#and also. barry keoghan full frontal.

[lorephobic]

i think it's so crazy that mammal is such a beautiful movie about love and grief and the terrible things we do to the people we want most desperately to help and also it's two hours of barry keoghan milf porn. like we CAN have both.

[lousyfuckingratboy]

To understand how much Saltburn enthralled, belittled and maimed me. You have to understand that im a 5'5 awkward little freak who either looks like a goopy bull terrier or a vaguely angelic burgeoning sex symbol depending on hair and lighting. And my sexual charisma has extremes of both 'toothless lingering people pleaser who would follow a pitifully out of league crush around like a sad dog if he was peppering me with enough soft and knowing smiles' and 'odd, erotically intense sexually frustrated byronian soft dom pervert with a non phallic oral fixation' So, 70% of the movie made me ache in a kind of gleefully giddy dismay of self recognition. But! I also have no dick, avarice or machiavellian streak, so the last 30% really alienated and jarred me.

Idk ☆☆☆.5 I will probably watch it again (and maybe again and again and again)

[mvalentine]

tag people you want to know better!

thank you for the tag angel <3 @sussoro

last song: murder on the dancefloor (what can i say its saltburn on the brain <3 specifically that one jacob elordi edit and barry keoghan's bare ass + full frontal)

currently watching: ooo! just started (finally) catching up with the final season of sex education (mainly because emma mackey is the fc for my current hyperfixation oc lexi my beloved <3) oh! & i'm also rewatching bottoms because.... i mean its self explanatory really.

three ships: if we're talking about my own ocs that are constantly whirring around in my brain 24/7 then currently its: lexi & callum (the phantom agent), evelyn & ava (the wayhaven chronicles + original story) and jade & mason (the wayhaven chronicles). non-oc ships: devi & ben (never have i ever), jess & rory (gilmore girls) and henry & alex (red, white & royal blue) + hazel & pj from bottoms because they deserve more love fr <3

favourite colour: red! like a deep burgundy/ maroon/ wine red kinda vibe. also orange! underrated color fr.

currently consuming: water

place of birth: phuket, thailand.

current location: place of birth :)

first ship: LMAO this question made me realize how many of my childhood memories are so so foggy (haha trauma haha coping mechanism haha lets not talk about it anymore <3) BUT! from what i can remember it was from.... dork diaries (💀) & i remember shipping the mean girl and 'not like the other girls' main character.... like??? the fact that i didn't realize i was bi until i was like 20 will always be baffling to me hjsjsks

relationship status: single with ZERO situationships thank the heavens hshshj im finally free from the shackles of shitty men <333 all of that being said i want to go on a date with a girl saurrr bad considering getting a septum piercing just so girls finally get the hint that i'm staring at THEM not their ugly ass boyfriends....

last movie: bottoms

currently working on: not trying to say too much and jinx shit but i mayyy be working on an original project (🫣)

tagging: @coffeewithcutcaffeine @soscarlett-itwasmaroon @the-pale-goddess @joachimtriers @aztarion @agentnatesewell @wayhavenots @anotherbeingsworld

[denimbex1986]

'A BBC reporter has come under fire for a BAFTA red carpet interview to actor Andrew Scott, which fans have deemed inappropriate.

Scott stars in Andrew Haigh's acclaimed heart-wrenching drama All of Us Strangers, also featuring Paul Mescal, Claire Foy and Jamie Bell. The movie received six nominations at the BAFTAs, but didn't win any awards.

During a red carpet chat with Scott before the ceremony, BBC journalist Colin Paterson asked the Fleabag star about his friendship with fellow actor Barry Keoghan, the lead of Emerald Fennell's Saltburn.

The reporter asked Scott if he knew Keoghan "well", to which he replied: "I know Barry, yeah."

Paterson then pressed Scott for his reaction to Saltburn's now-iconic final scene, seeing Keoghan dancing completely naked through the titular mansion to Sophie Ellis Bextor's 'Murder on the Dancefloor'.

"Your reaction when you first saw the naked dance scene at the end of Saltburn?" the reporter asked, to which Scott politely insisted he didn't want to "spoil" the film for viewers.

Despite Scott looking visibly uncomfortable, the interviewer carried on, asking the star "how well" he knew Keoghan, hinting at the prosthetic talk surrounding Saltburn's full-frontal nude scene.

"There is a lot of talk about prosthetics. How well do you know him?", the journalist asked, to which Scott grimaced and shook his head before walking away. "Too much?" Paterson said as Scott left.

Viewers were left baffled at the moment, with many taking to Twitter/X to voice their outrage.

"Utter disgrace," one user wrote, branding the interview "truly disgusting".

"Andrew Scott was present at BAFTA to promote his film that has received multiple nominations, and this is the question you chose to ask?" the post continued.

"Even after seeing Scott uneasy, the guy carried on. Truly disgusting!"

"This is frankly disgusting," another person said.

"Andrew Scott is there to support his multiple nominated film and THIS is what you ask? Then when he looks visibly uncomfortable the guy carried on. Truly horrid."

Digital Spy has reached out to the BBC for comment.'

[cidnangarlond]

What were some of your fav films from last year, Jack? I haven't caught up on much of em yet so mine may just be the Weird Al biopic lol, but Glass Onion was fun too

See due to many reasons I wasn't able to go see really anything in theaters, if the movie had a theatrical release, so what I say here is based on opinions I've formed from various reviews, clips, posts, etc etc. That said, Glass Onion did seem to be a very good film, and the Weird Al "biopic" (I have it in quotes because making a movie about your life where every detail is completely wrong and is all fabricated on purpose is such an incredible move) I do very much need to see.

I did go and see The Batman in theaters which I enjoyed a lot and didn't even realize it was as long as it was. I did also see The Northman and enjoyed that too, but I do wish Mr. Skarsgard showed hog because it's only fair to have full-frontal male nudity if female actresses consistently do it. Barbarian I had a great time with because I'm familiar with the director-writer Zac Cregger's comedy work in Whitest Kids U' Know and it's great to see him transition into horror so smoothly.

Skinamarink personally is up there, people are of the opinion that it's a deeply polarizing movie and either you love it or hate it, and I loved it. I did also watch Banshees of Inisherin and didn't completely care for it or get the hype, I just wasn't crazy about it. Interesting story but I don't necessarily understand the amount of praise it gets, especially when people are praising Barry Keoghan for playing a man that is said to have some kind of mental slowness, or at least heavily implied, and people saying the scene between him and Kerry Condon where Dominic tries asking her out as she gently lets him down as "heartbreaking" like would it still be heartbreaking if he was just a guy and not "slow." It felt weird to see that opinion and people agree you know.

A lot of nominated and not nominated movies I still want to see when I have time, like X, Pearl, Everything Everywhere (desperately hoping it wins something major at the Oscars), Puss in Boots, Triangle of Sadness, Tár, Decision to Leave, another adaptation of All Quiet On The Western Front (but I still believe the 1930 adaptation will always be best regardless so I'm going into it biased here), Nope, RRR, Aftersun, The Menu, Babylon for shits and giggles.

I don't really care about The Whale because I'm not a fan of Darren Aronofsky - and people were saying The Whale felt exploitative, and it probably was because this is Aronofsky we're talking about what did you expect - likewise The Fablemans doesn't interest me I don't particularly care but I know Spielberg is going to get something because his name is attached to it aside from the fact it's a deeply personal movie but I'm just not interested. I'm not watching Top Gun: Maverick because I could not care less about it, Hollywood's nostalgia, Tom Cruise, and the insane amount of USAmerican military propaganda within it. The same goes for Avatar: The Way of Water because it's also shit and James Cameron's comments on Native Americans are deeply offensive and he should choke. I also don't care about Elvis but Hollywood loves a dead musician to make movies about

Unfortunately I do think Avatar, Top Gun, and Elvis will win a lot because The Academy is what it is, which is mostly rich, white, old nostalgia-loving people, which will be slowly but surely changing as the eldest members die off but it is what it is. I'd love Everything Everywhere to win a lot, I'd love to see Michelle Yeoh and Ke Huy Quan win, it'd be nice for Brendan Fraser to get an award but after what Hollywood did to him it would feel so disingenuous even if he did turn in what I heard to be an amazing performance. Jamie Lee Curtis is probably going to win Best Supporting Actress over Stephanie Hsu.

But these are just my thoughts and opinions and I would desperately love to be proven wrong dear god let the Academy prove me wrong. But after last year I am keeping my expectations so low. Take a shot for every joke or reference about "the slap" and you will be dead before the end of the night.

[qnewsau]

Andrew Scott wisely dips after penis question on red carpet

New Post has been published on https://qnews.com.au/andrew-scott-wisely-dips-after-penis-question-on-red-carpet/

Andrew Scott wisely dips after penis question on red carpet

A reporter for the BBC has been roasted online for a cringeworthy moment with out actor Andrew Scott on the red carpet of the BAFTA Awards.

The winners of the UK’s top movie awards were announced this morning (AEST). Gay fantasy romance drama All Of Us Strangers scored six nominations, though the film sadly didn’t win any.

Irish actor Andrew Scott is the lead of the film and was outrageously snubbed for a BAFTA for his work. (Castmates Paul Mescal and Claire Foy were nominated.)

On the red carpet, Andrew stopped for a chat with a BBC reporter, who asked the out actor questions about fellow Irish star Barry Keoghan’s nude scene in Saltburn instead of Andrew’s own film.

“Do you know Barry well?” the reporter asked him, with Andrew replying that he does.

“Your reaction when you first saw the naked dance scene at the end of Saltburn?” he then asks, as the actor sighs.

“I won’t spoil it for anybody … it was great, it was great,” Scott replied.

The reporter then asks, “There was a lot of talk about prosthetics, so how well do you know him?”

Andrew then dismisses the question and turns to walk away from the interview.

“Too much? Too much?” the reporter called after him.

The cringeworthy exchange went viral online and didn’t go down well.

This is frankly disgusting. Andrew Scott is there to support his multiple nominated film and THIS is what you ask? Then when he looks visibly uncomfortable the guy carried on. Truly horrid. #BAFTAs pic.twitter.com/42VEoBXRQi

— Alex Gilston 🔜 GFF 2024 (@PresenterAlex) February 18, 2024

Only a matter of weeks since Andrew Scott spoke out about this too 😬🤦 pic.twitter.com/Rx5Yvwz026 https://t.co/LYxL0H7wTS

— Josh Barton (@bartonreviews) February 18, 2024

I think I’ve just cringed into another dimension. Andrew Scott must have the patience of a saint to not tell this bloke to fuck off because that is an absolute shocker of a question to ask pic.twitter.com/gyyq2xMvfV

— Patrick J. Hurst (@InsertMontage) February 18, 2024

who the f*ck have they dragged off the street to interview andrew scott and why is he my mate’s drunk dad at a party https://t.co/SH7JIljPUy

— Callum Scott Howells (@callumshowells) February 18, 2024

As a palate cleanser, watch Mardi Gras headliner Sophie Ellis-Bextor perform her Saltburn bop Murder on the Dancefloor at the BAFTAs instead.

All of Us Strangers is still screening in select cinemas around the country. If you haven’t seen it yet, do yourself a favour. You can also catch it in Sydney at the Mardi Gras Film Festival next week.

Emerald Fennell’s very good Saltburn is also streaming in Australia now on Prime Video.

Read lots more on queer films:

Sophie Ellis-Bextor weighs in on Saltburn full-frontal scene

Watch the trailer for Andrew Scott and Paul Mescal’s beautiful All Of Us Strangers

Gripping queer thriller leads Mardi Gras Film Festival 2024 lineup

For the latest LGBTIQA+ Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[eagna-eilis]

Also absolute fair play to Barry Keoghan for doing full frontal in 'Saltburn' because he does the nation proud.

I might have a thing for the giant yank fellah with the hair, but I know what side my bread is buttered on, and there's nothing on this godforsaken earth like a short, well-hung Irish man.

[swodfilms20]

DunKirk Review

Directed by Christopher Nolan 

Written by Christopher Nolan 

Cast: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branaugh, Cillian Murphy, Mark Rylance, Tom Hardy

Christopher Nolan’s first war drama, it isn’t the typical Nolan film- we know him for more of science fiction and fantasy. Dunkirk was both directed and written by Nolan. Nolan is a influential filmmaker who is behind highly acclaimed films such as Insomnia (2002), the Dark Knight trilogy and of course Inception (2010). Without a doubt Nolan is the mastermind of some of the most memorable films in cinema history.

A World War two drama based in 1940 during the Dunkirk evacuations where the soldiers are wanting to escape from the German ambush.

The casting for the film was great a mix of new talent and Hollywood’s finest. Fionn Whitehead who  has recently started in the industry from the ITV show Him, Dunkirk is his first major role- he is also the main lead in the film as Tommy. Harry Styles who is known for being apart of the most famous boy band, One Direction, also stars in his first film portraying Alex alongside  Aneurin Barned as Gibson a French soldier. These three men are the main focus during the film as they tried to escape the tragic of Dunkirk. Tom Hardy also stars in a notable role as Farrier a pilot and Cillian Murphy the shivering soldier that has been abandoned at sea due to an attack.

The film is shown from three different perspectives the land (Mole), sea and air, the rule of three shall we say.

From the beginning the influence and typical style of Nolan’s work is felt with conflict already present. Tommy the main protagonist manages to survive from the German attack.  Tommy is  finally  reassured to safety when he arrives at the beach where it is occupied by thousands of the British soldiers who were lined up to be evacuated. The land is where Tommy, Gibson and Alex try to escape from Dunkirk but always face obstructions when the Germans attack.

It is an intensely thrilling story based on true life events of the most unimaginable circumstances that these men faced- we see their determination and hope, regardless of the many times they failed to escape they continued on without being discouraged.

At sea we see the uncountable efforts of the volunteers who risk their lives to help the soldiers to safety. Dawson (Mark Rylance) along with his son Peter (Tom-Glynn Carney) and his friend George (Barry Keoghan) where they encounter a soldier who survived an attack (Cillian Murphy) who is burdened with shock and trauma.

The air is the third point of view, Farrier, Collins (Jack Lowden) who are the Supermarine Spitfires. They are met with Germans along the way which resulting in a fierce battle to destroy their opposition.

It is a sombre situation for the soldiers from the audience point of view  you can't help but feel the frustration for them. For a war film you would expect to see bloody scenes filled with horror it was respectably toned down. We saw more of the soldiers that wanted to survive and get away from it. Death was hidden we didn’t see much of it only when the Germans wrecked their ships but it wasn’t full frontal.

The audience is confronted with very little dialogue throughout the film which worked for the style of the film the imagery was stunning and it being shot whole on film instead of digital worked so well. The sound is well was brilliant, really well deserved on winning best sound. With working with little dialogue the imagery and sound very much compensated for it made it feel more authentic as if we was there leaving the audience to connect with it more.  However, because of the lack of dialogue it did live us to wonder more about the characters especially with Tommy  him being the main protagonist although having to respect his bravery as a young man fighting in the war and his heroism of helping another fellow soldier with trying to get him on board of the ship. being exposed to his naiveness and vulnerability we do see his desire of survivorship. He is present but isolated, he was and is aware of what is happening around him feeling imprisoned in a place where there should be freedom. Gibson his character was very mysterious that there’s times when you don’t know if you can trust him for example when the ship got attacked he stood for a while making you wonder if he is the person he portrayed to be, then he managed to open the door to let people out. When his identity was revealed with Alex intimidation was the moment of truth. Huge respect for Harry Styles taking on this role considering it being his first, Alex was actually intimidating  especially when confronting Gibson. It really took you away from the sweet much loved Harry Styles.

As mentioned before this is Nolan’s first war film, which respectively he did very well knowing that this is more of complex behind the story. Nolan is rooted through this film with how the narration of the story is and it’s technicality. We have different time frames that are fixated to create more of a dynamic impact. the music added more of ambience have to give credit where it’s due to the one and only Mr Hans Zimmer.

Fantastic film overall, it really sets heart pacing because you don’t know what the next outcome will be and feeling a great sense of pride of their heroism.

[denimbex1986]

'A BBC reporter has been blasted for his inappropriate line of questioning when speaking to All of Us Strangers star and all-around icon, Andrew Scott.

Andrew, 47, looked visibly uncomfortable as he was asked about his reaction to Saltburn while on the red carpet, during the BBC coverage of the 2024 Baftas.

‘Do you know Barry [Keoghan] well?’ reporter Colin Paterson asked, prompting a smile from the Sherlock star, as he explained that he did know his fellow Irish actor.

Andrew’s face then dropped as the interviewer brought up a famous scene in the hit film, asking: ‘Can I ask your reaction when you first saw the naked dance scene at the end of Saltburn?’

Trying to dodge the question about his friend’s full-frontal nudity, the Fleabag legend tutted as another reporter chimed in and requested his response to be ‘spoiler free’.

‘I don’t want to spoil it for anybody,’ Andrew sheepishly replied as he tried to escape the horrible moment… but despite his obvious discomfort, the interviewer wouldn’t drop his questioning.

The reporter leaned in and told him he could ‘spoil away’, before he doubled down on referencing Barry’s nudity in the scene.

‘There is a lot of talk about the prosthetics…’ he began to say, before Andrew pulled a face and walked away from the awkward conversation.

The interaction has been slammed online, with several viewers criticising the reporter for not only making Andrew feel uncomfortable, but also for not even asking him about the film that he was nominated for.

One person named Alex Gilston posted the clip on X, writing: ‘This is frankly disgusting. Andrew Scott is there to support his multiple nominated film and THIS is what you ask?

‘Then when he looks visibly uncomfortable the guy carried on. Truly horrid.’

Another user called James scathed: ‘I assume he asked all the actors on the red carpet about “Barry’s” naked scene??’

Accusations of underlying homophobic tones were levied at the BBC reporter, given that Andrew identifies as gay.

There’s is something so deeply homophobic about asking Andrew Scott a gay man this weird ass question about Barry’s scene in Saltburn??’ added Amber.

‘Ask him about All Of Us Strangers the Bafta-nominated film he is in… “How well do you know Barry” Andrew deserves an apology from the BBC.’

Mullins Martin added: ‘Shameful interview. Andrew Scott is so graceful.’

Andrew had been at the event supporting All Of Us Strangers with his co-star Paul Mescal, after the movie was nominated in the category for outstanding British film.

The film received six nods at the award ceremony, including best supporting actor for Paul, best supporting actress for Claire Foy and best director for Andrew Haigh.

However, the movie and its stars went home empty-handed.

Oppenheimer and Poor Things were a couple of the big winners of the eventful night, which saw Back To The Future legend Michael J Fox make a surprise appearance at the ceremony.

Metro.co.uk has reached out to the BBC for comment.'

[denimbex1986]

'Almost a week after the BAFTAs, the BBC has issued a statement defending a viral red carpet interview with Andrew Scott that sparked accusations of homophobia.

In the statement, published on Friday, BBC News acknowledged, “We received complaints from people who felt a question asked to Andrew Scott on the Bafta red carpet was inappropriate and homophobic.”

In case you missed it, the brouhaha began when BBC entertainment correspondent Colin Paterson asked Scott on the red carpet if he knew fellow award nominee Barry Keoghan. When Scott responded in the affirmative, Paterson asked what he thought of Keoghan’s full-frontal dance scene in Saltburn. The All of Us Strangers star, who is gay and who has never worked with Keoghan, demured, “I won’t spoil it for anyone. It’s great, it’s great.”

“You can spoil away,” Paterson said. “There is a lot of talk about prosthetics. How well do you know him?”

As Paterson cracked, “Too much? Too much?” Scott walked away from him, waving him off and looking embarrassed.

The clip drew an immediate negative reaction from viewers, who called Paterson’s line of questioning cringe-worthy, homophobic, and just all-around awkward.

In its statement on Friday, BBC News said, “Our reporter began by asking Andrew Scott about the film he’d appeared in—All of Us Strangers—which was nominated for six Baftas. He then moved on to ask about the popularity of Irish actors where Barry Keoghan, star of Saltburn, was mentioned. Our question to Andrew Scott was meant to be a light-hearted reflection of the discussion around the scene and was not intended to cause offense. Saltburn writer and director, Emerald Fennell, and Sophie Ellis-Bextor, whose song ‘Murder on the Dancefloor’ was used in the sequence, were also asked about the scene.”

The statement continues: “We do, however, accept that the specific question asked to Andrew Scott was misjudged. After speaking with Andrew on the carpet, our reporter acknowledged on air that his questioning may have gone too far and that he was sorry if this was the case.”'

[denimbex1986]

'BBC has apologised for asking Andrew Scott an awkward question about Saltburn at the recent Bafta Awards.

The 47-year-old looked visibly uncomfortable during the recent exchange, which they have now described as ‘misjudged’.

After reporter Colin Paterson asked Andrew about his film All of Us Strangers, they then discussed the popularity of Irish actors including Barry Keoghan, who starred in Saltburn.

‘Can I ask your reaction when you first saw the naked dance scene at the end of Saltburn?’ he enquired.

Trying to avoid the question about his friend’s full-frontal nudity, the Fleabag actor tutted.

‘I don’t want to spoil it for anybody,’ Andrew replied as he tried to move the conversation forward but the interviewer didn’t drop his questioning.

‘There is a lot of talk about the prosthetics…’ he interjected before Andrew pulled a face and decided to walk away.

The broadcaster has now explained why the question was asked.

‘Saltburn is a film which has had cultural impact, with Barry Keoghan’s scene at the end gaining a lot of attention in particular – something the actor has addressed himself.

‘Our question to Andrew Scott was meant to be a light-hearted reflection of the discussion around the scene and was not intended to cause offence,’ they began. BBC added that Saltburn director Emerald Fennell, and singer Sophie Ellis-Bextor, whose song Murder on the Dancefloor features in the scene, also faced the same line of questioning.

‘We do, however, accept that the specific question asked to Andrew Scott was misjudged. After speaking with Andrew on the carpet, our reporter acknowledged on air that his questioning may have gone too far and that he was sorry if this was the case,’ they added.

The red carpet moment was widely criticised, and complaints were sent to BBC which led to their response.

Accusations of underlying homophobic tones were levied at the reporter, given that Andrew identifies as gay.

‘There’s is something so deeply homophobic about asking Andrew Scott a gay man this weird ass question about Barry’s scene in Saltburn??’ wrote X user Amber.

Mullins Martin added: ‘Shameful interview. Andrew Scott is so graceful.’

All Of Us Strangers received six nods at the award ceremony, including Outstanding British Film, Best Supporting Actor for Paul Mescal, Best Supporting Actress for Claire Foy and Best Director for Andrew Haigh.

Meanwhile, Saltburn had five nominations including Outstanding British Film, Best Supporting Actor for Jacob Elordi, Best Supporting Actress for Rosamund Pike, and Best Actor in a Leading Role for Barry. However, the movies and their stars went home empty-handed.'

[denimbex1986]

'Murder on the dance floor? More like awkward on the red carpet.

That’s how fans felt after watching Andrew Scott’s uncomfortable moment with a BBC presenter before the BAFTA Awards on Sunday night.

Scott — who presented at the show alongside his “All of Us Strangers” costar Paul Mescal — briefly interacted with Colin Paterson, a longtime BBC entertainment correspondent.

In a clip later posted on X, formerly known as Twitter, Patterson asks Scott if he knew fellow Irishman Barry Keoghan, who made a splash this year for his starring role in “Saltburn.”

The two actors have never appeared in a film together.

“Yes! I know Barry, yeah!” Scott tells Paterson at the beginning of the interview.

Patterson then asks Scott what his reaction was to Keoghan’s “naked dance scene” at the end of “Saltburn,” done to the tune of Sophie Ellis-Bextor’s 2001 song “Murder on the Dance Floor.”

“I won’t spoil it for anyone, but it was great,” Scott tells Paterson.

“You can spoil away!” Paterson tells him.

“I won’t spoil it for anybody,” Scott tells him again.

Paterson then brings up all the "talk about prosthetics” surrounding the full-frontal scene nude scene.

“How well do you know him?” Patterson asks Scott.

Scott shakes his head and waves his hand in response to the question as he walks away, to which Paterson laughs and asks: “Too much?”

Paterson has since been criticized on social media, including by some of Scott’s peers, for the questions he asked Scott.

Craig Parkinson, who appeared in the UK shows “Misfits” and “Whitechapel,” called out “lazy and possibly offensive journalistic pit falls” in a tweet addressing the interview.

"Don't you think 'journalists' could come up with some appropriate questions on a red carpet when they have a matter of minutes?" he added.

Nicholas Pegg, who has appeared on multiple seasons of “Doctor Who,” also chimed in with a tweet.

"Jesus tap-dancing Christ," he wrote. "The year is 2024. Speaking as an actor who also happens to be gay, and who also happens to be a person, I can only offer solidarity to Andrew Scott, and to gay actors, and to actors, and to gay people, and to people."

Scott, who came out in 2013, told GQ in a November interview that many people in the entertainment industry told him not to discuss his sexuality publicly.

“I understand why they gave that advice, but I’m also glad that I eventually ignored it,” he said.

Scott, who plays a gay screenwriter in “All of Us Strangers,” said the role was “so gratifying and cathartic.”

“I did have to bring so much of my own pain into it,” he told GQ.

BBC did not immediately respond to a request for comment from Business Insider.'

[denimbex1986]

'“Oppenheimer” reigned at the 81st Golden Globe Awards on Sunday just as it once loomed large at the summer box office. The sprawling examination of J. Robert Oppenheimer and the creation of the atomic bomb racked up five wins, the most of any movie, including the prize for best motion picture drama...

“Oppenheimer’s” Christopher Nolan, who leveraged his success making blockbusters like “The Dark Knight” and “Inception” to get Universal to produce an $100 million drama about a physicist, won best director. Cillian Murphy, who played the brooding scientist at the center of the film, was named best actor in a drama. The film also was honored for its atmospheric score...

Comedian Jo Koy hosted the show and peppered his opening monologue with jokes about Robert De Niro having a kid at 80, Barry Keoghan’s full-frontal nudity in “Saltburn” and the 3-hour runtime of “Oppenheimer.” “My new year’s resolution for 2024 is to finish ‘Oppenheimer’ in 2025,” Koy said. “Seriously! I’m almost there! I loved ‘Oppenheimer.’ Especially the first season.”...

There were plenty of surprises among the evening’s prizewinners, including “Anatomy of a Fall’s” best screenplay victory over “Barbie” and “Oppenheimer"...'