#also yes leaving the Japanese characters black was a stylistic choice
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what-the-fuck-khr’s most popular sky is tsunayoshi! he won with 38.6% out of 10 characters!
#sawada tsunayoshi#khr#katekyo hitman reborn#27#72#my shit#manga coloring#manga colouring#khredit#khrgraphics#teehee hi. the winner got a prize congrats#‘most popular’ is generous obviously but I figure that’s about the gist of it anyway!#it’d be nice to do a much longer one#y’know to get a better look at the answers but for now#this is just for fun!!#I also chose a panel to test me!! it’s been a while y’know#so I chose a panel/page I would typically avoid at all costs HAHA so I had to do some work#had to clean him up a bit. fiddle with the shadowing bc of his forehead flame#his hair………….. not fond of but alas#is it my best work ever on planet earth?#absolutely not lmfao. but I’m pleased with it nonetheless at least#additionally I don’t usually add watermarks on my shit#and if I do I do it on Instagram with a different username#but I wanted to for this bc. y’know. obviously#also yes leaving the Japanese characters black was a stylistic choice#didn’t wanna deal with them and fiddling with them next to the flames so…….
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Hey. As I said in my previous ask, I think you are so darn smart, and I love your writing skills. If it's not going to bother... Could you, please, read my recent oneshot (akai-ito)? I need honest opinions on it, mainly coming from someone who writes and has no sentimental connection with me. (Only if it's not going to bother you) Thank you :)
Honest and a writer 😄 You’re at the right address I’m thinking. For a sweet please and Yoongi fics I’d probably do anything. The infamous review it is. I employ my classic critique structure (title-description-plot-characterization-grammar-dialogue), as always with strengths and improvement points, hope it is helpful, and here we go.
Title: As most pieces on your m.list, you possess good sense when it comes to selecting what catches the eye and stays memorable. Definitely unique and a summary of the story, although much like with ishin-denshin, it took me a while to figure out what it’s about. That can be a strength (innovation/tension!) or a weakness (confusion). Make use of the former by giving the reader bread crumbs. Authors have to play Hansel and Grethel as we say here in Germany. For instance, maybe you’ve seen it, some fic writers give definitions to foreign or complex words under the title right away, maybe you can drop at least a hint about the yarn and that the idea is from a manga/series, important crediting there. Something else that might also be relevant according to recent events, be careful there with using Japanese words should you not be a native speaker. The Ariana Grade tattoo effect is very real and a slippery slope. Solution: Best clarify everything at the start, or make a disclaimer. Other than that, you don’t need much advice with titles imo, never change a running system.
Description: It strikes me that you are an advanced writer. There’s solid attention to detail. Definitely keep that up. The common downside, and here is the crux, is trailing off. Bear in mind to tailor detail according to relevance versus background story and worldbuilding. Each piece needs to interlink with something else sooner or later, repetition matters as an emotional anchor. That’s the extra mile to go and the step from advanced to senior writer. The key to describing, unless your name is Oscar Wilde, is often linearity. You can only break it up once you’ve mastered it. Good news, I think you’re already getting there. I see things like consistent tense, great syntax variation, and a POV switch at the right point in time.
Plot: What you are excellent at is creating ups and downs. A lot of effort went into this. That can’t be messed with. An important component, however, is missing. Most authors turn defensive when I point it out so I’ll word it step by step and show a trick to solve it. The alpha and omega of Caro’s advice remains nailing a character’s actions to hook the reader, not just during the smut scenes. A crucial example: The boss firing Jade is not placed at the start — as the most dramatic event in the earlier sequences — and thus loses momentum. It’s a well-orchestrated event and twist, that’s why it’s so essential to add emphasis. The characterizations + foreshadowing that led up to it are proper. But it has to come down like a hammer; not with indirect phrases that make it seem like something trite. Which it is not given how dear work is to Jade as a comfort zone. You describe her leaving angry, but not her face, what she does, the environment, other characters. It’s only trailing off into a semi-monologue with background information that should be self-evident through things that happened earlier. I want to see the hammer. You only bring it in the dialogue but there, it’s secondary to the verbatim of the characters, as it should be, mind you. Solution: Draw the hands-on sentences from the dialogue into the plot. Then we’re good to go. Problem solved.
Characterization: Little to no objections here on the other hand, very well done. It’s one of the pillars of your writing. I’ll tell you why it is good. It maps out the different lifestyles from your characters which creates a nice contrast, especially with Jade’s concerns in life, and her core motivation (stability). Yoongi’s portrayal impressed me, too. All quite effortless. Even the names themselves, I quite like them, brings a lot of pizzazz. Definitely use them often, things like “the skinny man”, “the woman”, “the dark-haired female” are best converted into simple adjectives for description along the way. The Chaos Club: Also a good idea to have.
Grammar: Pretty salient, I see it in the way you chop your subclauses which I love. Not much to improve except the bit with caps. If you want to use texting sequences in your fic, definitely don’t hesitate. It may read as off in the paragraph but sits just right in a written message exchange. Which also depicts reality well. Now, the reason why I have issues with caps is that you only need them once emphasis is not clear enough through context. You can test out whether italics are a more sophisticated fit, it depends on the scene. If someone yells, incorporate that in the description, put an exclamation mark — yes, the old-fashioned way, I’m a conservative critic I know, it’s annoying. The only caps you need are the ones for saying korean - nations always with capital, geography pun intended. No other grammar concerns, that’s basically it.
Dialogue: Interesting how you use hyphens there. It’s much like everything about your style, very much in its own bubble. That can be a good sign of authenticity. Took a while to get accustomed to it for me, but it’s a stylistic and individual choice, whatever works best and is comfortable. The reason why I probably missed the quotations marks is not an aesthetic one, but because the words of the characters blend into description quite seamlessly. It’s hard to picture their voices that way. What other readers think about it, maybe gather some more opinions how they get by with the hyphens. If I were to use them, my trick for next time writing would be to start a new line for each particle of speech while the description is not attached after the hyphen. It makes it very deliberate and sets pace, too. It gets rid of ‘said’ quite conveniently and brings out stronger verbs. As in:
The man binned his cellphone in one of the back pockets.– Nice to meet you, Jade.
That has suspense and sex appeal. See how it differs from the original:
– Nice to meet you, Jade. - The man said and binned his cellphone in one of the back pockets.
Apart from that, something else to improve in dialogue is not stating the very obvious sometimes, but letting readers put things together in their head. That’s harder when Jade uses the exact tone of the narrator and not her own. Examples: ‘I’m visibly punchy’, ‘Before listening to his depressive songs and staring at his cute eyes and cheeks, I was satisfied with my nonexistent romantic life, now I’m considering the idea of nurturing a very dirty business.’, ‘I never felt another warm sensation other than tears, whilst watching some emotional crap on Netflix’. Dialogue does well contrasting to how the story is told. Bring all the slang, make it fragmented like real speech, fuck it up, it’s the fun part. You do have the registers and pull them off, that’s not the issue, only finding the right place to use them is the challenge.
Other: Something funny happened. I missed the URL mention and thought Jade was an OC and not an existing person! 😅 Took some time until I managed to immerse myself in the story because I’m not used to seeing singular users inserted as readers. It’s one-to-one and hard to get into as an outsider, which surely is not the purpose, but it would help to understand who Jade is in relation to you, and how the fic idea came about. That can be quite entertaining as well in the author’s notes. That being said, she is living the dream and being Yoongi biased myself I feel rather envious which means you achieved plausibility in your fic. Maybe it’s because he has black hair and round cheeks in it. Am very endeared.
PS: I get paid in fic reblogs for reviews 😉 Am half kidding. Speaking of the devil, for the love of my dash, please insert a keep reading so I can reblog.
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