#and The Shadow is one of the main reasons why capes became so popular among American heroes

[maxwell-grant]

Red of Overly Sarcastic Productions once said :"If you can imagine your Batman comforting a shared child, then congratulations, you're righting Batman. If not, you're just writing the Punisher in a funny hat". This got me wondering: could the Shadow comfort a scared child?

Could he? You forget who was there to lift young Bruce to his feet at his first brush with death (sadly far from his last).

But it's an interesting question to pose still, because children were straight up not in the pulps, not in any I've read, and I can't recall any episodes of the radio show that feature them much (there's gotta be at least a few, because they had everything in that show). The most interaction I think The Shadow's ever had with children (from comics that I can discuss here, because Marshall Rogers' "Harold Goes to Washington" is way, way too much for me to go into right now, and the less I talk about some other DC comics, the better) is in the Street & Smith comics.

There's Jerry from the Devil Kyoti arc, a kid who was traumatized by an encounter with the villain who Sayre's looking after and who ends up having some kind of hidden power that allows him to see The Shadow and defeat the villain. There was a blonde Jerry who showed up later in the Monstradamus arc, but he isn't a kid so much as he's diet Jimmy Olsen or a replacement for Harry, but he had weird eyesight-based powers and a familiarity with The Shadow, so I assume it's the same character.

There was also Donald Jordan - Shadow Jr, and okay, I may have to talk more about this weird little failed experiment some other time, but the basic gist of it is that The Shadow had a friend in Tibet named Harry Jordan (and someday I'm also gonna write about the weird prevalence and significance of the name "Harry" in The Shadow's mythos in and out of universe) who was murdered, leaving his son orphaned and with nowhere to go. And, I'll admit that I have a real weakness for The Shadow calling people "son", which he does a lot in this story.

And as you can expect, it then turns out that the kid's also learned how to cloud minds and has basically the same powers The Shadow has in these comics, and they solve the mystery of his dad's murder together, and yeah, you can absolutely tell that they are setting up this kid to be The Shadow's Robin. Although, interestingly, they don't have The Shadow actually recruit the kid, instead it's Jordan who asks The Shadow if he can go with him and join his mission, and Cranston even states he's going to have to "earn" his way

"Must I stay here, sir? It will always remind me of dad - I'd like to devote my life to your fight against evil and evil doers!

Now, "Shadow Jr's" career was incredibly short-lived, it only lasted for about two other issues, and I have no idea what happened in his final appearence called "Snake Eyes" in Shadow Comics #77, I cannot find that issue anywhere and I really want to. But the one other solo story of his I've read was...well, I think it kinda illustrates why the idea of The Shadow having a Robin was doomed from the start.

...Yeah. Even The Shadow at his most sanitized and family friendly is still The Shadow, and there's no room for children in his network, obviously he shouldn't and wouldn't have children be in those positions or make decisions expected from grown-ups who have already had encounters with death and danger, why would anyone do that-

The only instance I can think of The Shadow interacting with a child in the pulps was during The Prince of Evil, when he has to rescue a young boy from Stark's thugs.

Cranston, dazed, tried to stagger to his feet. Before he could do so, the thug had picked up the limp figure of the boy and was darting out into the street. There was a scream of horror from pedestrians.

A heavy truck was racing at top speed along the avenue. Straight into the path of the truck, the thug threw the senseless boy!

The driver of the truck jammed on the brakes. But it was too late to halt the heavy vehicle. The broad-tired wheels rolled toward the limp head of the lad on the pavement.

An instant before it could crush out his life, Lamont Cranston dived headlong into the path of destruction. His shoulder struck the boy, rolling him toward the curb. A quick wriggle, and Cranston swerved aside from the grinding death that loomed over him.

He picked up the boy. One glance and he knew there was no time to lose. The attempted killer had leaped into a waiting sedan and had already made his escape.

The boy was all Cranston could see or think about. Brass knuckles had fractured his skull. He had suffered a concussion of the brain. A glance at his bluish lips and the fixed glaze of his staring eyes told Cranston that unless the boy was operated on immediately, he would die.

A leap, Cranston was in his car. He laid the boy gently on the seat beside him, then headed the car toward the nearest hospital. Traffic lights were ignored.

The boy was taken to an emergency operating room and a skilled surgeon went to work. When it was over, Cranston asked only one question: "Will the child live?"

"Hard to say. We'll do our best."

"Spare no expense. Put him in a private room. Engage day and night nurses."

Cranston's face was pale. He knew that he himself was indirectly responsible for the boy's attack. A supercriminal had made a prompt answer to Cranston's message over Jackson's telephone. That telephone must have been tapped. The attempt to kill the boy was a vicious warning for Lamont Cranston to mind his own business about the Harmon family. It was a follow-up of the attack on Jackson's dog.

Cranston felt a surge of hot anger. He kept it under control while he answered routine police questions. He told all he knew - which was nothing.

He had only one angry thought. He intended to drive straight to the office of David Chester. He'd get the truth out of the sleek Chester, if he had to batter him with vengeful fists!

Cranston was actually halfway to Chester's office before common sense returned to him. He realized he had lost his sense of balance. He was behaving exactly as the crooks wanted. He was playing their game, not his!

He parked, and the hot rage drained slowly from him. He stopped thinking about the limp figure of a young lad on a white operating table.

This is definitely because Tinsley writes the character differently than Gibson, but I actually cannot think of another occasion where we got to read about The Shadow actively wanting to hit someone with his fists. It's very, very rare to read about The Shadow actually getting mad in the first place in such an undignified way. And I think with this passage, you'll start to notice a pattern.

The problem isn't that The Shadow cannot interact with kids or that he can't comfort them, he does it to his agents and adults he wants to help just fine, he knows how to address people in their language, or any language. The problem is, The Shadow is constantly surrounded by danger everywhere he goes, because he is The Shadow. He can be any number of things at any number of occasions, but usually, when The Shadow shows up, it's usually because people are going to die, and people are going to kill, and it's his job to address that and work the scales.

Children should not be anywhere near this, and if The Shadow's interacting with a child, it usually means that some grave danger or tragedy fell upon them, and he's here to either prevent greater tragedy or address the fall-out, and he'd be the first to agree that neither of these options should be happening at all. It doesn't mean he's not gonna do what's right and give life and limb to protect them, but, it shouldn't be up to the Boogeyman to look after them in the first place. Maybe it shouldn't be up to the Boogeyman to protect us.

But then again, as I mentioned when I talked about my own reasons for liking The Shadow so much, there are many kids who would like nothing more than to have the Boogeyman by their side to protect them. There's comfort in knowing that the scariest man in the room is unconditionally there to protect you, and that is the comfort that The Shadow gives best. Not as Cranston, not under a friendly face, but as what he is.

Due to a lack of scenes from the pulps or satisfying scenes from elsewhere, I will instead be pulling one from a fan story written by Kimberly-Murphy Smith, editor and writer of The Hot Cornerm where The Shadow rescues a child who was kidnapped for blackmail. I couldn't care less that it's fanfic, and if you do, come back in 20 or so years after The Shadow's been made public domain and it's gonna be just as official as anything licensed (on my “to write about” list: how fickle the separation between “official” and “fanfic” is, and the many times it plainly didn’t exist). There’s aspects of her writing I don’t care for, but I really like this scene and I do think The Shadow’s more gentle interactions with people are necessary to getting the character.

Annabelle.

She stopped crying for a minute. "Who's there?" she said, her voice choked.

A friend. Your mommy and daddy sent me to pick you up.

"Mommy? Mommy's here?"

Sh-h-h. Annabelle felt a gloved hand gently stroking her hair. She's waiting for you at home. So, we need to hurry up and leave.

"'kay." She looked around. "Where are you?"

It's kind of hard to see me. It's dark in here, plus you've been crying so much your eyes probably hurt.

"Yeah."

Don't be afraid. I'm here to help.

"'kay."

The implicit trust of children was simply amazing at times. Adults trembled in fear of The Shadow's wrath, but children somehow seemed to understand that he was there to help them, even if they couldn't see him.

Sit up, Annabelle. I'm going to pick you up. Be very quiet.

One hand took each of her arms and guided them around a neck she could not see. "Why are you wearin' a blanket?" she asked as the fabric of his cloak brushed against her shoulders.

Sometimes I get cold at night.

"Even in the summer?"

Even in the summer. He gently stroked her cheek and wiped away her tears. Now, you need to be very quiet so those bad men in the next room don't hear us. I'll bet you're tired.

She nodded.

He rocked her on his arms, projecting a very gentle hypnotic relaxation into her with his powers as he did. You probably didn't get your nap, either. Poor thing. Lean on my shoulder and go to sleep. And when you wake up, you'll be back with Mommy and Daddy.

She yawned, then snuggled against his shoulder and went to sleep.

The Shadow sighed with relief. Now to get past the men out front. He gently pulled the pistol out of its holster under his left arm and slipped it into the belted waist of his overcoat within easy reach, then secured his grip on Annabelle and draped his cloak over her.

She clutched the edge of his cloak in her hand like a security blanket and snuggled against his shoulder again.

(Art by Jill Thompson)