#and Belisarius is also Heraclius in that one too
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One very funny thing about the Byzantines in fiction (especially in literature) is that 90% of the content about them takes place in the early-to-mid-500s, I guess because that Justinian/Theodora/Belisarius/Antonina quadfecta is so well-known and so ripe for melodrama that it can easily carry a novel. But authors also want to talk about later Byzantine emperors and politics and theological issues, so they often end up just cherry-picking random shit from, like, the 800s and beyond, and smashing it into the Justinian-era stuff to make a sort of historical fiction hybrid story composed of every weird Byzantine thing that happened over the course of a thousand years. You get these absurd scenarios in which sixth-century people are dealing with eighth-century religious disputes and fourteenth-century wars, and all of the names and problems are so muddled that it's impossible to make sense of any of it. Sometimes Justinian and Theodora disagree not on the divine nature of Christ, but on the issue of iconoclasm, because iconoclasm is more interesting than Monophysitism, but Justinian makes a better protagonist than Leo III. And Belisarius is there, but he's also Heraclius, and he's also Basil II Porphyrogenitus, slaying Bulgars left and right. And sometimes Theodora is pawning the crown jewels to Venice, because that's a good, dramatic plot point, and because Anna of Savoy can't carry a story like Theodora can. I've seen multiple books imply that Constantinople is on the verge of falling and the empire is on its very last legs in the 540s. (I'm not talking about plague-induced "the world is ending" panic, eitherâI mean, the author indicating that the Ottomans are at the gates, long before that was remotely a possibility.) Its hilarious to me.
Like, you want to use Justinian, okay, fine. (God knows he needs a good book written about himâI can name a dozen novels about him and Theodora right now, but they're all terrible.) But these authors will choose Justinian, then decide that they want to write about something that happened 800 years after his time, so suddenly Belisarius is personally fighting Mehmed the Conqueror. Like, sure.
#The Sarantine Mosaic duology is the ONLY one that's allowed to get away with this because it's historical fantasy#but even that one makes me laugh#the central religious conflict is psuedo-iconoclasm and the Theodora character is a heretic because she likes dolphins#and Belisarius is also Heraclius in that one too
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@suburbanbeatnik OK SO:
As far as the âmixing up different historical erasâ problem goes, this actually happens in a lot of different novels. Theodora by Samuel Edwards is the most blatant example I can think of at the momentânear the end of the book, a horde of Huns, inexplicably led by Khosrow, starts marching on Constantinople while Justinian is in his plague coma, and Theodora sells the crown jewels (I donât believe the narrative specifies the buyer) to fund Belisarius and his troops, who are the cityâs last defense. Khosrow is similar to Mehmed II, Theodora takes on the role of Anna of Savoy, and the overall political situation is implied to be very bad for Byzantium, with Constantinople on the brink of total failure and most of the empire's territory gone. (Like, thereâs discussion of Justinian and Theodora meeting the invaders at the gates so they can die together, because they think the whole empire is collapsing.) The story does end with the Byzantines winning (using Greek fire, another anachronism), and Theodora gets her jewels back (I do not remember how), but yeah, the author completely blended two very different periods together. Different variants of this exact plot appear in different novelsâa *lot* of books treat the 540s as politically similar to the 1200s or 1300s, and a *lot* of books have Theodora sell her crown for some reason or another, usually to fund the defense of the City or one of Justinianâs schemes. (One bookâmaybe one of the ones by MariĂ© Heese? I canât think of the title, sorry)âhad her sell her jewels to fund the building of the Hagia Sophia. (She gets them back in that book, tooâI think Narses literally just discovers an enormous stockpile of gold somewhere, and that fixes the financial problems.) And a lot of different books put Belisarius in a Heraclius or Basil-like role, although Iâm less well-versed in Belisarius books than I am in Theodora books. (The Sarantine Mosaic by Guy Gavriel Kay definitely did thisâthe character of Leontes is pretty much Heraclius and Belisarius combined, while Valerius and Aliana are straightforward Justinian and Theodora equivalents, except for the fact Aliana is the equivalent of an iconodule rather than a Monophysite. But that gets a pass, imo, because itâs not pretending to be totally accurate.)
Religious inaccuracies and mixups are also really common overall, especially in older books. One Victorian-era book called Blue and Green, or the Gift of God: A Novel of Old Constantinople was very bad with this, presumably because the author was a British Protestant who made no secret of his disdain for the âpagan heathenismâ of the Byzantine Empire. (His descriptions of religious ceremonies are very funny, because he describes them as, like, Christian ceremonies, if Christian ceremonies had strippers and drugs. The inciting incident of Theodoraâs spiral into prostitution is her doing an erotic dance at a respectable, aristocratic weddingânot a bachelor party, an actual weddingâand this is presented as normal.) Really, you can probably just check out any Byzantine book from before, say, the 1980s on archive.org, and thereâll be weird religious anachronisms all over the place. Lots of authors bring iconoclasm or the East-West Schism (the one that happened in 1054) into the sixth century, I guess because those are more recognizable and dramatic than the Monophysite thing. Authors tend to put Justinian and Theodora on the opposite sides of these conflicts, and Theodora is usually on whatever side they consider âwrong,â which differs significantly from book to book depending on the authorâs religious leanings.
Regarding the Theodora/Macedonia thingâRoss Laidlawâs Justinian: The Sleepless One definitely did this (there were a couple of cringe sex scenes in this bookâhe always referred to Macedonia as âthe other one,â I guess to avoid saying her name a bunch of times? Itâd be like âTheodora felt the other oneâs lips...â and so on. It sounded so strange.) Macedonia was Theodoraâs main love interestâTheodora does marry Justinian, and she likes him well enough as a person, but sheâs pretty explicitly gay and uninterested in men, and she has an affair with Macedonia until Macedonia dies in an earthquake. I believe Stella Duffyâs Actress, Empress, Whore duology also had Theodora and Macedonia hook up, but Duffyâs sex scenes were less fetishistic and cringeworthy, and their relationship didnât last for the entirety of the novel. Theodora having sex (or sexually charged interactions) with Antonina, Macedonia and her other female friends is reasonably common in shitty Theodora novels in general, but itâs never, like, a plot point. Itâs just an excuse for the author to write about attractive young women getting it on in the Roman baths, or whatever other fetish-y nonsense piques his interest.
These points arenât even the weirdest things about most of these books, though. I should just sit down one day and do a full post about all of the absurd things that happen in Justinian and Theodora stories, because shit gets real weird in most of them. Messy historical anachronisms and fetish-y male-gaze lesbian sex scenes are nowhere near the strangest aspects of some of these booksâremind me, one day, to talk about all of the Penis Diseases these authors invent to explain away Justinian and Theodora's infertility.
#penis disease segments#sexy Amalasuintha murder scenes#cringe Narses/Belisarius/Justinian/Theodora/Antonina love dodecahedrons#Evil Comito Bullshit#some of them give Theodora a fictional evil stepmother and stepsisters so she can be Cinderella#it's wild out there
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