#and also... sorry tomura

[moodyvoid]

I will never get over how soft he was with his sister and his mom

[remcadll]

Wow crazy how it’s been two months since mha ended. what the hell was that btw

[scarlettcryptid]

OH MY GOD?

[momomallowart]

Took his pants away bc studio Bones is too cowardly to do it themselves ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ🫶💗

[pinkflu]

My Shigaraki sim Opted to make more of a S1 loser Tomura instead of a mega jacked constantly shirtless Tomura, cause I love him and he just like me fr or whatever

Gallery ID: pinkflu Full CC List: here

[gayfortheplot]

I'm so tired of Spinner being left out and excluded from the League. Put Spinner back in the League please. Make him Himiko's endearingly awkward big brother. Make him Magne's endearingly awkward little brother. Make him worry about Tomura whenever he gets sick and dedicate his time to taking care of him. Let him go to the gym with Jin. Let him argue with Dabi. Let him make video game references. Let him be the only one to understand the gaming references Tomura makes. Let him go skateboarding. Make him stay up late at night playing GTA. Make him a paranormal fanatic, despite him easily getting spooked. Include him in League game night, where he annoys everyone when they play Monopoly because he keeps begging for money just to spend it poorly. Let Jin teach him how to work on cars because Shuuichi's interested in mechanics. Let him playfully call Atsuhiro's magic tricks lame. Let him help Kurogiri wash the dishes after dinner. Make him a hopeless romantic. Make him a source of support for the League. Make the League comfort him whenever he's upset. Make him laugh so hard he cries at a shitty joke Dabi makes. Make him rope Dabi into playing video games with him whenever Tomura's not around even though Dabi sucks at them. Make him want to reconnect with his family, because despite all the shitty things they've said and done to him and them being complicit in the discrimination he faced, he still cares about them and wants them to have a good life. Make him not want to have a birthday party because the greatest gift to him is just being able to hang out with his friends. Make Spinner care so much about his friends. Give the man anxiety. Give the man insecurities. Give the man his friends back.

[nagitosstolenhand]

Spinaraki Week Day 5: Cutscene

posting a day late cause i forgot to post this yesterday, version without text undercut

[mach1ne-g1rl]

collection of my digital bnha drawings .. sorryyyy

[jamiethebee]

Me: I'm done yapping

Reads Viz's translation for chpt 427

Actually no I'm not.

Let's talk about Izuku Midoriya, intense hero fanboy, everyone he looks up to is a hero, ect ect

Passively listening to Spinner as he sorrowfully tells him "he was my friend. He was my hero".

Like??? Midoriya doesn't even bat an eye but at the least that should resonate some with Midoriya. He can at least imagine what it'd be like to (permanently) lose All Might/Toshinori. Or Bakugou who was dead for long enough in the Sky Coffin. And we get.... A close up of Midoriya, showing some dark circles under his eyes and a blank stare. What. The. Fuck. Does he have so little empathy once people turn into "villains"? That he can't sympathize and try to ease their pain? And we're supposed to believe he has this incredible heart that's so inspiring to even antagonistic characters who've otherwise lost hope in hero society? (I'd maybe say that he's still processing the end of the war, dealing with his own stuff, ect ect and excuse that lack of interaction if not for the fact that he quips back "make it a comic book" - which he's not a big quip person so it's not like that's in his character to do, especially not during emotional exchanges. I'm sorry but it's just... callous at worst, tone deaf at best)

If someone can explain this chapter's Deku to me - not with suppositions, but with canon only evidence - that'd be great. But I no longer believe that Midoriya has such a great heart. Show don't tell, but we had plenty of telling and little showing.

[incorrect-league-of-villains]

Sako: Okay, why don’t we all share something about ourselves? Tomura, you first.

Tomura: I regret a lot of things.

Dabi: I have more bags under my eyes than I do personal belongings.

Geten: I still don’t know whose skull I found.

Skeptic: I will one day erase my enemies with science.

Sako: Great bonding, everyone! We'll do this again tomorrow.

[le-fruit-de-la-passion]

Shigaraki Kinktober - Day 4 - Hate Sex and Bondage

Shigaraki has very few memories of spending time with animals.

Sensei never kept any around the house; he always said they were too much work to train, with little to no reward. The few times he was forced to leave his room as a teenager and venture into the streets to get groceries, he might have seen a dog, or two, maybe some squirrels. Nothing more.

But he has this distinct image in his mind of an afternoon spent at Garaki's lab, looking over with boredom at vials of bizarre substances while the doctor talked to Sensei about things that didn’t interest him at all back then. He's maybe nine in the memory, tall enough to see over the counter, but not enough to reach anything with his scrawny arms and still decidedly unpredictable hands.

But the one thing that did catch his eye in the lab was a cage. It was small, smaller than a shoe box, or a box of cookies. Inside, there was a small rat looking rather in bad shape: its fur was dull, patchy, with bloodied marks over its small body. Its beady eyes stared right back at Shigaraki, pleading so desperately to be let free, yet filled with unforgiving anger he recognized well.

“What did the rat do to be held like that?” he asked.

The two men paused their conversation, and the doctor laughed, an unpleasent, gurgling noise, while Sensei only smiled.

“Oh, Tomura, the poor rat didn't do anything,” Garaki had explained with a chuckle, walking over to the cage. He poked a fat finger between the metal bars, just enough for the rat to smell him but not close enough to bite him. It had felt oddly cruel. “It was just unfortunate enough to be exactly what I needed for my experiments. Nothing more, nothing less.”

The memory is coming back to him so vividly, he thinks, because you look exactly like that rat in its cage.

“Did you decide to start talking yet?” he asks you once again.

“Fuck you,” you scowl at him, your eyes so dark he has to wonder if anyone had ever looked like him with such hatred and lived to tell the tale. “I'll never tell you anything.”

You spit at him from the chair you're bound to, narrowly missing his shoe by a few inches. He tsks in disappointment, bending down to collect the liquid off the dirty floor with his index. It shines under the flickering neon light, and he smiles at the look of utter disgust on your face.

“It's not a good idea to waste your saliva like that. Who knows when’s the next time I'll feel like giving you water…”

He gets closer to you, wagging the wet finger close to your plump lips. You're almost snarling at him.

“Wanna take it back?” he coos mockingly. He toys with your bottom lip, forcing his digit into your warm mouth. Not a second passes before you bite down on it, hard, and he curses as he pulls his hand back to safety. The wound is shallow, but he's got a perfect print of your teeth on his skin, now glowing with a mixture of saliva and blood. You look at him triumphantly, but you lose your bravado the second he starts chuckling. Soon, he's openly laughing, holding onto the finger in absolute delight at your reaction.

“C'mon, is that all you got?” he manages to snicker in between breathless laughter. “You can't even bite like a real sewer rat! No wonder hero society is collapsing.”

You shake your chair angrily, trying to get out of your restraints. It's no use, and you both know it: the cold metal chain binds your hands, legs, and neck firmly in place, making it impossible for you to use your quirk. Attached like this, still all dressed up in your hero outfit, you look like a children's doll still in her box, bound with tie wrap until its owner decides to free it.

“I got an idea,” you snap at him. “How about you uncuff me and I can show you just how much I can bite?”

“Tempting,” he admits with a crooked grin, “but I have a better idea, hero.”

He pets your hair with his bloodied hand like a twisted parody of affection, and you recoil from the touch. But the chain doesn't let you get far, and you grit your teeth as he keeps caressing your hair with false compassion.

“How about you stay like that, all tied up like a nice little present for me, and I have fun with you until you tell me what I want to know?”

You scoff, throwing him a defiant smile that makes his pants feel tighter. He loves it when they have some fight in them.

“You're even more pathetic than the UA reports said,” you taunt him, looking straight into his eyes; a cornered animal trying to act like it's the predator. “Is this the only way you can get anyone to fuck you?”

He doesn't take the bait; he knows he's still in control. Slowly, he gets on his knees, and rests his head against your thighs, looking at you from under his eyelashes with a smirk. The restraints are too tight for you to hit him with the force of your knee, and you seem to have realized it, so you stay nice and put, looking down at him with fiery loathing. Good.

“How about we make it a game,” he suggests, raspy voice syrupy sweet, “so we both get something we want out of it. If I can't make you cum, you're free to go. I'll even drive you back to UA myself. Isn't that nice of me?”

He's broken that bold protective shell you’ve put around yourself, he can tell: even though your eyebrows are still furrowed and your eyes are still throwing him daggers, there's a glimmer of something else there. You're considering it.

“But if you do cum, and I win,” he continues, feeling high off his own words, “then I'm not letting you go until I want to let you go. Even if you talk. And that might be a long, long time…”

He lets the sentence trail on, one hand making its way to your thighs and caressing the skin. So, so smooth. Nothing like his own. Maybe that's why he wants to touch you so badly.

“How do I know you'll keep your word?” you ask distrustfully.

“You don't,” he answers plainly, lazy smile still on his face as he plays with the hem of your costume, so close to what he really wants to touch. “That's what makes it a game.”

You stay silent for a few seconds, weighing your options. He knows what you'll say before you even open your mouth.

“Deal,” you accept, lips straightned in a thin line. Your serious game face. The excitement is coursing through his veins like adrenaline; he's got you.

He doesn't give you a warning when he rips the bottom of your costume, revealing your tantalizingly pretty pussy.

“Hey!” you hiss, obviously displeased he's ruined your costume.

“No panties underneath,” he comments, ignoring your protest. “I really have to wonder what kind of hero you are…”

A first proding finger starts tracing your warmth, not quite pushing into your hole.

“The kind of hero that going to win against a villain,” you throw back at him, glare still defiant. He makes a point of slightly digging a nail into the sensitive flesh, and you suck in your breath to stay silent.

“Doesn't look like I’m doing too bad,” he snickers, “but maybe I should keep going, to make sure.”

You glare at him, challenging: “D-do your worst.”

“If you insist.”

Soon, one finger becomes two, and two fingers become three. You're so wet there's almost no resistance every time he trusts his digits into you. He thinks of mocking you for it, but you're already trying so hard to stay silent, heavy breaths echoing in the empty storage room. He's palming himself with his free hand, getting off how badly you're trying to maintain your hero dignity.

He wants to break you.

He pumps his fingers in faster, rougher, and you can't help but gasp. You close your eyes, in what he can only assume is a mixture of pleasure and utter embarrassment.

“Its not polite to look away from the man making you cum on his fingers. Didnt't they teach you that at UA ?” he reprimands with a sick grin. He's winning, and you know it just as well as he does. It's not your fault, really: Shigaraki never loses a game.

“Y-you…” you start, interrupting your sentence to take a shaky breath, “you haven't m-made me cum y-yet-”

“That's right, he concedes, not slowing down the ruthless pace into your pussy. “We should get to the finishing moves, shouldn't we?”

As his fingers bottom out inside you, he curves them sharply, feeling for the spot he knows is hiding just nearby. When you cry out, your metal chains rattling, he knows he's found it.

It's amusing how badly your body tries to spread your thighs further apart for him, when your mind must be well aware the restraints won't budge any more. You're shaking as he abuses that spot over and over again, face contorted in pleasure, biting your tongue to stay silent. But it's a lost battle, and it only takes a few more seconds for you to let out a deep, exhausted moan as you cum all over his fingers.

His smile can't get any wider as he admires the clear juices coating his scarred hand. You're having trouble catching your breath above him, panting like an animal.

“Still think you can take me, hero?”

He makes a point of whispering the word as a last cruel jab, reminding you of how low you've fallen.

But then, you surprise him.

You smile.

“Round 2,” you spit out, parting your still trembling thighs apart again. And oh, for a little caged rat, the anger burning in your eyes is such a delight that Shigaraki thinks he might keep you locked up forever.

[khgne]

I'm seeing a lot of arguments and opinions about these latest bnha chapters, asking fans why they thought Tenko would be saved and how it's consistent writting.

Needless to say these have been controversial chapters and I need to sarcastically rant my opinions about it.

You're right, why would we think Tenko would be saved just because Izuku wanted to save him. And shared that with Ochaco who also wanted to save "her villain". If we've been shown tenko was a parallel to Yoichi and a victim of AFO, and his entire worldview was based on AFOs abuse. If this manga was showing us the humanity behind villains and openly questioned if killing them was the best or fair outcome as we saw with Twice.

But you're so right, why would the fans think that Tenko would survive when every other version of "Tenko" from Horis previous works - of which this character was based on - was saved and given a second chance? After revealing that decay is half of overhaul and showing multiple characters having a quirk awakening this arc. Why would fans think that despite all the Mt. Fuji and Butterfly (death/rebirth) symbolism? Forget "win to save, save to win", "a perfect victory!", "changing fates and wishing energy!". Forget "his friends are waiting for him" or "I want to save that little boy!". Forget "OFA IS A POWER MEANT FOR SAVING, NOT KILLING. ALL MIGHT TAUGHT ME THAT". Let's ignore Toshinoris words: "The citizens...heroes...villains...I need to light the way for all of them."

"But Tenko didn't want to be saved!",, and his entire anger against society revolving around the fact that nobody saved or helped him when he needed as a child, is proof of that. Yes, he was angry that Bakugo received immediate help and he questioned why he didn't, and yessss AFO gave him the decay quirk on purpose so that neither he can reach out to others, or others can reach out to him (in a manga that uses hands as motifs and metaphors) without getting destroyed and also adding to the idea that Tenko was born evil; but like, he kept fighting the heroes so of course he didn't want to be saved, duh.

Also, Izuku challenging the vestiges ideals and opinions of killing Tenko for multiple arcs now?? His argument that despite OFA being created to stop AFO, it could be given a new meaning?? Yoichi agreeing with Izuku and saying how happy he was that Toshi and Izuku held OFA?? That was just for fun! No meaning in those scenes!

Sero was so right going on about tragedies not being necessary, only for the story to end exactly in a tragedy. And of course that villains should pay for their crimes and killing them is better than letting them rot in jail, that's exactly why so far, every villain Izuku encountered has been killed! Oh wait no, they...actually got arrested.. mm okay.. But it's not like they could ever atone for their actions, it's crazy giving them a second chance!.... so let's ignore Nagant, Stain, or Gentle and La Brava.

And yes, of course the heroes have learned that villains are people too, and are victims that deserve a helping hand after so many arcs showing and telling us that from a bunch of characters, which is why their decisions and the way they handled a lot of villains!....didn't change at all.

Kurogiri was killed/shoved aside like an inconvenience to the heroes while pleading AFO for Tenko to be returned; and Tenko was killed for being loyal to his friends and wanting to destroy the status quo so the LoV and others could live better. All of these done with no hesitation or internal conflict from Izuku, so as you can see, very different from Hawks vs Twice. Ochaco got to connect and talk Toga out of it, and Shoto got to talk and come up with a plan to stop his brother, and both (plus Enji) begged their villain to stop because they didn't want them to die; so it makes perfect sense why Izuku, the compassionate mc that wants to save everyone, would do the exact opposite.

This kid went in there with no plan at all and it shows! (I guess he really forgot what Nighteye told him about his arrogant thinking). Because ever since the vestige world, Izuku gave up on Tenko and decides the best thing to do is to kill him. No trying to call out for Tenko and reach him, no reaction to AFOs trump card, no internal conflict with deciding to kill Tenko, no trying to explain to Tenko in the vestige world that his friends are trying to help the LoV too, no introspection on Tenkos words of wanting to be a hero to the villains, no guilt as he gives the final punch, no hesitation in shoving aside the one other person that also wanted to save Tenko (and wasn't attacking, only talking) so he could punch him again, and no communication with his fellow heroes to explain the situation of AFO taking control of Tenko again or the fact that Tenkos life and worldview are all bc of AFO. And I call that,, being completely in character for Izuku don't you think?

And of course Hori couldn't help himself and also try that with Toshinori. So that's why we have the one character that always hides behind a fake smile say that maybe if Tenko wasn't crying anymore it's because he was saved. (Out of sight, out of mind, just like what the civillians did when Tenko was a child looking for help) Toshinori, the symbol of peace who sacrifices himself constantly to save others, who felt guilty for failing Tenko, who wanted to save him since Kamino, who was emotional over Izuku wanting to save him as well, who was distressed to see Stain "the hero killer" die, who struggles with the will to live beyond his hero persona, is now emotionless and parroting the idea that "killing can be a way of saving" about Nanas last relative and fellow victim of AFOs, and I think that makes absolute sense. Let's have the same man whose teaching methods consisted of beating and traumatizing Toshinori as a kid, be right! (And listen, I'm one of the few ppl that absolutely love Gran, but that man has always been wrong about this).

And yes, the themes set up of:

- villains (and heroes) are human and more than their role that hero society forces on them;

- Izuku (and others) want to break the cycle of abuse and how villains are perceived and treated by society;

- Izuku wants to be a hero that gives a helping hand and saves everyone and Tenko wants to be a hero to the villains (both of them want the same thing at its core just in different ways);

- save to win, win to save; changing fate; etc.

- giving second chances to ppl to atone their wrongs regardless if they're villains or heroes because they don't have to let it define them (Aoyama, Nagant, Gentle and La Brava, Endeavor, Bakugo, Hawks, etc.);

Definitely work with the decision of death is the only way to save villains.

So yeah, you're so right that anyone that thinks these recent chapters went against the themes, is stupid and wrong. And it's us that see 'saving' at a very surface level right?

But really now, these latest chapters have been a disappointment and left me wondering what even happened for the story to suddenly go against everything it has been setting up so far.

Some of the criticisms are an overreaction, but most are valid and there's merit in discussing them.

Izuku flip-flopping between in-character and out-of-character; Killing Tenko and claim his heart has been saved despite giving him no closure regarding his abuse, quirk, or origin; The weird decision to mention and not show the off screen moment that develops Nanas character and her relationship with Tenko; Izukus lack of emotion and introspection about his decision;

Why have Izuku defy and disagree with the adults that told him to kill Tenko, to suddenly have him kill Tenko? Why have Izuku want to give a new meaning to OFA and break the cycle of abuse by "smashing that lid", if in the end OFA remains as only something to destroy AFO, and he behaves the same way every hero before him has. Why criticize hero society for the way it creates villains, and show them as victims that can be given a second chance to help and atone, only to say that after all, killing them is how you save them because they can't be helped. Why make izuku the compassionate kid that wants to understand villains and is willing to offer them a helping hand, if in the end he kills the same "crying child" he wanted to save for multiple arcs, because he was loyal to his friends and ideals.

If Tenko died still believing AFOs words that he was made to destroy, then did he really get full autonomy from AFO? Is he really free from his abuser if he still believes every word he was told?

[angy-grrr]

okay help im getting nervous dnksndjasndjndkad this week is going to be a long one IM GOING TO FAINT WHILE WAITING FOR THE CHAPTER ADKAJDKAJDK

explanation under the cut? im just venting kind of about the interpretation of Izuku-Shigaraki and Ochako-Himiko as the "same"

People keep saying they should bond like that in chapter 429 because they both are sad over failing in saving their villains, and feel the same way about them, and I just dont know.

Am I really seeing Ochako and Himiko's interactions as more than what was intended?

They are just so different from Izuku's and Shigaraki's; these have a touching moment like when they bumped heads as children, which was so sad and adorable before AFO decided to get involved, but its just... not the same, right? He didnt cry for him, he wasn't sad because he wanted a world with him in it specifically, but because this isnt what he wanted to do. He feels guilt, and has conflictive emotions over being considered an admirable hero when he killed someone; Spinner's eyes, judging and full of hatred for him, flashing in his mind while being told he inspired someone to move. From my point of view it does affect him of course, but its about their society around them -he asks about how things could be different and tries to be responsible, he acts in order to do what he thinks is right.

Ochako's feeling guilty? Is that really what it is? Is that wound a reminder of her own perceived failure as a hero? Im sure she does feel also guilt, but its that it? Himiko motivated her to go against what was considered right in the script of heroes and villains and went out of her way just to tell her "your smile is cute, I rejected you because I didnt understand how you could look so happy and free to do so, and I envy it". Did Deku ever had something like that with Tomura? I can see how he changed him, yeah, but did he even like him? He didnt know him, not like Ochako did with Himiko, right?

This is why he isn't crying over his death, or was desperate over the idea of him ending like that -he tried his best with what he had, and just like he told Ochako maybe a battle was inevitable but he also wanted to reach out to that inner child; he accepts the battle and is willing to attack as we clearly saw, and at the same time he wanted to stop the pain somehow.

Ochako wasn't willing to hurt her, didnt try even if she hurt her or her friends. They both arent killers and prefer to protect the people around them, but Izuku does hurt him multiple times and doesnt doubt about doing it -his regrets come from being too late, so he wonders if there are ways to intervene before and avoid this much pain from forming. Ochako and Himiko do have a feeling of what could have happened if I just met you before, Toga directly wonders about it. Am I reading it wrong if I see them as different? Their relationship is just more personal and emotional to me, so Ochako here is crying and was crying over losing Himiko. When she remembers in that moment the cliff scene and Izuku's words about maybe a battle being inevitable but not ignoring what he saw deep inside him... shes not glad or happy about reaching to Himiko's sadness, because it led to her disappearing and willing to die for her. She starts crying and I just see it as her realizing this doesnt make anything better, she wants her to be alive. She got into her heart, and its not enough if she dies.

She preferred to die, before letting Himiko to sacrifice herself for her.

Are Izuku and Ochako truly feeling the same for the villains? So many people think they share this guilt, and just handle it differently. That this is about failing in saving them, and wanting to be a different type of hero.

Am I just reading it all wrong?

[theeyeofthetigger]

Inspired by this post I saw yesterday~!

Ignore any visual issues, they’re watching tv, I drew this at 3am, and I’m very eepy

[mettywiththenotes]

Oh I love how Uchiyama voiced Tomura when he talks about Mikkun and Tomo-chan. How you can hear him turn childlike and the desperation to get across that he does have friends, he does, and his dog loves him too, so there!

[gradelstuff]

WAIT WITH VESTIGE-AFO "GONE" DOES THIS MEAN WE GET TOMURA'S VESTIGE WORLD INSTEAD NOW

PLEASE BRING THIS PLACE BACK