#all lata & asha songs

[desifleabag]

Hello beautiful people out here!

I am Deepali. I am from Pune, Maharashtra. I am 21 years old (shaadi ki umar)

Desi fleabag? Because I relate the most with that specific character. Horny, messy, vulnerable, and crazy all the time but also considerate, expressive, and kind. I am a desi version of her.

🎀What I like? I like to dance, sing, journal, write poems and stories, and doom scroll all the time

📍Professional side of me

I did my bachelor's in philosophy. I have been working in an organization for quite a long time. I am a content writer. I am a writer/poet. I am an open mic performer. I have performed at esteemed platforms like tapeatale, poemsindia, kommune, and many more. I am a psychology and sociology student too. I am a co-facilitator and youth lead in different schools through my organization. I have worked on poetry anthology books.

The most important part of my life is being a poet or a writer. It's been a decade since I started writing, and professionally, it's been two years. My poetry and stories revolve around different and unique topics like mental health, family dynamics, feminism, societal norms and culture, romance, life intricacies, friendship, etc. I love being a poet and telling people stories about me and the world because I believe poetry is everywhere. I have a blog called Sip and Sofa Stories where I share the most wholesome blogs and fun-to-read stories.

Not much of a reader, but I like reading poetry by Sylvia Plath and more female writers.

💌 Movies and songs? I am a die-hard fan of Bollywood. I listen to 2000s Bollywood and retro songs. No one can challenge me the way I vibe on these songs and dance. My childhood is memorable because of Sunidhi Chauhan, Lata Mangeshkar, Kishore Kumar, RD Burman, Asha Bhosle, Sonu Nigam, Shaan, Arijit Singh, and many more artists. I also listen to Kpop, pop, indie type of music on days when I am dissociating at the fullest. Hold my clutcher, I am a Swiftie and Lana Del Rey fan too, bitch.

I love Bollywood movies, and I am yet to discover more Western movies. I have a bunch of comfort movies like Ye Jawani Hai Dewaani, Piku, Om Shaanti Om, etc.

🪕 My aesthetic type? A combination of Geet and Piku and a little bit of Poo vibe sometimes. But I love desi clothes. Kurti, jhumkas, bindi, bangles, oh god I love being a woman.

Interesting facts about me :

🌸I have three tattoos on my body (Crescent moon, "you're on your own kid" title, "grateful"). I love getting tattoos!!

🥃Loneliness who? I go to bars, cafes, and parks alone because why not. I fear no god.

💛I never was in a relationship, just some hardcore crushes who crushed my soul.

❤️‍🩹I have been in therapy for almost three years and on and off on meds. GAD (generalized anxiety disorder) gang assemble!

😶‍🌫️I love and hate spending time on LinkedIn. Girl boss era.

💬I write poetry about my crushes and defame my ex-friends. They know it very well! Lol.

I am a hopeless romantic and a professional delusional person. I will cook the best scenarios in my head and write about them. I romanticize life on another level though there are 156 rupees in my bank account by going to aesthetic cafes.

:¨ ·.· ¨:

`· . ୨୧⭒๋࣭ ��� 𝛢𝑛𝑑 𝑤ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑘𝑖𝑠𝑠 𝘵ℎ𝑒 𝑏𝑟𝘰𝑤𝑛 ℎ𝑎𝑖𝑟𝑒𝑑 𝑔𝑖𝑟𝑙𝑠,𝑊ℎ𝘰'𝑠 𝑔𝘰𝑛𝑛𝑎 𝑤𝑖𝑝𝑒 𝑎𝑤𝑎𝑦 𝘵ℎ𝑒𝑖𝑟 𝘵𝑒𝑎𝑟𝑠? ⊹ ‧₊˚

🖇To connect with me

𖹭 kavitavali.deepali to read my poems and stories on instagram

𖹭 sip and sofa stories blog. I write monthly blogs

Thankyou for reading my long ass introduction! Flying kiss tumhai💋

[broadwaydivastournament]

Movie Musical Divas Tournament: Round 2

Asha Bhosle (1933- ): Afsana (1948) | Boot Polish (1954) | Johnny Mera Naam (1970) | Love Love Love (1989) | Dilwale Dulhania Le Jayenge (1995). Playback (ghost) singer in all.

"A true Indian cinema legend - and still working today! Asha Bhosle provided her voice to multiple songs over decades of film. She may have also had a rivalry with her sister, fellow competitor, Lata Mangeshkar, but she dismissed the rumors." - anonymous

Helen (1938- ): Prince (1969) - Sophia | Caravan (1971) - Monica | Sholay (1975) - special appearance in song "Mehbooba Mehbooba" | Don (1978) - Kamini Dubbed by Asha Bhosle.

"Asha Bhosle, who was frequently Helen’s singing voice in films, said this about her: “She was so pretty that the moment she would enter the room, I would stop singing and look at her. In fact, I would request her not to come when I was recording! Do you know that famous story when I told Helen that I would have eloped with her if I were a man! That is true,“" - anonymous

This is Round 2 of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround2, or by clicking the link below. Add your propaganda and support by reblogging this post.

ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

Asha Bhosle:

Photos submitted by: @likeareligion and @tamlindair | Video submitted by: anonymous

Helen:

Photos and video submitted by: anonymous | Photos submitted by: @likeareligion

[orgasming-caterpillar]

DOYH: Music Taste

Ranveer Kashyap

classical music is life (both Hindustani and Carnatic)

Lata Mangeshkar, Muhammad Rafi and Kishore Kumar fanboy to the core

will occasionally turn on a qawwali (doesnt want to admit that he's obsessed)

is very picky in english songs, but likes Hozier, Sleeping At Last, and Frank Sinatra

Raghav Patil

knows how to play acoustic and electric guitar

had a rock/punk phase in high school (only with music tho) and still likes them

boy's got Arctic Monkeys and Mother Mother in his blood

fell in love with retro bollywood music after he plugged into one of ranveer's playlists

he is… SO DRAMATIC. Like,, Rahat Fateh Ali Khan level of dramatic. Played Zaroori Tha in his head while crying in chapter 17

Madhuri Gaikwad

oh she's THAT girl

has a beautiful voice, wants to be like her favorite (Asha Bhosle)

can recite every hindi item song by heart, especially old bollywood ones. Chikni chameli? Ek do teen? Badi mushkil? Chane ke khet mein? She knows them all.

surprisingly, she also knows a lot of aartiyaan and mantras, catch her singing Madhurashtakam at any time of the day.

Manorama Shankar

MARWADI SONGS

is lowkey embarrassed by them usually, but push her onto the dance floor in a rajasthani wedding, and she's killing it on every single beat.

has a gym playlist

has a whole playlist of bollywood loverboy songs for madhuri, sings them at random times to make her blush

Shrishti Kaur

HOZIER LESBIAN

mitski too

hates mainstream bollywood songs

likes hard vocals, more for practicing than for listening because she likes pushing her limits

[bollywoodirect]

Birthday greetings to the living music legend of the Hindi film industry, Sri #Pyarelal Ramprasad Sharma (03/09).

The iconic music director duo #LaxmikantPyarelal is synonymous with Hindi film music, particularly its popular hits. Born on September 3, 1940, Pyarelal Ramprasad Sharma is the son of the renowned trumpeter, Pandit Ramprasad Sharma, also known as Babaji. Under his father's guidance, Pyarelal started learning the violin at just 8 years old, dedicating 8 to 12 hours daily to practice. He further refined his violin skills under Goan musician Anthony Gonsalves. The song "My Name Is Anthony Gonsalves" from the film Amar Akbar Anthony is a tribute to Gonsalves, featuring music by the Laxmikant–Pyarelal duo.

At 12, Pyarelal began playing the violin in various studios, including Ranjit Studios, to support his family financially. His brother, Gorakh Sharma, also contributed by playing guitar for songs composed by Laxmikant-Pyarelal.

The duo first gained widespread recognition with their music for the 1964 film Dosti, produced by Rajshri Productions. Despite relatively unknown lead actors, the film's memorable songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" made it a hit. Many initially thought Laxmikant–Pyarelal was a single person. They won their first Filmfare Award for Best Music Director for Dosti, beating industry giants like Shankar–Jaikishan and Madan Mohan. Their subsequent work in films like Lootera, which featured famous Lata Mangeshkar songs, also gained fame.

By 1966, Laxmikant–Pyarelal had firmly established themselves in Bollywood. They continued to earn acclaim for their music in films like Aaye Din Bahar Ke and Pyar Kiye Jaa. In 1967, they had a series of hits, including the Golden Jubilee musical hit Farz, and other big-star films like Anita and Shagird. They won their second Filmfare Award for the film Milan.

Laxmikant–Pyarelal, along with contemporaries like Rahul Dev Burman and Kalyanji-Anandji, represented a new era in Bollywood music, overshadowing earlier composers. They were frequently chosen by major film producers and consistently delivered exceptional music.

Their significant collaboration with lyricist Anand Bakshi led to some of Bollywood’s most iconic songs, appearing in over 250 films. Anand Bakshi wrote the lyrics for all the films that earned Laxmikant–Pyarelal Filmfare Awards, except for their first. #RajeshKhanna also had a long-standing professional relationship with the duo, choosing them as the music directors for 26 of his films.

Another fruitful partnership was with singer Asha Bhonsle, who voiced numerous hits composed by Laxmikant–Pyarelal, including chart-toppers like "Dhal Gaya Din" and "Hungama Ho Gaya." The latter song was re-recorded for the 2014 film Queen and became a massive hit again. Between 1980 and 1986, Asha Bhonsle was often the lead vocalist for their compositions. Laxmikant–Pyarelal also scored music for the Telugu film Majnu in 1987, which was well-received for its musical numbers.

[hopefulkidshark]

Panghat: Meaning

Panghat is a Hindi compound word combining pani (water) and ghat (steps leading to a water body). In poetic lore it refers to a river bank where Lord Krishna used to hang out around Gopis.

Lord Krishna & Gopis on Panghat Painting

Rama Ho Rama Humne Gaon Ke Panghat Pe - by Mukesh in Ek Bechara (1972)

Film cast: Jeetendra, Rekha, Vinod khanna, Pran, Bindu, Kalpana,  Johny Walker, Anwar Hussan, Salome

Singer: Asha Bhosle, Lata Mangeshkar

Lyricist: Anand Bakshi (This Song was Written on Indian context)

Translation of This funny Song

In our country, it was said

That every girl is Hindustani

Either Radha or Sita or Rani of Jhansi.

We had seen woman carrying water at Bank of river or well in the village.

But We became dizzy after seeing these women of the cities.

Here are the roads, there were lanes,

Here are thorns, there were buds,

There was a tanga (two wheel carriage) Here is a vehicle with four wheels

There was fairy, Here is madam

There was anklets, Here is sandal,

There was a chandelier, here is the pandel,

There was a veil, Here is splendor (Charm)

There was peace, Here is rebellion

With small Matter they make preparations for fighting,

Some are nightingals, some are butterflies,

Some are fire, Some electricity,

Some M.A., Some are B.A., Some are P.A.

Just the name is a real one

The rest is all fake,

No  Pallanquin 

No wedding procession 

They Choose life partner themselves

Often virgins makes love before marriage

We became dizzy after seeing these women of the cities

Video on You Tube

[nyctophile-moi]

intro post:

(dividers by the incredible @saradika)

★nyc ★(she/her) ★19 ★bookworm ★love enthusiast

✰got lovesick all over my bed✰

hello hello hello! welcome to my little corner of the internet on this hell site (said with all the love i swear <33). this blog is essentially a dumping ground for all my scattered thoughts and rambles, along with things I find relatable. well, it's mostly about things i find relatable tbh. i'm very sentimental and a little bit mentally unstable so.. okay who am i kidding? very mentally unstable so some breakdowns might be in order. also f**k jkr!!

➟ basic info :

•asian •19 •bilingual •funny (please let me have this) •scorpio (still skeptical with my belief) •"love" lover •adhd haver(?) •anxious always •oversharer •flirt •coffee addict •eldest daughter •gifted kid burnout •trying to be a woman in STEM •overthinker (just give me a degree in that atp) •sarcastic af •you'll be surprised to know how much stuff i have not watched •will read anything except non-fiction •queer •cannot deal with confrontation •may oftentimes make inappropriate jokes •procrastinator (another degree right there) •easy to please •gets obsessed with things pretty easily •will shit talk with you all you want •overanalyser •pinch of grammar nazi sometimes •pathological people pleaser who doesn't want anyone to see her •may get over shit quite fast •has a new crush everyday •23 wives and counting •if we're mutuals we're besties already

➟ interests :

•people •music •books •playing guitar •making people listen to songs i like •ranting about anything and everything •making my own theories about stuff •character analysis •poetry •classics especially •rewatching the same four shows over and over again •keysmashing •eating food •making playlists •scrolling on pinterest/tumblr •sleeping •researching random shit on the internet •maths •computer science •hating physics (i'm sorry it sucks) •plotting revenge (which i'll never be following through with) •spending a tonne of my time looking at expensive aesthetic clothes that i can never afford •looking at pictures of renee rapp and asking them (read: her) to marry me over and over •collecting wives (okay i'm sorry wifeys that sounds very objectifying ilysm) •going over conversations that have already happened in my head and making myself sound better •yearning

➟stuff i love :

»music

•taylor swift •maisie peters •lana del rey •gracie abrams •niall horan •julien baker •phoebe bridgers •lucy dacus •boygenius •the 1975 •olivia rodrigo •renee rapp •arctic monkeys •lizzy mcalpine •hozier •chappell roan •ed sheeran •the neighbourhood •cigarettes after sex •billie eilish •the national •bon iver •sabrina carpenter •girl in red •lorde •ariana grande •5 seconds of summer •conan gray •ricky montgomery •the lumineers •bleachers •shreya ghoshal •arijit singh •ar rahman •shankar-ehsaan-loy •mohit chauhan •sanam •md rafi •kishore kumar •lata mangeshkar •asha bhosle •mukesh •pankaj udhas •jagjit singh •pritam

»books

•book lovers •beach read •happy place •people we meet on vacation •the picture of dorian gray •pride and prejudice •emma •sense and sensibility •wuthering heights •the diary of a young girl •the murder of roger ackroyd •and then there were none •the fault in our stars •i fell in love with hope •the harry potter series •the seven husbands of evelyn hugo •heartstopper •boyfriend material •murder on the orient express •the mysterious affair at styles •the kiss quotient etc. etc.

(can you tell i have a versatile taste? also, emily henry is my auto-buy author and agatha christie is the queen of crime. hercule poirot is the better detective. argue with the wall pls.)

»movies/shows

•brooklyn nine-nine •friends •never have i ever •love, victor •fleabag •dead poets society •the theory of everything •bridgerton •poor things •derry girls •barbie •la la land •harry potter movies •red, white and royal blue •enola holmes •mean girls •legally blonde •the princess diaries •emma •pride and prejudice •heartstopper •little women ���k3g •any srk movie basically •badhai do •shubh mangal zyada savdhan etc. etc.

➟DNI - racists, ableists, ED-promoting blogs, pedophiles, people younger than 13, empty/untitled blogs (y'all might be bots idk), jkr supporters/anyone affiliated with jkr, haters, zoophiles, anti-palestinians, misogynists/misandrists, fatphobes, homophobic people, transphobes, xenophobes etc. and anyone else who fits into that majority!!

(thankyou for reading all of that, can't believe i wrote it <33)

[herawell]

Listened to the Titanic soundtrack including “My Heart Will Go On” and all day I’ve been frantically listening to 12th century cantinas, Wolf 359 soundtrack music, and old Indian songs by Lata ji or Asha Bhosle to get that song out of my head because it will not stop looping and I do not need an ear worm as soulful and as dramatic in my head.

[thebobby1432world]

Sugandha Mishra Wiki, Biography, Age, Height, Weight, Family, Net Worth

Sugandha Mishra Wiki: Sugandha Mishra is an Indian actress, playback singer, and TV host who is known for her funny roles on The Kapil Sharma Show and for the way she has hosted many TV shows and award ceremonies. Sugandha Mishra was born in Jalandhar, Punjab, on May 23, 1988, to parents Santosh and Savita Mishra. Sugandha's family has been a part of the Indore Gharana for four generations. Sugandha Mishra WikiBoyfriends, Affairs, Husband Favorite Things Her grandfather, Pandit Shankar Lal Mishra, taught her how to sing, and she has a doctorate in music from Guru Nanak Dev University in Amritsar. Sugandha's co-star on the show, Kapil Sharma, was a year ahead of her when she was getting her master's degree. Sugandha finished her schooling and moved to Mumbai, Maharashtra, where she lives and works now.

Sugandha Mishra Wiki, Biography

Sugandha Mishra Wiki

NameSugandha MishraBirth PlaceJalandhar, Punjab, IndiaDate Of Birth23 May 1984Age38 years (as of 2023)HeightIn centimeters – 165 cm In feet inches – 5’5”WeightIn Kilograms – 57 kg In Pounds – 127 lbsEye ColorBlackHair ColorBlackProfessionComedian, Playback Singer, AnchorSexual OrientationStraightSchoolRabindra Day Boarding Senior Secondary Public School, JalandharCollegeGuru Nanak Dev University, Amritsar Apeejay College of Fine Arts, JalandharReligionHinduismNationalityIndianHome TownJalandhar, Punjab, IndiaDebutTV: The Great Indian Laughter Challenge: Season 4 Film: Heropanti (2014) Song: “Zor Naache” and ���Ishq Ki Dafli Baje”Fathers NameSantosh MishraMothers NameSavita MishraBrothersShivam MishraSisterAnkita (Elder) Boyfriends, Affairs, Husband BoyfriendsSanket Bhosale (Comedian & Doctor)Marital StatusMarriedHusbandSanket Bhosale (Comedian & Doctor) Favorite Things Favorite ActorsHrithik Roshan, Salman KhanFavorite ActressPriyanka Chopra, Sharmila TagoreFavorite FoodRajma-ChawalFavorite Singer(s)A.R. Rahman, Shankar Mahadevan, Shreya Ghoshal, Lata Mangeshkar, Asha BhosleFavorite SongMain Tenu Samjhawan KiFavorite Restaurant ChainBarbeque NationFavorite Color(s)Black Disclaimer: The above information is for general informational purposes only. All information on the Site is provided in good faith, however, we make no representation or warranty of any kind, express or implied, regarding the accuracy, adequacy, validity, reliability, availability, or completeness of any information on the Site. Read the full article

[desicinema20]

"The Magic of Music in Desi Cinema: How Songs Define the Soul of Indian Films"

Introduction: No other film industry in the world celebrates music as much as Desi Cinema. Whether it's the grand, orchestrated musical numbers of Bollywood or the soulful ballads in regional films, music is the heartbeat of Indian cinema. In this post, we'll take a deep dive into how music has shaped and defined desicinema, from its early beginnings to modern-day hits.

The Role of Music in the Golden Age:

The 1950s and 1960s were a defining period for Indian film music. Music directors like S.D. Burman, Shankar Jaikishan, and Naushad composed melodies that became immortal. Songs from films like Mughal-e-Azam (1960), Awaara (1951), and Pyaasa (1957) didn’t just complement the narrative but enhanced the emotional depth of the story.

The early Bollywood musicals were often built around the songs themselves. Bollywood songs became a language in their own right, often conveying emotions too complex to be expressed through dialogue. Lata Mangeshkar and Kishore Kumar, the voices of the era, gave life to these songs, making them iconic.

The '70s and '80s: The Rise of Disco & Playback Singing:

The 1970s and 1980s saw an interesting shift in Bollywood’s musical landscape. Disco music entered the scene with tracks like I’m Your Baby Tonight from The Burning Train (1980) and Disco Dancer (1982), marking a more international sound. Meanwhile, playback singers like Kishore Kumar, Mohammad Rafi, and Asha Bhosle dominated the scene, creating songs that were as iconic as the films themselves.

In the 1980s, films like Sholay (1975), Amar Akbar Anthony (1977), and Qurbani (1980) brought forward energetic numbers that resonated with the masses, giving Bollywood a new sound. But it wasn’t just the music; the choreography, the costumes, and the setting also came to define the genre. The popularity of the "item number" emerged around this time, a tradition that continues to define Bollywood today.

The '90s: The Era of Romance and Soundtracks:

The 1990s were marked by an explosion of musical blockbusters. The classic pairing of melodious love songs with visual grandeur became a hallmark of Bollywood during this period. Composers like Jatin-Lalit, Nadeem-Shravan, and A.R. Rahman introduced a range of sounds, from the soulful romantic ballads of Dilwale Dulhania Le Jayenge (1995) to the more contemporary pop-infused melodies of Dil Se (1998).

A.R. Rahman, in particular, revolutionized the industry with his fusion of Western and Indian music, creating scores that broke conventional barriers. His iconic work in Roja (1992) and Taal (1999) not only changed the music industry but also brought a new era of musical experimentation in Indian films.

Modern Day: The Fusion of Genres and Global Influence:

Today, Desi Cinema is characterized by a mix of traditional music with international styles. Composers like Pritam, Amit Trivedi, and A.R. Rahman continue to dominate the soundscape, but the influence of global genres like hip-hop, rap, electronic dance music (EDM), and even reggaeton can be felt in contemporary tracks. Bollywood soundtracks now embrace a wider range of genres, reflecting the evolving tastes of global audiences.

The rise of digital music platforms like Spotify and YouTube has made desicinemas film music more accessible than ever before, allowing audiences to discover and enjoy songs from all over India. In the past decade, regional cinema has seen a rise in musical experimentation as well, with composers like Ilaiyaraaja (Tamil).

Conclusion:

Music is the lifeblood of Desi Cinema. It’s what makes us laugh, cry, and dream alongside our favorite characters. From the majestic orchestral compositions of the 50s to the pulsating beats of today, the role of music in Indian cinema cannot be overstated. In Desi films, music is not just a background element—it’s an essential part of the narrative, blending seamlessly with the story to create an experience that is distinctly Indian, yet universally relatable. Whether you're humming a tune from a Bollywood blockbuster or tapping your feet to a Tamil chartbuster, music continues to be the soul of Indian cinema.

[86kime]

From the enchanting melodies of the 1950s to the soulful tunes of the 1990s, our collection of a to z mp3 old hindi songs free download offers a nostalgic journey through India's cinematic history. Relive the golden era of Bollywood with timeless classics by legendary artists like Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle. Indulge in the romantic ballads, peppy dance numbers, and poignant gazals that have stood the test of time. Immerse yourself in the rich cultural tapestry of India with our curated selection, all available for free download. Experience the magic of vintage Bollywood music like never before.

[waheedawolf]

Lata Mangeshkar was one of the most important musicians in modern (i.e. post-independence) India, and I'm saying this as a kind of non-fan (there rlly is no way to completely be a disliker of her music or disinterested in her work at all for a majority of Indians). She and her family were the most prominent musician family in Marathi and Hindi cinema up till a decade and a half ago. This woman near completely defined the sound of cinema for multiple generations of people throughout the Indian subcontinent and the *world*. She was in the Guinness Book of World records before being replaced by her sister Asha Bhosle, as the most recorded artist in history. She recorded like 50,000 songs in FOURTEEN different languages AND was an occasional music composer along with being the most celebrated female playback singer of her time. She and her sisters were singing playback for actresses decades younger than them up till her death. Here are a few of my favourite songs and music videos featuring her!

(👆🏼in Marathi)

(👆🏼in Hindustani)

Brigitte Bardot (1934-) solo - primarily an actress Songs: "La fille de paille," "Soleil de ma vie" Propaganda: "She did one song of questionable quality, but we're not here to talk music, we're here to talk hotness and she was a sex symbol for a reason!"

Lata Mangeshkar (1929-2022) solo Songs: "Aayega Aanewaala," "Dil Mera Toda, Mujhe Kahin Ka Na Chhora" Propaganda: "She was absolutely stunning in her youth" "She's a really important musician in India!"

Visual Propaganda for Brigitte Bardot:

Visual Propaganda for Lata Mangeshkar:

[broadwaydivastournament]

Movie Musical Divas Tournament: Round 3

Asha Bhosle (1933- ): Afsana (1948) | Boot Polish (1954) | Johnny Mera Naam (1970) | Love Love Love (1989) | Dilwale Dulhania Le Jayenge (1995). Playback (ghost) singer in all.

"A true Indian cinema legend - and still working today! Asha Bhosle provided her voice to multiple songs over decades of film. She may have also had a rivalry with her sister, fellow competitor, Lata Mangeshkar, but she dismissed the rumors." - anonymous

Carol Burnett (1933- ): Miss Hannigan in Annie (1982) | Winifred in Once Upon a Mattress (1964)

"OK SO CAROL BURNETT. Genuinely my first crush on a woman was probably her as Miss Hannigan in Annie bc I remember being really fixated on her, which, with foresight is INSANE but also? Incredibly prescient. Discovered her later work w/Sondheim in the past couple years, as well as her solo vocal albums and The Carol Burnett Show, and she’s SO funny and SUCH a great actor and vocalist and she’s so hot and I love her so much" - @idontpostanythingignoreme

This is Round 3 of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround3, or by clicking the link below. Add your propaganda and support by reblogging this post.

ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

Asha Bhosle:

Photos submitted by: @likeareligion and @tamlindair | Video submitted by: anonymous

Carol Burnett:

Photos and video submitted by: @mygreatadventurehasbegun | Photos submitted by: anonymous

[shankarjaikishanfansassnintl]

Remembering screenplay writer/ lyricist Vrajendra Gaur on his death anniversary.

Shankar Jaikishan and Vrajendra Gaur, a Very Good Association

The extremely successful Shankar Jaikishan and the prolific dialogue and screenplay writer, lyricist, Vrajendra Gaur came together in 1960 and worked for seven movies in fifteen years. Everyone of the movies had very good screenplay and dialogues with excellent music.

Singapore (1960): Produced by F. C. Mehra, the movie was directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Padmini acted in the lead with the title song filmed on the Malay Beauty Queen, Maria Menado. There are eight songs in the album. Shailendra and Hasrat wrote four songs each. Lata sang three solos and three duets with Rafi, with Mukesh singing one solo. The movie had a successful run.

Pyar Mohabbat (1966): The movie was produced and directed by Shankar Mukherjee. Vrajendra Gaur wrote the dialogues. Dev Anand was cast opposite Saira Banu. There are nine songs in the album. Shailendra wrote five songs and Hasrat four. Rafi sang two solos and two duets, one with Asha and the other with Manna Dey. Sharda sang two solos with Lata and Asha singing a solo each. The latter also sang two duets, one with Rafi and the other with Usha Mangeshkar. Although the music was very good, sadly, the movie did not fare well at the box office.

Duniya (1968): The romantic thriller was produced by Amarjeet. Vrajendra Gaur and K. A. Narayan wrote the screenplay. It was directed by T. Prakasa Rao. Dev Anand and Vyjayantimala were cast in the lead. There are six songs in the album. Hasrat wrote three songs while ashailendra, Neeraj and S. H. Bihari wrote a song each. Rafi sang three solos, Asha sang a solo and a duet with Kishore Kumar. Mukesh and Sharda sang a duet. It had a good run at the box office.

Lal Patthar (1971): F. C. Mehra produced the movie, a remake of a Bengali movie by the same name. The dialogues are by Vrajendra Gaur. It was directed by Sushil Majumdar. Raj Kumar, Hema Malini, Vinod Mehra and Raakhee played the key roles. There are six songs in the album. Neeraj wrote three songs, Hasrat two and Dev Kohli wrote one. Asha sang three solos and a duet with Manna Dey, with Rafi and Kishore Kumar singing one solo each.

Jaane Anjane (1971): The movie was produced and directed by Shakti Samanta. Vrajendra Gaur wrote the dialogues. Shammi Kapoor and Leena Chandavarkar are cast in the lead. There are seven songs in the album. There are seven songs in the album. Hasrat wrote four songs, S. H. Bihari two and Gulshan Bawra wrote one. Lata sang a solo and a duet with Rafi. Asha, Kishore Kumar and Sharda sang a solo each, while Suman Kalyanpur sang a duet with Manna Dey. The movie did reasonably well at the box office.

Jangal Mein Mangal (1972): The movie was produced and directed by Rajendra Bhatia. Vrajendra Gaur wrote the dialogues. Kiran Kumar and Reena Roy played the lead roles. There are seven songs in the album. Hasrat and Neeraj wrote all the songs together. Asha sang three solos and a duet with Usha.Kishore Kumar sang two solos and a duet with Rafi.

Resham Ki Dori (1974): T. C. Dhawan produced the movie and Atmaram directed it. The dialogues were by Vrajendra Gaur. Dharmendra was cast opposite Saira Banu. There are six songs in the album. Indivar wrote three songs, Neeraj two and Hasrat wrote one. Asha sang two songs, a solo and another with a chorus. Rafi, Manna Dey, Suman Kalyanpur and Kishore Kumar sang one solo each. Indivar, Shankar Jaikishan and Suman Kalyanpur received Filmfare Award nominations for Best Lyricist, Best Music Director/s and Best Female Playback Singer. The movie ran well at the box.

Although their movies together did very well, Shankar Jaikishan and Vrajendra Gaur parted their ways.

Seen in the picture below are (L-R): Shankar, Shanker Mukherjee, Vrajendra Gaur and Shailendra at the recording of a song for Pyar Mohabbat.

Photo courtesy: Suneel Gaur

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Saregama: Saregama launches LP vinyl record collection of legendary artists

Saregama has brought the nostalgia of the golden era of Bollywood music with the launch of its LP vinyl record collection. Featuring iconic songs by legendary artists such as Lata Mangeshkar, Kishore Kumar, Mohammed Rafi, and Asha Bhosle, these vinyl records are a treat for music enthusiasts of all generations. The music of these legends has made an immense contribution to Indian music and…

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Lyrics Lo Aa Gayi Un Ki Yaad

Lyrics Lo Aa Gayi Un Ki Yaad

Lo Aa Gayi Un Ki Yaad – Song contents: Lyrics in EnglishHindi LyricsYouTube VideoSong TriviaMore Lyrics in English | Lo Aa Gayi Un Ki Yaad | Do Badan-1966 | Asha Parekh | Lata Mangeshkar Lo Aa GayiUn Ki YaadWo Nahin AayeLo Aa GayiUn Ki YaadWo Nahin Aaye………. Dil Un Ko Dhoondta HaiGham Ka Singaar Kar KeAankhen Bhi Thak Gayi HainAb Intzaar Kar KeAankhen BhiThak Gayi HaiAb Intzaar Kar KeIk Saans…