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kim-ruzek · 4 years ago

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Contentedness

Summary: Antonio Dawson is back in town for a charity event, and gets to meet baby burzek.

Established Burzek, AU as it goes off the premise Kim never miscarried.

Word Count: 3.2k words

Read on AO3

Notes: This is just a lil fun fic, mostly formed from a conversation with Cíara (as, tbh, most of my fics now are!) @justanoffalygirl

I hope y'all enjoy!

Kim doesn’t know how life gets better than this.

It’s a warm spring day, the beginnings of summer starting to break through. She’s in the park, on one of the spacious fields, surrounded many of the people she loves so dearly, soaking in the sound of laughter and playful banter that fills the air.

Days like this, to be around so many people on her day off, are few and far in-between. She’s only recently begun to be more adventurous with where she goes, and how long she stays out, and when already it’s so hard to get everyone together with their own shifts and lives, it’s hard to organise. So when opportunities like this come about, Kim leaps at the chance, especially when it’s doing something for charity.

And if that hadn’t already made her commit to attending, learning that this was an event organized by a charity the Dawson siblings were involved in would’ve. Antonio and Gabby might’ve left Chicago, and maybe not on the best of terms, but the first responders of Chicago are a family, and so the Dawsons’ will always be their family as well.

Kim admits, at first she was a little reluctant to see Antonio. They were partners, they had been through so much together, and he had just...left. Without a word to her. She’ll always be happy for him, that he got himself clean, that he patched back up his life, but she can’t ignore how betrayed she felt at him just leaving. Especially with what happened in her life after.

But she finds it so hard to keep onto those feelings, not when, despite the lack of sleep, despite the way it’s made her have to relearn her own ethics and morals, despite turning her world on it’s head, Kim’s never been more happy, more content with how her life is.

The reason for her happiness squirms in her arms, and Kim looks down at her daughter. Alice Ruzek is only ten months, but Kim can’t remember what her life was like without her in it. Alice, or Ally as Adam affectionately nicknamed her from day one, has changed her life in so many ways.

No longer does she stay up late for fun, the way Kim used to think she was behind on shows with just her job now seems like a dream, her head is full of Children’s lullabies and Alice’s cries, and she can’t count how many times her and Adam has had such stupid yet infuriating squabbles about things just because of lack of sleep or stress from being away from her for too long.

But all of that pales in comparison to how the sound of her laughter, her babbles, is the most beautiful sound Kim has ever heard, to how Kim could stare into her eyes all day, to how seeing Adam holding their daughter, rocking her, singing to her is the most loveliest sight she has ever seen.

To how Alice has managed to do the one thing they’ve struggled to do for years, to make them learn how to be partners, to communicate, to not let the little things matter, and have allowed them to realise just how much they need each other, to be each other’s person. To how Alice has truly completed their lives, how she’s brought them peace and love neither knew was possible.

“Kim!” The sound of Antonio’s voice drags her away from cooing at her baby girl, and she turns around, ready to greet him. They had briefly seen each other when he was at the precinct the other day, but intelligence had a case and he was busy, so they hadn’t been able to say more than a hello to each other. Kim’s been here at the picnic for half an hour, enough for Alice to be cooed over by her various aunts and uncles, having only been left alone, now. Kevin had stolen away Adam—the only person who could distract Adam from his daughter—to help him, and Kim had been just enjoying the moment before she was going to go over to friends.

Antonio looks good, healthy, relaxed. She had thought so when she saw him the other day, but she can truly appreciate just how much good Puerto Rico and charity work has done for him now, when he’s dressed casually, and out in the sun.

Kim grins at him, happy she did decide to put aside all her hurt feelings on how he left. He’s grinning at her too, but as he reaches her and she turns fully around, his grin falls off, shock overtaking his face. She’s only confused at the change of his demeanour for a second, as before she can wonder too long, he’s speaking again.

“You’ve had a baby! Congratulations!” He exclaims, happiness for her replacing the confusion. Kim doesn’t wonder for a moment how he was so easily able to deduce that Alice is her’s, and not someone else’s that she’s just holding, having had way too many people tell her just how much her daughter looks like her. It’s something Kim does agree with, but at the same time, all she can focus on is all the ways she looks like Adam, loving how she’s a beautiful mix of the two of them.

Kim smiles down at Alice, her perfect daughter, before looking back at Antonio. “That I have,”

“Seriously, Kim. This is amazing news; I’m so happy for you. Parenthood is one of the best, fulfilling things you can ever do. And she’s so beautiful,” Antonio says, his words warming her heart. It’s nothing she hasn’t heard before, but she never tires at it, and hearing Antonio, her partner, one of the first people in intelligence to believe in her as a cop, say how happy he is for her is particularly heart-warming.

“So I’ve heard,” Kim replies. She had. Everyone and their mother had told her just how fulfilling parenthood is. A lot of the time it had come unsolicited, often with advice she didn’t ask for, nor want, but the times it came from someone she cares about—like Natalie, Voight, Herrmann—she really appreciated it.

Kim introduces Alice to him after that, Antonio immediately questioning, correctly, if her name is a little nod to Alvin, and he coos over her a little, holding her as they catch up.

The day progresses at that, Gabby coming over and meeting Alice as well, and them all mixing back into the crowd of their friends. Kim had participated in some of the charity events, Alice being with Adam when she was doing that, and with her honorary grandmother Trudy when they were doing stuff together.

Adam had joked at one point they should receive some of the raised money, with how their big responder family had all demanded time with their baby. Kim loves it, so does Adam, that their daughter was being raised around so much love and around so much wonderful people, getting the childhood neither of them had gotten.

It was a few hours later now, and Kim sits on one of the picnic blankets, next to Sylvie, the two of them soaking up the sun. Sylvie watched her man, Matt, chuck a ball with Kevin, and Kim watched where Adam sat with Alice. The sun’s high in the sky, and while it was getting past midday now, it’s still quite hot and bright, so he sits in the shade with her.

There’s an aching in her, that wants to get up and join them, join her family, but she resists, knowing she wants to make the most of getting the chance to be in the sun, knowing Adam will just shoo her away, making sure she enjoys something she wouldn’t have hesitated to before she was a Mom.

Instead, she settles for watching him, and continuing to fall so deeply in love with him at the way he so softly and lovingly interacts with Alice.

“Needing a break from her?” Antonio asks, sitting down beside her. Kim glances quickly at Sylvie, knowing her friend had told her that everything is okay and not awkward—well, not that awkward—with the Dawsons’ but doing it on instinct anyway, the nonplussed expression on her friend’s face reassuring her.

“No, it’s just hot. She needs shade and Mommy, mommy needs sun,” Kim replies to her. Everyone at work teases her about how easily both her and Adam slip into referring to themselves as what they are to Alice when talking about the girl.

“It’s okay. She’s with Adam,” Kim continues. There’s a pause, a silence.

“They’re very close, aren’t they?” Antonio says. His words seem careful, calculated, but Kim doesn’t focus on that, instead grinning at him, her heart fluttering once more at just how much fatherhood suits Adam.

“Yeah, they are.” Kim can’t keep the happiness out of her voice, not that she’d want to. She’s looking back at Alice and Adam, watching as Adam plays with her. She’s too far away to hear them, but she’s watched scenes like this so many times before that she knows exactly what he’s cooing at her, and knows exactly what her laugh sounds like.

“What does, uh, the father feel about that?” Antonio asks. Kim looks at him, frowning a little, confused.

“Happy, I’d think.” She replies, shrugging off the weirdness of the question, and turning her attention back to her family. Natalie has walked over to them now, and Kim watches as her friend coos over Alice, and how Adam’s face lights up with pride, at his daughter being so popular.

“I thought mommy brain was meant to be gone by now,” Sylvie says after Antonio leaves. Kim looks at the paramedic, confused. Sylvie’s looking at her amused.

“You do realise that question he asked—it means he doesn’t know Adam’s her father?” Sylvie tells her. Kim’s mouth opens, about to argue against that, because of course he knows that, but then the pieces fall into place and she realises she never actually told him, never told him that they’re back together, forgetting it’s information he wouldn’t automatically know.

“Oh.” Kim says. “Oh.” Sylvie laughs at her.

“It’s amusing, if you think about it. Every time you announced your pregnancy to someone, everyone guessed she was Adam’s before you told them, but Antonio didn’t. And he’s been seeing Adam with her!” Sylvie points out, making Kim laugh with her.

“Finally!” Kim laughs, remembering how just how many people asked if her baby was Adam’s, or didn’t look at all surprised when she told them, when she was pregnant.

“Is it bad that I kind of don’t want to correct him?” Kim asks after. “Just to see how long it takes,”

Sylvie giggles. “I might be bias because he’s my ex, but no, not bad at all. In fact, you rest, I’m gonna go tell everyone he might talk to about it and tell them not to correct him either,”

Kim laughs, loud, as her friend jumps up, excitedly, running off to tell everyone. Sylvie is such a ball of fun, never giving Kim a dull moment when she’s around, and Kim’s once again reminded that they made the right choice to make her and Kevin Alice’s godparents.

Her laughter has attracted the attention of Adam as, after securing Alice’s hat back on her head, he gets up and heads towards her.

“Having fun without us?” Adam asks, sitting down next to her. He looks down at Alice. “Hm, what d’you think, Ally? That we should be upset she’s having fun without us?”

Alice, in response, loudly babbles back, making large smiles spread across both Kim’s and Adam’s faces.

“Hey, Ally,” Kim coos at her. “Having your own fun with Daddy?” she holds Alice’s hands with her own, her heart clenching at the way her fingers wraps around hers in response. Kim looks from her daughter, catching Adam’s eyes, seeing how he’s watching them with such love, such adoration and fondness and Kim knows, then, life really doesn’t get better than this.

The day was coming to an end. All the events had finished, the money raised calculated and announced and most people had left. All who remained was the Dawsons’ first responder family and their charity workers, all of them helping to tidy up.

Kim stood among her friends, all of them chatting between them, winding down and getting ready to leave. Adam stands next to her, Alice in his arms as she makes sure everything is in her pushchair. Alice rests against her father, sleepily, and Kim knows it won’t be long until she’s napping once more.

“It was really good seeing you, and of course getting to meet your beautiful daughter,” Antonio is saying to her, standing on her other side. Kim smiles at him. During the events of the day, when they were catching up, Antonio had apologised for how he left, that he didn’t even tell her. Kim had waved him off, but she appreciated his admittance to that it wasn’t very good of him, depending they were partners.

“It’s been good seeing you too. I’m glad you sorted your life out,” Kim replies, knowing she’s being truthful, and knowing that finally she’s gotten closure on that part of her life, that no longer will she have any left over upset feelings over how he left.

“I’ll definitely keep more in touch; I’ll want updates on this one,” he says, indicating at Alice and Kim’s smile widens, happy that he doesn’t want to go totally no contact with her, with the 21st, again. The way being in this profession, the bond you have with your unit, your partner, isn’t something she can ever truly describe to anyone outside this life; the bond is indescribable, you spend so much time with these people, you trust them to have your back—so when someone just leaves, when you have no idea how they are, it leaves a hole in your life.

Antonio’s eyes drift beyond her, smiling. “Hey, Trudy,”

Kim turns to look at Platt, who’s approached, Mouch by her side. Kim doesn’t know if she’ll ever get used to seeing Platt like this, the person she is outside of work, when she lets a little more of her softer side oout

If you had told her all those years ago, when she first met the desk Sergeant, that she’d consider Platt family, one of the main people she feels comfortable confiding in, that Platt will be one of her main support during her pregnancy, that she’ll be her daughter’s honorary grandmother, Kim would’ve called you certifiably insane. But that’s how her life has turned out, and Kim wouldn’t change it for the world.

“I told you, it’s still Platt to you. You may not be a detective in my district, but I’m still your sergeant,” Trudy gives him a look, but her usual scariness is undercut by the clear affection in her expression. She then turns to look at Adam, or more importantly, the sleepy Alice.

“Now, how’s little miss Ruzek?” Trudy says. Kim thinks that if Platt was anyone else, she’d be cooing the words, but this is Platt, so it’s said still in a manner-of-fact kind of way, affection only an undercurrent.

“I know Adam can be scared at the stupidest of things, but calling him a girl is even too harsh for you, Trudy—uh, Platt,” Antonio laughs, and Kim grins, thinking he’s making a joke, until she realises he still doesn’t know Alice is a Ruzek.

Trudy fixes him a steely look, a true Platt stare through and through. “I was referring to my granddaughter, not her father.”

Platt’s voice is equally steely, as she accepts Alice from Adam’s arms as he passes her over. Antonio looks at the interaction, his expression comical as he processes the information. As he processes that Platt isn’t making a joke, as he processes Platt calling Alice her granddaughter, as he processes exactly why Adam’s been playing and holding Alice all day long.

“She’s Ruzek’s? Adam’s a dad?” Antonio says, shock in his voice, turning to look at Kim. “You’re finally back with Adam again?” He then looks back at Trudy. “Did you just call her you grandmother?”

“Someone’s got to be, and if we trust the ones who raised these two idiots, Alice will be lucky if she doesn’t need therapy and communication lessons before she’s ten,” Trudy speaks first.

“Hey! We communicate well!” Adam protests, before adding, “Now,”

“Listen, Ruzek. I was critising your parents, not you two. For all your past idiocy, you’re good parents.” Trudy looks down at Alice, who’s now sleepily lying against her. “You’ve got to stop crying so loud, Miss Ruzek, you’re deafening your father and god knows he’s already a big enough idiot as it is,”

“When did this happen? When did you get back together?” Antonio asks, once more bringing attention back to him, and his state of confusion.

“About ten months ago, give or take,” Kim grins. They don’t have an official getting back together date, as when Kim was pregnant they were still focused on primarily being co-parents, deciding they need to learn how to communicate well before even thinking of getting together, not wanting to subject their child to having parents like theirs, but they still behaved so incredibly like they were married already.

Their initial plan was to wait until Alice was a year before assessing if they should be more that co-parents, but after the stress that was Alice’s birth, and seeing Adam hold their daughter, Kim knew she’ll never want anyone else, never want to be more with anyone else but him.

“If was up to me, it would’ve been sixteen months ago,” Adam comments, his tone joking, even though Kim knows he’s being perfectly serious. Antonio frowns, connecting the dates and the age of Alice, his eyebrows raising.

“You mean...oh,” Antonio says, realising. Adam smirks, and even Kim finds the reaction amusing. At the start, when they first was telling people, Kim described announcing was more like telling people that she hooked up, unprotected, with Adam rather than telling people she was having a baby—Voight may have hugged her, but she’ll never get over the mortifying knowledge that she essentially had to tell him that she and Adam are each other’s booty call—but now, with Alice being ten months and her and Adam actually being together, Kim sees more amusement in this stuff than anything.

Antonio looks between the two of them, before shrugging. “Well, then. I guess congratulations, man. I’m happy for you,” Antonio shakes Adam’s hand, them going in for a bro hug. They pull back, and Antonio looks at Adam, proudness on his face.

“No wonder you’re so relaxed, fatherhood suits you.” He compliments and Adam beams. Kim knows that Adam still harbours some issues towards Antonio, but Antonio is still family, and family is important to Adam.

“Yeah. It may have been messy and complicated, but I love being a father,” Adam snakes his arm around Kim at that, pulling her to him and giving her a soft kiss on top of her head. Kim rests her hand onto his, squeezing it, and smiling up at him. And in that moment, in his arms, their daughter and family with them, and a contentedness in her heart, Kim couldn’t disagree with him even if she wanted to.

It may have been a messy and complicated journey, but now she’s here, now this is her life, Kim knows all of that was worth it; and that life really doesn’t get better than this.

#burzek #chicago pd #kim burgess x adam ruzek #burzek fic #Chicago pd fanfiction #ree writes #ree's.writing

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newyorktheater · 4 years ago

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Coriolanus starring Tom Hiddleston, see June 4

Carousel with Nathan Gunn Kelli O’Hara. See June 5

Jonny Orsini and Nathan Lane in The Nance, See June 12

Heroes of the Fourth Turning see June 13

Aenid Moloney in “Yes! Reflections of Molly Bloom” see June 16 (Bloom’s Day of course)

Click here for June 1 openings

Below is the calendar of “theater openings”* for June, 2020, with many online shows, series and festivals showcasing LGBTQ Pride Month, and the entire list demonstrating the perseverance and resilience of an art form that is adjusting to the shut-down of physical stages.

Among the one-time only star-studded spectacles in June: We Are One Public at the Public Theater (see June 1), two different Tony Awards celebrations (see June 7, the date that the Tony Awards would have taken place) and the New York Times’ “Offstage: Opening Night” (see June 11.) This last show launches a series that will feature performances from shows that opened (or should have opened) in the 2019-2020 season.

Pride Plays festival director Nick Mayo with producers Michael Urie and Doug Nevin

Among the other exciting new online series in June: Lincoln Center’s Dance Week (which continues every day through June 4th) and its Broadway Fridays (Carousel on June 5th, The Nance on June 12, Act One on June 19), and Pride Plays, a partnership between Playbill and Rattlestick Playwrights Theater, which will present “a live streamed theatrical event from the LGBTQIA+ theatrical canon” every Friday in June (including Mort Crowley’s sequel to The Boys in the Band. See June 26) — plus 11 new LGBT plays by emerging writers at dates yet to be announced.

Also take note of The Civilians’ ninth annual Findings series, which for the first time is going online. The five offerings in this year’s groundbreaking documentary theater series share “a common thread of how humanity perseveres and seeks out joy through adversity.”

Since so many shows are being put together at the last minute — sometimes not announced until the very day of their launch — I will be updating/filling in this preview guide every day, and highlighting the offerings each new day with the link up top. This calendar as of this moment offers a glimpse of what’s in store. Come back day by day for a better look.

Here are some ongoing series that have proven to be reliable sources of art and entertainment.

Four offer live performances (often called readings) of original plays: The Homebound Project Livelabs: One Acts from MCC Play-PerView Viral Monologues from 24 Hour Plays

(Play-PerView makes an exception to its original plays with what counts as a coup — the live reading of the Pulitzer finalist play Heroes of the Fourth Turning. see June 13)

A fifth offers live readings of classics and recent favorites: Plays in the House, Stars in the House’s twice weekly matinees and now Plays in the House Teen Edition.

Three offer recordings of previous (glorious) stage productions.

Metropolitan Opera National Theatre at Home The Shows Must Go On from Andrew Lloyd Webber

For details about these and other ongoing series, check out my post Where To Get Your Theater Fix Online (which lists, for example, the many long-running online sites such as BraadwayHD and Marquee TV that offer video-capture recordings of shows that were on stage)

All performances are free unless otherwise noted, although almost all hope for a donation (either to themselves or to a designated charity.)

*My definition of theater for the purposes of this calendar generally does not extend to variety shows, cast reunions, galas, panel discussions, documentaries, classes, interviews — all of which are in abundance this month, many worth checking out, but it would be too Herculean a task to list them all in a monthly calendar. My focus here is on creative storytelling in performance. (I make an occasional exception for a high-profile Netathon,involving many theater artists.)

June 1

We Are One Public The Public Theater Live beginning at 8 p.m. A 90-minute Netathon (my term for the starry online fundraising concerts of the pandemic era) featuring “cameo appearances” by Jane Fonda, Alicia Keys, Lin-Manuel Miranda, and Meryl Streep, and “stories and songs” by Antonio Banderas, Laura Benanti, Kim Blanck, Ally Bonino, Danielle Brooks, Glenn Close, Jenn Colella, Elvis Costello, Claire Danes, Holly Gould, Danai Gurira, Anne Hathaway, Stephanie Hsu, Oscar Isaac, Nikki M. James, John Leguizamo, Audra McDonald, Grace McLean, Sandra Oh, Mia Pak, David Hyde Pierce, Phillipa Soo, Trudie Styler & Sting, Will Swenson, Shaina Taub, Kuhoo Verma, Ada Westfall, Kate Wetherhead.

The Revenger’s Tragedy Red Bull Theater Launches 7:30 p.m. Jesse Berger’s adaptation of Thomas Middleton’s Jacobean thriller, written a few years after Hamlet, is a searing examination of humankind’s social need for justice and our animal desire for vengeance. Vindice, the “Revenger,” sets off a chain reaction of havoc in a corrupt and decadent Venice.

The Absolute Brightness of Leonard Pelkey 92nd Y Recording launches at 8 p.m, available through June 30 Donation to 92nd Street Y required A recording of the one-man show written and performed by James Lecesne, whose short film “Trevor” spawned The Trevor Project, a national suicide prevention helpline for LGBTQ youth. I liked this show when I saw it Off-Broadway in 2015. From my review: “A 14-year-old boy is reported missing, and eventually found dead. Chuck DeSantis, who worked the case as a tough-talking detective “in a half-ass town down the Jersey shore,” begins to tell us the story as if it’s a murder mystery, a film noir on stage (“The dark side is my beat.”) But “The Absolute Brightness of Leonard Pelkey”…is not really a murder mystery. It is, above all, a showcase for the impressive theatrical talents of James Lecesne, who portrays the detective and eight other characters, male and female, young and old. He does this without props or a change of costumes — just precise, spot-on gestures; a shift in accent and manner of speech.”

Ten Stories: A Decameron The Builders Association https://www.buildersdecameron.com/

Throughout the month of May, The Buildings Association theater company presented five live half-hour episodes inspired by the Decameron, Boccaccio’s 14th-century plague-story. Starting today, all will be released for viewing

Burst Playground Zoomfest Launches 5 p.m. ET As part of the 25th anniversary celebration of the San Francisco Playground Festival of New Works (this year completely digital), this play by Rachel Bublitz focuses on Sarah Boyd, the head of one of the fastest growing tech companies in history, at a moment before everything bursts.

June 2

Coppélia Lincoln Center Part of Dance Week, the New York City Ballet presents the 19th century comic ballet of a mad inventor and the life-like doll he creates.

June 3

Pues Nada MCC Launches at 5:30 This latest play in the LiveLabs One Acts series is written by Aziza Barnes, and features Karen Pittman as St. Francis and Samira Wiley as Sunny

The Homebound Project #3 Launches at 7 p.m. Available through June 7 $10 donation to No Kid Hungry required (free to frontline and essential workers) This third edition of original plays fundraising for No Kid Hungry, on the theme of “champions,” features: Jennifer Carpenter and Thomas Sadoski in a work by John Guare, directed by Jerry Zaks; Ralph Brown in a work by Donnetta Lavinia Grays, directed by Jenna Worsham; Diane Lane in a work by Michael R. Jackson; Paola Lázaro in a work by Gina Femia, directed by Taylor Reynolds; Joshua Leonard in a work by Mara Nelson-Greenberg; Eve Lindley in a work by Daniel Talbott, directed by Kevin Laibson; Arian Moayed in a work by Xavier Galva; Ashley Park in a work by Bess Wohl, directed by Leigh Silverman; Will Pullen in a work by Samuel D. Hunter, directed by Jenna Worsham; Phillipa Soo in a work by Clare Barron, directed by Steven Pasquale; and Blair Underwood in a work by Korde Arrington Tuttle.

June 4

Coriolanus National Theatre Available through June 11 Tom Hiddleston (Betrayal, The Avengers, The Night Manager) plays the title role in Shakespeare’s searing tragedy of political manipulation and revenge.

AAADT_Revelations

Alvin Ailey Lincoln Center This last show in Dance Week is a 2015 broadcast featuring Alvin Ailey American Dance Theater performing Chroma, Grace, Takademe, and its signature dance, Revelations

June 5

Carousel Lincoln Center Launches at 8 p.m. The first of Lincoln Center’s Broadway Fridays features a free digital stream of its concert production of this Rodgers and Hammerstein musical featuring the New York Philharmonic and starring Kelli O’Hara, Nathan Gunn, Stephanie Blythe, Shuler Hensley, Jason Danieley,Jessie Mueller, Kate Burton, Tony winner John Cullum, and New York City Ballet dancers Robert Fairchild and Tiler Peck.

Brave Smiles…Another Lesbian Tragedy Pride Plays Launches at 7 p.m. The Five Lesbian Brothers (Maureen Angelos, Babs Davy, Dominique Dibbell, Peg Healey, and Lisa Kron) directed by Leigh Silverman.

Julius Caesar Irondale The second of four installments of a revised version of its 2016 show “1599” nspired by the book “A Year in the Life of William Shakespeare: 1599” by James Shapiro.

Candidate X The Civilians Launches at 3 p.m. Part of the Civilians “Findings” series, the show is “a dynamic cross between testimonial-based theatre and dance theatre,” celebrating “the risk-takers who challenge and defy the gendered expectations our country has of those who lead.”

The Nesting Instinct Playground Zoomfest Launches 5 p.m. E.T. Part of the 25th anniversary celebration of the San Francisco Playground Festival of New Works (this year completely digital): Two siblings in a house in a Florida flood zone, a pair of blue-footed boobies (those are birds) on a shrinking island are the characters in two of the intertwined stories in this play by Tom Bruett that explores parenthood, identity and the steadfast power of home in a world that is changing drastically.

June 6

The Rendering Cycle Playground Zoomfest Launches 5 p.m. ET As part of the 25th anniversary celebration of the San Francisco Playground Festival of New Works (this year completely digital), Genevieve Jessee’s ten interwoven short plays present a theatrical journey through 400 years of the African Diaspora. Directed by Margo Hall

June 7

Tony Awards Celebration Broadway on Demand and TonyAwards.com Launches 6 p.m. A Netathon for American Theatre Wing and The Broadway League, co-producers of The Tony Awards (which would have taken place tonight), the hour-long even will celebrate “the Broadway community, the Tony Awards®, and the global impact that Broadway has as a cultural touchstone around the world.”

Show of Shows: Broadway.com Salutes the Tonys Broadway.com Launches 7 p.m. Also a benefit for the Wing and the League, this one is produced by Paul Wontorek, who produced the 90th Sondheim celebration

June 9

Criminal Queerness Festival Dixon Place The first day of a festival that runs through June 29th, showcasing queer and trans artists from countries that criminalize or censor LGBTQ+ communities.

June 10

Black Feminist Video Game, African.Isch The Civilians Launches at 7 p.m. Part of the Civilians “Findings” series, the show presents a tapestry of theatrical narratives created from ethnographic interviews within the black community of Berlin, Germany.

June 11

Offstage: Opening Night Patti LuPone and Katrina Lenk and the cast of Company performing the show’s opening number; Tony winner Mary-Louise Parkerperforming a monologue from The Sound Inside; a chat with Slave Play scribe Jeremy O. Harris and a sing-along with Elizabeth Stanley from Jagged Little Pill. Times writers will also discuss some of their favorite moments from the truncated season. 7 p.m. Free, but need to register in advance

As You Like It Irondale The third of four installments of a revised version of its 2016 show “1599” nspired by the book “A Year in the Life of William Shakespeare: 1599” by James Shapiro.

June 12

The Nance Lincoln Center Launches at 8 p.m. A free digital stream of Lincoln Center Theater’s 2013 Broadway production of Douglas Carter Beane’s dark comedy starring Nathan Lane as a gay burlesque entertainer in the 1930s. ( My review)

One in two Pride Plays Donja R. Love’s portrait of what it means to be black and queer in America today.

June 13

Heroes of the Fourth Turning Play-Perview Launches at 8 p.m. Required $5 minimum donation A live one-time Zoom reading of this much-praised (and 2020 Pulitzer finalist) play by Will Arbery “It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. But as their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration than a vicious fight to be understood.” My review when it was a Playwrights Horizons

In These Uncertain Times Source Material Launches 7:30 p.m. A digital performance piece that uses drinking competitions, sad Chekhov monologues, and corona-virus meme collages to contemplate the impossibility of theater as we’ve known it, and forge a new path in the art form, while grieving for the past.

Best of Playground 24 Playground Zoomfest the top 10-minute plays from the 2019-20 season of the Playground Festival.

June 15

This Show Is Money The Civilians Launches at 8 p.m. A musical about the 1 and 99 percent, exploring how our choices with this fictional creation called money affect people around us in ways we find difficult to see.

June 16

Yes! Reflections of Molly Bloom Irish Rep The solo show excerpting the last chapter of “Ulysses” offered online on Bloom’s Day.

Looking for Leroy New Federal Theatre featuring AUDELCO Award winning actors Tyler Fauntleroy and Kim Sullivan, directed by Petronia Paley

June 18

Hamlet Irondale The third of four installments of a revised version of its 2016 show “1599” nspired by the book “A Year in the Life of William Shakespeare: 1599” by James Shapiro.

June 19

Act One Lincoln Center Broadway Fridays brings James Lapine stage adaptation of Moss Hart’s memoir for the stage, starring Tony Shalhoub, Andrea Martin and an especially winning Santino Fontana. My review from 2014

Masculinity Max Pride Plays A play by MJ Kaufman, directed by Will Davis

June 22

Against Women and Music The Civilians Launches at 3 p.m. Part of the Civilians’ Findings series, an anachronistic chamber musical that explores the notions of privilege, ambition and morality through the eyes of a female piano tuner in the 1800s. At that time, music was considered dangerous for women to play or even hear.

June 24

The Homebound Project #4

June 26

The Men from the Boys Pride Plays Mort Crowley’s sequel to The Boys in the Band, showing what happens to the characters

June 28

Pride Spectacular Concert Playbill

June 30

Two Can Play New Federal Theatere Written by Trevor Rhone featuring Ron Bobb-Semple and Joyce Sylvester, directed by Clinton Turner Davis.

June 2020 Online Theater Openings: Pride and Perseverance. What’s Streaming Day by Day Click here for June 1 openings Below is the calendar of “theater openings”* for June, 2020, with many online shows, series and festivals showcasing LGBTQ Pride Month, and the entire list demonstrating the perseverance and resilience of an art form that is adjusting to the shut-down of physical stages.

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