#amieko
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amieyhko · 4 years ago
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Escapril 2019
escaprilday 2019 // 1: a fresh start
two Costco bags full of
umma-certified clean clothes,
“unpacking cannot begin with wet clothes”
Taipei humidity is unkind.
coins clink,
white noise revs
drowning out the drizzle
as heart somersaults
to the rhythm of the cycles:
what — tum — am I — ble
doing — tumble — here?
the darks tumble its final spin
as the lights
click —
into a stop.
a whiff into a warm towel
warns me the comforts of home,
promising
of munchies, blankies, and speedy wifi
of cushy floor space where crafting
and writing past midnight can be done in secret
but —
fold — maybe — toss — I changed —
yellow blouse — or gave up too easily —
fold — or could it be —
toss — I’m listening to all the wrong voices? —
red turtleneck — no — flick —
wait, this is so soft now, I guess the washing machine in that guest house in Seoul was indeed really terrible —
fold — yes, this is how it should feel on my skin —
toss – my heart knows, though —
fuzzy sock — maybe home is where I need to be right now —
into basket — there’s nothing wrong with —
grab — starting over again.
escaprilday 2019 // 2: april showers
you said all memorable moments
include an unexpected deluge
I nod and laugh
as the metro ac pierces through
my drenched jacket
I shiver as I feel my clammy socks
cling onto my not-rainproof Docs
("they're not?" you ask in shock)
ears ringing still
from speakers booming
throat scratchy from scream-singing
at the top of our lungs.
still, you smile, shiver, and say,
with half-dazed eyes,
all good memories
end in rain.
escaprilday 2019 // 3: incorporate music
“Hope I’m not tired of rebuilding”
at this in-between
this time of heating up lukewarm lattes
and microwaving soggy french fries,
a surrendering of old and new
kindles a familiar tune:
“not what’s easy, what do you want?”
at this in-between,
the seconds between a squat and a jump
or the hours during an endless free fall,
a whisper sings an awakening:
“even a phoenix dies”
so at this in-between
muster up the strength to
inhale blue
and exhale gold.
escaprilday 2019 // 4: anxiety
lacuna
¡amiga!” he chimes like clockwork
with a sonrisa that has probably charmed plenty of hearts.
my fist bumps his and I walk toward the dark halls
where they tilt their heads forward and say
“안녕하세요” they grin,
some fake, others genuine,
mostly muscle memory.
“哈咯“ she greets as I turn the corner—
a sound of familiarity.
the velcros on my lips finally relax
till we part ways to our stations
“how are you?” their words flow dry
they probably don’t want to find out
my tongue lands on one syllable:
“good”.
escapril 2019 // 5: back to nature
I’ve a secret spot for seeing stars in Taipei City.
after a day downtown,
blasting my headphones at damaging decibels,
fixing makeup with samples at drugstores,
and chasing after buses,
I skip down the announced “platform two for Taipei Zoo”
and gaze down at the light show stage named Zhongxiao Fuxing.
as the red greens, a rush of headlights streams at me—my eyes
lose focus, my heart
leaps back into my chest just as
the home-bound metro approaches.
//
I’ll always remember the yard at Tiszavasvári
where we lay to see a starry night drawn by the Creator
after a day of listening to screaming children,
braiding their hairs,
and chasing after the impossible ones,
we stood in awe, jaws dropped, then soon learned
our necks weren’t strong enough
so we lay down, evening breeze
accompanied by the crickets sang a lullaby—
my eyes played a senseless game
of connect-the-dots, my heart skipped several beats
as I let go of the memories of beds and blankets.
escapril 2019 // 6: nostalgia
missing you is easy.
remembering you creeps
up in little mundanities
like a cup of fruit tea
a bottle of Clorox
or an inappropriately loud laughter--
to my consolation, yours is unmatchable.
although,
the sound of your laughter rings
quieter
till I can whisper:
escapril 2019 // 7: start with a time of day
3 a.m.
why wait
for dawn when
we can set yesterday
up
in flames
over this river?
escapril 2019 // 8: love poem
I cannot recall the exact words uttered
but something in my heart fluttered:
our eyes met for a millisecond
we cracked, till our breaths weakened.
our words, lost in the waves
transformed into safes
I open in my heart of hearts
to feel at home within the laughs of your loves.
escapril 2019 // 9: focus on the color
chorok hadn't found its form in
korean of old. fields of
grass and evergreens,
little plates of herbal banchan,
lush of summers,
and squirming caterpillars
all existed as paran-- that same
color ascribed to vast oceans,
and sunny skies
then one lively spring, chorok
creeped its way into our tongues,
demanding to be seen on
street signs,
the mountain tops, and
cross walk lights
though some still speak "the light
turned paran",
and the incorrigible children's tune
singing of spring
blossoming into paran,
chorok sprouts an entrance
undeniable to out naked eyes.
escapril 2019 // 10: femininity
the bus,
back slides down on the uncomfortable bus seat,
fingers stroke through my freshly buzzed head,
while many eyes fixate above my eyes,
asking:
"is she a boy or a girl?"
"is she a lesbian?"
"what happened to her… hair?"
eyes read their faces,
mouth struts a big yawn with no reflex system telling me to conceal it.
imagination floats to a stadium,
feet stands on the podium,
voice declares:
I'm still so-very-much a lady--
just not fair like Audrey,
nor dainty like a stereotype,
or as brave as Joan,
and definitely not as attractive than most
but maybe more like
the ones writing history
now.
escapril 2019 // 11: not from your perspective
most of the time I sit beside the maroon sofa
where you watch tv and transform into a potato
I wait and wait for that sweet moment
you grab my handle
travel me to a flat desk
wind me up with thread
hook me up to a pedal
switch my light on
smooth out a piece of fabric
pinned up in zig zag
then
zoom, crackle, buzz,
your hands sync to my rhythm
you pray I don’t jam
or break your thread
then you announce with pride
“et voila!”
escapril 2019 // 12: spring cleaning
it takes two countries
few cities
thirteen houses
fifteen boxes
thirty trash bags
and an infinite repetition of
"do we need this?"
for a soul to grasp the spider web line
between a desire and a necessity.
then a decade teaches the
same soul
sometimes,
spectrums soften
escapril 2019 // 13: celestial bodies
if only
seeing you was as easy as
some nightly glow at your half
reflecting off
a big blazing ball of light on my half
escapril 2019 // 14: make it rhyme
a sonnet-full of embellishments, fake
notions of how lovely you are like some
weather in summer or spring, homemade cake
that tastes like cheap flour and rotten eggs, numb
from clichés, the love songs that never shut
up, posed photos of arms around my waist,
a let-me-take-that gentleness, so what
are you doing? leaving sour aftetaste
in our hearts. no, this sonnet is not for
us. we don’t need guidelines to fall in love,
nor the recipes known to prevent war
(it cannot be all fair in war and love),
so stop. steep in this silence as your hand
finds mine in this complicated quicksand.
escapril 2019 // 15: describe a smell
a dash of prickliness:
prickly, like appa’s beard attacking my forehead as he plants a kiss.
then an overwhelming sense of saltiness:
salty, like that time I accidentally used the spoon side of the seasoning bottle
or tasting my own sweat or tears.
something rotting at slow decay.
fruit flies feast.
my nose shoots me back to
halmoni yelling something in dialect, umma replying.
I stand in the middle of the market square, I’m ten.
they promised me jjajangmyeon,
my nostrils can hold out just a minute more.
escapril 2019 // 16: any dreams?
five—
I was to be a Pokemon trainer by day
and Sailor Moon by night
but adults hung my creativity dry
seven—
a singer-songwriter
but music chose me not
ten—
fashion designer,
draw designs, sew coutures, walk the runway myself
but whispers yelled discouragements
fifteen—
couldn’t care: I was a realistic teen
now—
I tip-toe about my heart
trying my best not to pick on scabs,
unable to answer any questions
albeit an I-don’t-know
has never sounded more
comforting and clear.
hear the wounds heal
to the beat of the unicorn hooves.
escapril 2019 // 17: body as friend or foe
I was born in Guatemala,
but my father’s from Georgia
he’s a musician, he produces
K-pop albums and we travel the world
searching for the next big deal,
my mother paints apples, she’s from Zimbabwe
she also writes Chinese poems.
It’s all true—
my body deceives every bit of reality within me.
escapril 2019 // 18: a happy place
hear nose tickle
with the sound of lavender feathers
fluttering by
eyes will open up to inhale
the golden hours spent
under Your glorious dance
escapril 2019 // 19: without your name, who are you?
if an utterance of a name
can form a heart,
her name has been called by many
if each spoken word forms
a vibration into what we are,
she's a someone
whispered into a myriad of paradoxes:
she's an asteroid, crashing fast,
uncontrollable, unexpected.
she's a cup of tea, calm,
idle, ready for nothing.
escapril 2019 // 20: a liminal space
this amorphous ground feels comfortable,
excuses acceptable:
the excruciating humidity,
drowsy rain, busy friends,
false pride, miscalculating time.
they say:
Prufrock measures his life in coffee spoons,
but Zeno says nothing ever reaches its destinations.
the Knight holds his tongue
yet his heart flutters a violent beat.
I’m just another contra, letting my feet skip away
as each step echoes heart beating somewhere
back.
escapril 2019 // 21: it’s the end of the world
no zombie apocalypse,
the sun still functions,
stars are still, hearts
unbroken, no one
escaping to Mars,
no fatal goodbyes.
one silent pink noise
a purple glow,
“welcome back home”
it said.
escapril 2019 // 22: nourishment
last month, I met a little
potted plant.
I took it back to my little
suffocating room
and named it little
foggy star.
I loved it little
by little
I gave it little
droplets of water,
spoke little
words of compliment,
took it to my little
window sill
the sun peeped through
a little.
it grew a little,
I did too.
escapril 2019 // 23: when the party’s over
recollect spilled laughters —
this, for unworthy jokes,
that, for suave comments,
maybe one for someone dreamy —
bottle them up,
keep them fresh
for the next sea of
stragglers,
mutual someone,
you-look-quite-nice,
wow-so-interesting.
escapril 2019 // 24: liar, liar
how to be a compulsive liar
one: disregard empathy, embrace despondency, think selfish,
my life doesn’t have to tell truth tales, no one needs to know.
two: rehearse recollections, think practicality, use names they’d never check,
let myself believe in each detail, each sight, smell the scenario
three: speak the perfectly fabricated phrases into existence,
no need to bat an eye, stutter a detail, overthink a loophole.
for example: “yeah, the party was fun. we walked around the park afterwards.
who? oh no, he wasn’t there. he had an important family dinner.”
four: remember the lie, inform reliable partners in crime if necessary,
never bring it back, stick to your guns.
promise yourself: they can’t hurt, they’ll never know.
remember: truths hurt, they’re inconvenient, it’s none of their business.
dig: until your shovel breaks.
drown out: every kindness the world has to offer.
die: in the said dug hole, climb out just to
repeat: until trust is a pair of cracked glasses, refuse to see a redemption until
die again: learn that these walls must go —
invite: the uncomfortableness that is vulnerability
repeat: until system reboots.
escapril 2019 // 25: pick an animal
my giraffe friend
shades me when the sun’s high
and warms me when the wind’s rough,
meeting her eyes pains me with
an aching neck,
she will always stand tall in a room,
there’s no shelf too high for me,
when she’s close by.
escapril 2019 // 26: girlhood, boyhood, childhood
when I was older, I had a pair of
very pink sneakers
they'd glitter in the sun,
glamoured in gemstones for dignity
velcros loud enough to turn heads
when it was time to take them off
I glanced over my neighbors' shelves:
ugly. blue. brown. ugly. mine trampled over all.
then my eyes stood silent
as I zone in
on her pair of Gundam sneakers
secretly jealous, mostly confused,
extremely frustrated of rule-breaking
girls, defying pink, watching animation
for boys only
now, I wear boring black or white shoes
so do most humans with feet.
escapril 2019 // 27: the state of it all
“you're it!”
a harmless push from their arms
my chest thrusts back
limbs under a spell
all bones removed
“catch me if you can”
why don't you save me
'cause you can?
escapril 2019 // 28: reflection
memories retraces a blur
crooked smile
red dye fading
cigarette between your fingers
standing mostly on your right leg--
you let out a puff as i tell you “i’m imaginary.”
you say you couldn't have
so i tease you more with a kiss
“that wasn't real
that was you imagining it all
new school
a manic pixie
the loneliness got to your brains
that's all”
you flick away the cigarette
eyes reflecting my face
you kiss me back and say
“please don't do this to my brain
you're real
far too real for me i'm not smart like that”
i snicker
the buzzing bus terminal is real
you and i are real
but i'm not
you're no more
escapril 2019 // 29: may flowers
she died a few days ago—
flew off the rooftop
fallen against teeming
reborn lives
the most beautiful of flowers
only last a day or two
you said we are beautiful
because we’re ephemeral
but what happens when
fleeting moments like
a crash kilometers away
pain for someone I never knew?
escapril 2019 // 30: catharsis
yesterday, I cleaned out my room
bugs infested each and every corner
I tried to catch them but they
hid away between the nooks and crannies
whispering schemes to each other
learning the dustiest corners I’ve ignored
waiting for a perfect time to kill
so I dusted out the corners
rearranged the furnitures
repainted the scratches
thinking cover-ups should make anew
yesterday, I cleaned out my room
praying for the bug spray to kill,
I felt seventeen, rearranging photographs,
filling up a space with desired personalities,
she would have been proud
there’s nothing I’d tell her, but to say
yesterday, I cleaned my room, for another hundredth time
they say an odyssey is a cycle
ending with a catharsis
where you come clean
but yesterday, I cleaned my room
again
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inappropriate-aunt · 4 years ago
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Advice to new DMs/GMs: You do not need to plan nearly as much as you think you do.
One time my party debated for a FULL HOUR at the start of a session about how we were going to enter the tunnel, and whether or not it would be better to just blow up the entrance so it would cave in and all the baddies would just be trapped underground and would no longer be able to terrorize the town.
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cco4jn27-blog · 5 years ago
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what-the-fuck-khr · 9 years ago
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Homaiii posts on KHR !!! Thank youuuuu !!! *hyper mode: ON*
ah…?
if you’re thanking me for posting khr, then you’re welcome!! I love khr with my heart, so having this blog is the least I can do to spread it!!
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falafelwaffel · 12 years ago
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TO ALL OF THE AUTHORS CHELZIE BETAS FOR
No, the author who constantly has inanimate objects making noise is not you...
IT'S ME!
This little reification error stems from a long history of me talking to inanimate objects. My latest was with my bookshelf which my mother decided needed organizing and she SEPARATED SERIES AND MOVED AUTHORS OUT OF ALPHABETICAL ORDER SO NOW MY BOOKSHELF IS A DIRTY DIRTY DISORGANIZED SLUT!
Clam your tits! You all are wonderful I'm the one that makes doors knock and any other noisy quality I can bestow on any object.
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amieyhko · 4 years ago
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Privilege
jan 2020
Hello my dearests,
I don't know what your sky looks like on your little area of the globe but mine has been gorgeously cerulean over an amber sun in the morning and mysteriously dark at night with starlight gleaming down (stars in Taipei City?!). Let's just say my 2020 has been off to a refreshing start — weather, heart, body, and soul. A couple of years back, I started to give names to each new year: 2018 aka pioneer, 2019 aka mearcstapa, and this year God's reminding me of the definition of the word privilege. 
This word entered my lexicon at the end of my junior year in high school. Backstory: I attended an international boarding school and the dorms are set up on the foundations of family, connection, and honor — a big part of me was shaped during these years within the bonds of this community. Being in dorms meant there were rules, seemingly unfair at the time but looking back were clear boundaries for being a person of integrity. Light outs, breakfast check-ins, and permission to "go to the village" were rules that could be waived once you became a senior: they were called "senior privileges". One spring afternoon Aunt Sharon sat us three rising seniors in the dorm for tea and munchies to explain what it really meant. She first asked us what we thought was a good leader, then what we thought the correlation was between responsibility and privilege. I don't recall the exact words spoken but looking back, this system of privilege was setting us up for the years following graduation. She reminded us with her steady eye contact and a sip of tea that privileges can be taken away when we're not living them out responsibly. We still had to clean our rooms, do our homework, take part in chores, attend extra curriculums, have a life, build relationships, apply for colleges, and on top of that we were challenged to be leaders to the younger dorm brothers and sisters for the coming year. I definitely did not get enough sleep senior year but I remember it being memorable among other adjectives. As I reflect on the ways Aunt Sharon lived, I see that her definition of leadership meant setting up the atmosphere. She was a mother who appreciated ambiance, seasonal decorations, good food, and contagious laughters. At the beginning of senior year, she met with us to discuss how we were to lead. My roomie and I planned on cooking breakfasts for the whole dorm, leading evening devotions once or twice during the semester, and hosting a kidnap party for the newbies. 
These were all examples and legacies she has been building with the previous generations of seniors. Eighteen-year-old Amie didn't have the words for this, but now I see that privilege creates an atmosphere of honor when done with a heart of service and love. I get to do this. I'm not entitled to any of this.
So 2020, my year of privilege looks like a few plane rides, an abundance of ask-and-you-shall-be-given, and a stunned repetition of "wow, I get to do this?!" After the long anecdote down my memory lane, here's finally a segue into a more detailed plan of what my time at Kenya actually entails. All words have a purpose.
KENYA SUPER TEAM 2020
This team really is quite super. Annual Super Teams in our church network exists for a very specific and crazy purpose that is wildly different from intimate small teams which I much prefer. But when it comes to missions like these, it's not about me — it's about the God we serve and the people we go to bless. This is the second time our church is going to Comido School in the slums of Nairobi, Kenya. Last year (I didn't go but the stories are crazy), the team set out to build a playground, decorate the school walls, and install a computer lab with the most modern system. The weather forecast warned of heavy rainfall the entire time the team was there but not a single drop fell until it was time to leave the school in all its glorious upgrades. This time, we're planning to bring 4000+ books, 1200+ pieces of stationery, tools, treats, toys, and goodies to build a new library, teach the children about finance, install a hydroponics system, build a second playground, and visit people in the settlement. I am in children's ministry once again, privileged to be working with my veteran beloveds Esther, Ina, and Tiffany but also absolutely thrilled to see so many first-timers and new faces. I've been putting on a lot of hats lately, one of them is to affirm Esther, our team leader, when she is being crazy and to keep her decisions at peace — we're inevitably very close after 2+ trips, being roomies for a week, and just being around each other. Ina has asked me if I could be the contact person for our team members who will be joining us from Hungary, Guatemala, and Costa Rica. I felt like I was perfect for the job because I know most of the people on that list. Then I decided to give myself more mischief to manage by making myself the organizer for the productions team that will support whatever is going on stage during our big team meetings. Preparation is not my strong suit. I love spontaneity and being highly adaptable. I'm learning to be a part of the team — to obey my leaders and trust that every detail we map out will come to pass during the trip. But I also know that we'll be improvising almost every moment of the trip; I somehow look forward to that more than this process. I'm using up a hundred percent brain power here then saving up another hundred of all other energies to spend over there. I just need to accept that all processes are beautiful and they matter more than the results.
wrapping up yet another long update
I believe that I have overwhelmed you enough for this month's worth of updates. Hungary informations will come at its own time, hopefully in the next update. I'm just grateful that you are connected to my journey through these words.
If you enjoy the way I create through words and other mediums, please do consider becoming my patron on Patreon. You will be receiving content from me on a more consistent basis & also get to fund me on my many projects (I plan to self-publish a book!). Pledges come in tiers and the lowest is just 1USD a month. Please do go check it out at http://patreon.com/amieko
As always, I'm open to to receiving questions, comments, or feedback. I'm privileged to know each and every one of you. Before the next update rolls around, you can pray for me in these areas:
Mental health, oh-so-many things are happening all at once
Financial needs, not just for my trips but in every aspect
Creativity and wisdom in navigating through this process
Divine connections, daring to dream bigger, finishing well
Love, Amie Ko
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amieyhko · 4 years ago
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winter 2018
november
Another four pages of my calendar book has passed. As I flip through it, I see many names of people I love. On one hand, I'm confused as to how I managed to not exhaust myself but on the other, I can feel that my heart tank is extremely full.
November was spent mostly on preparing—preparing for IELTS (for the working holiday visa application), preparing decorations for Danny and Mandy's wedding, preparing to fly out, preparing accommodations in Korea, preparing my heart.
The most exhausting part of it all was the process of making myself obsolete. As a leader of lights team at our church (we rent out a night club every Sunday morning), and as the only person who had official education in lights, I micromanaged a lot of things. But I really didn't want it to be this way. I knew what empowerment looks like and it took a lot of conscious planning and training courses for my team to run totally independently. I’m just happy to say that the special Christmas service ran super smoothly and I was a proud retired mum.
November was also a month of endless films. Golden Horse Film Festival got me waking up really early or stay up unreasonably late. I only bought three tickets but Fanny got like… 7? I also know someone who bought 10+. I reasoned with myself that I am in no situation to be spending that much money.
Then November closed with an exam. Everyone said I’d do fine on the IELTS but I honestly wasn’t too sure. Everything about the exam was intimidating—it was early in the morning, one of the test takers didn’t make it on time and got disqualified immediately, they make you do finger scans, take an ugly picture of you, and the room was extremely cold. I never was good at exam taking and this one took a lot of concentration I was lacking maybe because I’ve been out of school for a while. Oops, oops, oops. But I came out in one piece and my scores were satisfactory.
Another unexpected occurence was a thanksgiving party hosted at church. The decor was on point, and I helped set the mood with lights covered with lots of amber gels. When I set down to eat, it took me straight back to McGill dorm thanksgiving meals where Aunt Sharon would decorate the tables with all her favorite autumn things and we were required to talk about three specific things we were thankful for. As I love to say, home is plural. I'm excited and terrified at the increasing number of homes I have yet to still accumulate.
december
It ends with a plane ride. The buzzing sound of construction and the loud commands of walkie talkies are somehow comforting. Airports are homes. Wizard of Oz never made sense to me, Dorothy is just a whiny, spoiled little girl. Announcements ring. I never line up until the last minute—who wants to be inside a plane early when you're going to be in it anyways? As the engines roar a bass line of white noise and umma falling asleep next to me, I pray with a silent hope. You're at the beginning.
Honestly I don't remember what happened in December other than the rush of adrenaline preparing for Danny's wedding, actually decorating Danny's wedding, and the aftermath of it all. The toughest part of this wedding was the flowers—three gargantuan boxes of fresh baby's breaths. Everything had to be done the day before and I had a troop of Kate, umma Kang, and anyone at the church office who had free time. Chaos ensued as we tried to call two Uber XLs then arriving at the venue to find that it was still confetti-ed and trashed from the event that just took place. The table arrangement communications were all wrong, little things here and there seemed missing, and I missed my bed terribly. But thanks to little wedding elves who love Danny and Mandy so much to the point of staying to finish up decors until 11pm then coming back the next day around 8am, this was probably the most enchanting looking wedding that I have ever decorated (no offense to my other ones, they all have their own adjectives). Let's just say I slept 20 hours per night for the three following days after the wedding.
The map says we're currently hovering over the southern tip of Korea. Turbulence shakes. My fingers are dry. Whispers are heard. I always emphasize that I'm not "going back" to Korea. I can never go back to where I only belonged in my vaguest memories.
Forty minutes till I land. It was just Christmas a few days ago. I'm still trying to wrap my head around the fact that I won't be seeing Taipei 101 explode when the new year rolls around. Frustration and bitterness aren't the words I'm looking for. It's not even excitement nor happiness. Right now, I'm grateful with what it is right now—high above the ground, thankful that airplanes work and that I'm privileged to be even in one.
Peace and serenity. There's a storm and I'm in the eye.
Thirty-five minutes. Captain just announced that it is -9C in Seoul. I hope it snows. I think I'll be warm enough. I'll just have to step out. Step out and dance in the snow.
PATREON
I always joked around saying that I need someone ridiculously rich to support me in all my endeavors (kinda like the Medici family in the Renaissance). Then I realized that this is still possible through the internet, though it's not just one filthy rich person but a community of supporters backing me up. So yes, I am now on PATREON. You have probably heard of this platform if you follow Youtubers or indie artists of any kind. This amazing portal allows anyone to support me on a monthly basis which is basically a steady income for someone who is going through so many instabilities but still loves to create (like moi).
If what I do is pleasing to your eyes, ears, nose, senses, anything, please consider becoming one of my unicorns. I will appreciate you so very much.
www.patreon.com/amieko
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