#amelia marcello

[ladyenglish]

@pepexplosion

Russel and Amelia, phase 4. They're so in love ❤️

[marcogiovenale]

stasera @ fango radio: 'vocale', a cura di elisa longo

https://fangoradio.com OGGI, lunedì 11 dicembre, alle ore 23:00, nuova puntata di Vocale, un esperimento di poesia trasmesso da Fango Radio. Questo il link per ascoltare la diretta:https://www.fangoradio.com/(Mentre il link per riascoltare le puntate precedenti è https://www.fangoradio.com/shows/301)Con le voci diAmelia Rosselli letta da Elisa LongoMichelangelo CovielloAntonio LilloRosaria Lo…

[macknshift]

THE ONE WHERE . . . I INTRODUCE Y'ALL TO LEO!

SOOOO…i have mentioned leo in like, 90 different posts atp and never actually made a "leo intro" (mainly bc i have weird feelings ab sharing him heavily to the rest of the world lol) but! i figured now would be the best time to get into explaining him to y'all.

LEO , commonly given the last name SCOTT (depends on the dr!) is actually originally the main character's love interest in a hockey romance book i've been in the process of writing. after getting #sickandtired of annoying ass book men i gave up and began drafting one of my own. the main character is literally me (i mean, for christ's sake her name is sloane mackintosh,) and eventually, i began thinking of him in other "au"s (i used to do this a lot on wattpad - i mean DRs but the term AU is usually more digestible to ppl that may not be aware of reality shifting. Anyways.) and began kind of placing him in everything. a list of the drs he is my love interest in is follows;

BETTER CR : (fc silasj2004*) the hockey romance book pretty much as a dr. small changes occur but basically he's the exact same as leo in the book lol

PARENT DR : (fc jack schlossberg. yes. i am one of those girlies. i am not ashamed! at least he has morals + a backbone y'all this could be much worse) the "backstory" is my better cr dr. i'm now a mother of 3 (amelia or mimi, aged 5, giselle or gigi, aged 4 and i'm pregnant with vincenzo, our final kid,) and it follows our life after what would be the events of the book. i sort-of made it also as like a WAG dr in a sense bc leo is a professional hockey player! (but he retires 2 years before this point in time so idk where my thought process is w this lol)

FORMULA 1 DRIVER DR : (fc pato o'ward MY!!!! mclaren man ln4 U ARE NOTHINGGGGGGG) leonardo dempsey, son of actor patrick dempsey (my forever celebrity crush ugh he's so fine) and driver for aston martin aramco f1 team under #99. i essentially took l*nce str*ll's daddy's boy backstory and gave it to leo bc he is indeed a daddy's boy. the only dr leo and i are enemies to lovers bc i'm too obsessed w him otherwise LMFAO

MARVEL DR : (fc marcello hernandez (MY MAAANNNN)) leo scott, secretly the speedster superhero 'comet'. hired by my dad as essentially a bodyguard (leo's not intimidating AT ALL idek how the hell this is supposed to work LMFAO) as comet and knows me out of costume as his sister's roommate (mj is also in every dr ever and actually is here in this cr. i can never leave her out i love her DOWN) basically marichat vibes (god i miss marichat)

POP STAR DR : (fc marcello hernandez, again) leo sinatra, nepo baby great-grandson of frank sinatra (there's a whole, incredibly large bit of lore ab this LMFAO + he's also a great-grandson in my better cr dr too bc i need my man RICH!) and Saturday Night Live cast member. basically i go on snl and immediately fall in love. i've stolen the 'unlikely couple' weekend update sketch for us & he does domingo, which is my song lol we're funny for it idk

THE FCS, in color photos:

i'm missing like, 18 other drs that i can think of but some important info about him;

he's half oaxacan mexican. i've tried my damnedness to find a way to make it obvious but when i was 'designing' him (aka drawing him out) i used jack, silas (*NOTE: he is leo's typical fc if i don't have an designated one for him) and marcello as references to make him look the most like him as i can. the fcs are kind of loose for him but i need a way to like fully visualize him. so. yeah. his 'color palette' (weird way to put it but idk how else) makes him tanner than all three of them i fear. all of the fcs i use (other than jack schlossberg but like. idk his main celebrity lookalike in the better cr is him so i kind of had to) are latino, but i feel like it never ever properly translates when i talk about him bc his name is fucking leopold scott. like. huh.

he's also tall AS FUCK lol and built like a tank lowkey (think tom welling clark kent GOOD GOOGLY MOOGLY) but it's mainly bc he's a hockey player. in every vers he's like. 6'3. shortest he is is w marcello as his fc and even then he's 5'11. (note in pop star dr he gets a lot of comparisons to jacob elordi for some reason??? idk my fans are weird)

he's got big brown baby cow eyes. every. single. time. like that is this man's defining trait and you know what? i would not change that for the world lol

his position in hockey is a goalie! he uses the number #29 and plays for our college and later for the new jersey devils before being traded to the anaheim ducks. after he retires he becomes a firefighter!!!! (which is sooo hot btw)

[mustela28nivalis]

Nyotalia, 2pNyotalia, 2p!Talia, Hetalia headcanon names

Nyo!America - Amelia

Nyo!England - Elizabeth

Nyo!France - Catherine

Nyo!Russia - Anna

Nyo!China - Chun-Yan

Nyo!Canada - Marguerite

Nyo!Italy - Alice

Nyo!Germany - Monika

Nyo!Japan - Ponko

Nyo!Prussia - Julia

Nyo!Romano - Chiara

Nyo!Spain - Carmen

Nyo!Austria - Therese

Nyo!Switzerland - Adelheid

Nyo!Denmark - Hanne

Nyo!Sweden - Astrid

Nyo!Norway - Ingrid

Nyo!Iceland - Guðrún

Nyo!Finland - Aino

2pNyo!America - Caroline

2pNyo!England - Rose

2pNyo!France - Isabelle

2pNyo!Russia - Elena

2pNyo!China - Qiuyan

2pNyo!Canada - Anne

2pNyo!Italy - Bianca

2pNyo!Germany - Luise

2pNyo!Japan - Mameko

2pNyo!Prussia - Hildegard

Seychelles - Véronique

Nyo!Seychelles - Michel

Liechtenstein - Erika

Nyo!Liechtenstein - Klaus

Monaco - Sophie

Nyo!Monaco - Jean

Belgium - Emma

Nyo!Belgium - Anri

Luxembourg - René

Netherlands - Abel

Denmark - Magnus

Norway - Sigurd

Iceland - Egill

Finland - Timo

Sweden - Bernhard

Nyo!Lithuania - Rūta

Nyo!Latvia - Laima

Nyo!Turkey - Hatice

Nyo!Greece - Daphne

Nyo!Egypt - Fatima

Portugal - Afonso

Nyo!Portugal - Maria

Nyo!Hungary - István

Slovakia - Jozef

Czech - Hedvika

Nyo!Poland - Agnieszka

2p!Poland - Jan

Scotland - Callum

Wales - Dylan

Northern Ireland - Conor

Ireland - Ronan

Cuba - Carlos

Ecuador - Jose

Moldova - Vasile

Romania - Alexandru

Bulgaria - Dimitar

Serbia - Vuk

Croatia - Stjepan

2p!Italy - Lorenzo

2p!Romano - Flavio

2p!Germany - Siegfried

2p!Japan - Kiri

Nyo!Belarus - Mikita

Ukraine - Olga

Nyo!Ukraine - Bogdan

Australia - Ralph

New Zealand - George

Nyo!New Zealand - Charlotte

Wy - Olivia

Hutt River - Paul

Molossia - Jacob

Slowjamastan - Liam

Domain - Nicholas

Stomaria - Harry

Aerica - Michael

Ladonia - Oscar

Kugelmugel - Leopold

Seborga - Marcello

2p!America - Thomas

2p!England - Edmund

2p!France - André

2p!Russia - Alexander

2p!China - An

Genoa - Giovanni

HRE - Otto

Bavaria - Karl

Saxony - Heinrich

Hessen - Wilhelm

Picardy - Gabriel

Cyprus - Giorgos

TRNC - Mustafa

Rome - Maximus

Ancient Greece - Athena

Nyo!Korea - Soo-Jin

Taiwan - Xiao-Mei

Nyo!Taiwan - Chih-Ming

Hong Kong - Ka Lung

Nyo!Hong Kong - Lan

Vietnam - Lien

Nyo!Vietnam - Tuấn

[reginadeinisseni]

Ginger e Fred Official Trailer #1 - Marcello Mastroianni Movie (1986)

TONINO GUERRA Federico Fellini2 BALLERINI: QUANDO SI SEPARERANNO L UOMO ANDRA' IN MANICOMIOSoggetto Federico Fellini, Tonino Guerra. Sceneggiatura Federico Fellini, Tonino Guerra, Tullio Pinelli Produttore Alberto Grimaldi Fotografia Tonino Delli Colli, Ennio Guarnieri Montaggio Nino Baragli, Ugo De Rossi, Ruggero Mastroianni Effetti speciali Adriano Pischiutta Musiche Nicola Piovani Scenografia Dante Ferretti Trucco Amedeo Alessi Interpreti e personaggi Giulietta Masina: Amelia Bonetti/Ginger Marcello Mastroianni: Pippo Botticella/Fred Franco Fabrizi: Aurelio, il presentatore Ezio Marano: scrittore Totò Mignone: Totò Jacques Henri Lartigue: Frate Gerolamo Augusto Poderosi: Evelina Pollini Friedrich von Ledebur: ammiraglio Aulenti Friedrich von Thun: Armando Bissanti Antonino Iuorio: ispettore di produzione Fabrizio Fontana: Floris Tartarina Barbara Scoppa: Barbara, giornalista di gossip Elisabetta Flumeri: giornalista Claudio Botosso: giornalista nello studio televisivo Salvatore Billa: Clark Gable Leonardo Petrillo: Marcel Proust Daniele Aldrovandi: Marty Feldman Eolo Capritti: Telly Savalas Ginestra Spinola: chiromante Sergio Ciulli: figlio della chiromante Elena Cantarone: infermiera Alex Partexano: marinaio Stefania Marini: Stefania Roberto Accornero: autista pulmino Francesco Casale: Catanzaro, il mafioso Rosario Galli: Angelo Stefano Gragnani: De Nittis Ennio Antonelli: il facchino Giorgio Juorio: Salvatore Gianfranco Alpestre: avvocato rapito Franco Marino: impresario nani Davide Marotta: un nano Ivano Marescotti: un uomo del presidente Doppiatori originali Alberto Lionello: presentatore Tv Gianni Bonagura: Totò Mario Maranzana: Frate volante Corrado Gaipa: L'ammiraglio Aulenti Marco Bresciani: Travestito Oreste Lionello: presidente della rete televisiva, Woody Allen, scrittore Claudio Capone: un intervistatore Enzo Liberti: cameriere Pino Ammendola: onorevole Tartina Pino Insegno: cameriere Oreste Rizzini: presidente TV Solvejg D'Assunta: signora Silvestri, attrici, donna con corona Carlo Croccolo: signor Guadascone, frate guardiano Mario Maranzana: frate Gerolamo Piero Tiberi: Angelo HD

[vinceviralfreak]

Title: The Haunting of Sin's Hollow

Chapter 1: The Sinful Town

Sin's Hollow was a small, forgotten town nestled deep within the heart of a dense forest. Legend had it that the town was cursed, plagued by the sins of its inhabitants. The townsfolk whispered tales of dark rituals, forbidden desires, and unspeakable acts that had tainted the very soul of Sin's Hollow.

Chapter 2: The Arrival

Amelia, a young and curious journalist, arrived in Sin's Hollow with a burning desire to uncover the truth behind the town's sinister reputation. As she stepped foot into the desolate streets, an eerie silence enveloped her. The air was thick with an unexplainable dread, and the shadows seemed to dance with malevolence.

Chapter 3: The Wrathful Mayor

Amelia's investigation led her to the town hall, where she encountered Mayor Samuel Blackwood, a man consumed by wrath. His eyes burned with an unholy fire, and his voice dripped with venom as he warned her to leave before it was too late. But Amelia's determination only grew stronger, and she refused to be intimidated.

Chapter 4: The Envious Widow

In her quest for answers, Amelia stumbled upon the tragic tale of Elizabeth Hawthorne, a widow consumed by envy. Legend had it that she had made a pact with a demonic entity to gain eternal beauty, but at a terrible cost. Now, her ghostly figure roamed the town, forever tormented by her insatiable jealousy.

Chapter 5: The Greedy Merchant

Amelia's investigation led her to the abandoned marketplace, where she discovered the story of Jonathan Greystone, a once prosperous merchant driven to madness by his insatiable greed. It was said that he had sold his soul to the devil in exchange for unimaginable wealth, but his riches had become his eternal torment.

Chapter 6: The Slothful Priest

Amelia's search for answers took her to the dilapidated church, where she uncovered the tale of Father Benedict, a slothful priest who had neglected his sacred duties. The church had become a breeding ground for darkness, and the whispers of lost souls echoed through its decaying walls.

Chapter 7: The Gluttonous Chef

Amelia's investigation led her to the town's only remaining inn, where she discovered the haunting story of Chef Marcello, a gluttonous man whose insatiable appetite had led him down a path of destruction. The inn's kitchen was now a place of horror, where the echoes of his ravenous feasts could still be heard.

Chapter 8: The Lustful Lovers

Amelia's journey took a dark turn as she delved into the twisted tale of forbidden love between two star-crossed souls, Isabella and Vincent. Their insatiable lust had consumed them, leading to a tragic end that left their spirits forever entwined in a web of desire and despair.

Chapter 9: The Final Confrontation

As Amelia unraveled the mysteries of Sin's Hollow, she found herself entangled in a web of supernatural forces. The sins that had plagued the town for centuries were now unleashed upon her, threatening to consume her very soul. In a final, terrifying confrontation, Amelia would face the embodiment of all seven deadly sins, fighting for her life and the salvation of Sin's Hollow.

Epilogue: The Legacy of Sin's Hollow

Amelia's harrowing journey through Sin's Hollow would forever haunt her. The town's dark secrets had been exposed, but the scars left behind would never fade. Sin's Hollow would remain a cautionary tale, a reminder of the destructive power of the seven deadly sins and the horrors that lurk within the human soul.

Note: The novel "The Haunting of Sin's Hollow" is a work of fiction. Any resemblance to actual persons, living or dead, or actual events is purely coincidental.

[carmenvicinanza]

Tomaso Binga poeta e artista femminista

https://www.unadonnalgiorno.it/tomaso-binga/

Tomaso Binga, alter ego di Bianca Pucciarelli, è una figura di punta della poesia fonetico-sonora-performativa.

Un’artista che ha attraversato i momenti più intensi dell’arte italiana degli anni Sessanta e Settanta, quando arti visive, teatro, musica e poesia convergevano in un dialogo denso di nuove possibilità.

Ha assunto un nome maschile in segno di protesta contro le disparità che caratterizzano la relazione uomo-donna.

Tutto il suo lavoro artistico è incentrato sulla “scrittura verbo visiva” e sulle azioni sonoro/performative, per tentare un processo di de-semantizzazione del codice verbale.

Nata a Salerno il 20 febbraio 1931, ha fatto studi classici. Già a dieci anni scriveva poesie e racconti. Nel 1959, ha sposato Filiberto Menna, che sarebbe diventato uno dei più autorevoli critici italiani. All’epoca lui era medico e lei insegnante.

Salerno tra gli anni Sessanta e Settanta era una città di grande vitalità intellettuale in cui hanno visto la luce luoghi espositivi aperti al dibattito. Personalità come Marcello e Lia Rumma, hanno creato, nel 1966, le Rassegne di Pittura, agli Antichi Arsenali di Amalfi, nel cui ambito si è svolta, due anni dopo, Arte povera più azioni povere, a cura di Germano Celant.

Era anche nata la rassegna di teatro d’avanguardia Nuove tendenze e la sperimentazione militante del Teatrogruppo, ispirata al Living Theatre.

I suoi riferimenti artistici, fin dall’inizio, sono stati l’arte concettuale e la poesia visiva. Fenomeni artistici che, pur avendo una minore visibilità, portavano avanti una sperimentazione più radicale.

Nel 1971, per la sua prima mostra L’oggetto reattivo in cui presentava opere di poesia visiva, ha deciso di farsi chiamare Tomaso Binga.

Il mio nome maschile gioca sull’ironia e lo spiazzamento: vuole mettere allo scoperto il privilegio maschile che impera anche nel campo dell’arte. È una contestazione, per via di paradosso, di una sovrastruttura che abbiamo ereditato e che come donne vogliamo distruggere. In arte, sesso, età, nazionalità non dovrebbero essere delle discriminanti. L’artista non è un uomo o una donna ma una PERSONA. Il mio alter ego, Tomaso, è un richiamo diretto a Filippo Tommaso Marinetti (con una sola “m” per caduta di una costola) e a una stagione dell’arte italiana quanto mai viva e vivace.

Ha frequentato la Cooperativa Beato Angelico, collettivo femminista di sole artiste.

La sua ricerca abbracciava uno dei nuclei fondamentali della discussione del movimento delle donne, la necessità di rifondare il linguaggio, strumento del potere patriarcale, della storia, della legge, della religione, che ha contribuito all’emarginazione femminile. Anche per questo, nelle opere di quegli anni, il corpo spesso si opponeva alla parola e diventava uno strumento di espressione alternativo, elemento fondante di un nuovo modo di comunicare.

Nei suoi lavori le parole sconfinano dai luoghi deputati, proliferano come cellule, invadono gli spazi che ci circondano.

Dal 1974 ha diretto l’associazione culturale Lavatoio Contumaciale, luogo di aggregazione che si occupa di poesia, arti visive, letteratura, musica e multimedialità promuovendo manifestazioni e dibattiti sui diritti umani, contro ogni forma di violenza e per la salvaguardia della natura.

Il centro, negli anni, ha visto passare importanti nomi della letteratura, del cinema e del teatro come Dacia Maraini, Maria Luisa Spaziani, Amelia Rosselli, Roberto Benigni, Giuseppe Bartolucci, Gianfranco Baruchello, Nanni Balestrini e tanti e tante altre ancora.

Nel 1978 ha partecipato alla mostra Materializzazione del linguaggio a cura di Mirella Bentivoglio, per la Biennale di Venezia, dove ha presentato i Dattilocodici, lavori fatti con la macchina da scrivere. È stata la prima grande mostra tutta al femminile, un momento importante all’interno di una situazione artistica italiana che stentava a riconoscere l’apporto delle donne, sempre marginalizzate.

Nella sua particolarissima pratica artistica, è contraddistinta da una modalità di analisi critica del linguaggio dominante, profondamente ironica e antiretorica – tra scrittura verbo-visiva e azioni performative, le istanze femministe si esprimono senza rinunciare al motto di spirito.

Ironia e grottesco, denuncia e dissacrazione, non senso e luogo comune, sono i principali ingredienti delle sue performance poetiche.

Tomaso Binga ha precorso i tempi, scardinato pregiudizi e combattuto il gender gap, con un entusiasmo coinvolgente e disarmante.

Donne e uomini dovremmo perseguire uno stato di armonia dove a tutti gli esseri viventi, umani e non, venisse riconosciuto il diritto di esistere e realizzarsi secondo la propria natura. La chiusura della poesia non è una sentenza, ma un monito: bisogna restare vigili, perché i diritti e le libertà che abbiamo ottenuto non sono eterni.

Contro il costume che attribuisce un significato maschile al lavoro dell’artista, io sono una cartuccia e va…sparata!

Grande la sua attitudine alla collaborazione e al confronto, i suoi progetti sono il risultato di incontri con donne, più o meno note.

Ultimamente, nelle sue mostre personali, riserva una stanza o uno spazio per le opere di altre artiste che sceglie e che supporta.

[ladyenglish]

Fun fact: Amelia wrote Pink Phantom

in a sky made of diamonds where the world fell silent

[ladyenglish]

Art Commission of Amelia and Russel- @bluehorizon89

She is a UK-based artist who does ink portraits, and she does such a magnificent job. Check her and her artwork out!

I absolutely LOVE her interpretation of Amelia and Russel! They're such a flirty pair 🥰🥰🥰

[ladyenglish]

Amelia when she found Paula and Murdoc in the bathrooms:

[saaaaaaaiger]

Achtung, too many words.

Continuing to replenish Ninjago population eeee

A little information about the characters, so you at least know what's going on.

Iramai is the Skye's and Amelia's mother, two of my other characters who haven't appeared on this blog yet (keyword: yet). She comes from the same place as the character in the last post. She works as a ship mechanic and accompanies the ninja in the second fanseason.

Oscar is Iramai's husband and works as a vet at the Marine Animal Care Center. Also accompanies the ninja.

Marcello is Nya's advocate, and also the unexpectedly discovered Oliver's and Otto's father

Cody is Jane's mother (you'll probably see her soon, but it's not certain), a previous master of stone (though she's also retained the element at this point). Works as a policeman, just not with her daughter.

Thinrin is mother of the character from the last post. Participated in the war between mermaids and humans. Would have lived longer had she not been caught and executed.

Clementine is Vincent's mother (that's Mr. E in my universe, don't ask why i gave him that name), who was a member of the "Sons of Garmadon", but got out of prison much later than her son. And yes, that scar on her cheek is from him. Family 👍

[byneddiedingo]

Marcello Mastroianni and Giulietta Masina in Ginger and Fred (Federico Fellini, 1986) Cast: Giulietta Masina, Marcello Mastroianni, Franco Fabrizi, Friedrich von Ledebur, Augusto Poderosi, Martin Maria Blau, Jacques Henri Lartigue, Totò Mignone. Screenplay: Federico Fellini, Tonino Guerra, Tullio Pinelli. Cinematography: Toninio Delli Colli, Ennio Guarnerini. Production design: Dante Ferretti. Film editing: Nino Baragli, Ugo De Rossi, Ruggero Mastroianni. Music: Nicola Piovani. Costume design: Danilo Donati. The two actors most associated with the films of Federico Fellini had never worked together before Ginger and Fred, and the movie is enough to make you wonder why not. To be sure, the waifish Masina of La Strada (1954) and Nights of Cabiria (1957) seems a world apart from the worldly, jaded Mastroianni of La Dolce Vita (1960) and 8 1/2 (1963), but both transcend those stereotypes in this film, one of the director's last. They also manage to soften and sweeten a hard and sour film that expresses Fellini's distaste for the vulgarity of modern entertainment. Ginger and Fred is an expansion on the satiric impulse that Fellini displayed much earlier in the "Toby Dammit" segment of Spirits of the Dead (1968), with its nightmarish awards show. Here we have a television extravaganza in which Masina's Amelia Bonetti and Mastroianni's Pippo Botticella have been asked to reunite their old dance team, in which they mimicked the routines of Ginger Rogers and Fred Astaire. But they are herded into a phantasmagoric assemblage of headline-grabbing pseudo-celebrities and dubious variety acts. Amelia pluckily maneuvers the fading Pippo through it all. The film gained some notoriety when Rogers decided to sue the producers and distributors for trademark violation and defamation, thereby betraying the fact that she may have been a great dancer and comic actress but lacked a sense of humor. She lost. There is a shrillness to Ginger and Fred that makes it sometimes hard to take, but the two performers shine through.

[wagnersinitaly2022]

From Monteriggioni, we walked 11 miles on the Via Francigena to Seina - this was our last stretch of the Via Francigena and I think it was my favorite day. We started really early and the heat was much more bearable. We saw beautiful olives groves, grape vines, wheat fields, cypress trees, castles, and wildflowers. We had coffee at Punto Sosta la Villa with Marcello Pagnini - he has been offering Pilgrims food and lodging for many years and has even been written up in the New York Times. There is no cost for his services, only a donation. Seina is beautiful - we toured the cathedral and had our last dinner with Amelia and André. Tomorrow they leave for Portugal.

[ladyenglish]

Amelia: 😍😍😍

“A hip-hop hard man from the US of A, Russel draws upon spooky spirit mates to help guide his beats. The funky phantoms live within Russel’s hunking frame and pop up every so often to provide some undead rapping. Russel himself is well-adjusted, with an enviable wardrobe. Beautifully spoken. Polite to his elders. Privately educated. Proper musician. Without Russel, Gorillaz couldn’t survive: He’s the safety net, the linebacker, the true defender. Women love his solid safety, men his solid credentials. Multiple trainer-owner. Likes to eat. Born: New York State. Age: 25. Influences: Farrakhan, Chaka Khan.”

[movies-derekwinnert]

Ginger and Fred [Ginger e Fred] **** (1986, Giulietta Masina, Marcello Mastroianni) - Classic Movie Review 5477

Ginger and Fred [Ginger e Fred] **** (1986, Giulietta Masina, Marcello Mastroianni) – Classic Movie Review 5477

Giulietta Masina and Marcello Mastroianni star as wrinkly old dancers Amelia and Pippo, popular Ginger and Fred imitators 30 years earlier, who are reunited to make a comeback on a TV variety show, in director Federico Fellini’s warm and pleasing 1986 bitter-sweet comedy.

The old stylist Fellini assembles two of his best interpreters for his movie, and their touching performances certainly do…

[ladyenglish]

Amelia: 😍😍😍😍😍