#also I had to use the pose from a handgun set because the couples set doesn't have props enabled
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byberbunk2069 · 2 days ago
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simfluencer-network · 7 months ago
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Posedump | 25 (Non-Listed) Poses
Published by NotJustaBook on December 23, 2018
Hi everyone!
I know I’ve already posted today, but I thought today would be good to dump a little Christmas present on you guys. This time it’s a pose dump consisting of mostly story-telling poses that I’ve made for this and that. They’re pretty recent this time (thankfully) and all from Monte Vista Stories, so lots of poses for all your criminal needs (… no? Just me? Kay). This time, you get:
25 poses in non-listed format
9 stand-alone poses for adults
11 coupled sets for adults/teens
1 coupled set for an adult and a child
Pose codes in a .txt file
A note on height-adjustment
A list of links for the accessories I’ve used in the poses
Images with pose codes
A folder with the .clip files
Holiday wishes from me! (You get those even if you’re not downloading, though).
Height-adjustment:
Some of the poses in this set are height-adjusted, which means that you’ll have to either:
Use a height-slider. I use CMar’s slider. In most of these, the sim in the male position is set to 200 and the female is set to -130. (For sorrydaddy1-2 the male is set to 180, however).
Use an OMSP. Simply pop your dude on it and set it to around 13 cm (may need to be lowered a little for sorrydaddy1-2), then snap photos from the waist-up. Or don’t – I’m a free-minded individual.
Previews:
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These first ones are all made for Regina (because who else?). The first one is unused so far and required this handgun (not included), while the others were used in gen 2 chapter 7 for Gina and Lotta. They require these flashlights (not included).
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The first of these have been in use quite a bit. See example of it in use in chapter gen 2, chapter 8 and the gen 1 rewrite chapter 1 (last picture). The second was used in gen 2 chapter 8. It uses the same gun accessory as the above.
The last one I haven’t used, and it’s a little finicky to use. He’s holding a painting under his arm and you absolutely have to use moveobjects with it. What you do is place the painting and lower it down, then while holding down the alt-key, move your sim into position. Depending on the height of your sim, the painting can’t be too big or it’ll touch the ground.
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The first couple here were never used. I intended them for a photoshoot but I wasn’t happy with them and scrapped it. I question past me’s decision on that because they’re not that bad.
The second set were used for an old layout for my blog as you can see in the featured image, so it’s mostly meant for modelling. However, I also managed to find a use for it in gen 2 chapter 15, so it has story-telling potential as well.
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These were made with an adult and teen in mind for gen 2, chapter 5. There’s a little caveat however – when you use the pose in the fem position with a teen, the hand clips through the arm. That’s just how teen poses are, I’m afraid, and I was too lazy to correct. Instead, I shot around it in my chapter 😛
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These poses were (funny enough) also made for Regina. The first one is stand-alone and just meant as a reaction to being pushed down. In the other two, shit gets real. takedown2-3 are variants of each other, meaning the faces/hands are nearly the same, except he’s lower down to the ground in 3. Why? Uuuuummmm, I dunno 🙂 I guess I felt like I had a need for that at the time. However, none of them ever made it into a chapter. The gun used is the same as for all the above.
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Both of these were made for and used in the old version of gen 1 (pls no read is bad). The kid/adult one can be seen in use in gen 1 (old), chapter 20 and she’s actually meant to have this stiletto in her hand (not included). I was just too lazy to do it for the preview. The second was used in gen 1 (old), chapter 19. It uses these rope accessories (not included) though again – too lazy to put them on for the preview because I’m terrible. It works well with my posepack Tied Up at the Moment and maybe I would have included it but I thought it was bad at the time (it is, his face is horrible).
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And finally, I have two conversation poses to be used with a railing. The one in this preview is from the basegame, though the name escapes me. They can be used with other fences/walls with a little creativity and alt-key usage though, as I did in gen 2, chapter 21 with 1 (first pic – seen from behind).
What Can I Do With These?
Take pretty, pretty pictures and show me. I’m so curious!
Edit these for your own personal use – that’s what the animation files are for
Edit these and upload them to your funky blog (but please ask for permission and give credit, also please don’t just re-upload without edits, it’s silly)
Downloads
Download (SFS, .zip)
Download (Box, .zip)
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esonetwork · 4 years ago
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Timestamp #226: Let's Kill Hitler
New Post has been published on https://esonetwork.com/timestamp-226-lets-kill-hitler/
Timestamp #226: Let's Kill Hitler
Doctor Who: Let’s Kill Hitler (1 episode, s06e08, 2011)
Hello, sweetie.
Prequel
A phone rings as the TARDIS is in flight. The answering machine picks up and Amy leaves a message.
As the camera pans across the console and the dark control room, Amy asks if the Doctor will fulfill his promise to find Melody Pond. Even though she knows that everything turns out okay, she doesn’t want to miss Melody’s childhood.
The Doctor listens intently, but doesn’t pick up the phone. He’s clearly wracked with regret and sadness.
Let’s Kill Hitler
It was once a nice wheat field. Then the Ponds plowed through it, scrawling the word “Doctor” into the crop. They stop in the middle of the O – a giant crop circle – to find the TARDIS and the Doctor in his new pea green double-breasted coat. The Doctor shows them a newspaper article chronicling the event.
It turns out that this was the only way Amy and Rory could figure out to get the Doctor’s attention. He consoles Amy: He will find Melody because River lives. The moment is shattered by police sirens, a speeding red car, and a woman named Mels. The new arrival holds the Doctor at gunpoint and demands to be taken in the TARDIS. It seems that she wants to kill Adolf Hitler.
Flash back to a long time ago in Leadworth as young Amelia, your Rory, and young heretofore-unknown Mels grow up together. Apparently, Mels knows all about Amelia’s “imaginary” friend, the Doctor, and that knowledge gets her in trouble. A lot. Including stealing a bus. She’s also present when Amy finally figures out that Rory loves her.
In the present, Mels, Amy, and Rory take a trip in the TARDIS. Mels actually shoots the TARDIS console while in transit to Nazi Germany. In Berlin, 1938, those same Nazis are being observed by a team with future technology as a machine (posing as a custodian) shapeshifts into a Nazi officer. That team is inside the machine, a highly advanced ship called the Teselecta, which shrinks the Nazi officer and draws him inside. Since the officer is responsible for a series of hate crimes – after all, what Nazi wasn’t? – he is disposed of by a series of “antibodies”.
The Teselecta then goes to Adolf Hitler’s office and activates Justice Mode, but two things interfere in the plan. First, they are too early in Hitler’s time stream. Second, the TARDIS crashes through the wall into the office.
The Doctor evacuates everyone from the TARDIS as it smokes away, then stashes Mels’s handgun in a bowl of fruit. The travelers are beside themselves for actually saving Hitler. The Teselecta tries to attack Hitler again, but he shoots the ship before being stashed in a nearby cupboard by the Doctor and Rory. The Teselecta feigns a fainting spell while the crew analyzes the TARDIS and determines that the most wanted war criminal in history has arrived.
Also, Mels has been shot by Hitler.
Mels, short for Melody, regenerates into a very familiar form. Mission complete. Well… sort of. This new woman has no idea who any of her traveling companions are, she is incredibly self-centered, and has maintained her programming that demands murdering the Doctor. She tries multiple times with every weapon in the room, but the Doctor is several steps ahead of her, but he misses the poison lipstick.
Melody jumps out of window and takes on a squad of Nazis. The soldiers try to shoot her, but she survives due to her regenerative state and uses the discharged energy as a weapon. She picks up their guns and drives away on a motorcycle. Rory and Amy give chase with the sonic screwdriver, followed by the Teselecta disguised as a Nazi soldier.
The Doctor enters the TARDIS and extracts the smoke. He consults with the TARDIS voice interface – the sequence of trying to find a face that doesn’t remind him of his failures is hilarious – and determines that regeneration is impossible due to the poison extracted from the Judas tree. The interface mentions “fish fingers and custard,” inspiring the Doctor to set a course in the TARDIS.
Melody storms a restaurant and demands that the patrons give her their clothes. Outside, the Teselecta takes Amy’s form and miniaturizes Amy and Rory. Just before being killed by the antibodies, the Ponds are given clearance privileges and taken to the control room.
The Teselecta nearly passes judgment on Melody for killing the Doctor, but the Doctor arrives in a tuxedo and top hat. He uses a sonic cane to scan the ship. He also verifies that the Ponds are okay. The Teselecta places Melody in stasis before the crew explains that the mete out justice to war criminals at the ends of their respective timelines. Amy convinces the crew to offer any help they can to the Doctor.
The Silence, a religious cult who believe “silence will fall” when the oldest question in the universe is asked, are behind the plot to kill the Doctor. When the Teselecta crew reveals that they don’t know what the question is, the crew resumes their torture of Melody.
The Doctor asks Amy to save her daughter, so Amy disables the crew’s privileges so that they will all be attacked by the antibodies. The Teselecta releases Melody and the crew is teleported away to a mother ship. As the antibodies descend on Amy and Rory, the Doctor tells Melody to save her parents.
As the Doctor faces his imminent demise, he begs Melody to help him. She talks to the TARDIS and learns to fly the ship, rescuing Amy and Rory before returning everyone to the Doctor’s side. Melody Pond, a child of the TARDIS, wonders who she is. The Doctor asks her to find River Song and pass on a message.
As the Doctor falls unconscious, Melody asks who River Song is. Amy uses the Teselecta to show Melody her own face. Melody decides to pass on her regeneration energy – all her remaining lives – to the Doctor with a kiss, thus becoming River Song.
River wakes up in a hospital with the travelers looking on. The Doctor’s message was that no one could save him, which made her think that she could. This is how she learns Rule #1: The Doctor lies. The travelers leave her with the Sisters of the Infinite Schism to recover, complete with an empty TARDIS-shaped diary. She’ll find her way back to them in time.
As the Doctor ponders the data he downloaded from the Teselecta, River Song enrolls at the Luna University in 5123. Her motivations are simple: She’s looking for a good man.
There are a couple of items working against this fun ride: First, the introduction of the previously unknown Mels. Second, the crux of the assassination of the Doctor relies on him being the smartest man in the room again.
The first can be explained if we’re looking at the events of this season through Amy and Rory’s perspective, therefore seeing a low-impact change in the timeline after Melody’s birth and abduction. The second, while an annoying feature of the Steven Moffat era of Doctor Who, adds a lot of humor and hangs a lampshade on the Doctor’s blind spot for River Song. Especially considering the fact that she is the person who kills the Doctor, an act for which she is imprisoned and is now revealed to be a fixed point. The second also hearkens back to the Ninth Doctor in Boom Town, but it worked there because it wasn’t as much of a storytelling crutch for Russell T. Davies.
That humor, coupled with the character development for River and the Doctor, really makes this story work. The origin story for River Song helps tie off her story and could have provided a convenient story terminus if not for the character’s immense popularity.
The humor also worked because it was self-deprecating. The scene with the TARDIS voice interface poked at the ongoing theme with companion departures and shame, invoking Rose, Martha, and Donna in the process. The scene also point us back to a moment of combined shame and innocence by invoking Amelia Pond, whom the Doctor had not yet screwed up but did leave hanging for her childhood years.
Going back to Rule #1, we find out in this story that temporal grace – the state in which the TARDIS interior exists – houses a “clever lie”. The Fourth Doctor claimed that weapons could not be used inside the TARDIS in order to stop Eldrad in The Hand of Fear. Of course, we already knew that it wasn’t absolute from Arc of Infinity – “Nobody’s perfect,” claimed the Fifth Doctor when challenged by Nyssa about a Cyberman shooting in the console room – as well as The Invasion of Time, Earthshock, Attack of the Cybermen, The Visitation, and The Parting of the Ways.
With all of the discussions about Doctor Who canon/continuity in fandom, it’s a good reminder that Doctor Who canon/continuity has never been consistent.
This story also presents a fascinating parallel to The Caves of Androzani, during which the Doctor was poisoned by could survive by regenerating. The Doctor had several lives to spare at that point, but this encounter comes at the supposed end of the Doctor’s regeneration cycle due to the events of Journey’s End and The Night of the Doctor.
There are also several other franchise callbacks: We’ve seen “justice machines” in the past, though they were in the form of the Megara; We’ve previously seen the TARDIS materialize in a micro environment, courtesy of Carnival of Monsters, and materialize in a micro state, courtesy of Planet of Giants; We’ve seen the TARDIS materialize around people and objects before in Logopolis, Time-Flight, The Parting of the Ways, and The Waters of Mars; We’ve also heard about transferring regeneration energy in previous adventures like Mawdryn Undead, the TV movie, and The Ultimate Foe.
I’m also a sucker for the “Doctor who?” title drop gag, which has been around since the beginning. It makes me snicker every time.
All told, I really enjoy the action, the spirit, and the heart of this story. It takes a tired time-travel trope (“Let’s kill Hitler!”) and turns it on its ear to both develop characters and move a story along. Well done.
Rating: 5/5 – “Fantastic!”
UP NEXT – Torchwood: The Gathering
The Timestamps Project is an adventure through the televised universe of Doctor Who, story by story, from the beginning of the franchise. For more reviews like this one, please visit the project’s page at Creative Criticality.
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trouvelle · 5 years ago
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Emogust 16.08 — Murphy’s Law
A/N: Everything that could go wrong, will go wrong. Except in this fic everything doesn’t take place at once or in a day, so I don’t know if this qualifies. Idek what I was thinking. If it doesn’t, whooop well- @mintchocolateleaves @sup-poki
Kaito Kid's out to get the Great Detectives of the East and West.
The thing about it was that Conan had always known that Kaito Kid's would go after him sooner or later. It’s bound to happen.
The other thing about it was that Heiji never knew Kaito Kid was going to go after him as well. He hadn’t crossed paths with the said thief that much, so he really didn’t understand why he’s on the list as well. If anything, he was supposed to go after Kid, not the other way round. 
Kaito had been wanting to get rid of Kudo Shinichi, or rather Edogawa Conan, whom he had unluckily encountered more often than he liked to think. Hattori Heiji, on the other hand, was a more like a potential threat. Heiji might not have any grudge against him at the current moment, but who’s to say that he wouldn’t? If he’s going after the Detective of the East, why not go for the Detective of the West too? Those two seemed like they always had each other’s backs. Two birds, one stone. Besides, Kaito had this bugging feeling that Heiji didn’t particularly like him, considering what happened not long ago when he was trying to steal the biggest conch pearl in the world, the Fairy’s Lip.
He briefly thought about assassinating Makoto Kyogoku along with them. The guy was huge and ripped and possibly the most life-threatening, if he’s being honest. But keeping the karate champion alive was probably more beneficial for his sanity, if he’s taking the Suzuki heiress into consideration.
So it was settled.
His plan was to quickly shoot them from the back without them knowing, however tempting it might be for him to strike a conversation and smugly tell them that he’s the winner. Apparently Lady Luck was on their side for the night, because when Kaito pressed the trigger he found out he had no bullets. The timing was just really bad, because that’s the exact moment when his victims turned around and spotted him posing in action, wearing an unreadable face while looking at his handgun in disbelief.
The second time Kaito Kid set his plan in motion, he tried to look like an appropriate villain by dragging the machete (he stole this) along the floor of the rooftop, but it ended up wedged in one of the cracks on the dilapidated tiles. Exactly how old is this museum they’re in? he sighed inwardly. He had a few minutes before the police were supposed to get to the rooftop, so he went ahead and tried to wriggle his machete out. 
“Oi, ya need a hand?” He heard one of them say. He turned to look at them; the darker skinned lad was grinning and inching forward to him, the other tantei just standing there with his hands in his pockets. So he fled.
The two detectives caught onto his plan pretty quickly and mused that Kaito Kid was not much of a threat. Because in fact, there’s always some sort of obstacle with his assassination attempts.
Kaito decided that it’s time for a change of plans. Instead of targeting the both of them when they’re together, it might be easier to work his plan when they’re alone. 
Conan did tell Heiji to be careful, because between the two of them, he knew how to take care of himself better. They both had incredibly bad lucks, attracting dead bodies wherever they go. But the latter had a knack for getting into trouble way more often than he did. If anything, Conan’s not worried about his own safety at all. He didn’t even so much as flinch when he saw Kaito Kid standing at the side of his bed at night one time, gun in hand. Haibara was genuinely scarier, he told Heiji while recounting that time in the hospital when she did the same.
The day Kaito Kid forgot to bring the detonator to the explosives in Heiji’s room, the latter laughed and motioned for former to chat with him. "Ya might as well," he said, "It's 5a.m, no one else is awake, and I have about one and a half hour before I go to Kazuha’s to wake that ahou up."
Kaito did, and he chuckled awkwardly and rubbed his hands on his white pants. "Sure. Besides, I’m totally skipping school today. Be prepared though, next time, you're really going down."
Heiji barked a laugh. “Ya want some tea? My parents drink tea every morning.” He left his room and came back with two cups, offering one to the other boy. 
The thief shrugged. He eyed it suspiciously before taking it over from Heiji’s hand. “Is this poisoned?”
“Isn’t that what you’re out to do?” Heiji’s lips were back in his usual grin.
For someone he very nearly killed (and nearly kissed, but that was one time. ONE TIME, Kaito screamed at himself), Heiji sure was acting very casually as if nothing of that sort ever happened between them. Which spurred a thought into his mind.
"How are things between you and Kazuha-chan?”
Heiji’s cheeks exploded into a blush but he narrowed his eyes at the all-white-clad boy. “Why do you care? And who are you to call her Kazuha-chan?”
Kaito Kid calmly slurped his tea. “Please, I’m a professional. I make it a point to know everything about who I was or will disguise as, and I have to be updated about my victims. Also about Kazuha-chan, I even know her bra size, which I bet you don’t even have access to.”
“YA LITTLE—”
“How many times have you tried to confess?” he interrupted and casually raised one eyebrow.
“I don’t even know anymore,” Heiji groaned somberly. “There’s always something in the goddamn way. Crazy old lawyer lady, zombies, Japan Self-Defense Forces, SWAT team—I wouldn’t even be surprised if the Prime Minister shows up next.”
The other boy was amused and mostly surprised at how similar their situations were. However, he knew that this detective, as impulsive and reckless as he was, will keep trying to make his grand romantic confession no matter how many times he had failed and would probably continue to fail. He cleared his throat. “You know, I’m kind of in the same position right now.”
“Yeah,” Heiji nodded, “I noticed. Kudo and I both did. You’re good at stealing and escaping but not killing. In fact, you’re pretty lame.”
“Speaking of whom, I heard Kudo Shinichi confessed to Ran, who is now his girlfriend, in London and they kind of already had their first kiss. Unless you up your game, Hattori, you’re gonna die a sad virgin without ever confessing to Kazuha-chan.” 
Heiji gave him a glare and growled, “Shut up.”
“Besides, don’t you have anything better to do than going around stealing gems and trying to kill good people like us? Don’t you like, have a girlfriend or something?” asked Heiji incredulously. 
Kaito thought about it for a moment, cherishing the image of Aoko that popped into his mind. He should probably send her a text later to tell her that he’s getting to school late today, if he could get there at all. He knew for sure that it’s impossible for him to get to school all the way from Osaka before the morning bell rings. "She’s just a childhood friend," he said.
“Uhuh,” Heiji mocked in a singsongy tone, “That’s what we all said.”
Φ
The bell rang just a few minutes ago. Conan was on his way out of his school building when he saw a large shadow next to him and looked up just in time to see a piano fall and crash into the ground next to him.
"Tantei-san?" someone from above called, and Conan didn’t even need to look to see who was responsible for the death of their school’s piano. Hattori had told him about Kaito Kid’s nice little visit to his bedroom. To think that he would go all the way to Osaka before the sun was even up, Kid was really determined to do this, Conan thought. 
He used his hand to protect his eyes from the sunlight as he peered up into the fourth story window with half-moon eyes.
“And… you’re still alive.” Kaito Kid murmured. 
Conan set his backpack down on the grass and brushed some wooden chips off of his pants.
Kaito Kid sighed. "Oh, well. I should probably let you go home. Actually I had a back-up plan this time. If the piano missed you, I would go ahead and shoot you with my rifle. I left it at home though.”
"That's comforting to know," Conan called back. "Well, Hattori is coming to visit this afternoon."
There's a slight pause—Kaito Kid’s head and hat disappeared into the window and Conan waited patiently until a boy (who looked a lot like himself, Conan noted) walked out of the building. He's wearing a midnight blue gakuran, and Conan realized that Kaito Kid was either a high school student, or wanted to look like one. 
“Can’t walk around in my costume. But you sure this is a good idea?” Kaito asked as he stopped in front of the grade schooler.
"Probably not. But then again, neither is stealing, killing people, and destroying a perfectly good piano. Besides, Hattori said you’re not that bad of a person." 
"A perfectly good piano? It was out of tune.” came Kaito’s reply to defend himself.
Conan did not want to disclose the fact that many people might have accused him of being tone deaf.
Φ
The next time Kaito Kid tried was a week later when Conan was visiting Osaka. Both he and Heiji were taking the elevator to get to the seventh floor of the Osakan Police Headquarters building when the elevator jerked to a stop.
The elevator shook and the shockwave threw them to the ground, leaving them bewildered, except then the hatch at the top of the elevator opened, and someone in a white attire and familiar white cap jumped down. 
Kaito Kid stood up and cracked his neck before turning around to face two  detectives (looking relieved) sprawled on the floor of the elevator. He groaned. “Why do you guys just refuse to die, every single time. I cut off the cable wire, so the elevator fell and crashed at the bottom. I thought you were going down for sure."
"We were on the first floor."
Kaito Kid shrugged. "Okay. There's always next time."
"Guess so," Heiji agreed. A couple of seconds passed before Conan deadpanned, "We're stuck here, aren't we?"
"Yeah." Kaito Kid grinned. "The electricity is cut off, so you'll have to wait until they realize the elevators aren't working. See you next time, lads!"
“Oi, Kid.” Heiji called after him, just as his hands reached the top part of the elevator to leave. “Are you in a rush to go somewhere?”
Φ
Later that night in Heiji’s bedroom, while both of them were trying to sleep, they were rudely disturbed by a loud buzzing noise. They sat up to see Kaito Kid in the corner of the room, trying to get a weird-looking machine (presumably to assassinate us, Conan sighed) to work.
“Do you even know what time it is?” Heiji seethed.
"What I know is that now is the perfect time, but this damn thing..." mumbled Kid as he tried to get it to function properly, but it made several low groans and stopped working altogether.
Conan wondered whether it’s okay to laugh, and he snickered. “Hopeless, aren’t you?”
“Another day it is.” 
"I think we're getting too casual about this." Conan pointed out.
Heiji yawned and stretched, then switched the lights on. “All right who’s up for a sleepover?” P.S. I love these boys to death and I just want them to have normal teenage boy conversations and do teenage boy shit
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