#also the arm deformity in the second pic HELP i just noticed

[thebramblewood]

A Very Zhao Harvestfest

Rose labors over a grand meal for her family but forgets to feed Banjo, Julia comes to the rescue before launching an unprecedented verbal attack on her big sister, Andrew attempts to mediate but only ends up on dish duty, and Julia promises Helena she'll never, ever, ever be a menace to her again, she's all unicorns and rainbows from now on, and she swears she means it this time, okay?!?

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[marshmallowgoop]

Kill la Kill Books!

Got a small haul of Kill la Kill books the other day!

SUSHIO CLUB LOVE LOVE KLKL has been a glaring omission from my collection, so when I saw a listing of the book for 3,600 yen—which usually goes for 10,000+ these days—I bought it right away.

And I figured I might as well pick up a few more things while I was at it, right? To make the shipping more cost effective?

That’s definitely the only reason.

But anyway, my growing mass of Kill la Kill books and magazines has now reached 36 items.

And I’ve talked about some of this merch before; you can find my post about the Febri volume 21 issue here, my post about Fractal 10 here, my post about the Talking About Composite books, The Complete Script Book, and The Art of KLK Vol. 3 here (and I have a whole tag for the script book, #klk-script-book), and I yammer on about the nine Blu-ray key art collection and artboard books here. I also have several essays discussing the official manga adaptation: 

Kill la Kill Manga Chapter 7

Kill la Kill Manga Volume 3, Chapters 8-17: Thoughts and Impressions

Kill la Kill Manga Volume 3: Translation Notes, Anime Differences

Kill la Kill Manga Volume 3: Worth it?

Manga Differences

And now, I wanna briefly (lol) yap about the six new additions to my collection.

Because I have a lot of love in my heart for this ridiculous, ridiculous anime.

SUSHIO CLUB LOVE LOVE KLKL

So, I got this book for cheap because it was allegedly in poor shape and “not suitable for collection.”

(My reaction to “not suitable for collection” is always, “It’s suitable for my garbage collection! I’ll give your ‘ugly’ copies a loving home!”)

But, like? There are a couple of dents and folded corners, but the condition is really not bad at all. The art is completely intact and beautiful.

Sushio—who is the character designer for Kill la Kill—has shared much of this book on his Twitter, and I would definitely recommend fans of the series to scroll through his photos and have a look. There’s such a cute, sweet charm to Sushio’s work, and along with the polished, colored pages from LOVE LOVE that he shares online, he also shares sketches of his own fanart for the series, too.

(Okay, maybe this isn’t exactly the best demonstration of Sushio’s absolutely precious artwork, but. It’s one of my favorites from the book. Ryuko resorting to such wild extremes to be with Senketsu again is just. My heart. Kill la Kill is actually adorable.)

In any case, I don’t think any of the content in LOVE LOVE was new to me, but there’s just really something about having the book in my hands. I know there’s such a strong desire for digital media these days, but call me old-fashioned—there’s nothing quite like holding this art and really seeing every stroke and line in person.

Being able to physically flip through the pages also makes me notice things I didn’t before. For instance, I found myself charmed by the little detail of Barazo, Mako’s father, loving and adoring Sukuyo, Mako’s mother.

I mean, aw? It’s stuff like this that really makes me wish Kill la Kill were a kids’ show (as Sushio himself seemed to want!) Barazo is so much more likeable when there aren’t any signs of his less-than-pleasant behavior and he’s a loving, supportive husband and father.

Seriously!

Another thing I notice from having the book now is the order in which the pages are organized. Like, I couldn’t help but be amused about how Ryuko gets her own page here...

(Smiling for her Starketsu in the sky, right? Just like he asks her to in “Till I Die”?)

...and then the next pages have Satsuki beside Nonon and Mako (and Mataro) beside Ira...

...which strikes me as a bit funny because this isn’t exactly how Sushio organized his Tweets of these images. There, Satsuki was next to Ryuko, Nonon was next to no one, Mako and Mataro were next to Ira, and Uzu was next to Houka:

So, in LOVE LOVE, is Sushio deliberately trying to say something with the changed placement? Especially when it comes to the direction of the ladies’ eyes? 

Yeah???

I kid, I kid.

(But really, it looks much better to give Ryuko her own page and not have Nonon standing next to nobody.)

Also, one of the first things that popped out to me about LOVE LOVE is how Senketsu’s pages are right next to Ryuko’s pages. As they should be.

They belong together, okay?!

And speaking of Senketsu and Ryuko, I remember a comment years back that said you could probably find pics of your OTP with matching expressions in this book.

But, uh. Just compare Senketsu posing to Ryuko posing...

They’re kind of different types of people, lol.

But hey, they do both make cute sneezy faces.

As a final note about my copy of LOVE LOVE, I will say that my only disappointment is that I received the version with print errors. As such, this page of Nui...

...was accidentally printed twice, and I miss out on this page of Nui as a result:

There are also some minor goofs, like Mako’s arm getting cut off by the background here:

But considering I got this beautiful thing for only 3,600 yen, I really can’t complain!

Now I just need Sushiotan 2 to complete my Sushio Kill la Kill doujin collection....

Takepro

This charming little volume is a collection of animator fanart for the show (and other shows). The book includes a short profile for each featured artist, and their big Kill la Kill pieces are—like all titles in Kill la Kill—named after classic Japanese pop songs. You can read and see more about Takepro here.

It’s hard to pick favorites from this doujin because there is so much adorable and wonderful artwork, but I especially love Naoki Takeda’s “ここに幸あり,” or “Here is My Happiness,” named after the song by Yoshitsu Ootsu.

The picture features Ryuko, Mako, and Satsuki sitting together, all having a good time, and there’s just something so sweet about seeing happy Satsuki.

I also found an English translation of the song’s lyrics, courtesy of beast-senior 810:

The storm breaks and the rain falls Thorny as the women's path might be I would still keep on living with you And my happiness is here in the blue sky 

I could not tell anybody of my scars A bird of love that resided in my chest If only I wander about crying and evading A sorrowful night wind will blow through the streets 

I call out your name from the bottom of my heart Who will be awaiting me at the end of the echoes? Snuggle up to you and cheerfully look up to your face And my happiness is here in the white clouds 

Aw. This song is so Satsuki.

And speaking of Satsuki, I can’t get over how cute she and Ryuko look on the cover of this book. Like??

Aw! 

I also am quite fond of a small piece by Syuichi Iseki, which is in a super-deformed style and features Satsuki comforting Nonon after her uniform is destroyed during the Naturals Election. Nonon cries, and Satsuki pats her head. In the background, Ira looks distressed at the display, Houka seems to be deciphering it, and Mako smiles. It’s really, really cute.

Yoshie Endo’s “僕笑っちゃいます,” or “I’m Laughing,” named for the song by Shingo Kazami, is also real cute. It depicts Mataro holding up Guts, who licks his face. It’s another one of those, “I-so-wish-Kill-la-Kill-were-a-kids’-show” kinda pieces....

Hiroyuki Imaishi’s Doujin

Admittedly, I don’t actually know the title of this one, but it’s a very small doujin by Kill la Kill director Hiroyuki Imaishi. There isn’t too much Kill la Kill content, but there are two pages of Ryuko and Satsuki in their respective Kamui, accompanied by some text.

I thought the text might be something about the show, but it seems like it’s actually about Imaishi’s experience working on the show. And... it’s rather sad? He talks about how he’s able to accomplish more now, but he also has to consider a lot more as well, and he doesn’t have the time and energy that he used to. It’s a lot about aging and growing old.

At least, I think that’s what’s being communicated. Here’s a transcription, though:

なんだろう。

初会社役員とか。

昔よりやれることは増えたが考えなきゃいけないことも増えて時間と体力は足りなくなっていく。

年相応とも言える。

だけどいつまでも大人気なく生きていきたいものだ。

One last interesting thing about this doujin is the material it’s made from; it’s different than any other book in my collection. I’m not an artist, so forgive me if I sound totally ignorant here, but the paper reminds me watercolor paper. It definitely took me by surprise!

SL Sketch 3

SL Sketch 3 is a small fan doujin by Buzin. You can find most of the art in this book on their Tumblr!

Sketch 3 is a really fun collection of sketches, and I especially love the cover. I’m so desperate for art where Senketsu is acknowledged as an actual person that I’m just all heart eyes over Ryuko smiling at him here.

March 2014 Newtype

Okay, so this one’s really a magazine, not a book, but wow. I was taken aback by what’s inside!

I’ll definitely have to look at this issue in more depth because there are a bunch of Kill la Kill goodies in here that I didn’t even expect. And I don’t think most of it has been translated at all!

I also realized that I’ve been mixing up my Newtypes and will have to fix my resources page. But on the bright side, there is so much to love about this issue.

Like, the Elite Four Light Novel got reprinted in the Kamui Bansho, but it’s way better here because it has pictures!

I also love how Nonon, out of all the Elite Four, is the only one who stands beside Satsuki in these illustrations.

And I don’t even know what this is (VR or something with Ami Koshimizu, Ryuko’s VA?), but it’s cute and got me smiling:

And Ryo Akizuki, the mangaka for the official Kill la Kill manga, made a small comic about his experience working on the project. I like the little title panel with Ryuko, Senketsu, and Mako a lot:

Plus, there’s a shiny ad for the manga’s second volume, too:

One of the things that most caught my interest, though, is an article about the second opening song for Kill la Kill, GARNiDELiA’s “ambiguous”:

I got so curious about this bit because I’ve heard varying, conflicting information regarding the meaning behind the song’s lyrics. On the one hand, I’ve heard that half of the song is from Ryuko to Senketsu, and the other half is from Satsuki to Ryuko. On the other hand, I’ve heard that the whole song is from Satsuki to Ryuko. But I’ve never found any concrete sources for either of these claims!

So, I was hoping the Newtype article would help, but it’ll take a lot more digging into. Still, briefly looking over the page, I did find this bit: 

そんな私の思いと歌詞が一致しました。 『キルラキル』でいう流子ちゃんと神衣・鮮血の関係に近いかもしれませんね。 

Roughly, it says, “As such, my thoughts about the song agreed with its lyrics. You might say it’s like the relationship between Ryuko and Kamui Senketsu in Kill la Kill.”

I’m not totally sure about the context here—and I admittedly don’t even know the author’s involvement in the making of "ambiguous”—but this article might explain where the Ryuko-and-Senketsu reading of the song came from. It’s definitely something I’d like to delve into more.

Because I really love the Ryuko-and-Senketsu reading of the song, okay, and I’d love some actually official backup for it!

Finally, another favorite part of the Newtype is simply all the art. Takafumi Hori’s spread is particularly great:

(You can find a cleaner image here.)

Just... dang. I wish I got a little poster of this instead of the ones actually included in the Newtype! The artwork is just stunning.

And one of the cutest things about the Newtype is all the fanart from its readers! I particularly love the little Valentine’s Day special; there’s an illustration of Ryuko giving Senketsu chocolate, and there’s also a Ryumako piece, too!

Kill la Kill Storyboard Ep. 01

Finally, one of my favorites from this haul is the Kill la Kill Storyboard Ep. 01. The book was included as a shop bonus for the original Japanese Blu-ray/DVD release, though I was able to win it by itself in an auction. I do think I overpaid a bit, but gosh, it’s a lovely addition to my collection. It’s just really neat to see the production process of an anime in action. I wish there were storyboard books for every episode in the show!

Hiroyuki Imaishi’s storyboards are also just super amusing. Here is a small sampling of some of my faves (because there is so much gold in here, my goodness):

And that’s all for now!

...I guess this really wasn’t so brief at all, huh?

Shocker.