#also will do a starter for sokka too BECAUSE . reasons . just need to think a bit more on that .

[seyaryminamoto]

hello! I really like your meta about Zuko, and I'm so glad that I finally found a person who also thinks that Zuko in book 3 is a much worse person than he was in the book 1. I always thought that something was wrong with me, since literally no one sees this obvious fact for me! But I would like to ask you: What do you think about Katara in book 3? the fact is that she was my favorite character in books 1 and 2, and the way she was written in book 3 upset me a lot. it seems to me that they spoiled her character, but I can't explain why. Please share your thoughts!

Glad you've enjoyed my extensive meta on the fandom's fave, haha. I did write a lot about him, always nice to know my thoughts on the subject are still deemed relevant.

As for Katara... well, I have thoughts on her, too. My experience with her character is quite similar to yours, I'd say, because I too felt a lot better about her character in the first two seasons of the show compared with the third. I don't usually give this a ton of thought, but after your ask, I figured I'd try and figure out what exactly went down with her that made people like us feel so uncomfortable with Katara's portrayal at multiple points of Book 3...

For starters, I'll say I vibed with Katara a lot when I started the show for reasons beyond her being a great character or being written wonderfully: she could very well have been written mediocrely and I would have loved her anyway simply because I ran away from anime to ATLA in an era where anime kept shoehorning incest undertones into every sibling relationship, even in shows that didn't have that as a core subject. It happened at least twice that I can remember, I kept seeing people raving about shows where it WAS the core of it (I still do not understand the Oreimo deal, like, the minute I read that show's title I puked in my mouth and knew I'd never watch it), and I just needed... safety from that concept, I guess?

So when I went into ATLA, and the first sibling relationship you're exposed to is Sokka and Katara, two siblings who very much act like siblings? I was thriving. It was thrilling. I felt so refreshed that I think I didn't care much about the flaws of Book 1, despite my inability to sense direction for most of it, because thank the universe, it was a sibling relationship that made sense to me!

With that as an opening, I'd say that, initially, I thought Katara was fine for most of Book 1. In Book 2? She fell off the radar for me a bit simply because other characters are introduced that just appeal to me so much more than she does. I vibe better with characters like Azula, who tend to be the type of female character I just LOVE, and with characters like Toph, she's a tomboy, I was a tomboy (... was? x'D maybe I shouldn't use past tense...), so I gravitated much more towards those two by no real fault of Katara's core personality traits. Back in Book 1, there aren't as many main characters, so you don't have a lot of variety to choose faves from. It's not that strange, I think, that once the cast broadens, people's interest in certain characters can scatter too.

But then Book 3 happened, and I just couldn't enjoy Katara outside of episodes where she wasn't that important. The Katara-centric episode of Book 3 stand among my least favorite episodes of ATLA altogether, and among the least likely episodes I'd ever want to rewatch. I literally skipped over The Painted Lady in my first rewatches of the show, every bit as much as I skipped The Great Divide or Avatar Day, both of which annoy me a lot in the first two seasons. The Puppetmaster? Not even close to being an episode I could enjoy. Even the Runaway, that's supposed to be Toph-centric, ends up making me count down the minutes for it to end and I'm not even going to get started on The Southern Raiders and the absolute can of worms that episode is...

So, with all this being said, if we peel this particular cabbage open little by little...

After mulling it over, I've grown to suspect that Katara has major inconsistency issues since day one that most people don't particularly like to acknowledge, and that flew over most of our heads from the beginning of the show. She's pretty much portrayed to us as an empath, someone who has so much heart that she can't help but feel everyone's pain and suffer with them all the time. The fandom 100% acts like that's who she is (while also obsessively adultifying her unnecessarily, and forcing her into the mom!friend role, which... we'll talk about that later)

But this is also the same character who, when her brother banished Aang from the Southern Water Tribe as early as in episode 2, protested in a very particular way once Aang was gone. Which one of these statements sound more accurate to Katara's character, and a suitable protest for her to proclaim upon witnessing this injustice against Aang?

"Aang is alone! How could you send him away on his own? He could be in danger, Sokka! He's just a kid!"

"The Air Nomads are gone, Sokka! Where do you think he'll go? He doesn't have a home to go back to and you just sent him away!"

"You happy now? There goes my one chance at becoming a waterbender!"

If you ask the fandom? They'll most likely think that her reaction was either #1 or #2.

Surprise surprise: it was actually #3

I'm not saying she didn't show empathy towards Aang while Sokka was ranting at him, because she did. I'm not saying she wasn't willing to be banished along with Aang until Sokka asks if she'd choose pretty much a total stranger over their family and tribe, because she was. She absolutely did all those things.

... So why would she focus only on how he represented her one chance at becoming a waterbender once Aang is gone?

This feels off to me. I've never particularly liked that line. And you could absolutely say that Katara has every right to be mad at losing her chance to reclaim an aspect of her culture that she cannot connect to, but the way it was framed here? It absolutely makes Katara look more selfish than she actually was. The wording is not good. The show doesn't emphasize, at this point, that bending is such a core and crucial part of their culture and that Katara feels a major responsibility in being the ONLY person in the South Pole that can keep it alive. So it just comes off as a child's tantrum. Sokka's concerns were 100% valid too, even if he went about them while being a jerk (he is, indeed, an older brother...). He wasn't even wrong in the end about how dangerous Aang was to their tribe, since Aang's mishap with Katara on the ship gives away his position to Zuko, and it results in Zuko ramming a huge ship into their home and nearly killing people in the process. But you DON'T see the show fully framing it as though Katara and Aang did something wrong -- it was an honest mistake. We know it was. Sokka is framed as unreasonable for being so paranoid even though later events in the very episode prove he wasn't.

And that's... the crux of the issue with Katara's writing. If you ask me.

There are far too many instances where Katara makes mistakes that she's not held accountable for, that she doesn't apologize for, that run against the core logic and principles of her character and they either get shrugged off or overlooked. There are far too many situations where she acts out, and is a jerk at her jerk of a brother, even unprompted on occasion, and it's supposed to just be funny. One particularly stood out to me when I revisited it a few years ago, I can't really remember what for (maybe when I was writing Jeong Jeong's arc in Gladiator and I had a look at the fishing village...?), but it's the famous flashback episode in Book 1: The Storm.

The scene in question is... humorous. Supposedly. Katara is trying to buy fruit in the market but then realizes they have no money to pay for it. Not only does Katara piss off the vendor, but the vendor actually takes her rage out on Sokka once she realizes these kids won't give her any business: he gets kicked in the rear, as the transcript's description says. No one protests the woman's violent reaction, not even Sokka. Katara most certainly doesn't do it. But that's not all there is to it: Sokka doesn't hold what happened with the fruit vendor against Katara, they have a conversation on how they have no money and no food... and Katara offers him the golden ticket solution to their problems:

"You could get a job, smart guy."

Am I too feminist for thinking it's insane that Katara expects her brother alone to get the job? That she's not saying the THREE of them should get jobs? She and Aang are BENDERS! That's an asset most people aren't likely to find in any would-be employees in the central Earth Kingdom! So... wouldn't it be logical for all of them to do it? But no, instead, Sokka alone has to get the job?

And yes, I know, Sokka is the provider, Sokka is the protector, Sokka would do ANYTHING for his sister and the people he loves: you ask the fandom, though, and that's Katara instead of him. Moments like these simply do not exist in the fandom's eyes and, if they do, they're just excusable because Sokka is boring/weird/annoying/insert-demeaning-nonsense-here and Katara is a queen who can do whatever she wants.

Then, the consequences arrive once Sokka gets a dangerous job on a fishing boat and nearly gets killed in a storm. Aang is the one who shows concern about the potential storm when the fisherman's wife brings it up: from all I can see in the transcript, there's nothing from Katara. Sokka says they told him to get a job, so that's what he's doing, and there's no manifestation of concern from either of them about maybe joining him on this fishing trip to ensure he's safe. Instead, Aang is haunted by his past and Katara goes with him when he leaves, which, yes, is very important for context on the Air Nomads and Aang's life... and yet we don't really NEED for this scene to be Katara and Aang only. It could've included Sokka too. The plot of the second half of the episode would change? Likely. They could've come up with another idea, and not shown us a Katara who doesn't show concern for her brother's safety or any remorse when her unfair demands or expectations from him could result in catastrophic outcomes :') yes, she worries about Sokka's safety once the storm hits, but there's no sign of her feeling responsible for Sokka being out in the storm at all. No apology. Which is ironic, because Zuko apologizes to Iroh in that very same episode, hence, an apology from Katara to her brother could have mirrored that side of the story well, and they REALLY loved doing Zuko-Gaang parallel scenes like that, so it would have fit perfectly! Didn't happen, though.

Point being... Katara's compassion and empathy are not absolute. It's important to keep in mind is that they don't need to be! But precisely because she falters with them in moments where she REALLY shouldn't, with people as important to her as her own brother? It becomes very difficult to believe that she's the empath the fandom is convinced she is, and that the show's narrative tries to push her as.

The real reason why her failure to show compassion to Sokka in "humorous" situations feels so unnerving isn't because she's a typical little sister who takes her brother for granted (which is a perfectly logical/believable behavior!): it's because there are no consequences for it. Maybe at some point or another there were? But I for one can't remember many instances where Katara failed Sokka and it was framed as her fault and her responsibility. Let's look at other Book 1 instances that exemplify what I mean:

She freezes him to the deck of Zuko's ship, which puts Sokka in MAJOR danger, and she just tells him to hurry up as if it weren't her fault that he's frozen in the first place. We don't even see her making efforts to thaw him out of there when she IS the waterbender so it seems logical that she should be able to help with that (and if she's too inexperienced to do it? The least she can do to help her brother out of a dangerous situation is to TRY???). But apparently it's funny that she doesn't help him when it's her fault! So this is fine!

She endangers the entire group over the waterbending scroll, which, of course, the pirates had no right to have anyway and it's reasonable that she'd want it for herself... but she antagonized a group of fully adult, dangerous, potential murderous pirates, against Sokka's constant warnings that they shouldn't pick that particular fight. As far as I can remember? Her apologies on that episode are exclusively about how she hurt Aang's feelings by being jealous over his greater talents as a bender. Basically, nothing for Sokka, no apology for not listening to him about danger, making it worse when the very final moment features Katara proudly telling her brother that she won't steal things... unless it's from pirates. So lesson not learned because it's funny, again, to never acknowledge that Sokka has a point.

She actually cares about Sokka's fate in Jet! But the thing is... the narrative doesn't frame that as Katara's fault. Because it's not. Jet made his choices and he did awful things and he captured Sokka, lied and gaslit everyone, because he had a goal to fulfill and he used Katara to make that happen. As angry and upset as Katara is, it's not exactly shown that Katara is sorry for having trusted Jet when Sokka could have ended up paying a deadly price for it. She's angry at the betrayal, even in Book 2 it's constantly framed as though Katara is upset at him as an ex-girlfriend would be upset at her ex-boyfriend for lying to her rather than, you know, being pissed at him for nearly killing her brother + an entire village. My point is, the narrative framing never holds her responsible for Jet's choices. Which, again, she's not. But she IS responsible for her own choices... and one of those choices was disregarding Sokka's warnings about Jet. THAT was her fault, and her responsibility. She jumped to conclusions and assumed that Sokka was bitter and jealous that Jet was the charming cool leader Sokka could never be. There were no apologies to Sokka over that, either.

I could go on, and on, and on. The truth is, I bring all this up to show with solid evidence that Katara's writing was always a little... unstable. Weird. Disconnected from logic in many regards, I'd say. It's not logical/compatible to tell us that this character has the BIGGEST heart of the entire cast when she fails to show that heart to none other than her own brother, who is inarguably the person who she knows best and with whom she should share the closest relationship, even as her friendship with Aang grows and thrives. That makes no sense, thematically speaking.

Is it meant to be comedic? Yes, every bit as much as Iroh sexually harassing June was done for comedy's sake. That's not an excuse for characters behaving in ways that are thematically contrary to what they're supposed to be portraying... and along with that? No excuse for them facing zero consequences for that behavior. Which is, in fact, my main issue with these flaws from Katara: I have no issue with the writing choices in the scenes I listed just now! I take issue, however, with the lack of follow-up and consequences that you can BET, 100%, would have befallen Sokka if it had been him instead of Katara acting that way. He faced consequences even for things he didn't do, for comedy's sake: he wouldn't have gotten away with disregarding Katara's safety as often as Katara did with him, no chance at all.

Ultimately, these scenes in Book 1 are kind of ignorable in the larger scheme of things (or at least, that's how the fandom has always acted). Not a lot of people take any of this as major proof of characterization for Katara. You won't see a lot of fic writers showing her acting like this. Canon, though, often would go down this route for funsies, and the comics certainly did it plenty too, that I can remember. Part of the issue here is that, as funny as it is, it also makes Katara feel stale as a character, as does the Sokka-Katara dynamic, at large, because there's no progression for it. That's probably my greatest gripe with the Great Divide, believe it or not: it fakes being an episode where Sokka and Katara are going to be confronted over their conflictive tendencies, and the ONLY potential development in that basically-filler episode SHOULD HAVE BEEN Sokka and Katara learning to be a bit more harmonious and respectful of each other? ... And that's just not what happened at all. The status quo remains exactly the same after that episode, and it continues to be like that until the end of the show.

The real reason why Sokka and Katara are deemed the healthy siblings is because, of course, compared with the other main set of siblings in the show, these two appear to get along wonderfully. But the truth is, their relationship is not as dynamic as it deserved to be. And that's part of why Book 3 ends up failing in ways Book 1 might not have, while having similar flaws: Book 1 is when you're still getting to know these kids, and that's why I find its flaws far more forgivable than anything that comes later. When there's basically no development for that connection at all, Book 3 winds up falling flat with characters like Sokka and Katara and the bond between them.

All this being said... I'm not saying that Katara is terrible in Book 1. I still stand by the fact that I really enjoyed her character in many instances of this season, there absolutely are situations where she sasses Sokka that still make me crack a smile, and genuinely humorous situations that don't paint her in a questionable light over her lack of concern for her brother's safety. Her fight to earn the right to be trained as a waterbender is deeeeeply flawed but it's not her fault, it's more the misogyny of the writers/creators that decided that a betrothal necklace from his past would make Pakku unlearn all his sexism and get over his bullshit right after beating up a girl who was fighting tooth and nail to make him acknowledge her. That he only acknowledges her because he wanted to marry her grandmother is... uh... fuckboi behavior even when he's well over 70 years of age? XD

So, yeah, Book 1 still has my favorite Katara of the entire show even though I REALLY wish she wouldn't get away with things that other characters wouldn't get a pass for (... well... other than Zuko...). I can't enjoy her as much as I enjoy other characters because I really don't like it when characters aren't held accountable for serious mistakes they made.

Moving on to Book 2, though, and leaving behind my greatest gripe with Katara's Book 1 writing (lack of direct consequences/self-reflection on her part), Book 2's biggest sin when it comes to Katara is the beginning of the "mothering" trope. I honestly did not feel motherly vibes from Katara towards anyone in Book 1. Sokka is very often the one playing the responsible role, while Aang and Katara are seeing the world, practicing their bending, doing reckless and fun things. The entire thing about Katara being the mom friend started in Book 2 when she suddenly becomes the epitome of responsibility (well... kinda) when Toph joins the group. She still does sketchy stuff with zero consequences (I'll forever complain about how ice is not cold in this show, the kids she froze to the wall may have been dicks, but freezing someone alive that way should have resulted in serious health repercussions, just as ANY case of freezing someone alive should have, ffs, be it Zuko in Book 1's finale or Azula + Katara in Book 3's...), but once Toph is part of the group, she becomes the cool girl who's "one of the boys", and now Katara is "the mom". This dynamic gets forced into the story pretty much right after Toph joins the group. And after that? It doesn't really change for the better often. There are only a handful of instances where Katara wasn't acting wholesome and comforting and kind and compassionate in Book 2 (... particularly with Sokka, ofc), but the point where her dynamics, even with Aang, start to feel motherly is definitely Book 2.

And this adds to the issue, in the end: Katara's appeal as the main girl in the show is suddenly gone because Toph is here, and she's a way more unique character that the writers definitely were having fun working with, probably more fun than they had with Katara. So they had to find a new niche for her, I'd dare guess. Thus, instead of actually building up an awesome and solid friendship between Katara and Toph, they mostly just clash and collide. Toph is basically the ONLY character who gives Katara grief and isn't framed as in the wrong for it, which is its own set of issues (namely, Toph not being challenged enough by the narrative, which stunts her character growth), but among many things, we suddenly get shown that Katara is a girly girl who likes makeup and she ropes Toph into this when nothing we've seen so far suggests that Toph would be comfortable with that. Katara pushes her into doing things because they're the "girls of the group"... and it doesn't often look like Toph's feelings on anything are important when Katara is pushing her around for whatever purpose. I'm not saying Toph hated the spa day, she certainly had fun eventually, but even when the comics made a "Katara and Toph's day out" story, where Toph got to choose what to do for once, the story devolved into Katara's show anyway, and things concluded with Toph deciding they're better off doing girly things together when they want to hang out because Katara is just too intense for the things Toph would like to do.

This isn't even in the show, but it's basically a response to Tales of Ba Sing Se to try and even out Katara and Toph's one-sided dynamic, where Katara calls the shots of their entertainment... and even then, Toph doesn't really get what she's looking for. But Katara does get that out of Toph because all she wants is a girl to do girly things with and Toph provides that in the end, no matter how much of a tomboy she may be. Toph might just want a friend who loves the things she loves, and who knows, Katara could be that person! But the story never leads her in that direction so we never see that happen. And that's why that particular friendship never really... clicked for me. Their dynamics don't really feel enjoyable to me as they were written in the show, even though they very much could have been.

That's one thing I'll always give ATLA: the character potential and synergy they captured with that cast could be absolutely incredible. Team Avatar is so iconic because they really could work well off each other. A lot of teams in other media just aren't this good (... one of my main reasons to not enjoy Voltron and drop it in season 1 was my absolute failure to find any synergy between those characters, it felt like they all hated each other and I honestly did not enjoy their dynamics in the least), but Aang, Katara and Sokka have great synergy due to their different personalities in Book 1. Same when Toph joins them in Book 2. Zuko ABSOLUTELY could have been better in the group than he was if Book 3 hadn't devolved into the Zuko Woobifying Show by the second half, where the only writing priority was making him friends with everyone, and making them all feel sorry for him and have compassion towards him. But, broken down to his core traits, Zuko's personality would have resulted in solid chemistry with everyone else's if they'd gotten off that agenda anyway! So ultimately, ATLA has a big win in this respect that a lot of TV shows would LOVE to recreate but they simply haven't struck the right kind of balance in character traits.

Hence why the way they wrote Toph and Katara's dynamics kind of feels like a betrayal to me. Those two could have been a lot of fun, they have EVERYTHING it takes to be entertaining characters with not a ton of things in common and yet building a solid friendship that hinges on their differences. I've seen a fair few examples of that kind of dynamic in other media, and it absolutely would be possible with Toph and Katara. It's really unfair that they couldn't capture their dynamics in such a way that both characters would SHINE, rather than constantly resorting to conflicts between them that never seemed to truly be resolved.

So: Toph should not be a problem for Katara. She should enhance her character and doesn't because of writing failures. One of the core failures is "mom friend Katara", of course: there's nothing inherently wrong with Katara stepping up and taking care of people she loves, but there's something very wrong with it when she's suddenly portrayed as this motherly figure when she's doing things that Sokka had been doing just fine in Book 1. Main reason why this is the case? Sokka got dumbed down to full-time class clown for whatever reason in Book 2. While he has good moments, a lot of times they went WAY overboard with making him a source of comedy this season and that, too, contributes to mom friend Katara. Since Sokka is being so meh? We even feel relieved that Katara is there to keep things together because nobody can expect the other three to do it, right? But... Sokka was doing it in Book 1. And there's no real development to explain him NOT doing it anymore once Toph joins in besides "Katara is now the mom friend and Sokka is just here to be funny". It's not organic development: it's forcing tropes that just don't fit. And while Katara's mothering doesn't feel as unpleasant as it could here, it ultimately forces a new interpretation and portrayal of her character that honestly isn't all that interesting, most of all when the other characters are constantly portrayed as "more fun" while she's just here to keep them in line.

It just isn't the same Katara we met in Book 1, and it shows in spades. Book 1 Katara would have been hyped to join Aang and Toph in chaos while Sokka screams at them to behave themselves. Book 2 Katara is the one trying to keep the other three in line, and there's genuinely zero development that led things to that stage. It's not organic storytelling. There's no growth that leads to that, and so, it feels off.

But the core problem of all these flaws in Book 1 and Book 2 is that they roll together and snowball into something far greater that then proceeds to just... disrupt everything we thought we knew or understood about Katara. We've been told she's a kind person above all else, someone who cares about people close to her, someone who embodies hope and strength and love...!

... And then Book 3 starts, and we're actually facing a Katara who shifts into a wholly different person with the speed of a whiplash that we're left not knowing who tf this is anymore.

"Mom friend Katara" absolutely comes back in Book 3, why lie? She takes care of people, she tries to provide, she tries to be nice and sweet and then also enforces discipline on Toph (particularly) when she's being irresponsible!

But the reason why The Runaway is such an unpleasant episode is because Katara's behavior is dialed up to a thousand, and the conflict between her and Toph feels WAY too similar to what it was when they were barely getting to know each other in The Chase. Why are they STILL clashing over such things? There are occasional glimpses of friendliness there in The Runaway, sure! But they're not so strong that you actually feel like that friendship supersedes their conflicts and their propensity to bicker and argue and hurt each other. Toph blatantly calls her out on her mothering and fully canonically confirms that Katara is The Mom Friend™. Where Toph is annoyed but eventually complies with doing what Katara wants to do in Tales of Ba Sing Se, this time Katara makes a huuuuuge fuss over Toph's misbehavior and her scamming Fire Nation people. And you could argue that Toph has every right to do it, or that Katara is right to be worried, just like Sokka used to worry about such things in Book 1...

But what we get is a stale dynamic that repeats the same problems we saw in Book 2, as well as Katara coming off as rather hypocritical because she, too, did dangerous shit and picked dangerous fights where she shouldn't have, and ignored everyone who told her not to do it: she gave Toph that kind of grief over things Katara was willing to do back when Toph wasn't in the group (see the pirates thing), and she will try to stop Toph from having fun on her own terms when nobody has ever tried to stop Katara from doing that in hers. Of course, any Katara advocate would read this and go "you're missing the point: Katara was sad and upset that she was being LEFT OUT! That's why she was so mad about this!" Then the irony of the matter is that this argument STILL reflects poorly on Katara. She gave her friend a tough time, called her a wild child and a crazy person, went through her personal belongings because "she could tell Toph was hiding something from her", so she fully disregarded Toph's privacy... all because she couldn't say "Wait, you guys went scamming Fire Nation people? Damn, why didn't you wait for me! I would've gone too!", and there you go, problem solved! Katara's not left out anymore!

Yes, of course, that's not how it WORKS, people can struggle to identify what they feel...!

... And now it's my turn to say that that's not the point.

The point is that Katara said and did hurtful things to her friend. Things she eventually regrets, yes, but that she didn't have to do at all. This is the same person who fed Appa a bunch of food that made it look like he was sick, all be it to keep the group from leaving the Jang Hui river village so she could go out of her way to heal the injured and sick without telling anyone what she was doing. That, too, was a choice she made with no concern regarding how the rest of her team might feel about it: was she doing something nice? Sure! But it's not fundamentally different from Toph doing whatever she wants with zero regard as to Katara's feelings on the matter. Katara KNEW she was stalling their journey and that Sokka wanted them to move on: she didn't care about his feelings or priorities, and the story eventually frames Katara as being in the right for feeling that way. Here, she's in the inverse scenario, only it's with Toph rather than Sokka, and instead of realizing that she, too, has made choices that were irresponsible/dangerous/risky and STILL went all out with them, down to fighting whoever opposed her choices? Katara just doubles down until she, again, breaches boundaries and overhears Toph and Sokka's conversation, WHICH IS ANOTHER CAN OF WORMS DUE TO THE SOUTHERN RAIDERS FOLLOW-UP...

The thing is, Katara as a mom friend is not even a good thing. It's not conducive to fun or interesting storytelling, not in Book 2, not now. It doesn't make Katara a more interesting and dynamic character. The way she's portrayed isn't so she looks tragic for taking this role, it's all about forcing these kids into tropes that don't necessarily add up to who they have been so far. Katara's mom friend status is NOT treated with any compassion. It's not handled as a sore, difficult subject outside of the ONE conversation Sokka has with Toph that Katara overhears. And it's not centered on Katara's tragedy, on how she overcompensates for her mother's absence, it's centered on Sokka accepting her as a motherly person and encouraging Toph to do the same thing. The people who saw further depth in it probably haven't looked at the script itself in a long time: you CAN see more to it, but that's not the point of the scene. That's not where it's going. And the fact that such a tragic situation is what conduces Katara to take up the mom friend role actively makes it look like... she shouldn't have it. Why would she be the mom friend if she's just overcompensating for Kya's death? If she's taking up responsibility by thinking that no one else will (a blatant lie because, again, in Book 1 there's NO SIGN of this behavior and it's Sokka who's in a role of responsibility compared to her), it suggests that EVERYONE ELSE ought to step up and stop "relying" (and Sokka very much uses that word) on Katara being the mom friend. It's not a healthy thing. It's a coping mechanism that seems to be actively damaging Katara: and the story doesn't acknowledge it that way.

So... "mom friend Katara", dialed up to a thousand in Book 3, absolutely has a connection with why her character loses its sheen by this point in the story. There's no attempt to deconstruct this coping mechanism by Katara. No indication from the rest of the team that maybe Katara should get to be a kid just like them and stop being so uptight (even though VERY often she's not that uptight but the show very much tries to pretend she is). It's Katara's initiative to do a scam, it's not Toph or Sokka or Aang who think she needs to join in on the fun, she basically inserts herself in it. So basically, those three take the route of saying "that's what she's like, we just gotta bear with it", instead of actually helping her. If we'd seen that? Mom friend Katara would actually be a fun element to witness deconstructed by the story. And I'm not blaming either Katara or the other three for this:

This is EMINENTLY a writing problem.

Mom friend Katara is not a good trope. It could be if the point was to help her break free from it. It's not. It's simply weak writing that can't handle two girls with proactive, aggressive personalities and a ton of agency, a lack of creativity in realizing how much potential there could be in making Toph and Katara the absolute best of friends. It's seriously a disservice to the two of them that this trope literally blooms over Toph joining the show and then NEVER gets resolved or chased away. And when you have characters like Sokka or Aang kind of joining the bandwagon of "yeah, Katara's a mom!" when the two of them traveled with her in Book 1 and she WASN'T that at all? It makes matters infinitely worse.

So, if you ask me? This is the first thing that makes Katara feel more unpleasant than ever before in Book 3.

The second thing is even worse.

We return to accountability, as well as to illogical flow of thought when it comes to the writing of Katara: in Book 1, we see a hopeful girl who never speaks ill of her father or betrays any manner of displeasure or distrust towards him. No sign of her being conflicted by what Hakoda is doing: the focus is entirely on Sokka's feelings on the matter once it finally comes up in Bato of the Water Tribe, and Katara is a secondary matter, if even that.

This would be fine if Hakoda hadn't come up at all as a subject throughout Books 1 and 2. If Katara had never had the potential opportunity to see her father in any of these instances and had backed out from them for bigger reasons than... plot reasons.

For reference: she's excited, just as Sokka is, when Bato says he can bring the kids to meet their dad again. They're HYPED. We see no sign of Katara being upset at Hakoda for leaving at this point. The only portrayed reason why she and Sokka decide not to go see Hakoda is because they think Aang needs them more and they decide to forgive him for hiding the map. Katara, from the get-go, is not as angry at Aang for hiding the map as Sokka is. Clearly, Sokka wants to see Hakoda far more intensely than Katara does: even so, there's no sign anywhere here that implies that Katara harbors resentment or dissatisfaction towards Hakoda.

Book 2 gives us a similar situation: Katara declines going to see Hakoda and offers to be the one who stays in Ba Sing Se so Sokka can go see Hakoda himself. Sokka is soooo thrilled and thanks her and calls her the best sister ever and Katara very much says she is, indeed, the best. Which she's allowed to, worth noting, I'm not saying her reaction to Sokka's praises was bad, it's actually funny: but what I AM saying is that she knows how much this matters to Sokka and that's why she makes the offer she does. It's also VERY convenient! Because logic dictates that, if Sokka stays behind, he realizes the Kyoshi Warriors aren't themselves far faster than Katara does (even though, to be fair, Katara didn't really have much time to realize it at all), and we wouldn't have Aang suffering over Katara's imprisonment because the one in chains would be Sokka and then Aang might just go "oh okay it's just Sokka, I can go cosmic if it's not Katara"

... yeah I'm being sarcastic I actually don't think Aang wouldn't have saved Sokka, but they very clearly had Katara stay behind first and foremost for this specific purpose...

But Katara's acknowledgement that this is a good thing for her brother makes you REALLY wonder how much of a secret grudge she was supposed to feel towards her father at this stage of the story. The truth, in my opinion? She wasn't actually supposed to resent Hakoda as she did, let alone quite so harshly.

My sister personally told me that she thought Katara's anger at Hakoda was a fine storytelling choice when I told her I didn't like it. She told me Katara herself most likely didn't realize how hurt she had been by her father's leaving, that it wasn't until she was around Hakoda again that she understood she resented him at all, and that she had a lot more pent-up rage and frustrations than she had EVER acknowledged, and they burst out frequently in Book 3. Which, you know, is one possible explanation that tries to make this whole thing more palatable. From a human standpoint? This is valid.

... From a writing point? Not so much.

A Katara who struggles to understand her heart (which... is odd, tbh. As far as they portray her, Katara tends to know exactly what she's feeling, why she's feeling it, and she acts on her emotions rather than brains more often than not) would be portrayed as confused over her own rage at Hakoda. She would not have been written as a snappy teenager who hates her dad. She would have snapped at him and then apologized by reflex, unsure of what's come over her. We would see Sokka trying to mediate between them too, probably asking Katara what's her deal, and she would have no idea how to explain it. Katara would be avoiding Hakoda, knowing she loves him, not knowing why she seems to hate him now, afraid of saying things she shouldn't. Every time she snaps at him, she should worry about what she did, she should fear for Hakoda's feelings, she should reflect on what's going on inside her heart...!

... But that doesn't happen. And that knocks SO HARD on the concept of empath/compassionate Katara that it basically turns her into a whole different person.

As I've said countless times so far: it's not about Katara being perfect. I don't WANT her to be perfect. But I DO want the show to acknowledge that she's not. I want the flaws to REALLY read as flaws. I want other characters to react to those mishaps on Katara's part, and I want HER to reflect on what she's doing and realize she's messing up, just as she does when she hurts Aang's feelings in the Waterbending Scroll, which is most likely the best situation where Katara actually owns up to the exact mistake she made and feels genuine, palpable, obvious remorse for it. But when you feature Katara lashing out at Hakoda, and everyone just staying quiet because "uuuuh, awkwaaaard...", it feels off. Aang asks Katara, outright, what's her problem with her dad! And Katara goes "What? What problem?" She's acting like she's not even aware of the fact that her behavior is out of place, basically gaslighting Aang into pretending that she didn't do anything rude or mean to Hakoda. Aang literally saw it with his own eyes and is the ONLY person to bring it up.

To make matters worse? Katara has been with Hakoda for WEEKS. It's not like they just crossed paths two seconds before Aang opened his eyes. The implication is that she's been behaving like this, or her behavior has been deteriorating towards Hakoda with no one worrying about it or trying to make her reason with it. for that long. Sokka didn't do anything. Hakoda just took the teenage rants and left her alone because that's what she wants. And when the one person brings up that she's not acting like herself? Katara pretends nothing's wrong and acts like everything's fine and she's not acting any differently from herself. Whether she actually is just lying to Aang or ALSO lying to herself is a matter of debate... but what it suggests is she's unwilling to confront the gravity of her choices and how she can be hurting her father with them.

This is NOT to say that Katara has no right to be angry about Hakoda abandoning her in the Tribe. She has every right to be upset and feel forsaken. Their mother died, and Hakoda left with all the men of the tribe, and Sokka was left behind, tasked to protect everyone, and Katara apparently felt responsible for the whole village too: as valid as Hakoda's quest to fight in the war might be, it's not out of this world for Katara to harbor frustrations and resentment over what happened.

What IS out of this world, and particularly, not appropriate to her character, is that her way to convey those feelings was something she gave herself to, completely, only to reason with it once Aang was missing so that the episode would conflagrate her problems with Aang and Hakoda into the same thing.

This is basically a dark expansion of what we've seen in Katara's treatment of Sokka since Book 1: where it was typically "humorous" when she was a jerk to him and paid no price for it, this time it's not humorous. This time, you're supposed to see her being a jerk and then go "aaaaw, poor dear," even if you're not supposed to get mad at Hakoda because he is very much a decent dad. The show was trying to have its cake and eat it too with this situation, because Katara DOESN'T apologize to Hakoda for being unfair to him: HAKODA APOLOGIZES TO HER. Hakoda acknowledges the pain he caused Katara and the damage his leaving has wrought upon his children by apologizing and explaining how much he missed them... but Katara does not acknowledge the pain she inflicted on her father by acting out when he wasn't doing anything wrong. Is this teenager behavior? You could chalk it down to that, but that's precisely why teenagers can be a pain in the ass! And that's very much how Katara is being portrayed if she's unwilling to acknowledge she acted out and hurt someone she loves!

Her problems and resentment towards Hakoda magically go away after that single conversation. After this? She loves him. No hard feelings left. If her problems with Hakoda were this deep and difficult to navigate and work through, either she bottled them up in the rest of the show and stopped them from affecting her father... or she just got over it that quickly. Which would be very unrealistic because Hakoda apologizing for leaving doesn't change the damage Katara suffered through because he was gone. A single apology doesn't fix everything that people read into Katara's deep anguish in this scene and episode. And yet that's very much how the show portrays it: Katara is 100% fine in every single other interaction with Hakoda she gets past the first episode of Book 3. Does that make sense? Is that good writing? No, actually: it's literally digging up a problem, making it up last minute with zero lead-up to it, where the ONLY way to read "lead-up" is to pretend that Katara always had ulterior motives to avoid going to see Hakoda, even though we NEVER were shown that she was hiding anything, something that could be VERY easily shown in the story if they'd always had this in mind. The truth is that they didn't. They made it up for this episode, forced it in there, didn't even write it right because nobody reacts to Katara's behavior reasonably except Aang, and she gets away with it without even having to apologize. That's... not good form for any character, let alone Miss Responsibility and Empathy, is it?

This is why it's such a problem that Katara acted as she did towards her father. It's not because this is an unthinkable flaw: it's because there's very much no lead-up to it, kind of like there's none with Korrasami's big reveal in LOK's finale. It's because there's no follow-up to it either. It's because we don't see Katara living up to her supposed core character traits, where she should have a realization that her choices and actions and behavior have hurt someone else, someone she cares about. None of that happens.

And I will say: it's different when it comes to her clashes with Zuko and her reactions to him in the second half of Book 3. This is basically the MAIN thing the fandom gives her grief for and I hate them for it: she has every right and reason and justification to show no empathy or compassion towards a person who, as far as she could tell, took advantage of her compassion in Ba Sing Se, of Aang's compassion frequently across Book 1, and paid them back for all of it by joining forces with Azula and showing no concern to help Aang when Azula almost killed him. I am no fan of Iroh's... but Iroh jumped in to help Katara and Aang escape, at risk of being captured. Zuko stood beside Azula and did NOTHING to help those two leave. He showed zero concern for Aang's survival. He saw his sister potentially murder someone and had ZERO REACTION. So, no offense but full offense: Katara's unwillingness to trust Zuko is JUSTIFIED. Not only is it justified? It's CORRECT. It's the only writing choice that makes sense. Sokka getting over it relatively quickly feels off to me, no matter if the Boiling Rock adventure isn't as bad as others might be. Aang not holding a grudge for too long kind of fits because it is Aang... but Katara being that mad at Zuko? That's 100% fine. It fits. It works. And anyone pretending that what I said about Hakoda applies to how she treated Zuko is just completely biased in Zuko's favor.

Katara and Zuko do not have a secret magical powerful soulmates bond in canon. Their one instance of bonding comes after multiple instances of the exact opposite thing. Katara and Sokka were 100% down for leaving Zuko to freeze to death in the North Pole, and the ONLY reason why Zuko survives is because Aang can't let that happen to him. It's AANG'S compassion that saved Zuko. Katara felt none, AND SHE DIDN'T HAVE TO FEEL ANY. Let's not forget that!

Moving on to Book 2, Katara actually makes her first offer of kindness to Zuko and Iroh in the Chase when she offers to heal Iroh after Azula's attack. Zuko's reaction is to lash out violently and yell at her to leave: who, exactly, would feel inclined to think this poor beautiful sad boy just needs love when you OFFER HIM kindness and his reaction is, in a manner of speaking "go fuck yourself I'll handle this on my own"? And it's worth bringing it up because it feels like the fandom is hilariously misled into thinking the Gaang magically knows what Zuko is up to and how he's growing and evolving, as if they were part of the audience: they're not. The last time Katara saw Zuko before Ba Sing Se is literally when Zuko refuses her help. We're also talking about Fire Nation people: Katara has every right and every reason to believe that Zuko is refusing her help, not out of personal, internal strife he's dealing with and has no idea how to handle... she very much can read this as "inferior Water Tribe peasant, you will not heal my uncle with your wretched waterbending!" Because... let's be real, that's what Zuko looked like to Katara across Book 1. She has no real reason to think he's any better or different from that until their catacombs scene...

... And he stabs her in the back and joins Azula there. Right after "bonding" with her.

So let's be VERY clear on that respect: Katara has no real reason to forgive Zuko. She has no real reason to feel empathy outside of the show constantly trying to push that she's kind and compassionate with no boundaries, even if she forsakes that kindness and compassion at random whenever the plot requires it. But her death threats to Zuko? They're completely fine by me. I'd be pissed if she had acted any differently, and if anything I hate how easy Zuko had it to befriend everyone but Katara.

... Not to say I'm happy with how he befriended Katara either, but anyway...

As this isn't Zuko meta, we're not going to get into the true core glaring issues in The Southern Raiders, because ultimately, that episode paints Zuko in a disgusting light that his fans are constantly gaslighting themselves about. He was not beinga heroic good dude helping someone he connected profoundly with. His behavior leaves so much to be desired and proves he hasn't unlearned a lot of toxic things he had internalized. He didn't unlearn them in this episode, either. But the GREATEST sin Zuko commits in this episode, without a doubt, is bringing Katara on a journey that ultimately did NOTHING for her. The only person benefitting from it was Zuko himself. I've seen people pretend that Katara finally found closure: she did not do such thing. She learned what kind of scum killed her mother, but she did not forgive him nor did she kill him. Closure would mean peace. Katara did not find peace with the situation. She's shown troubled, sitting at that pier, miserable, when Aang talks with her, she's STILL angry. That's not closure. It never was.

What it was, however, was the journey where Katara thanked Zuko and forgave him because..! Uh... because...

... Why, exactly, did Katara forgive Zuko here?

He brought her to her mother's killer: she found no closure from it. In fact, she learned the VERY disturbing truth that she hadn't realized so far: HER MOTHER DIED SPECIFICALLY TO SAVE HER. Her mother sacrificed herself for Katara's sake. She CANNOT find peace with this reality in a single afternoon because holy shit, who would? Katara KNEW her mother had died. It's not until Yon Rha tells her what happened that she understands what happened in the igloo. Katara herself, her waterbending skills, and the target she painted on her own back because of something 100% out of her control, something that is NOT evil and that the Fire Nation was hellbent on destroying, are the reasons why Kya was murdered. This is DISTURBING SHIT to deal with. And the show completely sidelines this revelation and the dark impact it could have on Katara, which, seriously, is HUGE, way worse than what happened with Hakoda, because it very much could have triggered a profound self-hatred by Katara towards her own skills because how tf could her bending cause her mother's death?! Not to mention the obvious: who was that source? Who told the Southern Raiders that there was a waterbender? Who the hell is responsible, beyond the Fire Nation, for her mother's death?

There's A LOT to unpack here.

And none of it matters because Katara is just supposed to forgive Zuko for exacerbating and worsening her trauma regarding her mother's death :') funny how that works.

This IS the point where Katara should make a display of darker sides of herself that she didn't know or understand. THIS is where Katara turning dark like Aang did after Appa vanished would make PERFECT sense. With this revelation about Kya that's beyond disturbing: not with Hakoda... and certainly not with Sokka.

The cusp of Katara's worst is, by far, her behavior with her brother in the Southern Raiders. I know a million excuses have been made for this moment: my problem is NOT the fact that she lashed out at him as she did and said something DEEPLY hurtful. It's the fact that KNOWING, SEEING HE'S IN PAIN...

... does not matter to her one bit.

Instead of a trite scene with Zuko spouting shit he does NOT mean (aka "violence wasn't the answer... but lol go kill my father okay??"), we deserved a scene with Katara and Sokka talking this out. People pretend it's fine as it is: it's not. Katara has spent the ENTIRE show disregarding her brother's feelings in a myriad of ways: this time, it was way more painful and way more hurtful and SHE KNOWS IT. It's not funny. She's not amused. She's not being a shithead little sister. She's ANGRY. She's UPSET. She has every right to be! What she DOESN'T have a right to do is hurt her brother DELIBERATELY and then escape every consequence from doing that.

There's very much no way to spin that moment into making Katara a decent sister. There's no way she remains true to her core values of being empathetic, kind and wholesome when she will insidiously, vindictively hurt her brother this way. And what I said earlier about her overhearing Toph and Sokka in the Runaway? It actually gets a follow-up in this scene: Katara telling Sokka that he didn't love Kya as she did is basically her WEAPONIZING the information that was NOT meant for her as her alleged evidence that Sokka didn't care about Kya as much as she did. As if his inability to retrieve Kya's memory was NOT a manifestation of trauma, as if it were something he's FINE with! He's not! How guilty must he feel for that? Does that matter to Katara at all? Why... nope. Because all that matters at that point is her own rage, her own feelings, her own fury. Which is, then, entirely against the character we've been told she is.

The lack of apology or follow-up to this horrible moment will never stop being one of the absolute biggest misfires in one of the WORST written episodes of this show. Yes, I said it. The more I ponder The Southern Raiders, the more I realize it's an immensely flawed speedrun to establish a friendship that simply doesn't add up. Katara and Zuko becoming friends after this journey requires some wild, absurd leaps of imagination that, boiled down to basics, don't make any sense. There's no reason for Katara to decide she'll forgive Zuko after she regains enough clarity. Why does she forgive him? Because he proved he'd rather make her happy than defend his nation anymore? Ironically, at no point does Katara show any appreciation of the fact that Zuko is setting aside his firebending supremacist attitude completely for her sake. So maybe that's not it.

Ah... is it because of how he, and he alone, was ready to help her go on this journey of revenge...?! Why, ironically, the only reason why ONLY Zuko goes on this journey is incredibly artificial and fake: this IS intended as Katara's "field trip" with Zuko. None of the field trips make sense, from a logical standpoint, as duo journeys. I've mentioned it to a few people: Sokka and Zuko could have brought Toph with them to the Boiling Rock, a metal location where her abilities would be VERY useful, used her as a false prisoner and turned her in as a captured ally of the Avatar's, who 100% will bait him into coming here to rescue her so that the Fire Nation can get him next! A cover as strong as that one might actually get them further along on that rescue attempt than what they did in canon. But this CANNOT BE... because it was Sokka's field trip with Zuko so nobody else is invited, even if they're very much not doing anything else (as is the case with Toph). Aang? Why didn't everyone join the firebending discovery with Zuko and Aang? They weren't doing ANYTHING in the Western Air Temple at the time. They very much could have gone with them too. But they don't. And that's exactly why Katara's trip works exactly as it does: it's the solo journey with Katara and Zuko, and the ONLY way to make it work is to show Sokka and Aang completely opposed to the concept of finding Yon Rha. I'm not saying I think Sokka and Aang would have been on board if they're allowed to remain IC... but they could have wanted to go on this trip with Katara regardless of not agreeing with what she wanted to do. Hell, as is OBVIOUS: Kya is Sokka's mom too. His opinions, his feelings on this subject, should matter just as much as Katara's do, and fuck anyone who pretends otherwise. These two are NOT supposed to be the well-known unhealthy siblings Zuko and Azula, who each got one parent in their corner and therefore the other parent treated them like they were worthless or a monster. Hakoda and Kya were parents to BOTH their children, and any narrative or interpretation that attempts to say that ONLY Katara's opinion on Kya matters is immediately ruled out, for me, as absolute bullshit spouted by someone not worth listening to. Point blank.

Also, the fact that Zuko USES Sokka to gain this information about the southern raiders, and then doesn't even extend the chance to Sokka to join them? When Sokka is basically his new best buddy? That... does not make sense. It basically portrays Zuko as a disloyal asshole who takes advantage of his friends for his purposes and tosses them aside, disregarding their feelings whenever it suits him.

So Sokka's treatment at the hands of this episode is just deplorable. Both Zuko and Katara are HORRIBLE to him... but Katara is our focus here, she's actively hurts Sokka and then proceeds to not care. Because that's how she has operated so far, and that's how she always will.

Hence: we have a long, long tradition of Katara not treating Sokka fairly all across the show. The reasons why it's not a fair or balanced relationship at all is because Sokka typically pays the price for being a dick to Katara: either she inflicts the punishment herself, such as when he's disrespectful in the Drill and she smacks him with the slurry, or the narrative inflicts some magical punishment instead that CONSTANTLY proves that Sokka is not allowed to be a dick without facing consequences for it. Does he ALWAYS learn the lesson? Sure he doesn't! But the consequences for it NEVER stop. He doesn't get away with being a jerk to his sister. That's forbidden. But Katara? She's allowed to get away with it every single time! And the reason why it gets worse and worse is because we went from relatively silly/comedic things, in which Katara did not apologize because "it's funny that she didn't apologize", to NOT funny things at all, such as this scene in Southern Raiders. Even just a troubled glance at Sokka, or a slight hesitation after seeing how hurt he is, would be enough for me: there's NOTHING. She doubles down and keeps charging ahead. Zero thoughts or concerns given to her brother.

If this isn't why you have issues with Katara, well, I don't know why it might be the case in your case x'D But I absolutely attest that the combination of "mom friend", "selective compassion particularly when it comes to her brother" and "absolute imperviousness to consequences for her mistakes" are the things that fully caused my initial appreciation of her character to shift into ambivalence and then into full blown dislike once I reached Book 3.

Worth noting: THIS IS A COMPLAINT ABOUT THE SHOW'S WRITING. Boiled down to basics, written by any more competent hands, I don't think Katara would have acted the way she did often, ESPECIALLY in episodes like The Awakening or The Southern Raiders. I categorically refuse to write Katara in my stories as someone who gets free passes for EVERYTHING she does. I also refuse to portray her as the mom friend, particularly in Gladiator. There's a lot of depth you can give this character! So much you can do, so much worth exploring... and canon just settled for stunting her and then only bringing her out to play in ways that make her unpleasant, not particularly bright and extremely resistant to character development even after allegedly learning lessons (see how her initial behavior around Hama, who shows red flags often, isn't all that different from how it was with Jet? There's only a handful of moments where it looks like Katara MIGHT be wary, and yet they're quickly overcome by her excitement, which Hama manipulates in her favor until she does the bloodbending reveal). So I'm NOT saying Katara had no potential... but I am saying the show itself failed her, big time, because of how she was written. A quick glance through the transcript of the Puppetmaster to confirm my memories that Katara shows no sign of concern over Hama when Sokka finds her suspicious reveals that, after Hama shows them her comb and that she's from the Southern Water Tribe, Sokka, and Sokka alone, apologizes for suspecting her of being sketchy. Nothing from Aang, even though he was part of it too. Nothing from Toph, either. And certainly nothing from Katara. Only Sokka apologizes. As usual.

So... what does this tell you? What does this tell any of us? That Katara's development is... erratic, at best. That it's not linear isn't a bad thing, but that it contradicts itself non-stop, that her core traits come and go willy-nilly as the plot demands it, that her motivations to do things (like forgiving Zuko) don't add up to her experiences or to any lead-up we've witnessed, is most certainly not good.

If I were to rewrite ATLA, the main characters I'd want to rewrite into making a lot more sense than they do, and making their arcs actually logical, are Zuko and Katara. I'd definitely add a few rewrites for Iroh, particularly to make him WAY more accountable for shit than he ever was, and to show he's not universally loved and shouldn't be, since people would have very reasonable grievances with him. I'd also rewrite a handful of things with Aang, too. Toph, full-stop, deserves a growth arc of her own beyond getting stronger and getting used to having friends. Girl has the range. They just never let her explore it. And of course, I'd change a fair few elements of Azula's writing as well. But I feel like no characters would warrant a deeper intervention than Zuko and Katara, precisely because they constantly fail to live up to all the stuff people keep pretending they're flawless exhibits of.

And this is one more issue we've got going on with Katara:

The fandom ABSOLUTELY has been unfair to Katara. A lot of people hate her for no reason. A lot of people who potentially have unexamined racism making their hearts' choices for them and they despise her just because she dared not have fully-white skin. A lot of people pick completely ridiculous things to get angry at her, such as people who HATE HER because she's "rude to Zuko". Just, fuck off. That's about the stupidest reason to hate this character and stupid reasons for that have been heard plenty.

But Katara's fans have become... reactionary. They appear think that any criticism to her character NEEDS to be fought off with "she was right tho" or "she has every reason to act this way" or "she's HUMAN she's allowed to make mistakes you heathen!! That's what a flawed character is like!"

Here's the kicker, though: if you have justifications and excuses for every little unpleasant thing Katara EVER does? You're basically taking a dump on her character yourself and saying she IS flawless.

Flaws in characters are bad things that cannot be justified. They can be funny! They can be annoying. They can be infuriating. But they're things that inconvenience other characters, that hurt them, that show they're not above or beyond doing harmful things! All of what I listed in this crazy long post are Katara's flaws. The reason why I don't like the way these flaws were handled are all the things I already have talked about: no accountability for flaws is basically saying that these flaws don't matter. No follow-up, no lead-up, means Katara is allowed to be as much of an ass as she wants to be and nobody cares: THIS IS NOT FAIR. This is not how ANY character should be written. This is the core reason why I've spent years feuding with Zuko and Iroh: they get away with shit they should NOT get away with, EVER. They're not held accountable for so much they should be. This happens to Katara too. particularly in her dynamcis with her brother. And when people see those flaws and just start listing reasons why it's actually okay? All you're doing is dehumanizing these characters to pretend everything they EVER do is fine.

Also worth noting... character flaws are the way characters grow. If a character is DEEPLY flawed, you know what kind of work you have cut out for you as a writer. If you're writing a story heavily steeped on character development? Then those flaws are VITAL to the work you have to do in order to develop these characters!

But when Zuko is unnecessarily violent and you're told "it's because his culture and family are!", you rightfully assume that as he drifts away from Fire Nation ideology, Zuko WILL grow less violent. Then, you watch how he picks an unnecessary fight with Aang in the finale because everyone's being lazy, an EXTREMELY violent fight at that, and you contrast his earlier behavior with it and... where's the difference, exactly? How did he grow or learn better if violence is STILL his immediate reaction to anything he doesn't like?

Thus, when Katara's flaws get overlooked, ignored, disregarded? What kind of development does Katara get, if none of her flaws are addressed in a way that makes it look like she's genuinely learned any lessons? At least, none of the worst, biggest, glaring flaws were addressed. None of the things that she SHOULD be troubled by and that she shouldn't be happy with herself over, especially after seeing how she hurts people with her actions. This isn't cool. This isn't a fun way to write a character. And it's so glaringly unpleasant when you can so very easily contrast this with the well-known terrible flaw Sokka displays early on: sexism! And then he gets his ass kicked by Suki and he learns to respect the Kyoshi Warriors... and we never see him displaying that particular flaw again. THAT is what growth looks like! What can we point to with Katara that remotely compares to this? That she accepted Zuko? Yeah, no, that sincerely could not count any less. Her personal arc CANNOT be about Zuko. That she got over her mom's death? She didn't. So that's not it either. That she helped Aang save the world? So her personal arc was about Aang and not herself? Was her whole role in the story to play Aang's cheerleader, then? Because if that's it... she was doing that just fine at it since day one. She's the only person who faithfully believed the Avatar would return well before Aang turned up in her life, if the first episode's introduction is to be believed.

So... what, exactly, was Katara's arc? If it's just her waterbending skills, then she's as stunted as Toph, unexplored and underdeveloped and left to just strengthen her fighting skills while Aang and Zuko and Sokka are getting full character arcs, even if very lowkey but very much effective in Sokka's case, where they develop and grow (or they should) into the men they're supposed to be to end the war! Why don't Katara and Toph get similar arcs? Why aren't they challenged on a level that actually provides them with lasting, solid, provable growth, where you can look at them where they started out and see how they ended up and conclude their journey was beautiful?

I insist... writing. Weak writing. Failures to understand/develop characters properly. And of course, lack of accountability in storytelling. I wrote that one focusing mostly on Zuko... but it's very much applicable to every character who fails to own up to the things they should and deserve to face consequences for.

Anyway... this is what I'd say about Katara atm. I'm not 100% sure this is everything because I might have overlooked some stuff that also made Katara's character kind of backfire (while I'm no Kataang hater, I 100% agree that the ship should have been written better too, and after writing them whenever I have, it's honestly kind of ridiculous how such an easy ship could get fucked over so badly by weird writing choices...). Whether you agree with these assessments or not, ultimately, there are valid reasons to feel offput by Katara and don't let anyone tell you otherwise. Most of all when you DID appreciate and cherish the character once before, but her fans just jump to the conclusion that you must be a mindless hater to think she's anything but flawless (this, while claiming they love that she's flawed, then they proceed to reveal they have no idea what a flaw is...).

(final note: SORRY IT TOOK ME FOREVER TO ANSWER! Super lengthy answer to make up for it, I hope :((( sorry)

[lihngchi]

❝   Don’t be surprised — your father would not shut up about you in prison.   ❞

Not that he was particularly chummy, but when she wasn’t locked in her cell, lying on her rotted straw mattress with nothing to do but stare up at the cinderblock ceiling and spitefully hope zuko appreciated the sacrifice, her time at the Boiling Rock was marked by fist-fights and subsequent community service punishments.  Eavesdropping on others is probably why she made it out without going as crazy as Azula...

Though, Mai never expected the little stories to be relevant, let alone entertaining, down the line.  

She adds a few more crab cakes to her plate and scans the arrangement for anything else she might want.  Given such short notice, the array of delicacies prepared for the post-coronation celebration with the Avatar’s friends is impressive.

❝   All he was missing was a baby portrait to pass around to everyone.   ❞

@bornofspring​​ / @scrtminlikesdrawing​ liked !

[jessiewritesthings]

Saudade - Pt. III

Prince Zuko x Reader

Part three is here and ready to rumble! I’ve decided that there needs to be an epilogue here, because I just haven’t had enough of this whole thing so that will be coming in the next few days! Thank you endlessly for all the love it means the absolute WORLD to me x

Part I - Part II - Epilogue

It was extremely fortunate for Zuko that it hadn’t taken long for the others to welcome him into their group – albeit with a fair amount of hesitation, which he couldn’t exactly blame them for. Burning Toph had been an accident – one that had upset Zuko to no end. The fact that he had turned up without you had also raised concern – Katara was particularly unimpressed that he’d left without you, despite explaining multiple times that you had refused to join him.

 Zuko had sighed in frustration, running his hands through his hair. He wasn’t sure how many times he would be able to go over the scenario again.

“You could have just taken her, though? That probably would have worked,” Sokka had commented, chewing sloppily on his bowl of porridge.

“I’m not sure that would have made y/n feel any better towards Zuko, don’t you think?” Aang sat across from his friend, lounging against a boulder Toph had pulled up for them to rest on.

“Hmm. Guess not,” Sokka replied. Zuko frowned, although he knew Aang was right. You’d made it pretty clear that you weren’t sure Zuko was worth your trust, no matter how much you wanted to believe in him.

“Anyway, y/n wouldn’t leave if she knew Azula was going to hurt all those innocent people. She would hate the thought of that. I think you made the right choice, Zuko, even if it doesn’t feel like it.” Aang stood up to place a hand on Zuko’s shoulder. An automatic flinch rolled through Zuko and Aang pulled his hand back, sharply.

“Sorry,” Zuko whispered, looking up at Aang. “I’m not used to… friendly touches yet.” 

“No worries, buddy. We’ll get you there.”

Katara rolled her eyes, sitting away from the boys as she silently played with a ball of water in her palms. It was obvious to Zuko, and the rest of the group, that Katara wasn’t fond of him and it didn’t look like she was going to warm up any time soon.

Toph, on the other hand – or burnt foot – had no major qualms about Zuko joining them, almost as if she had known he would join them all along.

“You guys are forgetting one major thing – y/n is tough. All she’d need to do is wait for the full moon, and she could be on her way out of the Fire Nation like that,” a snap of her fingers slamming two rocks together, shattering gently over the cliff-side.

“I don’t think you understand – it’s hard enough getting into the Fire Nation. Leaving as a prisoner is unheard of. And what does a full moon even have to do with it?” Even as the words left his mouth, Zuko knew he was wrong – he’d gone to the Prison Tower after leaving you, hoping to rescue and reunite with his Uncle Iroh, but had been left wanting when he found his Uncle had already made his own escape.

Katara scoffed, a gleam in her eye as she turned to face the group, the water in her palms slapping to the ground behind her.

“Zuko, I think you should know by now that the full moon enhances the powers of waterbenders,” she started with an eyebrow raised. “Of course, y/n wouldn’t be that foolish. She’s more powerful that you even know.”

“But even the most powerful waterbender would struggle to escape from the Prison Tower, full moon or not. I know she’s strong, but I don’t think anyone is that strong,” Zuko exclaimed, the exasperation evident in his voice. Why was Katara fighting him on this? He knew every detail of the Fire Nation’s defence force.

“Oh, for spirit’s sake, Katara. Don’t make it so hard for the man,” Sokka interrupted. He looked positively jovial, a stark contrast from his younger sisters’ hardy stance. “Y/n can bloodbend, Zuko.”

Realisation fell across Zuko’s features, piecing it together in his mind.

“Bloodbending… I’ve only heard rumours of that. The palace library had ancient Water Tribe scrolls, and a few of them spoke of old, ancient waterbending skills that could cause more harm than any other bending. I never thought it would be true though,” he murmured, putting his elbows to his knees and his face to his hands.

Katara returned to the group, sitting on her knees next to Aang.

“It’s… a terrifying power. No one needs that sort of control.” Zuko watched as Katara fumbled with her fingers, twisting them through her skirt, hair covering her face as she looked at the ground. Aang shifted closer to her side, placing an arm around her shoulder.

“How did she learn to bloodbend? Are there more of you?”

Katara shook her head, wiping a tear from her eye as she looked at Zuko.

“Not that I know of. Well – there was one, but we dealt with that. I’m not really sure how y/n learnt, though. Master Pakku, her grandfather, is a master waterbender, so maybe he encouraged it. But he also thinks women shouldn’t bend at all, so that’s probably unlikely.”

Zuko considered Katara’s words, and Toph rolled over onto her stomach, resting her chin in her hands. Like Zuko, she was also pretty unfamiliar with your past, and it just seemed awfully curious that a waterbender raised by someone with such staunch beliefs as Master Pakku could end up with the kind of strength you had.

“Well, if y/n’s grandfather doesn’t believe women should bend, how did she learn? She was a master waterbender before you all arrived in Agna Qel’a, right?”

Sokka grinned, leaning back as he placed his empty bowl of porridge on the ground.

“Oh, yeah. She was feisty. Absolutely wiped us all out when we caught her bending, by accident.

Aang chuckled, smiling fondly at the memory.

“She only told us that she’d been able to master waterbending by spying on the men as they trained and copying their moves against ice sculptures she would create. I have no idea how she didn’t get caught, though. Pakku lost his biscuits when he caught me trying to teach Katara what I’d learnt from him,” Aang explained.

“She’s a master healer too,” Katara continued. “I’d heard rumours of her before we’d even left the Southern Water Tribe.”

“Bad. Ass,” Toph exclaimed with a grin.

A soft bloom of red crept across Zuko, not going unnoticed by the others.

 “Oh, what’s that Sparky? I can feel you beating,” Toph remarked with a cheeky laugh, slapping one hand on the stone floor.

Sokka leapt up from the ground, jumping in excitement as he pointed at Zuko.

“Oh, I get it now! You like her, don’t you? Y/n and Zuko, sitting in a tree…”

The campfire flame crept higher as Zuko buried his head in his hands. Katara watched him carefully, reassuringly patting Aang on the knee in thanks for his comfort.

“It doesn’t matter,” Zuko retorted. “She would never want me.”

“Zuko, y/n gave you one of her most precious possessions. Don’t underestimate yourself.” Zuko glanced at Katara in shock – out of all of them, he figured she’d be against the idea the most, seeing as she was having the hardest time forgiving him for his past actions.

“My family, they’ve hurt her. Put her through so much. Her scars… I just don’t know if I can believe you, Katara.”

“You don’t have to. Just wait and see,” she replied, with a shrug of her shoulders and a small smile. Aang looked between the two of them, grinning. Zuko sighed, lost in thought as his fingers fiddled with the hair clip in his pockets. 

“Well, Zuko’s infatuation aside, how do we get y/n out?” Toph asked, her cheek to the ground.

“Well, I’ve been thinking of a master plan-” Sokka began, hands flapping excitedly.

“-We don’t.”

“What do you mean we don’t?” Katara replied, a scowl on her face as she folded her arms.

Zuko swallowed, realising all eyes were on him and they didn’t look pleased.

“You’ve said it yourselves. Y/n is strong – stronger than I had reason to believe. And she’s smart. Azula is more likely to use her as a weapon than actually hurt her any further. I know you don’t like the idea of her being there, and I want to get y/n out too, but it’s too risky.”

“Zuko’s right. Sozin’s comet is only a few weeks away. As long as the Fire Nation has need of a healer, y/n will be okay.” It wasn’t the first time Aang had spoken up in support of Zuko, and he was entirely grateful to have the Avatar’s support. Appa yawned in support of Aang, and that seemed to settle the argument, Katara relenting as her arms fell to her sides.

“We’ll get her back, Katara,” Zuko promised. “If it’s the last thing I do, we’ll get her back.”

 _____

Sozin’s Comet

 You’d been in the infirmary when you noticed Fire Lord Ozai and Princess Azula leave the palace in their palanquins. Dropping the bandages you’d been carefully arranging, you knelt to the floor, crawling to the nearest window as you silently watched them pass. You knew what this meant. Azula had considered it of the utmost importance that you were informed of the imminent attack on the Earth Kingdom – she so badly wanted to see you suffer, especially when the Fire Lord returned victorious.

The time is now, you thought as your brows furrowed. Looking down at your palms, you flexed your fingers. You’d spent every moment locked in your cell practising your bloodbending, knowing that the time would come where you would need to utilise your power. It had been hard, at first – for starters, you’d only ever practised on the full moon. You’d taken to capturing rodents while the guards weren’t paying attention in the infirmary, taking them to your cell and focussing all your energy on harnessing your power. It had taken some time, but you’d finally been able to do it without aid from the full moon.

Carefully, you walked over to your work bench, avoiding the floorboards you knew would creak. Pulling the bench out slightly, you removed the rug on the floor, using a pair of scissors to jimmy the floorboards up. Here you had hidden your most important possession – your water skin. It wasn’t much, but it would be enough to get you out. Tucking the skin into your belt, pulling your shirt over to cover it, you replaced the floorboards, pushing the bench back into place.

“Where do you think you’re going, water rat?”

Scowling, you turned to face the guards, palm raised in front of you.

“Get out of my way.” Your voice was cold, distant.

The guards sniggered, in disbelief that you would try to defy them – with Sozin’s Comet only days away, no less.

The two of them prepared to attack, one foot raising as another hand came down, but before they could finish you stopped them in their tracks. Spasms started, first in their hands, up their arms, their chests convulsing as they dropped to their knees.

Keeping your palm faced towards them, you made your way to the door, one hand on the handle as your fingers slowly formed a fist. The guards collapsed, heaving, weak and disoriented from your attack. Water streamed out from your palms as you directed it to their wrists, chains of ice securing them together.

Without a second glance you left the infirmary, hiding in the shadows as you followed the palanquin carrying Princess Azula. You knew the Fire Lord was leaving for the attack, and you all but assumed Azula would be at his side, but you needed to know for sure. There was something in your gut that told you something big was going to happen today – not just the comet, but something that even Fire Lord Ozai was unable to predict.

Creeping along behind the grey walls, you halted as you came to an opening, gasping as you saw rows upon rows of Fire Nation soldiers, kneeling as Ozai and Azula were carried past them. All you could feel was despair as you watched on, the sea of red doing much to overwhelm you and make you feel hopeless. There were so many of them. And with Sozin’s Comet just one day away, you knew that their power would only be increasing. Placing your hands on the concrete in front of you, you focussed on your breath in an attempt to calm yourself down.

Aang will show up. I know he will.

Your face shrivelled when Azula poked her head out of the palanquin, and you ducked behind the wall. You were well out of sight, but if you were caught spying now, then the guards you had left in the infirmary would surely be found soon after – and you were sure that an explanation for that wouldn’t come easily.

Peeking out again, you saw that Azula had caught up with Ozai at the platform, kneeling before him. They were just out of earshot, but you could see through Azula’s body language that something had changed – that Ozai had changed his plans. It was evident that Azula wasn’t impressed with these changes – you had managed to pick up on the change in her voice, even though you couldn’t make out the words. It almost seemed like she was shrieking, arguing with the Fire Lord – you’d almost consider her brave, if you didn’t know any better.

Ozai turned around to face Azula now, the tension releasing from her body as Ozai’s guards fitted him with his armour. He raised his arms, the guards now raising a large flag behind him. A huff of air escaped you as you stepped back, almost tripping over your own feet as you heard Ozai, loud and clear as he declared himself the Phoenix King. Banners with the same image from the flag popped up in front of the Fire Nation banners, fire streaming out from behind Ozai. The soldiers knelt again, a declaration of their loyalty to their new King, and you shuddered as the realisation hit you – Azula would become Fire Lord. 

Your mind was racing as you made your way back to the infirmary, creeping along as you had done just hours before. Azula would be on her way back to the palace shortly, waiting to see the Phoenix King off before assuming her role as Fire Lord. Spirits, you hoped that Prince Zuko would show up and prevent her from taking the throne. Ozai was awful enough, but something told you Azula would be even worse at the helm of a nation.

The guards were still collapsed on the floor when you returned to the infirmary, and you thanked a silent prayer that they hadn’t been roused and set the alarm. Melting the ice on their wrists, you hauled each guard onto a bed, removing their armour and covering them with a sheet. Closing your eyes, you tuned your hands into them, attempting what you’d practised on the rodents. Your knuckles flexed, before your hand relaxed, placing a hand on each wrist to check for a pulse. A sigh of relief slipped from your lips as you felt a pulse from each guard, confirming that your plan had worked. You knew from the beginning that you didn’t want to kill anyone unless there were no other options – but if you could use your bloodbending to cause someone to pass out, things would certainly become a lot easier.

A sharp rap on the infirmary door startled you, and you quickly went outside, shielding your eyes from the blinding sun.

“Fire Lord Azula has asked for you,” the guard spoke sharply. “Come.” Two guards gripped your forearms, forcing you along. They yanked at your arm as they clutched you, breaking the skin beneath your shirt.

Sweat dripped down your back as you were forced up the stairs of the palace, your hair plastered to your forehead. The sky was slowly beginning to turn a dirty brown colour, which meant the comet was getting closer. You were dropped to your knees in the throne room, eyes widening at Azula sitting behind her wall of blue flame. Her dishevelled look concerned you – the usually immaculate black hair hanging loosely around her face, scraps of fringe sprinkled across her forehead.

“Bow to me, water rat. Tomorrow I will be crowned Fire Lord of the Fire Nation, and I want you to be there to see it happen. I want to see the misery in your face when you realise that you lost.”

You placed your hands on the floor, kneeling forward for Azula. She sneered down at you, fingers tapping the arm of the throne, her black hair flowing softly in retaliation to the flicker of her flames.

“Congratulations, Fire Lord Azula.” The words felt strange leaving your mouth, and you struggled to keep your composure as a wave of anxiety rippled through you.

“I don’t need your congratulations,” she spat. “I was born for this!”

 You’re just lucky, you thought. Lucky that Zuko isn’t heartless, like you.

Keeping your head low, you nodded. Azula’s energy was off – she was jittery, she looked exhausted, and her remarks seemed uncalculated, which was a stark difference to the Azula you were used to dealing with. The crackling of fire in the room made you aware that you were alone with Azula – at least, it appeared that way. I could attack her now, put an end to her. The thought didn’t give you any kind of relief – your scar pulsing as if in warning. She certainly seemed off her game at the moment, but you’d seen enough of Azula to know that she liked to play games, and she always lied. How could you be sure it wasn’t all an act?

Azula leapt over the flames, landing in front of you.

“I’ll keep you here tonight. You’ll be needed in the morning. I’ve banished most of my servants you see – all traitors!”

Your fingers twitched again – just one small movement and you could have her under your control. It moved almost voluntarily, you hadn’t even planned on moving it yourself, but Zuko’s face flashed into your mind and you pressed your hands against the warm concrete. Azula was his family, no matter what she had done. It was his fight. 

“I see,” you replied, peeling back off your knees, wiping your palms on your pants.

“Of course, I can’t let you run around the palace by yourself,” she jeered, a vicious gleam in her eye.

She flicked her palm up as a wall of flame towered around you, forcing you to your back as smaller rings of fire looped across your ankles and wrists, binding you.

“If you try to get out, you’ll burn. I don’t think you can afford anymore scars, do you?” Azula cackled as she stalked out of the throne room, not giving you a second glance.

She was right – you could barely move without a searing burn ripping through you. Lying on the floor of the throne room, you cursed in despair. Even if you were able to shuffle around, the ring of fire surrounding you would prevent you from getting anywhere. Sweat fell heavily from you now, your clothes damp in the creases. You could bend your sweat – hopefully that would deal with the flames on your body. Carefully you manoeuvred your fingers, hoping that your will alone would pull the sweat on your body to the fire chained around your wrists. Your water skin was still safely tucked into your belt, hidden by your shirt. If you could get your hands free you’d then be able to get out of your heated prison.

Your brows furrowed in concentration as you watched your sweat crawl across your body, running slowly towards your hands. The sensation wasn’t soothing, like standing in the rain was, it was uncomfortable and you wanted to squirm – you imagined that the beads of sweat were small slugs, creeping over you. Finally, enough water reached your wrists, and the flames dissipated.

Hands quick, you ripped your water skin from your belt, opening the sack and extinguishing the fire at your ankles, before sending a short downpour over the ring of flames – just enough to get you out before they rose high once again.

The throne room was empty when you glanced around – much to your surprise, the palace seemed mostly deserted. Azula had mentioned earlier that she’d banished some servants, but you didn’t take her words quite so literally.

You left the palace undetected, the sky turning a deeper red as night began to fall. A cool wind blew, jostling your hair as you turned away from the palace. You wandered through the lanes discretely, though no one was about. Exhausted, you collapsed in an abandoned stable, curling up and falling into a dreamless sleep, knowing that when you woke everything would be about to change.

 _____ 

Your eyes glowed red, the fiery glow from Sozin’s Comet rousing you from sleep. Blinking slowly, you left the stable, intent on making your way back to the palace to confront Azula. A strange groan echoed through the air, and you looked up to see Appa, heading towards the palace with two passengers.

“Zuko,” you whispered, breaking into a run. 

It wasn’t long before the palace courtyard was illuminated with Zuko and Azula’s fire, blue and orange pressed together. Spotting Katara, you ran to her side, pressing a soft hand to her palm in greeting.

She gasped as she saw you, gripping your hand in response.

“Y/n,” she whispered, “you’re okay.” The two of you returned your attention to Zuko and Azula, and your heart leapt to your throat at the sight of him. Relief flooded through you, your constant worries since he had left you in the infirmary slipping away.

Katara edged forward, and as Azula channelled her lightning she shot it at Katara, a wave of panic engulfing you. Zuko leapt forward, protecting Katara and getting a bolt of lightning to his chest. Azula cackled maniacally – you had known she was losing her stability – and Katara took over the battle, attacking Azula with all her power.

Sprinting towards Zuko, you collapsed over him, his head in your hands.

“Zuko, please,” you murmured, tears collecting in the corner of your eyes.

A hot flame seared across your back, and you turned to face Azula, a fierce shot of ice pummelling her way. As Katara distracted her, you focussed on Zuko again, water pooling over his chest as you placed your palms on top, that familiar silvery-blue glow starting to shimmer. Zuko groaned beneath you as Katara sealed herself into an ice prison with Azula, chaining her to the grates that held the Caldera’s water supply.

“Y/n,” Zuko stuttered, his voice hoarse.

 Smiling, you pulled him into your arms, your hands clasped around his neck. He nestled his head into your shoulder, pressing a gentle kiss to your collarbone before rising, facing his sister as Katara rejoined you. 

Azula was wild, in a frenzy as her fire breathed hot and blue from her mouth. Tears streamed down her face, her hair choppy and unkempt. You felt pity for her, strangely enough. She had hurt you, belittled you, underestimated you, sure. You didn’t feel pity for Princess Azula though – you felt pity for the young, impressionable girl who had grown into someone filled with such hatred, that the only option for others was to fear her. Ozai was certainly no honourable figure to have around, and as you clasped your hand around Zuko’s, you felt so grateful that he had been able to see past his father, see past his reputation as Crown Prince, and follow his own path. 

Katara turned to you now, properly looking at you as she pulled you into a crushing hug.

“Oh, y/n, I was so worried about you. We all were.”

You smiled softly, shrugging.

“I’m still here,” you replied. “Though I cannot wait to feel the ocean around me again. I’ve felt oddly… dry for some time.” Zuko’s gaze was on you, and despite his pain, a feeling of warmth he hadn’t felt for years was beginning to take place.

 _____

The palace courtyard heaved with a happy hum. Citizens from all over had gathered to witness the coronation of Fire Lord Zuko – the mark of a new era.

You watched him in admiration, standing with your grandfather, Katara, Sokka and the rest of the Water Tribe. 

His voice rang clear across the courtyard, more confident than you’d ever seen him. Aang stood next to him, proudly watching his friend become the leader he was born to be – even if he did not always believe it. 

Sokka elbowed you, leaning into your ear to whisper. 

“Your turn next, Fire Lady,” he muttered, laughing softly to himself. Katara thumped him square in the back, and you stifled a laugh as Pakku and Hakoda turned to scold the three of you. 

“I don’t know what you’re talking about,” you whispered back with a giggle.

“You know he’s in love with you, right?” Sokka looked at you from the corner of his eye as Katara whacked him again.

“Sokka! Don’t ruin it!”

 You gave Sokka your best quizzical look, but he looked at you apologetically before zipping his lips and throwing his palms up in a shrug.

Huffing, you returned your attention to the palace steps. In the distance, behind Zuko and Aang, you could see Mai hovering in the background.

You watched her carefully as she winked at you, and while Zuko spoke about uniting the Four Nations you realised that nothing had changed – he was still unattainable. Not because he didn’t care for you – you didn’t wholly trust Sokka’s words, even though you had a feeling there was truth to them – but because he was still Fire Lord. There would be standards and traditions to keep, and ultimately, a Water Tribe Fire Lady wouldn’t fit in.

Clasping your hands together, you decided you would leave on the first ship heading back to the Northern Water Tribe. Pakku had changed his ways, and it was high time that women were taught how to waterbend by a master – a female master at that. 

A silent sort of grief filed through your body, aching for a life you might have had with Zuko. You knew it was for the best, and you had intended on leaving him a note to explain your absence – facing him was just too hard.

Slipping the note into Katara’s hands, you thanked her, before leaving the palace courtyard and making your way to the harbour. Here you would wait for the next available ship, your legs dangling over the water in the dark. The water trickled through your hands – spirits it felt good to bend fresh water again. There was silence all around you – everyone on Capital Island had attended the coronation, and the festivities continued onto the streets as the night wore on.

A soft, orange glow reflected from the water beneath you, your breath running cold. 

“Katara came to me with this note. She said it couldn’t wait.”

Biting your lip, you stood up to face Zuko.

“I know that none of this has been easy for you, but I never thought you’d leave without saying goodbye,” he murmured. The sadness in his eyes made your heart ache.

“Zuko, it’s not that easy,” you whispered. “We can’t have a future together. There are certain… expectations you have to uphold. Mai is much better suited for the Fire Lord of the Fire Nation,” a small laugh escaping your lips as you tried to lighten the atmosphere.

“I don’t love Mai,” Zuko responded fiercely. “I love you.”

“Please, Zuko. You can’t change my mind.”

He considered you, watching carefully as your fingers twitched at your sides, your hair softly blowing in the wind.

“I won’t make you stay. But y/n, you must know. I have yearned for you since you first touched my face so delicately in the Crystal Catacombs. No one, save for my mother, has ever been that gentle with me. I didn’t even realise that’s how this could feel,” he exclaimed, gesturing between the two of you.

Your breath hitched in your throat at his words, eyes closed as you pulled his hands into yours, bringing them to your chest.

“Zuko.” You brought his fingers to your lips, kissing the tips gently. “Maybe in another life.”

“I won’t give up on you, y/n. I gave my heart to you in Ba Sing Se, and I want you to keep it. Maybe that way, when I meet you again, we will be ready.”

Tears began to roll down your cheek as Zuko released himself from your grip, reaching up to place his hands in your hair, pulling you closer as you pressed his lips to yours. You felt yourself erupt, feeling everything everywhere as your mind focussed on one thing only: his lips his lips his lips. Zuko’s fingers knotted into your hair, caressing you wildly as you held one hand against his chest and the other delicately resting on his scar.

A loud bang echoed through the air as the night sky was dappled in colours of blue, green, white, gold and red, fireworks to celebrate the new Fire Lord.

Zuko looked at you, solemnly, holding your hands in his as you pulled away from each other.

“You are always welcome in the Fire Nation, y/n. I will always want you.”

The Fire Lord turned away from you, wiping a tear from his eye. His heart was hammering, and he didn’t know what to do. He hadn’t even been Fire Lord for a day, and you were right to an extent – his advisors would most definitely want a Fire Nation queen.

A gentle sob escaped you as you watched Zuko retreat, hand clutching your robes as if that would alleviate the pain.

“Zuko, wait – I do love you. I’m sorry it’s happened this way. But I love you. You are the sun, and when I stand in it, I am warmed.”

_____ 

Zuko was ridiculously proud of himself. Three years on from his coronation, he was holding the first Fire Lily Festival in years – his first since becoming Fire Lord. Ozai hadn’t been particularly fond of any festivities that didn’t encourage the war efforts, and so it had been some time since the citizens of the Fire Nation had been able to enjoy the excitement that they brought.

Zuko’s mother, Ursa, had helped with many of the details of festival – and she had exclaimed to Zuko that it would be a magnificent idea to invite citizens of the Four Nations – something to welcome them to the new Fire Nation – one that resided on love and peace, not hatred and war.

The palace courtyard was buzzing with people, the hum of laughter and music and good spirits could be felt from miles away.

Zuko stood with his friends, laughing with Aang as Toph played with his younger sister, Kiyi. Toph was making rocks rise in small squares, and Kiyi was attempting to smack them back down before Toph removed them for her. Aang and Katara stood underneath the cherry blossoms, holding hands as they admired delicate art made from the Fire Lily flower.

Zuko sighed, excusing himself from the group as he retreated to the rear of the palace, in need of a quick quiet space to think.

A soft flame in his hand, he followed the path around to the pond, intending to sit for a moment with the turtle ducks, when he saw you.

You had your back to him, unaware of anyone approaching you. You hadn’t been sure about attending, but Katara had convinced you that it wouldn’t be weird at all. You’d tried to ask about Mai, but she’d promptly shut you down, informing you that she’d gone to the liberty of getting you a dress made for the event and that her answer was final.

Smiling to yourself, you sent a soft trickle of water over the turtle ducks, laughing as they frolicked in the water. 

Zuko couldn’t believe himself – he would have been convinced you were a vision, just a figment of his imagination, until you laughed and the soft sound vibrated through his entire being. 

You were beautiful – always had been – in your blue dress, wrapped around your body, your arms exposed in the heat of the spring. Your skin was darker, your hair lighter, and he could see small dark tattoos on your fingers, in various different symbols. Your hair fell simply down your back, pulled back from your face in a braid, white beads dotted through so they looked like stars in the night sky.

“I didn’t think you’d come.”

You turned to face Zuko, dropping the water you’d been holding in your palm over your dress.

“Oh, spirits,” you muttered, flicking at the dress to get the water off.

“Here, let me,” Zuko murmured, moving closer as he held the fabric between his fingers, running his palm over it. It dried immediately, the warmth seeping through your skin.

“Fire Lord Zuko,” you said with a smile, bowing ever so slightly.

“Oh, stop. I’m just Zuko.”

“Okay, just Zuko,” you replied with a giggle. You weren’t sure where this was coming from – you’d been so afraid to see him and make a fool of yourself, but your giddiness was running absolutely rampant. Seeing Zuko again – it felt about the same as when you had finally immersed yourself in the ocean after being imprisoned by Azula for so long.

“You look well,” he commented. You smiled bashfully, ducking your face from view. Zuko looked good too – in fact, he’d never looked better. He looked strong and healthy, exactly what one would expect in a leader.

“Thank you, Zuko. I’m doing well. I’ve been travelling between the Poles, teaching healing and bending and – and it’s going well,” you said. You couldn’t even speak; your nerves were affecting you that much.

“Wait here,” he instructed. “I’ll be right back.”

You did as you were told, taking a seat on the grass next to the pond, removing your shoes as you dipped your toes in the water. Zuko returned quickly, following your lead and taking a seat next to you. A shiver ran through you as you felt his warmth – how long has it been since I’ve had this?

Silently, Zuko reached for your hand, placing in it a beautiful, vibrant, fire lily.

“I’ve waited some time to give you one of these,” he murmured, pink blush colouring his cheeks.

You placed your hand over his, squeezing it softly.

“For so long, I’ve thought about this moment. When you were… when you were a prisoner, and I brought you the water, I could only think of one thing. When I was a boy, I picked a fire lily for my mother, but Azula distracted me and it died. I tried to revive it, give it more water, but it was useless. And when you were in the Tower, all I could think about was what would happen to you if you dried out. I should have done more. I should have stood up to my father sooner. But I was scared. And seeing you that day, the way you completely changed with the water in your palms… I know I’ve made some bad choices, but you gave me hope.”

You wrapped your arms around Zuko, feeling the weight of his confession evaporate as he melted into you. You could feel his tears as they dripped down your back, and tears of your own trickled down your face.

“Sometimes good people do bad things. What’s important is what we learn from our mistakes.”

“Yes,” he mumbled into you. “I’ll be damned if I ever let you dry out again.”

 Zuko found your lips now, his arms roving over you as your heart thumped in your chest. A small laugh escaped your lips between hot, messy kisses and Zuko pulled back, eyebrows raised.

“What’s wrong?” he asked.

“I just have this odd feeling that everyone is going to know about this, soon,” you said, gesturing between the two of you. “Toph has excellent hearing,” you laughed as Zuko pulled you into his arms, legs intertwined with his.

“Don’t leave me again,” Zuko whispered as he pressed hot, desperate kisses to your neck. “I couldn’t bear it.”

 “No,” you agreed. “I just want to be close to you.”

“Mmm. To have you in my arms is enough.”

_____

oddment-niwit-blubber-tweak

eridanuswave

coldlilheart

thirstyforsometea

lammello

whalerus

astroninaaa

lil-lex1

zukosvice

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[stitch1830]

sentence starters, misc: #18 taang!

Ooo this was a good one! A little tough, because I was trying to quickly ‘set the scene,’ but hopefully it’s okay! 

Context for those that need it:

Zuko and Katara’s kids = Kya and Izumi

Sokka and Suki’s kid = Malek

......

Taang - Misc - #18 - “I’m too sober for this.” “You don’t even drink.” “Maybe I should start.”

There were a few occasions where Toph and Aang’s friends thought it wise for them to babysit their children. They weren’t bad babysitters, per se, but some may argue that there were better options available. And yet, they always chose Aang and Toph to watch the little ones.

Today was one of those occasions.

The Beifongs had the task of taking care of not one, not two, but three kids for their friends, all of them under the age of three, and one was a baby. Not a problem for the Avatar and the Greatest Earthbender in the World, right?

Well, they begged to differ.

Half of the evening was spent trying to keep their house standing while the other was used trying to keep track of all the little monsters. Malek and Kya were rather rambunctious toddlers, running around and tearing up any floors, walls, or decorations they could get their hands on. 

Normally Toph would join in on the chaos, but she lost a bet with Aang so she had to take care of baby Izumi. And unlike Kya, Izumi was a fussy baby. She constantly needed to be held and she whined about everything, including being held for too long. But she refused to be put down by Toph, so Izumi had a constant internal battle of wanting and not wanting to be held. And Toph had to suffer with her.

Other than the internal dissonance Izumi was experiencing, Toph would admit to herself that she had the easier job compared to Aang. Malek and Kya were very demanding playmates sometimes. Still, there were some things Toph Beifong did not want to do.

“Twinkletoes! You have to change Izumi’s diaper.”

Aang turned his head towards Toph. Malek and Kya were using his arms as swinging ropes and were shouting at Aang to swing them higher. “I’m a little busy, Toph. Can’t you do it?”

“No! I’m blind, you dunderhead.”

“Being blind has never stopped you from trying something new!” he argued.

Toph opened her mouth to speak, then closed it. “At this moment in time, I hate you. Very much.”

“Would you rather give Malek and Kya a bath after??”

The earthbender shook her head vigorously. Whoever ended up giving those two a bath would end up taking one as well. “No, no. Please continue. Sorry I asked.”

“Mhm, that’s what I thought.”

And if they thought bath time was difficult, bed time was worse. The toddlers weren’t even tired, and when they put the baby down, she’d yell out and rile up the other two and vice versa.

When all three children were finally asleep and in bed, Toph and Aang threw themselves down on the couch, exhausted. Aang marveled at the mess three little kids made in their home; not only did they have to corral chaotic toddlers to bed, but they had to clean up after them now. The airbender was always in shock after they babysat for either Sokka or Katara’s kids.

“Spirits, how do our friends do that everyday?” Toph asked.

“No idea,” Aang replied. “I had more fun this time around, though. Malek and Kya are so goofy when they play.”

Toph gave a weak chuckle. “Would’ve been nicer if they tore up their own homes. Now we gotta clean their mess after they leave and that’s just rude.”

“Why did they have so much energy?”

“Hundred yuans that Meathead gave Malek and Kya sweets before coming here.”

“Maybe Zuko told Kya to misbehave after that last time they left her with us. Katara and Zuko were not happy to see the mess we made in the palace,” he replied, quietly laughing at the memory.

Toph laughed, then leaned on Aang’s shoulder. “Nah, Katara and Suki want us to have kids so badly they’d never tell the kids to give us this much crap on purpose.”

“True.”

“Because despite the fun you claim you had, managing three kids under three is a nightmare.”

Aang nodded his head lightly in agreement. “Yeah, despite the fun, I still think they broke me, Toph. Spirits, I was too sober for that.”

“You don’t even drink, Twinkletoes.”

“Maybe I should start,” Aang positioned.

Toph let out a breathy laugh, then she kept chuckling until eventually, it turned into full bouts of pure, uncontainable laughter. And when Aang joined in, the two cackled, holding onto each other to stay upright, as well as their stomachs. They were laughing so much it hurt.

“Can you imagine,” Toph said in between her fits of laughter, “can you imagine Sugar Queen’s reaction when she hears her children were the reason you started drinking?!”

Aang snorted at the thought. “I’d get her reaction painted so we could hang it on our wall.”

“Get it in stone so I can see,” she giggled.

“We’ll hang it above our bar and dedicate it to the four of them.”

“We’ll put a quote underneath the dedication: ‘Thanks, guys. You forever corrupted the monk.’”

The two were rolling with laughter while also trying (but failing) to keep quiet for the sleeping children across the hall. And contrary to their earlier complaints, Toph and Aang always had fun babysitting. No matter what, the night always ended with them laughing or smiling about something.

......

Too many prompts to choose from, but here they are (This one came from the Sentence Starter Prompt):

Sentence Starter Prompt

Emotional Prompts

Prompt List

Send a prompt and a ship! (ATLA)

Or just send me asks lmao.

[catie-does-things]

I loved your deconstruction of the Ember Island Players -episode. Could you be persuaded to write down your thoughts about the Southern Raiders too?

Well, since you asked.

(The Ember Island Players meta)

There’s a lot to say about The Southern Raiders and much of it has been said, but I’m going to focus on five major questions:

Is Aang’s response to Katara’s anger appropriate?

Is Zuko’s response appropriate? Is he being self-serving?

Is Aang’s philosophy about forgiveness correct? Should Katara forgive her mother’s killer?

Does this episode show Zutara in a positive or a negative light?

What were the writers trying to do with this episode?

Fair warning, I’m obviously Team Zutara, but I’m not going to be uncritical of Zuko, Katara, or this episode as a whole. I actually have some very mixed feelings about it, as you’ll see.

Also, this is hella long. So, get comfortable.

This is a serious episode. Look how serious we are.

1. Is Aang’s response to Katara’s anger appropriate?

When Katara and Zuko first tell Aang they plan to find the man who killed her mother, Aang’s immediate reaction is skeptical and dismissive, asking Katara what she thinks that will accomplish. This is point one against Aang - even if there’s reason to doubt that this mission is a good idea, that’s a bad way to open the conversation. And naturally, Katara doesn’t take it well, saying in disgust that she knew Aang wouldn’t understand.

Aang protests that he does understand, and I know a lot of people take issue with his comparison to losing Appa, which I do think is not really comparable to Katara’s trauma from her mother’s death. But to be fair, he does also mention the genocide of the Air Nomads. It’s weird that Aang even puts these two things on the same level, though, and kind of does come across as naïve - as I’ve talked about before, I think a certain level of age-appropriate naïveté is a definite part of Aang’s character, and the show runs into trouble when it fails to challenge him on this.

This is another example of that failure. A bit later, when the scene cuts to night time, Aang uses forgiving Katara for trying to sneak away with Appa as another example, cheerily asking if that gives Katara any ideas. This is a real cringe moment for me, as Aang is lumping all offenses, great and small, together as if they should be equally easy to forgive. That’s not to say that they should not all be forgiven. But forgiving the murder of a loved one is inevitably going to be much harder than forgiving the minor deceit of a friend, and Aang’s flippant attitude shows no regard for the distinction.

Pictured: The wrong attitude for this conversation.

Going back to the first part of this scene, after accusing Katara of seeking revenge, which she doesn’t deny, Aang says that she sounds like Jet. This comparison really is unfair, as Katara points out - seeking retribution against a killer might be wrong, but it’s nowhere near the same as attacking innocent people. Again, Aang is making sweeping moral generalizations that, even if they’re founded on correct principles, fail to recognize the realities that make these kind of moral questions difficult. I think it would be very hard to argue that Yon Rha does not deserve any kind of punishment for killing Kya, the real question is what that punishment should be and whether Katara should be the one to mete it out.

Aang is twelve. This is a children’s show. Fine. But the writers wanted to go there, and it’s a disservice to the gravity of the subject matter they chose to address if we’re really meant to take the twelve-year-old’s fumbling attempts at moral guidance at face value.

And unfortunatley, we are. After Zuko and Katara leave, Sokka declares that Aang is “pretty wise for a kid”, which to me is…the exact opposite of what we just saw. Aang means well and is even right in some important ways, but the only arguments he has to back up his own “wisdom” are unhelpful comparisons and platitudes. He’s about exactly as inept at this as I would expect a child of his age to be, but the writers are trying to tell me he’s wise beyond his years? Not buying it.

Some points in his favor: Aang does eventually come around and recognize Katara needs to confront her mother’s killer, though it is a weird and unexplained 180 after the scene cuts from day to night. And his advice that she should “let [her] anger out, and then let it go” is sound. It’s weird that Zuko makes fun of him for this, because it’s much better presented than a lot of his previous advice, and also…something Zuko has kind of already done. But we’ll get to that later.

Overall, I’d say Aang’s response to Katara’s pain and anger is not great. His heart’s in the right place, but his inability to provide strong arguments for his philosophy and his apparent expectation that Katara should easily forgive her mother’s killer prove he’s not actually mature enough to give moral guidance in a helpful way in such a difficult situation, in spite of what we’re told.

It’s hard to be a kid when the writers keep treating you like you’re more mature than you actually are.

2. Is Zuko’s response appropriate? Is he being self-serving?

For starters, we need to distinguish that Zuko is not trying to provide an alternative moral guidance to that offered by Aang. He’s not trying to be a moral guide at all, so that puts a lot of what he says and does in a different context.

What is Zuko trying to do? He’s trying to make up for his betrayal in Ba Sing Se. 

The beginning of the episode sets up that Katara is the last holdout on accepting Zuko as part of the group, and Zuko is bothered by this. (Though it is interesting that each of them saves the other’s life during the escape from the Western Air Temple, also hinting at how these two characters are mutually supportive of each other, antagonistic or not.) Because of this, some people have said Zuko pushes Katara to take revenge for selfish reasons, because he thinks it will make her accept him.

Well, Zuko doesn’t actually push Katara to do anything, so much as give her the opportunity. All he says to her is that he knows how to find the man who killed her mother, making no suggestion as to what she should do in that scenario. And when Aang challenges them, he says that Katara needs to find this man in order to get “closure and justice.” Where could Zuko have gotten the idea that confronting the person responsible for your childhood trauma is necessary for closure and justice?

Probably by doing it himself.

Zuko confronting Ozai is likely our best indication of how he’s imagining Katara confronting her mother’s killer is going to go. Zuko doesn’t try to punish Ozai, because he believes it’s the Avatar’s destiny to take down the Fire Lord. Instead, he essentially takes this as his opportunity to let his anger out so he can move past it…you know, that suggestion Aang made that I said it was weird for Zuko to scoff at? This is why. If he’s imagining Katara confronting her mother’s killer will go something like him confronting his father, which I think we have to assume is the case, then he and Aang would be more or less suggesting the same thing.

But Kya’s killer, like Ozai, also deserves punishment, and whose destiny is that? If this is the Avatar’s responsibility as well, Aang doesn’t seem to be jumping at the chance to do it - not once does he offer to accompany Katara on her quest. Legally, perhaps it’s the Fire Lord’s job to punish war criminals in his own armed forces - but Ozai’s obviously not going to do that, and who if anyone will succeed him is up in the air at this point. This is a classic setup for a revenge or vigilante plot - the proper authorities, the designated arbiters of justice are either unwilling or unable to act, so individuals who normally would not have the right to punish wrongdoers are the only ones who can.

Is seeking retribution in these circumstances morally perilous nonetheless? Absolutely. But to the extent that Zuko’s offer to confront her mother’s killer does move Katara to violence in this episode, it’s a principled rather than arbitrary use of violence. And the offer itself comes from a personal experience of how necessary the confrontation can be.

Which brings us back to earlier in the episode, and the reason Zuko is doing all of this in the first place. 

This is my favorite screencap of course I was going to find a reason to use it.

When Katara lays down her very legitimate grievance against Zuko, namely that she was the first person in their group to trust him, and that he betrayed that trust, Zuko is not dismissive of her anger, nor does he offer excuses. He just asks, “What can I do to make it up to you?” Zuko of all people understands the need to make amends for his own misdeeds. Katara of course only offers sarcastic, impossible suggestions (reconquer Ba Sing Se, bring her mother back), and here it would be very easy for Zuko to write her off and just accept that she’s always going to hate him. But, as he tells Sokka in the following scene, he doesn’t know why, but he does care what Katara thinks of him. We know why, though.

It’s because of his sense of honor. I hope I don’t need to explain to anyone how we know that Zuko has a deep-seated drive to the right thing, even if he’s sometimes confused about what the right thing is. But in this case, his instincts are good: he personally wronged Katara by his actions in Ba Sing Se in a way he didn’t hurt anyone else in the group, so he needs to do something equally personal to expiate his guilt against her in a way he didn’t need to for anyone else in the group.

And what he tries to offer her - the closure she’s never gotten over her mother’s death - really is the perfect thing. Their initial connection was forged because of their shared pain over losing their mothers, and as Zuko insightfully tells Sokka, Katara has connected her anger over that loss to her anger at him. This is not just some random favor he thinks he can do to get back in her good graces. It’s a specific redress of her actual grievance against him. It’s not selfish of him to want to give her that. It’s right.

But, there are some points against Zuko as well. He’s a little too quick to dismiss Aang’s advice, and a little mean about how he does it - though as I’ve said, in a way that I don’t think is quite in character. More gravely, during the actual confrontation with Yon Rha, Zuko is almost entirely hands-off, letting Katara do whatever she wants - apparently up to and including kill him. Again, Zuko is not trying to be Katara’s moral guide here, but that in itself is open to criticism. If killing Yon Rha really is crossing a line, then Zuko would be remiss in not trying to stop her.

The best light you can read this in is that Zuko trusts Katara not to cross that line - and he certainly shows no sign of surprise or disappointment when she does spare him. But I think this is reading a bit more into the text than is actually there. You could also take it as Zuko leaving the decision of whether Yon Rha deserved to die up to Katara, but again, this is a morally lax stance that is hardly above criticism.

So is Zuko’s response to Katara’s anger appropriate? Yes and no. His response to her anger at him absolutely is, demonstrating a healthy sense of compunction and a laudable desire to give due redress of grievances. How he responds to her anger at her mother’s killer is less childishly judgmental than Aang, but in a way that arguably runs to the opposite extreme of showing too little concern for the morality of her actions - which is itself odd, given Zuko’s established strong sense of morality and unwillingness to stand by and do nothing when someone else does something wrong.

“What can I do to make it up to you?” vs. “Guru Goody Goody”: Zuko’s moral compass is kind of a mixed bag in this episode tbh

3. Is Aang’s philosophy about forgiveness correct? Should Katara forgive her mother’s killer?

Obviously opinions will vary about this, but I can certainly give you mine.

Putting aside questions of Air Nomad philosophy vs. Water Tribe vs. Fire Nation - these are, after all, fictional cultures made up by modern American writers in a show for a modern American audience - forgiveness is generally valued by most people, though as C.S. Lewis puts it, “everyone says forgiveness is a lovely idea, until they have something to forgive”. Forgiveness is hard, especially when the offense is great and there is no easy way for the offender to make things right - as in Zuko’s case - or the offender has no interest in doing so - as is the case with Yon Rha. But Aang is right that forgiveness is necessary for healing, and I would say for other reasons as well. I’ll refrain from a full-blown treatise on forgiveness here, but I quoted Lewis, and if you have any idea what he wrote on the subject…yeah. That.

Katara says in the first argument with Aang that forgiving her mother’s killer is impossible. And as much as the episode’s final scene tries to present the resolution that Aang was right all along, Katara still definitively declares that she will never forgive him (though she does forgive Zuko). So even though Zuko says Aang was right about what Katara needed, Katara certainly doesn’t seem to think it’s that simple.

Pictured: Not someone who has accepted Aang’s philosophy.

I’ll be very honest. I hate this line. I wish she had said something like “I don’t know if I’ll ever forgive him”, which would allow her to still have that residual anger to work through like the writers apparently wanted, acknowledging that forgiving Yon Rha can’t be as easy as Aang made it out to be, while still leaving the door open that she might get there someday. True forgiveness might be too much to expect of her at this point, but her rejection of it as impossible should at least be tempered, especially if, as Zuko’s dialogue in this scene and Sokka’s in the earlier scene imply, we’re meant to learn from this episode that Aang is right.

In spite of how poorly argued Aang’s position is, I do agree with his basic thesis about the importance of forgiveness, and I’m disappointed how many people seem to be ready to dismiss it outright in order to give Zuko the moral high ground in this episode. I don’t think that’s even necessary to defend Zutara as a ship, which brings us to our next point.

4. Does this episode show Zutara in a positive or a negative light?

“Come on, kids! ‘Zutara’ never would have lasted! It was just dark and intriguing.” - Bryan Konietzco

For those who buy into this claim that Zutara was too dark to be a functional romantic relationship, The Southern Raiders is usually the primary episode cited as proof. And it’s not a lighthearted episode. The creators described it as “probably one of the most intense episodes of the series”. It deals with unusually heavy subject matter for a half-hour timeslot cartoon for kids, and sees Katara struggling with some very dark feelings. But confronting darkness does not necessarily make a character, storyline, or ship dark.

Some argue that this episode shows Zuko bringing out the worst in Katara, and there is some truth in that, inasmuch as the effects of his betrayal in Ba Sing Se are still being felt. But Zuko is also making the effort to help her move past that, as well as her childhood trauma. In the course of their “field trip”, we see them working together effectively as a team, and in an understated but crucial scene, we see Katara open up to Zuko about that pain, unprompted, and Zuko once again offer her comfort - which no other character is ever shown to do.

“Your mother was a brave woman.” / “I know.”

Consolation is a different thing from moral guidance, but just as necessary. And where Aang’s attempts at the latter come across as inept, Zuko seems to know exactly the right thing to say to comfort Katara at that point. Katara’s memory of her mother’s death, even though she doesn’t have all the details at this point, makes it pretty clear that Kya died protecting her, which again highlights the similarities between Zuko and Katara - he also lost his mother because she was trying to protect him. I think it’s a pretty safe assumption that their repeatedly paralleled backgrounds are the reason these two characters seem to get each other so instinctively, and here we have another excellent example of that right in the middle of the episode that supposedly shows what a bad influence they are on each other.

And then of course it ends like this:

So dark. Very intrigue. Much dysfunction. Wow.

Are all of Zuko and Katara’s actions in this episode beyond reproach? No. Why do they have to be? What’s wrong with two characters confronting a difficult situation and making some questionable choices but ultimately both growing from the experience? That doesn’t prove that a theoretical romantic relationship between them would be doomed to failure. It actually provides a pretty good foundation for a healthy relationship that they can work through these things together. I mentioned earlier the reciprocal saves in the escape from the air temple, and I still maintain that’s emblematic of a larger pattern of Zuko and Katara mutually enriching each other’s character arcs.

Which is another important point to make here: this episode is not the be all end all of Zutara. We see so many more interactions between them, from the unexpected connection they make in Ba Sing Se to Katara’s friendly teasing in The Ember Island Players. And then there’s the four episode finale.

Bringing this back from the last meta for a victory lap.

So I would say that the portrayal of Zutara in this episode, in the context of the rest of their relationship in the show, is overwhelmingly positive. They’re not perfect, individually or together, but they’re a far cry from grimdark dysfunction. Furthermore, some of the morally questionable aspects of their actions in this episode are even narratively questionable as well, which brings me at last to my final point.

5. What were the writers trying to do with this episode?

I’ve already talked about how I find the effort to portray Aang as a wise moral guide unconvincing, how I think Zuko’s nastiest dismissal of him makes little sense given Zuko’s own prior experience, and how Katara’s ultimate refusal to forgive Yon Rha doesn’t fit with the episode’s apparently intended moral. But other scenes, like the air temple escape sequence, the clifftop argument between Zuko and Katara, and most of the “field trip”, are fantastically written. So what’s going on here?

Well, there’s always the Team Ehasz Conspiracy Theory.

It’s speculation time again!

For those unfamiliar, “Team Ehasz” consists of husband and wife writing duo Aaron Ehasz, the head writer for the series and writer of several episodes, and Elizabeth Welch Ehasz, who also wrote several episodes, including The Southern Raiders. Various iterations of the conspiracy theory range from giving them credit for many of the show’s most successful narrative choices to asserting that they had an entire alternative vision for the show that frequently clashed with Bryke’s, including that they supported the idea of Zutara. There’s little to no evidence for any of this, but it’s…vaguely plausible based on what we do know for certain was the work of Team Ehasz, and that’s all that’s necessary for it to pass into Zutara fandom urban legend.

One wrinkle of this theory - which if anyone does have verifiable sources on I’d love to see - is the rumor that Bryke were supposedly unhappy with the original draft of The Southern Raiders because they felt it was “too shippy”, and insisted the episode be revised accordingly. If it were true that there was a creative clash behind the scenes, that would explain a lot of the episode’s inconsistencies. 

Perhaps the unsuccessful attempt to show Aang as a wise moral authority was a Bryke addition. Maybe Zuko’s uncharacteristic mean comments were meant to make him less sympathetic, lest anyone ship him with Katara. We’ll probably never know for sure, but whatever happened in the writers’ room, the end result is an episode with a lot of great scenes and important character development that nonetheless fails to land a coherent message. Aang is wise beyond his years for giving shallow and immature arguments for his philosophy of forgiveness, but in the end Zuko and Katara learn he was right all along, except Katara doesn’t actually forgive the person Aang wanted her to forgive and never will. Um. Okay.

At least we got badass ninja!Zutara out of it.

Bonus Point: The Writing Fail Train Doesn’t End There!

The episode ends with Zuko asking Aang a very important question: If violence is truly never the answer, as Aang claims, then what is he going to do about a little problem named Ozai? We cut to credits and never see Aang’s immediate response to the question, but of course this is an issue in the finale, with the potential consequences of Aang’s refusal to kill Ozai famously made a non-issue thanks to an eleventh hour power-up granted to him by a deus ex machina.

Maybe if a magical lion turtle showed up to resolve my moral dilemmas for me, I’d be as naïve a pacifist as Aang, too.

[emblazcned]

❛ if you ever need anything, anything at all, and i can do it without moving from this spot, just ask. ❜ (from Mai! but also, if you ever want to write w/ another muse lmk & I’ll send u a meme from them too

@gcldveiined || Animal Crossing Starters || accepting!

“Without MOVING, huh?” Zuko peered back at where she had so COMFORTABLY staked her claim over the loveseat—that she… definitely was LOVING, and— OKAY, less time needed to be spent in Sokka’s company (jokes like that were his thing for a reason). “I think I might be able to find a few things that FIT in that category, but all of them would require I move from my spot; should I summon the servants to CARRY me to you?”

And they would.

They absolutely would.

So he didn’t—because they probably wouldn’t take it as a JOKE, either. (Again, Sokka’s thing.) And the very last thing either of them needed was ANOTHER reason for servants to be hovering over their shoulders every waking breath.

[seyaryminamoto]

How does Sokka and Azula make sense? Not bashing just confused. I have attempted, really, REALLY attempted to read the fanfiction with them but I can't fathom it. Personally I can see Azula and Aang or Azula and Ty Lee better...

Oh, boy. Gotcha, I understand you’re not bashing, but this is going to be hard to explain if that’s what you think makes a better match for Azula.

What I’m getting from your preferences is that this really is a matter of tastes. You may be choosing Ty Lee and Aang over their gentleness, maybe? You think they’re happy, they’re sweet, so they’re ideal counterweights to Azula’s cold, abrasive nature? If that’s what you’re thinking, naturally you won’t see how Sokka and Azula make sense. This may be how you’re looking for Azula’s “happy ending”, if we may call it that, and I’ll say there’s nothing wrong with you thinking that way, Anon. You are allowed to have your own opinions and shipping tastes, regardless of what they may be. 

But, alas, as it must be obvious, I find Azula’s “happy ending” can be very different from what Ty Lee or Aang could provide, and it happens to be extremely fulfilling for me to see Azula and Sokka together instead. Below, a longer explanation of why I choose Sokka and Azula over any other ship for them.

For starters, it must be obvious that I disagree with you. I absolutely adore Sokkla, with the force of a thousand suns, and I’ve never found a pair that suits each other as well as Sokka and Azula do. And I mean in any other fandom, too. Matter of tastes indeed, but this is how it’s been for me up to date.

So, of course, that means I find other Azula ships to be less satisfactory than Sokkla. And here I’ll explain a few things where, in my opinion, Sokka surpasses Ty Lee and Aang as partners for Azula:

Personally, I don’t like Ty Lee’s history with Azula. While Ty Lee can be very sweet, she also has proven to be one character (along with Mai, truth be told) who can lie to Azula’s face and Azula will swallow it all without having any clue of what’s going on. Ty Lee has learned how to lull Azula into false senses of security, and she betrayed Azula, something Azula will have a lot of trouble getting over, if she ever does. The way I see it, Ty Lee and Azula would have no walk in the park fixing this relationship, because Azula’s likeliness to trust her friend again isn’t very good. Especially when Ty Lee, canonically, isn’t interested in fixing this relationship. So… as I see it, canonically, Ty Lee’s dishonesty is a major problem that won’t be easy for Azula to overcome. While she could be very loving if she feels like it, the show (and then the comics) press that Ty Lee doesn’t really feel like being loving with Azula, at least ever since Azula yanked her out of the circus.

Sokka doesn’t offer the same problem. Sokka is ridiculously honest, blunt to the point of insensitive: this is something I personally think Azula needs. He won’t pull his punches, he’ll tell her what he truly thinks about anything. Whether she’s going about things right, whether she’s going about them wrong, he won’t hesitate to tell the truth because he also has a very bad sense of self-preservation. I mean, Azula shoots a fireball at him and yet he still stands there waving at Ty Lee because she smiled at him? In clear shot? So yes, no self-preservation. He’d tell Azula blunt truths and only think “Oops, she didn’t take that well” a little too late.

But the thing is, Azula would appreciate his brutal honesty. Her closest friends lied to her, betrayed her, chose someone else over her. If someone like Sokka, honest to no end, picks HER? She knows he’s for real. She may think he’s wrong to want a monster, may hesitate, may be unsure of how this will work out, but she’s going to know he means it. It’s not going to be empty words or shallow promises with him. This in particular is something I emphasize as a quality Sokka provides in this relationship that is hardly paralleled by any other ships (also, if he ever did try to lie about anything it’d be obvious too, so Azula would be able to tell immediately, that’s how I write it anyways).

And the loving aspect Ty Lee provides is something Sokka could provide too. Just look at him in his relationship with Yue, how he defends her even when Toph wasn’t even attacking her outright. If you ask me, Azula deserves someone like that. Someone who’d stand up for her regardless of whether she’s listening or not. Someone whose dedication to her is absolutely genuine. And Sokka can very easily be that someone, if their relationship is developed properly, of course.

Now, as for Aang, does sound reasonable to some degree that the most morally and ethically correct character would influence one of the more morally corrupt ones, I guess? But the thing is that Aang’s morality is very… uh, extreme, I’d say. Azula has always been ends-justify-the-means, and I don’t think Aang could tolerate this easily at first (which would make relationship development a lot more complicated for them). Aang didn’t want to kill Ozai at all, refused to (although, uh, he kinda has killed other nameless people before, surely, soooo… that was kinda hypocritical, but the show let it slide), and he also reacted explosively when the others insisted that it was the only way (sure, they were wrong, but at the time they seemed to be right). Whether Aang is ethically correct or incorrect, the fact of the matter remains that he’s very strict with his sense of morality.

Meanwhile, Sokka’s morals are top-notch if you ask me, even though he doesn’t see the world in black and white. He dares trust a Fire Nation old man from as early as episode 10, and he challenges Jet because he knows is doing the wrong thing. This isn’t to say Sokka is exempt from making morality mistakes, but he’s usually a lot less preachy about his ethics, too. He has his principles, but he doesn’t really force them on anyone. He tried to convince Katara not to kill Yon Rha because he knows it won’t bring their mother back, but he doesn’t hesitate about doing what needs to be done to protect his friends and family. He will blow up a bunch of tanks off the Northern Air Temple if he has to. He will kill Combustion Man. He will tear down all the airships he can if it means stopping them from burning down the Earth Kingdom.

The basic difference is that Sokka doesn’t LIKE resorting to drastic measures, but he will do it if he thinks there’s no other choice. Aang instead won’t ever want to resort to those drastic measures, and if backed into those situations he’ll likely always try to find another way out. The way I see it, Aang’s strict mentality that won’t accept murder, for instance, as a resource to put an end to a menace or two, won’t sit well with Azula. Instead of leading her to rethink her own ethics, it can lead her to dismiss him as childish, innocent, idealistic and whatnot, and as I said above, this would cause rifts between them. Sokka, instead, will kill if death is the only way (but he will always choose another way if there’s another one). His cold blood in these regards is not too different from Azula’s: but his morality is a lot better than hers. In matters where she might think “If the enemy won’t comply then we threaten them…”, Sokka will stop her if he can think of another alternative to achieve success. And she will listen to the alternative, because maybe it can be more effective than what she wants to do. But Sokka won’t stop her with “No, this is so wrong!” but rather, “You don’t have to go to those extremes when this is a perfectly feasible alternative where nobody gets hurt”.

Sokka serves as a moral influence on Azula really well, if you ask me, because of how much of a pragmatist he can be. In those regards, he won’t be too different from her. But he will never pass a sentence on someone just on the basis of where they came from (old man from the Fire Nation, as an example), he won’t preach morality in a strict way even if he will certainly try to stop her from making bad mistakes and treating people wrongly. But she likely won’t feel like he’s a goody-two-shoes, the way she might with Aang. And I think that would make her a lot more receptive to what Sokka would say about morality than what Aang would.

But there are also other reasons why I suspect she’d listen to Sokka, and respect him, and it’s involved with one of the most powerful reasons why, I think, people ship Sokka and Azula: They have a huge number of things in common! 

First off, their families are fairly similar, only, Sokka’s isn’t a toxic mess while Azula’s is. The two of them admire their fathers (as usual, let’s not focus on the awful things Azula’s dad did…), gravitated towards them instead of their mother, from the looks of it. And they are the trouble-making, teasing siblings. Sokka will mess with Katara a lot, usually gets bitten back for it, Azula will tease Zuko to no end and Zuko explodes: both Sokka and Azula are, thus, the pragmatic, intelligent siblings with a sense of humor to siblings who are emotion-oriented, constantly striving to do the right thing, and whatnot.

So, their families are similar, and also they both have sense of humor. A major, seriously important factor, though, is intelligence. Sokka and Azula are both the smartest people in their respective groups (which, interesting, also turns them into the leaders). Azula certainly seems smarter, going by how her long-scale plans tend to pay off flawlessly, but therein lies the difference, the way I see it: Sokka likes long-term plans but he’s not so good at executing them. Instead, the show presents us a Sokka who can improvise rather quickly, who can analyze situations very fast and come up with solutions to handle every obstacle on the way. So, we have two tacticians here, but different kinds of tacticians: she’s good for long-term planning, he’s good for short-term. Imagine the unbelievably badass team such pair would make in a battlefield. I tell you, not a lot of people could stand against such leadership and tactical power.

But of course, there’s a lot they’re not equals on. Their origins are vastly different, and even though Sokka is somewhat a prince, he was raised humbly while Azula wasn’t. Water Tribe, Fire Nation, bender, non-bender. But see, curiously Azula doesn’t discriminate races or nations. At most she is classist, since she does call others “peasants”, but she takes the Dai Li into her service just fine because she sees how useful they can be. She discards a whole procession of firebenders and chooses to travel and finish her mission with two non-benders. So, if anyone’s thinking “She’d never want a Water Tribe non-bender”, the evidence really says the opposite. She’d be able to see what he has to offer, no matter his origins or lack of bending.

The encounter during the Eclipse also speaks for something that I don’t even need to headcanon as a possibility. Azula notices Sokka’s leadership, singles him out as the one who needs to be stopped. She might have tried a different strategy if she had seen Aang was the leader (like “At this moment, my forces are preparing to attack as soon as the sun is clear again, and your precious friends won’t survive… that is, unless you help them now instead of playing around with me”, for instance). She doesn’t. She goes for Sokka. And Sokka pushes her to that wall, glaring at her with defiance, and she responds with the same challenge in her eyes. Fact is, he’s not afraid right then and there. He’s fierce, he’s strong, and she’s seeing into the eyes of a man who will stand up to her if need be. Only when she attacks does he back off, and even when she ran he briefly wanted to stop her before realizing he’d made a terrible mistake by falling for her trap.

What this scene makes me think, in conjunction with the Boiling Rock’s fight, where Sokka and Zuko fight her, is that Azula would have no trouble in genuinely respecting Sokka, just the way she respects Mai, for instance. Sokka actually could have killed her in Boiling Rock, you know? There are moments where he’s just holding Space Sword inches away from her face or throat. Azula struggles keeping him at bay, and you can see he’s making her struggle. Basically: respect. As a warrior, as a leader, as a rival tactician, Azula absolutely would grow to respect Sokka because she already did in the show. And frankly, this sort of intellectual-warrior-respect bond isn’t something I can see in her canon or potential relationships with any other character in the show. This level of equal standing between them, the whole fact that the Day of Black Sun turns out to be Sokka vs. Azula (both physically and intellectually, since it’s his plan vs. her response to his plan), it tells you there’s potential. Lots of it.

Now, I cannot and will not deny they’ll butt heads, A LOT. Something else they have in common is stubbornness, no doubt. Neither Aang or Ty Lee are this stubborn, so maybe this is one of the reasons why you feel those two would match Azula better. Thing is, if Sokka and Azula find a rhythm, figure out how to handle their differences, how to balance each other, they make a brilliant match regardless of their stubbornness (if anything they get like Gladiator Sokkla as they are right now: their conflicts become lighter, sillier, and they just love it). I, personally, write them to make this happen. I write Sokkla to give them balance, not for one to overcome the other in any way. I want them equals, never uneven.

Truth is, the reason I jumped fully on board with Sokkla was because I ended up concluding this was the relationship that, if handled well, could make Azula the happiest. Sokka would get her, you know? He’d influence her in regards of morality, encourage her towards being better, but not by preaching how to be a model citizen to her, and he’d also be a challenge in regards of intellect: just imagine the board games, the two of them testing each other, working to beat one another and figuring out the other’s weaknesses and strengths. Sparring-wise, Sokka already proved in canon that he can be a challenge to her, and Azula is clearly aware of how deadly his sword is. Whether you do what I did, by having it so Azula hadn’t be taught how to use swords and Sokka teaches her, or whether you make it so she always knew, they can spar and have lots of fun with that too. And heck, a recent headcanon I thought of was Hakoda, Sokka and Azula having a bad jokes competition that everyone else flees from (it is known Hakoda and Sokka have the same sense of humor).

In short, I see a future with Azula and Sokka that holds endless adventure for them. If their potential wasn’t this great, I assure you, Anon, I would have never written a fic of the size of Gladiator. I’m nowhere near done with it. There’s so much story to tell with these two, and it’s amazing to rewrite ATLA completely with these two at the center.

(Also, I answered another ask about why I think Sokkla is the perfect match for Sokka, and not just for Azula, so if you’re interested in that side of the matter, here you go. Better than repeating myself.)

You are allowed not to ship Sokkla, nobody will stone you, nobody will be disappointed in you (plus, you’re anonymous, so who’d even know? xD). If you don’t see it after all I wrote here, that’s fine. If you still think Ty Lee or Aang make better matches for Azula, that’s fine. People can indeed agree to disagree and not clash about it, right? Only, if you follow me you should know (if you haven’t realized it yet) that I’ll always be posting Sokkla, so I warn you already that, um, you may not enjoy yourself much here if you can’t wrap your head around the ship. But really, you may just be like I am with Toph and Sokka. I have never been able to ship that, even though I tried at first. It just doesn’t work for me on some fundamental level, so if that’s what’s going on with you and Sokkla, I get it. Just, keep in mind the reasons I described are as valid as anyone else’s ideas for shipping Azula with someone else. I think the amount of fanfiction that has been written for them speaks for itself regarding how much potential Sokkla has.

Anyways, thank you for coming into my askbox to ask this out of genuine interest, and I hope my answer wasn’t rude in any way.