#also Stan’s sponsor is based on a real person who I recently learned is no longer with us but before my sister moved she got to know him

[1moreoffkeyanthem]

In working on episode 2 of Bedtime Stories and thinking about later timeline OJV sober king Stanathan, I’m asking someone in my life who is actively in AA about certain things, like yesterday it occurred to me that putting control in a higher power is a thing with that, so I was like “hey quick question so this character isn’t religious his partner is Jewish and he was raised catholic but he’s essentially agnostic now how would that factor in” and she gave me the MOST iconic quote that the guy Stan’s sponsor is based off said irl.

“Hell, put your faith in the doorknob for all I care. Got you in here, didn’t it?”

Amazing

[weekendwarriorblog]

The Weekend Warrior Home Edition 4/7/20 – ENDINGS BEGINNINGS, ABE and More (Sorry. No MY SPY.)

Boooooo … this week would have been when the Tribeca Film Festival was supposed to start, but I barely had a chance to go through the movies that were gonna play there when COVID-19 hit, and it was quickly cancelled. Apparently, they’re doing some sort of online festival this week, but apparently, they decided to wait until Friday afternoon to tell press who had already applied that they needed to reapply by Monday morning. If you didn’t receive or see this important Email, and I didn’t, then you were basically fucked in terms of covering the festival. That being said, this will be only the second time in 17 years that I didn’t cover Tribeca, and since they won’t even respond to Emails trying to fix this, I guess that means we’re done here. 

This was also the week when, at one point, Universal/DreamWorks Animation’s Trolls World Tour was supposed to open but I saw it last week via screener and liked it more than the first movie. I tweeted about it here:

https://twitter.com/EDouglasWW/status/1248685996612489217

Of course, STX’s My Spy was gonna open this weekend after many delays and that now will be streaming on Amazon instead, so that’s just the way things seem to be going. Who knows when any of us will have any sort of box office to report on, especially with AMC filing for bankruptcy and possibly not making it until studios decide to release movies theatrically again? (The earliest possibility seems to be July at this point.)

This week’s Featured Movie is Drake Doremus’ new film ENDINGS, BEGINNINGS (Samuel Goldwyn), starring Shailene Woodley, who is quite fantastic as Daphne, a thirty-something L.A. woman – and honestly, having interviewed Woodley for Alexander Payne’s The Descendants, I have just as hard a time fathoming that she’s even closer to her 30s as I did believing 34-year-old Alexandra Daddario as someone in her 20s in last week’s We Summon the Darkness. Regardless, Daphne is trying to get over a heartbreaking break-up with a man who was also her boss, and she quickly gets into relationships with two men, Jack and Frank, played by Jamie Dornan and Sebastian Stan, who also happen to be friends, creating a tough love triangle.

The fact that Doremus opened this film with the Cocteau Twins was a good sign, and I do have to say that the music throughout the film is fantastic, but really, it’s more about Woodley and the fact that Doremus is returning to a more improvised style of filmmaking ala his earlier film, Like Crazy, which was one of my favorites. I do think that Woodley’s talent elevates her performance well above her male co-stars, who at times, frankly, I couldn’t keep track of which was which. (Dornan’s Irish accent gave it away most of the time.) But I liked how Doremus explores one woman trying to make decisions about her life and relationships, showing how hard it is to do that sometimes.

Endings, Beginnings is on Digital on Friday and then On Demand starting May 1. I honestly don’t know the difference between the two. I probably should figure it out, huh?

Another movie I quite enjoyed that’s on Demand and Digital this Friday is Brazilian documentarian Fernando Grostein Andrade’s first narrative feature, the family comedy ABE (Blue Fox Entertainment), starring Noah Schnapp (from Stranger Things), Seu Jorge, Mark Margolis and Dagmara Dominczyck. Schnapp plays 12-year-old Abe, a Brooklyn ‘tween and a diehard foodie with his own blog and desires to be a chef. His main goal in the year leading up to his Bar Mitzvah is to cook the perfect meal to bring his half-Jewish and half-Palestinian family together in harmony. He gets some helping learning the ropes from Seu Jorge as a Brazilian food cart chef who takes under his wing, but Abe has his work cut out for him as his grandparents and other relatives can never agree on anything.

Listen, this is a pretty simple premise but that helps make Andrade’s film so much easier to enjoy.  I feel that this is a movie that probably would have done quite well on the film festival circuit (when there was one) since it’s a crowd-pleasing film that gives a very different look into the Israel-Palestine conflict from a Brazilian outsider, as well as in the guise of a warm non-confrontational coming-of-age film that should appeal greatly to foodies. I actually liked Schnapp in this role, mainly because he’s surrounded by such solid actors, including one of my personal faves, Mark Margolis, as his Israeli grandfather. Abe is the type of movie that may have gone completely overlooked in any other environment but actually keeps your attention through its warmth and pleasing storytelling that can bring those going through these hard times a smile or two. It’s not exactly reinventing the wheel or redefining “cinema” but it’s a good film to watch with the family you may now be cooped up with. (Probably for kids around Abe’s age so 11 and up?)

Next up is That Evening Sun director Scott Teems’ THE QUARRY (Lionsgate), a thriller based on Damon Galgut’s novel, starring Shea Whigham as a drifter who kills a travelling preacher and takes his place in a smalltown while being under suspicion of the police chief, played by Michael Shannon. The movie also stars Oscar nominee Catalina Sandino Moreno, and with those three alone, I really wanted to like this movie, but it was really dull and never really got me interested in any of the characters, which is especially a shame since Whigham is such a good actor, but this movie just didn’t do anything for me… at all.

Available now via VOD and on DVD/BluRay on April 28 is Tyler Cornack’s bizarre comedic (?) thriller BUTT BOY (Epic Pictures) -- co-written, directed and starring Cornack. To be honest, it’s the type of movie that is just too weird for its own good. I have to be honest that the movie’s title scared me, and if I read the actual premise beforehand, I might have been even more bothered about watching it then I was already just from the title. Okay, so Cornack plays Chip Gutchel, a married IT worker who becomes obsessed with anal probing after a proctology exam. A dog disappeared and then a baby but years later, a child disappears from Chip’s job, and the detective on the case (Tyler Rice), who is also being sponsored by Gutchel in AA, suspects that the missing child has gone up Gutchel’s … well, I don’t have to spell it out. This is one of those WHAT THE HOLY FUCK movies like The Greasy Strangler and Lemon that I immediately wondered (and apologies to the podcast of the same name) “How did this movie get made?!” While I felt the same way about the premise for the recent Swallow when I first learned about it, that movie was actually really good.  I knew as soon as it became obvious what was happening that I had absolutely zero need to watch a movie about a guy who is able to suck things up his own ass. Don’t get me wrong. It’s a competently-made genre film but as it became clearer and clearer where it was going, I was getting more and more queasy about the whole concept. So yeah, I wouldn’t recommend this to my worst enemy, and I’m guessing most people will feel the same but there’s a lot of boredom out there, so who knows?

Wow, that’s it? Four movies? Sheesh…

STREAMING AND CABLE

At this point, it almost seems silly to break this column down into sections ‘cause everything is gonna hit your computer and/or TV sets until theaters finally reopen. Note: I haven’t seen any of the movies or series below.

Streaming on FX on Hulu Wednesday (today!) is the new mini-series Mrs. America, starring Cate Blanchett as Phyllis Schlafly, “the sweetheart of the silent majority,” a woman who is fighting back against women like Gloria Steinem (played by Rose Byrne!) and others who were pushing for the ERA (Equal Rights Amendment) in the 70’s. The amazing cast includes Margo Martindale, Uzo Aduba, Elizabeth Banks, Tracey Ullman, “sweetheart of FX” Sarah Paulson, Melanie Lynskey and yes, there is at least one man, played by John Slattery. The showrunner is Dahvi Waller from Mad Men, too, so this should be an entertaining watch, and I’m definitely on board.

Lots of stuff on Netflix this week but not necessarily anything that’s been on my radar, like the new docu-series, The Innocence Files, which is exec. produced and directed by a number of impressive filmmakers like Liz Garbus, Alex Gibney and Roger Ross Williams. Debuting on Wednesday (today!), it looks eight cases of wrongful conviction and what the Innocence Project has done to try to get their cases overturned. This is a subject that has really interested me, although I liked last year’s Brian Banks more than Just Mercy.  The Innocence Project is just such an amazing organization with what they’re doing to help those who can’t help themselves go up against the deeply injust criminal justice system, so this is definitely one I’ll be watching.

There are a few new features on Netflix on Friday, none of which I’ve seen but hopefully will be enticing viewing. The three new ones include the German film, Rising High, written and directed by Cüneyt Kaya, starring David Kross (not the comedian) as Viktor Stein and Gerry Falkand as Frederick Lau, two real estate moguls who get sucked into their wealth by defrauding the bank, losing sight of reality.

There’s also the French crime film, Earth and Blood (La Terre et Le Sange), from filmmaker Julien Leclerq about a sawmill owner named Saïd (Sami Bouajila) and his 18 year old daughter Sarah (Sofia Lesaffre) trying to sell his factory, not realizing that one of his apprentices hid cocaine in there, forcing father and daughter to face tough gangsters who want their drugs back.

Brazilian superstar Wagner Moura and Ana de Armas from Knives Out star in Greg Barker’s Sergio, a film about Sergio Viera de Mello, the UN diplomat who is ready to resign and spend time with his wife before he’s assigned to a mission in Baghdad just as the US invasion of 2003, and he’s crushed under a wall when a bomb blasts the UN headquarters.

Amazon Studios will be debuting Tayarisha Poe’s debut feature, SELAH AND THE SPADES, on Amazon Prime Video Friday. It takes place at Haldwell, an elite Pennsylvania board school run by five factions. It stars Lovie Simone as 17-year-old Selah Summer, who runs the most dominant group, the Spades, who caters to supply students with alcohol and pills. As tension builds between the factions, Selah’s right hand BFF Maxxie (Jharrel Jerome) has a new boyfriend, so Selah needs to find a new protégé.

Next week, more movies not in theaters!

By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!