#also the joy emily takes in playing ylfa when her mother betrays her… *chef’s kiss* perfection

[hellishfig]

god… rewatching neverafter again

and the intro scenes are a mixed bag in terms of terror

rosamund is kind of freaky with the vines and the dead princes, but then we have gerard’s, which is very amusing. pib’s is also pretty funny. mother goose’s is dark bc his son is dead, but they still joke about the gander

then we get to ylfa. and brennan and emily show the darkest and saddest origin story i have ever seen for little red riding hood. a little girl, lost in every way possible, confused and alone and scared, begging her mother to let her in, and her mother refuses. her mother says that her daughter is dead and gone and a monster stands in her place. ylfa doesn’t want to be a monster. she wants to go home. but she is different, and her home turns on her, and that betrayal turns her on them. she huffs and she puffs and she blows the family that left her for dead away

and pinocchio. pinocchio whose mother is a shadow in a doorway. pinocchio who became a boy by being good, only to lose that gift by lying to save his father. pinocchio who loves his father enough to lie, and must now keep on lying to serve a woman he has never even looked in the eyes

there’s something very fitting about the children in this fairy tale land having the most horrifying stories. those stories about children straying from the path or needing to never tell a lie or misbehave in order to be real, they’re meant as warnings. be good, children, or you’ll never have the respect that adults get. be good, or the monsters in the shadows will come for you. be good, or you’ll die

in a season that was meant to be horror but was subverted by the players knowing the theme, i appreciate even more the darker corners of the story