#also what they're saying is a reference to another movie

[qveenpoppy]

things i noticed in my pilot rewatch:

wolf almost immediately grabs a glass of champagne when he walks into the wedding with his first patient. i know the show's hinted at him having drug issues, but maybe he has some alcohol ones too? (unless that idea was abandoned since the pilot was written/filmed.)

"except now we're prescribing drugs instead of taking them." "speak for yourself." yeah he's definitely still dealing with those drug issues. i feel like the show's mostly implied for that to be a past thing (we've only seen him take anything twice, to my memory? not counting 1x09's upcoming flashback sequence) but i wonder if/when that'll become an issue again (maybe another patient loss that hurts wolf harder than roman's did? like a father figure, that'll bring back his feelings of guilt over his dad's death?)

it's tiny but i feel like van's crush is hinted at here, with him offering ericka an extra pair of scrubs (while jacob cockily jokes about his being too big for her) and the way he sneaks a glance at her while she changes (not in a creepy way, it's like a nervous/shy kinda way).

he also smiles at her when she yells at jacob while they're searching for hannah's childhood home, after jacob un-empathetically says the kids would be better off with their dad (guess van likes strong women; girlboss/malewife vibes? lol)

"do i ever have to talk to him again?" (wolf talking about nichols.) lmao, you're gonna be in love with him in about 6 episodes from now. also someone write me some pilot era wolfnichols hate sex.

"name one person you like who's not a patient." "you, i like you!" he's so autism-coded ❤️

wolf still uses cassette tapes in his car (which is also quite old, since it still plays tapes), what a grandpa

carol has a picture with michelle obama in her office (not really an important thing to notice, but i thought it was cool)

there's a line in one of the flashbacks (apologies for not quoting it verbatim) from muriel about "keeping our differences to ourselves", which probably explains why wolf isn't super open about his facial blindness. (and probably applies to all of his other traits that make him "different", like his sexuality, or popularly headcanon'd autism. i mean, i know he's open about his sexuality now as an adult, perhaps as a way of rebelling against his mom, but, as we may see in more flashbacks, he probably kept it to himself for quite a while.)

van is completely frozen when hannah has her seizure, he even backs up a little when she falls out of her chair. probably didn't wanna touch her and experience a phantom seizure.

whoever directed the ep made zach & teddy look like they're the same height when nichols confronts wolf and kicks him off the case. i guess it keeps them, literally and figuratively, on the same level in the dispute. but now we all know that wolf's actually shorter, and it's funny how that's been primarily highlighted when they're fooling around with each other. (i know it's an intentional directing tactic, though, bc a similar thing was done in the batman v superman movie when bruce and clark stand eye to eye - henry cavill is also 3 inches shorter than ben affleck. emphasizing the height difference would imply a power imbalance, which you don't want in these sort of gray zone conflicts!)

"the only way this will work is if we open up to each other." [nichols walks by and catches wolf's eye] foreshadowing

(i don't mean just like foreshadowing their romance, but maybe also the impact that nichols will have on wolf, getting him to open up about his past and whatnot. same, perhaps, for nichols, since we still hardly know anything about his background, besides his military experience and implied own closeting.)

(could also quite easily and literally refer to their work relationship, as we learned from that interview with teddy that, despite their romantic connection, they're still going to have some disputes about patient treatments in future episodes/cases.)

[luigikittykat]

Manifesting Luigi having a productive B plot involving a prison break and the surprisingly dark Lumalee being his buddy.

[hiddenreamers]

F1 Drivers x foreign!reader

SUMMARY: When they know social norms and the local language, sometimes it might be hard to spot a foreigner. Even then, there are details to their daily life that might give away their heritage. Whether they're strange, funny or heartwarming, it doesn't really matter. Your boyfriend wouldn't have it any other way.

Featuring: Lando Norris, Lewis Hamilton, Daniel Ricciardo (it's my delulu I set the rules), Max Verstappen, Carlos Sainz Jr, Charles Leclerc, George Russell, Oscar Piastri

Note: I'm a Polish gal, so the examples I've used are quite specific and probably not universal

Lando Norris

You're unsure if his terrible pronunciation is genuine or just a ploy to make you laugh. As time goes on, you're leaning towards the latter. The comedic timing of throwing out mispronounced random phrases and words is almost too perfect to be accidental. Considering the cultural differences, you have your quirks and superstitions that are largely funny and meaningless to him. Despite his lack of understanding, he adheres to them like the letter of the law (except speed limits, of course). While it might seem pointless to him that you have to knock on "something unpainted" after talking about misfortune, Lando will never make fun of you for it. He might laugh, yes, but he just finds those little rituals endearing. Secretly learns to say "I love you" in your first language but this time, he wants his pronunciation to be impeccable. He really means it, after all.

Lewis Hamilton

He's been showing genuine curiosity from the very beginning. While he wants to get to know you better as a person, he also wants to know more about your home. Consequently, Lewis jumps at any opportunity to travel with you to your native country. When you're pointing out different buildings as well as memories associated with them, he feels like he's getting a better understanding of who you are and why. Like Lando, he's mindful of the cultural quirks and sticks to them but doesn't find them as funny. While he's well aware you don't expect him to follow them, Lewis still refuses to kiss you over the threshold once you tell him it's said to bring bad luck. He's not going to risk it, is he?

Daniel Ricciardo

The ever-charming man is interested only in learning swear words and pick-up lines in your native language. Not very surprising. Even less surprising is the fact that you might have (on at least one occasion) taught him nonsense or a silly phrase while claiming it's something sexy or romantic. He is yet to be corrected that a certain phrase is not a heartfelt confession but a simple question of "Where is my sauerkraut?". There's something impossibly attractive about you speaking your mother tongue, according to Daniel. You could read aloud a random Wikipedia entry and he's down bad by the second verse.

Max Verstappen

Practical as always, Max has learnt to read your first language just to occasionally help. You're busy and someone is texting you? Maybe you forgot the next ingredient or step for the recipe but your hands are dirty? Max is there to help. Despite not much practice, his pronunciation is really good. He does, however, have a secret. All the random things he's been reading for you? They got him familiar with the language, at least the basics. Still, Max pretends that he doesn't understand 99% of what he's reading for you because he doesn't want to miss out on all the ego-stroking "Max is wonderful!!" messages you receive from friends and family. The king of keeping a straight face. He's so used to hearing you refer to him by pet names in another language that when he hears it in a movie you're watching, he instinctively looks towards you.

Carlos Sainz Jr

Similarly to Max, Carlos has picked up some of your mother tongue. Pretends he doesn't because he's living for the gossip you exchange with your friends. Most of all, he HAS to know what you're talking about after hearing you say his name. Are you happy with him? Does he fulfil your needs? Although each time you're gushing over him, he can't help his curiosity. Carlos might or might not have overheard you talking to your friends about a sexual fantasy and later on used that knowledge to his advantage. But if anyone asks, he doesn't know more than a "hello" in your first language.

Charles Leclerc

Like many multilingual people, you have a habit of directly translating sayings and idioms or just getting confused about which ones work in what language. Funnily enough, Charles unknowingly picked up some of the phrases you use. He realises only when someone gives him a strange look for saying "happy as a whistle". On another occasion he says somebody "stuck to him like thistle to a dog's tail", which sparked a landslide of memes. Charles insists on you calling him pet names in your first language exclusively. He claims they sound more loving when you say them in your mother tongue but maybe he's suffering from the same ailment as Daniel Ricciardo...

George Russell

As adorable as they are, George's random questions can get slightly annoying. He might be working you up on purpose, not that he'd ever admit. This man has a curious tendency to suddenly point to a random object and ask you what's it called in your native language. When you tell him, he exposes you to possibly the worst attempt at repeating the word. George is trying his best, okay? He might not be able to pronounce or write it but when you say it, he quickly learns to recognize the word. This has lead to seemingly strange situations when you can't remember the English expression and say it in your mother tongue, while George without a problem gives you the answer or passes you the item. Some of the other drivers are now convinced he knows your first language and George somehow can't find the right occasion to correct them. After secretly practising, he says "I love you" in your mother tongue and despite the rather awful pronunciation, it's the best thing you've ever heard. It's not flawless but it's perfect.

Oscar Piastri

Similarly to Lewis, he's genuinly curious about your homecountry. The difference is, Oscar is more leaning towards the literature and pop-culture side of things. He has a list of books, poems, movies and plays that are considered important to your homeland. If there are English translations, he'll at least try to read them (on a few occasions he's settled for the cheat sheets and summaries). Multiple times Oscar has talked you into reading the original to him and afterwards claimed that despite understanding nothing, that's his favourite version. Movies, however, he wants to watch with you. It's a cozy date, yes. But! It is also an opportunity to learn more as you have a tendency to pause the film and explain jokes, give broader context or share a fun fact about something on the screen. Through all of that, he learns certain unspoken social rules and superstitions. You tell him he really doesn't have to follow them for your sake when you notice he refuses to put your bag on the floor or switches seats with you if you sit at the corner of the table.

[yzzart]

we need more tom and y/n interviews! and if you can and want, can you write an interview where they're answering fan questions? ❤️

"According to fan questions..."

pairing: tom blyth x actress!reader.

summary: invited for another interview, you and Tom answer some questions that fans asked you.

word count: 1.095!

"Are we really cliché?" — Tom questioned, looking down, probably getting distracted by a fixed point, and then raised his eyes to you. "Hm, let me see…" — You crossed your legs, holding your elbow with one hand and the other rested on your chin, pretending to think of a promising answer and your boyfriend's laugh exclaimed in your ears. "Oh, yes, we are!" — Your voices rose together at the same time and more laughter settled in the decorated and comfortable room.

"Hi, i'm Tom Blyth." — Tom introduced himself, raising his eyebrows, in an inviting and dynamic way; quickly, turning his head with a shy smile in your direction for your introduction.

"And i'm Y/N!" — The brit's smile widened when your eyes met his.

"And we're here to answer some questions asked by you, the fans." — He explained, looking at the camera and, again, at you; it was, technically, impossible not to be excited about what was to come and even more so because of the suspense of the questions that would be presented.

The questions were about random topics, of course and obviously, you could expect anything. — From behind the scenes to your personal tastes, but, without going beyond the limit. — In fact, it would be fun.

During the editing of the video, frames and excerpts of the questions would probably be shown; making it more explained and organized. — For you and Tom, the people who were working behind the cameras said and repeated the questions.

The first was… — "What was the best thing about this movie?" — Referring to "The ballad of songbirds and snakes."

"The best thing about film was working with Y/N." — He responded quickly, making his british accent even stronger and moving his fingers; you laughed, feeling your cheeks burn a little.

"Ah, the best thing about this film was working with…" — You made sure to form a suspense, having fun with your boyfriend who tilted his head towards you, waiting for your enthusiastic answer. — "…Tom Blyth!"

Tom could no longer contain his bold and bright smile, even biting his lips, and poking your leg with his hand; passing your through the delicate and fascinating fabric of the clothes chosen for the interview. — You tried to pay attention and look for words to extend your answer.

"I guess i can also include how fantastic it was to work with Francis Lawrence…" — You continued. — "…and it's impossible, really, impossible to find words to describe how magnificent it was and acting in a Hunger Games movie was like a dream." — Tom listened with attention and passion, focusing on every word that came out of his mouth. — "The connection we had with the cast was something so precious, they are the best people in the world." — And it was the purest truth. — "Not to mention how intense it was to live in my character."

It was a dream, strongly, fulfilled and conquered for you; and a sentimental wave, of the purest emotion, weakens when seeing what, in fact, you has achieved and won around you. — How many incredible, sweet and important people have come into your life and will remain in it; and you had no words to explain how grateful you were.

Including having met Tom in your life. — God, you could say how grateful you were to have him for hours and hours, reaching the long duration of the video.

"Oh, yes." — Tom leaned on the back of the chair, settling in a little. — "I think playing Coriolanus was, like, really deep and steady because we're talking about a guy who has two faces and acting him being really good knowing that later he will turn into something evil." — He thought about his words. — "But, it was good working with him, on him and with the blonde wig...." — You laughed, together with the people behind the cameras.

The second question was… — "Were there many recording errors?"

"Oh yeah!" — Laughing and shaking your head in affirmation, you responded, ready to recall various behind-the-scenes moments and factors. — "There were so many that i can't name just one or two." — You said. — "But, one of my favorites, and i think they already posted it, was during the harvest scene and Tom was laughing nonstop at Peter."

"Please, everyone was laughing!" — He stuttered. - "Including you!" — You supported your hand on his arm. — "He was funny, the way his character spoke was funny, so i couldn't concentrate properly." — Tom reported looking at the camera, remembering the aforementioned moment and laughing; joining with you. — "One of my favorites was all the times you called me by my name." — He directed his head towards you, who placed a hand on his face.

Not many times, at most, just three times; garnering laughs and recordings from the cast and film crew. — Rachel had already posted two videos where you end up getting confused, a little nervous, and calling your boyfriend by his name. — A normal thing, it didn't need exaggeration or a big alert.

"Come on, it was only three times." — The softness, almost embarrassed, of your voice ran through Tom's ears; he removed your hand from your face and picked her up, giving your a brief caress and admiring the rings that were present. — "And i remember Josh and Hunter called me a loverbird."

"I ended up forgetting this fantastic little detail." — Tom commented.

The third question, — "Is it true that Y/N is going to act in 'Billy, the kid'?"

"In my dreams, yes!" — You crossed your arms, dramatically, and faked a frown for the camera. — "I've already asked a lot, and at least to be part of the supporting actors or just to appear for at least nine seconds!" — Tom laughed and you moved your shoulders, wanting to keep your face serious. — "Do you think i'm joking? I'm not!"

"You really aren't, sweetie." — The oldest confirmed. — "Please, Michael." — He mentioned the director. — "Even i'm begging for it."

And the fourth question... — "What word would you describe each other?"

"I think defining you in just one word is one of the most complicated jobs for me." — Tom's hand removed some kind of stubborn thread, which was stuck in his clothes. — "Is it really just a word?" — He turned, towards the people who worked behind the cameras, who confirmed his question. — "The word enchanting fits you easily."

Blyth leaned back on the back of the chair again, but now leaning his body towards your; facing you completely. — His deep, exuberant blue eyes meet, for the countless time, with yours in that interview. — And your lips formed into such a beautiful smile, shyly showing your teeth against his answer.

You fell in love once again with Tom Blyth, in a full interview.

"Thank you, my love." — The attempt to hide your face and an embarrassed voice failed completely. — "The first thing, word that comes to my mind that can define you is fascinating." — Tom pursed his chin, listening carefully. — "Because everything about you is fascinating and manages to leave me speechless, most of the time, and captivate me too." — Now your boyfriend's arm was holding the back of your chair. — "Everything, everything about you fascinates me and even the discreet gray strands that must be growing in your hair."

"Excuse me?" — Tom questioned, with his mouth open and not expecting your last words, and looked at the camera with a surprised look; already you were laughing at his euphoric reaction, clapping your hands on your knees and almost slouching in your chair.

[amxrany]

!! CHAPTER 7 / DIASOMNIA ARC SPOILERS !!

Damn we are eating a lot (Part 2):

During the battle, Baul is shooked on how Silver and Sebek are good at dealing with horses to which Sebek replies that they're part fo the equestrian club so it's a natural thing for them

Yuu and Grim were about to get attacked by an Iron Man but Lilia comes in to defend them. BUT THEN LILIA PROCEEDS TO SMACK SILVER AND SEBEK BEING ALL "This is why I hate children 😒" 😭😭😭

After the battle we reach the castle (which is the castle in the Sleeping Beauty movie) AND THEN WE SEE THE KNIGHT OF DAWN

Anyways going back to the topic, we also get Henric, who is pretty much going "Meleanor if you don't get out of that castle right now we'll invade the castle together with the Knight of Dawn" AND JESUS FUCK HIS SPRITE 💀

Yucks

It turns out the Knight of Dawn doesn't want any part of this either, cuz Henric wants Meleanor's magic orb and dragon egg (aka Malleus) since they're really precious things

Idk what's up with this chapter and their thing for turning characters into orphans cuz the Knight of Dawn is also an orphan adopted by the king 🧍‍♀️, and Henric tells him that if he can steal the orb maybe it could save the king and Leah

We then see Meleanor, WHO IS A FUCKING BADDIE SO DAMN REAL TWST YKNOW HOW MUCH I LOVE YOUR WOMEN 😍😍😍

WE ALSO SEE EGG MALLEUS AWWWW

Meleanor tells them that she was planning to take a nap with the egg but useless people interrupted that, and she refers to the egg as Malleus already 🥹. Lilia is just confused and asks how is she sure that the egg is a boy, in which Meleanor replies that a mother is always sure and knows that Malleus will grow up to be beautiful like his father, Leverne

But then she sees Sebek and Silver and makes them get down on their knees (MAAM I'LL ALSO GET DOWN ON MY KNEES FOR YOU 🧎‍♀️🧎‍♀️🧎‍♀️), she then goes on about how humans are weak and stuff. Lilia tries to defend them but Baul tells us about Meleanor's hatred for humans and that we might as well stay quiet

But then Lilia loses his shit as well and tries to tell Meleanor about the danger that's just waiting outside but Meleanor refuses, saying that she wants to fight because she's a mother who wants to protect egg Malleus (I swear I can't this update is making me cry 😭). So she tells everyone to escape with the egg while she fights the Knight of Dawn and we get this scene of Lilia holding on to egg Malleus

Meleanor tells them to leave but Lilia refuses. So out of anger, she zaps him which causes everyone to panic cuz he has the egg and Silver tries to stop it but Meleanor gets even more mad that she zaps him too like jesus this woman and her anger issues. Silver tries to plead with them to stop fighting because people who love each other don't fight

Meleanor replies that even if she doesn't make it, Malleus is still there. But Lilia tells her that Malleus can't hatch without the true love of a parent. BUT THEN WE GET THIS REVEAL THAT LILIA PROPOSED TO MELEANOR 200 YEARS AGO AND HE ALSO LOVED LEVERNE LIKE LILIA MELEANOR LEVERNE POLY RELATIONSHIP IS FUCKING REAL. Meleanor reassures Lilia that he will find a way to love Malleus since he also loved her and Leverne 🥹

She then summons thorns that drags Lilia and the rest away from the castle, saying her final goodbye to both Lilia and Malleus (I'm crying rn guys). Lilia tries to find a way back in to save Meleanor but Baul yells at him to calm down cuz he was still holding egg Malleus, and that Meleanor trusted them to protect the egg

Meleanor makes her appearance to the Knight of Dawn and Silver Owls, which starts another battle....

Next: Part 3

Previous: Part 1

[2btheanswertothequestion]

Steddie rockstar x roadie AU, with Steve being Eddie's queer awakening

(in a not-fic-format because I cannot be arsed to actually write it)

So. Corroded Coffin isn't huge by any means, but they're big enough. Successful and respected within their genre. Has a loyal fanbase, constantly sells out smaller venues, gets to go on tour every so often. They're rockstars who've made it while still getting to live like they're not rockstars when off the clock (and stage). The best of both worlds, really.

They're gearing up for another tour and have a couple of new faces on their crew. One of them got the job by being a friend of a friend. He doesn't at all look like he'd be a roadie for CC, and he doesn't actually listen to them – he's more into classic rock (respectable) and occasionally new wave (not respectable), but it's whatever. He's strong and hard-working and gets the job done. He also withstands the initial hazing like a champ, even biting back a few times. Yeah, Steve Harrington carves a place for himself in the crew and is soon one of them.

Eddie is especially fond of the new guy. Partly because it's clear Steve is as enamored with Dustin as Eddie is, and mutual interests bring people together. But also because Steve is simply a fun dude to be around? He's nice. Except for when he's mean; then he's funny instead. He's honestly funny a lot of times, even when he doesn't mean to be. Like, sometimes someone will make an exceptionally nerdy reference that he doesn't get, so he'll tilt his head and scrunch his eyebrows as it's explained to him. And, all right, maybe that's not funny, per se. More like cute. Endearing. Eddie often finds himself endeared and wanting to pat Steve on the head like the sweet little puppy he so strongly resembles.

The others mock him for it. Tease him about his man-crush on Harrington. Eddie laughs along with them, because yeah! Were he into men, Steve absolutely would've been his type. Look at him! Guy's ripped and has great hair (almost better than Eddie's. Just imagine the mane it'd be if he let it grow past his shoulders...) and Eddie has great taste. He'd for sure be head over heels for Steve if he were gay, and he is man enough to admit it.

That's how the flirting starts – as an extension of the joke. It's not out of character for Eddie, who flirts with everyone. With reporters, interviewers, photographers, TSA officers, venue security, other bands, anyone! Gender, age, or appearance don't matter because flirting is fun. And it's especially fun to flirt with Steve, because he flirts back! No matter how much Eddie does it, Steve will flirt back and help make everyone laugh. It's a great part of their dynamic and actually brings them closer as friends. Dustin would be proud of them.

So, while on tour, they have this thing where one member of the crew gets to decide where they'll go after shows or on their days off. Participation is optional but encouraged, because it's an 'organic bonding experience' or whatever their manager called it. Occasionally it'll be a movie or a museum, but usually the destination is a bar or club. What's there to say, they're a bunch of male, red-blooded twenty to thirty-somethings – what better pasttime is there than to get drunk after a hard day's work? Yeah, every so often someone will pick up a girl, but it's a rare occurrence. A bunch of the guys has special ladies waiting at home, and for the single ones it's much easier to just book a date with their own hand.

There's one guy on the crew, Peter, who always takes them to a gay bar when it's his turn. This because he is gay. Duh. No one minds it, and if they do they don't come back next tour. Corroded Coffin prides themselves on their allyship. They're freaks of nature welcoming all other freaks of nature. Seriously, what does it matter if a dude likes cock instead of tits? Why is it wrong if he wants it up the ass? It's actually not that bad! See, Eddie used to date this woman who was puh-retty kinky. Pegging was just one of the many, many, maaaaaaany things she enjoyed. And Eddie loved her, so, well. It wasn't as good as she claimed it'd be, but it was fine. Enjoyable enough to do again. The point is that CC doesn't dance with homophobia, and Eddie will scream it from the top of every table.

Anyway. When it's Peter's turn, Steve (who hasn't gotten to pick yet because he's the newbie and they pick last) comments upon it. Nothing big. Nothing bad. Still, Gareth is on him, puffing himself up like a chihuahua and asking if Steve has a problem with it.

Eddie’s hands turn clammy with nerves in the split second it takes for Steve to roll his eyes and scoff "of course not".

Look, he'd really like for Steve to be back next tour, okay? They're buddies now and he doesn't want to lose him to bigotry. Also, it'd suck to have to tell Dustin that the guy he hero-worships is actually a douchebag. Nothing to fear, however – Steve continues to prove himself to be a good dude. He doesn't even blink when propositioned at the club! Simply tells them "thanks, but no thanks". Unsurprising, since he's cool with Eddie's nonsense, but there's a difference between a straight guy hitting on you as a joke and a gay guy doing it for real. At least, for some it is. But not for Steve. Fuck, Eddie hopes he'll be back next tour. He's on his way to being Eddie's new best friend and he'd miss him.

Then, it's time – they're in Chicago and it's Steve's turn to pick. Some of the others grumble over the newbie getting such a big city at his disposal. Eddie doesn't blame them for suspecting favoritism – it's happened before – but not this time! It just became like this and Eddie has nothing to do with it! Ask the other band members.

(When he breaks the news to Steve, his hazel eyes light up. He asks, "Can a friend of mine come with?"

"Sure, man," Eddie says, clapping him on the shoulder.

Steve buzzes with excitement, giddier than a kid on Christmas morning. Fuck, he's so cute.)

That night after the show, as they're leaving for the 'organic bonding experience' (seriously, Chrissy? Of all the things you could call it...), they're met by a young woman outside the venue.

She's tall and skinny, like a giraffe, and that's all Eddie can tell at first glance because she rushes up and flings herself into Steve's embrace. They hug, they laugh, they might cry a little, and he even spins around with her in his arms.

(Girlfriend? She's certainly pretty enough for it.)

Once the heartwarming reunion is over, Steve introduces her as Robin, and tells her that it's his turn to pick a place for them to decompress but he's making it her choice. Robin spits out options with a speed none of them keep up with; Steve stops her, saying, "No, Robs. I'm making it your choice."

They share a look.

She gasps.

They grin, mischievously, and then...

She takes them to a lesbian club.

It's open to gay guys too, obviously, but clearly caters to lesbians. It's a smaller thing, the kind that entertains a steady line of regulars. Apparently, Robin and Steve are among these regulars, because the bartender greets them by name the moment they step inside.

They order their drinks and claim a booth. Robin is quick to instigate a discussion about what dorky things Steve has done while away from her. Eddie is happy to share while Steve laments he should've known better than to introduce them.

An hour or so in, Robin skitters off to catch up with a group of women, all varying degrees of butch. Not ten seconds later, someone new claims her seat (which is also Steve's lap). Eddie mistakes them for a girl at first, because they're small with a high-pitched voice, but no, it's just the twinkiest twink. He makes himself at home on Steve's thigh, pressing a kiss to Steve's cheek and squealing, "Stevie! I didn't know you were back!"

Steve laughs. "Hey, babe. Just for tonight. I'm here with my coworkers."

The twink twists around in Steve's lap. He really is girly-looking: soft jawline, slender build, shoulder-length blond waves, and huge eyes enhanced with makeup. He even smells like a woman, strawberry and jasmine.

"Oh! The rock band!" He extends a dainty hand. "Hi, I'm Brendan!"

Brendan sticks around for a while. Like Robin, he wants to know what Steve's been up to. Unlike Robin, he's more interested in awe-inspiring stories than embarrassing ones (unfortunate, for the latter kind heavily outweighs the former). He doesn't move from Steve's lap. Kind of weird, actually. Like, there are available seats. Yes, Robin also sat exclusively in Steve's lap, but that's different. They're best friends and it was chaste and cute. Brendan is... honestly, Eddie doesn't know who Brendan is. Some dude who's shameless enough to rub his ass on Steve's dick in full view of everyone. Yeah, you're not as subtle as you think, babe.

He doesn't even move when they get up to let another crew member go to the bathroom! No, Steve slides out of the booth still holding him, Brendan perched on his forearm. His muscles flex, a vein straining underneath the skin, but Steve's face is relaxed. As if the – small, sure, but still grown – man in his arms weighs nothing. More likely, Steve is just that used to carrying things.

For some reason, Eddie's mouth dries a little at the thought of it.

At last, Brendan leaves, but not before sweetly kissing Steve on the lips and telling him to "let me know when you're back for real, stud".

Steve promises with a laugh, then turns back to the table and rejoins the conversation as if it was nothing strange. As if making dates with other men happens to him all the time.

Shit.

The entire thing leaves something gnawing on Eddie. He holds it in while in the club. He holds it in when they escort Robin to her cab. He holds it in as they walk back to the tour buses.

Then the others are gone. It's just him and Steve left, lingering to smoke in the parking lot, and he can't hold it any longer.

"I didn't know you're gay!"

Smoothness, thy name is Eddie Munson.

Steve shrugs. "I'm not; I'm bisexual."

"Right, right."

Eddie takes a deep drag, putting some of the smoke in the wrong pipe and coughing it up. Steve thumps his back.

"Woah, man, are you okay?"

"I'm fine," Eddie rasps, tears prickling his eyes. "So, um, is it okay? What we've been... The flirting?"

"Uh, yeah?" Steve tilts his head, eyebrows scrunching and, Jesus Christ, how can he be so adorable? "Why wouldn't it be?"

"Because!" Eddie gestures between the two of them. "You're bi, and I'm not, and is it offensive for me to...?"

Steve blinks at him, before bursting into laughter. Eddie feels the blush warming his neck.

"Don't be stupid," Steve says in between peals of giggles. "It's just a fun thing. S'not that deep. You don't have to lose sleep over it."

"Alright, man. Then I won't."

But he does.

That very night he finds himself tossing and turning. And thinking. Thinking about Steve. About Steve's strong arms and broad chest. About his square jaw and plush lips. About his thick hair and hooded eyes. About how the ugly polo shirts the techs wear look genuinely good on Steve, and about how his tight jeans leave little to the imagination. That particular line of thought has Eddie whimper and roll his hips against the mattress. Rachael's strap-on always felt kind of so-so. Was it because it was too rubbery or because it was too small?

He also thinks about what makes Steve Steve. Like Steve's selflessness, always the first to volunteer to do the tedious work so no one else has to. And Steve's barbed tongue, sharp enough to give even Eddie a run for his money. Eddie thinks about their easy banter, and how Dustin sings his praises, and how Steve let Robin pick a club when it was his turn.

After three consecutive nights of tossing, turning, thinking, and no sleep, Eddie comes to a horrifying conclusion.

It's not simply a question of 'want'. He's not just horny and curious. No, he likes Steve.

It makes things so fucking awkward. He has no idea how to act around Steve afterward. Falling for a crew member is bad enough (so unprofessional; Chrissy would definitely be on his case if she knew), but this is worse because he's a guy. Eddie's never been into guys before! Sure, there are men out there who are objectively hot. Eddie can admit that. But it's not the same. There are feelings involved here.

And the worst is that people notice. Steve notices. How can he not? When Eddie stops responding to their usual flirting, turning into a skittish bunny whenever Steve is close.

At first, it makes Steve pause. Tilt his head, scrunch his eyebrows, and pout in confusion (Eddie's heartbeat turns irregular every time he does). Then Steve pulls away, and Eddie's heart fucking breaks. The atmosphere among the crew turns tense; Peter starts sending him dirty looks that Eddie shrinks away from.

A few days into it, he's cornered by a pissed off Jeff.

"Dude, what's your problem?" he snaps; Eddie wants to sink into the ground. "I thought you were better than this. Who cares that Harrington is also into dudes? It's still Harrington! It won't kill you to treat him like you used to. No one is going to think you're gay for standing next to him."

Eddie croaks, "What if I am?"

"You- What?"

"What if... I like Steve?"

Jeff's jaw hits the floor. "What."

Eddie inhales deeply, staring at his wringing hands. "I like Steve. I've been thinking... After Chicago, I started to think about... And I realized I like him." A sob tears from his throat. "I don't know what I should-"

Jeff's arms wrap around him; Eddie buries his face in the crook of his neck.

"Jesus Christ," Jeff mutters, stroking Eddie's back. "Um, it's okay? We support you. No one will judge you! We love you all the same."

Eddie nods, Jeff's leather jacket squeaking with the movement. He's been wearing it since high school and it smells like home.

"I don't know how to act around him anymore," he sniffles.

"Why don't you tell him?"

Eddie recoils from the embrace to give Jeff his mightiest 'are you stupid for real' look. Jeff sighs at him.

"Oh, come on. You're his friend and a good-looking guy. Why not?" Jeff says, as if it's that easy. But...

"I'm not his type!"

"You don't know that."

"Yes, I do! Didn't you see that Brendan guy?"

Jeff falters. He realizes Eddie is right. Because, yes, Eddie is pretty hot. He has the long hair and a pretty face, he's been told. But he's still a masculine guy. A blue-collar type with calluses on his hands and dirt under his nails. He's not a svelte, dainty, little twink – he's as tall as Steve is, with more tattoos than bare skin and who smells like sweat and tobacco badly masked with cheap cologne, not strawberries and jasmine. He doesn't wear makeup or do his hair and some days he just fucking picks a used shirt from his pile and maybe sniffs it before putting it on. He talks too much and too loud. His limbs flail when he's excited. He's not going to sweetly ask for flattering stories about Steve – his instinct is to tease him for calling one of the guys from Nip/Tuck 'Dr. McDreamy'. He's closer to Robin than he is to Brendan. Jesus Christ, he's in the same category as Steve's lesbian best friend! Or at least he was, before he shot their friendship to hell.

There's no hope.

The tour ends on a sourer note than previous ones. It's all Eddie's fault. He doesn't even stick around for the last 'organic bonding experience' – he gets into his car at the first opportunity and drives home.

And then comes the wallowing. Several tubs of ice cream are consumed as High Fidelity plays on loop on Eddie's TV. He writes dozens of miserable, yearning songs and screens his calls, not even picking up for Chrissy or Wayne. It's not until Dustin's cheerful lisp rings out from his answering machine that there's a change. He's inviting Eddie to come visit him and Suzie and the cats in Massachusetts, like he always does after a tour.

Eddie can't turn that down. Besides, he probably needs to get out of the house.

So he goes, and it's nice. Dustin is still a little shit, Suzie is a pearl, the cats are cuddly, and Eddie is a good enough faker to mask his emotional state – his hosts notice nothing amiss.

Then, halfway through his visit, Eddie returns from his walk and who does he find unpacking their car in Dustin and Suzie's driveway?

Can you guess? I think you can.

It's Robin!

And Steve. They're a package deal, you know.

And Dustin's like, "Eddie! They're here! Oh, did I forget to tell you they were coming? Oops. Well, you already know them, so it's fine."

And Eddie is panicking, and Robin is trying to murder him with her mind, and Steve is just like,

"Hey."

Coldly polite.

Eddie hides in his guest room until dinner time. When he comes out, he expects Dustin to chew him out for being an asshole homophobe and kick him out of his life permanently.

But he doesn't. Dinner is as usual, if Steve Harrington ignoring you and Robin Buckley glaring at you is part of your usual dinner experience.

After cleaning up, Steve steps outside to smoke. Eddie, figuring he has to take some responsibility, follows him. Steve is standing on the deck, elbows resting on the wooden railing, his back to the house. He straightens up and turns when Eddie closes the screen door behind him. The sun has set, but the moon is out; Steve's profile is sharp in the pale moonlight, his posture sure. The cherry of his cigarette makes shadows and flames flicker dramatically over his features, highlighting the edges and the curves and he's so fucking gorgeous Eddie forgets how to breathe. Absence really does make the heart grow fonder.

He slinks over, Steve's gaze following him.

"Hi," Eddie says.

"Hi," Steve says.

"You didn't..." Eddie swallows. "You didn't tell Dustin?"

Steve frowns. "No. It's between us. For now, at least."

"Oh."

Shuddering, Eddie wraps his arms around himself. It's late summer and still warmish as long as there's no wind. Right now it's windless, the cold coming from within.

"I wanted to talk."

Steve hums, noncommittal.

"I wanted to apologize."

Another hum, more interested.

"I'm sorry. For how I acted. I've been an asshole and you don't deserve any of that."

Eddie glances up to gauge Steve's reaction, and oh. The whole evening, Steve's been aloof, cordially keeping Eddie at arm's length, but now...

Now he just looks sad.

A few weeks ago, they were close enough for Eddie to hug him when he looked like this. Eddie would crush his own heart with a sledgehammer if it meant they'll go back to that.

He says, "We haven't known each other for long, but you're already one of my best friends. Then it got weird at the end and-"

Steve's face hardens again, eyes tapering with anger.

"Things didn't 'get weird', Eddie. You made them weird. What the fuck?"

And Eddie takes a deep breath and says,

"I like you."

Shock colors Steve's expression; he takes a step back. It takes everything to stop Eddie from following in an attempt to reel him back in.

"I don't know when it started," he says, the confession tumbling out. "I always liked you? You're a good guy and fun to hang with and a great friend, and I guess you were hot, but a ton of guys are hot and it doesn't have to mean anything. I can be straight and still think guys are hot, you know? But then, in Chicago, you came out and I started seeing you differently. So, huh, turns out, in my case? Thinking guys are hot does mean something. And I freaked out because I didn't know what to do. Being close to you made me so nervous, and I couldn't tell you how I felt because just because you like guys doesn't mean you like me, and I already know your type is cute little blond twinks, and-"

"I actually prefer brunets," Steve says.

Eddie chokes on what else he had to say. He looks up at Steve, who's smiling. Kind of shy but mostly bright, eyes crinkling at the corners. His cigarette is almost down to the filter; Steve drops and snuffs it out without looking away from Eddie. His eyes are like gold, glittering.

"Y-you what?"

"I don't really have a type," Steve says, stepping closer. "I like who I like." Another step. "But, uh, most of my relationships have been with brunets." Another step, then stop – they're nose to nose. "Nerdy ones."

Eddie's head spins. He squeaks, "Oh?"

Steve nods. "I like smart, passionate people. And I..." He giggles. "I've had a crush on you since the beginning."

Eddie's head fucking explodes. It leaves a gash in his face that stretches from ear to ear. A breeze blows past, caressing his burning cheeks. It's his turn to giggle.

"You're fucking with me."

Steve tilts his head, but doesn't scrunch his brow this time. No, it remains smooth, but his eyelids droop as his eyes roam Eddie's body.

"So far, only in my head."

Eddie sputters. He grabs a fistful of hair and pulls it in front of his red face. Steve, the bastard, laughs at him. He reaches out, coaxing the locks out of Eddie's grip and tucks them behind his ear. There's an endlessness in his gaze; simultaneously looking through Eddie and at him. Seeing him from every angle, especially the ugly ones, but touching him just as tenderly anyway.

Eddie wets his lips. Since he caused the distance in the first place, it only seems fair he takes the last step. "Do you want to go out with me?" he asks. "A date?"

Steve leans in until they touch from forehead to nose tip.

"Yes," he says. "I do."

[otherone12]

Hi, I'm obsessed with the way you write your stories and I'd like to ask for a request, it's the first time I've done one but I love your stories. I'd like to ask you for one about basement gee x reader (the plot doesn't matter) but I'd like something smut (of course one where both are of legal age) but I'd like to see gerard as someone who is geeky and is in love (somewhat sickly) with the reader

I'm sorry if it's weird, and also English is not my first language so I'm sorry if the wording of the message is bad.

I’m Awkward, Not Dangerous!

Basement!Gerard Way x Reader

-> Masterlist

Hi!!! Omg, I'm glad you like my fics <3 !!! And also thanks for requesting!! I really loved the idea!! Well, I tried to make his nerdy side very visible, mainly by making him very weird in terms of social relationships and some geek references along in the story. Ngl, I had to write this one like three times, 'cause was never good enought, but I think it's nice now lol. I hope you like it! (If it turned out too different from what you imagined, let me know and I'll try to fix it :) )

(If u have some suggestion, idea, or request, just drop it! )

Summary: It suppoused to be another day, but things turned a different when Gerard invite you to watch a movie in his basement, let's just say he REALLY likes you, and you discovered this in the creepy way possible. (I'm terrible at writing summaries)

- Word Count: 3.000

- Warnings: afab SMUT, awkward gerard.

- Ps: I'll not use y/n…

- Ps2: I'm brazilian, so english is not my first language ... sorry if i wrote something wrong.

___________________________________________

1st Person POV

School sucks, our senior year was supposed to be a little funnier, right? Unfortunately, that's not what's happening, but it's infinitely better when they're with me.

Sometimes we spent entire periods outside the classroom, just chatting about anything and listening to our favorite bands, while we smoke behind the bleachers.

This was another one of those afternoons, where one less math lesson didn't make any difference, and it seemed much more interesting to hear Frank make jokes about someone's clothes. Followed by Mikey update us on the latest gigs in town, or Ray making insightful comments on every topic that comes up.

Sometimes, Gerard talks about the backstories of the heroes he created, so we spend hours thinking of outfits and some scenes that might be cool. Is really cute when he gets all excited talking about things he likes.

After a while, the conversation starts to wind down. Frank is scrolling through his phone, muttering something about needing to practice with his band. Mikey checks the time and mentions that his work shift was going to start. Ray says he has to study for some test he has tomorrow, and heads out first, leaving the rest of us behind with a lazy wave.

- Guess that’s it for me, folks. - Frank said, getting up - if I miss one more essay they'll look for another guitarist.

- I think I'll go too - Mikey stubbed out his cigarette and picked up his backpack, making his way to the video store - but I'll probably be home by 9pm… maybe later if Pete and I go drink something after the shift.

Within minutes, it’s just Gerard and I.

He’s sitting a little awkwardly, tucking strands of hair behind the ear, like he’s waiting for the right moment to say something. It’s sweet how shy he gets sometimes, especially when the others aren’t around to drown out the silence. There’s always something a little different about him when it’s just the two of us.

- So, uh…- He cleared his throat. - Do you... wanna come over? I was gonna watch that new horror movie I told you about. The really bad one with the cheesy practical effects…

His voice was low, and he blinked with his beautiful hazel eyes, pleading. After a few seconds, he gave a shy, hopeful smile.

- I mean, only if you’re not busy or anything…

- Nope, I’m totally free. - I smiled at him, excited to watch the movie with him.

The walk to Gerard’s house is filled with easy conversation. He talks about the movie, rambling about the director’s other films, his company was really nice, actually. Every now and then, my shoulder brushes his, and I swear I catch him glancing at me from the corner of his eye. Wasn’t something bothering, but it’s kinda… weird?

When we finally reach Gerard’s place, he fumbled with his keys at the front door, a little too eager.

- My parents aren’t home… - He said, being a bit surprised - Well, I'm gonna fix the things in my room in the basement… Can you wait a minute?

he scratched the back of his neck, apparently nervous, so I let out a smile in an attempt to comfort him. I understand that since we hadn't arranged it beforehand, he didn't have time to prepare or anything.

- Sure!

- I’ll be right back - Gerard rushed to his basement, and I stayed in the living room of Way’s house.

Looking around, I saw family pictures, some paints on the wall, books, a pretty carpet… It was a pretty house. Wasn’t long before Gerard returned from the basement, nodding and beckoning me to follow.

Wasn’t the first time I went to his basement, but I was never alone with him.

It’s cluttered but cozy, just like the other times: comics spread out on his bed, action figures on shelves, and posters of old movies plastered along the walls. His bed was covered with a batman sheet, and he gestures toward it with an awkward smile.

- Make yourself comfortable. - Again, he rushed away, going to the kitchen - I’ll grab drinks.

I sat down, noticing the little details scattered everywhere. He even has a stack of DVDs, just waiting to be watched. It’s easy to see how much of himself Gerard has poured into this space, and somehow, that makes it feel intimate.

He came back with two cans of soda, handing me one as he flops onto the bed beside me. His knee bumped into mine, but he didn't pull away. Instead, he pressed play on the remote, the movie starting with a dramatic, over-the-top horror intro.

As the lights dim and the movie flickers to life, I notice Gerard sneaking a glance my way. It’s quick, like he’s checking to see if I’m still there or if I’ve evaporated into thin air. He shifted in his seat, awkwardly pulling his hoodie sleeves over his hands.

I tried to focus on the screen, I really do, but out of nowhere, his hand brushes against mine. It was kind of an accidental touch, my heart raced, but I didn’t move it.

After some seconds of just the sound of the movie filling the room, Gerard cleaned his throat and took a deep breath, like he was trying to take courage to say something.

- Y’know… - I turned my attention to him - I’ve been wanting to do this for a while.

I Glance at him, and he’s looking at the TV like he’s afraid it might explode if he makes eye contact with me.

- Do what? - I asked, trying not to sound as jittery as I feel.

- Uh... spend time with just you. - He scratched the back of his neck, and his gaze moved from the tv to me.

I didn’t know what to say, so I defaulted to my nervous habit, fiddling with my bracelet, twisting it around my wrist like it holds the answer to every awkward situation. Gerard noticed, of course, because apparently, he has a PhD in Me Studies.

- You don’t have to be nervous, sugar.

“Sugar”? He never called me that way before. But he kept talking, like it wasn’t a big deal. I did not protest, I actually kinda liked it.

- You always mess with that bracelet when you’re nervous. - He said like it was something obvious - It’s... kinda cute.

I shifted slightly, trying to get comfortable, only to realize: Gerard isn’t watching the movie. He’s watching me. And he’s terrible at being subtle about it.

Before I can process what’s happening, he slips his hand into mine, like a middle-schooler figuring out how to hold hands for the first time. His palm is warm, a little sweaty, okay, a lot of sweat, but weirdly... I didn’t mind.

It wasn't as if I didn't like him, maybe I really liked him too, I'd just never thought about it before. Back to the movie, my mind was filled with a million other things to think about, so I couldn't even focus on looking at the screen. My gaze traveled around the room, but something caught my eye: a small, familiar notebook lying half-tucked beneath a pile of DVDs on the coffee table really close to his bed.

The same notebook Gerard always carries with him at school, the one he’s always scribbling in during lunch or between classes. I couldn’t help myself to take advantage of Gerard's distraction, and I flipped it open. 

My eyes went wide and my heart skipped a beat when I saw what was inside that notebook. Pages and pages of photos of me. Some printed, others cut out from old Polaroids. All of them are candid shots, taken without my knowledge. There’s one of me smoking behind the bleachers, another of me laughing with Mikey, and several from school, walking to class, sitting at my desk, leaning against my locker.

Each one is accompanied by small, scribbled notes in Gerard’s messy handwriting. Things like “She looks so pretty here.” or “I wish this was just the two of us.” … Along with sketches of portraits, pieces of comics that meant something in our “relationship”. There were sketches of us together, drawn in different comic styles, one of us as Jedi, another as superheroes, and even one as cartoon vampires, all accompanied by little speech bubbles with inside jokes.

Every page flipped, I got even more shocked about the large amount of content he has there. Things from years ago, and the last things were from the last days.

- Hey... What are you looking at? - His voice is soft, but there’s an edge to it now, a note of panic creeping in.

I glance up to see Gerard frozen in place, his hazel eyes wide with fear as he notices the notebook in your hands.

- W-where did you…? - He mumbled, turning bright red, embarrassed - Uh... I can explain! Wait, no, I mean- don't freak out... It’s... okay, it looks bad, but it’s not that bad.

He let go from my hand and got up, rubbing his hands together nervously. he began to pant, and his countenance indicated that he was desperately looking for an excuse.

- Well, it is exactly what it looks like! - I yell, turning back to the notebook, still shocked, analyzing every page.

He turned around, rubbing one of his hands over his face in a messy motion. Before long, he began to walk around the room in circles, while his shaky voice continued to speak.

- Oh God, I’m gonna die. Yep. This is how I die. - he murmured to himself, before facing me again - Just bury me under these comics.

Before i could say anything, he blurts:

- Okay, look… it’s not like I’m a total creep, okay? I-I just... thought you looked cool... like, really cool, and, um - The words rushed out of his mouth, as if he had stopped thinking and was just throwing anything to ease the situation -… okay, I might have taken some pictures without asking… b-but it’s not like ‘weird’ weird! It’s... more... uh... admiration?

I couldn't hide my look of confusion. At the same time as I wanted to get out of there, I didn't want to. It was obviously strange, but at the same time it was adorable the way he noticed me. The things he wrote in that notebook said so much more than I could have imagined he felt. Not giving me time to think about what to say, he kept going.

- I thought, y'know, maybe if I... cataloged- no, wait, bad word… uh, recorded...? - He groans - I swear I sound less creepy in my head.

- Look, I was gonna tell you... - He insists, fidgeting with the hem of his hoodie. - I mean, not like this, obviously. 

He catched my confused expression and groans again.

-Ugh, you probably think I’m a total loser now.

The more he spoke, the less frightening the situation became and the cuter he seemed to me. So I stood up, in a failed attempt to calm him down, but the result was the complete opposite.

- Wait! Please don’t go. I-I know this is... a lot. But I promise I’m not some psycho. - He pauses, then adds, - Like, I’m awkward, not dangerous! 

I don't know where that feeling came from. Maybe it's always been there. I wanted to hug him, kiss him and tell him that it was fine, that I knew he wasn’t a psycho. 

 - Okay, okay! I know I’m weird, but... don’t leave me hanging here. Please. I really... like you. - the statement caught me off guard. it's not as if it wasn't obvious, but I wasn't prepared.  -  Like, more than I ever thought possible.

The way he looks at me, a perfect mix of nervous wreck and hopeful puppy is strangely endearing. Something about his awkward honesty makes it impossible to walk away. So I finally react, letting a grin escape from the corner of my lip. 

- You’re such a dork, Gee. - I chuckled, and his eyes opened wide.

- W-wait, does that mean…? - A confused happiness made Gerard freeze and look directly at me. 

-Yeah. - I approached him, smiling and rolling my eyes - I think I like you too, you idiot.

-Oh my God… - his hazel eyes glowed and a huge smile formed in his pink lips - this is like one of those rom-coms where the nerd actually wins?!

I shook my head, laughing at his words. He’s still red-faced and fumbling, but it’s clear now: he’s just a lovable, geeky mess who adores me in his own awkward way.

- No pressure or anything, but, uh... If we were in a romance movie, this would be the part where the two leads kiss.

I chuckled and my lips reached his. The warm sensation filled my body, the kiss was sloppy and desperate, felt like something he was holding for too long, something he couldn’t deal with anymore. His hands held my waist, and I wrapped my arms around his neck. He let out a soft moan and pulled back only to whisper:

- This feels like... you know... that scene in Return of the Jedi when-

- Gerard, - I interrupted, laughing. - Less Star Wars and more kissing, please.

- Right, yeah, sorry. - He turned bright red.

Gerard catched my lips again, deeper this time, with a bit more confidence. His hand slid to my waist, thumb brushing lazy circles against my skin, and his tongue explored my mouth, while he laid me down on his bed. His lips trailing down to my neck, scattering kisses that made my whole body buzz.

-You smell amazing. Like... that forest level in that one game. You know, the one where…

He trailed off, realizing how silly it sounded, but the look on his face was too earnest to be embarrassed.

- You are such a dork. - I laughed again, running my fingers through his messy hair. 

- Yeah, but I’m your dork, - he murmured, nuzzling into the crook of my neck, planting soft kisses along my collarbone.

His touch was gentle but hungry, as if each kiss, each brush of his fingers, was an apology for all the moments he’d spent longing for this. 

When he slid his hands under my shirt, he paused, looking at me with wide, nervous eyes. 

- Is this... okay? - he asked, shyly. The insecurity in his tone of voice was adorable, no more so than the sparkle in his eyes as he saw me give him a nod, lifting my arms so he could pull the shirt over my head. His gaze lingered on me, admiration glowing in his eyes. - Wow... You’re so -

- Gerard.-  I touched his face, guiding him back down for another kiss. - You’re doing fine.

He smiled, clearly relieved, and kissed me again, this time more eagerly. His hands, still trembling slightly, found their way to the button of my jeans. He fumbled for a moment, biting his lip in concentration. 

Once my jeans were off, he took a moment to just look at me, his hands resting on my hips as if grounding himself. 

- I don’t want to mess this up -  he whispered. 

- You’re not messing anything up, Gee..- i calmed him, brushing a thumb over his flushed cheek - Just... keep going

That was all the encouragement he needed. He kissed me again, his hands moving with a little more certainty now, sliding beneath my bra to touch bare skin. I gasped, arching into his touch, and he let out a shaky breath, somewhere between a moan and a laugh.

When he finally got out of his clothes, struggling with his belt in the process,

 -  Stupid thing… -  he muttered  flustered and I couldn't stop smiling. 

He was trying so hard, and there was something endearing about how eager yet unsure he was.

He kissed me again, slower this time, savoring the moment as his hands trailed down to my thighs, spreading them gently. His boxers were the last to go, and when I felt him against me, the heat between us became impossible to ignore.

- I’ve dreamed about this, - Gerard admitted breathlessly, kissing the side of my neck. - About you... For so long.

I felt my body react to him instinctively, desire building with every brush of his skin against mine. When he paused, hovering just at the edge, his eyes searched mine one last time.

- Is this okay? -  he whispered, his voice low and full of both need and vulnerability.

- Yes,-  I breathed, wrapping my arms around his neck, pulling him closer. - I want this, Gee.

And then, with a slow, careful thrust, his cock was inside me. I gasped, gripping his hair as my body adjusted to the sensation. The burn was sweet and overwhelming.

He started moving, hesitant at first, like he was still learning how to sync with me. But every time I moaned his name, he seemed to gain a little more confidence, his rhythm becoming more certain, more desperate.

The heat between us grew, the room filled with soft gasps and whispered encouragement. His hands roamed my body, one settling on my waist, the other cradling my face as if I were something precious. As deeper he was coming I felt the tension coil in my stomach, tighter and tighter, until I was teetering right on the edge. 

- I’m close…

- Do it, sugar, - he panted, his voice thick with need. - Cum for me.

With a final thrust, the pleasure crashed over me like a wave. I clenched around him, clinging to him, nails digging into his back as I moaned his name, lost in the intensity of it.

Gerard groaned, his movements faltering as he reached his own release. The warmth of the ropes of his cum filling me up pushed me deeper into my own bliss, and we stayed like that, tangled together, catching our breath.

He pressed a lazy kiss to my shoulder, his body still trembling slightly. 

- Wow… -  he whispered, sounding both dazed and amazed. - That was... better than any dream I’ve ever had.

I laughed softly, brushing damp hair from his forehead. 

- Yeah. Way better.

___________________________________________

~ sooo, that's it! Let me know if you liked! :)

[averagecygnet-blog]

one thing I absolutely adore about tgwdlm is how completely and irrevocably a stage musical it is. it HAS to be a stage musical - the medium is so deeply baked into the story that it truly would not translate to another medium.

some reasons why:

the musical style is old-fashioned in a way that screams classic broadway. you can't get away from it, especially in songs like "lah dee dah dah day" and "show stoppin number". and it's not just the music, it's the dancing too - have you ever seen a kickline in a movie musical, once, ever? or jazz hands? gimme a break

along similar lines - all the broadway references! hamilton of course, but also wicked and mamma mia and jekyll & hyde

all the attention deliberately brought to the lighting and set! the performers in "la dee dah dah day" loudly saying "lights down!" when it's over; ted, paul, and emma striking the stage after "show stoppin number"; the lighting panels used as sirens, TVs, showcasing hudgins' alexa, and more; ted wheeling the big meteor prop off the stage after "let it out". they don't let you forget that we're in a theater.

all the hokey ass miming and special effects???? charlotte and hudgins having their guts ripped out is flashy and fun onstage because of the intestine props. emma and ted having blood capsules in their mouths. paul, emma, and zoey violently shaking when pantomiming being in a helicopter. ted running in place, moving forward or back to suggest movement across the road. it's all so fun and consistently reminds you that this is a stage

double-casting as intentional obstruction of the truth. we're used to seeing one actor play several roles in a musical, so when a familiar face shows up in a new costume we assume it's a new character. but it was zoey flying the helicopter to clivesdale, and I think it was zoey in the hospital at the end as well. you couldn't pull that shit in a movie because movies don't double-cast.

the role of the audience, the laughter and gasps and reactions and applause, especially the applause at the end when emma is begging the audience members to let her use their phone and demanding to know why they're clapping; sure movies have audiences too but the presence of the audience as part of the story makes a point about societal ideals as something we all have a part in that a movie just couldn't make in the same way

on a related note - emma's sudden awareness of the stage and the audience as the horror trope where the person realizes they're trapped and will imminently die. she knows she can't escape because it's just a fuckin loop. she knows no one will save her because they're all clapping. you couldn't do that in a movie because in a movie there is a fourth wall, whereas on a stage there's nowhere for the characters to run away. on a stage the characters can look you, the audience, directly in the eye, with no camera or screen between you

I will literally never shut up about that curtain call

god damn what I wouldn't give to watch this show performed live

[soapssuds]

Warnings | yandere!gojo, mentions of su!c!de, au where geto didn't defect and no one is dead (riko is living it up as a teacher along with haibara, and nanami is ok too), reader is referred to as "y/n" and with she/her pronouns.

Summary | Gojo thinks of you fondly, and often. Yandere ! Gojo x Female ! Reader

Y/n likes those a lot, he muses to himself when he notices an antique shop. His eyes scanning the old objects that decorated the store's front window. Bet y/n would love to come here...

Gojo Satoru didn't allow himself to dwell on the thought as he noticed Geto waiting for him down the street. The man waving his hand to Gojo.

"Yo, Satoru. What took you so long?"

"This and that," he said with a smile and a teasing tone. His head turning back slightly to gaze at the antique shop again before returning his attention to his friend, "anyway, where is everyone else? Usually I'm the late one."

"They're all already at the diner, i was just the nice one and decided to wait for you here, you dumbass."

Gojo hummed lightly, "y/n there too?"

Geto didn't miss a beat, "she couldn't make it."

Gojo sighed, "she is always canceling. Bet those higher ups are making her go on yet another hard mission."

Geto shrugged, "you know how it is, but she always makes it back," he gave Gojo a side-long look, his eyes softening slightly.

The night waned on when the two finally made it to the diner, and everyone could tell that even though Gojo was with them, he wasn't really there. His mind was elsewhere. Thinking of someone. Thinking of y/n.

The day she died was a long time ago.

She was a jujutsu sorcerer, and they all had just graduated from Jujutsu Tech. She even became a teacher, too.

No one saw it coming, though. When she died, that is. And she didn't die by some cursed spirit. In fact, she ... she killed herself. No one knows why either. She didn't leave a note, there weren't any warning signs. She was just .. here one day and gone the next.

Everyone would say the same thing.

"She was a happy person."

"She couldn't have been depressed!"

"She had so much to live for!"

By the time that everyone was done and it time to go home, Gojo found himself waving to everyone and ambling on to his home. Feet treading against the ground as he walked.

It was so hard.

It was so hard keeping himself from smiling. Everyone thinks he's in denial about your death, but they couldn't be farther from the truth.

Because guess what?

You're very much alive and being kept very safe in his home. Locked away where only he can see you.

He thought about telling Suguru, but he thought better of it. Suguru wouldn't understand, he just knows it!

"I'm home~!"

The moment he opened the door, he immediately heard the soft padding of feet coming towards him. A smile cracked upon his perfect lips as he shut the door behind him, locked it, and then held his arms out.

And y/n flung herself right into his awaiting embrace, "You're home! What took so long?!"

There was also another small detail he was keeping hidden.

The day she supposedly "killed" herself was also a day that the higher ups sent her on a tough mission. The cursed spirit that she faced against hit her head pretty hard and gave her amnesia. The only thing she could remember was Gojo, who he was, and that she was dating him. She couldn't remember her own name or where she lived, and Gojo? He saw this as a perfect opportunity.

She was his, right for the taking.

It's been a few years since then and y/n hasn't remembered anything, and honestly Gojo wouldn't have it any other way.

"Sorry, sorry. My friends were holding me up. They were so insistent on eating out tonight."

"Can't I meet your friends some day?"

"Nope~"

And he left it at that because she knew better than to push him.

"Now, did you eat already?"

"Mmhm."

"Great! Let's get ready for bed then, I've been wanting to cuddle with you all day!"

"Ok! Can we watch that new movie you got too?"

"Anything for you~!"

[personadescent]

What I do when I've got really bad art block -- draw a doodle page with some werewolf AU angst, I guess. Sonic isn't exactly having a great time that first night.

(More info/rambling way too much under the cut, spoiler warning)

That top left is just there mostly for padding so I can't think of anything to say about it.

The two middle sketches just show how his facial structure changes. At least in my opinion, in order for a Movie!Werehog design to have a face that properly works, it needs a sloped nose bridge. I'll save the design breakdown for another time, but it basically ties the entire face together.

The bottom left sketch takes place not long before the transformation scene itself. Even when Sonic starts to change, it still takes some time for the ACTUAL change to start, so at first he just gets sharper teeth and glowing eyes. Those actually look pretty cool, but those mild body aches he's starting to get are giving him a bad feeling...

(Also, I can't stand drawing reflections.)

The top middle/right sketches take place around 50% of the way through that first change. Sonic's still on the smaller and skinnier side, but it's becoming more and more obvious that whatever he's turning into is dangerous. Very. Those claws have also literally never been used so they're SHARP. They're almost like puppy claws in a way.

The bottom right sketch is actually a bit older, I just threw it in for padding. It loosely references some dialogue from An American Werewolf in London, with the original line being -- "Sure, be rational. I'm a fucking werewolf!" Sonic isn't handling the situation that well the morning after his first night, and running on almost no sleep isn't helping his mood either.

[anonymouscheeses]

Im sorry i have to say it..: Get Your Hands Dirty sounds like a love song.

HEAR. ME. OUTT!! (No i dont mean a love song between Chloe n Ella omg 😭)

What I'm implying here is that it sounds like one of those niche high school love stories when one of the lovers(most likely a goodie two-shoes) goes to their mentor/parent/even the person their loving/etc to ask for advice on relationships. Or more specifically, if this person is worth it or even a good person. From the top of my head: I Won't Say (I'm In Love) and the goodie and the wildchild dynamic is pretty similar to Gabriella and Troy from hs musical, which iws(iil) kinda inspired this post tbh but also ive been thinking about this ever since i first watched the movie. (You plop in ur own songs, i js KNOW this trope exists)

Now that we've established the well used niche trope existing in this niche song made by the niche king that is Disney.... why do i think that Get Your Hands Dirty is a love song, i hear?

Lets analyze THE LYRIICS 😈😈

"Right and wrong, cruel and kind, who's to say?" "There's a code that I believe in."

"Robin Hood" "yeah?" "Awesome guy" "yeah!"

"Every choice, you're gonna find there's shades of grey." "There are rules for a reason!"

"So you could then cross that line, theoretically."

"You'd agree?" "But he stole for the poor."

"The decision's always up to you. When there's only one thing left to do"

"I don't know you anymore.."

Okay, so i shortened and made it tiny for obvious reasons, that bein its too long 😭 so! AM I THE ONLY ONE WHO GETS A FEEELIN?? a feelin that this is SCREAMING denial?! Its giving...

Chloe: Ellaaaa.... this girl im talkn to is SOOO HHHOOOOTT and PRETTY and cool and stuff but ugh.... SHE EEEVILLL!!

Ella: oh my gosh.. STFU. Shes prolly not even that evil ill prove it smh..

*get ur hands dirty starts playing. No exaggeration. No cap.*

"Okay, but there's some universal truths you must recognize." "Like?"

"Valiant knights, pure and good, guaranteed" "That depends on what they're fighting for"

"Creepy witches selling potions for evil deeds" "She could have kids she's providing for"

"If your good-good things will come to you"

MORE denial, Chloe wants to be friends with Red SO bad she looks stupid, but she brings herself back by trying to prove to herself that she's evil and they SHOULDN'T be that close. Which also is a big sign of comphet and heteronormativity, i would know 🧍 (which is a post for another day i might make. Prolly 2 prove that Chloe is a lesbian in deep comphet)

"But just how far do you go? How much do you compromise? Oh, tell me, how do you know. Where do you draw the line?"

"There's nothing I wouldn't do. If my heart tells me it's right. If it's for someone I love. If it's to save a life."

"To save your life."

Further deepening the trope i mentioned. The first line could be interpreted as a double meaning since the song is kind of mostly about Chloe coming to terms with the fact Red isn't really evil or as bad as she thought, plus the argument of where the line between evil and good is. It could refer to Red or Ella, maybe both, but Ella changes the meaning with her own experiences so it drifts off the focus from Red because we cant have ANYTHING 🤧 but i still believe Chloe intended it to be for Red since the entire song is really just for the progress of their relationship n stuff.

Now this could definitely all be in my head, yes, Disney would most likely NEVER canonize or even imply heavily a queer relationship or anything lgbtq on a pre established franchise (cowards.). But there is always a chance.... deep inside the dark heart of the mouse..

Plus, with the subtle hints here and there of Red and Chloe's relationship growing, romantically or not, they are still super close and love eachother alot. Chloe is js (kinda) canonically a girl kisser who cant help but find a girl kissable (same)

And don't get me started on this movie and its obsession with love and proving how it is not "ain't it". Hello...? They set the tone of love, but i see NO person close enough to Red established for this message (other than Chloe) and if they introduce some random guy in the next movies, NO ONE would care nor would they want it unless somehow its 100x better than redcharming, but thats impossible cz wlw 4 life.

So, this entire thingy is me basically finding scraps and wanting to provr that charminghearts IS canon and WILL be established soon! (Im delulu)

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)

[dairy-farmer]

Imagining Jason feeling so guilty about everything he's done to Tim, so now he treats Tim like he's a princess. Spoiling his Timmy any chance he can get, feeding him, getting him gifts he just glanced at in vague interest. Maybe at some point when the others see what's happening they get a little jealous cause they keep seeing Timmy's small smiles and red face, they've gotten so used to his rbf that they forgot what he looks like excited. So one after another each person starts to try to do what Jason has been doing with varied success. Anyways, I just really like the idea of Tim being pampered and fawned over, and being treated like the princess he is~ <3

-🐁

jason being all ashamed because when things finally sort of simmer down and become civil it turns out that tim...jason actually enjoys being around tim. like...the two of them have so much in common. jason makes some obscure reference or joke and tim actually gets it, he gets it and lets out a quiet snort of amusement from behind his phone or laptop screen. the two of them share the same sense of humor, the same interest in cheap gory movies, the same food tastes that have the rest of the family grumbling and whining about ordering in from the same place every time because tim and jason both voted for the same place again making them the majority vote. unlike the rest of the family tim is also...easy to get along with. very easy. there's an ease, a humor at being with tim like they're constantly on the same wavelength. so it makes jason feel more than a little...ashamed at how their relationship started. because it means that things are...tense when its just the two of them. like when they're home alone because the rest of the family is out or when they're both up in the middle of the night and sneaking ice cream. tim has this cute little smile that showed off the small gap in his teeth and made his cheeks all pink when tim makes a particularly clever quip and it just makes jason...makes the desire to see it more grow. so jason tries, dare he say it, charming tim. buying him his favorite candies, inviting him to hang out, buying him gifts like that new game he'd talked about his civilian friends playing. he wants to treat tim...well. partly to make up for the rough start and partly because he wants to and so when they start getting closer and jason starts making some progress of course the others notice and just have to ruin it for him by trying to take up tim's very limited time.

[armoricaroyalty]

Film Grammar for Simmers

What is film grammar?

"Film grammar" refers the unstated "rules" of editing used in movies and TV. Different types of shots have different associations and are used by editors to convey different types of information to the audience. Many of these principles were first described in the early 20th century by Soviet directors, but they're used consistently across genre, medium, and even language: Bollywood musicals, English period dramas, Korean horror movies, and American action blockbusters all use many of the same techniques.

Because these rules are so universal, virtually everyone has some internalized understanding of them. Even if they can’t name the different types of shots or explain how editors use images to construct meaning, the average person can tell when the “rules” are being broken. If you’ve ever thought a movie or episode of TV was confusing without being able to say why, there’s a good chance that there was something off with the editing.

Learning and applying the basics of film grammar can give your story a slicker and more-polished feel, without having to download shaders or spend hours in photoshop. It also has the bonus of enhancing readability by allowing your audience to use their knowledge of film and TV to understand what's happening in your story. You can use it to call attention to significant plot details and avoid introducing confusion through unclear visual language.

Best of all, it doesn't cost a dime.

The basics: types of shots

Shots are the basic building block of film. In Sims storytelling, a single shot is analogous to a single screenshot. In film, different types of shots are distinguished by the position of the camera relative to the subject. There are three big categories of shots, with some variation: long shots (LS), medium shots (MS), and close-ups (CU). This diagram, created by Daniel Chandler and hosted on visual-memory.co.uk illustrates the difference:

Source: The 'Grammar' of Television and Film, Daniel Chandler, visual-memory.co.uk. Link.

In film, scenes typically progress through the different types of shots in sequence: long shot, medium shot, close-up. When a new scene begins and the characters arrive in a new location, we typically begin with a wide establishing shot of the building’s exterior to show the audience where the scene will be taking place. Next comes a long shot of an interior space, which tells the where the characters are positioned relative to one another. The next shot is a medium shot of the characters conversing, and then finally, a close-up as the conversation reaches its emotional or informational climax. Insert shots are used judiciously throughout to establish themes or offer visual exposition.

Here's another visual guide to the different types of shots, illustrated with stills from Disney animated films.

This guide is almost 2,000 words long! To save your dash, I've put the meat of it under the cut.

Long shot and extreme long shots

A long shot (sometimes also called a wide shot) is one where the entire subject (usually a building, person, or group of people) is visible within the frame. The camera is positioned far away from the subject, prioritizing the details of the background over the details of the subject.

One of the most common uses of long shots and extreme long shots are establishing shots. An establishing shot is the first shot in a scene, and it sets the tone for the scene and is intended to give the viewer the information they’ll need to follow the scene: where a scene is taking place, who is in the scene, and where they are positioned in relation to one another. Without an establishing shot, a scene can feel ungrounded or “floaty.” Readers will have a harder time understanding what’s happening in the scene because on some level, they’ll be trying to puzzle out the answers to the who and where questions, distracting them from the most important questions: what is happening and why?

(I actually like to start my scenes with two establishing shots: an environmental shot focusing on the scenery, and then a second shot that establishes the characters and their position within the space.)

Long shots and extreme long shots have other uses, as well. Because the subject is small relative to their surroundings, they have an impersonal effect which can be used for comedy or tragedy.

In Fargo (1996) uses an extreme long shot to visually illustrate the main character’s sense of defeat after failing to secure funding for a business deal.The shot begins with a car in an empty parking lot, and then we see the protagonist make his way up from the bottom of the frame. He is alone in the shot, he is small, and the camera is positioned above him, looking down from a god-like perspective. All of these factors work together to convey his emotional state: he’s small, he’s alone, and in this moment, we are literally looking down on him. This shot effectively conveys how powerless he feels without any dialogue or even showing his face.

The same impersonal effect can also be used for comic purposes. If a character says something stupid or fails to impress other characters, cutting directly from a close-up to a long shot has a visual effect akin to chirping crickets. In this instance, a long shot serves as a visual “wait, what?” and invites the audience to laugh at the character rather than with them.

Medium Shots

Medium shots are “neutral” in filmmaking. Long shots and close-ups convey special meaning in their choice to focus on either the subject or the background, but a medium shot is balanced, giving equal focus to the character and their surroundings. In a medium shot, the character takes up 50% of the frame. They’re typically depicted from the waist-up and the audience can see both their face and hands, allowing the audience to see the character's facial expression and read their body-language, both important for interpreting meaning.

In most movies and TV shows, medium shots are the bread and butter of dialogue-heavy scenes, with close-ups, long shots, and inserts used for punctuation and emphasis. If you’re closely following the conventions of filmmaking, most of your dialogue scenes will be medium shots following the convention of shot-reverse shot:

To keep long conversations from feeling too visually monotonous, consider staging the scene as a walk-and-talk. Having two characters move through a space can add a lot of dynamism and visual interest to a scene that might otherwise feel boring or stiff.

Close Ups

Close-ups are close shots of a character’s face. The camera is positioned relatively near to the subject, showing just their head and shoulders. In a close-up, we don’t see any details of the background or the expressions of other characters.

In film, close-ups are used for emphasis. If a character is experiencing a strong emotion or delivering an important line of dialogue, a close-up underscores the importance of the moment by inviting the audience to focus only on the character and their emotion.

Close-ups don’t necessarily need to focus on the speaker. If the important thing about a line of dialogue is another character’s reaction to it, a close-up of the reaction is more effective than a close-up of the delivery.

One of the most iconic shots in Parasite (2019) is of the protagonist driving his employer around while she sits in the backseat, speaking on the phone. Even though she’s the one speaking, the details of her conversation matter less than the protagonist’s reaction to it. While she chatters obliviously in the background, we focus on the protagonist’s disgruntled, resentful response to her thoughtless words and behavior.

In my opinion, Simblr really overuses close-ups in dialogue. A lot of conversation scenes are framed entirely in close-ups, which has the same effect of highlighting an entire page in a textbook. The reader can’t actually tell what information is important, because the visuals are screaming that everything is important. Overusing close-ups also cuts the viewer off from the character’s body language and prevents them from learning anything about the character via their surroundings.

For example, a scene set in someone’s bedroom is a great opportunity for some subtle characterization—is it tidy or messy? what kind of decor have they chosen? do they have a gaming computer, a guitar, an overflowing bookshelf?—but if the author chooses to use only close-ups, we lose out on a chance to get to know the character via indirect means.

Inserts

An insert shot is when a shot of something other than a character’s face is inserted into a scene. Often, inserts are close-ups of a character’s hands or an object in the background. Insert shots can also be used to show us what a character is looking at or focusing on.

In rom-com The Prince & Me (2004) (see? I don’t just watch crime dramas…) the male lead is in an important meeting. We see him pick up a pen, look down at the papers in front of him, and apparently begin taking notes, but then we cut to an insert shot of his information packet. He’s doodling pictures of sports cars and is entirely disengaged from the conversation. Every other shot in the scene is an establishing shot or a medium shot or a close-up of someone speaking, but this insert gives us insight into the lead’s state of mind: he doesn’t want to be there and he isn’t paying attention.

Insert shots are, in my opinion, also used ineffectively on Simblr. A good insert gives us extra insight into what a character is thinking or focusing on, but a poorly-used insert feels…unfocused. A good insert might focus on pill bottles on a character’s desk to suggest a chemical dependency, on a family picture to suggest duty and loyalty, on a clock to suggest a time constraint, on a pile of dirty laundry or unanswered letters to suggest a character is struggling to keep up with their responsibilities. An ineffective insert shot might focus on the flowers in the background because they’re pretty, on a character’s hands because it seems artsy, on the place settings on a dining table because you spent forever placing each one individually and you’ll be damned if they don’t make it into the scene. These things might be lovely and they might break up a monotonous conversation and they might represent a lot of time and effort, but if they don’t contribute any meaning to a scene, consider cutting or repurposing them.

I want to emphasize: insert shots aren’t bad, but they should be carefully chosen to ensure they’re enhancing the meaning of the scene. Haphazard insert shots are distracting and can interfere with your reader’s ability to understand what is happening and why.

Putting it all together

One of the most basic principles of film theory is the Kuleshov effect, the idea that meaning in film comes from the interaction of two shots in sequence, and not from any single shot by itself. In the prototypical example, cutting from a close-up of a person’s neutral expression to a bowl of soup, children playing, or soldiers in a field suggests hunger, worry, or fear, respectively.

The Kuleshov effect is the essence of visual storytelling in a medium like Simblr. You can elevate your storytelling by thinking not only about each individual shot, but about the way they’ll interact and flow into one another.

Mastering the basics of film grammar is a great (free!) way to take your storytelling to the next level. To learn more, you can find tons of guides and explainers about film grammar for free online, and your local library doubtless has books that explain the same principles and offers additional analysis.

Happy simming!

[archangeldyke-all]

Sevika × Great outdoors lesbian reader

Because Sevika has definitely never laid a hand on a real tree. But that's fine! She can just fall in love with somebody who knows all about trees and nature in general :)

(Maybe they can go hug some together when they're old coots)

this is hilarious

men and minors dni

sevika doesn't like nature.

she's never been one for the outdoors. as a kid, she spent most of her time in her room reading. as an adult, she spends most of her time working. being outside is something that happens to sevika only when she needs to get from one inside setting to another. she'd never choose to just... go outside.

there's bugs outside. and wind. and unpredictable weather, which always ends up with sevika sweating and getting all sticky, or getting caught in the fucking rain and being damp the rest of the day, or freezing her tits off on what was supposed to be a mild spring day.

so, no. sevika's not an outdoors-y person.

but then she meets you.

you guys hit it off instantaneously, sevika's pretty sure she falls head over heels in love with you on your first date. it's pathetic and embarrassing, but she's too enamored to care about how cheesy she is with you.

and then you ask her out on a picnic.

she tries so hard to pretend like she likes nature. she tries to pretend that the sun beaming down on her is pleasant, and not making her hot; like the grass isn't prickly and itchy; like the mosquito and flies swarming your spot aren't bothering her.

and she is having fun, don't get her wrong! she loves seeing you in the sun, she's pretty sure you've got sunshine somewhere inside you. she adores watching you make flower chains, is impressed with how patiently and gently you place a stray beetle crawling on your lap onto a plant, loves listening you babble about various birds that fly overhead, and the type of tree you're sitting under.

but, that doesn't stop her from grumpily shoving her hair out of her face when the wind blows it, or screaming when a spider crawls across her leg.

"sevika." you giggle at the end of your date. you've walked her home, and you're exchanging kisses at her front door.

"mhm?" she asks.

"if you don't like being outside, we don't have to go to the botanical gardens next weekend." you say, referring to the date you guys planned together a few hours ago. "we can go to a restaurant or catch a movie or something."

"but you're so excited for the arbor day celebration! you've been babbling about it since you picked me up!" she says. you giggle.

"yeah, but i don't want you to be miserable on our date."

"i won't be, i promise." she says, kissing your worries away. "i'll be with you-- nothing can make me miserable when i'm with you."

as your relationship progresses, sevika becomes slightly more connected to nature. how could she not, when you're constantly outside in the yard, gardening and watching birds and fucking foraging wild foods-- always rambling sweetly about the plants and animals you see?

this doesn't mean she'd ever choose to go outside. but if you're going, she'll always tag along.

she starts to like nature walks. when she's moving, the bugs can't catch her as fast. plus, she sees a ton of cute dogs on her walks with you-- that's always a plus.

she loves the more scientific side of raising a garden with you. she'll be the one to sprout all your seeds inside on a sunny windowsill, nurturing them until they're big enough to survive outside. she's also the one who'll visit the garden supply store and help you figure out ph-levels in soils, fertilizers, where you should plant each crop to get the proper amount of sun in your yard... she's into the logistics of it all.

she takes care of all the houseplants too-- she's got a little schedule written for herself on a post-it about which plant to water when. it's really cute.

you're most likely to get her to spend a day in the park with you when it's fall.

it's her favorite season. the sun is always hiding behind grey clouds, which means she gets less migraines. the bugs have all gone away for the season, and the coolish weather is the perfect temperature for her. plus, she loves the smell of the dying leaves.

(you know she likes the way the leaves change colors too-- but she'll never say something so romantic and cheesy out loud.)

her favorite outdoor activity, however, is sitting on your screened in back-porch-- a pair of binoculars hanging from her neck, both of you waiting for pretty birds to come visit the various feeders you have scattered around your property. she gets to sit and smoke, she gets to be kinda inside, and she gets to watch the way you grin when you see a bird you've never seen before.

sure, she finds the birds pretty, but she finds your reactions much prettier.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@ellsss @sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @realgreeniebeanie @k3n-dyll

@sevsdollette @ellieslob @xayn-xd @keikuahh @maneskinwh0re

@raphaellearp @iamastar @sevikitty

[thesoftboiledegg]

"Fear No Mort" was constant whiplash. In fact, I struggled to evaluate this episode at first because it was one twist after another. Throughout the episode, I had flashbacks to "M. Night Shaym-Aliens!" (the rap scene might've been a direct reference) and the Rickbot reveal in "Ricktional Mortpoon's Rickmas Mortcation."

For better or worse, season seven's had a lot of callbacks and episodes that mirrored previous ones: "That's Amorte" played out like "Mortynight Run"; "Air Force Wong" brought together Dr. Wong, the president and Unity; "Rise of the Numbericons: The Movie" was a "Get Schwifty" sequel.

Seasons six and seven have also piled on the fanservice. The first four seasons stubbornly refused to give us what we want, dangling fan theories or a gentler Rick in our faces before yanking it away. Rick started to change in season five, but it's another ten episodes before you get Rick in a suit and tie, Rick announcing that Rickcest is canon, Rick regularly going to therapy, Space Beth joining the family and other content that's floated around the fandom since 2017.

And let's not forget the big one: C-137 Rick and Morty, Prime Rick and Evil Morty in one episode, fighting and teaming up after we saw Evil Morty's once-forbidden backstory.

Some call it cheap thrills, but I call it a gift to the fandom that's patiently waited for the fakeouts to end. And now that I've said that: "Fear No Mort" was one giant fakeout.

But was it, though?

This is the most unpopular opinion in the world, but I'm not invested in Rick and Diane's relationship. As a gay woman, I just don't connect with opposite-gender couples. Also, I dislike the trope of the idolized dead wife that the audience only learns about through her widower. She's not her own character, just an extension of the male protagonist.

When the fake Rick and Diane reconnected, I thought "Oh boy, this is getting cheesy." They're falling for each other again: check. Rick feels guilty about her death: check. We see how similar they are: check. Rick doesn't want to leave: aaaand, check.

I'm also a little lost after the ending. Morty was the only one in the hole, so why did we see all these scenes from fake Rick's perspective? Was an NPC really that busy?

How much we learned about Diane is debatable, too, since Morty never met her. I guess his ideas came from whatever Rick's told him and maybe the ship's voice since she's based on Diane.

I did like how the episode kept reminding us that Morty's still in the Fear Hole. I mean, we didn't know that, but we knew that. No "Are they in the Fear Hole or not??" until all the twists in the third act.

Aside from that, I don't want the show to revisit the past too much because Rick needs to let go. If you're a Marvel fan, you saw the backlash to Steve Rogers traveling back in time to spend a lifetime with Peggy in "Endgame." He had a life in the present, but he refused to move on.

Nostalgia makes us yearn for earlier years, but if Rick abandoned his family to live with Diane in another reality, I wouldn't call that a sweet ending. I'd call that a disappointment and a waste of his character.

Turns out, Rick never had that option at all.

Well...in a way, he did. And when Morty told him what he saw in the Fear Hole, Rick ran back to the restroom. He looked into the hole. He thought about it. And then he did what I wanted him to do, which was walk away. In this moment, he chose the present.

Admittedly, Morty's fear came true: Rick didn't jump in the hole after him, he did just sit there and watch, and he didn't want to say that Morty's irreplaceable out loud. Plus, Rick was bewildered when Morty hugged him. But for the first time, instead of standing stiffly or gently pushing him away, Rick started to hug him back.

We also saw what Morty didn't: Rick smiling to himself after hanging up the picture of Morty that he kept in his wallet. He had the chance to wallow in shadows of the past, but he didn't take it. Rick chose him.

"Fear No Mort" could've ended with Rick just saying "Let's go" and leaving, but it didn't. Seasons one and two Rick would've bitched and moaned about Morty taking so long. Season three Rick would've left him there for a while to torment him. Season four Rick would've found a way to take advantage of this.

But seasons five, six, seven? That's real character development. That's what all the Twitter users saying "Wow, Rick and Morty is actually good" have been missing out on.

And for the first time in the series, a season didn't end with Rick relapsing or getting a (well-deserved) ass kicking. Is Morty going to get the grandfather that he deserves? Or will he move on, too, now that Rick's releasing his iron grip? Speculating is fun, but for now, let's focus on today.