#also I’m gay btw and as a gay I hate sth park

[r0semultiverse]

As a cartoon & animation enjoyer I seriously wish The Roundtable youtube channel would stop covering S**th Park tbh

[misterbitches]

i just so deeply believe (and im right) that capitalism and putting a best face forward destroys art and also your will to want to create. the things that people make, that most people know about, become popular because industries pick people they know will comply, or need money, or are naive enough to think they can get what they want. 

there’s no reason productions should be that expensive and draining on crew members (i care less about actors bc i am a crew member and guess what actors just sit around all day sorry not sorry and i was one :P) but i always say: the little progress we make, is it really progressive? transgressive? 

and how could it be? how could it b ewhen companies refuse to relinquish themselves and break themselves up into parts. a web series could give people so much more freedom, but that is a whole lot more of a difficulty. i’ve made my own shorts (that i hate) and said what i wanted to say and even the pressure from how my school would receive it fucked up my psyche. 

and it takes so long for people who refuse to be stifled and be obsessed with this capitalist nightmare to get their shit released. if they get really popular still theyre not rolling in money (as they should not be) but they struggle to get shit together bc it’s harder to work with someone whose vision is opposed to this white supremacist garbage nightmare. 

i have a theory about parasite which is that SK has a totally different history with labor and capital than my country (US) does and it was done with that in mind and as an ttack on imperialism very clearly. that movie is not without its flaws, which can be discussed, but to date next to sorry to bother you which i havent seen it’s pretty much the most antagonistic film about that subject i’ve seen in a while. 

and in SK there’s tons of queer cinema (i may be exaggerating) but a lot of it is very gritty or uncomfortable (i am going to try and find this list my friend made of good sk queer cinema i think? or just n gen) and western gay shit is so popular overseas bc there’s a plethora of (BAD OR ANNOYING MOVIES I HATE CAROL) to go off of and see. a lot of international lesbians, for ex, really are into like hwood gay films or some shit bc that’s also what they can access and consume (let’s not get started on that fuckin dichotomy of man/woman but w/e) 

i wish i could be more cheerful and positive. it’s not that i don’t want to have fun or escape or watch these shows, in fact i do, and there’s legitimate shock when you see sth like ITSAY and it’s a beautiful cinematic experience. oh and on top of that i hate most TV and most TV is trash and films are better. imo ITSAY is like a movie split. 

why do we keep having hope in these systems? what i want in the future, because theyre not going away, is for more corps to reach out to collectives and diff types of filmmakers or artists and support them without making them stick to a contract and not do what they want. UNFORTUNATELY that’s really not how anyone feels like working. 

in my belief, at a time like right now, we have to be clear about not accepting austerity from the relief and to not fall into the trap of advancement via cultural artifacts. it’s bullshit—we fight against it. that doesn’t mean we can’t get excited when shows have things to say but i refuse to withhold critique because it’s so necessary in every piece

btw there’s this filmmaker called Park Kyoung Mi and though she’s married to this irish dude (who i think is like a professor of social theory idk) she was an AD to park chan wook (also a socialist) and a great filmmaker. in each of her works there’s a focus on women and queer themes of women and teens and their isolation and subsequent connections with each other. how men let them down, how you have to band together, the scariness of growing up. she made this miniseries for netflix called “school nurse files.” SNF was a book, it was written by a woman and its about desire, loss, and conformity, particularly for teenagers. there’s lots of queer themes and adult themes that  make it so we understand the precious lives of teenagers and how they need love and guidance instead of being shunned and pit against each other. 

it’s one of my favorite miniseries. netflix has this habit of picking up shows and telling NO ONE about them or very little advertising (it’s diff for south korean shows i think since a lot of production companies may come on board) and then canceling them. it is for a LEGIT reason which is MONEY!!!! but the director said she said yes bc she was given complete control and without it she would refuse. she also said she couldn’t get work or was feeling like the work she was doing was terrible (and in the reviews of the show or explanations about her it was always beginning with “PCW’s protege”) but she almost quit bc the pressure hrut and whittled at her

atp we need to take advantage of these systems if we have things to say and not let them take advantage of us. unfortunately, the opposite happens because people need work, have things to say whethere they’re shallow or not, and CONSTANT production means work and BS. this is how i feel about pretty much all industry and i’m the least critical of BL as opposed to say, kpop, or uhhhhhhhhh any celebrity ever bc it DOES have an edge over others but it’s an edge that they can barely fucking reach for or do well with. 

nothing and i mean nothing abou oversaturation and constant production will yield results that are going to be radical and “good” bc we’re approaching things ass backwards. the norm isn’t the ones that hurt you, the ones that stay with you, the ones that mean something. the norm is the bullshit you have to parse through. and even for things that do a great job of storytelling they still have their flaws or still have to buy into a system eventually, if the work calls for it, that they would long to eschew

if anyone sees this read this profile on arthur jafa, a prolific DP who i got the pleasure of seeing live AYYYY, and what he has to say. he left filmmaking then came back on his own terms and frankly i believe that’s just...what we have to do if we want to make a better world. that’s just me personally but this is my counterbalance to a fallacy that a work is revolutionary when it has zero intention of being so or will lie about its intention to save itself

this piec is called ARTHUR JAFA’S RADICAL ALIENATION and it reminds me of all the artists—particularly thai—i’ve seen that have had this radical alienation or refuse to water down their message and people will deal

i present one of my fav pieces  i’ve read frm the past year (it’s from 2014 but i read it end of 2019 when i was questioning me future) Radical Art is an Act of Uncompromising Passionate Resistance