me for a moment before barking out a laugh. I couldn't help but put a hand over my face as I laughed as well. Of course, by trying to block him out completely, I had totally missed the one thing I would've wanted to see.

I was a bit reluctant, but eventually I invited Joseph to come up. He knew his way through my place, he had been there enough times. I sat back down on my deck chair and pulled another one closer to me, as he appeared in the glass doorway. He sat down next to me and memories of all the times we had been out here flooded back to me.

"I wasn't done talking that night in the diner," he said. "I still had so much to say, and I have even more to say now."

"I didn't want to hear it," I admitted. "In my mind, after hearing how you and Doja got together, it just made more sense if you had broken up with me because you didn't love me anymore."

He shook his head. "It wasn't that at all. I never stopped loving you."

I was itching to ask him if that meant he still loved me now, but instead I said, "Then why?"

"I broke up with you because I loved you so much," he said. "Because loving you but not getting to spend time with you hurt so much, and I knew there was no way around that. When I started getting more job offers I knew things were just going to get so much busier for me, and that our already very short time together was going to dwindle down more and more, and I hated the thought of that."

"I would've taken a break," I told him.

"I couldn't ask you to do that. You love making music and performing. I could never ask you to stop doing that, or to change that. I thought the best thing for you would be if you could find someone who wasn't as busy, and who'd be able to go on tour with you and be at all your shows. Someone who wouldn't be in a different time zone basically 11 months out of a year and only be able to call you for an hour max every night."

"But what if that's not what I want?" I asked. "Yes, it was hard not to get to see you all the time, but I never would've traded that for anything else. I was so proud of you for all those roles you were getting, and even if I only got to talk to you for a few minutes, I loved getting to hear what you were doing. Because you were achieving your dream, and I got to be there to experience it. I don't want someone who can be with me all the time, I want you."

I hadn't noticed that we were both sat on the edge of our chairs. We were so close we were almost touching. I could smell the familiar scent of his cologne and it was making my heart skip a few beats.

"I should've talked to you instead of deciding just to end things," he said, his voice soft and quiet.

"You should've," I agreed. "And then if you were going to rebound, you shouldn't have done it with the girl you told me not to worry about."

He awkwardly chuckled and rubbed the back of his neck. "Yeah, not my finest moment."

I sat back in my chair, although I didn't want to. I wanted to keep being this close to him, or maybe to get closer. "So why did you two breakup anyways?"

"She was nice and all, but she wasn't you."

We sat in silence, letting his words sink in. He was looking at me, almost like he was waiting. Maybe I was waiting, too, to see where that confession was supposed to go. After a few moments, my body moved before my mind could comprehend what was happening. I quickly leaned forward, nearly putting myself on Joseph's lap, and started kissing him. He kissed me back immediately, wrapping his arms around my waist and pulling me the rest of the way onto his lap.

"I missed you," he mumbled against my lips.

"I missed you too," I admitted. I pulled away to add, "But don't think you're completely off the hook. You did still hurt me, you know."

"I know I did. I'll spend the rest of my life making up for it if I have to."

I smiled. "I think I like the sound of that."

He smiled back at me and pulled me back in for another kiss. Eventually, my book was abandoned on the balcony, and the large blinds were closed to keep from anyone being able to see the reunion happening inside.