#also i got lazy and just colored a traditional sketch lol | Explore Tumblr posts and blogs

verawhisk · 2 years ago

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my drawing process (thank you @pepper-ika!)

i draw and colour for a long long time. i don't do the traditional sketch + lineart + colour -- sketches are hard to line, they're kind of time-consuming and usually they end up better than the lineart, so i just draw like normal and clean it up before colouring. i start at the head and end at around the feet, kinda like a person showering (lol). here i'm using your typical pencil brush you can find in any standard art program.

a tip i got from another artist was to colour using a thick, opaque pen brush that varies a lot in width. it saves a Lot of time. before they showed me that, i made the mistake of using a soft, painterly brush to colour my art. it hurt my wrist because i had to press really hard to get flat colour -- when all that time i could have just been using a pen brush! also, i start with soft colours because they're nicer to look at.

2. i do colourful midtones like redness in the skin or maybe a blue five o clock shadow if they have one. from this point onward, i use a flat square-ish brush combined with a painterly smudger and a soft airbrush.

i read somewhere that you should apply perfume on the moistest parts of your body so i kind of use that same idea when drawing redness. usually i do it where skin meets skin: folded arms, a crunched back, closed hands, and that place where the thighs touch the buttcheeks, lolol. and of course: the nose, lips, and ears. it makes the skin look real and warm and lively!

3. i lay down my shadows and lights, usually in that order. and at this point, i'm throwing extra shadow on wrinkles, fat, bumps, lumps, etc. a body without rolls is like an angel without wings!

also i smudge like CRAZY here. just like how it's impossible to have "too much gravy" on your chicken, it's impossible to have "too much blending" when you're drawing skin. blend that ish.

when it comes to the colour of the shadows, i always make shadows the base colour but darker and more saturated, and i move the hue a little to the left (for example: orange goes to red, green goes to yellow, purple goes to blue). i do that with, like, every colour. i can't tell if it's lazy or not but at this point i'm too scared to ask.

4. finally i make some minor adjustments like liquifying to fix lopsided eyes or oversized heads/hands. when i was in high school, my art teacher would say "great, but watch the size of the feet, hands, and neck," lolol. he was right ofc. when i go "hm... that looks a little weird," i have to trust that gut feeling because when i do fix it, it ends up looking way better. here is a horrifying gif illustrating that.

AHH!!!

alternatively you could do a messy line and color, then do a whole paintover like i did here. this is awesome for details because you dont have to go back and change the lineart - you just paint over and add whatever you want and redraw the line to fit it.

i dont really use the different layer modes that much. in this one i used a gradient map of the drawing as an overlay. idk if that really does anything major but it does create a new range of colors to play with. i also used a multiply layer to cast a big shadow over the card (layer 8) because it has this tiiiny little pattern that would be a pain in the butt to draw shadows over. everything else is pretty standard.

(and no i dont name my layers... yes i will be changing my name and moving countries)

another thing worth noting: i use airbrushing A LOT. i remember reading somewhere that using airbrushes is like. a cardinal sin. it’s not, man. it’s great. airbrushes and smudging are dope and i use them all the time.

i hope you found this helpful! have a great weekend <3

#long post #art tutorial #art tips #my art

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themisscuy · 3 years ago

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These are some old and not too old drawings or sketches related to AvA/AvM that I don't think that I will ever finish or just didn't like them enough to continue them- and some descriptions and explanations for them jsjs

Or maybe because I got too lazy for them(? Who knows. But some of them make me laugh or think so I wanted to show them x"d

It's a bit long -v-"

This was an idea for a comic where...um, it was something about Green washing the dishes while he was listening to a song, and then singing it, and then everyone went to the kitchen to see what the hell was happening-

I only remember that I wanted to think about a song in particular and write the lyrics, but I couldn't ^^" ahHHhh

This was a failed drawing for Christmas LANSKZN I had the idea of make the background with a kind of night sky and then to imagine a story where our dear hollow heads saved Christmas or smth like that lol but I just was so tired and I didn't like how it was going and said "meh"

Our hollow heads posing for a family photo(? Maybe I didn't draw this with that idea in mind but that's what it seems jjsjd

Mmmm...this was a kind of practice -v-" but also it was with the comic idea in mind that it was Victim who drew it and then Purple hanging the portrait somewhere in his room(? But also there would be some others portraits of the rest of the color gang, but like, "hidden" in the comic. Victim in secret drew a portrait of each of them, but only Purple knows about that :)

(Omg this is really old-)

This was for that concept of "Purple's character development through what he wears" jssjkd and also because I wanted to draw him interacting with the color gang-

I remember that when I drew this I didn't have idea for Purple's casual clothes, so, I imagined something like Red and Green giving him some of their clothes that they simply don't wear but are comfortable ksjdks and Purple is just like "MmmMm I kinda like this"

And even since these times he was a hoodie stealer ah-

I wanted to make this thing during a trip KSBXJSN I took a photo because I liked the landscape a lot, but I just gave up with the idea too soon TvT it was something like, Dark and Chosen flying on the horizon, and Second waving at them, maybe with Victim in the right of the picture x"d oh my.

This pictures explains itself ksjdj I just got lazy with it <\3

Ohh these were for that comic based on a moment from that Survived!Red AU fanfic from @illateyouricecreamlastnight ! You can see it here

AhHhhhh that fanfic hurt my heart in so many ways KSBXKSN But if you want to know the whole context for this you have to read it >:3/

Aksjakjskajskajaa :"]

I didn't like too much how it was going x"d I prefer the sketch in traditional, but ahHahHha these two-

And that would be all? X"d ahHHh if you read everything take some hearts ❤❤❤❤ I'll go to watch a K-drama -v-👍

#half-done #animator vs animation #animation vs minecraft #alan becker #kajsk each one of these don't convince me only by themselves #but like #when I put them all together #I can see some story for each of them and at least have this thing of in common #hsjdjsj probablemente sea solo yo divagando TvT/#this thing of half done in common I mean sjskjd

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marikaaajoy · 4 years ago

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my relationship with digital art and how BNHA salvaged it

I just wanted to let out my thoughts but I can only do it here :>

This might be a downer for some people but I’d like to share it with people here. BNHA means the world to me and this is why.

I first started drawing when I was 7 years old in 2006

I think it’s ugly now, but 7 year old me remembered being so proud of this because this is a drawing of my stepfather. This is the only drawing I have that was from my childhood. I think the aim here is to draw in anime style BUT I didn’t even watch anime back then. I had a classmate who loves anime and she taught me to draw in school. Drawing became a favorite hobby immediately after that.

Then it was 2013 and I was 14 years old. Drawing is still my favorite thing to do besides being on the computer. I love anime at this point too. My parents bought an iPad for the whole family, but I was almost always the one using it. I discovered an app called ArtStudio and thought “Wow, I can draw without making a mess and with only my fingers” because I was always too lazy to take out my drawing materials and clean up afterwards.

These were my first digital drawings. The pirate one was the very first. I got obsessed real fast. I can color so easily, undo any mistake, layers are a blessing too. There was just so much more freedom. I always sucked at coloring in traditional art and I didn’t like the mess (idk my hands get so messy traditionally)

The next year, it was 2014, I was 15. My birthday is in a couple of months and I knew my parents were planning to buy me something pricey (I think it was a laptop) so I approached them and asked if they could just buy the Wacom Bamboo as a present which was cheaper anyway and I even explained how it works to them and how it would allow me to draw on the computer instead of the iPad. I tried really hard to be convincing. I would have prepared a powerpoint presentation if I had to.

They did give me the wacom as a present. They even gave it to me months before my birthday so I could use it already. I thought I was the luckiest teen in the world with my parents.

These are a collection of my favorite works from 2014 to 2016. The middle one was my second drawing using wacom and Paint Tool SAI. I was a part of a lot of fandoms in those years lol

It gets downhill from there :/

April 2016, my mom and I moved to Japan, while my stepfather and siblings stay in my country. It was tough. For someone who is obsessed with anime, you’d think I’d be thrilled to live in Japan.

I was. Though only at the first few months. It’s not the same as it’s portrayed in anime (I should’ve known but I used to be blinded by anime). It was just lonely. The language barrier sucked and then lots of financial and family issues until my parents split. I got my first boyfriend too and I thought I was blessed by the nicest boy, but the relationship became extremely toxic but I didn’t have it in me to walk away.

All the shit that happened affected me mentally and emotionally. My biggest outlet which was digital drawing, was also out of the question because I did not have a computer/laptop when we moved to Japan. We left it in our home for my stepfather and siblings, even the iPad. I have my wacom with me, but no computer/laptop to use it with. I couldn’t draw.

I tried though. I used my phone to draw, but it wasn’t the same. Then the life problems got piled up, things got worse, and I just lost motivation in anything. Literally anything. From 2016 to 2019, I stopped watching anime, I dropped out of all the fandoms I’m in, I stopped watching my favorite TV series or movies, and I stopped drawing. I even got a bit disconnected with my friends who lived in my country (we talk regularly online). My family was broken so I gave all my attention to my toxic relationship as well which made everything worse too lol

I didn’t draw besides from a few scribbles and the drawings above. I did try digital art on my phone a couple of times again and even posted them on my IG, but they weren’t any good. Eventually, I got mentally and emotionally drained and dropped out of senior high school. I just stayed home for almost a year, leeching off of my mom. I felt even more worthless and my life had no direction at this point. Nothing mattered anymore.

April 2019 or so I think, my (ex)bf bought me a laptop. He says it’s a gift, but I think the real reason was to make up for something horrible that he did (which is stupid because money /gifts won’t resolve anything). I have a laptop. I can draw again, but I didn’t. I didn’t care, I wasn’t interested in drawing anymore anyway.

Welp. June 2019, I went back to my country. My (ex) bf stayed in Japan. The distance helped me end the relationship and my friends were there (they always were) to help put me back together along with two trips to therapy. I went back to finish my senior high school in my own country this time. That said, I have to stay in my country for school (but I was happy because I didn’t wanna go back to Japan yet when the breakup was still fresh and with going back to school, my life has a direction again.)

It was weird. I remember just being sorta lost and confused because I used to put my time, effort and everything into my previous toxic relationship, which was now gone. I was free and I had so much free time that I didn’t know what to do with it. I got so used to doing nothing and being nothing.

This is where BNHA enters.

Dunno when it started, but I started seeing Bakugou frequently online. It’s usually just Bakugou. I knew who he was because my friend suggested BNHA to me back in late 2018 I think but I didn’t watch it since I’ve lost interest in everything at that point in my life.

But ye I thought he hot af but I still didn’t watch BNHA.

But then for some reason he REALLY kept appearing in my social medias and it was really frequent. The last straw was when I saw a pic of him in UA’s gym uniform and thought “damn boi aight imma watch bnha for u” (y’all gotta admit he looks good in those colors with his combat boots XD )

I watched BNHA. Fell in love with Iida along the way. Then I switched to Tokoyami (but Shoji was hot too so aaaaa), but then angry emotionally-constipated sea urchin head caught my heart again. But oof. BakuDeku moments really made me feel some type of way I haven’t felt since I moved to Japan. It felt new but nostalgic. I fell hard in that ship.

I started obsessing. From memes to posts to fanfictions to buying merch to filling my room with BNHA posters. I realized I was reverting to my old self from the time I was still happy and it was thanks to BNHA (and the good people who helped me through the worst too)

Shit I wanted to draw BNHA, I thought.

I mean, I have a laptop, I still have my wacom and drawing softwares. I could totally draw digitally again if I wanted to.

But guess what

I can’t :c

My hand physically cannot draw. My drawings don’t look the way I want them too. 3 years of not drawing really destroyed any skill I had. I was back to square one.

September (yeah they’re ugly, I laughed at it). If you’re wondering why I drew on paper, it’s because, for some reason, I really CANNOT draw digitally. I mean it. I can barely sketch digitally at this point. The lines and shapes just doesn’t come to life. They’re just scribbles. But somehow, I can kinda draw on paper with a ballpoint pen. But yeah, that was the best I could do at this point in my life

After that, I still tried to draw, to regain my old art style, but it didn’t happen... It just doesn’t look or feel the same. Drawing used to be fun. But during this phase, it felt like my ugly drawings were just mocking me (probably was just too emo that time lol)

Weirdly, around a week or two I think, after my half-assed attempts at drawing, I managed to draw digitally somehow o.o

I did a Midoriya and Todoroki drawing like this too. It was my first post here on Tumblr I think. The annoying part here is that I cannot draw digitally unless I draw on paper first, take a pic, and then trace the lineart. I couldn’t draw directly on the computer. Granted, drawing on paper and drawing on digital is very different for me in the first place anyway. But it was still a pain. And it still looked like shit. I can only draw stiff poses :/ it seems like my brain decided to delete all data about anatomy and posture and backgrounds. My lineart here is even messy af. It still really not the same as my old style.

By 2020, I think I got my old art style back. On March, I made this. This took me 27 total of hrs to make.

Right now, I think it’s not bad, but back in March, I was disappointed with the result. This is when I finally broke down crying because it didn’t look good enough and I hated that it took me 27 hrs to draw “bullshit.” I was angry at myself for losing interest in drawing for 3 years when I could’ve used that time to improve. I had to start all over again and it still didn’t look good. (Current me thinks that the drawing above is alright. I was just a lot harsher to myself back then. Used to have a lot of issues but I’m doing great now)

I cried myself to sleep that night. Woke up wanting to cry again. I wallowed in sadness for a couple of days. Eventually told my friends what’s up. Got some pep talk. Even talked to my sister (she’s great, she always hypes me up with my stuff and sometimes I think she’s my biggest fan with how she appreciates my drawings and I’m really grateful for that).

My world turned a 180 and I was weirdly positive after all that crying because brain chemicals and shit. I had a revelation. If I hate how my art style looked so much, then I should have been putting effort in changing my art style, not trying to regain my old art style (that I don’t like anymore)

I researched a lot. I analyzed different art styles and anatomy again. I did everything I could think of to find a style that works for me. I might have even neglected school for a bit to focus on digital art lmao

After all that work, I posted a fanart of middle school BakuDeku in their classroom. I love that fanart so much even if I probably have better ones by now because that was the first fanart I made that I felt like I could be proud of and it was the first one I made in my new art style. It was a milestone for me.

March 2020, I moved back to Japan and without the toxic relationship, I’m a lot positive now. Happy. I’m myself again after the previous bad years. I’m still continuously learning though, trying to improve, but at least, now, I found my own art style :) I really suck at interacting with people online, but I’m always grateful for the support everyone has been giving my fanarts. I’m happy when my content makes people happy.

This is why BNHA is important to me. The series is great alone, but it’s not just that to me. BNHA is so much more. It’s what made me find the passion to create again, only this time, it’s focused on drawing (I used to write, but now I just draw, but maybe I’ll write again for BNHA).

My family is supportive with my love for BNHA, but I think they don’t know the deeper reason why I love it. Sure, I was fine living on with nothing much going on in my life. I’ll finish school, get a job, work until I die or something. It was okay. It was the way of life. But BNHA gave my life color again. I wasn’t just blindly going through life anymore. I have something to look forward to everyday now. BNHA even became a bridge to other things. Ever since then, I’m a lot more open to people, to try new things, to explore and not just live through life and waste away. I got better at leaving my comfort zone. I’ve never been happier in my life :D

Thank you for supporting my fanarts. Thank you so much for giving me a chance to express myself through BNHA. I hope to make more content in the future and improve even more :)

#plus ultra #<3 #personal

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ruvigapo · 5 years ago

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Hi do you have maybe some tips for someone who is learning how to use water colour? What brand of water colors to use etc. ??

Hi! Sure i guess.♡ Keep in mind that while i wouldn't say i'm a beginner i'm definitely still learning too.

I will uh.. i'll edit this post this afternoon with some tips lol (note to self to not use the tumblr app in the morning lest your thumb slip and post an unfinished post XD)

((Or maybe i am still a beginner, idk. Okay yeah i'm a beginner but i can give some tips.))

Okay so, i'm home. Been a long day. Here are some tips.

Honestly though, i'm Definitely not an expert when it comes to watercolour specifically. I've used it since i was a kid but i only really got the hang of it resently and i'm definitely still learning.

1. So honestly my first advise is to just look at a lot of different tutorials and ask a lot of different people. This goes for most mediums, but there are a lot of different ways to use water colour to achieve the look that you want and a lot of people do it differently bc it's so versitile.

2. This is a given, but honestly, there's no better teacher than experience. The more you try something out and try doing it in different ways, the more you'll be able to find what works for you. That's really important i think.

This is a tangent, but I took a water colour summer course once and i learn a lot of cool stuff, but i also learnt through a lot of trial and error that my style of water colour was very different from how it's traditionally taught here. Partially because i'm impatient and can barely wait for the layers to dry (this, btw, is honestly a must in water colour tho so that's really gotten better on my end with practice) and partially because a lot of the techniques i learnt were good for landscape painting but dificult when drawing more complicated pieces in my opinion. They're still great techniques but i also learnt to take inspiration from other sources that more closely match what i like to paint.

And the more i learn the more i find that i am also able to incorporate traditional techniques that before seemed very dificult for me.

3. As for art supplies, i honestly wouldn't worry too much about it. Especially as a beginner. I always say that the tool doesn't make the artist, the artist makes the artist. In the end, the most important tool you will ever need is your mind.

I'm also not very good with what brands are high quality and which aren't so there's that frankly.

I'd say ask around and look into what brands are available to you. Most standard water colour sets are good and last a long time. Then you can of course expand your tool arsenal. I'd recomend a bigger pallet just because i'm the kinda person who really enjoys mixing and trying out a lot of different colours and therefore need a lot of space to mix colours.

Also i'd say look into what type of brushes you prefer, and pay attention which brushes are water colour brushes and which are acrylic brushes bc they're pretty different.

Really high quality brushes are usually made with animal hair, which makes it able to hold a lot of water and pigment. I don't like them much personally bc i don't use a lot of water for my drawings as a general rule (mostly because they're doodles and the paper in my sketch book doesn't hold water all that well). (And also sometimes the hairs fall off from the brush and get stuck in my drawing 😬... they're worth checking out though.)

But try out different types of brushes and see what you like. It might be tempting to get a very tiny brush for tiny details but honestly, a medium size does the same work just fine with a light hand in my opinion. And depending on wether you want to paint big or small, what size brush you need will vary. I know that art supplies can be expensive though, so don't feel like you Have to get the most expensive thing when you're just starting out.

4. Speaking of just staring out... honestly, don't even worry about using up your supplies and feeling like every single thing you make has to be perfect. It's not going to be perfect. And not only is that okay but it's nessesary. Not to mention that perfection is wholy a myth and can't be achieved so don't even worry. Quantity over quality i always say. The quality will come with time and work. Which is why i always recomend cheaper brands anyway because you will be painting A Lot to git gud, as they say, but that might just be me.

5. Back to brands

Honestly Please invest in a good paper at least once. It doesn't have to be Fantastic, it just needs to hold water. I'm not even joking, the quality of your paper does wonders for the quality of your drawing. Can you make water colour look good on normal paper? Sure. Case in point, all of the things i paint. But honestly, if not for the sake of a result, then try it out for the sake of experience. Try different things. See what works for you. I honestly do recomend starting out with a good water colour paper since the result will be miles better and you'll feel way more encurraged to continue. That's the one supply i'm adamant about trying honestly. But again, budget wisely young padawan. And if you ever feel scared to use your supplies bc they were expensive and you don't want to waste it.. again nothing is a waste, everything you draw is stored as knowlege in your brain that you'll use to make better art in the future. Nothing is a waste. But if you're like me and the anxiety really hinders you, just get a cheaper paper. I like to paint in my sketch book bc it feels like a diary to me and it doesn't have to be perfect and if i screw up it's still fine. I'll tape it over and start again.

Okay so.. i realise that this is rambly and maybe a bit preachy and not very specific. Starting out can be scary and you want all the things in the right place and you want things to go well every time you paint even though you know it's not going to at first. But you just have to start somewhere and keep going from there. Bc if you never start, where will you be?

So honestly, if you don't have any supplies on hand, just go to the nearest place that sells art supplies and get yourself some good paper and a water colour set and just go ham trying out the colours.

Here are some of the water colour things i've watched over the years to help me in geting started.

youtube

This last guy i only found the other week. He does a more trafitional style, more in line with how i was taught at that one summer class thing. So it's always nice to look at different ways to do the thing you want to do.

6. Water colour to me has always been tricky. It's water so it flows, and for a while, that was frustrating because i wasn't able to control it i thought. I prefered using markers but honestly, markers are way more expencive than water colours and you can't mix them and get as much if a clean finish, so now i only use water colour to colour my drawings.

But for a while i avoided water colour and instead opted to use guache. Guache is mostly used in illustrations bc they're easy to layer since the paint is opaque. It's much more forgiving than water colours, so if you want, buy a couple tubes of guache and try that. You don t need that many. I use cyan magenta and two types of yellow as well as white. Any art teacher will tell you that with practice you can mix almost every colour from those colours. I almost never use blacj anymore. Unless i'm lazy, in which case i'll jusr add a layer of black water colour on top of the guache. (GUACHE CAN BE EXPENSIVE THOUGH, DON'T FORGET TO BUDGET)

There are opaque water colours but most aren't i believe. That's where the main difference between guache and water colour comes in. See, in water colour, traditionally, you aren't supposed to use white to lighten a colour. Instead you use water to dilude the pigment. This gives a much more clean and crisp finish. You can do this with guache also, but since quache is already opaque it will still have that same grainy look wether you dilude it with water or mix it with white or both. I mean... i personally love the grainy look so... it's very story book-ish.

With guache bring opaque that also means you can paint over mistakes and start over pretty much, so again, guache is much more forgiving. Once the white of the page is gone when you use water colour, you can't get that back without adding white guache on top, which honwstly just looks messy imo. So be aware of that.

7. Let layers dry before adding another one or the colours will bleed together. Learning to be patient is key. But if you're like me you can just use a hair dryer tbh.

8. If you're using a good paper, you can experiment with a lot more water. Taping down the paper helps bc the paper will swell a lot and buckle when you add a lot of water. (Press it between a butt load of books to get it somewhat flat again).

You can try taking a spunge or a wide brush and add a layer of water before adding the pigment. It can have some interesting results.

You can also leave the paper dry and just paint layers like you would with markers. Both work. Water bleeds more but that's really cool in landscape painting so if that's something you want to try, def experiment with letting the colours bleed together.

9. Oh and don't forget to swatch out your colours when you get them. Water colour dry lighter than it looks when you put down the colour, so swatching helps with determining what colours you want where.

There are So Many videos on the subject honestly. I like to watch videos while i paint. It's fun.

Okay so this is long enough i think. I barely grazed the tip of the proverbial iceberg but i hope it helped.

I really encurrage anyone who knows their stuff abt water colour to add on to this. I really don't want to spread false info. These are just my two cents on the top of my head.

Which basically just boils down to

JUST DO IT

I honestly tell myself this every day. And if i can do parkour then you can paint.

Good luck and have fun! 👍👍👍

#water colour #watercolor #guache #tips #muffin rambles #ask a muffin #sorry this took so long #i'm never on here lmao #check out my instagram lol #i post every month there #..... it has new kl art lmao #shameless promo #but seriously #live your dream #water colour away

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flame-point · 7 years ago

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Sunrise Galaxy Zebracorn Tutorial

AKA I’ve gotten a lot of questions about my art process recently, so I thought I’d make a tutorial :)

Step 1: Pencil sketch

For projects that I’m going to ink, I use regular mechanical pencils (no sharpening, whoot!). Traditional pencils can give cooler lines, but I’m just going to be erasing it all, so...lazy wins!

Since this is just going to be scanned in later, use whatever paper plays nice with your ink and doesn’t die when you use the eraser. For me, this means anything from cheap, non-archival printer paper to nicer, thick archival paper if I’m going to sell the ink original. I aim for smooth, cold pressed paper if I go the watercolor paper route because it works better for the next step.

Step 2: Inking and erasing

Erase thoroughly and cleanly, periodically cleaning your eraser by erasing on blank paper or a clean cloth--pants work great for this. Be careful, especially on the edges of the paper. Luckily this method is great for hiding any “oops I just crumpled my art” issues, but it’s easier just to avoid scrunching your work at all.

No matter how nice your eraser, ink, and paper is, some of the ink is going to lift up when you erase the pencil sketch. I’ve learned to ink the bare minimum before erasing--and to photograph the pencil sketch to reference any lines I forget to ink!

While I’m not fussy about paper or pencils for this method, I am very, very picky about pens and erasers. I usually use Staedtler Mars Plastic Erasers (though any white plastic erasers will do in a pinch). Stay far the heck away from rubber erasers for this. They really lift ink, sometimes permanently grind pencil into the paper, and can tear holes in your piece. I’m sure they’re good for something? Just not this.

My favorite pens are ones that are archival, fast drying, low lifting, and waterproof. Specific brands, types, and sizes are a whole ‘nother tutorial though :)

Step 3: Re-inking and filling in solid areas

Re-ink any lines that got too faded when you erased, fill in solid areas (copic markers rock for this), and fix any errors either by rolling with it, using the “a heavy inked outline hides many sins” method, or using white pens as fancy whiteout. For this piece, I also used white calligraphy ink and a brush to splatter on stars after inking the solid sections. This method isn’t good for big stars, but it’s great for random small stars :)

My favorites white pens for corrections are Sakura Gelly Rolls for fine details (the best white gel pens in my opinion) and Recollections broad tiped white markers, which are great for bigger areas but take several coats to fully cover errors. You can also just fix the error on the computer after you scan it, but it’s often easier to fix it on the original.

Step 4: Digitize the line art

This is another thing that is a whole tutorial on it’s own, but basically I scan the original, open it in Photoshop, and use various adjustment layers (mostly Curves and Hue) to get the line art cleaned up and put it on a separate layer from the background. There are LOTS of tutorials online for extracting traditional line art for various programs, so do whatever works for you.

Step 5: Try on some textures and gradients

I make textures by scanning my own abstract paint scribblings, tea-stained paper, fancy paper, and photos and slapping it together in Photoshop using the different blending modes until I like what I see. Making textures is kinda addictive, and I’m constantly making new one--or even making special ones for an individual paintings.

For this painting, I used the top two rows to make the blue, gray, and purple textures. Then I used the textures on top of the gradients on the bottom to get cool results, like the pink in in the sunrise and the glowing drips.

This technique relies about 90% on happy accidents, which makes it extra fun :)

Step 6: Admire your finished art!

Before making prints, make sure to view it on a few different computer/tablet/phone screens to make sure your computer hasn’t borked the colors. When I started doing this, my monitor was waaay too dark, so the finished pieces looked VERY DIFFERENT to other people, lol.

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thelittleredwhocould · 7 years ago

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@sugarjared replied to your post

OMgggg im the same!!! I'm decent at "attempt-realistic" but suck at more cartoony styles. In fact, i think my problem is that I don't have a style? I just know how to copy the image next to my canvas by working in shapes, lights and shadows. I even hate sketching, and usually just throw in colors and 'shape' the colors as if they were clay by smudging them around till they take the desired shape lol. Im so lazy 😧

Cue long-ass response I’m putting under a cut cos it got so long I’m so sorry you don’t have to read this

Digital art is so hard! I’m much more experienced in forms of traditional art, so this is a whole new playground and I don’t know if I like it, lol. I’ve always been the laziest traditional artist and it’s definitely showing!

My style is really as-close-to-the-original-image-as-I-can-get, which is cool when I can accomplish it and not cool when attempting digital art for the first time in months I’m gonna throw my tablet out the window this is so frustrating. As a result, tho, I (confession time!) actually traced things for years until an art class forced me to trust my own skills more and broke me of that habit (I’ve been told it’s not a bad habit when you’re starting, because it can be a good way to familiarize yourself with shapes until your brain gets better at seeing an image and recreating it, but it’s not something you should rely on). Somedays I’m really tempted to trace stuff again, cos those were the days when I actually finished my pencil-drawn art. I still kinda trace my watercolor stuff some days, but that’s ‘sketch it on printer paper with graphite then transfer-via-trace it onto my hella expensive watercolor paper in equally if not more expensive watercolor pencil’ tracing and should not count against my record, in my honest opinion.

I’m kinda the opposite when it comes to colors and stuff like that. Sketching is the part I can do. Shading is where I get tripped up by my own impatience/laziness and tend to give up on a sketch. I have pages of unfinished sketches in my sketchbooks because I just can’t handle the effort of finishing them. My impatience/laziness is my curse in school and film stuff, too. I want the finished product and I want it now. No, I don’t want to do this work, I just want to have it done!

^^^Actual representation of me. I have actually done that when I get lazy about a project. No joke.

My impatient side is also, like, five years old. At the oldest. On a good day.

I think that’s why I usually go with watercolor pencils lately. I do the sketch in pencil, and use the water and a little more pencil to make the shading, and I can have a complex painting done in a couple hours (this one [NSFW] took like three? It’s a little messy style-wise, but I like it) with minimal mess, especially cos i have like eight billion different colors to choose from even though i just keep cycling through the same five cos monochrome paintings are so easy.

In conclusion: we are both lazy butts. Oh well. We can be lazy butts together, at least, right?

#this response got so long lol #oops #sugarjared #kenzi responds

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laidbackmarco · 7 years ago

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As uncomfortable as it is making art and putting yourself on display, in order to grow and improve as an artist you have to start getting familiar with that feeling. The mix of chemicals and neurons firing you experience when having awkward conversations with that girl/guy you like, before going on stage, or trying to draw something you are uncomfortable with is often described as fear or nervousness, but I’ve been trying to look at those moments when you can feel your blood pulsing through your body with a new lens. I think that feeling is actually the feeling of excitement which through social conditioning has been transformed into that of anxiousness. I think deep down people are excited to be talking to that person, performing, or learning different ways to approach art.

One thing that’s not hard for me to do, because of my terrible self esteem, is admitting that my art is bad or needs improvement. . . actually it’s much harder for me to accept a compliment about my work then anything else. Which is also bad, because if you deny someone’s compliment it’s like telling them subconsciously that their point of view doesn’t matter, don’t devalue them just smile and say thank you. Although I do wish they would stop using the “It’s better then I could do” seriously stop saying that to your friends who do art because that doesn’t make us feel better. Back to the main point! I know I needed to improve my digital art skills, but I had no idea how to go about doing it. There are a lot of resources online that are available, but the problem was there was just so much free information out there that I had almost drowned in it. I stumbled across this website called https://www.ctrlpaint.com/ which seemed to have everything in a nice organized fashion, had a plethora of free content, and I liked the way Matt Kohr presented both his philosophy and lessons.

I began plugging my way through the lessons one step at time. Although I had taken art classes in college, I figured that like in League of Legends, Fighting Games, Basketball, and now art fundamentals are extremely important and it can never hurt to refresh and sharpen those tools. So I started from step one and worked my way through the Digital Painting 101, Traditional Drawing, And Most of the Drawing 2 segments until I reached this challenge called When In Doubt, Draw 100. Before I watched it I thought one hundred is a pretty large number, I mean I tried to do Inktober and a thirty day original character drawing challenge and I couldn’t even manage to do those, there is no way I could manage to draw one hundred of something I’m uncomfortable illustrating.

As if the challenge itself wasn’t hard enough, I had trouble even getting started on it. What should I draw? How many drawings a day should I try to do? What medium should I use when illustrating? Were all questions were allowed me to procrastinate and satisfy the instant gratification monkey in my head with some League of Legends. It took me a couple days browsing twitter and looking at amazing art to become honest with myself and say that it doesn’t matter what I draw because I’m so bad at everything the improvement alone will be worth it. But two areas I know that every artist struggles with, even my better peers on the social networks, are hands and feet. I mean just look at some of my earlier work

The feet and legs are more like blobs and the hands are pretty much mittens, both needed to be improved, but I decided to go with drawing feet first.

And I know what you’re thinking eww feet gross, people find feet gross, and repulsive for some reason? Maybe because you walk on them all day and they are close to the ground? I don’t know, but I’ve been looking at feet my whole life. . . my view of the world is often looking down at the ground. Most people will look at other people’s faces when communicating, which is something I’m trying to do now, but my whole life I’ve had terrible self esteem and probably some form of depression so I’ve gone through it avoiding eye contact. The easiest way to avoid eye contact and not run into everything and everything is to look down at the ground. This way you can still see where people are going and where objects are in the world. If you do make it out into a more open area looking up at the sky isn’t a bad option either, but your neck would get tired after a while of stargazing.

They say a lot of information is conveyed through the window to the soul, the beautiful eyes human beings, and that probably is true, but for me I got my information by looking everywhere, but people’s faces. Which mostly was their feet. Which can convey feelings all by themselves. You can tell by the motions of legs and feet whether someone is excited, proud, or tired by the way they walk or tap their feet nervously during the middle of class. Even the type of shoes they wear can tell you a little about their personality. For girls you can tell who the pampered rich ones are by how often their toenails are perfectly painted or if they are chipping. I remember a girl I was crushing on in highschool got a pair of fresh new white vans. . . still my favorite pair of shoes to this day. All the super liberal art theater kids wore toms. . . to help the world out or something. But yes feet can tell you a lot about a character, I think a big influence on me is my favorite animation studio Kyoani, where one of the animation directors Naoko Yamada uses images of feet and legs to describe human relationships and interactions on a regular basis.

Legs and feet can be cute, should be able to describe the whole character, even actions and motion are able to be extrapolated by through the feet by are posed, or be fetishised(but I mean what can’t now a days am I right?), but you have to be able to illustrate them well for that to happen. Some of my favorite illustrators and animators can draw characters performing a variety of actions and because they can draw feet well the characters appear grounded and real. Even actions such as falling and being weightless have the feet react in some way shape or form.

This drawing challenge began six months ago in march of 2017 I had begun this challenge thinking I’ll be able to knock this out in 10 days if I draw 10 feet a day. Which doesn’t sound to hard and in a perfect world that might have happened. These are probably just excuses but it was a combination of school, waning motivation, frustration, and laziness that I hadn’t finished as fast that I had wanted to. The challenge also started out being a way for me to learn to digitally sketch better, and probably woulda paid off too if I stuck with using my wacom or my surface pen to do the drawings. One drawing was even in color, which I don’t know why I decided to draw that one in color? I think it had a pretty night background, that I couldn’t execute well because it was wet pavement and streetlights.

I used a variety of sources for the feet in this set here, some from anime still frames, twitter drawings, League of Legends fan arts, and even some pictures of real life subjects.It took another four months before I started to make more drawings towards the study, but eventually I decided to start doing them in my sketchbook, because there are so many extra steps involved when drawing in a program that my procrastinating self couldn’t be bothered to deal with. First of all as much as I love my Surface Pro, the battery life is not ideal, the pen has a battery that runs out, and I don’t think my version of the surface is powerful enough to draw at the resolutions I like to illustrate digitally at. The only program I have for illustrating on my surface is manga studio, which isn’t bad because one of my favorite artists redjuice999 uses it, but it is different than what I am used to. Also when drawing on the go, which I do a lot now, you have to create a new folder, file, choose the resolution/document size, save it then find it again. It was a hassle to say the least so with an investment of a little under 10 dollars I saved myself all those extra steps and got a new sketchbook and some mechanical pencils because no sharpening pls. Another reason that I stopped drawing was I was just getting too frustrated with drawing things I’m not comfortable with, not getting anything out of LoL streaming, my art and music had netted nothing for all the work put in, I really was just frustrated with life and started hated everything I was and was doing.

When I picked it up again four months later I started looking at comic books I enjoyed, both american and Japanese artists I admired I looked at more closely. The two main ones being Pokan8 illustrator of the Yahari Ore No Seishun Love Come Wa Machigattiru and Hiro Illustrator of Akebi Chan’s Sailor Uniform. I did look at the illustrations of an hero I could not read being as the whole page was in Japanese, but it was a random stroke of luck that I found his image on Pinterest. An interesting thing happened to me a third of the way through the drawing challenge. At about the mid thirtyish drawing I found myself enjoying the process and having fun drawing feet. This really showed I think in the 30-40 drawings of the “Gothic Loli” shoes as they were called. I don’t know why but those ones turned out really good I think? Maybe I liked Rem more than I thought and no I’m not a Lolicon those were literally what the page called the shoes. During the later 25 Drawings I found myself frustrated again I thought it was because the overall proportion and drawings seemed to be off, but that wasn’t it. Looking at the drawings the overall shape is pretty good, but upon retrospection I had realized that I was getting angry at the smaller details of the foot that I had completely brushed off before. All the small curves and nooks of the feet were becoming something I was aware of at those moments, and because my mind couldn’t wrap my head around some of the most subtle curves I was frustrated again.

I drew some feet even without photo reference, but looking at people as they passed by downtown on the street. Something that would have been not possible for me doing this challenge I was able to take a quick glance at pedestrians walking and make a quick sketch of the shoes they were wearing. I tried to do some without any reference at all, but they turned out super bad so I stuffed that Idea real quick. My later drawings I tried to look for more challenging angles, and gave more attention to clean linework and putting down darker lines where I wanted and I think that shows. The lines are less chicken scratchy than the previous drawings. I’m glad that my final drawing in the challenge had a tiny bit of shared joy as I had a viewer on my stream while completing the final piece. Thanks Zukeyni!!

For some reason I felt when i completed this challenge I would be able to draw feet with no reference easily and that I would feel like a better artist. Like completing this would give me a noticeable stat in some sort of rpg, but sadly that didn’t happen. I think that I would still need a lot of reference to draw a foot that would count as passable to my current standards. But I did improve!! Maybe? I don’t know you be the judge. To get more value out of this drawing challenge I think next time I would include more more shots from movies, challenging obscure angles, and action poses where people are in motion. As feet change when people are doing things like in one of the drawings up there I used a drawing of Akebi’s Little sister Kao chan throwing a paper airplane, and because Hiro is a good artist he captures the excitement of a kid throwing a paper airplane all the way down to her cute sneakers with little birds on them.

What I learned: I could’ve got this done much faster, you get faster as you go, take it one step at a time, lastly I still have a long way to go!

The next challenge I will do is drawing 100 hands, but I will wait until doing some other art tutorials on CtrlPaint before doing another one of these tasking, but rewarding challenges.

Thanks to my stream that Supports me mentally during my fiascos.

SpectralFire, Derpiestder, Lord_Vath, and DirgeofRuin,

P.S. I think They all have secret foot fetishes . . . they watched the entire time.

The Draw 100 Art Challenge Feet As uncomfortable as it is making art and putting yourself on display, in order to grow and improve as an artist you have to start getting familiar with that feeling.

#ART #awkward #Blog #challenge #depression #feet #improvement #journal #low self esteem #study #VLOG

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