#also for some reason the timestamps from the dvd are different to netflix

[sensitivelittlevorta]

Enterprise Season 1 Episode 1 and 2 Broken Bow

1:42-1:50 Dude, that looks uncomfortable. Also, the way he pushed his ass through like he was swimming.

2:06-2:15 what the hell was stored in that thing no way that was just the weapon?! I thought that’s like a silo and there is just food in there?! But no?

2:40 OH MY GOD THE THEME SONG OH MY GOD I LOVE IT. HOW COULD I HAVE FORGOTTEN THAT THEME SONG?!

6:20 Klingot… Gringotts

7:20 Ooooh, the creepy smile doctor

7:45 isn’t dying because of wounds you got in battle but not in the actual battle actually pretty bad for a Klingon and you won’t go to whatever-it-is-called or is it the same? For the norse it is bad, I remember Thor telling Sif that in the fourth Thor movie.

8:22 (this is terrible, because of mouth movement or translating issues of idioms which don’t exist in other cultures they sometimes have to change sentences and they changed ‘knock you on your ass’ to ‘über’s Knie legen’ which literally translates to laying someone over their knees (so you can spank them (in a disciplining way)) but you can imagine what I thought when he figuratively said he wanted to spank her…💀 )

9:18 oooh, soval didn’t like being called out

10:20 Theee dooooooooggggg. Riiiiighthhtkjadk. They had a dog on board in this series!1!!!!1!!!!!!!

14:30 POOOOOOORTHOOOOOOS111!!1111!11!!!111!!111!!!!!!!111!11

18:20 why does the Enterprise have a disc slot…? Although it looks more like a snow shovel in this shot.🤣

20:04 is the Chinese food in San Francisco in 2150 authentic? Is the food there now authentic?

20:25 What do you think is in your normal day food? There’s literally bugshit in some candies. Don’t be so shocked about the droppings of some alien animal to be used as medicine.

21:27 that grin. That godamm grin. Also I think it made Archer doubt his life decisions for a split second

21:28 I remember that scene!

22:50 yeah… I definitely remember that scene… what a funny joke… third hand… funny… why? he doesn’t even have three hands🥲

24:10 I really wonder if we will still eat meat regularly in 2150. The number of people who don’t is rising, but how high will it rise in the next 100 years?

25:04 how many times did she have to try that?! Also, Archer is not impressed but very amused.

31:00 The Vulcans are out there and really think they know everything and are allowed to dictate the humans how to live life. What about meddling with other species? Oh yeah, my bad. That’s only forbidden until the species can use warp drive. After that they can just tell others what to do and what not to do. This really makes me hate Vulcans, but pretty sure that’s wanted, so…, good writing?

31:31 wäääähhhh!

31:46 wääääh. I don’t want to look at that! Please close him up. I don’t care about his lungs.

35:10 those green guys’ skin reminds me of those red rubbery running tracks. Also, I hate it when they speak a different language and require me to look at the screen to read the subtitles, I have no idea what they said in the beginning because I was looking at my phone

36:20 those jackets look awful. Ugly snake leather jackets

37:03 and you just know those Rigellians are smaller than Klingons?

38:45 are they naked? Are they clothed? Are they both?

39:40 gosh. I remember that scene and I am pretty sure I didn’t like it

40:04 please don’t say anything Trip. You have no idea what’s going on.

40:22-40:43 I told you! don’t say anything! If T’Pol says that, then please believe her. And she is right with interfering. Please don’t gimme anymore secondhand embarrassment.

41:03 can you at least give me one thing an enclave can mean?

43:27 pretty sure being bigger than an alien doesn’t mean you’re also stronger than them or that they don’t know how to turn that against you.

43:45 dude what? Why? Girl?! Why? I wouldn’t want to get kissed by some random alien that’s holding me captive… no matter how attractive they seem to be… Especially when she looks completely different after it!

44:09 and very close contact can’t just be skin contact? Like cheek on cheek? Or just hand on hand? Does it need to be the head? Can’t you just hug him? Why does it always have to be something sexual?

46:18 she dead. (also what kinda run was that steppystep over her and then steppysteprun XD)

46:47 you really should remember where you parked your car. My father taught me that since I was little. I thought Vulcans and Humans of the 22nd century should know that.

52:00 Why is this so sexual? I have no idea what they’re talking about because I am too busy feeling unwell because of that sexual massage thing they have going on.

52:25 why did she just shortly smear the cream on his back and then went to his legs? Surely, he is very capable of doing his legs himself. Can you please smear it on his back? Again, shortly back to the back and then suddenly his shoulders and his ears. He can do that himself? Just smear it in a nonsexual way on his back, please?! Now that we can’t see her doing his back, she is doing his back? They just show the sexual parts, yes? And the normal back one is off camera? Of course. And then he just leaves. Are they even allowed to leave yet? (imagine that with Archer and Shran though. In the same weird sexual way, but they just talk normally about their mission and then leave, and the audience is just hungry for more)

53:23 yummy…

53:43 (why are his legs less hairy than his chest? Is that normal? That’s a serious question, I have no knowledge about stuff like that)

45:30 is it logical to do that?

58:45 safety belts seem to be a good idea in general on board of starships. The amount of times people fly out of theirs seats on those series is way too high to not have seatbelts xd

59:49 that’s the Caretaker's array

1:01:20 Hoshi is about to get a panic attack

1:01:30 is that their tractor beam?! When was the tractor beam invented? That’s just two gacha claws on strings? How do you even aim that? If you miss with them, you have to retrieve them and shoot them again. I love it.

1:01:55 is that making fun of themselves because in the other series their displays also look like that?

1:03:38 would it? I thought nothing beats accidentally killing an alien when you just wanted to stun them…

1:03:58 sounds like you have a few squirrels in the controls

1:06:10 how you know that wasn’t killing?

1:11:08 disco!!! Where’s the music though? That was an elevator? Just more reason to wonder where the music was.

1:11:45 *snickers* *snorts* *starts laughing out loud*

1:13:10 why do those people always claim to know more about someone then the person themselves? I mean it makes sense in this setting with timetravel and all that, but in general, why do they think they know more? They can’t look into their heads, so why do they say that? Just to impress or frighten the other? I would be neither impressed nor frightened. Although I would be frightened to be in those situations in general 😅

1:15:10 is the timethingie going on in there also changing the way sound moves or why can’t neither of them locate the other by the origin of their voice?

1:15:25 that looked like it should have crushed his skull

1:16:00 eeeww

1:15:49-1:16:05 first scene: green running track guy has a strange hold on Archers uniform

                second scene: green running track guy suddenly has Archer in a strange chokehold

                third scene: green running track guy suddenly doesn’t have Archer in a strange chokehold anymore

1:16:25 same. I would be glad to be in one piece too. His face and hands though

Absolute shock on his face of having been beamed and he's still in one piece.

1:17:48 that smile…

1:18:13 The information is in his DNA?! That is small. Very small.

1:18:47 but I want to know what he said?! Tell me, Hoshi!

1:18:54 POOOOORHTOOOOOS. Awwww, his little tail is wagging so hard it’s just a ‘woosh��. Little baby boy.

[alittledizzy]

Hi, Mandy! The podcast with Phil is up! When you have time to listen to it, do you think, you could share some of your thoughts with us? Maybe even do some time stamps with commentary? Like, of course no pressure, but it would be awesome if you decide to express your opinion on the matter ;))) Have a nice day 🌷

My main thought: I love how much more comfortable Phil is talking about his anxiety and things that make/made him anxious now. I’ve never heard him dig in quite so much on how his brain works with insecurities and how intense he can be about editing and how that can cause him to mentally spiral with anxiety. 

Besides that, I don’t think he said much here we didn’t already know, but I sure as heck enjoyed listening to him say it all again. 

Timestamps!

2:30 - Phil would have shown up in pajamas if he’d known it was for a podcast. 2:37 - Interviewer asks Phil when he first realizes he was creative. “I think I just came out of the womb and did jazz hands in the hospital.” 3:00 - His parents gave him a video camera for Christmas when he was eight and he made little friends with his friends. He talks about the horror film he and his friends made when they were ten (that he’s made youtube videos about). He learned to edit then by pausing a video cassette tape and putting the footage in and editing in real time, before he could do it on a computer. He doesn’t know where that creativity came from, but he’s been making videos as long as he’s been able to make videos. 3:51 - He used to watch movies hundreds of times. He wore out the Gremlins VHS tape. He wanted to make things like that, or his own version of that entertainment. 4:05 - Gizmo the Gremlin was his mentor. No, he didn’t have a mentor, but he’s thankful to his parents for letting him do it. If he’d done his homework they’d just say, “Go for it. I’ll get you a video camera if you want to make videos.” He acknowledges that not everyone had that means of doing it, though now everyone has a phone and anyone can do it if they wanted to with a phone recording. 4:40 - When he was young his family was mostly his audience, though they let him play the horror film he made when he was ten at school. “I think having that audience reaction, I was like oh people are actually laughing and enjoying it.” 5:20 - He started youtube because he was impressed by the fact that anyone, anywhere can make something and have the chance to broadcast yourself. He saw people like Smosh and LonelyGirl15. He liked watching people’s lives all over the world. 6:01 - He got two comments on his first video and couldn’t believe it. One from Australia and one ‘somewhere else’ saw it and cared. 6:39 - He had imposter syndrome at the first Vidcon he went to. He went into a party and thought he shouldn’t be in the same room as people like Smosh. It was a learning experience. 6:58 - He found it crazy that a hundred people would come to a panel or meet and greet to see him and it made him feel like this was real, it was really happening. 7:32 - The interviewer asks him how he’s maintained trust with the audience and his answer is, “You’d have to ask the audience, they’re the ones that are still watching. 7:40 - He thinks being himself in his videos has help, he hasn’t had the need to reinvent himself or become somebody else. He feels like his audience are more friends than fans. 8:26 - "You have your long term collaborator, Dan Howell-” “Yes.” 8:27 - He finds it refreshing to collaborate, especially in comedy videos. He thinks he works well in an improvisation style environment, like on the gaming channel. It helps to have someone to laugh and have comedy banter with. It also helps to have someone else with creative ideas so you aren’t in your own head all the time. 9:20 - The interviewer asks about the transition from youtube to the stage shows. It was a big leap - they had ten crew members and it was a learning curve. He’s quite a shy person so going on stage in front of 2000 people was far out of his comfort zone compared to making videos alone. “It was kind of… fighting off my anxiety and thinking, I can do this, these people are here to see me for a reason.” 10:33 - They interviewed potential crew members (about a five minute interview) and they needed to be other creative people and understand the internet. They needed people who understood what they were making, and also wanted people that had a sense of humor and knew how to have a laugh. 11:30 - Specifically talking about TATINOF: they were trying to turn everything people loved about their youtube videos into a stage show, with a narrative flowing through the whole thing. They wanted it to be bigger than anything anyone had seen from youtubers before. 12:12 - You will not be seeing Phil on Strictly any time soon. 12:45 - TATINOF was about 70% scripted but it got changed up based on what the audience were like or what the reactions were. American found different jokes funny than Sweden and they learned to change and mold it. 13:09 - During TATINOF learned he can actually do scripted stuff, because there were scripted sections. He used to say he can’t act but he thinks he did okay with the scripted stuff in TATINOF. 13:52 - Section about the Radio 1 show. It started with him and Dan collaborating as youtubers with Radio 1, and the BBC decided to give them a show. He specifically says that Youtube say how many good comments and views youtube videos get, and that’s how the show came about. It started freelance and then they got the main show. 14:40 - With the radio show, because it’s live you really have to be aware of what you’re saying. There’s an art to working the desk with the music in the background and when to dip it down. They were learning on the go and it was terrifying. For the first three months he’d wake up in the middle of the night with night sweats and have nightmares about saying something wrong. He had panic dreams about the radio, but they got into a flow and he thinks it was an entertaining and innovative radio show. He always likes something that pushes the boundaries of the technology. 15:25 - He shades how 'old school’ the radio is because they had to play music videos off of dvds. If a dvd skipped or broke then the show would just go off air and they’d have to improvise. It was good preparation for doing stuff on stage. 15:55 - He talks about the stage show in America that lost power and improvising it in an unplugged way. He was relieved when people were happy with it. 16:38 - He thinks there are things traditional media could take from digital media: free flowing, less restrictions. On the radio ideas had to go through about ten processes. “By the time you’ve gone through these ten steps of checking, the fun of the creativity is gone about. It’s not about breaking the rules, it’s about trying to be more improvisational and spontaneous when you can. Not everything needs signing off by five people before you tell a joke.” 27:49 - He likes that youtube is more fresh and reactive to pop culture. It feels fresher than television - cites people doing the floss dance on Netflix shows now. It was funny a year ago, and it was written a year ago, but it’s not as funny now. 18:35 - The positive to traditional media is more people bringing experienced voices to the table helping you develop something. Youtubers know a few things instinctively but someone that’s been a scriptwriter for ten years can completely blow your mind. 19:25 - He would like to think the main thing his audience values is authenticity, but he actually thinks it is accessibility that they value more. He’s not like a movie or pop star. 20:14 - He’s fourteen years in and still tries to think of videos that would make him laugh or he wants to watch, but he’s trying to branch out some this year. “Trying new things.” He doesn’t think there’s any shame in seeing someone else’s video and thinking of doing his own take on that. 21:20 - He looks to Safiya Nygard for inspiration - he likes that there’s so much research and planning in her videos. Even if it’s a silly video she has all the facts and goes to all the videos. He got to meet her the last Vidcon and it was nice to hang out with her. 21:56 - He’s inspired by traditional media, too. For a long time it was Scot Pilgrim vs. the World, he used to think if he was going to make a video that was it. He starts talking about editing here and goes in pretty hard on what editing means to him over the next few minutes. 22:50 - He’s good at suspending his disbelief. It’s a good sign if you’re lost in a world. When he saw 1917, he forgot he was in the cinema. 23:13 - “It’s more when I’m watching my own videos, I can’t - I find it really hard to watch it as a viewer. I find I’m so critical of myself and I just see the edits and I’m just like, oh that could be different, that could be different. And even if after I’ve uploaded it I’ll get a text from my friend and they’re like 'oh that was so funny’ but in my head I’m like oh but I could have cut two seconds off that bit. So I think I should learn, and other people should learn, not to be so critical of yourself. Because there can be a point where - I made a video in December and I was looking back at the footage and I was like, I can’t upload this, this isn’t  - this isn’t good enough. But then I just persevered with the editing and it turned out to be really funny. But that self doubt was creeping in like, people aren’t gonna watch this, people aren’t gonna like this. So I need to work on that a bit and think - if people are enjoying my videos I should be able to enjoy them as well.”24:11 - It’s hard not to be numbers obsessed because youtube tells you as soon as you sign in what’s performing well and not. You don’t want to get that feeling when you first log in to your channel, and you can’t really avoid it. “You’ve got to see it as a learning thing rather than an everybody hates me thing.” 25:42 - Once a video is out in the world, he lets it go. He doesn’t obsess over it. He’s more critical in the editing process and actually pressing go rather than after the fact. 26:08 - He’s particularly proud of his coming out video because of the unexpected reaction. The video production wasn’t incredible but he’s proud of the message. 26:40 - They ask him how he’d have felt in 2006 knowing where he’s at now. “No. I’d probably run away.” 26:47 - “I was so shy and anxious, I couldn’t even like… phone for a hairdressers appointment. I was that nervous about public interaction and talking and stuff like that. So the fact that I’ve got to this level now where I can go on stage or talk on a panel it’s just like - it’s kind of mindblowing looking back at where I was. I’m proud of myself for that.” 27:15 - He’s ready to sink his teeth into a big new project, to do something new that’s very Phil and his own thing. He’s obsessed with interactivity. He was making interactive videos ten years ago with youtube annotations and he thinks now broadcasters and traditional media is more accepting of that technology and narrative structure. 28:15 - He pitched one interactive thing that didn’t work out. He shouts out Complex and also Markiplier’s interactive youtube original. 29:02 - It’s good to get feedback on an idea that’s rejected. It would be weird if everyone said yes all the time. He goes a bit in depth here on potential reasons why a project may be rejected and not taking it as an attack or a big negative thing. 30:33 - If he made a film he’d write it, not be the star of it. He’s excited to see where that creative process goes. He’s written a few short stories and tried a long form script. He’s a control freak so he won’t release it until it’s perfect. 31:03 - He sees Youtube as his work, and scripting and pitches as a hobby. He’s not under a deadline with writing and can enjoy free flowing creativity, unlike youtube where he needs to make a video every week. 32:00 - Discussion about the illustrator they had for TABINOF, who worked on The Mighty Boosh.33:00 - When ask him for one thing he’s inspired by at the moment, he says Bandersnatch and talks about it a bit. He still has Scott Pilgrim and Gremlins in his heart, though. “Gizmo’s the one.”