#and I’m thinking about Zelda

[cerealforkart]

Sparrow would love Twilight Princess thanks for coming to my TEDTalk

[the-phantom-peach]

skyward sword… yeah <3

Crimson Loftwing

↻ ◁ || ▷ ↺

[merukins]

I dream about flying a lot, but when I wake up I’m still tethered to the earth

[st-hedge]

So Ganon huh *shakes like a caffeinated chihuahua*

[pocketseizure]

TofK Ganondorf Design Notes

The character design for the Ganondorf who appears in Tears of the Kingdom is extremely interesting. This is just speculation, but I don’t think he’s dressed like a villain.

The golden ornaments on Ganondorf’s topknot, chest, arms, and ankles reference the common portrayal of Fudō Myōō, one of the most widely venerated deities in Japanese Buddhism. Fudō was originally a minor Hindu deity called Acalanātha, who is an avatar of the wrath of Shiva, the god who destroys so that new life may emerge.

Like Fudō, Ganondorf wears long hair bound into a topknot, golden sandals, and loose pants gathered at the knee. These are sartorial traces of Fudō’s South Asian origins, and they serve to connect Ganondorf to the Gerudo of Ocarina of Time and Breath of the Wild, whose designs are inspired by various cultures along the ancient Silk Road.

Fudō was especially venerated by the warriors of Japan’s medieval period, so perhaps it’s fitting that Ganondorf’s costume alludes to the dress of medieval warlords. His robe, with its embroidered hem, crimson lining, and golden sleeve weights, would have been extremely expensive to create and would only be worn by a wealthy domain lord.

The matte black of Ganondorf’s outer robe is an indicator of high rank, as is its colorful interior. Toward the end of the medieval period, black robes were sewn with gorgeous inner linings in order to demonstrate wealth, power, and prestige. To me, Ganondorf’s robe reads as something that would be worn by Oda Nobunaga, one of Japan’s most notorious warlords.

What’s interesting about Ganondorf’s design is that he doesn’t come off as a deity or a warlord. A god would have no need for such a sumptuous robe, while a lord would not reveal his skin or wear sandals. I’m strongly reminded of the sort of rōnin famously played by Toshiro Mifune in The Seven Samurai, a skilled but aging warrior who retains his dignity despite his debased circumstances.

Ganondorf’s lower torso is wrapped in a haramaki to reinforce his core strength, and his right arm is bare so he can wield his sword without impediment. These are both very human touches, as is the cloth covering his shins and soles so that his skin doesn’t chafe. A more godlike character would not need these concessions, and a more aristocratic character would not bother with them.

In previous games, Ganondorf was covered from chin to toe in ornate armor or belted robes, signifying a lack of openness and vulnerability. Meanwhile, the Ganondorf of Tears of the Kingdom literally bares his chest as he reveals a number of contradictions. He is ornamented yet barefoot, and his regal black robe has been peeled back to showcase a bright lotus pattern.

Even despite his stern frown and clenched fists, I don’t feel that Ganondorf is visually coded as a villain… or, at least, he doesn’t seem completely inhuman.

[daeyumi]

Coming soon!! Tears of the Kingdom acrylic charms! 🐉💧✨

The charms will be 3.5 inches tall, double sided with hanging teardrop shaped acrylic beads. Preorders open in a few weeks when I get the samples in from my manu!

[kagoutiss]

old character ref pic i finally got around to fixing up hehe

[shrimpari]

Beat ToTK a bit ago and all I could think about was them.

One day I’ll get to play a new Zelda game that gave me the same or similar emotional rush that Twilight Princess did

[squigglywitch]

Based on Kristen’s entire vibe in the first episode I’m 99% sure she and Tracker are over and yes I am sad but I KNOW Ally is going to deliver to us the most juicy, delicious, messy, toe-curlingly cringe high school lesbian break up drama that has ever existed and I’m so fucking excited

[teenagerebellion]

as someone who likes gorgug and his relationships with other people so so much i’ve had literally nothing but wins with this finale.

“do you have a girlfriend?” / “fuck, she’s hot.” GORGUG BARBARIAN GF STREAK CONTINUES. and it’s a rivalry. and he’s so mad that he thinks she’s hot.

“fabian, i wasn’t a virgin before.” ZELDA AND GORGUG FUCKED CANON. as someone who loves that relationship so much to this day, i got everything i could’ve ever wanted from this epilogue.

[skyloftian-nutcase]

My brain is buzzed and buzzing.

HW Zelda spent a good portion of her time with Link disguised as Sheik. She decided to keep her identity a secret from even Impa, which means she probably had to change her personality a little to make it convincing. So this entire time, Sheik and Link work together and fight together, and Link got to know this different persona. So when she revealed herself as Zelda, I wonder how that changed their relationship and dynamic?

Imagine Zelda is falling for Link but Link is falling for someone who doesn’t exist. Imagine Link’s agency and consent are so ambiguous because destiny determines that Link and Zelda are always together, that they have to be together, at least according to Lana and Cia.

I don’t know, I just have a lot of thoughts about HW Zelink. Not all of them are great. But I suppose if people write it well I can like it.

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[puppyeared]

The garment, worn by those in good standing with Hyrule royalty, has been reworked with the latest improvements, such as a new shoulder guard.

[blue-likethebird]

The explanation for why totk’s story is so Not Great and how disconnected from its predecessor it feels being that the devs didn’t want to alienate new players who didn’t know anything about botw’s story just falls apart the more I think about it. Nothing from this stupid half a plot works unless the player is familiar with specific details from the better games that came before it.

The believability of Link and Zelda’s connection to each other hinges on you knowing about the nuance of their relationship in botw. The ancient sages fighting with the champions’ arms and divine beast helms will only be impactful to botw/aoc players because totk doesn’t bother to explain the significance of that callback at all. Fi’s cameo is meaningless unless you either got every memory in botw or finished the master trial dlc (and know about her from skyward sword). You’ll only get the full context of Teba being sidelined in favour of a 12-year old if you played a specific chapter of Age of Calamity’s second DLC. Like sorry but I think Nintendo just made a bad story tbh

[daeyumi]

Hero 💠💎🗡️

[Linktober 2022 Day 17: Link]

[andhumanslovedstories]

In every Zelda game, there’s a prominent NPC I cannot stand and irrationally hate for no fucking reason. Happy to announce that Yunobo has won this title two games in a row. But I actually hate him so irrationally and so much that I’ve started to find him like. charming? Like I go back to Goron land and he pops up again, and just seeing him I start to smile because I think it’s very funny how much I hate this character who is fine. Yunobo is fine. And yet. It’s like if someone had a serious, personal beef with a specific piece of toast.