#also there are variations on the existing outfits from darth vader and then there... whatever they did in the 2024 fcbd issue
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wanted to put every outfit Sabé wore in visual media on her slide but the amount of variations her Darth Vader comic outfits have depending on the artist and colorist is insane so for her I'll just do the main ones
#it's not Sabé in half of those pictures because it's just representative of what she wore#i'm not hunting down full-body pictures of her in each of the handmaidens outfit#also there are variations on the existing outfits from darth vader and then there... whatever they did in the 2024 fcbd issue#wish they kept that look honestly#the short hair was so nice#starting the personal slides with Sabé was a bad idea because she has everything from everywhere#FUCK she wore a handmaiden battle dress in that one kids' book do i add it#i will#i love Sabé but this is torturous there's just SO MUCH#and i haven't even gotten tow riting down anything more than her birth year#at least i know it won't get any worse than that#this is as bad as it gets#handmaidens guide wip
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âIf hope dies, what survives?â is one of the questions explicitly posed in the solicits to Star Wars #55, the last issue in the arc âHope Diesâ (x). Itâs a bit of an odd question, as the main heroes have to survive, and with them, one would think, also hope. The question of survival nonetheless strikes me as a useful way to link together themes that have been playing out in the comic for a while. In addition to the question of literal survival - how do the members of the Rebellion continue to survive against the Empire? - the comic raises questions of figurative survival. For instance, what makes an idea persevere? how do we remember those who died to make our continued existence possible? what goes into making a legacy, a history, into how we relate to the past? what persisting effects do our actions have on the future, and how do we make decisions knowing the potential gravity of our choices? what about our self-understanding, what does it mean to give oneself up for a cause, what do we preserve of ourselves and give up or get over to do so?
Spoilers below.
What survives when those who have hope die?Â
Luke explores this question in the grim and toxic surroundings of what remains of Jedha after the Death Star. Civilians still live there, unable or unwilling to leave their home. The Force feels strange there, wrong to Luke. The surviving Partisans are brutal, killing in situations where Luke would have shown mercy. Luke wants to learn more about the Force, and he thinks the insights he seeks can be unlocked with greater self-understanding. âI ... want to understand myself so much. But I know there are roads I canât walk down without losing myself ...â, he says in #41.
Self-preservation, a kind of survival, is tied to goodness and heroism in this Luke-ean logic. As he puts it in #42, âitâs easy to stop being a good manâ when âwe lose track of ourselves, what mattersâ. (Hello, Darth Vader.) Luke uses Rogue One to illustrate his point. Although so many things went wrong for âJyn and the rest of Rogue Oneâ, they hadnât lost track of what mattered, taking âwhatever steps they neededâ to improvise the âchain of sacrificeâ that had ultimately ended with him âtaking that shotâ on the Death Star. But Luke wonders if he would have had that kind of resolve had he known about Jynâs sacrifices beforehand (heâd only learned about them recently from the Partisans on Jedha). Would he have been able to handle "all that extra pressureâ? he asks. âIf I had really understood how many people had died to put me in that place, would I have done it?â
Yes, his interlocutors tell him, because âyouâre a heroâ. Heroism means staying focused on what matters, according to his own definition. And, as Leia defines it, it also means following a duty. In an earlier issue, #40, Leia described her fatherâs final words to her - the mission briefing to retrieve and take the plans to Tatooine. âAny time I stumble, I go back to that,â she tells Luke. âHe trusted me to finish this. I will finish thisâ. When Luke responds that he feels he needs to become a Jedi, that he has no other choice, she scoffs. âI âfeel thingsâ all the time,â she says. âBut you know what I feel most? Duty. And knowing that I have to live up to it. We donât all get to be dreamers.â Initially, Luke resists this advice, arguing that he will only avenge his father and Obi-Wan as a Jedi. After an encounter with cultists who insist he will fall without a guide, and being forced to kill a friend after said friend is possessed by the âmadnessâ of the Dark Side, Luke decides to listen to Leia instead of âchasing my personal storyâ. Having learned more about Rogue One from the Partisans, Luke is reminded in #42 that not everything is about his own perspective. Rogue One hadnât known Luke would be there to finish what they started, but they had hoped and âtrusted someone to finish it after they were goneâ.Â
If that sounds a great deal like Leiaâs understanding of duty, she also goes on to define that kind of trust as âwhat heroism is.â âI always think of Vader as he boarded the Profundityâ, she adds. Instead of running - does Leia not know they had nowhere to run? - âthe marines faced off against him in the dark, slowed him down with their bodiesâ. Heroism, as she defines it here, is choosing not to flinch when in the dark, âbecause one flinch can change everythingâ. Dying doesnât mean that hope dies - one can die in hope, hoping others will build on what one sacrificed. Survival can be won through self-sacrifice.Â
What survives when those who have hope die? For Leia, itâs arguably her sense of duty, compelling her towards future action. For Luke, itâs perhaps a sense of a legacy, of indebtedness to a past. âI wish I knew every dead Rebelâs nameâ, he says in #45. In #52, entering a dogfight, he tells Wedge, âif weâre acting like Jyn Erso,â âit is time for sentimentâ, using that memory to pump up his team by giving them a new name - Rogue Squadron.
But the question of what survives is more complicated for Leia. The question asked of Luke is past-oriented, whether he would have been able to handle the burden of knowing how many people had already sacrificed their lives. Leia is faced with a significantly more troubling variation of the same question, namely a version having to do with the future. âIf you knew what would have happened to Alderaan, would you still have rebelled?â The question comes to her in #44 from the regent of Mon Cala. Mon Cala has already lost Admiral Raddus, who died in the events of Rogue One after successfully copying the plans so Leia could escape with them. Fears that his world will be next in the long line of sacrifices - Jedha, Scarif, Alderaan - leave the regent unwilling to meet Leiaâs request to outfit the Rebellion with the fleet she wants to build so the Rebellion can continue disrupting the Imperial war machine. âOur hopes lay with my people,â Ackbar says after this apparent setback, âthere is no hope ...â
Luke gets to work through the burdens of past legacy by honoring it. Leia ends up repeating the same choice she made on the Death Star, thereby answering the question posed to her through her actions.
That is to say, Leia chooses to rebel, to trust, not knowing what will happen to the Rebellion because her trust was misplaced. Not one for pessimism, she privately reaches out to Queen Trios for aid in a move that will prove fateful some issues later. Even before she experiences those consequences, the comic sets up the lesson. âOptimism is good. We wouldnât be Rebels if we werenât optimistic,â Dodonna tells her in #45, but âitâs worth being occasionally pessimistic so we can continue to rebelâ. After Leia apologizes for critiquing his pessimism, Dodonna adds, âWeâre all wrong occasionally. Thereâs no shame in it. Itâs only a problem when we donât realize itâ. Ironically, Leia seems to be moved by these words to think about someone she is very wrong about, namely Trios. That is to say, Leiaâs next move is to reveal to Dodonna an entire plan based on information from Trios, whose identity she keeps secret and whom she clearly trusts with her life.
Leiaâs reliance on Trios is notable because it depends on a story concerning Alderaan. After murdering her family and installing her upon the throne, Trios tells Leia back in #43, Vader gave her a hunk of the destroyed planet to teach her "what happens to those who oppose the Empireâ. The lesson had an unintended effect, Trios claims - instead of cementing her loyalty to the Empire, it strengthened her loyalty to her own planet. Then and there, she resolved to never let Shu-Torun become another Alderaan. Trios is being quite forthcoming here - her goals are to protect her culture at all costs - but the best lies also are built on truths. When Trios says she is sabotaging the Imperial kyber-mining mission on Jedha, this is true; what she doesnât say is that she is also doing so because Vader gave her that order. Unsuspecting, Leia hears what she is meant to hear, concluding that Trios, like her, is willing to put her people at risk to oppose the Empire - indeed, that she is willing to take on risk because she personally trusts Leia to keep her identity secret. Leia trusts Trios because she thinks Trios trusts Leia.
This trust pays off in the short-term. Trios gives Leia information to reach King Lee-Char in his underwater prison. In an action sequence on the way to the prison from #47, Luke, Chewie, and Han get to figure the unflinching light of hope in the darkness. Chased by a giant fish attracted to the lights of their ship, Luke asks Han to turn off those lights. âWhat difference is that going to make?â Han asks, only to watch as Luke uses his lightsaber to lure the fish, with Chewieâs direction, to its death (Han has to translate those directions for Luke in the meantime, saving their lives in the process). One bright light in the darkness, made possible through teamwork, ensures their continued survival. âYou have no hope,â the heroes are told shortly after escaping being literally swallowed in the dark. âHope is what youâll never take from us,â Leia responds.
Not knowing what will happen does not keep Leia from hoping, from rebelling. She continually makes that choice for herself. But can - should - she make that choice for others? Were the people of Alderaan given a choice? âIt is not your decision to risk our lives,â the Mon Cala regent tells her in #48, taking away from her the recording she had made of King Lee-Char in his final moments. Desperate to win the Mon Cala fleet for the Rebellion, Leia had planned on broadcasting the kingâs last words - on using the king to side-step the regent - to incite the Mon Calamari into revolt. If Leia had been able to make that decision, would that decision have been the right one? Ultimately, any messy consequences are avoided when the regent himself chooses to broadcast the recording. The king backs her actions indirectly by imploring his listeners to think of the future and the legacy they could still leave behind: âhow do we wish to live the time we have? What kind of life do we wish to leave for those who follow us?â As the Mon Calamari begin to revolt, the regent reaches out to Leia. He has thought over his initial question to her about Alderaan and reached an answer for himself. âI would rebel ... if it could make a difference,â he tells her in #49. âItâll make a difference. Iâll make sure of it,â she responds shortly before he dies, âwe all will.â And for a few months, she seems to be right - the Rebels can build a fleet that makes Luke think âThe Empire doesnât stand a chance!â in #50.Â
That âweâ in Leiaâs âwe all willâ to the regent isnât gratuitous. The galaxy came together, she tells Trios in #50, instead of succumbing to fear: âthis is the fleet that hope builtâ. When Trios tells Leia âyou did thisâ, Leia corrects her with a âwe did thisâ, naming all the people and worlds that came together to realize her vision. Leia trusts Trios - but Trios does not trust Leia, not to keep her planet from turning to ash. She completes her mission, signaling to Vader that he can attack the newly-formed fleet. Alone, untrusting, dropping the glass of celebratory fizzy drink to the floor, Trios watches the first cruiser burn and tells herself, âand I did thisâ. To ensure the survival of her world, to keep that culture - that legacy, that form of transmission - alive, she is willing to watch another legacy burn, arguing that the Rebellion is not a culture or a legacy but a vain illusion that gets people killed. âI will not make your hubristic mistake that puts vain idealism above the lives of those who depend on us. Shu-Torun will never be another Alderaan,â she tells Leia at last - alone in an escape pod, having told her men to cover her escape for the glory of their culture, the last link in a chain of sacrifice. Leiaâs rebuttal is unusually weak. âYouâll pay for this,â she responds. From âweâ to âIâ and âyouâ - the hope built as a we is fragmenting.
Does hope die as a result? Vader certainly thinks he can kill hope by replacing it with terror, panic, fear. Giving the Rebels a fleet to hope with and then annihilating most of that very same fleet during what had begun as a hopeful, celebratory event might indeed be considered a very effective form of psychological warfare. Although many die hopeless, and others who have hope die, something nonetheless survives. âBeing useful where we can. Sometimes itâs all we can do,â says one of the Rebel crew-members, a woman named Meorti, a name that means hope.Â
Leia survives too, and as a leader, but she also goes through hell to get there. In an earlier issue, she defined heroism as the choice not to flinch in the dark, to keep hoping even when sacrificing oneself. She gets to both witness and play out that definition in the comic when she leads a mission - posing initially as Trios - together with General Draven onto the Executor. The plan is to find the code needed to send the remaining fleet into hyperspace, then escape. Things go sour when Vader begins to chase her team down. Citing Jyn Erso as a model in #54, Draven notes that âevery second we buy can save the dayâ, and even though âwe donât know if weâll make a differenceâ, âwe die hoping we do.â Having decided that Leia will be the one to escape with the code, Draven remains behind with the chain of sacrifice formed to give her time to escape. He uses his last breath to proclaim his hope aloud: âWe ... win. All we ... had to do ... was ... slow ... you .. downâ. Draven doesnât know at this point whether Leia will escape, but he trusts that she will and that the fleet will escape with her. Naturally, she succeeds. But for this to happen, Draven has to first acknowledge that sacrifice can be meaningful - that Jynâs sacrifices were meaningful, even though he dismissed her at the time. That legacy survives, moreover, because Leia survives to tell of it. Leia, for her part, has to acknowledge herself responsible for what has happened in the now, and promise Draven sheâll do something about it. Draven writes history with self-sacrifice, his trust that his story will not end with his death. Leia survives with the intellectual and psychological burden of personally witnessing people give their lives for her own survival, dying while hoping and trusting her to do what needs to be done. Armed with new duties, she is left to carry that legacy into the future - to lead in the darkness. At what cost? one might ask.Â
#marvel star wars#star wars spoilers#star wars comics spoilers#leia organa#darth vader#luke skywalker#sethnakht rambles as usual#this is not at all organized or coherent
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