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#also i really like greek mythology
ochiody · 2 months
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i think than would be claustrophobic
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dootznbootz · 7 months
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I think people sleep on this moment in the Odyssey...
If I'm wrong, not getting full context, or see something that isn't there, feel free to give evidence to explain why.
Here he crept under a pair of bushes, one an olive, the other a wild olive, which grew from the same stem with their branches so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.
(Book 5, Rieu)
I think this is about Penelope and him.
Obviously, their marriage bed is made from an Olive tree. If it's just about Athena then why are there two mentioned? Why did Homer mention two when he could've just said he took refuge under one? Or a completely different type of tree? Why mention them being intertwined?
One an olive: Penelope, who has been with society and "safe" in Ithaca ("Safe" because of the suitors)
One wild: Odysseus, who has dealt with literal monsters and immortals and has just escaped from Calypso. Literally naked and filthy, a "wild man".
"which grew from the same stem with their branches": Them both being together at first, before being separated.
"so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.": Despite being separated, they are still "intertwined". Whether you want to think of it as them being likeminded or simply connected, even though they are apart, nothing could get in between them. 🥺
I don't know what else Homer could be referring to other than them.
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fabuloustrash05 · 1 day
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I don’t know if this is a hot take or not, but I dislike it when in modern Greek myth retellings nowadays there’s a side plot of Hera having an affair with one of Zeus’ brothers, Hades or Poseidon.
Webtoon’s Lore Olympus and Netflix’s series Kaos have both done this and I’m already tired of it.
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kitthew · 17 days
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i think the reason that kaos is such a successful adaptation, despite being so inaccurate to the myths, it’s that it’s so new, fresh, and entertaining
like, there isn’t one canonical Greek Myth. there are, of course, surviving texts from the era—homer, euripides, aeschlyus, etc. — but those are only what have *survived,* there are countless other myths and ancient retellings that have been lost to time. besides, even between the original myths, there are discrepancies and different interpretations. the myths originated in an oral storytelling tradition, and with each teller, the stories were different. sure, there were some things that stayed consistent throughout the retellings, but almost every myth has elements that varied across sources.
you could always argue that even though that might be true, they could have based the show more on less common myth alternatives that still have sources from the time period, but i personally think the fact that they’re kind of doing their own thing is literally just what the ancient greeks were doing with their myths as well lol
plus, the reason successful greek plays *were* successful was that they told existing stories in a new and interesting light. sure, it was more of a “no one goes to the theatre to find out what happens next, they go to hear how the writer is telling the myth in a new and interesting way” sort of vibe, and kaos *does* have an element of watching bc you don’t know what happens next bc so much has been changed from the original myths, but again, i think this is basically just what the greeks were doing. when something originated in an oral storytelling tradition, there isn’t One Definitive Way to retell it. kaos takes a lot of creative liberties with the source material, but there’s always room for new interpretations and ways of telling these stories
BUT the show is imo so engaging and successful despite all that bc it really gets at the heart of the myths, even though, again, it isn’t at all accurate. zeus is cruel, power-crazed, and incestuous. dionysus is literally just a boy. hera is trying so so hard to be a GirlBoss. hades and persephone are the only ones who seem to have their shit together. poseidon is a douche on a yacht. there’s some incredibly interesting and compelling world building. and at its core, the show is about two things: 1) the gods are human and fallible and 2) you cannot outrun your fate, no matter how hard you try.
and what’s more greek than that?
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godsofhumanity · 3 months
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Hera, to Leto: I’d call you a cunt but you haven’t got the depth or the warmth.
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gingermintpepper · 19 days
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I saw it in your tag game post that you're also fond of the Apollo-Heracles conflict 👀 for a myth that appears in only a couple of sources, it sure has a lot of presence in the vase paintings (no seriously, everytime I think I've seen the last of it, I find ten more)
SO do you have any favorites among the paintings that represent this story??
OMG OMG THIS ASK IS A GIFT. IT IS A GIFT THANK YOU VERY MUCH FOR LETTING ME TALK ABOUT THIS
I also think it's extremely interesting that it's a story so popularly portrayed by vase paintings and in such a variety of ways!! It's certainly one of the stories that gets left out of written compilation of Heracles' legend a bit (which is a shame, I think it's a fantastic story) but Apollo had a very peculiar relationship with Heracles in general that I just kind of find amazing (and very, very funny).
Apollo is not a god with any legitimate grudge against Heracles, but he does argue with the mortal a bit like he argues with his favourite brothers 😂Part of why I love the story of Apollo and Heracles fighting over the tripod so much is that it is such a little brother thing for Heracles to be upset with the proclamation his elder brother has given him and so, he throws a great fit, taking up the chair and declaring that he'll just give himself a better prophecy! And Apollo, instead of being a marginally professional big brother, decides to fight him for it until their father has to break up their cat-fight. Like was that not just the plot of the Homeric Hymn to Hermes? Is this not exactly how Apollo treated Hermes when he was a child and now those two are inseparable? 💀
Because of this, my favourite vase paintings tend to be the ones that highlight the personal squabbling between Apollo and Heracles the most. There are some very elaborate ones that have the full host of them - Athena, Heracles, Apollo, Artemis, usually a dog and a doe, I've even seen a couple that had birds and plants etched on them, but the simplest ones that show Heracles about to bonk Apollo with his club out of frustration or depict Heracles nyooming away from Apollo while Apollo (presumably) yells curses about how he's going to fling Heracles head first into Tartarus for daring to take his things? Yeah, those are the premium big brother/little brother things I'm looking for.
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(Photo. Marie-Lan Ngyuen)
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(Photo. Museo Claudio Faina)
Also the one in the Theoi.com archives is a real classic - perfect energy.
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#ginger answers asks#Thank you SO much for letting me talk about this even a little it always makes me smile#Despite their disputes - if you ask me Apollo was quite fond of Heracles#And I think a big part of why I ultimately come to that conclusion is that Apollo never hinders Heracles or withholds blessings from him#He simply calls him a bitch every time he sees him and then makes his life marginally more inconvenient#like any good older brother let's be so fr#It's extremely charming to see him so playful with a mortal he's not in love with/that is not his son#Other moments of Apollo teasing Heracles includes him trying to convince Artemis not to let Heracles catch her doe when he comes#to fulfill that particular labour (again he doesn't actually try to stop it he just puts up a bit of a fuss about it)#and perhaps another of my all time favourites#Personally luring Heracles into Admetus' house so Heracles can wrestle Thanatos while Apollo rescues Alcestis#I DO NOT KNOW WHY MORE PEOPLE DON'T TALK ABOUT THE LUNACY OF APOLLO'S ADMETUS/ALCESTIS PRESERVATION PLAN#He really said “No yeah I know a guy don't worry about Death Incarnate” and then Heracles shows up at Admetus' door like this is a sitcom#The laugh track that plays in my mind every time Admetus opens that door sees Heracles and then looks back at the disguised Apollo like#'HIM?? HERACLES?? Heracles who can break me in seven pieces with a thought Heracles???'#And Apollo just gives him a thumbs up and says “feed him well pookie <33”#Genuinely some of the funniest shit I have the pleasure of reading in greek myth#Another reason I don't think Apollo has any ill will against Heracles though is how Apollo reacts when Heracles#loses Hylas in the Argonautica#Or well some versions of the Argonautica - this is also a story that changes wildly depending on the source/compilation#But Apollo is incredibly sympathetic to Heracles' sorrow and kind of decides there and then that Heracles losing one love#should be the return of another and asks that Zeus let Heracles free Prometheus when he makes his descent into the underworld#Similarly it is Apollo who anoints Alcaeus/Alcides the name Heracles (also dependent on the myth source)#They just had a very fun relationship and it's a serious shame that it's not acknowledged more#apollo#heracles#greek mythology#(Also people do not talk about the fact that Apollo grappled with Heracles to a standstill enough actually)
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thaliasthunder · 14 days
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*brushes dust off shoulder and taps into mic* i started reading hera by jennifer saint 😌🦚
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ixkhor-and-ambroxia · 5 months
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Hey #GreekMythology tumblr, I want ya’lls help on something :).
So, I’ve been thinking about starting this massive project. Like, would take years and years work of writing and research and sheerly finding the time and motivation for. And as I was thinking about the specifics, I thought: why not bring others into it as well? Because as much as I am interested in a lot of Greek Mythology, there are things that are simply not my interests and might cause writers block and my goal for the project would to be as fun as possible. So, here we are.
What is the project exactly? Well, hopefully, it’ll be a long Ao3 series/fic focusing on the individual perspectives of various figures/events in Greek Mythology arranged in (semi/good enough) chronological order. I personally intend to write for Poseidon in his/my version of the Titanomachy and (maybe) some events that follow, if you want a little bit of an idea on what I’m talking about.
The limits on this are almost completely free, all that I ask are that each of your submissions are one POV only (and by that I mean your main subject’s POV). Why do I say this? I say this because that is what I want this project to look like. It doesn’t matter if it’s First, Second, or Third POV along with all the other variants of those three, my main focus is on the individual experiences of these individuals. Kind of like character studies, if you know what I mean. I’m intending for it to be mostly formal but I will absolutely accept crack admissions that I will probably put into its own series to Separate the Vibes for whoever comes by :).
Ultimately, this is a completely open-ended project that has absolutely no deadline. I’m about to go to bed so I can’t go into too much detail, but if you want to DM me or send any asks, I am completely okay with that and we’ll all flesh out the specifics we go :).
What is my overall purpose? Not only is this project made for my own individual purposes of learning more about the gods and other Greek Mythology writers, but it’s also the chance to spread the word of other writers. I know how hard it is to get specific audiences, especially when you’re shy, so this is a chance for your work to be stumbled upon. Each post on the eventual Ao3 fic will include your socials, how to find you, and your other general works on either ao3, tumblr, wattpad, or other :)
Can you participate even without socials or a tumblr page? Yes you absolutely can :). My asks will always be open to anons and I will do my best to give credit when I eventually post everything :). If you want to post multiple submissions or simply just want a trackable (between works) name to your writing, just sign something at the end. It could be a name, it could be a potential username, I don’t mind at all :)).
How do I submit things? Well, the best way would be to DM me :). I have a personal writing email separate from most things that would be perfect to either share a google docs with or to just send a copy-and-pasted copy of it. Otherwise, I take asks. None of them will be posted unless asked or we’re ready to so it’ll be safe to just drop them off in! It’s also where I take questions :).
Any other things to note? I’d really appreciate some other moderators and editors :). There’d only be like two or three of each and we’d have to know each other decently well before officially starting, but some help would be appreciated! Also, I’d like to keep a working ‘spreadsheet’ of who’s working on what just for people to see what’s going on :). Maybe some people can collaborate or it’ll encourage those niche writers to write :). A third thing is that most questionable stuff is accepted. I’d personally rather not handle all those things other than posting it so it might be a while until I can officially accept (consensual and/or graphic) ✨spicy stuff✨ but, other than that, I’ll take any of it (also, it’s Greek Mythology, almost all of it already happened). If someone’s willing to take over the ✨spicy stuff✨ then please DM me so we can work out the details and see if it’s a nice fit :)
Honestly, that all should be it. The main point is that I’m trying to start up a long-term project on Tumblr and Ao3 about what is essentially Greek Mythology character studies that not only allows for mass communication across a wide audience, but also (hopefully) gets some recognition for the smaller writers :). Feel free to DM me or send me asks with questions but for now, I shall sleep
Tagging: @bluebellstudio @thirteen-deaths-later @0lympian-c0uncil @happyk44 @h0bg0blin-meat @sworeontheriverstyx @deathlessathanasia @gotstabbedbyapen. Sorry if I tagged you and you want nothing to do with it, I just wanted to get it out there /pos /gen
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ididntthinkiwould · 10 days
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Achilles and Patroclus family tree!
They're cousins... Well, something like that
(Sorry for my ugly writing)
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azeztulites · 9 days
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POV: you’re me and you have way too many different designs for Apollo to fit different projects
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One for a modern setting mythology project I’m too lazy to actually work on
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A stray gods au one that I still haven’t fleshed out I just like drawing my silly boy
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One for my main oc who’s down bad for him (pose by mellon_soup) I should draw them more. But you guessed it. I’m lazy.
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One for my Homer inspired thing I’ve been working on for a hot minute but we’re still designing the characters (pose also by mellon_soup I use their poses a lot when I’m playing w designs)
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And one for a silly ffxiv au (you can actually find me in game w him sometimes! )
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the-storyteller78 · 3 months
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Ok, I know the Circe Saga has been out for like forever and now the Thunder Saga is out and wreaking havoc on our collective emotional and mental health, but I just like drawing Circe. She looks friend-shaped. 10/10 would take a seat. (Also I just realized that she has a similar color scheme to Megara, which was not intentional but I’m not entirely unhappy about it)
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maifos · 5 months
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Since I heard her name I couldn't get the similarities between Galicea (fantasy high) and Galatea (Greek mythology). The myth of Galatea is basically that an incredibly skilled sculptor was incredibly repulsed by the idea that women could speak and express themselves, but he still wanted a girlfriend so he made a marble statue and named her Galatea (Roughly translate to white as milk). But he soon realized that a less comfortable body pillow wasn’t the best option for a fulfilling relationship so he asked Aphrodite for help. The goddess then transformed Galatea into a real woman who, unfortunately, could talk and have emotions and opinions so their whole thing kind of fell apart. All this to say, I think this myth of Galatea where she is only accepted when she follows a very strict set of rules laid out for her by the person who is supposed to love her, has some very intriguing parallels to Galacea the “werewolf moon” goddess, being forced into just “moon” goddess she isn’t by her followers, who only accept her as a restricted version of herself that can’t express the werewolf aspect of her divinity.
I don’t know if this was intentional on Brennan's part, but considering there have been a lot of different parallels with characters with greek myth inspired/adjacent names i wouldnt put it past him. Either way I hope we get to see more interactions between Cassandra and Galicea because I wanna know what their sibling relationship was. Were they on good terms? Was it another Abernant situation? What did Galacea think of Ankarna? How did Galicea react when her sister became the nightmare king? Did she know? I need the rest of the season to drop tomorrow. I swear to god I wanna know everything KNOW!
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beastsovrevelation · 5 months
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I kept wondering why would Natalie be the Antler Queen's favorite, if Lottie's the most connected... Then, I remembered.
Lottie's the oracle of a God.
Natalie's the champion of a God.
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jules-ln · 6 months
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I'm so tired of people complaining about MM's portrayal of Thetis, like I generally don't like to post negativity because no. And I'm not the type to complain about "media literacy" because half of the people who complain about it don't even know what media literacy and critical thinking is, and the other half are just self important arseholes who believe that their only redeeming quality is that someone in high school told them that they were smart
But to anyone who ever said that MM was demonizing Thetis. I'm taking away all the complex women characters until you learn how to be nice
MM wrote about how a woman that was forced to have a child she probably didn't even want, then come to love him, only to learn that she was going to lose him very soon anyway
She was panicking, so she tried to be controlling in hopes that she could achieve this one thing that maybe could prevent her child from dying
And she was so focused on protecting him, that she didn't realized that she was hurting him
In the end, she has to come to terms that in her way to protect this image she had of him in her head, she ended up hurting her real son and didn't even knew him
Thats why she asks Patroclus to tell her about Achilles in the end, to understand who was he beyond what she wanted him to be and comes to terms with the fact that she could've spend all that time being happy with him
But then I see people going "ThEtIs ShOUlD bE a GoOd mOm"
Like of course, reduce this complex character that this woman is, an imperfect person and an even more imperfect mother to just a stereotypical good mom without other personality trait other than being a good mom; thats sooo feminist 🙄 (it's sarcasm)
(And why should she ever be kind to Patroclus when shes A GODDESS!?!?!? Patroclus is like an insect to her!!!!)
I'm not saying that MM is beyond criticism, like why are Menoetius and Pyrrhus soooo one dimensional. But when you're criticizing some part of the book that's not even true, it makes me think that some of you went "I personally don't like it therefore it's bad iabdkabhsishsysk"
Shocking, but you don't liking something doesn't mean it's inherently bad
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gingermintpepper · 6 days
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
#ginger answers asks#greek mythology#the iliad#the odyssey#okay so now that I'm not recommending stuff I also highly highly HIGHLY suggest Stephen Mitchell's#Fuck accuracy and nuance and all that shit if you just want a good read without care for the academic side of things#Stephen Mitchell's Iliad and Odyssey kick SO much fucking ass#I prefer Fitzgerald's for the busywork of cross-checking and cross-referencing and so it's the version I get the most use out of#But Mitchell's Iliad specifically is vivid and gorgeous in a way I cannot really explain#It's not grounded in poetic or translationary preferences either - I'm just in love with the way he describes specifically the gods#and their work#Most translations and indeed most off-prose adaptations are extremely concerned with the human players of these epics#And so are a bit more ambivalent with the gods - but Mitchell really goes the extra mile to bring them to life#Ugh I would be lying if I said Mitchell's Apollo doesn't live rent free in my mind mmm#Other translations I really like are Stanley Lombardo's (1997) Thomas Clark's (1855) and Smith and Miller (1944)#Really fun ones that are slightly insane in a more modern context (but that I also love) are Pope's (1715) and Richard Whitaker (2012)#Whitaker's especially is remarkable because it's a South African-english translation#Again I can't really talk about this stuff because the ask was specifically for recommendations#But there are SO many translations and adaptations of these two epics and while yes I have also contributed to the problem by recommending#three very popular versions - they are alas incredibly popular for a reason#Maybe sometime I'll do a listing of my favourite Iliad/Odyssey tls that have nothing to do with academic merit and instead are rated#entirely on how much I enjoy reading them as books/stories LMAO
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godsofhumanity · 1 year
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[when Perseus meets Zeus for the first time] Zeus: Did you ever wonder what happened to your father? Perseus: Nah. Zeus: Perseus: why care about a deadbeat lol Zeus, holding back tears: w-well suppose for a second that you did wonder
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