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#also i do think the phantom thieves love and can see akira's pain but they really do treat that boy like a savior constantly
andromeda-aim · 2 months
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Finished persona5 royal with a friend and i'm continually losing my shit over how much the game hammers home to the player that Akechi's life is the most persuasive bargaining chip that Maruki had to convince Akira to accept his false reality. Beyond the lives his friends were living, nothing changes for him. His family never apologies for sending him away, his classmates still make snide comments about his criminal record, not to mention this is still a world that had him tortured and nearly killed in an interrogation room not too long ago. His life is virtually identical, which can imply that Akira has made peace with what has happened to him. None of that changing would ultimately give him his happy ending or ideal world. Akechi being alive is what gives Akira his happy ending, the person who a literal fucking god of control pitted against him. Because at the end of the day, Akechi doesn't see him as the delinquent with a criminal record, or the savior leader of the phantom thieves. Akira is the product of a cruel unjust game, like himself, strung along by happenstance. Neither boys became strong because they wanted to, this world molded them into weapons to fight each other and see who could make a victim of the other. Akira needs Akechi for his ideal world because to look at Akechi bleeding out in Shido's palace, hear his ragged breathing from the other side of that wall, and pause, is to realize that it could have been him there instead. Which is to say, "I am thou, and thou art I."
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crime-bot · 4 months
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i crashed and fell asleep for a while anyway. do you have any angst ideas. i need sad goro akechi hours probably with chronic leg issues because my knee almost gave out at the store today . anyway how have u been dude i'm just gonna write what im thinking and then edit later
ok so. goro akechi. goro akechi who is unable to look at himself in the mirror and grows his hair out past his knees and is so so so so so gay. goro akechi who studies japanese flower language and talks to haru and yusuke about it. goro akechi who tells haru it was either going to be him or her that killed kunikazu first, and he's happy he did it first so haru wouldn't have that blood on her hands. goro akechi who sits at leblanc every thursday to quietly talk with deadbeat parents club (ryuji, haru, yusuke, akira, sumi joins sometimes but not often cause she doesnt consider her dad bad she just wishes he helped her more during stuff, himself, ann) and tells them what he learned in therapy and helps them all find ways to find peace with it. goro akechi who was gifted a Crow figurine from akane (p5s) after akira told her he was a fan of crow, and then akane found out he was crow, and akane freaked out. goro akechi who is 20 years old but lives life like he is 16 because he missed out on everything. goro akechi who watches featherman with futaba and works with her and yusuke to write featherman fic and get yusuke money by commissioning featherman art. goro akechi with a sticker covered cane. goro akechi with medical necklaces who has stress induced petit mal seizures and chronic pain and multiple disabilities both mental and physical. trans goro akechi. goro akechi who is tired and worn but so fond. goro akechi who is dragged to takemis at a late hour because hes going through an episode and he tries to hurt himself and all the phantom thieves (+ hifumi & shiho bc hifumishihogoro bffs are real, + ken, + sae & naoto) come running to make sure hes okay, to watch him. goro akechi who cries late at night because he can't understand why people are nice to him. goro akechi who doesn't really believe it when he says "i love you" to akira because he doesnt really experience romantic love. he has an odd 3rd thing he feels guilty about with akira but they still say theyre dating. goro akechi in general. idk ..
OH MAN WHAT A FEAST! Sorry for the wait, I've got no agnst ideas for our guy Goro at the moment, but I'm gonna take a good look at this all
imagine Akira braiding all of that hair for him, learning and trying out new things and asking Goro what he thinks of it -- if not in a mirror, then how it feels
I think Yusuke would actually be more enthusiastic about Japanese flower language than Haru, which is saying something. He's captivated by the inner meaning held by such beautiful works of art, crafted both by nature and the nurturing hands of humans, and would easily go on an infodump about the language (and the shape of the petals, the stalks, the colors, both bold and subtle in difference, so... so much.). Meanwhile Haru takes both the language and the technical care of the flowers seriously, and loves sharing tips on how to keep the flowers healthy and vibrant, both before giving to someone and after receiving them. She encourages Goro to try growing something himself since it can feel very rewarding
honestly, I think Haru would appreciate that sentiment in a bittersweet way. Goro has... caused a lot of pain that can never be healed. It's also true that it was very, very easy to draft up plans on killing Kunikazu herself
Goro and the deadbeat dad club is like trickle down therapy and a fucking love it, holy shit. I'm sure he doesn't fully realize how much he's really helping them all
AWW YES, GORO WITH A CROW FIGURINE!! I'm sure talking with Akane is bittersweet, but as time goes on, Goro becomes another person she can depend on and is welcomed by Zenkichi
The Featherman Trio is so great... with their combined forces, the featherman fandom sees fanworks that could be prized novels or showcased in museums
SO MANY STICKERS OF STUFF HE LOVES!
Man I'd love to see more of Goro with disability, and how he and the PTs supporting him navigate it
I've seen a surprising amount of fanfics with Trans Goro, and while technically not trans myself, it's nice to read them and think of how Goro had handled transitioning (either explosively not well or surprisingly... pretty fine? Considering that Japan is pretty tolerant of trans people and it's not necessarily as difficult to properly transition from female to male or vice versa as in the US (which isn't much of a high bar but still))
I love characters that are tired and worn and fond... it's just... damn I relate to it
YES!!! EVERYONE'S THERE FOR HIM! And of course Takemi helps Goro out the best she can, no criticism, asking him how he feels, what he would and wouldn't prefer
oh man I vibe with being aromantic... Akechi trying to figure that out and come to terms with it as well as enjoy what he has with Akira for what it is is so good as well ..
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leonawriter · 3 years
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Something I notice the more I read P5 fics is that I can get really uncomfortable when the author tries to make Akira and Akechi get together without there being full honesty on both sides somehow.
By which I mean - anything where things go further than “it was a mistake” and into “something about this was a choice” territory. Anything where there’s sexual content, or where they start calling each other boyfriends or whatever.
The first thing that makes me uncomfortable is the dishonesty, although that’s not just “tell the truth!” because that’s damn dangerous in this situation. It’s more emotional honesty. Emotional honesty allows the characters to be able to understand that the feelings that the other is showing them are not false, lies, or manipulation in any way.
The other thing is, well, “is someone here keeping a secret from someone else which will hurt them further down the relationship?” and I guess the thing is, in canon we have the whole chess thing of “Akechi as part of a plot to kill Akira” and “Akira plotting to not die” but... in canon divergence ‘get together’ fics, there’s also the added complication of Akechi having a harder and harder time with knowing what he’ll be doing on November 20th, and Akira knowing that he isn’t going to die and not telling him.
Thing is, of course, that it’s not simple. 
But the important part for me is, if Akechi tells Akira before shit goes down that he has feelings for Akira, then Akechi himself is actually hurting because he has no reason to believe that the one Akira is accepting into his heart isn’t Goro Akechi, but the Detective Prince Akechi. Even with the full Royal confidant so far, that’s still a lot missing. Even Akira confessing that he loves Akechi at this point would mean that emotional honesty is effectively impossible, since he can't admit that he already knows about Akechi’s job as Shido’s hitman, or any of that. 
The knock-on effect is that the one who gets hurt emotionally the worst is Akechi, who - remember - has the worst self-image issues. He believes that he may well have fallen in love with the person he’s supposed to kill, who has deluded himself into thinking he loves someone who doesn’t exist, and then he has to see the days counting down until that “illusory” love is dead in an interrogation room by his own hand.
Since Akira already knows, then on the one hand yes it makes sense for him to withhold that information out of reasonable fear for his own life. On the other hand, he’s narratively causing Akechi more pain.
Personally... I like the pairing as it has the potential to have both sides be an equal partnership, and/or one that urges the other party to improve, while also being one where neither has to wear a mask or pretend around the other.
I can see flirting happen before the Sae Palace deadline, however as an author I’d be careful with how. My personal favourite kind happens to be the kind where Akira is constantly egging Akechi on and encouraging him to let his guard down and be less nice (i.e, more honest) since my personal read on Akira is that he is not attracted to the Pleasant Akechi so much as he is Asshole Akechi. 
Convince him that Akira can be trusted, put him in a place where he has to trust Akira and/or the Phantom Thieves, and a situation where that trust does not go unrewarded.
Three of the biggest things in a relationship are honesty, communication, and trust. Without those, a relationship will fall apart, or start to go rotten. That’s why I just... can’t jive with the “invites up to Leblanc’s attic and they’re kissing before Akechi even blackmails himself onto the team” ideas.
(And if that does happen, then at the very least please explain how things get fixed. Unless you want me to believe that Akechi’s going to just shoot his boyfriend in head and turn up some weeks later to have an emotional breakdown while reminding himself that everyone lies to him and no one actually cares and he might as well use Call of Chaos on himself because it’s not like he has any real bonds anyway.)
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halcyon-writings · 4 years
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i checked this list and it said persona so im hoping this is still ok. Date night with the protagonists? (Makoto, Yu and Ren) please and thank you >///
ー『anonymous: Can i get dating headcanons for the persona protags (Makoto, Yu and Ren) please and super thank yous. I love these boys so much. ;A;』
note(s): I am going to combine these requests as they are similar enough I hope that is alright! no real warnings for this one either, I just think these dudes are neat. Also I know they all have like 5 different names, so I just went with the ones I am more familiar with. Maybe(????) spoilers for 3, 4, and 5, so if you haven’t finished or played them, be warned (although, idk if anyone would read it if they haven’t played the respective game but idk warning for spoilers just in case) also idk how i feel about these hcs rn, but i did my best dhdjdj
all my other links can be found in my navigation post!! If you like my writing and you’d like to support me, my tip jar is also linked there!
hcs under the cut so i’m not clogging anyone’s dash (originally these were gonna be a short set of hcs but i guess not dbdndn)
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What our dear protagonist lacks in overall extrovertedness, he makes up for in action. Surprise surprise, dates can either range from hanging out in the dorms and cooking a nice meal together. Or maybe going to the mall and heading to the arcade. Or basically wandering around until your legs hurt and your purchases range from new outfits to weird antiques from the antique shop.
However he really does treasure these little trinkets, because the memory of your laughter when you were given a certain item will forever be ingrained in his mind. It’s a comfort in the end too.
Date nights are focused on you and you only. He definitely sets a date where he knows you both are free so that there’s less likely of a chance for being interrupted. He definitely wouldn’t want his time with you to be wasted. Although seeing his small pout when it does happen is very cute.
You also gotta be keen on if he sees something he likes and wants. While Minato won’t exactly say it, his gaze lingers a bit longer than usual. But he ultimately won’t get it, because he wants to focus on you and also save up for when the group goes to Tartarus. So if you surprise him with whatever he had wanted, he’s so happy.
While he is slightly more reserved in comparison to Yu and Akira, Minato speaks through action. Whenever you two are walking together, he always has your hand in his, or keeping close by in some way. He likes to cling to you when it’s just you two, his head buried in the crook of your neck as you two nap tother, legs tangled up together. Or the small jokes he says loud enough for only you to hear, but they’re still so funny. Sometimes you’re asked if he’s really a good boyfriend, and you have to laugh off the doubt, because they don’t see the sides of him that you do.
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My god. Yu would absolutely be the best at arranging dates and hangouts. I take no criticism. Like you guys could literally just be walking all around Inaba, or just sitting by the river bed and it could be one of the greatest times you’ve both had together. A romantic at heart, Yu would also be a bit cheesy in arranging dates.
He shows affection through communcating it. Whether it’s a new outfit or something, he’ll say that you look incredible or if you’ve studied for a hard exam, he’ll make sure you know how amazing you are for passing. Idk just anything that has you smiling from sweet compliments and other words of affirmation. A big sap, honestly you try and joke about it but he just earnestly says “Who wouldn’t be for you?” And you have to sit down and hide your face in your hands for a solid 5 minutes.
You also gotta be cool with Nanako. But then again she’s a cute kid and a sweetheart so idk why you wouldn’t be. Although he does get a little flustered if it’s you two watching her while Dojima-san is working late at the station and the old ladies coo over how you three look like a mini family yourselves. Which is kind of a common occurrence. And I feel like Yu would know pretty well if he sees a future with someone he’s with, and with you he does shhh
Date nights in Inaba are really fun and a good way to wind down, sometimes it’s wandering Junes and finding whatever the newly advertised, as seen on tv appliance is. Or other parts of the shopping district, where he can really let go and just have fun for himself. When not worrying about school work or the cases the Investigation Team is working on.
some spoilers here; but after Izanami is defeated and the year ends. When Yu has to leave Inaba it doesn’t mean that he won’t put his best efforts to keep up the relationship. If possible, video calls or just the occasional text too. And when he visits, while he does miss his friends, he’s especially antsy to see you too. And when you’re both together again, he refuses to leave your side.
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Now, Akira can be described as this suave, casanova type character. But he’s also a giant dork and you know it, he knows it, the Phantom Thieves all know it, hell even Sojiro knows it. It doesn’t mean his attempts at flirting doesn’t get you blushing. And when he sees the flustered expression, it only motivates him to keep going. But turn the tables on him, and he’s putty in your hands. (And he looks very cute).
Because of the way you met, aka, at Shujin, where his reputation was basically over and done with before it even began, he has a lot of doubt and trust issues, what if someone dared you to speak to the “criminal” or something? While he won’t show these doubts out loud to his friends, it’s still something he thinks back on a lot. But when you defend him vehemently one day, he knows he was right to trust you.
A part of dating Akira, is eventually finding out who he is. Maybe trips to Mementos cause him to be late to dates or not even show up at all. You end up stood up more often then not once things begin to get really serious. From small time school teachers to the literal Yakuza (and eventually a candidate for Prime Minister, and a god), you don’t know where he is. And that becomes really stressful because then the doubt™️ sets in.
To make this less angsty and more funny, imagine you know from figuring it out. He’s suspiciously watching the news on the PT, and no offense to Ryuji, he’s not the most quiet. So he’s so nervous trying to tell you when you’re just “yeah I know, sorry for not telling you, I wasn’t sure if you wanted me to know.” and he’s just the surprised pikachu face.
As for date nights, the city is your oyster. I’d say the world but mans still currently has a criminal record so probably not yet. But he’s gonna take you wherever you want. Whether it’s a themed cafe, or just the streets of Shinjuku, as you take in all the sights from the bright places, he’s willing to do whatever for you. That includes facing off kids at the arcade for a stuffed plush you saw and admitted it was cute. He is a man on a mission. And you cannot stop him. So you both end up back at Leblanc at the end of the night carrying your plushies and eating some curry that Sojiro left warming for you. That even includes the Big Bang Burger challenge he will do it for you , even though you probably do laugh at his pain after but you still coo and praise his efforts.
After he goes back home, record clean and world hopefully peaceful. Virtual dates become a thing, either just sitting and talking while having dinner or something is nice. He still loves to say those cheesy pickup lines that had you hiding your flustered expression as you walked through the streets of Shibuya on call. You only hung up on him once but he quickly called back and was very pouty about it. You were forgiven though with the promise of giving many kisses when he visits.
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raventreehouse · 3 years
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Can I request a Sunny, Akira/Ren, Aurbrey (Irl), Katara, and Futaba with a S/O who is really shy and will not really talk to people unless they are forced to. But around close friends such as the phantom thieves or the Aang gang they will be much more Loud/Fun?
This request is a whole ass mood, me too, me too. Also my writing changed a bit when I was last writing, nice
Sunny
He was first like, yes just like him
You guys mostly like communicate through looks
Nobody else knows how you do it
But you do
But the second you get close to the squad
And become so like loud and excitable
He is shocked
Not in a bad way of course
You just flipped a switch and he did not expect it
To say the least
He is happy you get along so well with his friends
Makes him happy
And also talks a bit more just so you can relate to each other still
Happy boyo
Akira
He would help you with your shyness in public if you ever asked
He also is just like “look at my cute shy s/o! Look at their amazing face”
Yeah he’s sweet
The second you get comfortable enough to be such a meme with the group it would fill his heart with warmth
After all that’s practically what happened with Futaba
And he is just so happy you can find comfort with his friend group that they have also found
Ah yes the found family seems to keep running in this group
It’s cute
Also amused at the “not another one” from both Makoto and Sojiro
They love you too, but the last thing this group needed was another loud one 
You fit in great though
Ryuji and Ann would protect you from anything
You guys bonded now
Too bad
Also them just holding you on either side while giving someone who made you uncomfortable a glare
Akira in the background is like “Those are my friends and my s/o” :)
Yeah it’s great
Aubrey
Glares at anyone who tries to make fun of you
Which is something just someone who stares at you a bit to much
You’ll have to calm her down
But the second you get close to her friend squad and the hooligans
And you just being so expressive
She won’t admit it, but she’s happy
She’ll tease you for it though, warning
She means it well though
It’s so much whiplash for her to just see you from shy and cute to loud and fun
Can’t help but fall in love with you all over
Never
Fucking
Admits it tho
(question for myself: why do I mostly go for tsunderes?,,, well I guess more aggressive tsunderes that would fight for me… I guess we’ll never know :))
But yeah is still protective over you
If anyone dares to talk over you or anything like it
She will throw hands
She is sweet in her own way
Katara
Katara won’t actually be very surprised
It’s not like she’s the same, but when you joined the group she kind of knew?
Like that one is going to be crazy when they open up
Doesn’t help the gaang is literally chaos itself
You find yourself opening up a lot faster than you expected?
They just kind of have that vibe going on that I feel like is easy to open up to
But she enjoys watching match everyone’s energy
Normally she’d get a bit annoyed after a while being the mom friend of the group
But with you she somehow just doesn’t get annoyed
Still going to tease you a bit for it
Like normally you’re so quiet and now you’re just a pain in my ass 
Super dramatic, totally joking
If you don’t like such jokes she’ll obviously not make them, but if you do like em, expect a lot of friendly banter between you two
Toph often gags thinking it’s gross lovey dovey stuff
You two team up on her sometimes
Causing often you getting fucking yeeted by earth
Futaba
Welcome to you two are the same in that regard
You two are incredibly shy when it comes to new people but when you get comfortable with friends you’re louder and make more jokes, cause you know you can
So when she met you she immediately was drawn towards you
Like ‘they’re like me, time to befriend the shit out of them’
You two click very easily and nobody knew what chaos was about to be unleashed
Except Akira, he fucking knew
And he just sat back and enjoyed the show
You got comfortable around the phantom thieves and suddenly you could match Ryuji’s energy and had a full on shouting match about something not to be shouting about
You know the meme of two guys shouting to each other about the wicked witch of the west and shit?
That’s you and Ryuji
Futaba was cackling and Akira was watching with amusement
While the rest was just 0-0
Ann soon starting laughing too though, cause you were destroying Ryuji with facts
Futaba just looked over at Akira like “Can you understand why I chose them?”
“Yes, you two are a match made in heaven”
“I think you mean hell”
“Oh I definitely mean hell”
Yeah no the group and Futaba love you
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muzzleroars · 4 years
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What do you think if the Phantom Thieves (except Futaba) all had Shadows they had to confront and fight (like in p4), and what would they be?
OK this one is super interesting and it’s taken me MONTHS to get to, so let’s gooooooooo (will include p5r spoilers!)
i think all of their contracts sort of give us an idea of what their shadow selves may be (meaning goro is more up in the air), and i like to go with the idea that in p5, their shadows are how society has forced them to act. they have incorporated that into the self and conformed to it, but they don’t wish to acknowledge that they do so, instead making themselves believe they have no choice. futaba’s shadow, as the example, wishes for her own death as she was a burden and a curse to her mother...but she also made futaba aware this was a lie concocted by adults that took away her agency and her anger. SO with that in mind, here are the takes!!
akira - the bystander, the boy told to keep out of the way and to keep his head down. he’s determined to live a quiet and peaceful life, to get through his probation and swear to turn the other way when evil happens in front of him. akira is ashamed of the impulse because he knows what’s right, he knows he needs to help, but his shadow is all about self-preservation and avoiding further punishment. so he protects himself and only himself by feigning ignorance and closing his eyes, his ears, and his mouth. his shadow says “i already got mine, they’re on their own”
ryuji - the traitor, the boy who ruined the dreams of the track team and wears it with pride. he destroyed their hopes of the future and now has become a delinquent, free of the responsibilities he once had to himself, to his mom, and to his school. he can be rude, crass, and vulgar (lol) to his heart’s content because no one expects any more of him after enacting such violence. his anger runs deep and he doesn’t care about how he hurt his old team, they deserved it for never standing up for themselves.
ann - the sweetheart, the girl always there with a kind but seemingly empty word for her friend, supportive but distant. however, she instead tries to work within the confines of the world, trying to save the ones she cares about by using her looks and the reputation everyone puts on her because of them, pretending to be a flirtatious airhead to please those that may hurt the only person she cares for. she hurts herself over and over again, breaks down her own sense of self worth to sacrifice endlessly in ways others never see. she takes the pain forever with a smile.
yusuke - the student, the boy who knows the lies his teacher tells to him, but he is forever devoted to preserving the image his superior has both to the world and to himself. he believes his debt extends to worship, faith in the teacher who is a genius, who knows best, who is so much older and so much wiser and so must be doing right. in fact, he should be so lucky to have his work considered good enough to carry his teacher’s name instead of his own, he should happily produce for him because his teacher’s reputation has no price too high. surely he at least must return the cost of caring for him when no one would.
makoto - the role model, the girl who is quick-witted and resourceful, she can juggle every task the incompetent, lazy, or uncaring adults entrust to her. after all, their responsibilities are so much greater than even hers, just a silly high school student with all the time in the world to perform their lowlier tasks for them. she accepts every ask with grace and tact, she turns down no request and will work herself past the point of burn out for praise, for recognition, for the promise of her future. this is just the way the world is, she must get used to it now if she wants to survive.
haru - the princess, the girl who’s always charming and polite, perfectly prim and never a bore but her words are always shallow. she seems to only exist at gatherings and galas, always smiling, introduced by a beaming father and complimented on how beautiful she is, how she will make a most wonderful wife now that she’s blossoming into a young woman. she worships her fiance, she has captivated his whole family and, most importantly, his father with how delicate and vapid she is. a wonderful spouse up for trade, the loveliest business venture her father ever pursued.
goro - the orphan, the boy who is helpless and was left abandoned by his family and by society. he has no will of his own that he can inflict on the world, instead he is battered by fate and by an actively cruel reality, a curse, unwanted and unneeded by anyone. he elicits disgust in whoever he meets, yet he yearns deeply to be loved and to be accepted, he begs for it and everyone he meets that will give him any time of day are his “friends”. he believes there is no such thing as unconditional love and no matter what he tries, his struggle will be rendered futile.
sumire - the doppelganger, the girl that believes she is only a shadow of a sister far more talented and determined than she could ever be. she only had worth defined by another, one she followed around like a weight, dragging her down with her incompetence. a burden for her sister, pitied awkwardly by parents, an inconvenience that grew increasingly irrelevant and irritating with every passing day until she botched her own death. now she is a shadow without a body, the wrong girl taken in her attempt on her own life, the ultimate blunder ever committed by another human being. she pantomimes her sister more and more poorly, although she’s tricked herself into believing she really is her in her house of ashes.
morgana - the monster, the boy that can’t face who he really is for he fears what he will see in the mirror. he lives happily in ignorance, never wanting to remember his origins or his duties and he indulges in his freedom without worry of where he comes from. after all, if he has no idea of his past, he can imagine himself as anything he wants - a dashing rogue, a swashbuckling hero, a gallant thief, he is whatever he makes himself to be without the burden of his history. he never turns around too quickly, never wanting to catch a look at himself because every now and then he sees jail cells, black ooze, darkness. but that’s not him.
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setsuntamew · 3 years
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So, Persona 5 Royal, huh?
Full disclosure: I had gotten about halfway through November on Wednesday and finished it out Saturday night, which took uhhh about 65-70 hours? Some of that was sitting there waiting for the PS4 controller to recharge or listening to music in the Thieves Den while eating, but I still feel like I need to own up to how extremely bad I am at making good decisions with my life XD
MOVING ON, THOUGH, HOLY SHIT. P5 was a very good game, but Royal’s additions & changes made it incredible. I like the ending way more; I think it’s more emotionally fulfilling and meaningful, especially with everyone’s more defined future plans. Definitely felt like everyone had more growth in the end!! Which is something I’d always thought P5 was lacking.
Snip snip for spoilers and the fact that this post ended up being too damn long, oops! the last third is basically Akechi feels and analyzing his ending, so......yeah XD
Part of why I plowed through SO much of Royal in so little time is....Akechi XD Like okay, this is my stupid fandom blog, I can be excited about him all I want!!! I got to Sae’s Palace and just....I couldn’t put it down. @dragonofeternal​ and I ordered an embarrassing amount of takeout instead of cooking because we just had to see how everything with Maruki and the third semester was gonna go down. I’d already been dying along the way because Akechi’s confidant dates are so good, I just. Fuck!!!
Also, look, for the entirity of Shido’s boss fight and the depths of Mementos/Yaldabaoth/etc, we’d look at each other every few minutes and just be like AKECHI SHOULD BE HERE WITH US, HE DESERVES TO GET HIS VENGEANCE ON HIS SHITTY DAD AND FORCED DESTINY!!!!!
December 24th had to be the longest god damn day in Akira’s life because like. Final exam grades are posted in the morning! He goes to school and then dives into hell, crawls his way back out, briefly dies by fading from human cognition, fights an actual fucking god, and then....ends up dissociating in Shibuya until Sae shows up and is like “oh hey thanks for everything you did, please sign up for being arrested now.” And while he’s still reeling from that, Akechi walks up to take his place, like some kind of bullshit knight in shining armor schtick, and leaves no room for conversation.
AND THEN WE HAVE TO GO ON A DATE
I romanced Hifumi this time around, because I wanted Akria to bang a girl who is just so incredibly out of his league, but....it’s not necessarily that I forgot I was dating someone, more that it had been *so many hours of plot* that I was emotionally exhausted. Like, Hifumi texted me and I was just like. Right. RIGHT. It’s still Christmas Eve, somehow. I was at *school* this morning. The whole world merged with Mementos briefly in the middle of this, Akechi is somehow alive, and I guess I’m going on a date now????
I do appreciate how many “god I’m just dissociating my way through this” conversation options there were for the date, tbh. I feel bad though, I really like Hifumi, but I feel like Akira is not giving a date his full emotional attention at that specific time. It feels a bit like emotional whiplash, more so than I remember it being in P5? Maybe it’s because I played it 4 years ago and there wasn’t the added emotional weight of Akechi’s reappearance, but it was just like....a lot, in Royal.
AND THEN THE NEW YEAR HAPPENED. I’d been spoiled on large parts of the third semester, mostly because Royal’s been out for a year already and I’m too curious for my own good. I’d also somehow lied to myself, saying I didn’t have time to play another Persona game right now, and yet here I am, 171 hours of game play within exactly a month, kicking myself for not knowing how deep in Persona hell I would get XD
Which is to say, as soon as the new year started, it felt I was drowning in anxiety. I knew something was wrong, I knew they were in a false reality, but knowing that sure as fuck didn’t make it easier to go through. If anything, it was somehow worse, knowing that it was all gonna come crumbling down, but I didn’t yet know the exact details, only the broad strokes of it. Just. Every time someone talked about something that was wrong, my heart would clench.
God, I’m so fucking tired, I pulled an all-nighter on Friday so I could get through Royal before having to work on Sunday, and I am feeling it right now. Life tips: don’t do what I do XD
Every moment with Akechi felt like borrowed time, at least for me, because I knew what was coming. I spent so much time in Mementos with him; I ended up putting just him and Akira in my party and plowing through everything, including trouncing the Reaper over and over just for the hell of it. I got his ultimate weapons, I spent so many nights in the jazz club with him that he ran out of dialogue options, and I still took him back for more. I accidentally failed to EVER trigger Sumire’s Showtime because every fight was just Akira and Akechi against the world, because fuck it, I’m playing this for fun!! If I want to play with them in stupid costumes and no one else in the party, I’m gonna. Royal did such an incredible job giving Akechi more depth and development: it was all I could hope for, and it made it that much fucking worse to know what was in store for him.
Somehow, I thought it would be harder for me to make the decision to refuse Maruki’s deal, since fuck, fuck what I wouldn’t give for Akechi to be alive???? But I barely hesitated, only really stopping because I had to emotionally brace myself for it, because a reality where he can’t carve out his own fate would be a disrespect to everything their relationship is built on.
I have a whole shit ton of feelings about post-beating Maruki but they’re basically all Akechi related meta so somehow they ended up at the end of this post, I’m sorry XD
I understand that they had to keep the going to jail bit because 1) Akechi didn’t turn himself in, Akira did and 2) it leads to the final events of the game, but let me just say....the emotional roller coaster of fighting Maruki, almost failing multiple times, waking up in jail, the Phantom Thieves & friends getting Akira out of jail, celebrating that, and then getting thrown into Valentines Day was a LOT for my heart to take. Once again, didn’t forget I had a girlfriend, just got too invested in the plot to really be thinking about her. It’s less than two weeks after the fight with Maruki and somehow, everything is supposed to be okay????
The scene with everyone talking about their future plans is such good character growth, though. Everyone feels like they’ve truly grown and are making decisions that, even though they might be painful or hard at times, are ultimately very important to them. It’s a really good contrast to the “almost everyone goes to Shujin and they all stay in Tokyo forever without doing anything for themselves” Maruki’s perfect reality bad end.
Standing in the Underground Mall on White Day, being told I had to get flowers but finally being able to have control of Akira again was....so bittersweet. The fact that the location of the date is the aquarium is a low fucking blow, and I almost threw the controller across the room I was so upset. Like. THE AQUARIUM IS UNLOCKED BECAUSE AKECHI HAS TICKETS HOW FUCKING DARE SOJIRO SUGGEST IT LIKE MY HEART ISN’T STILL ACHING????? God, speaking of that: The fucking god damn Featherman video game tore my heart out because I ended up playing it WHILE WORKING ON SHIDO’S PALACE and I cried a ton about Gray Pigeon because of course they had to dig the emotional knife in even deeper!! Just fuck me up, it’s fine, I’m just dying!!!!!!!!!!!!
I ended up scrolling through his texts to find the group chats that still had Akechi in them, and fuck, it was a LOT. Like. Maybe it’s because I’m too invested in the two of them, but it was probably the worst emotional whiplash of the whole game. Like, how am I supposed to go play happy with anyone while staring at texts from a reality built of lies? It wasn’t real but the proof lives on in his phone and his heart, and I’m still fucked up over it.
HOWEVER. FUCKING. I SPENT LIKE HALF AN HOUR BEING EMOTIONALLY COMPROMISED ABOUT ALL THIS AND THEN DISCOVERED THE BASTARD STILL HAD ALL HIS EQUIPMENT, INCLUDING THE ULTIMATE MALE ARMOR!!! He returned his shit after Sae’s Palace even though he thought Akira was dead, but this time it didn’t get fucking returned to my inventory, so he must have fucking run off with all his shit!!!!!!! Why the hell did none of it get returned if he was never alive in the true reality? Like I know it'll be returned for a new game+ but I like to nitpick game mechanics for story reasons, because one of the things I love most about video games is the experience of them as another layer to the story. The texts from the third semester shouldn’t exist anymore, since they never really existed, but there they are. Akechi insisted that he has a gap in his memory after Shido’s Palace up until seeing Akira on Christmas Eve, but who can say that wasn’t related to Maruki tampering with reality or some other Persona-related reason?
I mean. I got the full and complete True Ending; I saw him in the train station. If that’s not Akechi, then who the fuck is it? Atlus made sure to put the work in to make him a part of not just the main story but also, especially, the third semester, and for what....to have his final time on screen be as the butt of the joke, squished underneath everyone in the Mona-copter? As much as it hurts, his end in Shido’s Palace matters; it fits his character and he gets to go out fighting- carving his own path, really. In Royal, barring the tiny glimpse of someone who’s probably him in the train station, the last we see of him is when he watches Joker let go of the rope to finish off Maruki. I know we got the heart to heart where Akira agrees to reject Maruki’s deal and Akechi insists that he’d rather be dead than live in a false reality, but.....no one even says goodbye to him. It’s tragic, it’s painfully lonely, but it doesn’t feel right for such a major character.
Also, as undignified as it is, for the first time ever, Akechi looks like he actually belongs in the Phantom Thieves in that final moment. He’s never been the butt of their jokes before; they always kept him at arms’ reach and he took himself too seriously to be included, but for that brief moment, it really felt like he was part of their group. He stopped lying about himself for their last month together, and so even if they don’t all like him, they can make that decision based on the truth, instead of layers of lies. His death is all the more tragic for this; a life cut short just when he’s finally finding a place he belongs. But his death was already painful; why make it so, so much worse?
Final thing: I’m gonna be spending a ton of time in the Thieves Den trying to find Akechi’s opinions on everything, but also....hey. HEY. What do those six stars that Jose (probably?) painted on the wall mean? Is it just a reference to Persona 6???? LIKE????? I HAVE QUESTIONS. SO, SO MANY QUESTIONS!!!!
Anyway, I’ve gotta go cry into my Starbucks and desperately try to focus on actually doing my job at work, but I loved Royal deeply and cannot wait to drown in it ;w;
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ancient-day · 4 years
Text
On the Third Semester and PT Awareness
Over the year, I’ve seen various interpretations concerning the third semester and how “guilty” the Phantom Thieves are in falling prey to Maruki’s reality, and I wanted to throw out my own take and observation on the group. And this observation is based under the assumption that Akira has reached Confidant Rank 10 with every single party member, including Akechi and Sumire.
This isn’t to argue with anyone, and I’m not looking to make any sort of “I’m right; therefore, you’re wrong if you don’t agree” arguments here because at the end of the day, responses to media will always vary, and these characters are all human enough to have a multitude of interpretations. That does not make them badly written, it simply means that we as the audience may have different understandings based on our own personal experiences that impact how we view the characters.
With all that being said, I’ll get right into it. Do I think the PT were “bad friends” to Akira in the third semester? Short answer: It’s complicated, and different friends fulfill different needs. Long answer, below.
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Starting with Akechi.
I’m gonna get this out of the way, but worry not, this isn’t an elaborate excuse to gush about their bond even if they’re my favorite characters. Bias aside,  Akira and Akechi have a solid bond where they’ve finally come to rely on each other, and we finally get to see that come into play in this final arc of the game.
In Rank 8, Akechi expresses admiration for Akira’s strength and admits that he’d be relying on him in a pinch.
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And this is exactly what he does when he seeks out Akira as soon as he’s let out of police custody. He notices things are odd and immediately goes to the person he knows he can rely on so that they can figure it out together. It’s painted as a deal, and obviously that appears strictly transactional, but that’s exactly how Akira has operated in his own relationships. He makes deals with his confidants; this is nothing new.
He even admits that he’d have snapped Akira out of the delusion, just like Akira does for all his other friends (albeit in a much less gentle way, but in his defense, he’s not exactly equipped for gently talking someone out of their happiness).
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So for better or for worse, Akechi’s here with all the straightforwardness and sharp edges you could expect from someone dragged back from death’s door to deal with yet another manipulative adult trying to control his and his friend’s lives. He isn’t without his sympathetic moments, but for the most part, he’s clearly trying to be the consistent voice of reason when anyone may falter.
One of the most incredible displays of this is 2/2. By this point, all of the PT have been broken out of their trance, and they’re well aware that Maruki is going to confront Akira, especially because Akechi basically goes out of his way to point out that it’s the most likely scenario in their group chat.
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Even though they all know this, they trust Akira to be able to handle this as their leader and to reach out if he needs anything. The problem here is that... Akira isn’t exactly known to do this. By now, they’ve all known him for a year, and they know that he handles most of his shit alone (mostly due to the Protagonist ProblemTM where the protag has to be mostly self-reliant to give the player something to do, but there are also instances of Akira deliberately hiding his pain and trauma from others to ease their minds [his headaches and responses to Shido]).
So why are they making him do it alone? Why isn’t anyone on stand-by? It’s possible they consider Morgana as enough support, so perhaps the thought never crosses their mind. Even Morgana is apprehensive about the whole thing, but doesn’t advise him to contact anyone else.
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So who does give him back-up? Akechi. He doesn’t invite himself in, he doesn’t text Akira to let him know he’s just outside in case he needs him, and he doesn’t draw attention to it until Maruki calls him out.
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He could be here for any number of reasons, and it doesn’t even have to be just one reason. But let’s assume he’s here because he wants to make sure Akira won’t be swayed by Maruki’s words or the temptation of his life without him being present to speak for himself. In both cases, he’s emotionally backing Akira up and going out of his way to help in his own way.
This speaks volumes for his strength of resolve and how far he’s come.
I don’t need to discuss the rest of this interaction because the primary focus is that Akechi demonstrates his friendship by being there for Akira even when his year-long friends weren’t (physically).
But are they bad friends for not doing this?
Not necessarily. Not everyone has this kind of strength and awareness to understand their friends on this level. Akira and Akechi understand each other well because they’re very similar at their core. This isn’t necessarily bias because the game goes out of its way to show and tell us this (hell, Arsene’s and Loki’s silhouettes are strikingly similar!). It makes them inconsiderate perhaps, but it doesn’t mean that they’re overall bad friends.
It’s not completely their fault that they buy Akira’s stoic leader personality. He doesn’t really give them much to work with, and as much as we all want to believe that we’d do better as friends, sometimes you really do think people can handle the problems they say they can and just hope that they’ll come to you when they need you. It’s human.
So rewinding now that I’m done focusing on what Akechi offered as a friend this semester and going back to the PT being under Maruki’s influence.
Each of the thieves offers Akira an apology during their third awakening, and I’m sure many people found this highly unnecessary because as far as we know, they were completely brainwashed by Maruki’s control on the world around them. However, if this were the case, then why would they feel so deeply apologetic? I have a couple theories about this.
One. This would be the second time Akira has to push them out of their own wallowing (the first time in the Velvet Room just before fighting Yaldabaoth), and their resolves back then would appear flimsy to them now having fallen under yet another form of manipulation. Where before they were ready to submit to the hopelessness and sloth, here they’re falling under Maruki’s spell because a strong enough part of them desired things to be different regardless of how far they’d come and how much they’d grown.
Two. Because they were at least partially aware things were odd and willingly chose to ignore it because they didn’t want to confront the truth.
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This is said before the third awakenings, right after the group comes to rescue Akira and Akechi and help defeat berserk!Cendrillon. While the group had a conversation about vaguely remembering events that contradict their happy reality prior to this, this confirms that at least Futaba was aware things were odd even before Akira tried to snap her out of it. Whether this is due to her navigation abilities or her awakening having been linked to her desire to never again turn her eyes away from the truth, it’s hard to say. But this is important to note that while they were tempted by Maruki, at least one person in the group was aware that things were odd and willingly chose not to question it.
Can we blame her? Of course not. But it’s still worth pointing out that this situation isn’t so clear as “the PT had absolutely zero idea that they were in an odd situation until Akira tried to wake them from it.”
So what about everyone else? What do they really have to be sorry for?
Morgana apologizes for not holding true to his resolve, and he feels as though he’s let both himself and Akira down in doing so. He also acknowledges that he’s responsible for shoving all his own problems onto Akira and vows to change this.
While he doesn’t seem to admit to any awareness that things were odd before Akira put the idea in his head, it seems like he still holds himself responsible for having had doubts in his resolve that he’d reached with Akira in their rank 10. And these doubts caused him to rely on that false happiness and turn his back on Akira, even if he didn’t mean to.
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I think it’s great that he brings attention to this and wants to be more independent. Of course Akira will still be there for him, but it’s not healthy for either of them for Morgana to have put him in this position, and now they can continue growing in their friendship. And so when he promises to protect Akira from here on out, it’s a vow that rings true because he had the strength to confront his own weaknesses, admit to them, and apologize for how they hurt someone he cares deeply about. Sometimes we hurt people we love without meaning to or when we’re caught up in ourselves.
And these characters are teenagers. They’re inherently pretty selfish, which isn’t an evil or bad thing so much as it’s a stage of life that makes it difficult to look outside yourself. Makoto even admits to this in her own apology.
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When we’re fans of these characters, our instinct is to say you didn’t do anything wrong; you have nothing to apologize for, but these apologies aren’t coming out of no where, and they’re allowed to reflect and regret what they’ve done even if they didn’t mean to.
And I know I already touched on Futaba’s situation here, but there’s something else in her third awakening that shows her bond with Akira and adds to her guilt. She specifically fears that she’s betrayed him and hurt him greatly, even though he reassures her she hasn’t. Why does this stand out to me? Because all throughout Royal, one of Akira’s consistent fears is the fear of betrayal.
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And this shows that Futaba knows him well enough to know this is something that hurts him personally, and she’s worried she did that to him. While the hurt isn’t as severe as she fears, it’s a fair assumption for her to come to after having admitted that she willingly turned away from the truth.
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I’m going to cut the awakenings here because I don’t have much else to add about the entirety of the PT because it could end up redundant, but these were specific examples that show that they do have things to apologize to Akira for, and it’s not a matter of them blaming themselves for being “brainwashed” so much as them apologizing for once again putting Akira in a position where he has to snap them out of their weaknesses after they’ve promised to be there for him.
The overall impression I get from their responsibility in the matter is that to an extent, all of them probably experienced something similar to what Futaba described about having felt something was off initially but ignored/denied it until Akira came to them and really made them confront it out loud. Her sense of it may have been the strongest, but I still think there has to be some degree in each of them, even if faint.
This makes them human, flawed yet sympathetic. They’re allowed to mess up in their friendships, especially since a majority of them have close to no experience with friendship as is. Akechi isn’t the better support here due to his own skills in friendship; he and Akira have a special understanding of one another because they’re extremely similar and aren’t convinced by masks and appearances. And Akechi has been severely manipulated, so he knows damn well that Akira’s gonna need back-up against another manipulative person even if he thinks he can handle it alone. Akechi’s been there and he knows how that goes.
So it’s not necessarily a matter of him being the better friend overall so much as they’re all Akira’s close friends and support him in various ways. And ideally, Akira should have that in his friend group. There are things that the PT can offer that Akechi can’t, and vice versa. But I think it’s more than fair to acknowledge when the PT slip up and have a messy handling of their relationships.
They’re all growing and learning.
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snowpeawritings · 4 years
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Hi, I would like to request a Ren/Akira story where the reader got caught up in the palace transfer thing with PT and unlocks her persona after being told she will never be able to be as strong or of use like the others. Thanks and I really love you work!
yessss always wanted to write an awakening scene!
Reader is female
CW (CONTENT WARNING): Swearing
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You wanted to change this rotten world for the better but you were a pacifist.
Your parents raised you to never fight violence with violence, lest it would continue this toxic cycle that will never end. As much as you hated the fact that you can’t do anything to change things physically, just being there emotionally is enough for you. As such, you weren’t easily the most picked on. No one disliked you, but no one particularly liked you.
And you were fine with that.
With the coming of the transfer student, students and teachers were already giving him shit. You knew Kamoshida's… actions in order to become the school’s fan favorite. It honestly pissed you off to no end, having a scumbag like him walk like he owns the place, but you really couldn’t stand up to him and his adoring fans. All you could do whenever the transfer student (you believed his name was Kurusu?) is getting ostracised from the school is giving him your time and becoming his first friend.
And you were fine with that.
Turns out he wasn’t the delinquent everyone made him out to be. He just wanted to have his normal future back and a normal high school life. While you could never grant him that wish, you’ll be his support when people weigh him down. Even the threat of expulsion of him, Ryuji and Mishima would keep him up, you would always be there. Even if there’s nothing more you could do than offer half-empty words.
And you were fine with that.
When news of Kamoshida’s confession spread, you really didn’t know what to think. The calling card that was posted across the school bulletin made you believe these ‘thieves’ but it was a far stretch. You were still Akira’s friend whom he hangs out with from time to time but you never knew that he was friends with Ryuji and Ann. Then the circle grew to Mishima, to a student from Kosei High, to Makoto Niijima–
And you were fine with being outside of his circle.
He certainly looked happier when he was with them. While he rarely smiles, you could see that glint of life in his dark eyes whenever Ryuji makes a corny joke and Ann has to smack him upside the head or when he says something witty that just encompasses how much of a dork he is. He even went so far as to try to serenade his cat when the feline clearly did not want to be held[1] (who knew he had such a great voice?).
He did smile when you were hanging out with him, but you never seen him truly look happy with you. For some reason, you were fine with that.
Akira still tries to hang out with you. You could tell when his eyes winced at his own disappointment when he rejected you spending some time with him. His circle of friends were his top priority as he always goes out with them seemingly every day. As much as you wanted to respect his private life, you yourself had to guess just where the heck they kept going, especially when they were a fairly big group.
You didn’t want to follow them but to be fair, it was sheer coincidence that you were there when the entire world shifted. And no, it wasn’t because you wanted to follow Ryuji because he still hasn’t paid his debt to you to buy that entire pack of Black Thunder chocolate.
The dilapidated and destroyed train station is what you saw when you opened your eyes. You were sure this was the station that you wait for your train but never in complete chaos like this. Honestly, the place isn’t what made you scream. What you screamed was when the weird-looking cat in front of you transformed into a van in front of a group of equally weird-looking people.
When the fellow in the black coat whipped his head, you knew those dark eyes anywhere.
“It’s you!?” You screeched, your voice echoing across the tunnel endlessly. “Y-You mean… this entire time, the Phantom Thieves were you guys!?”
The girl in red who you were sure was Ann waved her hands rapidly. “No, _______! We’re not—”
Her eyes widened in surprise at her mistake before slapping her gloved hands over her mouth. “Wait, no! I mean—”
The blonde boy beside her, Ryuji, stomped his foot at Ann’s glaring mistake. “Great way to eff it up, Panther! Now she knows who we are now!”
The way that ‘Panther’ had smacked Ryuji upside the head proved your hunch right; the ragtag group of vigilante thieves that steal hearts were also your own classmates.
“I mean…” You said shakily, trying to diffuse the fight between Ryuji and Ann. “It’s pretty obvious from your voice and hair. But seriously, w-where are we? What is this place?”
The comment about them being obvious was ignored for now. Instead, the brunette you knew to be Makoto stepped in and explained everything to an extent: the Metaverse, them being the Phantom Thieves of Heart, and a magical cat.
“But please, please keep this a secret.” Makoto-or Queen- pleaded with you. “Our entire work would be gone if you tell anyone else what we do.”
You waved your hand to calm her down. “I’ll keep this a secret, don’t worry. Besides, no one talks to me so it’s all good.”
You looked over to Morgana, the cat bus that seemed to regard you with what you guessed was slight interest. “So… how do you guys normally get out of here?”
Akira-or Joker-answered you. “There’s this app on our phones that lets us go in and out of the Metaverse. And right now, I’m getting you out of here.”
As much as you wanted to stay and see how they do their job, you nodded in agreement with him. He stepped close to you, phone in his hand as his finger hovered over an eerily-looking red eye. 
“I promise,” He whispered to you, his breath fanning against your ear which made you shiver,  “I’ll explain everything to you once we’re done here.”
Him being so close has your heart churning. And you were fine with that.
But the fleeting moment ended when you heard the sound of metal clanging against each other before Joker had been sent flying from you. Just a second he was standing so close to you. Now, he was sprawled on the floor, Queen healing him as the rest of the Thieves huddled together to protect their leader.
The being that attacked Joker looked like someone from Buddhist lore; its fists crackled with lightning before hurling a large bolt of thunder towards the group. The resounding clap of thunder soon followed, electrocuting everyone who and especially the severely weakened Joker. It was only Skull who was still standing but even he looked like he was about to faint from how everyone couldn’t stand up.
“Th-The hell!?” Skull gasped out, shakily bringing out an iron bat before sizing up the figure. “Where the hell did you come from!?”
Mona groaned out from his spot. “Don’t bother fighting it, Skull! He landed a critical hit on us!”
“Get ______ out of here!” Joker gasped out, his hands inching for his mask. “I’ll hold him back for you two to escape!”
His voice brought you some clarity. The gravity of the situation had just sunk in and right now, you didn’t know whether you wanted to collapse, vomit or both. The rest of the thieves were still trying to stand up in the face of the enemy but with it raising its fists, you don’t think they could dodge it in time.
With Skull quivering, with Joker yelling, and with you panicking, you had to move. You had to move you had to move you had TO MOVE–
“And what is this?”
The next moment you blinked, you were standing in front of the large figure with the Phantom Thieves behind you. The blood pumping in your ears muffled your hearing, the sounds you could only make out were your rapidly beating heart and the booming voice of the Buddhist deity.
“Quite a brave one to stand up to me,” he said to you, “you’ll be the first to die.”
You swallowed in your bile. “I… I can still hurt you, you know!”
He slowly moved down his fists and crossed his arms below his chest. “And what good will come out of it? Your comrades are down–”
Your ears cleared for a bit, only to hear the group’s desperate shouts for you to move.
“This one is still shaking–”
Skull was already heaving at this point.
“And you can do nothing about it.”
You can do nothing about it.
That’s always been your entire schtick. You can do nothing about it. You said you wanted to change the world for the better but you were just a teenager who has some social problems. You were always the last choice when all of the good ones are used up. You were always the one in the sidelines–
“And are you fine with that?”
A sharp pain, resounding across your head before battering against your brain like a ram.
“Are you fine sticking to the sidelines, only watching others change while you stay frozen?”
Your hands grasped your head, your saliva mixed with some bile dripping down on the ground as your head pounded. Nothing could be heard except the voice in your head and it felt so goddamn right.
“Nothing will change if you yourself won’t follow through with it. You’re only continuing this tireless cycle that you wanted to desperately break. And you’re fine with that?”
“I’m not…” You growled out. The pain was unbearable but it only fueled your spite you kept hidden all this time. Within your rising rage, you barely registered getting Skull’s bat.
With a roar, you ran towards the beast, raising the bat before smashing the side of his face. “I’m not going to stand still anymore!”
The voice chuckled. “Good. That anger coupled with my power… no one can stop us.”
“I am thou, thou art I… become the winds of change that fuels the rebellion inside people’s hearts! Show them the anger that you swallowed all this time!”
A red mask lined with gold adorned your face, the feather on the left temple danced wildly with the winds blowing from you.
As your fingers gripped the mask, your lips quirked into a smirk. “Sing your heart out… De Beauvoir!”
Everything blew back; the beast, the rest of the thieves, and your self-loathing. The navy blue that adorned your body whipped around from the wind, the coattails behind you gave the appearance of wings ready to take flight. From your hip, you grabbed your sabre and flourished it before pointing the tip at the beast.
The thieves behind you stared in awe at you and the feminine figure appearing behind you. Her ball gown danced about, showing the white petticoat underneath as a pale red veil covered her flowing locks.
“What awesome power…!” Mona breathed out. “I knew there was something special about her!”
De Beauvoir’s face was covered with a masquerade ball mask, a golden band that stretched across the upper part of her face in order to highlight the rage that was building in her azure eyes. Her painted lips parted, and a single note rang out that slowly transitioned into a vibrato as a pale green light shined on the group.
“A healing spell?” Queen questioned, her strength slowly getting back as she stood up.
Yusuke-or Fox-who had been silent since your arrival, gasped at your transformation. “Such form… I never expected her to have this much power.”
“Sorry for blowing you all away.” You called out to the group, your eyes narrowing at the beast. “But with me and De Beauvoir, allow us to thank you for granting us this power!”
You felt movement beside as you turned your eyes to see Joker smirking at you. His dark eyes shone with that same glint of life when you realized that he finally gave that look to you.
“Don’t run away now.” He jested.
You scoffed but your smirk still stayed. “Same to you!”
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[1] OKOK this was hella inspired by Xander Mobus and Robbie Daymond singing together and im sO ATTACKED BY XANDER!!!! 
AND THE THING OF HIM SERENADING MORGANA IS FROM THIS 
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takirasu · 4 years
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Why I cannot understand how a huge majority of the Persona 5 fandom ships Akira/Protagonist with Akechi if you’ve played the game and what is possibly wrong about it
First and foremost: I do not mean to offend or hurt anyone personally with this. This is purely analytical from the viewpoint of someone who is interested in analysing characters and character dynamics. The group of people mentioned that I dislike regarding this ship is targeted to certain types of people in the fandom that will be explained at the end, meaning if you ship this No, I don’t automatically dislike you and even if I would, who cares? It’s just me. I don’t know you and it shouldn’t matter to you. I also want to mention that obviously Persona 5 will get spoiled in this analysis as well as slight mentions and spoilers of Royal, especially the third semester. Read at your own risk! Without further ado, let’s jump into a very interesting dynamic between two characters that had potential, but – in my opinion – leaves a bitter aftertaste in my mouth due to what fans did and do with it most of the time and how Atlus ends it in both Orginal and Royal. I will try to be about this as neutral as possible, since an analysis shouldn’t take a side and then put my opinion about it at the end, because the aspects and whys about this matter more than one person’s opinion alone. Also, the analysis will help form an opinion and back it up. There is nothing worse to me than giving an opinion, but not having anything to back it up with.
To analyse the relationship between the two I will be taking important parts of the story in this dynamic and analyse it as well as analyse the characters briefly according to the situation and towards each other. I will be taking the Anime and Manga into this for certain parts as well. I would like to do a whole character analysis one day if I find the time and fans are interested, but since the main focus of this is a ship and what is up with it I will only analyse the moments that they either have together or that further underlines the topic.
 Starting with Akira, it is clear from the very first hour on that he has a strong want of helping other people – in need or not - and cannot stand injustice. To underline how important it is to him you have to understand that in Japan’s society it is considered incredibly rude to interfere between two adults in whatever situation given. It is not your business, like Sojiro Sakura – his guardian in Tokyo during his probation – explains to him and much more the player at the beginning of the game. In short, Akira knew what he might possibly get himself into. Even if Shido wouldn’t have tripped and hurt himself. Even if Shido wouldn’t have threatened the women to tell the upcoming police Akira apparently assaulted him. The only thing important to those who found out about the incident and know that he did not push him was still this: You do not interfere between two adults, keep your business. People who do that are considered delinquents and you really do not want this stamp on your forehead in Japan. Further, I assume Akira might be suffering from a Saviour complex. In all three media – game, manga and anime – he puts other people’s needs over himself and gets incredibly upset if he is not able to help someone or better, in Akechi’s case, save them. As helpful and kind a someone can be by nature, you have to understand that not everyone will either want your help or will be able to accept it. Not everyone can be saved and you do not have to save everyone. People who have trouble with accepting this suffer from a Saviour complex. A moment to justify both this and my first point is during the beginning of Madarame’s Palace, with one of my favourite quotes of Akira being,
“I want to help. I just want to be sure what we're doing is right. Trust me I'm not saying we should turn a blind eye and do nothing...”
After this event, Ann and Ryuji call him out for being both too timid and yet in haste at the same time. They’re barely out of the Metaverse and obviously have a private life that they need to care about when he already wants everyone to gather information on if Yusuke is really being abused and used by his teacher as fast as possible; on the same day. Again, he puts others over himself. While of course Ryuji and Ann aren’t any less concerned, to him someone might be getting hurt and there is no time to waste on matters like this. When they do find out through Nakanohara, a former student of Madarame, that he steals his pupil’s art, threatens everyone that leaves him and makes students even hurt themselves, Akira as the Phantom Thieves leader decide on saving Yusuke. Said complex also feeds his need of wanting to protect others, shown and explored more in two major scenes in the anime. When Phantom Thieves meet Akechi for their finale encounter they captured it very well. Akechi reveals he has the power of the Wild card, being able to handle more than one Persona, like Akira does. When the Thieves try to either talk to Akechi or attempt to walk up to him and handle it, Akira as Joker takes his role seriously. He tells the others, “He’s mine. Hold. Don’t worry, I’ve got this.” knowing full well that nobody else would be able to take him on other than another Wild card. Another scene is when he protects Sojiro from a few police men. He knows he shouldn’t step in between two adults and he is still on probation, but the want of protecting the person that offers him shelter and that warms up to him is stronger than his own desires. He stands in front of Sojiro and shields him.
 Akechi on the other hand is one of the most interesting and misunderstood characters I have seen in a long time. While not outright admitting it himself, Akechi has this immense and unfulfilled need of being loved since his past was pretty much empty of it. His resentment towards Akira is fuelled by this since he sees how said one has a lot of supportive friends when he’s nothing special in particular. This possibly means that in Akechi’s eyes you have to have a certain standard to achieve to be special and lovable, which would explain the way he made himself for the public. He further insults Akira as a criminal who lives in an attic during their last meeting and asks himself what he has that Akechi lacks, not knowing that it is something he never grew up learning. He hates Akira, but deep down he does not. It pains him to see the exact opposite of himself and how out of place it is for him. Akira is nothing yet loved, while Akechi build up this perfect self that is special, but not actually loved. It messes with him whenever Akira is in front of him and does better than him. He is the reason he gets reminded of the things he hates the most about himself. Similar to Akira he is an outcast to society – just carefully sealed and hidden behind his Ace detective mask. Shido, who is actually his father and he only works with to get revenge on, did not care that he got someone pregnant and left, which lead to Akechi’s mother giving him away and committing suicide. In Japan these kind of families are frowned upon on, being the kid of a possible one-night stand gives no meaning to your life and only tarnishes the mother, which is most probably the reason why the women took her life. It wasn’t bearable for her in this society and she couldn’t life with Akechi’s existence. He was given from foster home to foster home, never had any parents that would give him love and that he could look up to as well as forming actual bonds with people. You see him both struggling to form an actual friendship with Sae, an adult, as well as adapt to people his age, for example the Phantom Thieves. He feels odd and has this unpleasant aura of superiority around him, since he has never learned anything regarding love and how to work and be with other people. So Akechi decides he needs to build his mask to be lovable to the public since his actual self, in his eyes, is not. He’s smart and basically reforms himself completely new for the public. His public self is near to perfect for the role of a student detective. Justice driven, charming, funny and smart. During the game while he is on stage it slips his thoughts during the moment everyone cheers for him and adores him, that none of these people know he’s an unwanted bastard child, which means that he does not think as highly of himself as the player tends to think at the beginning of the game. He is sure nobody would like him and he would never be able to become a detective if it was him as his true self that is worthy of nothing. These two things lead to him being able to be cold-blooded and cause the mental shutdowns, as well as try to kill Akira. First, he has never gotten love and affection. These things are needed for a child to grow and learn empathy, which Akechi lacks. It might almost sound mean, but from a neutral viewpoint this is why it was so easy for him. He does not feel for other people as openly as others do. Also, you have to keep in mind that every shutdown being demanded by Shido would eventually bring him closer to his goal. His father to acknowledged his existence in the perfect moment, the apex of his power, and to take revenge on him for the life he has to live and most possibly for his mother to be driven to suicide. Lastly important for this analysis, Akechi knew what he did when he decided to let himself get killed by his cognitive self, Shido’s so-called security system. First, it would have either been him and the Phantom Thieves who were the only ones able to use the Metaverse next to him and change Shido’s heart, or only him which means that there was a possibility to at least ruin his life and not make him the new Prime minister of Japan. He knows that they won’t kill Shido, but taking everything from him that is important to him, his only desire, and the reason Akechi had to live life like this to begin with seems enough in the moment he faces death. Second, he does not believe in second chances and he does not believe in forgiveness. Akechi’s believes that are present during the whole game aren’t just towards others, but also himself. He hates his true self the same way he dislikes Akira. Both his true self and Akira are nothing in society therefore neither worthy of love or forgiveness. To him, there is no other way to atone for his sins. When the Phantom Thieves defeat Akechi he states,
“You (Akira) are so lucky to be surrounded by teammates who acknowledge you. Once Shido confesses his crimes, you’ll all be heroes. As for me, people will find out my past deductions were just charade. My fame and trust will vanish. In the end, I couldn’t be special…”
The only place he could eventually feel loved was when he faked those crimes and fake investigated them, since they were his own the public didn’t know about. He could feel important and respected, have a place in Japan’s society while working on his goal of his father’s downfall. The moment the Phantom Thieves won over him, he knew this would be taken away from him since to him the only possible outcome of this is the Phantom Thieves winning over Shido and either turning Akechi in or Shido spilling during his change of heart. People relying on him and trusting him, people acknowledging him. That is what the trust and fame was about to him. The moment they meet in Shido’s palace and Akechi is defeated, it would all be taken away from him. Putting this together is the reason he decides to trap himself with the summoned shadows and his cognitive self. His father would lose everything that was important to him if he saves the Phantom Thieves and he has no reason to live in a world where he has no fame and trust from the public, since in his distorted mind he will not be worth of love and worth of existence. He wouldn’t be special. When the Phantom Thieves do reach out and tell him all the things they admire about him and give him a chance to join them against Shido, he laughs about them. His true self is out and to him, it is not lovable or special no matter what they say.
From the reasons shippers bring up for these two, Akira being devastated about Akechi’s death and wanting it revoked is a big one and the first one I want to analyse and explain. As analysed earlier, it is important to Akira to save others and help them, especially when they cannot help themselves. In certain parts, the two aren’t far from each other yet polar opposites. Akira knows that and despite everything feels empathy for Akechi after said ones tells the whole story. Witnessing someone’s death whether it is hearing or seeing it is traumatizing and it’s normal to think about it later back at home in the real world how Akira does, but taking his character analysis into consideration it probably messed with him more than it would with other people, like the other Phantom Thieves. In the anime, Akechi throws a chess piece with Akira catching it. Akira, who is not someone to have emotional outbursts, gets so worked up and angry that he hits the wall that came down in front of them with his fist before he quickly catches himself back in the role as the leader who always had and has to stay calm and collected. If you look at it, Akechi is the only one Akira couldn’t save when he knew he needed it and, to Akira, deserved it. Because throughout the whole game with so many different cases of people not being able to save themselves or being in unjust situations not once does he care about how the people are or if there is any certain character trait etc. to them in particular. Akira probably shares the same belief like his friends. Everyone is special in their own way and so was Akechi deserving of a better life like everyone else is. It messes with him so much, that in Persona 5: Royal, a game that came out 3 years after the original game and it is still tightly being fought about if it is canon or an alternative reality to which the developers have yet to make an official statement to, he tells Maruki, the school’s therapist who is interested in cognitive science, that if he could change reality, his wish wouldn’t be that all of this had never happened, but that Akechi would still be alive. While this is the number one situation people who ship the two use ever since Royal has come out, it just further underlines Akira’s character and my suggestion of him having a Saviour complex. He cannot live with the fact that he couldn’t save Akechi, when this is what the Phantom Thieves stood for. It pains him so much that his wish is actually beneficial to someone else. We know nothing about Akira’s past, but it is impossible that there isn’t something he wishes wouldn’t have happened that is outside of the game. Instead, he chose something that helps someone else and puts himself back to ease. He knows, this is what pains him the most and will for quite some time. Having Akechi back would ease his complex and give a person he thinks that deserve a second chance another tries. This is once more better shown in the anime during the last confrontation when Akira tries to talk to Akechi multiple times during Akechi’s small monologue, but eventually realizes it will be of no use. Akechi is too far gone and Akira tells the group to finish it.
Second are the moments we got early in the anime. While the game doesn’t allow this, the anime explores Akechi’s detective side a bit earlier and more for the viewer. In game, we only see Akechi working on the cases he created while he is actually really good at “real” cases as well and able to solve them. During Yusuke’s arc, Akira and Akechi work together on a few of those and Akechi teaches him how not to be fooled by rotten adults. This all goes quite wholesome, but at that point the interrogation nor the black mask reveal had happened yet. The story is early and fresh, not even having picked up the pace. It almost feels like Akechi either tried learning how Akira’s mind works, or honestly just wanted to spend time with someone he felt like was similar to him. All of this gets revoked though when he massively insults him at the end of the game, making it hard to put this in canon. It might be that Akechi was trying to give himself a chance, because Akira was probably the first person who could handle Akechi just like how he is and also accepted him just like that - since that is what Akira does with everyone throughout the game and also gets complimented and aknowleged for - but instead Akechi couldn’t stop himself and pulled through with the rest of his plans. Looking at it from another side, taking this from the anime into consideration makes the next thing and points even worse.
Last is the interrogation, probably one of the most well-known scenes in the whole game, that I want to analyse further. To begin with, Akira finds himself getting arrested due to Akechi’s betrayal. While it is not exactly explained how, it is obvious that Akechi lead the police in since only Metaverse app users can enter the Metaverse. If you have a non-user nearby, you can pull them into it. Akechi probably did this beforehand, told them to hide and gave them either a time limit or symbol. After the fight against Sae Futaba picks up enemy readings, so many that they’re being surrounded. Akira and the Phantom Thieves part ways and the leader makes all the attention go to himself so that the others can escape. In the end he gets ambushed, cuffed up and knocked out by drugs. What the player does not know is that the group had known about Akechi’s plan all along and they had to play along. All throughout Sae’s palace, Akira knew he would most probably be cuffed up by the end, but it was necessary to let it happen. Otherwise they would never be able to defeat Akechi. I would like to add that this in particular sounds pretty traumatizing and stressful as well. Moving forward and the Phantom Thieves’ plan succeeding, Akechi is unknowingly being dragged into the Metaverse. He outright plans to kill Akira, which reveals his true motive on why he worked with them on Sae’s palace in the first place. The Phantom Thieves are blocking his path of the mental shutdowns and destroying his father. It is so soon that he cannot lose due to them. He is smart about it and wants to kill their leader. Once again and as stated earlier, Akechi doesn’t feel empathy and he has killed before. He gets things done so that they are beneficial to what he needs to do further, just like how it was beneficial for him to work with the Thieves together for at least a while. Be that figuring out how they work, or just messing with them. What he doesn’t know is the person in the interrogation room is the cognitive version of Akira. He is only in there, because he just entered Sae’s palace and in her cognition Akira is in the interrogation room, which she does not have much control of. Therefore, it keeps being the interrogation room instead of anything Casino related. Akechi proceeds to shoot an innocent guard and then Akira. While doing so, he seems like on a high, fully enjoying it getting rid of him and it is almost uncomfortable to watch that is how good it is made. It is Akechi’s first time he kills someone in the real world, but it doesn’t seem to be much different for him. He shoots Akira right in the head when he has nowhere to go, tied up and completely drugged to a point that both in the game and anime he can’t talk properly and even passes out. The state Akira is in is portrayed very well and just underlines the atmosphere further. A murderer just aiming at their helpless victim. Akechi puts the gun in his hand to report it as a suicide and leaves. He never shows any remorse when they meet again, only throwing in that the two might possibly would have become friends if having met earlier. He does not mention the faked death, because there is nothing to say. It might be, because both know Akechi wanted to do it. It was necessary for his path and nobody, especially not someone like Akira, would be standing in his way. Shippers defend this situation, saying Akechi had to kill Akira. To some extent, I would analysis this as true and say that it was a possibly way of getting rid of the Phantom Thieves and continuing his plan, but is your first idea really murder to this? In such a special way? Concealing it as a suicide and not have any respect to the person you just killed? It is unlikely as smart as Akechi is that this was the only possible option he had regarding on how he would get rid of the Phantom Thieves or their leader. Killing the person is just probably the most convenient one to Akechi and again, he does not feel for others properly, since he has never learned how to. This is why he is able to plan this, kill someone he acted like a friend with, saw multiple times for weeks and just walk away. In conclusion that means it is not because he had to and also not because he wanted to in particular, but because Akechi did not care and therefore made it possible to just shot him and continue with his life. It is one of the most important scenes in the whole game and does a lot to the development for all three characters involved (Sae, Akechi and Akira) yet shippers throw it under a bus with the sole statement that he had to.
Putting everything above together, the major moments these two had, shipping Akira and Akechi is complicated and probably not the best.
To finally conclude my opinion to this. In another world, Akechi could learn a lot from Akira. He has a lot of empathy for others and wants to help, which Akechi lacks. It would have been good for him and the part where Akechi mentioned that they might have become friends if met earlier made me emotional as someone who does not support it in a romantic way. In this moment, I thought of them as friends. I thought myself thinking of what would have been if they had met one or two years earlier. Two people who get better through each other and learn from each other. As much as I love this character trait from Akira, I have had my personal fair shares that having this can be negative at times. It would be good for him to have someone that shows him the opposite or at least a middle path. Both characters go All-Out on this. It is either full on empathy or complete lack of empathy. Either you want to save everyone or you’re okay with killing whoever as long as you obtain your ultimate goals.
Many people have stated already that the ship is quite abusive. Anything that comes out of Akechi’s mouth towards Akira in both game and anime (I’m only referencing the anime since the last two times because the manga is barely at Futaba’s arc yet) after revealing his true motives, is negative. Either he insults him directly or the way he lives, just because he found someone that reminds him of himself deep inside if he wants to or not. That gives him no right to act like this, even when psychology is complex. And if you want to defend this, it gives him no right to shoot him and actually visibly enjoy it – which you cannot deny and a lot of people in the fandom stated as well. He didn’t have to, but he did. He wasn’t forced to, but he did it. I wonder if Akechi tells Akira he hates him for the fact that he did make him feel something. Not in a romantic way, again, but more in a way of empathy and this feeling of friendship and he knew he had to stop this.
There are a lot of good people in the fandom fan of his complex character. I don’t necessary like Akechi as a character, but I find him interesting and good to talk about. As for liking or hating him…the interrogation scene happened the way it happened let’s just leave it at that. Sadly, there are also a lot of people in the fandom who will shove this ship down your throat. Somehow, it is superior to them and it should be canon. I have seen so many tweets and Tumblr posts, especially with Royal and its’ third semester that genuinely leave me concerned. What started as 3AM ramble to my friend ended up being this 5000 words essay on why the situations and character traits stated above get taken out of context or misunderstood by shippers. It goes further when you find out that some people ship it because it is abusive to begin with. They acknowledge it and love it and while there are more important things in life than this, I just found it too concerning and also very annoying at one point, I had to make an analysis about it and clear some things up. I have blocked a lot of tags regarding this ship and I still see it every day in the fandom and get attacked if I say something against it, so I just made this  post, knowing that people will eventually get mad at it. But, I honestly really enjoyed it. I really enjoyed writing about Akechi’s character. He is interesting, complex and there is so much to talk about him, but do I ship him with my favourite video game character? Hell nah.
If you want to add something to this, feel free to. I also enjoy respectful and normal discussion about this! I researched a lot for this, re-watched a few anime and game scenes and wrote for a total of 7 hours. If you enjoyed it or it made you think a little, it would be kind to let me know. I haven’t written anything in a while and my last character analysis was years ago, so this was quite a challenge, but knowing how popular this ship is and how much worse it got with Royal’s existence, I had to put this out. I’m going to be honest here. If they would’ve met a few years earlier, who knows if this wouldn’t have become one of my ships (I don’t interact in a lot of shipping to begin with so), because the basis of it is nice. But then the actual plot happens. All this stuff from the interrogation until the end happens and shippers just dismiss it or try to make it sound less bad. Like it’s the actual plot. It’s there. This is how P5 goes down. Akira’s one of the most traumatized characters I’ve come across in fiction and Akechi does a fair share to that. Don’t just dismiss that so your ship can be cute. It won’t, I’m sorry. And if you want to come at me for shipping in general, I as well ship something with complex and interesting dynamics within this game. It’s appealing, but not like this.
 Thank you for reading this if you got through all of it! I seriously appreciate it and my non-existent sleep does to! - May
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twilightknight17 · 3 years
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We’re at the end of the road, folks.
And god damn, I feel so validated by my Sojiro characterization. Wow. Thanks for basically making me canon for ten more seconds, Atlus. XDDD
So when last we left our intrepid heroes, they were laying at the bottom of the Jail of the Abyss, because Ichinose is an asshole. So we had to fight our way back up, carrying Sophia’s unconscious body. Which wasn’t that bad; the Jail isn’t very big. We left Sophia at the door to keep her safe, and then charged back into the hall of the Ark to hack Ichinose’s exploding crystal box thing.
Ichinose doesn’t understand why we came back.
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So, yeah. I guess like... bizarro-world Maruki? Maruki wanted to alleviate suffering by granting everyone’s wishes. EMMA’s going to make it so that people can’t wish for anything.
After a kick-ass hacking battle set to the new version of Rivers in the Desert, Ichinose yells at us about our right to judge. Why should humanity keep this painful world, just because WE’RE strong? Just because we’ve never screwed up or suffered?
Which, clearly she has no idea who the fuck she’s talking to.
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We’ve worked too hard to listen to that kind of bullshit.
Ichinose proclaims that “humans don’t need hearts” and charges up the laser crystal to blast us again, and Sophia steps in to block the attack. She’s still fighting Ichinose’s control even though Ichinose insists that she’s just a faulty prototype.
Apparently Ichinose created Sophia in the first place because she spent a lifetime being called a heartless doll, so she made an AI to help her learn about the heart.
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I think you’re the problem, but not for the reasons everyone else is saying.
But she got angry when Sophia started asking questions of her own and basically tossed her aside, until EMMA found her and dropped her into the Shibuya Jail.
And Sophia, unlike her creator, has learned and grown, and is tired of being given orders. She’s ready to make her own choices.
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That is certainly a persona.
I gotta admit, they got me. I was wondering why Sophia didn’t have her arcana yet, but for some reason, I also wasn’t expecting her to get a proper persona. I’m now wondering about the implications of someone being able to code an AI capable of developing a soul that can summon a persona. There’s a zero percent chance that Ichinose had any access to plumes of dusk, which are the reason that Aigis and Labrys gained enough consciousness to have personas. So Sophia is legitimately a miracle piece of technology.
Pandora is an interesting choice, but I dunno if I can articulate that beyond a surface-level, “Oh, because she’s Hope, and Hope was still in the box.”
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I swear to god, every major villain in this game is trying to be Goro Akechi. For the last goddamn time, we don’t kill people. Get up, Ichinose. We’re leaving.
Ryuji literally grabs her by the arm and drags her out, because she’s trying to stay behind. Which just confirms for me that if Goro hadn’t put up that bulkhead door, we’d have dragged his stupid ass out of the Ship, too. XD
Back to the real world, and Tokyo is blacking out, and the Tower is losing its shit.
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The metaverse is fusing with reality, the Tower is becoming the Tree of Knowledge, and hell yes we are climbing this tower after all!
Morgana points out that this is the same thing that happened last year, and Zenkichi freaks out a little bit.
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You’re lucky you moved to Kyoto, sir. You missed quite a bit.
I love these kids, though. They’ve got so much black humor about this whole god thing.
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The metaverse encroaching on reality means that everyone has to cram into the bus in their thief gear. Zenkichi, please. Your hat. Sir.
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I love climbing this tower. I’ve been here, too! Also they have butter. XD
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I was expecting the Mementos version of the lower observation deck, and instead I got some weird amalgam between Mementos and Azathoth’s boss chamber.
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We had to fight Metatron as the guardian of the last elevator, which is another parallel to Yaldabaoth’s archangels. And then it’s up to what I guess used to be the high observation deck to fight the big box.
EMMA insists that all humanity wants is to let it give them all the answers, and it throws them into some sort of alternate fog world full of the voices of the public.
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The Thieves are all separated, trapped in the fog. Each of them has to find their way out, and they realize that the fog of the Desires is protecting EMMA. EMMA knows exactly how calling cards work, so they won’t work on her. Instead, the Thieves decide that they need to send the calling card to the public, so that they’ll become aware of their desires again and the desires will crystalize.
...oh come on, Atlus. We’re right in the endgame.
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One last hacker battle to break into EMMA’s server room in the tower, and Futaba and Ichinose manage to hack EMMA itself to deliver a calling card to everyone at once.
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Love you, Zenkichi. We’ve taken out two gods already. We’re good.
Confronting the Ark again reveals a bunch of freaky tentacle arms grabbing the desires, and then the box turns into some sort of massive figure that looks sort of like Yaldabaoth, except less robot and more seraphim. It literally names itself the Demiurge, so I feel like EMMA may be drawing something from the lingering dregs of Yald’s influence? It’s cool.
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Clearly no one told you what happened to the last false god that thought it knew what was best for humanity. ;) “Hope binds humanity to misery” is bullshit.
After a... not very difficult first phase, the Demiurge reveals its true form, and we split into three teams to take out its support orbs (modeled after the sephirot) and the main body.
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I really liked the setup for the last boss. The teams were the first instance where it was really apparent that the whole team was fighting together. Each of the three battles was happening concurrently, and destroying the orbs has a concrete effect on the main fight. I wish we’d gotten to do things like this more often, especially during the Shadow Thieves fight.
That said, the main body was actually the easiest part of the fight? All the attacks were really telegraphed, and not particularly hard to avoid. Except for the spear jab.
But it finished off with a full-team all-out attack, and that was awesome.
The desires began to return to their owners, and we get to bask in a job well done once again.
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Upon returning to the real world, it’s the next morning. Sophia’s happy that she got to be a hero, Zenkichi’s heading off to properly arrest Owada, and the rest of us need to head home, because we were supposed to be home last night. Zenkichi can’t figure out why we consider him a phantom thief, since he “only joined [us] to use [us]”. Which is silly. The Phantom Thieves are built on the bonds of friendship and stalking! It’s too late, Zenkichi. You and Akane have been adopted.
I’m a little disappointed we didn’t get to tell Akane the truth. That would have been great.
Atlus personally reaches out and pats me on the head, because Sojiro has the absolute perfect reaction to his kids coming home after a nationwide manhunt for them.
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I feel so valid making him serve Lavenza coffee and be completely nonplussed about a guy marrying Death. I love him. We’re so lucky to have Sojiro. XDDDD
The next day, the kids have a celebration party for their victory, and learn that Akira is going home the next day. This kid needs to catch a break. He can’t even have a few days to relax with his friends. X’‘‘D
Everyone goes to see off Akira, though we detour to Shibuya to meet Ichinose. A news report shows that Owada was successfully arrested, and apparently Ichinose tried to turn herself in to the police, and they didn’t believe a word of it.
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This is just highlighting my issues with Maruki. Even if he doesn’t think he did anything wrong to society as a whole, he never apologizes to them for what he put them through. Especially Akira. Ichinose turns around and helps them stop the final boss, and her last scene is her apologizing to the Thieves and trying to make amends for her actions. Maruki’s last scene is... “If things get bad, you can start over like me! Now we’re even!” We are not.
Sophia leaves to help Ichinose learn about the heart, Akira promises to come back for winter break, the Phantom Thieves go their separate ways once again, and the credits roll.
I’m gonna leave my final impressions in a different post, because this one is long enough already. So... look forward to that?
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shadow-scenarios · 4 years
Note
Hello~ may I ask for something slightly specific? I wanted to ask about a scenario in which the reader recently obtains the Meta-Nav but instead of the PT finding out first, Goro does. See, the reader and Goro have recently become acquaintances and reader thinks that the Meta-Nav is something related to illegal activity so she goes to consult their detective friend on this mysterious app! Haha, sorry if this is too specific ;-;
Hey there simulationone, this isn’t too specific!! I like creative ideas that change the plot & this has been my favourite request to write so far.
However, I did change the request slightly. I made it so that the Reader awakened to their Persona & gains the MetaNav!! I hope that’s alright with you. If not, feel free to message me again and I can rewrite it.
{ Post Writing Note: Well, I wrote way too much!! Sorry if there’s less Akechi content than you thought, I got hyperfixated on how it would affect the plot. I’d love to write a Part 2 full of angst with this, so feel free to request it!! }
- Nexus.
Dance with Justice | Goro Akechi
Life at Kosei High was predictable. Like a metronome. Constant pressure to be the best & high achievement boundaries, it was a wonder how she was ever accepted without some sort of moonlighting as a prodigy. These stories of mental shutdowns & psychotic breakdowns made the world look grim & everyone seemed desperate to escape it all.
Comfort was found in the Phantom Thieves and how they manipulated hearts. Dancing the line between immoral & illegal, it was a grey area where the who was less significant than the how. Society grasped onto them as miraculous saviours as they solved cases faster than regular forces ever could: Kamoshida, Madarame, Kaneshiro, Medjed. The world was taken by storm, these renegade rogues looking to change the world & it seemed they were no longer an urban legend.
Their downfall was unexpected, to say the least. Okumura was murdered in cold blood, his mental shutdown playing onscreen during an important meeting where he was about to reveal an important factor in solving this buck-wild case. A calling card was found at the residence, the sigil of their misdeeds. Just when the mystery was about to unravel, the threads gave way to a bigger problem: Did the Phantom Thieves cause the very shutdowns everyone was trying to escape?
Swiftly, the media capitalised. Labelling them as criminals, demanding their arrest. Everything shifted so quickly & she was caught up by the egregious claims of both sides. There was one thing for certain: The Phantoms Thieves had killed someone and regardless of their previous deeds, they needed to be brought to justice.
Naturally, the first viable suspect she found was Yusuke Kitagawa.
He was of the eccentric sort, gaining a scholarship through art. Everything the strange man did was usually for the sake of ‘ Finding true beauty! ’, which was slightly melodramatic. Before Madarame’s case, he was fixated on art singularly. Now? He seemed to have other priorities. Whenever someone would discuss the Phantom Thieves in an art lesson, there was a glimmer in his eye & the paintbrush that had been on the canvas stopped in order to listen in.
A victim of Madarame’s plagiarism, which gave a plausible motive. Despite this, nothing was concrete. She thought about her friend, Akechi. Was this how he solved crimes?
Obviously, the next step was to follow Yusuke around. Sneaking around was rather easy, all she had ever been known as by the student populace was ‘ the girl who was friends with Akechi! ’, so standing out was not much of a problem. There was not much abnormal. Despite being somewhat of a social outcast, he had a small circle of friends. Six in total.
Five of them were clearly wearing the Shujin Academy uniform on the day she spotted them. One was tall in stature with fluffy black hair & thick framed glasses. Reserved in nature but he always appeared to have some sort of witty comeback. Soon he became known as Akira.
Another one was a blonde, around the same height. He wore the uniform much like a delinquent alongside a yellow graphic tee. Obnoxiously loud, as it was never difficult to hear what he was saying even from far away. The person closest to him was Ann. She had platinum blonde hair tied back into pigtails & features of an American.
Makoto was next. Clearly more of a calculating type, she wore the uniform immaculately. Wearing her hair in a French-braid styled headband, she had maroon coloured eyes & was around average height. Most of the time, she was commenting on the boy’s behaviour.
Haru Okumura was someone recognisable due to the news about her father’s death, which was saddening. In her uniform, she wore a fluffy pink turtleneck alongside white tights with flower patterns.
Futaba was just as strange as Yusuke. She used a mixture of gamer jargon whenever she spoke and was never seen in a uniform. About middle school age, she carried around a set of headphones everywhere that regularly rested atop her maple coloured hair.
Stuffed inside of Akira’s bag was also a cat that they tried to hide. Key word: Tried. Six of them & a cat.
They frequented a local cafe in Shibuya, LeBlanc. It was a nice location & she had even gone in there once to listen in. Boss was kind, to say the least. He served coffee with a warm smile & the curry combined perfectly enough to encourage a smile out of her.
On a Friday, the cafe was busy. They had gathered at one table & chatted casually. Most of them looked forelorn. Akira eventually gestured for them to take the conversation outside, where they would disturb fewer people.
Following behind them, she paid Boss & followed, attempting to seem casual. They never noticed. Conspicuously trailing into an alleyway, Ryuji pulled out his phone. Listening in was difficult so she opted to pull out her own phone and record. One of them, presumably Akira, simply said “ Mementos. ”.
Mementos. That singular word triggered something & changed everything. As the world began to violently shift in a strange phenomena, hues of vermillion & mauve dotted her vision. It was hypnotic. Eventually, she snapped out of the trance.
Concealed by masks & flashy outfits were the suspicious group she had been following. It was blatantly obvious by their hair colours. However, the animated cat creature was a surprise. It was reminiscent of the cat Akira carried around but even stranger was that it talked. Then it turned into a bus. Which did not seem all that strange.
Inherently familiar with their environment, they sped off down the escalator, leaving her alone with her thoughts. There were so many reds & greys. Thick red veins ran through the sides in mangled forms. The wall behind her was dilapidated & the only way to proceed was the escalator in front of her.
A fatal mistake, really.
Recalling the details of the awakening are fuzzy at best. These lumbering creatures formed entirely out of shadow began to take notice of her unwanted presence. Cornered, desperate and alone. Insurmountable pain; the voice of someone almost familiar; then freedom & rebellion.
With the pact of her Persona, everything was clearer. Life had previously moved in rhetorical patterns, it was now a whimsical dance. Eliminating the so called enemies with a weapon in hand, she eventually found a way back to the surface. The door at the beginning looked to be a way out, so she threw caution to the wind & took the chance.
Fatigue came first in this dingy alleyway. Adrenaline had been fuelling the push to leave alongside her newly granted power and once that was gone, nothing would spare her from raw exhaustion. Checking her phone in the hopes of finding evidence, the video taken was still there, though it cut off as soon as anyone disappeared.
Even without evidence, she knew that this group was doing something illicit. So she texted the one person she trusted with this secret: Goro Akechi. He was a detective, surely he would have answers.
;; I must speak with you in person as soon as possible. It’s regarding the Phantom Thieves, I have some evidence for you. You’re investigating them, correct?
Knowing full well that Akechi lived a busy life, she did not expect a response for a while. After gathering the strength to stand once again, she headed home. It was the most exhausting experience ever, physically & emotionally. A few minutes after returning home, there was a response from Akechi.
I am indeed investigating them. If you have any evidence regarding them, would it not be more convenient for me to receive it via text? ;;
;; Yes, it would be, but I can barely even believe the evidence presented to me. It’s better for you to see it for yourself. Are you attending school tomorrow?
Indeed I am. Pulling away from the public eye has benefits. If you are free during lunch, we can meet on the rooftop and discuss the supposed evidence that you have found. Does that sound like a compromise? ;;
;; Alright. I’ll see you on the rooftop tomorrow.
The next day was filled with trepidation. Everyone seemed to be mulling about & with how slowly the clock was moving, it was if the school was in a state of chronostasis. Although she did not share many classes with Akechi, there had been a moment where she saw a mop of hazelnut brown hair amongst a crowd, so he was likely to be there.
Sitting on the rooftop alone was slightly boring but she understood why he was late. Every time lunch began, Akechi would be surrounded by people who wanted his attention. It must have been rather annoying.
5. 10. 15. Minutes ticked by. During the winter, it was exceptionally cold so not a single soul came up. The chilly winter breeze nipped at her skin & for a moment she wondered if it was Akechi that she had seen. The brown hair easily could have been mistaken—
The creak of the door announced his presence. With a formal apology, he recalled how his teachers were intent on swarming him with catch up work that he would inevitably never complete. Dismissing it all & moving along with the subject, Akechi got straight to the point:
“ What was it you wished to speak to me about? ”, he asked.
“ I believe I have ascertained the identities of the Phantom Thieves, ” was the only reply she gave.
Looking astounded, he shifted his glove via force of habit & looked directly at her.
“ That’s quite the bold claim, ” he returned to a neutral expression as the mask of the Detective Prince slipped back on, “ Do you have any evidence? ”.
Recalling the story to the best of her ability was tedious. From the suspicious behaviour Yusuke had been demonstrating to the video evidence taken from her phone. Throughout the entire story, he maintained a neutral expression so she was never quite sure what to think.
“ Usually, I would disregard such stories as a strange dream or a vision you had & declare your footage as edited. However, I have... also had an encounter in this strange phenomena as well. ”
Everything began to make more sense as it was explained. Akechi rattled off about the cognitive world, Palaces, Personas & even how ‘ stealing someone’s heart ’ was possible. He explained that his plan was to lend the Phantom Thieves a hand in their next assignment & catch them in the very act. Specifically, their leader.
“ That explains a lot. Let me help you. I have a Persona as well & I can fight in that other world. I want to bring the Phantom Thieves to justice. They killed Okumura & many others if they are the ones behind the mental shutdowns. Tampering with the heart of another is wrong... ”
“... Alright. I suppose it will make things easier if it is the two of us. I hope you are a very good actor,” Akechi extended a reluctant hand for her to shake. His gaze was calculated, cold. Much different from his tone of voice. However, she took his hand & shook it.
With that, a contract was signed. Both herself & the detective would bring about the end of the Phantom Thieves.
Word Count: 1.9k
Publish Date: 27.09.20
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fuyupeach · 4 years
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Could you maybe write a small fic or one shot about Ryuji finding out his s/o has a palace? The s/o is also a Persona user, but something makes her really depressed and she looses her connection with her Persona and her true self. She ends up having a palace out of depression, like Futaba, instead of evil. Maybe when she reawakens her Persona, its extremely strong? If you need any more information or ideas, feel free to message me
Here you go! I almost messaged but an idea came to me! I hope you like it, and thank you for the request! I actually imagine something similar for my Ryuji fic (wink wonk), but we’ll have to see. This was supposed to be short, but before I knew it, it hit 1.6k bjfhkj
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You were trapped in your thoughts, the world around you getting murkier and murkier. There was nothing you could do, each day fading from your memory, only glimpses of concerned gazes from those around you breaking in inbetween. 
You’re useless. They don’t need you. 
Why do they need another persona user like you if they already have someone to cover ice and healing?
Why did Makoto have to protect you? Can’t even keep up with the others....
Each thought hit you harder and harder. Though you knew it wasn’t true at all, each minor mistake you made, each day of being on the sidelines in Mementos, each time you seemed to be the last in the loop chipped away at you. You gave excuses as to why you couldn’t meet with them at Le Blanc, how you had to babysit and couldn’t join them in Mementos, even shutting Ryuji out. 
Needles pricked at your skin as you walked the Shujin hallways, your thoughts making your chest ache. You feel warmth wrap around your wrist, lifting your tired eyes to a more alive golden brown pair. You hadn’t gotten much sleep lately.
“___.” Ryuji stares into your eyes, concern written all over his face. You couldn’t help but feel more guilty. You couldn’t even keep yourself together.
“What’s wrong?”
“It’s nothing.” You take your arm away despite every part of your body telling you not to. 
Ryuji’s frown deepens, he doesn’t believe you. “Look, you know you can talk to me about anything that’s botherin’ you, right? This isn’t really the best place to talk about it… but I haven’t seen you anywhere else. Did we do something?”
You can’t bring yourself to look at him, black around the edges of your vision, Ryuji just barely visible in your haze. “I said I’m fine.” it comes out harsher than you would ever intend with Ryuji. 
Ryuji’s brows furrow, hand reaching out to you. “But—”
“I said I’m fine.” Your voice is louder this time. Ryuji flinches, your heart hurts so much. “Don’t touch me. Leave me alone.”
“You don’t need me anyways.”
You whisper as you walk off, and that is the last anyone sees of you for a week.
----
“I’m telling you,” Ryuji says from Akira’s couch. “Something isn’t right. She won’t open up for anyone, won’t answer our calls, nothing.”
“You’re right…” Ann bites her lip nervously as she prepares to say what she thinks next, “You… you don’t think she has a palace, do you? I just can’t help but think of how similar this was to Futaba.” She looks around at everyone.
“She didn’t seem desperate to break away from what’s bothering her like I was though,” Futaba says silently, eyes on the ground as she sits on Akira’s bed in one of her complex positions. “Mona did say all the emotion needed to be was enough to change their cognition, so anything’s possible, right?”
“I’ll.. I’ll check.” Ryuji says, hands slightly shaky as he opens the Navi app. “____.”
“Palace found.”
The room is silent as they all look at each other.
----
“It’s all my fault. I’m so useless it’s no wonder no one wants me to help anymore.” You’re curled up in your bed, room dark and body weak.
That’s right.
You flinch, eyes squinting in pain as you look to see a figure that looks exactly like you. Her eyes are different, it’s golden yellow chilling you to the bone as she stares coldly down at you in the dark. She is hunched over, body oozing sloth.
No one will come for us. No one cares for us anymore. No one needs us anymore. We are nothing on our own.
She fades away from your sight, leaving you again in your abysmal mind.
----
“What is this..?” The gang looks around your palace in shock. Your palace had been hard to access given that you had cut off contact with next to everyone, but you still had a soft spot for Ryuji, giving him one answer before disappearing again.
I’m in a cold, deep dark abyss I can’t ever hope to escape from. No one needs me anymore.
Your password had been abyss, your palace practically a black hole. The shapes of the palace warped and changed, unsteady. Words, your thoughts, leapt out at them at random times, sharp and red, written on the walls. 
Ryuji couldn’t bear to see your emotions bared like this. He couldn’t believe he hadn’t seen this all sooner, hadn’t done something. He knows he can’t protect you from everything, especially how you feel, but he still wishes he could’ve been able to do something anyways. 
Ryuji can’t help but gasp as he sees your shadow for the first time. Your posture and the bags under your eyes hurt to see, your eyes piercing through him whenever you spoke. Your hair was a mess, the dress you wore seeming to be what weighed you down, the sleeves flowing past your unseen hands, the turtleneck looking almost as if it was constricting you, as if you didn’t deserve to speak. Your feet were bare, bruised and blue skin just barely visible from the bottom of your dress. 
When you come face to face with your shadow in your palace, it had been because you had followed her. 
Come with me, She says. We will go to where we can be alone. Where we will no longer be a hindrance to anyone else.
You take out your phone, opening the meta-nav and inputting your information.
That’s right.. Your shadow fades from your sight quivering back in place as you open your eyes to the new sight of your palace. You walk along the dark pathway, stopping when you hear a voice call out to you.
“___! Stop!” It was Ryuji, the rest of the phantom thieves running to catch up behind him. Of course, even now you were causing trouble for him. Your heart ache increases, your head pounding as you almost fall to your knees.
“I thought I told you to leave me alone…” You mutter, eyes drawn downward. “I can finally disappear. You won’t have to worry about me causing anymore trouble for you guys again.”
“But that’s it!” Ryuji yells, desperate to get his words to reach you. “We’re here ‘cause we care! You’re not a burden.” His words are so full of conviction you can’t help but stare at him in shock. “You could never be a burden to me.”
You’re almost shaken out of your stupor, subconsciously taking a step forward before a hand cold as ice grips your shoulder tightly, keeping you in place. 
“Can’t you see they’re lying? You could never be of use to them. You add nothing by joining them. Come. With. Me.” With each word her grip gets tighter, a yelp escaping you as you fall to your knees from the pain.
“Get away from her!” Ryuji runs to you, only to throw him and the others back in a cold gust of wind. An ice wall forms a dome around you, you and your shadow at the very top, layers leaving you three stories above. 
“Don’t you dare give in, ___!” Akira’s voice booms through the palace up to you, your closed eyes snapping open.
He was right. The cold hand still gripping your shoulder went ignored as you stared at your friends and love below, the conviction on their faces enough for you to rise to your feet. Despite all you did, they were still there, and no one had done that for you before. Your vision clears some more, your headache dimming.
“You’re wrong.” You turn to face your shadow, standing straight, the opposite of her. “I may not be the most unique, but clearly they see something in me if they’re here now.”
“My worth shouldn’t be dependent on others. Not even them, and definitely not you.” You feel your mask appear on your face. 
Couldn’t have said it better myself. Your persona tells you.
“Come, Aphrodite!” You rip your mask off, adrenaline pumping through you as you knock your shadow back. You clothes are still the same, black pants clinging to your legs. Your mauve top is tucked in with a bit of it untucked, balloon sleeves slim at your wrists, the turtleneck freer than it was on your shadow. Your boots are also black, the red underside visible as you leap down from the ice, landing smoothly in front of the others. You felt stronger than before. More self-assured. 
“Sorry for the hold up,” You tell them. “Let’s get this over with.”
-----
Later the next day when you’re a little less exhausted, you lay with Ryuji in his room, arms wrapped around him in his bed. You had spent enough time in your room for the time being. 
“I’m sorry for being so harsh to you earlier.” Your arms can’t help but tighten around him as you say this, face practically buried in his chest. 
“You couldn’t help it.” Ryuji’s hands rub up and down your back, soothing as ever. “I wish I could’ve helped or—or done something earlier… I was scared I might lose you.” His voice hurts to hear. Was he going to cry? Your brows furrow with guilt. “Seeing all of that in your palace… I meant what I said. You could never be a burden to me.”
Tears form in your eyes as you pull back to look at Ryuji. “I should’ve opened up about what was bothering me. I know we don’t usually keep things from each other, but I just felt so stuck. I’ll try to not hold it in until I can’t take it.”
“I’ll do the same.” Ryuji murmurs, eyes meeting yours and making you melt all over again. “I love you.”
You lean up and bring a hand to his cheek, kissing him softly.
“I love you too.”
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violet--crown · 4 years
Text
The Supposed Audience Surrogate And His Confidants
I believe that Ren (/Akira/Joker/Inmate/Haremfucker249/Whatever you want to call him) is a much more interesting character than the game presents him as in the Confidants. Although he does have his moments, in the Confidants he serves to be the shoulder to cry on for all the characters and through player choice reflects back to them what they want to see. Although this is never truly elaborated on, I do think it’s very interesting, but it doesn’t change the fact that in the Confidant routes Ren is reduced to a boring audience surrogate. I do believe he can both be explored as a character in the Confidant routes while also being careful with his words to make others like him. I want to examine how the Confidants could potentially be altered to make Ren less of a brick wall and to make the relationships feel more two-sided.
The except to the rule is the Justice Confidant. When paired with Akechi, Ren truly gets to shine as a character.
(P5R Spoilers Ahead)
Justice 
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Akechi’s Confidant stands out from the others. All the Confidants follow a similar pattern where the subject of the Confidant has to struggle with an internal and/or external conflict (usually both). Ann and Makoto are two good examples. Ann’s internal struggle is with finding her inner strength and drawing strength from those around her and the external conflict focuses on her job as a model and Mika’s antagonistic interference. Makoto struggles to find direction in her life when she’s no longer following anyone else’s plan and the external conflict is helping Eiko.
Akechi can’t follow this pattern. The external conflict, getting revenge on Shido is interwoven into the plot so that it can't be solved in their Confidant. And his myriad of personal issues also can’t be solved if the plot is to progress. So a problem arises: What is the focus of Akechi’s Confidant? And the solution is the relationship between him and Ren, which will later become vital to the plot in Royal and makes Yaldabaoth’s plan a lot more interesting and tragic. While Akechi is better fleshed out as a character in his Confidant, it’s not the sole focus; one primary focus is the relationship between him and Ren and it can’t exist if it’s one-sided. Ren has to be an active member in their relationship or the premise of their Confidant falls apart. We see that Ren is extremely perceptive, being able to pick up that Akechi is using his non-dominant hand when playing billiards after only meeting him once. Another important trait is his confidence and competitive streak. While him being cocky is established in the first scene of the game, his competitiveness is something established in the justice Confidant. All these traits draw the two together. As I just mentioned, Ren plays a very active role, while (as is in character for both of them) Akechi does most of the speaking, Ren is not just a brick wall listening to him walk. Ren forces the disguise on Akechi, showing he is not afraid to poke bears with sticks. He challenges Akechi, not wanting him to go easy on him in their billiards matches. And most obviously their debates on The Phantom Thieves, the thing that draws them together in the first place. Their relationship is filled with conflict which grows to be more serious as Yaldaboath’s plan comes into action, but it’s clear they care about each other. The importance of their relationship is part of what motivates Akechi to sacrifice himself and it’s what makes Ren’s ultimate wish for Akechi and him to “have a fresh start together,” according to Maruki. It’s clear their relationship has a profound effect on both characters and means a great deal to each even if there are clearly conflicting and complex feelings. This is only possible because both parties are equally involved without Akechi being the only focus. 
Akechi and Ren hold a mirror to each other and their traits are explored through their similarities. One of the most interesting aspects explored is that of a dual identity. For Akechi this is extremely overt with the detective prince persona masking the bitter orphan who paradoxically craves both revenge and love. For Ren, this is a lot more subtle. His fake glasses are a symbol of his mask. He uses them to appear less threatening and make himself blend into a crowd. While this is nowhere near as extreme as Akechi’s facade, similarly to Akechi he does don a persona (you know what I mean) to make himself appear more presentable and to shed the bad reputation that’s been unfairly attached to him. He also hides the more passionate side of himself, the side he shows off when he’s allowed to be Joker. Their relationship is very dynamic, switching from argumentative to childish to serious to fun to antagonistic to caring. This relationship between them can’t exist if Ren is not playing an active role. 
While their Confidant is easily my favourite, I don’t actually believe every Confidant should mirror theirs. The pattern exists for a reason and each Confidant does tell an interesting story. Additionally having every Confidant be like theirs could lessen the impact of Maruki’s final offer in the third semester. So if that’s the case, then what needs to change? I think Ren as a character needs to be able to shine through more often in the Confidants and at least one trait or aspect of his character should be explored. 
The Hierophant
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Sojiro is great. You’ve played the game (I’m assuming) so you know this. And Sojiro is a great dad. But how many kids does he have? That’s the real question. Ren—at the start of the game, when first under Sojiro’s custody—is not his son. Sojiro is simply his legal guardian for a temporary amount of time. But this changes over the course of the game… kinda. Ren hangs awkwardly at the side of the Sakura family, not quite a part of it but not not a part of it either. Multiple times the player has the option to have Ren refer to Futaba as his sister or as family, but she also has a romantic route. This leaves their familial status in a very awkward liminal space.
It’s clear Ren sees Sojiro as more of a parent than his own biological parents, even if Sojiro can’t keep custody. At the start of the game, Sojiro recaps what happened, telling Ren and the player “the courts ordered you to transfer and move out here, which your parents also approved.” And then rather cruelly remarks: “In other words, they got rid of you for being a pain in the ass.” While it is a harsh way to put it and Sojiro doesn’t personally know Ren’s parents I’d argue his assessment is essentially true. The typical parent would fight tooth and nail to keep their children from being taken away, yet it’s implied Ren’s parents were content with Sojiro’s temporary custody. This leaves a parent shaped gap in Ren’s life. 
In Royal’s bad ending, Ren has three wishes: 
Having Akechi back.
For his friends to stay together.
To stay with Sojiro.
For now, I’m going to focus on that third one. Sojiro asks Ren "Would you maybe like to keep staying at the cafe? And maybe, even after graduation, you could..." and then trails off, waiting for Ren’s response. The two options the player is given is "Yes, I'd love to." and "I want to stay forever." Sojiro approaches Ren about this, indicating this isn’t just Sojiro being brainwashed by Maruki so Ren’s wish comes true, it’s clearly something wanted by both of them. Royal’s bad ending indicates that the two very much see each other as family and they want to remain that way.
I propose that a way this Confidant can be improved is to have Ren admit to Sojiro in one of the later ranks that he’s been more of a father then his actual parents. What Ren’s home life was like could be elaborated on in this Confidant. Then in rank ten have Ren welcomed into the family. I’m not suggesting massive changes, just that Ren’s family life be elaborated on a little bit more. 
Please just let them be a family and cut the Futaba romance route. Please ATLUS I’m begging you just let hi—
Faith
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Sumire’s Confidant is one I have many feelings and opinions on. I love Sumire as a character, but the Faith Confidant needed to be better. To me it seems as if Sumire was intended to be very close to Ren. She is one of two characters to have a show time with him and then no matter your personal feelings on the matter, it’s impossible to deny Sumire is pushed as the main love interest for Ren (just look at the marketing). Given their Confidant, this is undeserved. Don’t get me wrong I don’t think it’s any worse or better than any of the others, but if it’s going to be the main route and if her feelings are going to be canonical regardless of out route the player chooses, then their relationship regardless of whether it’s platonic or romantic has to be more two-sided. I think their relationship should be important. As I mentioned they have a show time together and a lot of the advertisement for Royal pushes them together. 
Let’s take a quick look at Haru’s Confidant, while personally, it is not my favourite as I believed Haru could have been written better, her feelings for Ren make a lot of sense. She’s been very isolated her entire life and it’s clear that Ren is the only person who has ever just listened to her without ulterior motive so it seems natural that feelings would develop even if their relationship isn’t two-sided. I don’t want to sound cruel or malicious but in this situation, as long as Ren listens and is kind, the rest of his personality doesn’t matter.
Now, let’s return to Sumire. Ignoring romantic feelings for now, why does she like Ren? Because he inspired her and she wants to show off and impress him which drives her to complete and be her true self. This works as a premise but why Ren? She could want to impress her father or her coach. So why Ren? To answer this question you have to make their relationship more two-sided. She has to get to know Ren as he gets to know her.
The first five Confidants should focus on fun and showing off. The first five Confidants are, in my opinion, very boring. Sumire wants to get out of her slump and Ren offers to help her, I propose that Ren’s idea of how to get out of her slump should be having fun together. For example, they could go to the amusement park together or Destiny Land. I think the fourth Confidant where Kasumi’s bad cooking skills are established is important as a) it sets up the later reveal that Sumire is a good cook and just how far Maruki has influenced her that she’s losing skills and b) it establishes how much work she puts into being a gymnast, that she has to carefully consider everything she eats. But the rank itself is boring. My solution is to make it an eating competition between the two of them. We know from Akechi’s Confidant that Ren is competitive and of course from The Big Bang Burger Challenge that he wouldn’t lose automatically. Additionally, it’s a fun way to set up that Sumire likes showing off and impressing people, even if it’s at something as silly as an eating competition. These changes could also establish that Ren is one of the only people Sumire feels like she can relax and have fun around. While she wants him to have high expectations of her, those expectations aren’t crushing, they’re welcomed. I’m not saying the specific changes I’ve laid out 100% should have happened, but it’s an idea of how it could make their relationship more interesting.
Now the second half of their confidence is a lot more important, and already better written than the first half. I have two ideas for how to improve it to make their relationship more dynamic. Number one is the theme of futures. Sumire is one of two characters that Ren makes any hypothetical plans with beyond a general, we’ll remain friends, even if we split. (Though this number could technically be moved to three if you want to count Ren’s incredibly depressing refusal to move past Akechi’s death and holding onto the glove thinking he’ll come back). That’s incredibly important. 
Sumire jokingly asks Ren to “join [her] on [her] tour.” The player doesn’t actually have the option to say no with a joking “give me a break” being the closest to it. (Oddly enough Sumire’s proposal only happens in the platonic route.) While this is purely hypothetical and Sumire only jokes about it, it is a possibility for the future that is more specific than a simple “no matter what we’ll remain friends.”
So I propose that the second half of the Confidant could focus on Ren’s future too. We never see what his future ambitions are and I think that Sumire’s Confidant is the perfect one to explore that in. Although there are other characters who question their futures, I believe Sumire’s fits the best as she’s driven and ambitious like Ren, and while she does question who she is because of her time as Kasumi, she’s always confident about being a gymnast which I feel clicks with Ren’s confidence.
Now I could stop here, but I also think Sumire’s Confidant could also have the potential to explore Ren’s mirroring nature. Sumire’s is one of the last Confidants the player will complete as the last five ranks are locked so this trait can be established prior to her Confidant. Additionally, she has a similar dual identity.
Due to how he’s written as a semi self insert protagonist, Ren adapts himself to each person he knows. To progress through the Confidants, as a player you have to choose and consider the right answers and this transfers onto Ren as a character. And at the beginning of the game, one of the first tasks you are given is not to stand out. I could write a ton on this but it’s going to clog this up so I want to keep it short. I think his friendship with Sumire could be an interesting way to explore this trait and how the two of them hide behind masks. Potentially Sumire could confront him about this and tell him she wants to get to know the real him like he got to know her over Kasumi. I’m going to move on now before I bring Akechi into this and start droning on and on about the Royal Trio and masks. 
At Sae’s palace, Sumire says to Ren "My weak self relied on you so much... that ends today.” “It's my turn to come to your aid, Senpai." Sumire never truly follows up on this new promise. She helps him in that battle and in following battles against Maruki, but she never helps him emotionally as he helped her. She says she doesn’t want to rely on him anymore but she only becomes more dependent. I don’t think relying on one’s friends is a bad thing, of course it’s not, but when it’s only happening one way something is wrong. And there is a big difference between Ren helping Ryuji help the track team and Ren helping Sumire through her trauma relating to Kasumi’s death and her identity. I’m not trying to villainise Sumire or anything like that, but I really wished their reliance on each other was more equal.
I’d suggest that Sumire should say to Ren she feels guilty for always relying on him without ever giving anything in turn. Then either have them talk about their identity or have her ask about his future and ambitions. Either way, have her keep her promise to help and support him as he has done for her.
To be honest, I could go on and on about alterations to Sumire’s Confidant and her Confidant in general, but I’m gonna leave it as this (for now).
All in all, it seems as if Ren’s relationship with Sumire was supposed to be extremely important, but it doesn’t stand out from any of the other Confidants as being so. So in conclusion, their showtime is cool but ATLUS you gotta work to sell me on how close they are.
Conclusion
It’s a shame Ren’s treated as an audience surrogate for most of the Confidants when he’s more interesting as a character. While I think it makes sense that he is closer to some Confidants then others, for example, his bond with Mishima isn’t nearly as close as his bond with Ann, it would have been cool if his character had been explored at least partly through each and his relationships with each Confidant.
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muzzleroars · 4 years
Text
Cake’s Bad End AU Part I - Akira
Here it is, the posts that will finally outline the events of my Bad End AU! I’m not a writer in any sense, but with so many people enjoying the content I create for this AU and several people asking about it, I wanted to write up a synopsis of the events that take place and, more simply, what this AU even is. This is my idea of what happens when Akira takes Yaldabaoth’s deal on Christmas Eve and all of its implications, so I hope everyone enjoys it and that it puts the pieces for my AU in context. There will be three parts: Akira, The Thieves, and The Holy Grail. This is Part I: Akira, which details the beginnings of the Bad End and what becomes of Akira under Yaldabaoth’s rule. (3,008 words)
(TRIGGER WARNINGS: Mentions of abuse and some descriptions of illness/pain)
The AU starts, of course, with Akira taking Yaldabaoth’s deal to return reality to normal and allow the Phantom Thieves to gain fame and glory. Akira is at a breaking point by now in the story – only a month ago he was badly tortured in an interrogation, leaving him permanently scarred physically and mentally with no time to process that pain; he watched Goro sacrifice his life for himself and the Thieves, losing him when they may have just closed the chasm between them, Goro gone before he could live a free life; and now he’s lost the rest of the Thieves one by one in front of him, ripped from reality and, as far as Akira knows, gone from existence. All of this comes after the responsibility of the Thieves, of the confidants, has weighed on his shoulders for months, the lost game almost causing his execution carried out by comrades, the betrayal of Igor, who was supposed to be the one guiding him, saving him. Akira snaps under that pressure in this moment, he can’t keep fighting for a public that doesn’t even want him after they’ve now so thoroughly forgotten what he and his friends risked their lives for time and again. They are ungrateful. They are undeserving. He wants his friends back, he wants Goro back, and now the public has lost his sympathy, so in this one moment, he no longer cares for them. He may be the Trickster, the great and mysterious leader of the Phantom Thieves, but he’s also a sixteen year old boy who’s now lost everything because of the public he worked so hard to shake from their apathy. He trades their free will for his own gain, a way of biting back at them in pain, in hateful selfishness that he deserves at least once...and the world reopens.
Arsène is rent from Akira’s heart, stolen from him and he’s hollowed out, his will of rebellion gone but replaced with incredible power. The process causes him to black out but when he comes to, he’s back in the attic of Leblanc, quickly grabbing at his phone to see unread messages from his friends. Every text sounds normal, none of them mentioning a thing about the Holy Grail or anything that happened in the Depths of Mementos. However...Morgana is gone. Akira is unnerved, but the relief he feels from all of his other friends being safe seems to blunt the emotion and, for a short time, Morgana’s absence seems to be the only thing wrong with the world. School goes on, all of his friends are safe and sound, and their work as Thieves continues without concern about Mementos or changing the public. It makes Akira feel vindicated and to his further relief, his friends never bring up Morgana, the concern about his whereabouts quickly fading to the back of Akira’s mind. The lack of concern causes its own twinge of worry, but the Thieves begin to pick up more and more work to keep Akira well occupied. He feels more fulfilled than he ever has with each job too, a wave of righteousness crashing over him with greater intensity with every heart stolen. The feeling is wonderful at first, but soon the thoughts, the emotions stemming from their work become increasingly intrusive, taking over in a way Akira can’t control and is terrified of. Akira had always been meticulous with their work, but now every thought begins to revolve around it, falling off in his studies, falling out of regular contact with his friends unless they’re traveling to the Metaverse, and all he thinks of is greater efficiency, finding new targets, and doing whatever Yaldabaoth asks of him. His love for their work and his god become fanatical without his input, but what disturbs him the most is how little he seems to care for his friends now. He tries to force it, tries to see them more, hang out with them more, put all of his focus on them, but more and more often his mind thinks of stealing more hearts, of how he’s wasting his time whenever he isn’t working for Yaldabaoth’s great design.
Akira’s friends begin to pick up on his odd and absent behavior, but Akira always brushes it off despite his words and actions growing more concerning. He pushes them into increasingly hectic schedules, running them into the ground and when that still isn’t enough, Akira starts to visit Mementos on his own, trying to feed the beast that demands more, more, more, always more. Here the blackouts begin, Akira losing time from hours to days and almost always waking up in Mementos where he stays overnight to steal more hearts. The shadows mill around him oddly, not attacking and not running as he repeats Yaldabaoth’s praises to himself. Still, he occasionally leaves in order to rest and to eat, Sojiro and the Thieves demanding answers that only produce evasive responses, Akira just claiming he had business to take care of and all is well. But the Thieves know dozens of changes of heart are occurring without the group as a whole, they know it’s Akira doing this, but being near him has become oddly oppressive, and something about the way he speaks to them or even just carries himself seems to shut down dissent regardless of the Thieves’ worries. They can’t explain it, but they find themselves arguing less and less, falling in line and finding their worry and even anger only coming to them when they’re away from him. It’s something they begin to discuss among themselves, creating a separate group chat free of Akira and full of concern, fear, and increasing hopelessness.
But one day, finally, Akira blacks out once more and travels deep into Mementos, lost in a rapturous fervor where he is found by Goro. Goro’s been exploring the Metaverse himself, knowing that his own life is wrong, that he must have died that day on Shido’s ship, and with the odd, altered mood of the public, he figures the two events must be related. He initially wishes to contact Akira about it but, unable to find him in reality, he assumes Akira is carrying out similar fact-finding missions in the Metaverse. However, upon spotting him in Mementos, he’s disturbed by the unhurried gait, the shadows that leave him alone or, even more bizarrely, follow along behind him with no intent to ambush him, and the fact that he can hear him muttering to himself when he comes in close. Upon confronting him, Goro is met with a gaze that seems unfocused, the sharp and intelligent spark in Akira’s eyes gone as he rambles almost incoherently about some god. He talks about his divine work, his chosen purpose, how Goro should be grateful he’s been brought back...Goro almost believes this can’t be Akira, unsettled by rhetoric that sounds like Shido’s but is somehow so much more unhinged and unwell, the exhaustion evident on his features even as he returns a constant, vacant smile to Goro. He attempts to force Akira back to the entrance but Akira vehemently refuses, becoming aggressive and dangerously so when Goro attempts to push it and, being exhausted himself, he reluctantly retreats to await him in reality...but Akira never shows.
Instead, he has stretched himself too thin, gone far into the Depths, too far to escape again on his own when he snaps out of his fugue. A voice calls him in deeper though, hurry, hurry – he knows he’s too weak to travel on foot all the way back out again, so he chases after it into the shrine of the Holy Grail. There, Yaldabaoth offers him shelter, safety to rest and recuperate...but it will take too long, and humans aren’t meant to last in the Metaverse, especially ones too weak to maintain their transformation. So Akira is offered the elixir of the Holy Grail, a panacea Yaldabaoth tells him will heal his wounds and hasten his recovery so that he may return home safely. Akira is skeptical, he wishes he didn’t have to decide this on his own...but in his pain, in his exhaustion, in his one wish to be home in the warm attic of Leblanc (in his fried mind, already half controlled by Yaldabaoth), he agrees and takes the elixir. The effects are immediate and violent, a spike in his chest that blooms across his entire body and shakes him into the tips of his fingers, to the core of his bones and rattles in his skull until it feels like his very life must come pouring out and he collapses into darkness.
The process is agonizing and it is long, Akira fading in and out of consciousness in a place he doesn’t recognize but can’t properly process. He feels sick, an overwhelming malaise as he sweats in fevers that never seem to break while his memories fracture and splinter in ways that make his head swim. He fights blindly and pitifully against more doses of elixir, brought to him by shadows in the shapes of angels...soon all he can do is try to call out for his friends, the ones becoming harder and harder to remember, their names and faces growing obscure and faded. Eventually, he falls into a still sleep, the pain piercing into an otherwise blank nothingness, the angels charged with his care finding him on the edge of death. They tell Yaldabaoth he will not survive, that a human is simply too weak, but Yaldabaoth tells them to continue administering the elixir so long as Akira does still survive. It is in Yaldabaoth’s nature to leave nothing half-done, yet he too begins to doubt the Akira will awaken again as days go by in the Depths and he never moves, only taking shallow breaths with thready heartbeats sustaining him...Yaldabaoth considers what sort of funeral he can give him.
But while the elixir does ultimately end his human life, burning through his body and stopping his heart, Akira does wake from the coma it’s put him in, albeit irreversibly altered. His hair’s been shocked a brilliant, iridescent white and his skin is pallid, his eyes blank but opalescent. He carries an ethereal beauty, yet it is sickly, skin flushed as though with a fever and tinted with a pallor, his ghostly body thinned and almost vanishing, the scar on his chest an angry red that burns sorely against his paleness of form. His movements are at first unsteady, but the angels assist him in going to see his father, the memories of his friends, his human life, his entire identity wiped clean and he now only knows himself as The Son. He bows before Yaldabaoth and he is bestowed with a scythe, although his father tells him he must continue to rest before he goes to work. True to form, The Son argues with him, saying he feels more than well enough to work, but as he has only just been created and Yaldabaoth sends him back to his bed.
The Son is a being of the Metaverse and, as he understands it, is a creation of Yaldabaoth’s meant to mirror humans but is superior to them and so must act as a bridge. Yaldabaoth has no recourse to interact directly with humanity but The Son may act as his proxy, residing in the Metaverse to reap the hearts of disobedient shadows and reform those that seek an escape from their suffering. With his creation a great cathedral rises in the Depths, clashing with the inky blackness of Mementos in a dazzling bright white that acts as a beacon to lost shadows, great droves of them congregating at its gates in hopes of being let in. The Son resides here, his throne sat high on the sanctuary that looks out over a seemingly endless nave, the floors constantly teeming with restless and desperate shadows seeking his forgiveness. He is often absent, however, the shadows offering their prayers to the empty seat as he roams the maze that makes up Mementos to seek out strayed sheep or entirely departs to fall a palace on his own. He needs no calling card, those he seeks out feeling increasing guilt, remorse, and terror as he carves his path through their palaces until he reaches their shadow to reap them, his scythe tearing through an errant soul and producing the treasure for him to take. Upon his return to his cathedral, the shadows clamor around him to receive his blessing, begging for his touch and his approval for it means an immediate place in the shrine of the Holy Grail (but never laying hands on him themselves, for it is a sin). The Son’s third eye sees the hearts of the believers in his church, showing many of them still too sullied to receive his hand but, should he find one fully committed to the word of his father, he will reach out to bless them. Outside of this, he often goes to sleep on his throne, the shadows continuing to pray to him quietly once he closes his eyes as it is considered a great sin to wake The Son, who works so hard for their God and who is the only one that can bring them to salvation.
The Son sometimes departs from the main hall of the cathedral, however, retreating to private quarters if he needs more sleep or simply some quiet. The angels wait on him there, speaking with him and bringing him more elixir if he’s feeling too overly drained from his work. The Son has been known to engage in human hobbies as well, prone to reading, crafting, and drawing, even sometimes writing a series of disconnected words or paragraphs (answers to worksheets he had in school, spilling out with no meaning) before he grows bored as he doesn’t even know why he chooses to engage in such frivolous tasks. However, he is interested in humanity despite their flaws and he envies them in some ways, aware of the myriad cognitions that impact him on a daily basis with thoughts and visions he can’t understand. His poorly pantomimed hobbies give him a sense of connection to them, he thinks, but his father counts on him to be better than them and he wouldn’t want such fascinations tainting him with their sin.
However, The Son is not wholly content...occasional memories resurface, broken and confused, but with them he distinctly feels how weak and wrong he is, the dead heart in his chest wrenching and forcing tears from his eyes before the agonizing visions fade and he forgets why he was crying at all. In these moments, he sees snapshots of himself but different, dark hair and dark clothes, glasses hiding sharp eyes and something screams that was real, that’s who he is and how he should be, and it’s often these visions that send him into hiding in his private quarters, away from prying eyes of shadows always watching him. And there’s other faces in those memories, not shadows but real human beings in the sunlight (he’s never experienced sunlight, it’s too bright for his eyes used to only using his second sight in the dark, dingy halls of Mementos), loud voices and shining eyes, shouting a name...a name he can’t hear but they look at him, smiling, laughing, memories and thoughts not from outside but from within. He feels it, these visions are his, they are not intrusive cognitions but instead memories, memories of a life he never had.
He often speaks to his father in these times, asking him questions about the nature of humanity and eventually about himself, feeling something is missing about his understanding of his own existence. In fact, he speaks with his father fairly regularly, finding the angels rather dull and too subservient to be of much use as conversation partners...and shadows are even worse. Yaldabaoth teaches him a great many things and even serves to allay his anxieties, with The Son harboring a deep reverence and affection for his father and for Yaldabaoth’s part, he too finds himself attached to his child. His attachment is difficult to define, but he experiences some amount of worry for him and he begins to engage in more conversation with him as well as reward him for doing well with his reapings. Ultimately, although Yaldabaoth does not experience human attachment, he defines his reality as richer having The Son being a part of it and so he wishes to protect him and nurture his growth (within Yaldabaoth’s parameters).
However, The Son is not in full agreement with his father – while arguments between them don’t occur often, they happen far too frequently for Yaldabaoth’s taste. Ostensibly, The Son should be fully under his control and yet he comes to him with prying or frantic questions about himself, he defends the sins of humanity and criticizes Yaldabaoth’s harshness toward them. He can grow combative, resentful, and even aggressive, and while he does generally acquiesce to Yaldabaoth’s assertions, he sometimes finds himself growing increasingly irate instead, burning with a righteous fury against a father he should follow with unquestioning faith. In those moments, the memories come back to him in sharper focus and painful intensity, overwhelming him with a wealth of emotion normally so absent from The Son’s composure. He fights back against Yaldabaoth in hysterics, his emotions tearing him apart as he makes claims and spouts words even he can’t understand, all taken from the pieces of those thoughts he thinks are his. In response, Yaldabaoth chooses to subdue him while always stating it’s for his own good, convincing him to drink his elixir if he can or using physical means to force him into submission before he has him drink. The elixir will always quiet him, locking out those memories and making him forget his anger, forget his objections...and truthfully, The Son welcomes it more often than not. He wants to forget and live in peace with his father, berating himself for his sin and imperfection.
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akechicrimes · 5 years
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Prompt 19 for Shuake? I read it and my brain immediately “̶A̶̶n̶̶g̶̶s̶̶t̶ Material for New Game+” (Just a suggestion)
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19. “Do you want to know the hardest thing about having a soulmate? It’s not the separation in the beginning, not the endless nights lying awake, hoping and praying that someone was made for you. It’s…it’s the love. It’s too strong, and you can’t fight it. I’ve tried. Believe me, I’ve tried…but I’m always going to love you. And I need you to know that.”
summary: goro akechi meets his soulmate akira kurusu, falls in love instantly, and immediately resolves to kill him.
When Goro is twelve, he hates two people equally: his father who he’s never met, and his soulmate who he’s never met. When Goro is eighteen, he meets Akira Kurusu, falls in love instantly, and resolves to kill him.
***
“Oh,” says Sae, when he walks into work next. “Take the day off, Akechi-kun.”
“That’s entirely unnecessary--!”
“I will be liable in court if I make you work,” says Sae promptly, and before his very eyes, starts to move case files over onto his (very small) section of her desk. “You met your soulmate, you get a whole two weeks of paid leave. Goodbye.”
“I didn’t meet my soulmate,” says Goro, trying very very very hard not to snarl.
“You’ve got lovesick all over your face,” Sae replies.
Goro immediately pulls out his phone and checks himself in the front view camera, because Goro’s only dedicated entire years of his life to having perfect, flawless control over his face and public image and it’s simply not possible that one scruffy-haired teenaged boy who probably doesn’t even wear deodorant could undo all his hard work, but no, Sae’s right, Goro’s got this hideously piteous wide-eyed fawning look like he’s some kind of blindly dedicated fangirl star-struck over a local celebrity. Goro has the sudden compulsion to break his phone, and maybe get rid of Akira Kurusu’s phone number while he’s at it.
“Enjoy the honeymoon period,” says Sae. “Don’t come back or I’ll get sued.” She thinks about it. “I think you may have to still go to school. You seem to have met your soulmate unusually young, so you may want to check if your school has a policy on it.”
“Right,” says Goro. His fists curl; the leather gloves creak. “I’ll... go, then. If anything happens with the Kamoshida case--”
“I will not call you before two weeks is up.”
“How... very kind of you,” says Goro with determined pleasantry, as if she’s not booting him off the very case that Goro worked for two years to have an opportunity to even look at, not to mention the case that Shido will have his head for if Goro screws up.
Maybe Sae hears it in his voice, because she pauses, and gives him the neutral look that could very well pass as her smile. “When your leave is up, the case will still be here. You only get to meet your soulmate for the first time once. It’s a special time. You could try to enjoy it.”
Just then, Goro’s phone buzzes with a text from--ugh--Kurusu, speak of the soulmate devil: My school just told me to take the day off because of soulmate stuff, is that legal?? Goro’s heart jumps. Sae does smile then, in that smug, triumphant way she does when she’s just won a legal case. “Have fun,” she says, and in the reflection of Goro’s phone screen, he can see himself smiling against his will.
***
There’s nothing for it. Goro’s just going to have to kill Kurusu. Or put him in jail, or make him go psychotic, or hand him over to Shido or his cleaner friend for disposal. Whatever works. But Goro cannot continue on with this shackle around his throat.
Life is a series of unfreedoms: first you can’t choose who you’re born to, sometimes strung up with a bunch of birth complications, possibilities carved away from you by the map of your genetics and DNA predispositions. Then all the things you can’t afford: maternity leave, a good diet, child care, a good preschool. More still: Duck and bow your head to the social workers, the school teachers, the bosses who want nothing more than to fire your mother for the slightest mistake. Don’t speak too loudly. Don’t make eye contact. When your mother dies, you can’t cry too loudly at her funeral or it’ll make your aunt mad. No, you can’t afford the train fare to visit her grave.
And people have the nerve to say: Oh, isn’t it romantic to have been assigned a soulmate from the moment of your birth? Isn’t it wonderful? Isn’t it reassuring to have no choice in who you love?
Isn’t it the peak of romance that one day, you just look across a TV studio and your entire life gets turned upside down? The entire insides of your head gets rewritten according to some cosmic match-maker game. All of a sudden, you’d take a bullet for some shitty kid in glasses you’ve never met. And it doesn’t matter what you want; it doesn’t matter what you need. You love him and you can’t even hate him for it.
Isn’t that romantic?
Maybe Goro shouldn’t have been surprised when the public started thinking that a group of thieves reaching inside the heart of another person and forcing them to admit their crimes could constitute as justice.
***
Shido doesn’t give a shit about Goro’s soulmate problems and also Goro would rather sit on a cactus and spin than tell Masayoshi Shido that Goro’s fucking soul is tied to the very thieves that are currently being a pain in Shido’s ass, which is to say that Shido calls him on the subway and rattles off three more Mementos targets that he wants taken out before the end of the week and Goro has no choice but to simper and nod and tell Shido yes sir, anything he wants, sir, right away, sir. Halfway through the phone call, Goro realizes that he could just tell Kurusu that Goro’s a murderer, and Kurusu, the leader of the righteous and just Phantom Thieves himself, would have no choice but to love Goro anyway, murders and all, murderer and all; and it wouldn’t even be a lie, wouldn’t even be an obligation; Kurusu would love him genuinely and sincerely and he wouldn’t even be able to stop himself, even if he came to hate himself for it. Shido hangs up on him. A nice old lady next to him says, “Did you get some good news, dear?” and Goro realizes that he’s grinning ear to ear.
***
Well, if Goro’s going to kill Kurusu, then he might as well meet the boy before he does--especially if Kurusu’s offering. Since they both have the days off and nothing better to do than to figure out what to do with the person they’ve found their soul bound to, Kurusu suggests that they meet up at some place called Leblanc, which, if Goro isn’t wrong, is the same place that Sae’s been hounding because of that child neglect case. Goro reminds himself that Kurusu has no choice but to love him because of this stupid soulmate thing, and therefore it’s patently ridiculous that Kurusu will have much of an opinion on the state of Goro’s hair. Goro fixes it anyway. He also brushes his teeth in lockable restroom in a Wild Duck Burger place. Almost leaves, then goes back and applies deodorant.
This is the stupidest thing that’s ever happened to Goro. Kurusu’s the phantom thief Goro’s trying to catch. Odds are Shido will have Kurusu killed or put in jail within the next eight months. Goro walks into Leblanc, sees Kurusu lurking in the corner booth in his school uniform, and feels his own heart do a dozen cartwheels. Oh, wow, Goro really does love him and he doesn’t even know him. This isn’t stupid. This is disgusting.
Goro isn’t familiar enough with Kurusu as a person to know what his stare means, but the man behind the bar apparently does. “Take it somewhere else, lovebirds,” he says. “Actually--for god’s sake, Kurusu, take him somewhere nice for the occasion.”
“Here is nice,” says Kurusu.
“Somewhere fancy. Geez, have some class and show your soulmate a good time.”
“Upstairs is nice,” says Kurusu.
“No it’s--ugh,” says the barista, and mutters something about kids these days as Goro considers the possibility that Kurusu is going to try and show his love by skipping straight to the part where they fuck on the first date, and Goro will have the pleasure of cutting his own soulmate’s dick off. Greatly cheered by this opportunity, Goro says his hasty goodbyes to the barista and goes upstairs, curious to see the room of the boy that he’s going to have the honor of murdering.
Goro takes the couch. Kurusu sits at the desk chair. (Not backwards, thank god.) “How good to see you again,” Goro lies cheerily. “Have you been well, since we last spoke?”
And Kurusu--Goro doesn’t know why he thought the boy from the TV station, who argued with him on live TV, would disappoint him--Kurusu looks him square in the eye and says, “The soulmate thing doesn’t have to matter.”
“Oh?” says Goro, and leans forward. Why did he think Kurusu wouldn’t make an interesting move? It’s Kurusu. Of course he’d approach the soulmate issue with the same fascinating approach that he took to justice itself. “Most people would say it matters quite a lot. Most people would be delighted to have found true love. So young, too.”
“Are you?” asks Kurusu.
Goro blinks like he’s been thrown an unfair question in a TV interview. Kurusu smiles, slow, sure.
“Not to sound like a cynic,” says Kurusu evenly, “but it doesn’t feel much like love if it’s not a choice.”
Goro’s smile widens. “Is free will a prerequisite of true love, then?”
“If it’s going to mean anything that’s worth anything.”
“Even if such free will costs you your shot at happiness?” Goro presses.
Kurusu doesn’t blink. “Would you be happy, chained to someone you love but had no choice in loving?”
Obviously fucking not, but Goro doesn’t want to hear that from Kurusu, because it makes Kurusu sound like he understands Goro, and the last thing Goro wants to hear from the boy he’s going to kill is that he’s not just Goro’s soulmate, but his soulmate for a good reason. 
“The idea of soulmates is a practically immoral phenomenon,” says Goro, so as to avoid the question. “At some point, it’s hardly any different from brainwashing or psychological manipulation, or even Stockholm syndrome. But the fact of the matter is that it’s a widely documented phenomenon, too. There’s no doubt that it’s real, and it exists, and that you and I are bound together. Speak practically, Kurusu. What are you proposing we do?” Besides just murdering you in Mementos, Goro thinks and doesn’t say.
“Pretend it didn’t happen. It doesn’t have to matter if we don’t let it,” says Kurusu. “I’m only in Tokyo until the end of this school year, too. We just have to wait until then, and then I’ll be hundreds of miles away and it won’t matter anymore.”
“You’re proposing that we outwit fate itself.”
Kurusu pushes his glasses up. Behind his hand, his lips just barely turn upwards. “Don’t think you can do it?”
Goro’s eyes narrow and his smile sharpens. “On the contrary, I’m only worried you won’t be able to keep up with me.”
“It’s a deal, then,” says Kurusu.
“We’ll choose our own paths of our own free will,” Goro agrees, “and we won’t let such a silly soulmate phenomenon determine the course of our lives.”
Kurusu’s smiles softly and takes Goro’s offered hand and shakes it. And for just a moment, Goro’s heart doesn’t feel like a besotted, weak traitor, but entirely at peace.
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