#also it’s not like nolan is a brilliant writer or director bc he’s not really and that worries me more

[sylvielauffeydottir]

i love seeing oppenheimer discourse on this website revolving around how the movie is going to ‘glorify the atomic bomb’ or ‘celebrate war writ large’ bc it honestly makes me think people know literally nothing about who oppenheimer was, what he came to believe, or what happened to him. but go off i guess

[lesbeet]

god i remember i used to listen to the tsn soundtrack while i was teaching myself to code and making themes and shit lskdlfsdkfj

it’s so funny i remember seeing it in theaters w a friend of mine when it came out in 2010 and i thought it was mediocre, kinda boring, wished i hadn’t spent the money to go see it

i DON’T remember watching it a second time and i don’t remember why i even would have because of how indifferent i’d felt about it the first time, but like. somehow we’ve ended up here and it’s my favorite movie in the world and i’m so glad

i’m putting the rest under a cut bc it got long but like. see more rambling about the social network (2010) below if you have any interest:

i do remember being pleasantly surprised when i found out there’s a tiny little online niche of twitter/tumblr people who love it as much as i do bc i feel like when i tell most people tsn is my favorite movie they’re like “...huh? weird” and i dont wanna go into the whole spiel about IT’S NOT ABOUT FACEBOOK IT’S ABOUT A FRIENDSHIP BETWEEN TWO HORRIFICALLY REPRESSED COLLEGE BOYS WHO ARE PROBABLY IN LOVE, AND ALSO THE SCREENWRITING AND DIRECTION ARE STELLAR

like there are ofc the big-ticket items that everyone knows and loves (”it’ll be because you’re an asshole” “the marlin and the trout” “my prada’s at the cleaners” “i’m just checking your math on that” “let’s gut the friggin nerd,” the chimney-to-pool zipline, and so forth bc aaron sorkin might be pretentious as hell but i LIVE for his dialogue and as much as people complain that he’s too elitist and that he alienates viewers w his dialogue, like...the west wing is widely considered one of the best shows that’s ever been on television, and most peoples’ favorite parts of this particular movie are the zingers and one-liners and other memorable quotes) but also just. on every level it’s so good. on every level!

i wanna talk more about sorkin bc as much as i credit fincher w the reason i love the movie so much bc he’s my favorite director, sorkin did a lot of the heavy lifting as the writer! fincher can obviously hold his own w scripts that are very different 

(in fact most people were surprised when they found out he’d be directing this film in particular bc it seemed so different from his usual tastes, and understandably sorkin’s and fincher’s styles don’t necessarily seem readily compatible at first glance, though obviously it worked well! i think fincher’s clinical, sleek look just the right amount of seriousness to the story. so much of it takes place on a college campus and there are college idiots doing stupid shit throughout a lot of it, and i think other cinematography styles might’ve either made it too funny or too dramatic, and we would’ve lost that crucial element, which decontextualizes a lot of the personal growth (or lack thereof) in the different characters. also it feels high-tech and clean and that style works so well with all the tech-mimicry trent reznor + atticus ross wove into the score. 

like i don’t really know much about very many other directors, but i’m trying to picture if like. chris nolan or even like. fucking spielberg or whomever directed the movie and i just don’t think it would’ve fit as well. fincher loves digital and cgi and precision and i think that works very well with the pointed tightness of the dialogue, of the rigidity of the majority of the characters in the film (esp mark!!) who seem to change very little, if at all, through the movie, and just visually it’s like w black mirror or ex machina or any other films or shows that feature some sort of technological innovation, where they keep everything high-def and impersonal and sleek and deliberate)

the amount of information about the characters that’s conveyed in the very first scene with mark and erica, more or less unrealized by the audience! the non-linear structure that changes the fundamental story question of “what will happen” to “how did this happen”! the way sorkin made us care about an antihero who literally doesn’t change or grow as a person until the very end of the movie when he’s left with no choice but to realize how badly he’s fucked up! 

how about the fact that eduardo literally only mentions his father in 3 little lines throughout the 2 hour film and despite the fact (or because of the fact) that we actually know very little about eduardo as a person those little lines carry SO much weight 

now i’m just gonna mention some of my favorite little things in the movie that i don’t see people talk about a lot sldkfjsd

first off that cut from sean saying “you know what’s better than a million dollars?” to eduardo in the deposition saying “a billion dollars.” fucking brilliant (though i think one of fincher’s best cuts of all time is actually in gone girl, when it goes from nick and amy kissing to nick being swabbed for dna, but that’s an obvious one i think)

also “you know how much i’ve read about you? nothing.”

“because we are gentleman of harvard”

“anne, punch me in the face. go ahead”

“whoops, broke your 350 year-old doorknob.”

divya falling and disrupting the a capella performance

“i can’t stare at that loop of niagara falls which has absolutely nothing to do with the caribbean.” (also the fact that they were at an AEPi party klsdjflksjd)

“what you just said makes no sense at all.” “i’m devastated by that.”

brenda song lighting the fucking scarf on fire

i really love the whole scene w dakota johnson it’s such a breath of fresh air from a lot of the rest of the movie (also ik fincher has said he wanted to make a clear visual distinction between california and cambridge, and since this is the first time we’re seeing the west coast in the film the brightness and sun and lax-ness really highlight that)

“the winklevi”

eduardo’s face the entire time sean is talking at dinner is just the visual equivalent of “.......”

hand covers bruise of course duh

“you wanna hire an IP lawyer and sue him?” “no, i wanna  hire the sopranos to beat the shit out of him with a hammer”

“i’m sorry that you are not sufficiently impressed with my education” “and i’m sorry i don’t have a rowboat, so i guess we’re even”

“i’m not a psychiatrist, but—” “well i’m glad we’ve got that on the record.”

[EDUARDO: you didn’t bring down the record companies. they won

SEAN: in court

EDUARDO: ....yeah ??]

i didn’t mean for this to get so long i just really love this movie ksdjflkjsdf