#alternate title for cosmo: happy bird-day

[nostalgiamonster]

<3 Happy Birthday The Stupendium Ɛ>

[123abcdrawwithme]

all spg albums poorly described by me bc i can

album one: steam man band: michael reed voice: GUYS HOLY HECK LOOKIT MY ROBOT FRIEMDS THEIR SO COOL OHMA G AD clockwork vaudeville: now when you say you bought yourself a pickle- sound of tomorrow: the jons audible lenny face as he says “in the nude” on top of the universe 2009 ver.: RABBIT FUCKED A TOASTER AND UPGRADE KILLED THE SPINE THE GIRLS ARE OFF THE SHITS on top of the universe 2011 ver.: alternate timeline where the jon and rabbit kill the spine and deny him ice cream i am not alone: poor one out for upgrades 1 (one) song, shes trying her best ice cream parade: i don’t even know where to begin with this one brass goggles: LOCAL ROBOS ARE FEELING EMO SO THEY HAVE A SING ALONG out in the rain: splish splash they was havin’ a bash electricity is in my soul: okay but whomst the hell is that electronic voice who sings the “la la’s”? serious question who tf is it???? steam man band reprise: michael reed voice: GUYS MY COOL ROBO FRIENDS ARE GETTING AN ENCORE HOLY HECKIE blind minstrel’s ballad: ominous captain albert alexander: listen,,,, he beat spider hulk in an arm wrestling match,,,, hes really cool,,,,,, the 2¢ show: steamboat shenanigans: some say they sang so hard they really did make it to the moon and across the stars ;) one-way ticket: CHU CHU I LOVE U ju ju magic: jonathan giraffe what tHE FUCK ARE YOU SINGING ABOUT HONEY? ARE YOU OKAY? me and my baby (saturday night): the spines a hopeless romantic and he loves to treat his girl and his siblings support him little birdie: jon makes friends with a bird or some shit idfk rex marksley: the spines a hopeless romantic and sings about his cowboy crush and his siblings support him automatonic electronic harmonics: they want to feel cool,, let them feel cool,, prelude to a dream: hey michael i thought you were supposed to be the human friend whats all this about not being a human being?? mike? m-mike?? make believe: FUCK SOCIETY, TRANS RIGHTS BITCHES *EPIC KAZOO SOLO* honeybee: ah yes that one song we won’t ever let them forget bc were all emo scary world: the morse code says spoopy the suspender man: rabbit voice: yeah theres this guys who sold his soul or whatever how fucked up was that, anyway i want to wear a dress :3c that’ll be the way home: THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL THAT’LL the ballad of lily: oh boi we about to have another character song on this album airheart: character song 2 electric boogaloo circuitry: y’all good? mk iii: curtain raiser: beebop voice: STEVETHY SOMEONES TRYING TO PLAY THE ALBUM   steve voice: oh fuck steam powered giraffe: HEHE NAME DROP mecto amore: this is some rabbits in love again shit but with WHAMST hatch fever: hatchy is here and the album version does not capture how feral hatchworth performed this on stage a way into your heart: spg as a whole @ their fans: we love you all so much thank you for the support over the years :) <3 me through tears: bitch,,,,, <3 ghost grinder: rabbit and the boys on their way to the graveyard at 3 am to party with rabbits dead gf please explain: i stg everytime i hear hatchy sing “gum in my gears” i think he’s saying something else and i’m sure you can fill in the blank, but the thing that gets me is thats so on brand for him to say dsfdfg she said maybe: rabbit is just young old dumb and full of love these days isn’t she? go spine go: almost 6 minutes of hatchworth and rabbit being two year olds and poking fun at spine roller skate king: everyone sleeps on how good this song is wtf i’ll rust with you: me knowing full well this song is about rabbit outliving her gfs throughout the decades bc shes a robot: oh,, so thats why theres so many love songs by rabbit on this album,,, rabbit you good?? wired wrong: the spine you good?? fancy shoes: hATCHWORTH YOU GOOD??? steam powered giraffe reprise: we interrupt your regularly scheduled robot angst hours with that good weeb shit™ turn back the clock: okay back the robot angst bleak horizon: our lovelys saying goodbye saying they’ll be back to bring smiles on our faces soon as we close out to some ominous as fuck shit teasing vice quadrant the vice quadrant: the vice does tight: okay so the vice quadrants fucked up and the robots are very concerned by this on a crescendo: ominous foreshadowing thats so ominous i had to look up what this song meant lore wise bc i just thought it was the robots just dancing and having fun steamjunk: my dear sweet honey darling is traveling through space and I’M WORRIED ABOUT HIM starburner: low-key robo angst bc their worried about their souls being damned or some shit but its cute  progress and technology: david YOUR RANGE wink the satellite: wink voice: YOU WAS MY BABY MY FUCKIN CINNAMON APPLE burning in the stratosphere: oh fire fire: this is the most haunting shit i have no joke for this sky sharks: hoo boi the sky sharks certainly won’t be killing us all today, but climate change sure will daughter of space: PREBBY SPACE GODDESS HNNNGNNGNG star valley night: honeys you know you can just wait for it to be night time right? then you can go play in the star valley at night- commander cosmo: BITCH YOU GOOD? where is everyone?: THERE SHE IS MY BABY gg the giraffe: MY DARLIIIIINNGGG SING IT HONEY  the pulls: wink my darling y’all ok? soliton: corpse man and space goddess sing a really nerdy analogy about love and its gorgeous where i left you: wink seriously are you okay? over the moon: rabbits just done but shes gotta sing it and go all out with how done she is bc shes extra it’s cosmic: is the “alright!” rav?? also is this love song supposed to represent them causing more fuckshit and destroying the universe and just not realizing it bc their in love?? idfk man it bops hold me: whether from the perspective of holly or rabbit i weep openly at this song the speed of light: david: this is where the astronaut turns evil won’t tell you why tho ;) literally every lore buff: *listens to this song and tries to theorize wtf happened* rav to the rescue: local green space twink rescues his space bf more at 11 starlight starshine: OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO the space giant: three steampunk robots fight a giant starbaby in guitar hero to save a satellites crush; a planet thats a huge apple i have zero jokes for this is already too absurd  oh no: oh OH OH? O H. OOOH OH??????????? o  h... oh no.... necrostar: evil pissrock possessed evil dead guy and is ready to cause fuckshit while the robots sing about how scared they are at the end super space blaster centi-asteroid invaderpedes 2: cute interactions with the robots! i hate this title tho whale song: wholesome shit to distract you from all the lore and foreshadowing at the end Music from steamworld heist:  automatonic electronic harmonics, on top of the universe, electricity is is my soul, honeybee, and brass goggles: me minding my own business playing steamworld heist: *walks into a bar where spine rabbit and hatchworth are performing one of these songs* me: HOOOOOGH heist ho!: yeah thats piper for ya starscrap: hi i’m in love for rabbit? prepare for boarding: GET IN BITCHES WE’RE GONNA OVER THROW THE PATRIARCHY  the red queen: capitalism? demolished. what we need are some heros: the spine projecting his love for cowboys onto the player characters the vast frontier: hatchworth: I’M A BAD BITCH YOU CAN’T KILL ME the stars: they made it lads they made it over the moon and across the stars.... also how’d they keep singing for that long aren’t they tired? quintessential: malfunction: wow i can’t believe spg ended transphobia i don’t have a name for it: love? i guess??gd fgdsghfdg blue portals: the idea of hatchworth going through the blue portals when i know they’re made out of blue matter is terrifying  overdrive: they want to seem cool please play along and pretend their green screen work is cool the ballad of delilah morreo: this came right the fuck out of nowhere but fuck its here now and its fantastic love world of love: wonder what other balboa park songs they’ll bring back, like never gonna give you up :) only human: i’d die for you hatchy salgexicon: they deadass wrote a song about their dnd campaign  sleep evil sleep: i guess we’re all evil BC WE KEEPING SLEEPING ON HOW GOOD THIS SONG IS TOO photographic memories: walter worker chelsea? come get ur mans- leopold expeditus: hatchworth: hey guys checkout my fursona dream machine: this song keeps me up at night with the endING I JUST WANT RABBIT TO BE HAPPY AND ARTSY BUT THE WAY IT ENDED WITH THE VICE QUADRANT RELATED TEASER MAKES ME THINK RABBIT PICKED UP A SATELLITE FREQUENCY FROM WINK ABOUT HOW NECROSTAR WILL KILL RAV IN THE FUTURE DEADASS I’M NERVOUS WHAT HAPPENED

[aaronmaurer]

Music I Liked in 2018

Every year I reflect on the pop culture I enjoyed and put it in some sort of order.

Are alternative and indie rock viable formats anymore? What do those labels mean in the year 2018? (What did they ever mean, really?) My favorite sonic moments of the year appear to be more out of step with the general populace and critical circles than ever before, and yet, I still go to a lot of concerts and seeing many of these acts live this year in sold-out venues proves that there is still an audience out there for guitar-based music. If that’s your thing (and no worries if it isn’t), give some of these records a shot.

15. Ruins / Tender Offerings EP – First Aid Kit

Sweden’s harmonic folk sister act returned at the beginning of the year with the accomplished Ruins. It may not have hit the heights of their career-best Stay Gold, but it still provides moments of sweeping beauty. However, it’s the 4-song collection of outtakes from the same sessions that cements this album cycle on my list: Tender Offerings is even more immediate and quietly affecting than its parent record.

14. Arthur Buck – Arthur Buck

Personal favorite singer/songwriter Joseph Arthur teamed up with former R.E.M. guitarist Peter Buck this year for a collaboration that hews more towards Arthur’s influence than Buck’s. That’s not a bad thing and this is a recent highlight of Arthur’s prodigious output. If the collaboration continues to foster such energy and inspiration, I hope it extends well into the future.

13. Malibu Nights – LANY

I’m not quite sure how to classify LANY; in my analysis they have as much in common with emo as pop music, and their synth-heavy sound doesn’t readily slot into rock formats. Regardless, I find their music easily approachable and their lyrics to cut with a similar sincerity as the likes of Jimmy Eat World. Malibu Nights is concise and consistent, two things that cannot be said of 2017’s self-titled full-length, and it is all the stronger for it.

12. Black Panther the Album – Various Artists

Black Panther the Movie was one of the highlights of the year (see my film picks coming soon) and its companion soundtrack follows suit. A mixtape curated by and featuring Kendrick Lamar, this album of original material manages to form a cohesive unit as opposed to a collection of random tracks (i.e. last decade’s Spider-Man 3 soundtrack – which I actually liked, on the whole…). Wakanda forever!

11. Love Is Dead – CHVRCHES

The third LP from Scotland’s CHVRCHES was viewed as a letdown by much of the critical community, and as someone who ranked 2015’s Every Open Eye as that year’s favorite album, I would have to agree – to a point. Love Is Dead still has plenty of fantastic arena and festival-ready anthems to its credit and I don’t blame the trio for leaning into their pop side for this one. The album is incredibly front-loaded with “Graffiti,” “Get Out” and the Matt Berninger collab “My Enemy” coming in the first third, but there are strong moments all the way through and it’s definitely one of the most enjoyable listens of the year.

10. Wildness – Snow Patrol

After a 7-year hiatus, Snow Patrol returned with Wildness and I have to admit I was initially disappointed. However, I have found that with repeated listens this record has really grown on me. The emotional transparency of Gary Lightbody’s songwriting remains intact and you can feel his authenticity on songs like “Life On Earth,” “Heal Me” and “A Youth Written In Fire.” Definitely worth spending some time with.

9. [untitled] EP / [Untitled] – mewithoutYou

Philadelphia’s post-rock luminaries made a surprise return this year with some of their best work to date. An EP arrived in August and rather than a preview of October’s full-length release (only a single song is repeated, in a different version), it functions as a compelling work in its own right and finds the band embracing their more meditative and melodic tendencies. By contrast, the LP leans a bit more into the band’s harder edge – but not completely eschewing quieter moments – without sacrificing any of the lyrical depth or deft musicianship they are known for. It feels like a creative renaissance for a group soon to enter their third decade.

8. boygenius EP – boygenius

The only negative to this stellar collaboration between singer/songwriters Julien Baker, Phoebe Bridgers and Lucy Dacus is that it’s only six songs long. The artists are each given space to shine and when the harmonies kick in, it’s transcendent. Here’s hoping it’s not the last we hear from them as a trio.

7. Be More Kind – Frank Turner

A blazingly earnest call-to-arms for hope in the face of the current political and social landscape, Be More Kind is filled with rousing sing-alongs about decency and making a difference. “Don’t Worry,” “Little Changes,” “Brave Face” and the title track are among the most positive and affirming songs I’ve heard in recent memory, but it’s the rousing and reclaiming anthem “Make American Great Again” that marks my favorite moment on this near-perfect record.

6. Come Tomorrow – Dave Matthews Band

Old habits die hard, and even though my enthusiasm has waned since my obsessive high school & college days, I’ll still go to bat for much of Dave Matthews Band’s music. Their first studio album in 6 years is somewhat a catch-all of songs they’ve been playing live for a while but hadn’t recorded, and as such, is a bit overlong and slightly disjointed. Even so, there is a melancholic wistfulness that pervades many of the record’s highlights including “Samurai Cop (Oh Joy Begin),” “Virginia In the Rain” and “Come On Come On,” which rate with their best work.

5. Upside Down Flowers – Andrew McMahon in the Wilderness

Andrew McMahon’s latest effort is a very nostalgic look back at not just his early career in Something Corporate (“Teenage Rockstars”) but to his childhood as well (“Ohio,” “House In The Trees”). What could come across as navel-gazing or self-mythologizing instead becomes universal in its specificity and his most impactful work in years.

4. Art of Doubt – Metric

Every few years, Emily Haines and Co. grace us with an album of self-empowerment anthems, some of which make more of a personal impact than others. This year’s Art of Doubt was initially a sleeper that I find I keep returning to, discovering new layers of resonance each time. It now ranks alongside Fantasies and Synthetica in the band’s discography to me.

3. Mirror Master – Young the Giant

On their fourth record, Young the Giant deliver some of their most diverse and hooky tunes yet, including the Eastern-tinged “Superposition,” the introspectively moody “Glory” and the soaring anthem “Simplify.” While I’ve counted myself a fan of their previous work, this one coheres in a new way for me that is immensely rewarding.

2. Vide Noir – Lord Huron

Lord Huron have yet to make a misstep and their third full-length proves their most sonically wide-ranging yet. From the driving energy of “Ancient Names, Pt. I,” to the old-timey crooning of “Wait by the River” to the blown-out guitar of “The Balancer’s Eye,” a range of styles are employed. Even with these varied modes, everything hangs together to create an atmospheric quest into darkness for meaning beyond this plane.

1. Layers of Us – Mimicking Birds

There is a spacious ambience to the latest from Portland’s Mimicking Birds, on which acoustic guitars are traded for splashes of mood-setting synthesizers and lyrics pondering humanity’s place in the cosmos and impact on the planet. Despite the dread and existentialism that permeates some tracks, I find a lot of beauty and hope shimmering through the record. It is by far the album I listened to the most in 2018 and perfect for the winter months (during the Winter Olympics I found myself daydreaming alternate realities where the gorgeous and haunting “Belongings” could soundtrack a gold medal figure skating performance).

Here’s a sampling of songs from each of these records if you want an easily-digestible mix:

 Bonus! An additional mix of other singles, b-sides, covers and more from 2018 that I really like:

Double Bonus! 7 Best Live Performances I Saw in 2018: 

7. U2 – Experience + Innocence Tour at the United Center, May 22nd

The companion to 2015’s Innocence + Experience Tour shared a stage and some common songs, but for the most part was a unique experience that stood on its own. Still telling a loose story of the band’s history through the lens of their Songs of Innocence and Songs of Experience albums, this arena tour centered around the newer material of the latter, which – being one of my favorite albums of 2017 – I was quite happy with. Closing the show with the same excellent two-song final sequence as that album, and a beautiful visual element that formed a bookend with the I+E Tour, was an inspired and moving choice.

6. Lord Huron – Pandora Presents The Stack at Concord Music Hall, September 20th

I was lucky to see Lord Huron twice this year during the Vide Noir tour cycle, and the second time was even better because A) it was a free event (put on by Pandora) that included free Sam Adams!, B) it was in a small venue and C) they reached all the way back to their first EP to end the night with “We Went Wild.” It took me right back to the night I was introduced to them at an intimate Lollapalooza pre-show at the Double Door in 2011, where this then-unknown band captivated me with their atmospheric percussion and guitar rhythms. They’ve yet to let go.

5. The National – Lollapalooza Aftershow at Metro, August 2nd

The National are at a point in their career where they headline festivals and play large theatres, so it’s rare to see them at a 1000-capacity venue like Chicago’s Metro anymore. Fortunately, the concert hall often hosts huge bands on Lollapalooza weekend for late night “aftershows” (which are always nearly impossible to get into) and I somehow scored tickets to the National’s performance there the night before they headlined the fest. It was great to see the band tear through a setlist spanning their whole career that was significantly different from what they did the following evening. The finale of an acoustic “Vanderlyle Crybaby Geeks” – at around 2am – was a beautiful communal moment.

4. Beck – Riot Fest, September 15th

I’ve seen Beck a few times over the years and I think his current setlist might be his best ever, a great mix of all his musical permutations (though missing any songs from Mutations…). Latest record Colors was one of my favorites of 2017 and that material was fantastic live alongside classics like “New Pollution,” “Loser” and “Girl.” The stage and lighting design were a lot of fun as well and provided a visually engaging and exciting backdrop. While the festival setting meant a truncated show, I won’t hesitate to catch him again whenever he returns to town.

3. Mew – Frengers 15th Anniversary Tour at Brooklyn Steel, October 14th

Mew are a Danish indie/prog rock/dream pop band that have a number of great albums to their credit. One of my favorites is Frengers, which I didn’t actually discover until a few years after it was released in 2003. Imagine my good fortune to discover one of the few US dates on its anniversary tour happened to coincide with my trip to New York this fall. Hearing the record performed in its entirety, from the opening guitar+drum salvo of “Am I Wry? No” to the final soaring cacophony of “Comforting Sounds” was a moment out of time in the best possible way.

2. boygenius – Thalia Hall, November 13th

A truly transcendent night of music that began with each of the collaborators – Lucy Dacus, Phoebe Bridgers and Julien Baker – playing her own masterful set, then all coming together for a finale of their entire EP. The vocal control evident in the contrast between the raw power unleashed on “Stay Down” and the restraint on the acoustic and un-miked closer “Ketchum, ID” proved these ladies really can do anything.

1. Frightened Rabbit – The Midnight Organ Fight 10th Anniversary Tour at Thalia Hall, February 16th

This is incredibly bittersweet, in light of frontman Scott Hutchison’s death in May. Scotland’s Frightened Rabbit played two nights in Chicago during a brief album anniversary tour, hosting what turned into an audience sing-along of Midnight Organ Fight in its entirety along with a mix of other favorites including “Holy,” “The Woodpile” and “The Oil Slick.” Losing such an honest and powerful voice this year hurt a lot. I’m so thankful I had one last evening of catharsis with him.