#and are currently desensitizing them to see if they can be socialized and adopted instead of being released
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chipper-smol Ā· 2 years ago
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The Adventures of Trying to TNR the New Pack of Kittens That Showed Up On Our Street
We caught an opossum instead!
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starberry-cupcake Ā· 7 years ago
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Extensive Les Mis fanon character interpretation Discourse under the cut, read at your own risk
Iā€™ve been thinking about this for an embarrassingly long while and I know Iā€™m not the best person to discuss this, because talking about Les Mis is like opening this huge box of things which you need to be a scholar to be prepared to back up fully. Thatā€™s why this is underĀ ā€˜read moreā€™, because I am aware and accept my own ignorance and limitations BUT I also think this is an interesting topic, so here we go.Ā 
One thing that has been increasingly bothering me in what we can callĀ ā€œthe current fanon interpretationā€ of Les Mis, namely the fanon interpretation that arose/became popular post 2012 movie and through tumblr/ao3, is this idea that Enjolras is a toxic person and he tramples selfishly over peopleā€™s feelings.Ā 
This is something that escalates sometimes a lot, even to a point in which I had to one time witness someone on tumblr dot com saying that Montparnasse was a better person and preferable ship partner than Enjolras which made me just stop and stare at the screen for a long moment trying to comprehend where this was coming from.Ā 
There was an escalating fandom acceptance of Enjolras being incredibly selfish towards people in the benefit ofĀ ā€œhis causeā€, which makes him a sort of childish persona who is unable to take care of himself and who doesnā€™t understand peopleā€™s feelings in the slightest.Ā 
This is 99.999999% of the time paired with Grantaireā€™s interpretation, which I think is a key to understanding why this happened in the first place and why it evolved into turning Enjolras into an unfeeling person who understands nothing of human emotions.Ā 
And I think itā€™s a fascinating thing to think about and deconstruct, even if Iā€™m not fond of the interpretation.Ā 
I think that Grantaire is, to the current Les Mis fandom (more so than ever before, but Iā€™ll talk about that in a bit), what Ɖponine was to the musical fandom (and creators) in the 80s/90s.Ā 
A big problem I have with Ɖponineā€™s interpretation in the musical (and again, Iā€™m in no way the most qualified person to talk about this and my word should be taken with a bucket of salt) is that she was taken as the victim in a made upĀ ā€œlove triangleā€ that never was. The musical uses Ɖponine as a tragic figure whose love for Marius is depicted as wholesome and romanticized, whereas Cosette is reduced to a Cinderella story and a very shallow characterization once she becomes an adult (letā€™s remember her storyline is reduced to being an object to Fantineā€™s hope, Valejanā€™s salvation and Mariusā€™s survival without much of an own agency since her entire plot and growth and storyline are cut after sheā€™s rescued by Valjean). So the musical puts the two against each other as the twoĀ ā€œoptionsā€ Marius has, but doesnā€™t focus on Marius and Cosetteā€™s relationship aside from a couple songs and moments, instead gives Ɖponine a solo on how much sheā€™s unrequited and a death scene where the entire plot point of her wanting Marius to go to the barricade is erased.Ā 
Ɖponineā€™s character complexity is reduced to the character people is meant to feel for and women are meant to root for because she isĀ ā€œthe underdogā€. And, most often that not, thatā€™s what love triangles do, the underdog is the one people root for because theyā€™re meant to identify with their unfair situation and their tough luck.Ā 
This is a disservice to Ɖponine and to Cosette, who are much more complex than this and itā€™s something most people tend to let pass because the musical didnā€™t have as much time to expand, but it isnā€™t a matter of amount of content depicted but on which perspective to focus and what lens to see the story through.Ā 
Ask anyone who was a fan of the musical in the 80s and who hasnā€™t read the book or seen any other adaptation who they prefer between Ɖponine and Cosette, if you donā€™t believe me. I mean, On My Own was adopted as theĀ ā€œanthem of the female friendzoneā€ as cringe-y as hell as that sounds.Ā 
Anyway, what does that have to do with Grantaire, you ask me? Well, first of, itā€™s very easy to see how modern fandom tends to interpret Grantaire and Ɖponine as friends, really really close to one another. This is a very common occurrence that results from the comparison of their situations and strengthens my point, but itā€™s not where Iā€™m going with exactly.Ā Ā 
What I think that has happened with Grantaire, and here is the anthropological/sociological hypothesis nobody asked for, is that he became the embraced character for the current tumblr/ao3 fandom as Ɖponine was for that 80s/90s musical fandom, due to the interpretation he is given, to satisfy certain fandom needs that are current. Which isnā€™t wrong in itself, itā€™s what happens with archetypes all the time (and a subject of study for me, which is why this interests me specifically, Iā€™m currently writing two projects that involve literary archetypes, but I digress).Ā 
Grantaireā€™s drunkenness and confrontational nature were turned into coping mechanisms for a battle with severe depression, in most cases, or other underlying mental illnesses. Which isnā€™t that much of a long shot in itself, all things considered, it has a canon basis to stand on, but creates a complex case when it comes to the consequences of the things he does.Ā 
Fanon transformed Grantaireā€™s confrontational nature into a constant cry for help, one which Enjolras most often, if not almost always, ignores. Sometimes out of being oblivious, sometimes out of selfishness, sometimes out of derision and contempt. Sometimes all of them at once.Ā 
And one consequence of this was that it started becoming more and more often for Grantaireā€™s actions to be fully embraced by fandom because he was starting to be conceived as a vessel for a lot of self-reflection. It isnā€™t completely random that Grantaireā€™s characterization became more inclined towards the narrative of mental illness and conflicting coping mechanisms, because they are all subjects we talk about more openly now than ever before, especially in the platforms where this interpretation is more often seen, namely tumblr and ao3. Not that they didnā€™t exist before, but that theyā€™re discussed more freely now, especially through the idea of safe zones that social media and the internet in general allow.Ā 
What Ɖponineā€™s character was for the female fandom of the 80s looking for an underdog to root for, in a market filled with products about the female underdog who was unrequited and deserved to be loved, Grantaire somewhat became to a fandom needing to express this idea of existential emptiness and overall doubt about not only oneā€™s state of mind but also where one is going with their life when others seem so certain about it.Ā 
And talking about being certain about a life goal, whatā€™s going in with Enjolras, meanwhile? I believe that, much like Grantaireā€™s fandom characterization having somewhere canon to stand on, Enjolrasā€™s severity has some places where it came from which we can all clearly see. I am a little bit tired of how many times people use theĀ ā€œcapable of being terribleā€ phrase at this point, and then there was the whole thing with Saint Just which Iā€™m not getting into because this is already too long.Ā 
But, much like characters written to be two sides of the same coin, Enjolras and Grantaire tend to be connected to each otherā€™s characterization. They were like that in canon, they were written to be a pair which influenced, directly or indirectly, the other, so it isnā€™t strange to see that in fanon interpretations, the two also go hand in hand. Pun very much intended.Ā 
The issue I have with Grantaireā€™s interpretation isnā€™t that his perspective is more directly viewed, or that fandom goes more in-depth with his underlying issues, but the fact that sometimes identification turns into idealization. It happens very frequently in writing (and not only in fic) that authors who see themselves reflected in a character tend to try to erase any blame from them in a way to channel a sense of embrace for their own actions, and that can be counterproductive to the characterā€™s complexity.Ā 
Because it isnā€™t really the problems and hardship what make a character relatable, it is their growth which comes from learning, which, in turn, comes from making mistakes.Ā 
When Grantaireā€™s mistakes are characterized as reactions to things that are outside his capability to control, when they are seen as mechanisms of what anyone would do if they were in his place, Enjolrasā€™s reactions to them turn not severe but unfair.Ā 
Suddenly, all of Grantaireā€™s mistakes, jokes, derision and his unfavorable actions are seen as a product of an inescapable situation, out of his control, which, in turn makes Enjolrasā€™s anger unjust and an over-reaction. Which, paired with the fact that Enjolrasā€™sĀ ā€œcauseā€ varies from interpretation to interpretation (especially in modern contexts, which are the most popular among this generation of fandom, where the ā€œcauseā€ has to be determined from social and political contexts that tend to be very vague out of the global state of the world and the intersectionality of issues, which overlay in every one of them), makes him unfairly distant and overall incapable of feeling empathy.Ā 
Something that can be seen very clearly in the way in which, when itā€™s written as a ship, Enjolras often has toĀ ā€œchooseā€ between Grantaire andĀ ā€œhis causeā€, whatever that is in each specific narrative.Ā 
More so than making Enjolras too severe, my problem is with his desensitization. I feel that making Grantaire a constant victim (out of fandom willingness to grab onto him as a vessel of current issues of the generation he represents due to his canon-ish age) makes Enjolras desensitized to human emotion, especially because, most often than not, it is only him who is represented as oblivious or uncaring, while the rest of the group understands and sometimes even defends Grantaire, in stances even turning their backs on Enjolras for that reason, which always baffles me, truly.Ā 
Enjolras is a very complex character and his actions are matter of many essays and interpretations, but one thing I donā€™t think he can be seen as is uncaring. Even less so uncaring towards human emotion. His constant inner turmoil during the barricade is something to behold and I always turn to his decision to execute Le Cabuc/Claquesous as one of my favorite parts in the entire thing, and the fact that he grieves his decision in the way he does is a proof of his emotional complexity and empathy.Ā 
I donā€™t have a problem with Enjolrasā€™s severity or Grantaireā€™s motives, I have a problem with the simplification of their narratives into a judge and a victim, which I think is what leads to these conversations of toxicity among them, opening another bag of complications.Ā 
But even if itā€™s something that bothers me, it also fascinates me to see how these interpretations shift so much and how they change according to the audience that embraces the text at a certain point in time. How we charge it with additional symbolic value as we go, transforming it a bit with each read.Ā 
I want to clarify, very strongly and vehemently, that these ramblings are IN NO WAY meant as derision of fandom interpretation or anyoneā€™s particular writing. I too have written Les Mis fics and have fallen into interpretative conundrums that now, with experience, I judge unfitting to my current views, some which I have deleted, others which are still around. So this is in no way a call out of any form, not at all.Ā 
It is also not to criticize Grantaireā€™s interpretation, as someone who suffers from mental illness myself, I find it not only positive but necessary the inclusion of these topics in writing, whether it is in fic form or in any other type.Ā 
I find this a fascinating topic because, like Tournier said:Ā ā€œIn some masterpieces - and that is why they are first among universal literature - there is an incentive to create, an infection of the creative verb, a way to put in motion the creative process of readers. I confess that, for me, that is the peak of artā€. That is the magic of works like Les Mis, that we can use them to see ourselves, no matter how much time has passed, and if these characters still help to see ourselves and our reality in a way in which we can observe it better, I think Hugo would be glad.Ā 
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teawiththeot Ā· 2 years ago
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United Nations: Due 2030 Also United Nations: Oh we meant Do 2030?
In September 2015, 193 countries met at the United Nations (UN) to plan and adopt 17 global goals and basically ā€˜transforming and healing the worldā€™. This is how weā€™ve learnt of the sustainable development goals such as ending poverty and hunger and ensuring everyone has access to clean water, affordable services by 2030. But are ready to have the conversation of that these goals have been all talk and no action? 1) In 2021, global hunger had risen for the third year in a row, according to the latest UNā€™sĀ world food security report. The National Income Dynamics Study ā€“ Coronavirus Rapid Mobile Survey (NIDS-CRAM) revealed that during April/May 2021, approximately 2.3 million households reported child hunger, while an Ipsos study found that more than 40% of South Africans of all age groups were affected by hunger. 2) According to researchers at the University of East Anglia (UEA) and the Global Carbon Project (2018) global carbon emissions were also set to rise by 2% in 2018 to hit their highest ever level. The trend is driven by rises in the use of coal, oil and gas. In South Africa, the petrol price hike is hitting us even if we donā€™t have cars.šŸ˜¢ 3) According to the United Nations, globally, the gender gap has stagnated over the past 20 years. 62% of women are in the labour force, compared to 93% of men. According to the unemployment figures released by Stats SA, unemployment rates for males were 31.4% and females were 34.0%. 4) Globally, at least 773 million youth and adults still cannot read and write, and 250 million children are failing to acquire basic literacy skills. According toĀ nationally representative surveys, more than half (58%) of South African children do not learn to read fluently and with comprehension in any language by the end of Grade 4. A staggering 29% are illiterate.Ā You donā€™t want to hear anymore statistics, right? Me neither. šŸ˜  the list goes on and on. Unfortunately, these findings are disheartening.
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Image 1: sourced from the article: social media Memes as Commentary in Health Disasters in South Africa and Zimbabwe. I have used this image to show how the current living situation through laughter ā€“ this cartoon critiques, questions, desensitize and rebels yet taps into the reflection of the living economy of SA. ā€“ we are promised change yet no where to be seen.
I do not want to belittle the importance of having the SDGs. These goals are very important, and it will take time, dedication and only with collective effort can change the face of South Africa. However, letā€™s not wait for change to start at the top to come in our communities because we might be waiting forever; instead letā€™s convert their promises to action from the bottom. We have a role as individuals and society to attempt to solve our societal problems. I, as a community Occupational Therapy student intend to work towards the following SDGs:
Goal 4: Quality education: in the community we see many children with learning difficulties in the classroom from reading, writing, maths or paying attention in class. I attempt to encourage creche and primary teachers and parents to play a crucial role in shaping a child's success by teaching them how to speak two languages at young age, teach reading books and cultivate that love for books at a young age. Ā 
Goal 5 Gender inequality + Goal 10: Reduce inequalities - To reduce inequalities, attention to the needs of disadvantaged and marginalized: Gender equality and the empowerment of all women and girls by advocating for change. By educating men how they will do differently to help other women, plans to protect women against violence, and denouncing the structures of cultural oppression that women belong in the house. It is the one of ways to dismantle patriarchy we attempt to teach men is to question their daily practice and work through systems they have grown accustomed to.
Goal 3: Good health and well-being: I attempt to focus on maternal health at PHC clinics by equipping pregnant women and all women with the knowledge of having their childrenā€™s health and development frequently checked and at the same time looking after their own health. We are having these conversations around mental health, breaking the stigma of ā€˜having it all togetherā€™, adherence to HIV medication and risk of taking substances during pregnancy and encouraging peer support
Goal 8: Decent work and economic growth: attempt to providing capacity building and growth opportunities by providing Work skills training in the community we are working in. The training looks at empowering people especially women with skilled labor to obtain employment for themselves. With the economic and political system of South Africa, we cannot always wait for the government to give us jobs, but we can make our own. I also plan to encourage women to draw business ideas from their strengths, hobbies such as starting a vegetable garden ā€“ sell fresh produce
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Image2: This is image sourced from UN SDG website of how to achieve the targets of SDG3. The image shows just how superficial the solutions planned are. I am looking at the actions and thinking okay but how? when? How are you including the community who are on the ground?
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Image 3: this is from unknown source. A white male is holding this sign in front of the President of South Africa. This is it- to teach men is to question and work through systems they have grown accustomed to
To conclude, we am attempting to do this against a political and economical system that have all forgotten about its people. Working with the minds of individuals who have been in poverty and oppressed and being told for many years to just ā€˜deal with itā€™. There is no transformation without breaking ā€˜its been like that, and it will be thatā€™. To our leaders: I just wanna say: You have met the wrong generation. We are here to breakdown those walls of inequality, patriarchy ā€“ no matter how long it takes.
References
https://www.uea.ac.uk/news/-/article/strong-growth-in-global-co2-emissions-expected-for-2018
https://www.un.org/en/un75/women_girls_closing_gender_gap#:~:text=Globally%2C%20the%20gender%20gap%20in,93%20per%20cent%20of%20men
Akala B. (2019). Gender inequality in education is still an issue in Kenya and South Africa. Available at: https://theconversation.com/gender-inequality-in-education-is-still-an-issue-in-kenya-and-south-africa-125747 (Accessed: August 12, 2022)
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wildlyhardphilosopher-blog Ā· 5 years ago
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how to train my puppy not to jump on people | train your puppy
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how to train my puppy not to jump on people | train your puppy
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