#also that cane is high tech and can turn into a rifle

[madgh0st]

reginald copperbottom human version

nyeh

[itsclydebitches]

RWBY Recaps: The Shining Beacon Pt. 1

This is a reposting from October 4th, 2017 in an effort to get all my recaps onto tumblr. Thanks!

Welcome back, welcome back. We're starting off this recap exactly where we left off--with Ruby, Yang, and Jaune approaching Beacon--which gives the first two episodes a cohesive feeling, like they're just one episode sliced in half. RWBY gets better at this as the volumes go on, but Volume 1 in particular reads less like distinct stories and more like one story that was divided up, if only because our expectations regarding form demand it. I'd love to see a supercut of Volume 1 with the credits removed to see how well it all actually flows together.

After getting another shot of Beacon we're treated to a scene of Jaune rushing off the airship and vomiting copiously into a very convenient trashcan. It's a bold way to introduce a character, especially since we've already had four trailers displaying the girls' skills, an episode all about Ruby's moral compass, and a decent amount of time showcasing Yang's sisterly devotion. Making Jaune into "vomit boy" is comparatively cruel--which is largely the point. Though he'll get his character development soon enough (a bit in this episode, actually) RWBY is making sure we're clear about where their loyalties lie, so to speak. Though they're working with a very large cast, they're much more concerned with emulating magical girl storylines (Sailor Moon, Powerpuff Girls, Puella Magi Madoka Magic) than they are the lone, male shounen hero (Naruto, Fullmetal Alchemist, Dragonball Z). By taking the blonde-haired knight stereotype and reimagining him as the fool, RWBY ensures that we know who the "real" heroes of the story are. Jaune absolutely becomes a hero too as RWBY continues, but his status as "vomit boy" reassures us that he's not going to dominate the narrative.

Instead Ruby and Yang leave him behind as they exit the airship, surrounded by more hilarious silhouette people. I'd actually love it if RWBY came up with an in-universe explanation for this (beyond the great RWBY Chibi skit). Maybe there really is a whole species of people out there made entirely of shadows!

Hell, stranger things have happened in this show.

As they reach Beacon's courtyard Ruby becomes so excited by everyones' weaponry that she turns into a chibi version of herself, another technique that touches on RWBY's anime roots and that will eventually be left behind. As the series gets darker we see fewer of these non-diegetic details, like Ruby spinning with swirly eyes or Jaune geeking out over detective badges with literal stars spouting up around him. Though these techniques do an excellent job of conveying emotion to the viewer, they have a kiddie feel to them that becomes out of place post "Beginning of the End."

For now though Ruby is enthralled. At Yang's insistence that they're "just weapons" Ruby exclaims, "Just weapons? They're an extension of ourselves. They're a part of us!"

(Art by Eunnieverse)

This is a fantastic bit of world building. As we learn later in the episode, Ruby (like all Signal students, and presumably most Huntsmen) built her own weapon, designing and crafting it over who knows how many years, suggesting that, yes, in this universe weapons really are an extension of the self. We can thus read characterization in each person's choice. Roman, who uses manners as his decoy, keeps a dapper cane with a hidden pistol inside. Glynda embodies order to contrast Ozpin's more free spirit, so she directs all of her power through a riding crop. Meanwhile Ruby is the "adorable girl" who will continually defy expectations. Thus, she wields a scythe that's taller than she is and that's also a "high impact sniper rifle,” the exact opposite of what we’d expect a cute teen to carry. Despite her sister's teasing that Ruby needs to make some real friends, she's right that in Remnant meeting new weapons is a lot like meeting new people.

Speaking of friends, Yang ditches Ruby for hers... who are promptly never mentioned again. They're clearly just a plot device to get Ruby on her own, but like our silhouette people (of which Yang's group is a part) I'd love an explanation for how she got in good with this Beacon group before ever setting foot on campus. Or whether they’re all Signal graduates who then, presumably, should all be pretty close... 

Regardless, poor Ruby is left floundering, wondering where she's supposed to go or what she's supposed to do. I feel ya. She ends up collapsing into a massive pile of luggage.

Ruby: "I don't know what I'm doing."

"What are you doing?"

Nice parallel there! Enter Weiss, the owner of said luggage, who is literally framed as the bossy, dominant personality as she towers over Ruby.

We get more world building/exposition as Weiss yells about what dust is and what it can do. Her anger is, surprisingly, not just stemming from a rich girl having her stuff messed with, but because Ruby is knocking into cases chock-full of an explosive substance. Were any of these cases to break they might set off a rather violent reaction--as we see when Ruby sneezes into a cloud of dust and lightning erupts. The irony is that this only happens because Weiss is shaking the bottle of dust erratically in Ruby's face. I love these little moments that highlight how these girls are still kids in many respects, capable of doing stupid things even as they play at being mature.

Still disgusted with Ruby's behavior, Weiss asks, "Aren't you a little young to be attending Beacon?" which tells us that, yeah, Ruby does look young. It's hard to tell with Rooster Teeth's art style, but here we're explicitly told that Ruby looks like a child compared to the other students. Her age is recognizable. That will impact how others relate to and (in some cases) underestimate her.

We learn that Beacon isn't your "ordinary combat school" (what does that mean exactly? Are there other upper-level schools where the students train but don't fight live Grimm?) and Ruby finally looses her patience with all the lecturing.

Ruby: "I said I was sorry, Princess."

"It's Heiress, actually."

Enter Blake. For a millisecond Weiss is thrilled that someone is showing her the respect she thinks she deserves, until Blake follows that little correction up with a list of critiques, including the Schnee's "controversial labor forces and questionable business partners"--more on that as it develops. Ruby cracks up, clearly more interested in Weiss getting her just desserts than thinking through the implications of Blake's words. She then wanders off before Ruby can introduce herself.

The team is now technically complete, even if the girls don't know it yet. Again, RWBY is rather blunt when it comes to many narrative devices. With the exception of Jaune we know exactly who our protagonists are by order of who the show has bothered to introduce to us. 

Ruby is still at a loss though. She hilariously collapses in the courtyard and lies there until "vomit boy" gets his real introduction.

I honestly don't understand why so much of the fandom hates on Jaune (except logically I do: it stems from a dual worry that Jaune will sideline our female cast and that he’s become a full-fledged Gary Stu BUT). He's just a nice guy here, and I do mean literally nice, not a Nice Guy with a capital 'N' and 'G.' Yes, we see his misogynistic views that he'll heap on Weiss with, "Jaune Arc. Short, sweet, rolls off the tongue. Ladies love it” and his inappropriate insistence thatt she date him, but Jaune deliberately comes across as someone emulating bad advice about how to make friends/find a date. From the start we’re meant to understand that his perception is inaccurate and he will (as seen) grow out of it. To say nothing of the fact that the narrative undermines his views twice with Ruby's "Do they?" and his more genuine belief that "Strangers are just friends you haven't met yet." That's the real Jaune Arc.

He and Ruby wander off together and it's here that we get our first glimpse at Pumpkin Pete under Jaune's armor. I'm honestly impressed that Rooster Teeth had that detail in right from the start.

They talk weaponry, with Ruby showing off Crescent Rose--"It's also a gun"--and Jaune getting self-conscious about his hand-me-downs. Besides him staring up at Beacon's statue in the opening credits, this is our first hint that Jaune comes from a long line of prestigious Huntsmen. It also provides a contrast between what fighting Grimm once was and what it has now become. Jaune's weapons are a simple sword and a shield whose only 'upgrade' is that it gets smaller so you can put it on your belt, but of course it still weighs the same. Ruby, meanwhile, has three forms of Crescent Rose: storage, sniper rifle, and scythe, and she can use all three in a variety of ways. In short, fighting Grimm has become incredibly high-tech, suggesting that the fight itself is always getting harder. Swords and shields just don't cut it anymore even if they, like Jaune, are "classic."

They keep wandering, realizing too late that each was following the other and they still have no idea where they're heading. Like Yang's vomit panic last episode, "The Shining Beacon" ends on a lighthearted note with Jaune wondering if there's a foodcourt nearby.

There is and you're both going to help destroy it in the most epic food fight imaginable.

But that's a whole Volume off.

Until next time~