#and again with daigo that one can get more complicated because i know people find Y2 daigo more fuckable/vice versa

[todayisafridaynight]

hi sisters its poll results time

take this data for what you will

[yakuzabrainrotlive]

Finished Y4 today!! Just said "fuck it" and played for like... 10 hours??? This is part 1, no way I can fit everything in one post.

A bit of a Kiryu rant/monologue at the bottom.

Akiyama... my beloved, my king..... you kept your money in your office?? In cash??? And the safe itself didn't even have a proper safety system like a passcode?? 😭 Oh my god....

I find it so funny how Kiryu takes like... 10 seconds to consider when Katsuragi tells him he'll have to take on an entire clan's worth of people alone. He really said "aight, bet" LMAO

OKAYYY saw this coming, kind of. Yasuko was really the mvp, taking Katsuragi's ass out like that. Incredible. Rest in peace, queen🫡

This conversation made me UNWELL emotionally. I know Kiryu isn't someone who's shaken up lightly, but this one hit deep for me. What I wouldn't do to see what was going on in Kiryu's head at this moment...

CAN SOMEONE END THIS MAN FR-

-oh. Thank you, Arai! Very cool. I was so happy when I saw this.

I honestly find this man so FASCINATING. He truly feels like his loyalty remains with the Greater Good™ instead of a particular person. He has principles and isn't afraid to enforce them. Love it.

FINALLY. Now, I don't have any issues with Kiryu's thing where wants to live in peace and leave the whole Yakuza life (mostly) behind. BUT.

Since Kiwami 2 I've kind of felt like he's been... indecisive? Nah. I feel like he hasn't been able to stick to that decision. Probably because he has important people in the clan and he feels a sense of responsibility for the clan, idk.

It's almost felt like he's been in.. denial(??) about how much he wants the Tojo clan to remain standing. He's constantly been in a weird sort of limbo where he is neither Yakuza NOR a civilian. And my issue isn't even there, it's with how he's been coming through like a whirlwind, deconstructing the foundations of the Yakuza circles and then just... leaving Daigo and, in a way, Majima to do the complicated clean up and rebuilding. Now, Daigo and co. ARE grown adults and they could ask for help, but... It's always felt weird to me. I know Haruka and the other kids are his uncontested #1 priority and I fully support that, but I also don't think Kiryu realizes just how much shit Daigo especially has been saddled with. Now, I don't know how much Kiryu COULD have done, but... I don't know. It's always felt off to me.

I don't think Kiryu should make a full return to the Yakuza life or anything like that, but I hope he's starting to acknowledge his own feelings and role in all this. Maybe he could be like an advisor or consultant Daigo could call upon when shit is starting to hit the proverbial fan?

At times it's felt like Kiryu has been actively self-sabotaging his own wish to be away from this life. He says he wants to remain at a distance, but he also takes up the mantle of crisis handler quite quickly when he hears there's a storm brewing in Kamurocho. Again, it's probably got to do with his resolve to save people and avoid unnecessary bloodshed, and he HAS resolved the crises effectively AND in a way that's saved many lives, don't get me wrong, but... he has actively made life more difficult for himself this whole time by keeping up this weird inner struggle.

Now, I do acknowledge that trouble does come to find him as well. Ryuji probably would have hauled Kiryu's ass to a duel no matter what he did, and in Y3 Kiryu's sworn brother DID get shot so it was understandable he'd wanna know the truth behind the case. But I feel he has also taken bigger, more active roles than he would have had to.

I do hope Kiryu sticks to this decision and stops running from all this. Stops denying the role he keeps assigning to himself. It's tragic that he keeps being dragged into things because of his decision to join the Yakuza when he was still quite young, but it's time to deal with the hand he's been dealt because of that decision.

Gahhhh, I ADORE how complex Kiryu is. I might sound whiny or like I dislike this guy, but that's not it at all! Kiryu is still solidly in my TOP 3 and I love him.

[itsybitsylemonsqueezy]

Hey, I’m here once again with the ranting (if you don’t mind)! I just finished playing Yakuza 5 and damn I have a lot of feels I want to share. When I was first introduced to the franchise, I thought that nothing could beat Zero for me, but here I am now, holding back my tears and thinking what a fine game 5 turned out to be! I really loved the bonds that characters formed along the way, it just felt so sincere and warm that my heart throbbed nearly at every dialogue Х) Like Saejima/Baba, Mirei/Haruka (and Akiyama too!), Shinada/Takasugi were absolutely delightful. And don’t get me started on the ending scene with Kiryu and his daughter. I fucking lost it there. So damn emotional and pure. And while I adore Zero for its majestic tragedy and fatalism, I also love the kind and inspiring atmosphere of 5. Of course, there were some flaws, like I didn’t find the main antagonist all that interesting (especially after Ryuji and Mine), but in the end I was ready to overlook it just because the heartwarming scenes between the characters were so well done. So yeah, for me it’s top tier along with Zero. What’s your personal opinion on the game (and your favorites in the series in general)?

Congrats! Oooooh, Game 5. I’ve got a lot of feels about Game 5 too ^^; It’s a real fav c: There’s an awful lot I love about it, but there’s one or two things that really stick in my craw. I’m not sure I could put it up with Zero, but it’s definitely a game I treasure c: 

I find it interesting that your interpret Zero as fatalistic and 5 as inspiring. Zero definitely has a lot of high-key tragedy, but I think the fact that we come through the other side, that Kiryu doesn’t go into the ground with Tachibana, that Majima decides that even though he could be happy with Makoto, it isn’t what he wants, I find that really powerful and even hopeful. Not inspiring perhaps, the choices we all make in that game are crushingly hard and frequently we’re punished for things that aren’t our fault. But seeing Kiryu confront his potential for the first time and, perhaps for the last time, deciding he’s not afraid of it, that this is a mantle he can carry and do good with, really does things for me. And I’ve gone on at length before about how we ought to read Majima’s choice at the end as not sacrificial, not denial, but rather a choice of identity. What stopped him from going with Makoto isn’t fear for what it would do to her (though certainly those protective instincts are still alive and well), but rather a... with nothing holding him back, he would still choose the life he started. He could leave it all right here but... there are things he wants to do, not has to do, wants to do. And he makes the choice to be yakuza, to be the Mad Dog, crucially, before he sees Kiryu. He could leave it all behind, but then he wouldn’t be himself. He wants to be yakuza. And he couldn’t do that if he was with her. I think that’s really cool and really life-affirming. 

Meanwhile 5... it’s hard for me to articulate what 5 is about because we have a bunch of different character arcs, some of which mesh quite nicely and some of which have nothing at all to do with each other. It’s probably best if I just break this down piece by piece ^^;

(spoilers follow for game 5 my little chili babies)

Kiryu’s arc, as I have articulated before, I fucking love in game 5. However, I do have my criticisms of it. In many ways, the conflict we’re facing in 5 is something that should have come up awhile back. But, even delayed, it is satisfying. It is satisfying to force Kiryu to confront his mistakes. It is satisfying to at least reach a turn on Kiryu, to have him decide that he wants to live and does feel worthy, even if it’s at the last possible second. Like, I interpret 5 as much more fatalistic because Kiryu’s dying in the snow in the middle of saying how he wants to come home to his daughter. Like... he may have finally gotten his revelation, but he was already in the middle of repeating the cycle. What would have been truly satisfying was to force him to live, to insist that he grow up and learn how to live with people because dying won’t fix it. This is a problem we’ve had since the beginning and have never really addressed. This was our chance to address it and it breaks my heart that game 5 comes so close and was going the right direction, but doesn’t quite give us that resolution that Kiryu’s going to continue his relationships and be okay now, that he isn’t going to back out this time. And if the creators had been brave they would have ended the fucking series here with that resolution. That’s SO OBVIOUSLY the main conflict in Kiryu’s plot and here, at last, we were finally fucking dealing with it and this SHOULD HAVE BEEN THE END. THIS WAS IT. THE ACTUAL FUCKING END, I- *breathes* Let me not derail this entire thing with game 6. Let’s just... never talk about game 6. 

That said... one of the things I ADORE about game 5 is this is the clearest sense of motivation we’ve had since Kiwami 1. For the first time in FUCKING FOREVER character choices made sense! HALLE-FUCKING-LUJAH. I CANNOT TELL YOU what it did to me that it was Majima that got Kiryu into the game. I cannot tell you the breath of life it gave me, after all this fucking BULLSHIT, that the game came FUCKING HOME on the most important person to Kiryu is Majima. Daigo needs help? Kiryu can’t help. Haruka needs her dad? Kiryu can’t help. These are both mistakes, don’t get me wrong! Absolutely terrible decisions, but they make sense out of Kiryu’s depression, out of his fears and doubts and feelings of unworthiness, his guilt. He’s so caught up in “better off without me” and so scared and so guilty, he can’t answer people even when they ask for help. But Majima. He can’t turn away from. He hears Majima’s dead and Kiryu loses his goddamn mind. Because it’s his fault. Because he wasn’t there. Because he left him out there and now Majima’s dead. Kiryu asked him to do something and, for all Kiryu knows, Majima’s dead because of him. And... as much as Kiryu hates himself in this moment, as much as Kiryu is sure that it’s all his fault, he’s SO upset, he has to go help, he HAS to go fix it. Majima’s dead and with his last breath, Kiryu will make this fuckign right. He’s gotta try. Because Majima being dead is... unacceptable. He can’t handle it. I fucking love that. At long last, it felt like the same story I’d been watching from 1. At long fucking last, we got some fucking proof of Kiryu’s feelings. And for that alone, I love game 5. I’ve got some issues with it, but that was... vindication. Spent 3 games waffling and pretending we didn’t know him unless we’re literally in the same scene, but even Kiryu’s denial isn’t that strong. Majima’s dead and Kiryu can’t anymore. He’s gonna go there and, god help him, he’ll go into the ground with him. You look at that and tell me it was un-fucking-requited. 

On that note, I just gotta gush for a second about that scene where the girl is naked in Kiryu’s apartment and Kiryu just ???? He’s not even “no thank you” he’s like PAINED. Like... she hugs him and Kiryu looks like he’s being fucking tortured! That is not the reaction of someone with even an iota of attraction to feminine bodies! This gay icon! Like, if you’d done that to Majima he would have been like “You’re pretty, babe, but I am Emotionally Unavailable” like the bi icon he is, like... you may not take her up on it, but you can still appreciate her or at least turn her down gracefully. But Kiryu out here doing his best to touch her as little as humanly fucking possible like’ he’s TERRIFIED. That’s not someone being overly polite, that was “cannot conceive of being attracted to this.” Just... this gay fucking dad. Holy christ. 

Related GOTTA love Kiryu’s boss being “Hey, there’s a rumor going around that you’re gay! Any thoughts?” and Kiryu just “That Is A Thing People Ask Me” which is the EXACT RESPONSE of a queer person who doesn’t want to out themselves but also doesn’t want to lie. Game 5 fucking iconic for those 2 scenes alone, god bless. 

Moving away from Kiryu for a second, although this game is VERY about Kiryu’s story, let’s talk about Saejima! Saejima FINALLY gets to come into his own as a character, we get to handle him properly as a character and not as a crux in Majima’s character development. I love the marked differences in how Kiryu and Saejima respond to Majima and handle him. I love that they fucking NAILED motivation here. That Kiryu and Majima mutually code romantic, that they both make batshit decisions because of each other, in that way that you do when you’re madly in love with someone. Meanwhile, Saejima loves his brother but isn’t in love with him. Saejima’s relationship with Majima is stable and trusting. He’s not losing his mind over Majima’s death because he trust him and knows him. If he’s dead, Saejima trusts that Majima did all he could and it was just his time. That’s why he’s not losing his mind, he’s resolved. He just wants to know what happened. And it’s this stability that really tells us who Saejima is and how he functions as a protag. His strength is his trust in others, which at times IS naive, but it’s also what turns Baba. It’s what keeps Saejima strong when Kiryu’s falling apart. It’s so cool to see a character who isn’t paranoid, who isn’t tore up with guilt, in this series with very complicated leads. Saejima is functional and necessary because he isn’t any of those things. He doesn’t get swept up in big emotional turmoil. He cuts through a lot of foibles that would have tripped up his brother or Kiryu and it’s just really refreshing to see and exciting to experience Saejima’s brand of problem solving. He’s not terribly clever and he’s not subtle, but he’s honest and sure that counts for A LOT in this series. Gotta love Saejima. 

And, as I have gushed about before and will again, Baba. Baba. Saejima turning Baba hand me fucking ascending. Baba Known Whore Shigecki turning on a time because Saejima screams “Because we’re kyoudai!” I am LIVING. I love their relationship. I love that Baba’s a little shit. I love that he’s inexplicably a supermodel. I love that his constant vibe is “would like to choke til he cries on Saejima’s dick.” I love that Saejima has a gorgeous prison boyfriend. Well deserved! I love the idea of Baba getting integrated into the group. I need WAY more fic about him coming back to live with Saejima in Kamurocho and Saejima just has an ex-assassin boyfriend now and we all get to live with that. Ugggghhhh, bless. So good. No notes, no criticisms, just good.

Haruka was LONG overdue to be a protag, I’m so glad this game did it. But... pop idol? The thing she explicitly said in Kiwami 2 she didn’t want to be? *siiiigh* Like, I get that she can change her mind as she grows up and that that’s the Thing You Do with Japanese teenage girls, but... Imagine Martial Artist Haruka! Raised by the yakuza, surrounded her whole life by people with incredible fighting skills, who would gladly teach her self-defense. Imagine! Or even training her to become a yakuza! My wife and I joke about Seventh Chairman Sawamura Haruka, but imagine how satisfying that would have been! A whole Tojo dynasty of Kiryu’s kids! She’s so ripe for it! And I know the yakuza is a male-only organization but... c’mon, this is fiction and sexism is boring. I guess I can understand the creators unwillingness to depict violence against women, even if it’s being perpetrated by other women but uh... *eye twitch* game 5 is maybe not the BEST example of their... respecting women... 

*screams into a pillow for several minutes* *breathes* *screams for another fifteen minutes* Okay... I uh... I um... can’t talk about Mirei Park without having an aneurysm. PLEASE skip this bullet point if you don’t want to read Mirei Hate. I just... I Hate Everything About Her And I Don’t Know Why She Fucking Exists. I don’t want to rain on anyone’s parade and if you like Mirei, y’all welcome to feel how you feel but... she is the only thing I truly Hate about game 5. I just... leaving aside my personal feelings about the... Majima part of her story which we just... Won’t talk about... Leaving that aside... I don’t know why she’s here? She’s the person who convinces Kiryu to leave his children. She’s predatory, she took advantage of a vulnerable young girl to live out some personal dream? Like, sure, economic opportunity, independence, but we don’t get a lot of motive from Haruka that it IS her dream to be a pop idol. She has said in the past that’s not what she wants, she makes mention of doing this for the money to support her family, Mirei LITERALLY SAYS she wants Haruka to do the things she couldn’t, and ultimately Haruka asides not to do this anyway because she’d ratehr be home with her dad! So what was the FUCKING POINT of Mirei Park? Is she a villain? Is she sympathetic? What the fuck was I supposed to take from her? How the fuck am I supposed to read her? She tells this TRAUMATIC story off-hand to Haruka to... justify her decisions? Motivate Haruka? Dragging in another long-term character for no good reason and reframing how we have to think about said character. But then THIS NEVER COMES UP AGAIN. The information wasn’t even important! It’s just traumatic! If it was supposed to keep Haruka doing the pop idol thing, it didn’t work! Haruka still leaves! If this was meant to deepen our relationship to Mirei or complicate her or whatever, IT DOESN’T, SHE WAS LITERALLY DEAD THE NEXT SCENE. I just... WHAT THE FUCK HAPPENED HERE?! What even the fuck was I supposed to do with any of this?! Leaving ASIDE my VERY intense feelings about what this did for Majima (for the sake of not going ogg Even More than I already am, I just won’t talk abotu it here), I just have no goddamn clue what the point of Mirei even was. She’s not useful to Haruka’s arc and she only serves in Kiryu’s arc to be a villain. We could have had Haruka leave home and decide in the end that Kiryu’s her dad and that’s where she wants to be a MILLION different ways, we could have done that MUCH more kindly and consistently with the rest of her character and values, but we don’t! We have this shitmess instead!

I’m really really sorry to anyone reading this who likes Mirei. You don’t have to agree with me! And I’m not trying to make you feel bad! I’m not trying to tell people how they should feel or what they should get out of the story. If you got something out of her, you related to her, you found her part in the story meaningful, that’s great! I’m genuinely glad that you did. I... didn’t. I have a lot of negative opinions about what happened. Usually I try to just not talk about it because I don’t want to ruin someone’s good time. I’m not here trying to start shit. So I apologize for my tone and I did try to put a warning before it and recommend it be skipped if it’s the sort of thing that would offend you. My Mirei rant is over now, I won’t talk about it again.

I have absolutely no idea why Akiyama is in this story, tbh? He contributed very little, but I’m glad Haruka got to hang out with someone cool and that one of her uncles was here watching out for her, since Majima was “dead” and Kiryu was in the middle of a personal crisis ^^; I love Akiyama, always happy to see him, but he really had nothing to do here ^^; I was sad for no Hana though 8C Wherever there is Akiyama, there must also be Hana!

Shinada... is adorable and actively injured the plot. I’m sorry, I just... no one ever talks about the fact that including Shinada in the story actively hurt it. I love him too! He’s an incredible idiot and very sweet, but why the fuck is he here? What did an ancient baseball cover up have to do with anything? This was the only way you could think of to put Daigo in the game again? Really??? And Daigo doesn’t even do very much here! So like... not really worth it. You could have had a whole substory of Daigo finding out what happened to Majima, fuck DAIGO COULD HAVE BEEN ONE OF THE PROTAGS. THERE’S A THOUGHT. We could have utilized, y’know, characters we already have, but no, instead we introduce this dumb fuck to do... what exactly? Oh right, beat up Baba AFTER HE HAD ALREADY DECIDED NOT TO SHOOT HARUKA! Like, YOU DIDN’T EVEN NEED SHINADA FOR THE THING YOU NEEDED HIM FOR. Saejima and Kiryu were enough of an influence on Baba to stop him! And that makes sense out of Baba’s character arc, since it’s about personal redemption and learning to be a person and his faith and love of Saejima, y’know, the character he actually HAS a relationship with, is about that. The point of Baba was him learning it WAS his choice and him MAKING that choice. See, I can’t argue that Baba’s superfluous to the plot, but he WAS the threat! He was actively involved and he’s what makes Saejima involved. Shinada doesn’t occupy the same space, he has no horse in this race, he’s not yakuza, he’s only here because he and Daigo kinda like each other or whatever, and, again, HE WASN’T EVEN NEEDED! Baba’s arc was complete and the threat was terminated without this shit! Like, Akiyama has no reason to be here either, but at least he was a true neutral, neither helping nor harming the plot. We actively waste time to bring Shinada in and he hurts Baba’s arc by overly punishing him and potentially risking the decision he just made. Like if I was Baba, I might have gone “you know what, fuck you, I will shoot her just because your self-righteous ass decided to hit me for MAKING THE RIGHT CALL” Jesus... 

I hate to be nothing but a curmudgeon but just... no one brings that up and I just had to say it if no one else was gonna. 

As for villains, the game would have been a lot stronger without the “thwarted destiny, I should be on the throne” bullshit especially since the story has done a SHIT JOB with the legacy of Nishiki and in NO WAY utilized the fucking koi or the burden of Nishiki’s death properly for this to hit the way it should. It makes theoretical sense that Kriyu’s last villain should be the reincarnation of Nishiki, but the story did not build that up or support it so it falls really flat. That said, the main problem in Kiryu’s arc is that dying is not a resolution. Dying doesn’t fix a problem, it only delays it. THAT’S the thing we have to confront and we almost nearly do and... I’m just so excited that we finally articulated that, I’m willing to forgive A LOT. 

And finally we wrote Majima entirely out of the game only to confirm that his only reason for living is Kiryu and then, again, didn’t resolve it because, y’know, fuck ending things, I guess? But he did have that sweet fight with Saejima and can do shadow clones now I guess? Fucking ninja magic or whatever. Sure, Majima’s so OP he can do fucking shadow clones now. No, teleporting wasn’t enough, he can fucking shadow clone. That’s like a staisfying story arc right? ...right?

[theropoda]

3, 4, 6-8, 11, 13-17, 19-22, 26-30 uwu

WOO LAD THAT’S A LOT THANK U!!! this got long and i wrote an essay or two LOL so im putting it under a readmore!

3: Best game you’ve ever played? WEEEELLLL.......let me preface this with two things: one, i am a FAKE GAMER as in my laptop is not at all made for gaming, it’s piss poor, so a big chunk of games i’m interested in is because i watched a playthrough of them lol. i have a 3ds but only 3 games on it (animal crossing new leaf, tomodachi life, nintedogs & cats). second, i’m very bad at choosing favorites of things.....BUUUUT .....i choooooose, in no particular order, OFF, pigeonetics, elder scrolls oblivion, pathologic classic HD!! i’m more than likely forgetting a few though, so sorry about that

4: Worst game you’ve ever played? as i said above, cannot choose favorites, neither can i choose whatever the opposite of favorites is but...uhh, does lif even count as a game? like lif, the stupid little furry flash game i remember playing on some shady website. it was surprisingly very active with a BUNCH of people there but i kept dying like every 5 seconds....AWFUL

6: A game that’s changed you the most? WELL define Changed.....ummm aha first thing that comes to mind is OFF. it’s one of those things where you never knew you wanted something so fucking bad until you saw it--and it’s like that for me. i NEVER knew i loved that odd, surreal, colorful, “looks playful and simple in some parts but incredibly violent and unnerving in other parts” aesthetic til i played it. like aesthetically i love that game to BITS and something about it just stuck with me til the end of time.

later in life (meaning, past year or so) it changed me because it taught me a lesson about storytelling and creative endeavors. a very useful lesson. which is: things don’t really need to have a meaning. stories, art, music, writing, whatnot, while it CAN be deep and meaningful, while you CAN use it as a way to communicate with the world about all kinds of heartfelt things, it can also be...nothing, really.

once i, as usual, got ridiculously overwhelmingly sad about small things. specifically seeing other people around me come up with all kinds of deep and meaningful characters and stories, sometimes putting them into webcomics or writings of theirs, and they were all so well-thought out and detailed and what i envied most was people put a lot of themselves and their experiences into them, venting and coping through them, whilst also making these larger-than-life grandiose complex stories and worlds and so on and so forth.

it made me look at my own ideas and get mad/frustrated at how shallow they were. but then i remembered OFF and i felt better because Fun Fact, mortis ghost has a now-abandoned dA account and if you go through the comment section on his profile, he answers a lot of fan questions and he mentions several times that the game didn’t really have a “meaning”, it didn’t really have a “deeper story” or moral or anything, really. i’m paraphrasing this but i vividly remember him saying “i wanted to make a game, so i did”.

that made me feel a lot better because it made me realise that sometimes art--especially stories, in my case-- doesn’t NEED to be DEEP or have MEANING...sometimes it can just BE!!!! sometimes it really can just be all about AESTHETICS like who GIVES a shit if there’s a hidden meaning if you take the first letter of all of your characters’ names and put them backwards, sometimes all that matters is if they just VIBE with you y’know....

yume nikki is similar in this regard bc that game doesn’t have any story other than “collect egg” and yet it’s so impactful. that game doesn’t have a story or meaning it just IS........ :) GOD THATS SO LONG IM SORRY ABOUT THAT but yeah. funny violent ghostbusting baseball man is a game that changed me :)

7: A game you’ll never forget? OFF AGAIN LOL,,, it’s just so memorable because of how unique it is. visuals, soundtrack, story, everything is so memorable. unforgettable. oh god you can tell how much i love this damn game can’t you

8: Best soundtrack? yakuza 0, OFF, there is a picture (another game by mortis ghost, again composed by alias conrad coldwood who also composed OFF), pigeonetics (the entire soundtrack of which is here), jojo’s bizarre adventure all star battle and eyes of heaven, silent hill 2 & 3, undertale....probably forgetting more but all of these...earcandy

11: Hardest game you’ve played? i am a shitty gamer so this is Most games i’ve played lol!! but uhh..well you see. hardest game i remember playing as of recent is pathologic classic hd in which it’s...not only hard to understand what any character is saying at any given time lol but also, i don’t think it’s HARD it’s just...you need to focus. you REALLY need to fucking focus and pay attention in this game. so i wouldn’t say its HARD, but i’m only putting this here bc it’s in recent memory.

i say recent memory because the true answer is susceptible to “yeah, but now you’re older, it must not be so hard.” as in if i played it now i think i’d have a way easier time. but when i was around....10-12 years old i had several ps3 video game adaptations of animated movies and i had SUCH a fucking hard time with them. g-force, bolt and up in particular were fucking HARD. like genuinely, the hardest time i had EVER had in my live playing video games is tied to these three fucking games. g-force and bolt ESPECIALLY. one particular level in bolt took both me AND my sister around a year to fucking finish.

again, i was baby, so i bet i’d have a much easier time with them now that i’m 17. but for now, in my experience, bolt and g-force for the ps3 were harder than pathologic classic. i think icepick lodge should take a few notes for them for pathologic 2.

13: A game you were the most excited for when it wasn’t released yet? STREETS OF KAMUROCHO...i spent the entire day of its release anticipating its launch lol

14: A game you think would be cool if it had voice acting? hmm..most games i like and know about do have voice acting so i dunno....i guess it would’ve been kind of cool if morrowind had like, full proper voice acting. but i can understand why it only voice acted things like greetings and battle insults because GOD that game is SO...complicated...and as a result, the conversations are so lengthy and text-full. playing morrowind is really like a goddamn book! if it was voice acted i’m sure all that information would have to be shortened bc i know no one is going to fucking voice act two whole paragraphs

15: Which two games do you think would make an awesome crossover? pigeonetics and yakuza in which instead of being about the criminal underworld it’s about shady and unethical pigeon clubs, breeding, racing, etc etc...a lot of illegal shit does happen in the world of pigeons especially when it comes to racing; prized racers have been kidnapped and held for ransom before. and then there’s Avian Cucking: The Sport, where people breed the sexiest pigeons (horseman thief pouters), release them outside to seduce other people’s sexy pigeons, and bring them back and keep ‘em, drama ensues. will kiryu ever escape his past as a professional pigeon-napper, and find solace in his new life as a pigeon hobbyist? find out now by playing YACOOZA......

JOKES ASIDES i don’t know i really don’t....umm, pigeonetics and animal crossing somehow?? :O... like, instead of managing your own town it’s managing your own loft!...orrrr, the jojo games (all star battle & eyes of heaven) with yakuza, because i think they’re somewhat similar because they’re both haha Wacky Silly AND serious over the top fighty-fighting.....or maybe a crossover with OFF and discover my body, which, despite being an incredibly short and obscure indie game i still love to bits for what it’s worth. WAIT ANIMAL CROSSING AND MINECRAFT THAT WOULD FUCK SO HARD OH MY GOD

16: Character you’ve hated most? From what game? i can’t think of any character i like, HATE...with a burning passion.. there are a few i dislike or have a complicated relationship with though.. i’m not interested in the series anymore but ouma from drv3...i’ll admit that he is a bit fun sometimes, especially in the very early beginning he’s a likeable brat but as the game progresses he becomes more irritating than anything and i have an issue with him in regards to writing, despite the fact that i have never been awake in any english class ever lol. it’s too long to put in this already long post but i’ll keep it at that. if you like him, well, good for you for finding joy in something i couldn’t! but he just doesn’t do it for me.

AH I JUST REMEMBERED....MINE......FROM YAKUZA 3....maybe i’d change my mind if i watched a playthrough of y3 again, because i think you always absorb something better on your second watch (tho i honestly Dont have the energy to do that all over again, the yakuza games are too fucking long), but i really hate his writing. spoilers for y3 but, i think mine’s writing, alongside other things in the game, were super messy...and a big part of why i hate him is that not only is he one of those “could’ve had great potential but fell flat” sorta guys but also his love for daigo is seen as some fans as good gay rep and i?????/.............um....WELL let’s just say that, i think people nowadays will see any gay character ever in any circumstance and say it’s good gay rep just based off the fact that A Gay Character exists....he was Not, good gay rep imo....he was not, let alone, Good. .........

17: What game do you never tell people you play? can’t think of any games i wouldn’t tell people i play.. idk exactly what this question’s asking. does it mean what game you don’t tell ppl you play bc you’re embarrassed about it...? i’m not very embarrassed by any of them. the only thing that comes close, i guess, is uhh lioden and wolvden. i’ve only interacted with those communities a LITTLE TINY WEE BIT, yet of what i’ve seen it’s a goddamn dumpster fire and i’d never want to be associated with them lol

19: Which game do you think deserves a revival? i’m well aware it’ll never happen and that it’s more a wet dream than anything but...PT/silent hills..... on a more realistic/”could happen” note, PIGEONETICS!!!! SERIOUSLY, it’s an amazing game about amazing animals and it teaches genetics in a very simplified and efficient way!! genetics is SO hard for me to understand, i fucking hated studying it but this game really helped me understand how it works AND its super engaging and interesting!! HOWEVER, of all the pigeon genes we know of, only a handful were seen in pigeonetics and i’d LOVE a sequel that employs new game mechanics AND new genes!! i wanna learn about bronze and stencil genes! i wanna learn about phenotypes like grizzled and pied!!! genes like sooty and dirty!!! @ UNIVERSITY OF UTAH GENETICS DEPARTMENT PLEASE IM BEGIGNG YOU

20: What was the first video game you ever played? earliest memories of Gaming involves me at my aunt’s house playing two games: super mario brothers and some kind of trapeze game. i don’t remember anything else though

21: How old were you when you first played a video game? i can’t remember but i must’ve been REAL tiny.... 6-9 years, maybe??

22: If you could immerse yourself in any game for one day, which game would it be? What would you do? immerse myself meaning go into their world...? huh....on one hand i’d like to go in the world of yakuza 0 to play in the arcades and do whore related activities but i’d also love to go into the world of animal crossing (and i’m pretty sure i’d be some sort of generic dromaeosaurid in that game!!) and shop, chat with villagers, do chores for them, go fishing, bug hunting, eat delicious fucking food like the apples mangos peaches cherries etc etc.....OH AND FOSSIL HUNTING THAT’S THE BEST PART!! though it would definetly be a little weird, to be a little dinosaur and finding a fossil of a...little dinosaur....i guess the non-sentient species went extinct and the dinosaur i am is some kind of, descendant of a sapient non-avian dinosaur that survived the k-pg extinction event...oh but who cares all i want is a cool little ambulocetus fossil or something. and some cherry pie :)

26: Handheld or console? my old ps3 just went kaput one day years ago so i haven’t used it in years so i can’t compare well... but i’d say handheld, because it lets me like DO stuff more...would love to get a console one day, a ps4 maybe but i’m kinda worried it’ll make me stay in one room all day wasting away my time when there’s other stuff i can do, y’know? but something handheld like my 3ds, on the other hand...i can do stuff with it. i can take it to my room and play it between breaks i take as i clean the room and fold my clothes, i can watch something on the tv and play the game during ad breaks, i can take it outside too if it has charge to last me a while! so....handheld i guess

27: Has there ever been a moment that has made you cry? yakuza 0 and undertale in particular have ALMOST made me fucking bawl with many of its moments....yakuza 0 especially, after that Fucking Ending i had trouble sleeping because oh my fucking god. video game people SAD!!!!!!!!!!!!!!!!!!!!!!!

28: Which character’s clothes do you wish you owned the most?

29:  Which is more important, gameplay or story? HMMM....well, if i were to play a game with a shitty story but really good and fun gameplay i’d probably continue playing it for the gameplay. but if i played a game with shitty gameplay but an interesting story, there is a chance i’d play it more for the sake of the story but also i might just quite and see the rest of the story on youtube or something. i’m more likely to go through a boring story for fun gameplay than go through boring gameplay for an interesting story, so i guess gameplay is more important to me....that is, WHEN i actually own and play a game as opposed to when i just watch someone play a game because i don’t own the game but wanna know abt the story lol

30: A game that hasn’t been localized in your country that you think should be localized? i have no idea how video game localization really works....but i assume localizing a game in india would mean something like, removing content according to cultural norm and also somehow translating it into the 22 official languages..? or just two or three language if it’s tied to a particular state, which seems way more doable. i honestly have no idea? i’ve never interacted w the indian gaming community that much to be honest, all i know of it is of the video games i’ve seen sold in some game stores and a few whispers about like solid snake or whoever from my school’s cafeteria....the most popular games here, to my knowledge, are those very streamable games like fortnite and PUBG and your call of duties and whatnot. those generic shooters. and even then, that honestly isn’t the “indian” gaming community bc this country is so FUCKHUGE, it’s just tamil nadu. one state.

soooo, according to what little i know of gaming interests in where i live, i don’t think any of the games i like should be localized here bc i don’t really think there’s an audience for it as far as i can tell :( maybe animal crossing? it’s a fun little games for all ages and i think it has a chance of becoming popular here, so maybe that is worth a shot! but i can’t think of any other game that i like that really has an audience here (other than Me lol)

[chibimyumi]

Sorry this really isn’t an Ask, and you probably already received the news, but Furukawa is going to reprise his role as Death for the 20th Elizabeth anniversary!!! This time I will absolutely fight for a ticket!!! Lost this year, but I admit I didn’t try hard enough. Though actually now I do have a question, previously, in another post, you mentioned preferring Reika. Is there a reason for that? Sorry, since the ask isn’t really related to Furukawa, feel free to ignore it...

Dear Foreverheadintheclouds,

First of all, thank you very much for your sweet words. Though often very clumsily done, I put in a lot of time into the analyses, so I am VERY happy that you like them ^^

Aww no, it’s really sad that you did not manage to get a ticket. Don’t blame yourself too hard though; there were people who fought with every last cell of their body and still lost.

As for why I prefer Manaki Reika over Hanafusa Mari… well, it’s a very complicated story, but I shall try to keep it concise.

⚠️The following is STRICTLY my personal opinion formed on personal observation.⚠️

Hanafusa Mari

It’s not that I ‘prefer’ someone over Hanafusa, it’s just that she is one of my all time least favourite performers. Of course I GENUINELY LOVE Manaki Reika regardless of who is her double-cast, but through contrast the love I have for Manaki is even stronger.

Click ‘Keep reading’ for details.

As a Performer: One Trick Pony

In my opinion Hanafusa is very much a one trick pony. No matter what role she plays, she always has this fragility about her that I really don’t enjoy looking at. During interviews Hanafusa usually focuses a LOT on the tragedy, sadness or injustice that has been done to the character she plays, to the point of letting the tragedy be all there is to the character.

For ‘Marie Antoinette’ 2018 for example, there was an interview with Hanafusa and her double-cast, Sasamoto Rena. They both visited the places where Marie Antoinette lived and was confined. While Sasamoto emphasises how incredibly strong Marie must have been for always having lived in dignity and pulling through the circumstances however harsh, Hanafusa focused on how sad it was that a Queen born of royal blood had to live in such harsh circumstances, how everything was stripped from her, and how everybody slandered her. Of course what Hanafusa said was all what factually happened to the historical Queen, but it is very telling that Hanafusa would choose this aspect to make the main attribute of her character.

When the musical was playing, there was also very clear that these actresses used what they said as the core of their acting. This same thing applies to all of the roles I have seen done by her.

Hanafusa has played characters with strong sides, of course; but to me, every time she plays a ‘strong’ moment, that strength feels like nothing but a mask.

In short, I think she is quite a one trick pony, and that ONE trick happens to be something that is a bit of my pet peeve. I personally also do not enjoy performers where you always first see the person, and only then the character. I strongly prefer performers who can erase themselves and really ‘become’ the role.

24 Long Years

After more than two decades of playing Elisabeth, I am also really done with her portrayal of the historical Empress. In 1996 she started as the whimpering damsel in distress, and in 2016 she was… just that again. I hoped that in two decades someone would develop, but Hanafusa did not show me that. (I know this is my bias, but within ONE mere production, Furukawa already developed more sides to one character, than Hanafusa managed to in my opinion in two decades for MULTIPLE characters.)

At the beginning Hanafusa vocals were fine - never phenomenal though if you ask me. But lately the limits to her vocals are becoming more and more obvious.

As a Person: Attitude

Of course Hanafusa is the unofficial ‘Queen’ of the Musical world, and she has built a very steady fanbase over the past 20+ years. It is not for nothing that she is recognised as THE veteran by most people.

However, this status seems to have risen to her head quite a bit. Hanafusa very often gives off this haughty vibe. With  ‘1789′ she kept a superiour attitude against Ouki Kaname who played a female role (Marie Antoinette) for the first time. Ouki expressed how she found the role very challenging, but Hanafusa kept emphasising how that same role was super easy for her, because she has already played her over and over again in Takarazuka in multiple productions. (This again links back to the one trick pony part; it’s a different production. A different production would call for different approaches, right?)

Likewise with ‘Lady Bess’ Hanafusa kept saying stuff as though trying to convince her co-actress Hirano Aya that Bess was tragically stripped away from a life of romance, even though Hirano valued another aspect much more. And with ‘Marie Antoinette’ she kept throwing “but, buts…” at her co-actor whenever Sasamoto talked about her own interpretation.

But most importantly, her attitude when it comes to THE Grand Musical ‘Elisabeth’ is what I personally find the least charming. She is the first Japanese Elisabeth (Takarazuka 1996 - Japan premiere), and she seems to consider herself the most knowledgeable person in Japan about this production.

In both 2016 and 2019 when TOHO staged ‘Elisabeth’, former Top Tier actresses from Takarazuka were cast as Hanfusa’s double role (Ranno Hana ‘16 and Manaki ‘19) . Hanafusa kept giving them advice, such as: “beware of this, pay extra attention to that. Look, this is how I do it.”

On surface level it is a senpai looking out for her juniors, but to me they were all advice you would give someone who doesn’t have any experience at all, even though both Ranno and Manaki played Elisabeth in Takarazuka before. Even if they had not, then as graduated First Tier performers, I am sure they would have figured it out themselves.

But more importantly, Hanafusa was giving unsolicited advice. Usually junior actors would ask their seniors for tips if that is what they want, or seniors would give advice if the junior is clearly struggling. However, neither Ranno nor Manaki expressed that they needed any advice.

If this had been her attitude in just ‘Elisabeth’, well, there’s nothing wrong with being proud of having a 20 years history in this production. But I’m afraid that this is just what she’s always like.

Damsel in Distress

Lastly, what really does not help is her distressed attitude in most of her curtain calls. Hanafusa is usually crying and whimpering, and thanking the audience ‘for letting her play role X’. But in truth as an ‘Ogosho’, she never has to do any audition; she could walk into the office, demand the role to be hers, and it will be.

Hanafusa is also literally Imperial by blood. She is the descendant of the Daigo family - a branch family of the actual Japanese Imperial family. When she first started out in Takarazuka, she already had a HUGE sponsorship, and the sponsors she got were more impressive every year. Like I said above: I don’t consider any her skills as a performer phenomenal; they’re ‘pretty good’ at best. So what are the chances that her lineage has something directly to do with her position in Takarazuka and TOHO? (Note: Takarazuka and Imperial both belong to the same company) Takarazuka does have a history of having some EXCEPTIONALLY rich performers who happened to reach VERY high status despite having quite some……….obvious flaws, shall we say?

I think she is laying the ‘humble and fragile damsel’ act on VERY thick. But to me, I don’t see why she would be ‘fragile’ as she has life-long job security as TOHO’s ‘Ogosho’, and her ‘humble act’ is just something I don’t buy considering the attitude I described above.