#amma nanna trust

[ammanannaanadhhaashramam]

Amma Nanna Anadha Ashramam

Amma Nanna Anada Aashramam is an NGO which was established in 2010 in Choutuppal, Nalgonda. The NGO's sole intention of standing beside the impoverished in times of their need, have seen a stupendous response in greeting several diaspora of such sections in society, beside getting to benefit them in various ways.

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Ekkadiki Pothavu Chinnavada Review

Ekkadiki Pothavu Chinnavada Review | EPC Movie Review

Ekkadiki Pothavu Chinnavada Review: In a practically stuffed house for Ekkadiki Pothavu Chinnavada in a multiplex on the primary day itself (amid this Cash Crises) obviously demonstrated me that there are sufficiently still enthusiasts of Telugu silver screen, urgently sitting tight for a decent film. Be that as it may, unfortunately at the end of the day they all are served the same commonplace stuff from the executive of Hrudayyam EKkadunndi and Tiger (2015), which ends up being a really regular extraordinary film in correlation that unexpectedly had an a great deal more fascinating trailer than the whole 140 minutes motion picture. The tale of the film is about a joyful person Arjun (Nikhil Siddhartha) who gets pulled in to caring young lady Aisha (Avika Gor) because of a little occurrence. At that point Arjun proposes the young lady and Aisha requests that he wed. He arranges everything and Aisha neglects to appear at the Registrar’s office for the marriage. At that point his companions feel frustrated about him and helps him get over her. In the wake of four monotonous years, Kishore (Vennela Kishore) gets numerous identity issue and Arjun helps him to adapt up at Mahishasura Mardini sanctuary in Kerala. That is when Arjun experiences passionate feelings for Amala (Hebah Patel) in Kerala, yet neglects to propose her. Things pivot, when Amala’s address and personality both end up being fake and another young lady with a similar name enters his life. That is the place unusual things begin incident and Aisha reenters his life. What happens next structures the core of the story. Envision this for me, on the off chance that you will Say that I See You (2006) and the Pisasu (2014) had a child, with a portion of the qualities of Norman Jewison and Peter New stream’s angle tossed in with the general mish-mash. That is essentially what you get with Ekkadiki Pothavu Chinnavada. Coordinated by VI Anand, motion picture starts with puzzle instrumental track utilized as a part of the titles, showcases vivified surrender compositions (telling the backstory of souls/soul catching) and afterward continues offering everywhere throughout the top, adolescent romantic comedy scenes that frantically attempt to engage gathering of people with no real achievement. For example, you get everything from regular separate at enlistment center’s office, then a young lady with comparative demeanor meets and goes ahead to gain delightful experiences, imbecilic strides to clear identity issue issues and a decent soul trade point, then another body trade and recounts another normal captivation story, at long last becomes acquainted with the character of the spirit, its gets caught, yet some way or another profits at last. Which makes you essentially ponder that what precisely the creator wished to depict here for the sake of sentimental powerful thriller, it’s neither an alternate romantic tale nor spooky with no bounce panics in its 140 minutes of ineffectively composed stuff. The motion picture had a splendid thought of showcasing a “sentimental profound undertaking” about perfect partners, at the exemplification of their affection. Executive VI Anand tries to assemble a fascinating reason by adding tribal back story to the film, however motion picture proceeds onward a normal note and just continues meandering in different subplots offering few intriguing minutes few and far between. In any case on the off chance that you are searching for a fascinating point or some captivating minutes or passionate sentimental scenes, than what we have as of now observed some time recently, then Anand doesn’t appear to be occupied with having a go at anything new or really new and keeps intensely depending on a similar old easy win equations portraying an ‘intriguing thought’ which humorously was likewise squandered by Bollywood creators. The consistency calculates and silly story murders the anticipation very new and all entirely prosaic components truly make you ponder three names related in the film’s written work division. There are many omissions of rationale’s you will wind up feigning exacerbation, (Spoiler Alert) 1. How did Amala’s phantom escape from the tribal well in any case 2. There’s legitimate thinking about how Amala had Parvathi’s body. However, there’s no appropriate backstory concerning why Hebah needed to suicide/kick the bucket and that too twice. 3. Indeed, even in the wake of knowing Amala’s spirit got away from tribal individuals the first run through, Nikhil at the end of the day puts stock in them and requests that Kishore gets in touch with them 4. From first to last executive tries to showcase that Tribal individuals just catch souls for forever in the well, yet at last tribal head says, “Anukulamaina samayam chusi ee athma ni parmathamalo ekyam cheyyadaniki thesukelthunna” which was never showcased the film. 5. Mumtaz – Kishore romantic tale has a strong science between the team, however the she calls him uncle. Truly, who splashes for flatus removed by a developed individual. 6. Nikhil never tries to dispose of Amala’s spirit by whatever other means till the end and sends Vennela Kishore for this in the last min, even after knowing the reality about Hebah’s ownership with the assistance of her sister and Amala calling from Tamilnadu. 7. The arrival of Aisha into Parvathi’s body was not legitimately portrayed, as a soul can just enter when the individual wanna bite the dust for 1/tenth of a moment. Be that as it may, here she was just terrified because of brutality of Raja Ravindra. 8. Conduct of Amala appears to change with acting capacities of performers playing her. Why does Amala turn out to be sweet, charming and pure in Avika Gor’s shape while she displays strength and immature mentality as Hebah and tries to be dreadful as Parvathy? 9. Why Arjun who despises holding up never demonstrate a similar characteristic again? Well Amala displays love and trust for Arjun however Arjun recalls her simply after he spares a kid and comes back to his house. What sort of intimate romance or optimistic love is this? Typically, this wouldn’t have been a question yet promptly, Amala requests that he take a look at himself, had he not begun to look all starry eyed at? So what kind of adoration did he fall in? 10. Arjun gets pulled in to a man with comparable qualities over and over! Furthermore, never gains from his missteps. Goodness, portrayal of a young fellow who detests holding up since he needed to sit tight for a considerable length of time for a lady for his marriage, indicates only those progressions that script can manage! Is it accurate to say that it isn’t incredible? The cinematography of the film by Sai Sriram is okay for the shoestring it was made with. The cinematographer ought to have worked a bit on the night groupings of the film. The pastiche foundation score by Sekhar Chandra declines to stay out of sight and always occupies from the story. The tunes are okay. Manager moving between the scenes could have been something more, similar to he moves from spooky base to direct discussion between the lead in the pre-peak scene. Exchanges by Abburi Ravi are great in parts like, “prema annesariki reachable lo untaru, Pelli annaka inaccessible lo untaru”, “prema lo padaka kanipinchina amma nanna ne mosam cheyagalgindi, preminchina valani mosam cheyadu anna ensure entaiyya”. Nikhil is a fine on-screen character and simple on eyes, however here he tries too hard and to depict a straightforward character. Nanditha Swetha adds spunk to her threadbare character. Hebah is genuinely similar to capable as lively Amala and Neethu. Avika Gor is fine in her short part. Whatever is left of the characters offer great support to the lead cast. All things considered, Ekkadiki Pothavu Chinnavada is an oversimplified story component that appears to fill in as a well known silver screen, may be exhorted amid one on one sessions however being sufficiently strong to make crisp scenes inside the configuration, ought to dependably be USP of these sort of movies. One marvels what this story could had been whether it was taken care of by some skilled chief. Read the full article

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Top 10 Most beautiful & Hottest South Indian Actresses  

It is trusted that the South Indian film industry is about excitement, activity, and show. The show and activity beyond any doubt do exist however past that it is the glitzy request also, the hot starlets that pull in moviegoers to see South movies. They are delightful, hot, what's more, capable arrangement of women who are mainstream down south. These wonders rule the hearts of a million gathering of people down south for their acting ability and also great looks. Some of them even made an intense and effective balance into Bollywood. Here is a rundown of the best 10 most smoking South Indian on-screen characters.

10. Shriya Saran

This gifted performer is a delightful face as well as has a solid acting ability that is especially clear in the characters she depicts.She has an attractive identity that runs over on the screen. Subsequent to making her introduction in 2001 with the Telugu film Ishtam, she had her first business accomplishment with Santhosham. In 2007, Saran increased colossal prevalence by featuring in the Rajinikanth film Sivaji: The Boss. She additionally earned basic praise for her part in the 2007 Bollywood film Awarapan. Her delightful components and bends make her among the attractive on-screen characters down south.

09. Taapsee Pannu

This voluptuous on-screen character with an appealing face made her acting introduction with the 2010 Telugu film Jhummandi Naadam that was coordinated by Raghavendra Rao. From that point forward, she has showed up in some widely praised movies, for example, Aadukalam, Vastadu Naa Raju, Mr. Immaculate, and Vandhaan Vendraan. One of her Tamil movies called Aadukalam increased greatest business achievement. The young woman ventured into Bollywood with her introduction, David Dhawan's Chashme Baddoor.

08. Trisha Krishnan

Her entrance into movies was set apart by her triumphant the Miss Madras crown in 1999. Following that, Trisha Krishnan showed up in the 1999 Tamil film Jodi, in a supporting part. Here she featured in her initially lead part in the 2002 film Mounam Pesiyadhe. In 2010, Trishna at last ventured into Bollywood with her film Khatta Meetha inverse Akshay Kumar. The gifted and attractive performing artist conveyed her vocation best exhibitions in the movies Abhiyum Naanum and Vinnaithaandi Varuvaayaa.

07. Tamannaah Bhatia

Do you watched her shake a leg with Ajay Devgn in the Hindi film, made her acting presentation in the sentimental Bollywood film, Chand Sa Roshan Chehra. From that point she proceeded onward to work with south-Indian chiefs. In 2005, she likewise made her Telugu make a big appearance in the film Sri, and in the last year she was found in her first Tamil film, Kedi. With the blockbusters Rachcha and Cameraman Ganga Tho Rambabu, she built up herself as one of Tollywood's driving contemporary performers

06. Asin Thottumkal

Her execution in the Hindi film Ghajini was most fundamentally hailed and adulated. Yet, preceding being overwhelmingly observed Bollywood, she started her acting vocation down south. She made her acting presentation in Sathyan Anthikkad's Malayalam film Narendran Makan Jayakanthan Vaka. The starlet had her first business accomplishment with the Telugu film Amma Nanna O Tamila Ammayi in 2003. Her etched elements and conditioned body makes her an alluring star in the south business.

05. Ileana D’Cruz

Her beguiling grin and sharp components give her a charming and sexy identity. She made her introduction in Y. V. S. Chowdhary's 2006 Telugu film Devadasu. In this, she packed away the Filmfare Award for Best Female Debut-South. She at that point went ahead to show up in blockbusters like Kick, Pokiri, Jalsa, and Julayi building up herself as one of Tollywood's driving performers. In 2012, the staggering on-screen character made her Bollywood make a big appearance with Anurag Basu's basically and monetarily fruitful Barfi! Also, from that point forward, Ilena has had a fantasy keep running in Bollywood.

04. Shruti Haasan

One of the finest multi-capable star, this south-Indian on-screen character, vocalist, and music author is the cynosure of everybody's eyes. Genius Kamal Hassan's senior little girl, Shruti made her grown-up acting presentation in the 2009 activity dramatization, Luck. After that, she went ahead to win basic acknowledgment for her part in the Walt Disney dream film, Anaganaga O Dheerudu, and 7aam Arivu. This stunning and hot on-screen character was seen in the south change of Dabangg, which additionally was her initially hit as an on-screen character and has at present set her eyes on doing many movies in Bollywood.

03. Kajal Agarwal

Before her huge introduction in the south, the girl made her presentation in the 2004 Bollywood flick Kyun! Ho Gaya Na in a cameo appearance. Post that, the excellence made an invasion into the Telugu film industry through the film Lakshmi Kalyanam. She put money on her first business accomplishment with Chandamama and rose to unmistakable quality after her execution in Magadheera. Immediately, she made her rebound in Bollywood with Singham, which was a noteworthy blockbuster while her resulting film Exceptional 26 was likewise proclaimed a film industry achievement.

02. Nayanthara

Making her acting presentation in the 2003 Malayalam film Manassinakkare, she was known as the most encouraging newcomer of her time. From that point onward, the film was taken after with the financially fruitful Vismayathumbathu before foraying into Tamil and Telugu silver screen. The dazzling performing artist went ahead to show up in the blockbuster hit film, Ghajini. This stunning lady is today a standout amongst the most looked for after performing artists in Tamil silver screen. It is anything but difficult to be an on-screen character yet hard to be unified with a monstrous fan following. With their devotion, ability, and inconceivable great looks, these South Indian wonders keep on ruling the perch the extent that South Indian silver screen is concerned.

01. Samantha

An ideal bundle of good looks, sex request and ability. She thought of her first discharge that was the widely praised 2010 Telugu sentiment film, Ye Maaya Chesave coordinated by Gautham Menon. From that point onward, she even showed up in a few economically effective Telugu movies like Brindavanam, Dookudu, and Chettu setting up herself as a main contemporary champion in Telugu film. A crowd of people what's more, faultfinders top pick, she is good to go to run the hearts of numerous.