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Nestled in the heart of Raleigh, North Carolina, lies the North Carolina Museum of Art (NCMA), an institution that deserves far more recognition than it often receives. While titans like the Louvre and the Metropolitan Museum of Art may dominate the public consciousness, the NCMA boasts a world-class collection, stunning outdoor spaces, and a commitment to accessibility that makes it a true hidden gem in the art world. A Legacy of Artistic Exploration The NCMA's story began in 1924 with the establishment of the North Carolina State Art Society. Driven by a desire to cultivate artistic appreciation within the state, the Society laid the groundwork for the Museum's creation. In 1947, their vision became a reality when the NCMA became the first state-funded art museum in the nation, a testament to North Carolina's commitment to artistic enrichment. A World of Art Under One Roof Today, the NCMA's collection encompasses over 4,353 artworks spanning more than 5,000 years of artistic history. The recently re-installed permanent collection, aptly named "The People's Collection," reflects a more inclusive narrative, showcasing diverse artistic voices and geographic regions. Interactive digital labels and community-sourced responses alongside curator-written explanations create a dynamic and engaging experience. Art enthusiasts can marvel at masterpieces by renowned artists like Pablo Picasso, Claude Monet, Georgia O'Keeffe, El Anatsui, and Yayoi Kusama, all within the walls of the NCMA. Remarkably, admission to "The People's Collection" is always free, ensuring that art appreciation is accessible to all. Beyond the Gallery Walls: A Celebration of Sculpture Art extends far beyond the confines of the NCMA's buildings. The Museum boasts one of the most extensive Rodin sculpture collections between Philadelphia and the West Coast, with 30 sculptures on permanent display. Visitors can admire these masterpieces both indoors within the West Building and outdoors in the serene Iris and B. Gerald Cantor Court and Garden. The NCMA further distinguishes itself by housing one of only two permanent Judaic art displays in American art museums. This dedicated gallery offers a fascinating glimpse into historic Jewish ceremonial objects, enriching visitors' understanding of cultural and religious traditions. Where Art Meets Nature: Exploring the Museum Park The NCMA experience extends far beyond the confines of its buildings. Step outside and discover the Museum Park, one of North America's largest museum art parks. Encompassing 164 acres, this verdant space provides a tranquil escape where art and nature seamlessly intertwine. Wander along 4.7 miles of scenic trails, encounter captivating sculptures and installations, and immerse yourself in the beauty of native plants and wildlife. On a warm summer evening, enjoy live music in the Museum's amphitheater, creating a truly unforgettable experience. The Museum Park is a testament to the NCMA's commitment to sustainability; ongoing projects focus on stream restoration, stormwater management, and fostering a healthy ecological balance. Visionary Leadership and a Dynamic Future Under the guidance of Director Valerie Hillings, who assumed the role in 2018, the NCMA continues to evolve. Hillings, a seasoned museum professional with extensive experience at the Guggenheim and its partner institutions, has championed accessibility and inclusivity within the NCMA. Her leadership was instrumental in the 2022 reimagining of "The People's Collection," showcasing diverse curatorial perspectives and enhancing accessibility features. A Hub for Artistic Discovery and Engagement Beyond its permanent collection and breathtaking park, the NCMA offers a vibrant calendar of temporary exhibitions catering to diverse artistic interests. Current and upcoming exhibitions include: To Take Shape and Meaning: Form and Design in Contemporary American Indian Art (Current) Venice and the Ottoman Empire (Upcoming) The Time is Always Now: Artists Reframe the Black Figure (Upcoming) Art In Bloom (Annual floral art installation returning in March) The NCMA's commitment extends beyond showcasing art. The Museum actively fosters engagement through educational programs, lectures, workshops, markets, and performing arts and film events. With over 220,000 participants across the state in 2023, these programs create a space for artistic exploration and appreciation for people of all ages and backgrounds. Frequently Asked Questions Q: What is the North Carolina Museum of Art (NCMA) known for? A: The NCMA boasts a world-class collection spanning over 5,000 years of art history, including a significant holding of Rodin sculptures and one of only two permanent Judaic art displays in the US. It's also renowned for its expansive and beautiful Museum Park. Q: Is admission free to the North Carolina Museum of Art? A: Admission to the permanent collection, "The People's Collection," is always free. Temporary exhibitions may have separate admission fees. Q: What are some things to do at the North Carolina Museum of Art? A: In addition to exploring the permanent collection and temporary exhibitions, visitors can enjoy the Museum Park, attend educational programs or lectures, participate in workshops, or relax and enjoy live music in the amphitheater. Q: Does the North Carolina Museum of Art offer parking? A: Yes, the NCMA offers free parking on-site.
#Americanartmuseums#arteducationprograms#contemporaryartexhibitions#Judaicartmuseums#museumparks#NCMA#NorthCarolinaartmuseums#NorthCarolinaMuseumofArt#Raleigh#Rodinsculptures#TheNorthCarolinaMuseumofArt
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Crossing the Atlantic (Return Home), Henry Ossawa Tanner, 1894, Smithsonian: American Art Museum
Size: sheet: 9 7/8 x 13 1/2 in. (25.2 x 34.2 cm) Medium: watercolor and pencil on paper mounted on paperboard
http://americanart.si.edu/collections/search/artwork/?id=23646
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Purple Grackle, John James Audubon, n.d., Smithsonian: American Art Museum
Size: sheet and image: 19 1/4 x 14 in. (48.9 x 35.5 cm) irregular Medium: watercolor, pencil, chalk and ink on paper
http://americanart.si.edu/collections/search/artwork/?id=669
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Commemorative head, Late 17th-early 18th century, Smithsonian: National Museum of African Art
Size: H x W x D: 23 x 10.4 x 11.2 cm (9 1/16 x 4 1/8 x 4 7/16 in.) Medium: Ceramic
https://africa.si.edu/collections/view/objects/asitem/items$0040:8506
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Gates of the Yosemite, Albert Bierstadt, ca. 1882, Smithsonian: American Art Museum
Size: approx. 14 x 20 in. (35.6 x 50.8 cm) Medium: oil on paper mounted on canvas
http://americanart.si.edu/collections/search/artwork/?id=75432
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Woman Bathing (poster), Mary Cassatt, Smithsonian: American Art Museum
Medium: poster
http://americanart.si.edu/collections/search/artwork/?id=3836
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Betty Wertheimer, John Singer Sargent, 1908, Smithsonian: American Art Museum
Size: 50 1/2 x 39 3/8 in. (128.3 x 100.0 cm) Medium: oil on canvas
http://americanart.si.edu/collections/search/artwork/?id=21624
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Wild Flowers, John Henry Twachtman, n.d., Smithsonian: American Art Museum
Size: 19 x 11 1/2 in. (48.3 x 29.2 cm) Medium: pastel
http://americanart.si.edu/collections/search/artwork/?id=24353
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Drink, Jos茅 Guadalupe Posada, Smithsonian: American Art Museum
Medium: woodcut
http://americanart.si.edu/collections/search/artwork/?id=19903
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The Victorian Chair, Childe Hassam, 1906, Smithsonian: American Art Museum
Size: 30 x 25 in. (76.3 x 63.5 cm) Medium: oil on wood
http://americanart.si.edu/collections/search/artwork/?id=10092
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(Figurine Series) Helmeted Man with Ornate Spear/Ax, Salvator Rosa, Smithsonian: American Art Museum
Medium: print
http://americanart.si.edu/collections/search/artwork/?id=21209
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Miss Kirkpatrick, George Romney, ca. 1772, Smithsonian: American Art Museum
Size: 29 x 24 in. (73.6 x 60.9 cm) Medium: oil on canvas
http://americanart.si.edu/collections/search/artwork/?id=21194
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Study of Two Hands, Henry Ossawa Tanner, n.d., Smithsonian: American Art Museum
Size: sheet: 7 x 11 3/4 in. (17.9 x 30.0 cm) Medium: charcoal on paper
http://americanart.si.edu/collections/search/artwork/?id=23696
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Towhee Bunting, John James Audubon, 1812, Smithsonian: American Art Museum
Size: sheet: 9 3/8 x 11 1/8 in. (23.8 x 28.3 cm) Medium: chalk, pencil, watercolor and ink on paper
http://americanart.si.edu/collections/search/artwork/?id=670
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Plaque, Mid-16th to 17th century, Smithsonian: National Museum of African Art
Size: H x W x D: 43.5 x 16.2 x 10.2 cm (17 1/8 x 6 3/8 x 4 in.) Medium: Copper alloy
https://africa.si.edu/collections/view/objects/asitem/items$0040:8951
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Gates of the Yosemite, Albert Bierstadt, ca. 1882, Smithsonian: American Art Museum
Size: approx. 14 x 20 in. (35.6 x 50.8 cm) Medium: oil on paper mounted on canvas
http://americanart.si.edu/collections/search/artwork/?id=75432
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